#top things to do in ny

[techandtravel]

Things to do in Tribeca 2023

Things to do in Tribeca Uncover the Top Things to do in Tribeca and Places to See in the Heart of Downtown NYC Statue of Liberty -Without visiting the famed Statue of Liberty, a journey to New York is not complete. This symbol of freedom and democracy stands tall on Liberty Island in New York Harbor and offers stunning views of the city skyline. Take a ferry to the island and climb to the top…

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[the-physicality]

Kori really increased the first line and the MGM lines minutes in the third

yes- the mgm line was moved to first on the pp after the second. what i want is toi by period for all the past games [so i can do average per period]

[for those not in the know one shift is usually 45 seconds to 1:30]

the green highlights per period are toi is above the average for the period

[volfoss]

my #analysis or whatever but its really interesting with how much they cut out of the Jon at the banquet 1x01 scene compared to (at least the leaked version online) the original pilot and book. like not to be like yeah grrm put this much detail in there for a reason but a lot of the detail that they removed really hurts jon as a character and its so jarring to see how much they cut to take the chapter down to about 3 minutes of the episode.

[drysauce]

went on a walk to the nearby park and ngl i think this can fix me

[t-u-i-t-c]

finished only f*iends

[caffeinatedopossum]

When I had that panic attack the other day, my girlfriend really put some things into perspective... I don't know, I think I feel bad because this is the best my life has ever been and I'm still depressed and anxious. It feels like I can't do anything for myself and the things I can do, I don't.

But she said that she would feel the same in my position. That actually, when she was the most depressed, she *was* in my position. She said she'd go crazy from not being able to do anything all the time and for some reason that helped a lot. Like, just to hear that its not wrong to feel like this and that I really am doing everything I can.

It feels so greedy and selfish to look at my life being the best it's ever been and to still ask for more but I guess it's normal.

[artificial-condition]

Suchhhhhhh a good day

•lovely sunny weather but not too hot

•didn’t have work and don’t have work tomorrow

•took a shower in the morning and had my hair braided right after while still wet

•got bakery goods mmm

•made toffee and chopped some up which was really satisfying

•wore two different comfy cute outfits that I really enjoy and feel myself in

•blasted ridiculous songs on the way back from the bakery and looked ridiculous in a lovely way

•crocheted blanket I’m working on

•DIDNT GET A HEADACHE DIDNT GET A GLINT OF HEADACHE NOT EVEN AN INKLING OF PREHEADACHE

As far as getting things accomplished I didn’t do hardly anything but in the business of enjoying life I excelled today!

[reasonsforhope]

Given the misinformation that's been going around and will be going around, thought this might be helpful to some people

For a lot of reasons, I'm very good at this/at searching, to the point where I have worked as a professional fact-checker for two different publishers. So, here goes:

My Article Fact-Checking Protocol

Thorough Version

Read the full article. Keep an eye out for emotionally loaded words, and all-or-nothing language

Keep an eye out or anything that sounds too good to be true, and in contrast, anything that sounds so awful it must be true

Run the website/source through the amazing Media Bias/Fact Check. They'll tell you about a publication's bias and history of accuracy

Go to the website's home page and read through the headlines. Look at what topics they cover/prioritize, sensationalist headlines, and whether they're framing anything in a way that feels odd/off to you

Do a search related to the topic. This can be keywords, a question, or even just copy-paste the article title (Recommended: use DuckDuckGo so the results don't change based on what Google thinks they can sell you)

If multiple highly credible sources that say the same thing pop up, and there's no major societal biases that might affect the coverage of the topic in those sources (e.g. anything related to the Israel-Palestine conflict/Palestinian genocide, no matter which side), then I'm done!

If there are major societal biases, or I can't get a consensus of sufficiently credible sources, then I do some combination of:

(1) search the topic again + the words "controversy" and/or "fake"

(2) search the opposite of the topic, or do some sort of other filtered search

(3) look up a sufficiently credible news outlet with the opposite point of view of my source, and see what they have to say

(4) if it's a big enough topic, start by looking up 2 of the top national papers and 1 major paper for your region (I usually do the ones in the US, because that's where I am In the US: the LA Times, the Washington Post, and the NY Times)

Adjust "news" to "relevant type of source, e.g. tech, environmental" as relevant for all of the above options

If no red flags come up, and it's a topic I understand enough to smell huge bullshit,

Then I'm usually done!

If there are red flags, or I actually need a certain amount of detail/understanding, then it gets more complicated, but that would be a whole other thing to break down and such

or

tl;dr

Quick Version

Read the full article. Keep an eye out for emotionally loaded words, and all-or-nothing language

Keep an eye out or anything that sounds too good to be true, and in contrast, anything that sounds so awful it must be true.

If I don't know the website:

Run the website/source through the amazing Media Bias/Fact Check. They'll tell you about a publication's bias and history of accuracy

If I trust the source, but something else pinged my radar:

Do a quick web search to verify anything that sounds suspicious or too good/bad to be true (Recommended: use DuckDuckGo)

[ginalinettiofficial]

i’m gonna be so so real with you tonight tumblr. if this set list doesn’t change a little bit before my show in june i’m gonna be the teensiest bit devastated!!!

[the-physicality]

Sorry did I say Boston is going to 3 pride nights? I meant 4

[upsy]

anyone else think its fucked up that retail stores have an absolute obsession with getting customers to sign up for their loyalty shit? like to the point that if you dont get enough signups as an employee you’re blocked from promotions & pay raises or even threatened with termination over it in extreme cases. or god forbid there’s a paid membership that employees are forced to try to sell and if goals arent met the overall store’s hours get cut. disgusting model

[art]

Creator Spotlight: @jdebbiel

Deb JJ Lee is a non-binary Korean artist based in Brooklyn, NY. They have appeared in the New Yorker, New York Times, NPR, Google, Radiolab, and more. Their award-winning graphic memoir, IN LIMBO, about mental illness and difficult relationships with trauma, released in March 2023 from First Second.

Below is our interview with Deb!

Have you ever had an art block? If so, how did you overcome it?

That implies I am over my art block, but I’m still in it! I think about Kiki’s Delivery Service a lot and how she had to stop doing a thing, and that you can’t really force it, and you have to let it come back to you. It’s a pretty humbling moment, realizing there is more to life than just drawing. I’ve been trying to consume other content like reading or watching movies—anything that is not drawing-related—and to trust that it will come back to me. I think not being afraid to do the small pieces before committing to the big pieces is helpful. Because big pieces are what I am known for, I dig myself into a deeper hole, thinking that each piece has to be bigger than the last one. So yeah! Relaxing and doing the small things before overcommitting to a big piece is the best way to go about it for me.

Which 3 famous artists (dead or alive) would you invite to your dinner party?

I feel like these are all artists that I have second-degree connections with! Jillian Tamaki, Victo Ngai, and Tillie Walden would be my picks!

What are your file name conventions?

…What file name conventions? I mean, I don’t have specific file name conventions, but I actually have a public Google Drive archive! But I usually put “djjl_whatever-the-title-is_final,” and I would always know it’s the final and legit version.

What is a recent creative project that you are proud of?

I did an illustration for the whiskey brand Johnnie Walker. It’s so wild because I only had four days to finish it, and it usually takes me a week and a half if I rush. And honestly, it’s probably one of my best pieces from this year, which is funny. It was for the Mid-Autumn festival, so I made it as Korean as possible.

How has technology changed the way you approach your work?

I only use my iPad to draw everything now, and if I want to pretend that I have a steady workstation, I’ll use my Cintiq. I still am not as comfortable on the Cintiq as I am on Procreate, but it’s still pretty solid and nice. That’s the good part about technology. The bad part about technology is how AI art has been messing things up for me. I’m currently in a lawsuit about AI art as a class rep. Some of my stuff got turned into AI art late last year, so I have to give a deposition at some point. 

What is a convention experience that has stuck with you?

Honestly, they’re all good! I feel like Lightbox Expo has been really nice because it’s truly been a convention for artists. I feel like that’s where most of my audience is, and they’re all around because their purpose is to be better at art. That’s where a lot of original artists do well because they’re getting art they’re inspired by, not so much fanart. I like the Lightbox Expo because it encompasses the pure love of art very well. 

Top tips on setting up an Artist Alley booth?

Use a Y axis, not just your X axis! Take advantage of it! Branding is also something to think about. It is definitely something I’m getting better at. Having an assistant is also very important. I’ve also heard that 8.5x11 to 12x18 inches is usually a good size for prints, but I also provide postcard-sized prints because sometimes people don’t want to commit to a larger size. 

Who on Tumblr inspires you and why?

You know this is so funny. I’ve been following @alicexz for over a decade on Tumblr and other platforms. I’ve followed her work since high school, and we’ve only recently become peers. I found her, and we met for the first time in real life, and she recognized me. And then I found all my drawings from when I was in my Alice phase, back in high school, and I was like, “Yo, this is when I was trying to be you so badly!” and she was cracking up and was like “Wow, this is so good!” It was such a sweet moment. I wanted to take a picture of her holding my drawing up. It’s really nice because now we’re peers.

Thank you so much for stopping by and sharing, Deb! Be sure to check out their Tumblr blog over at @jdebbiel.

[corroded-hellfire]

Summary: Sam has noticed how much you look at Eric, and encourages you to go for what you want because no one knows how much time there is left.

Note: I hope you enjoy this story about my dear sweet wet boy 🥰

Warnings: movie canon violence

Words: 3.6k

What meds do you need?

With a shaky hand, Sam reaches out and takes her notebook and marker from Eric. She hastily scribbles down a few words, her eyes blinking every few seconds as if she’s fighting off sleep.

Her thin arm drops off the side of the bench, weakly offering the notebook back to Eric. You watch his doe eyes scan over the words before he tears the paper out of the book.

Eric nods as he folds up the sheet and slips it into his pocket. He gives you a terse smile that you don’t have the energy to return. Your eyes follow him as he steps through the rubble and debris towards the front door of the church. 

The moment he’s out of sight, you push yourself off the dirty floor, grab Sam’s Bai, and take a seat next to her head on the bench. The struggle to lift her head is apparent so you quickly slide closer so her head can rest on your lap. She gives you a look of thanks before she sips from the bottle.

Once she finishes, Sam gestures to the notebook on the top of her “I heart NY” tote. Luckily, you can reach it without jostling her head too much. 

The marker scratches against the paper as she writes. It takes her a minute longer than it did for her to write out the medication she needs, so you’re curious about what it says as she hands it to you over her head. 

I see how you keep looking at him. You going to say anything or what?

Heat floods your face, and you swear everyone else in the church is able to read the note over your shoulder. Doing your best to shake it off, you write back a quick message before handing the notebook back to Sam.

Not allowed to speak at all.

She reads what you wrote and drops the notebook onto her chest, letting her eyes roll up so she can give you the most unamused glare you’ve ever seen. 

As if Frodo is also unimpressed with your answer, he crawls out from beneath the bench, stretches his front legs out with his tail in the air, then heads towards the door. 

Funny. Pretty sure your eyes have left him all of twice since we left the apartment. 

It had been pure luck seeing Sam and Eric come into the apartment building last night. The distinctly human footsteps walked past the door of your apartment on the fourth floor and your curiosity got the better of you. You’d been held up in your home since the start of whatever kind of invasion this is and the need to see another live human being was too strong to deny. Though this was just last night it feels like another lifetime ago.

This is possibly the end of the world, and you want me to what? Tell Eric I think he’s cute?

You can’t help but see the twisted humor in the fact that you and Sam are sitting in a dilapidated old church, in the middle of what seems to be an alien invasion, and the two of you are writing notes back and forth to one another like high school girls gossiping. 

I’m saying to go for what you want. We could be dead in a minute for all we know. Don’t waste your time.

It’s hard to argue that point with someone you know has limited time left. It’s even harder to argue because you know she’s right. But even though you’re in survival mode now, you’re still you and don’t find things like this easy. Call it insecurity or trauma from high school when the guy you had a massive crush on found out about it and laughed in your face. Things like that don’t just go away—even in the apocalypse.

We’re focusing on staying alive right now, Sam. 

You’re deflecting.

It’s just the truth.

It’s still deflecting. 

What do you want me to say, huh? I’m already scared for my life, I don’t need heartache on top of everything else right now.

Why do you think it would be heartache?

Because guys like him aren’t interested in girls like me.

Guys like him? Girls like you?

Yeah. Handsome, smart, kind. And me, not those things. I don’t need to feel like the rejected high school girl again right now. 

Are you shitting me? This isn’t high school. Either tell Eric how you feel or agonize over what could have been. 

Again, trying to survive right now.

So afterwards. On the boat out of here.

Maybe.

If I had the strength to wring your neck, I would. Cancer has fucked up my life but one thing it did do is show me how useless shame is. There’s no time for being embarrassed, it’s just a waste. 

Why do you care so much?

What? You’re not getting my loving and nurturing vibe?

Ha. But really.

You’re both good people who deserve to be happy. If you can find that in each other then I think you should at least try. 

Fine. On the boat. I’ll say something to him there.

Swear on Frodo.

That’s not fair.

Do it.

Fine, I swear on Frodo.

Sam seems content after that and closes her notebook and rests it on her abdomen. 

It seems somewhat like emotional blackmail when the woman dying of cancer makes you swear on her sweet, adorable service cat. 

The arguing (if you could call it that) has drained some of Sam’s energy and you see her eyes start to flutter closed. But a spark lights in her eyes, and she opens the notebook once more. At first you think she has something else to say to you about the whole crushing on Eric thing, but this sentence is for her.

My dad played beautiful piano.

A bittersweet smile rests on your lips. 

Sam tries to put the notebook back down on her bag, but a wince tells you that the effort is hurting her. Gently, you take the notebook from her and set it down. She nods her head in thanks. 

For the better part of an hour, Sam dozes on and off. It doesn’t seem like a particularly restful sleep she’s getting, but you hope it’s doing something to help her. 

When Eric comes back, Frodo leading him in, he looks exhausted. Not that any of you were in top form these days, but Eric looks even more haggard than when he left. Still cute, though. Unfairly cute.

As he walks towards you and Sam on the bench, he reaches into his pocket and pulls out a box no bigger than a Polaroid picture. With a slight wince, Eric kneels next to Sam and begins getting the patch out and free from its adhesive. 

Sam tilts herself to the side and you help her turn enough that she can show Eric where to place it. 

Once it’s firmly on her skin and Sam is comfortably on her back again, it only takes a few minutes before the relief is visible. Her body has relaxed, her breathing down to a steady pace, and she looks the most at peace you've ever seen her. It feels like your heart has been run through with a sword when you think about all this poor woman must have gone through. 

“My dad played beautiful piano.”

Eric held Sam’s notebook in his hand, smiling at the few words. You just hope that’s the only page he stays on. He turns his head and meets Sam’s eyes.

“I loved it when he would bring me to watch him play,” Sam says, voice ragged and weak. “Then we’d get pizza at Patsy’s.”

That explains the odd insistence for pizza when the world is ending. 

“What happened to him?” you ask softly.

There are a few moments where Sam doesn’t speak, and you begin to think she’s not going to answer you. 

“He died,” she says. The pain in her watery eyes is palpable. You would want to wrap her up in a hug if she weren’t in so much pain. “Like I am now.”

The sad truth said out loud at last. You haven’t heard either of them say it up to this point. 

“Not before we get pizza,” Eric tells her. 

A small smile ticks up the corners of Sam’s mouth. 

“Not before we get pizza,” she agrees. 

The ship is leaving the port. It’s not too far out so it would be possible for you all to still secure passage on it. But then the dread in your stomach grows as you watch creature after creature step onto the sandy shore. They take great care to stay far enough away from the water, though. 

You, Sam, Eric, and Frodo trudge through the wreckage of cars and building debris scattered along the road. 

The four of you drop behind the carcass of an old van, all of you pressing your backs up against the tarnished metal. 

A shuddering breath comes from next to you and your head whips towards Eric, who is between you and Sam. His eyes tear up and he grits his teeth, trying to ward off the anxiety that’s creeping up.

Sam immediately presses a hand to Eric’s chest and in the lowest whisper possible says, “Breathe.”

You take one of Eric’s hands in your own and give it an encouraging squeeze. Hoping he’ll follow your lead, you take a large breath in, then let it out. It helps a bit, but the anxiety is so strong. How could it not be in the situation you’re all prisoners to?

Your eyes move from Eric to Sam as you watch her nuzzle her face against Frodo and press kisses to his black and white fur. If you didn’t know any better, you’d think she’s saying goodbye to him. Then she hands Frodo to Eric, and it hits you. She was saying goodbye to Frodo. Instinct tells you to fight her on this, but how can you? One, you can’t speak. And two, who are you to tell her not to do this? If it were you, you’d rather go out trying to save the lives of your companions rather than let a vicious disease let you waste and wither away, slowly and painfully as the world ends around you. Sam is thinking that her life is almost up, and she’d rather buy yours and Eric’s lives with the short time she has left.

Sam pushes herself into a crouch as Eric clings to Frodo, holding him close to his chest. You let go of Eric’s hand so he can hold onto the cat better—Lord knows he’s already run away enough times. 

“Run,” Sam whispers. 

Before she takes off, you look her in the eye and nod your head once. Between that and the tears building in your eyes, you hope she sees your acknowledgment of what she’s doing and all the gratitude you can convey to her. 

Sam nods in return, telling you she knows. Then, she’s gone. You see her crouch down behind cars as she makes her way through the lot. She picks up a crowbar and smashes it through a still-intact window of a car.

The smashing glass catches the attention of the creatures, and you know the time to move is now. Looking at one another, both you and Eric take a deep breath before getting up from behind the car. 

Monsters rush past you, leaving you almost no room to dodge them as they race in the direction of the noise Sam is making. It seems like a miracle once the two of you see the dock ahead, no creatures between you and there.

Your sprint turns into a run, Eric keeping pace right beside you as he holds Frodo securely against him. A few steps onto the pier, Eric’s foot kicks a large metal can that skids a few feet away. It clangs as it tumbles, and the monsters hear it. 

There’s no need for you to look back; you know they’re coming. All energy reserves go into your legs as you run faster. The rail around the dock is broken in one place, giving you and Eric the perfect opportunity to jump into the water. 

But they’re getting closer.

You can hear the monsters gaining on you, and a quick glance shows one leaping in the air, aiming to land right on top of you, Eric, and Frodo. But you jump. The flash of yellow beside you brings immense relief as you hit the water—both of you jumped in time. 

As you surface, you look back and see a gang of creatures waiting at the exact spot you and Eric leapt from. Two heads pop up next to you, one human and one cat, both safe. If this were any other circumstance, you would probably chuckle at how Frodo looks all wet. 

Eric gazes back at the land with you and you both see Sam, standing between two dedicated cars.

Shouts come from the ship behind you, encouraging you to swim over to them. Without saying a word to each other though, both you and Eric take the time to look back at Sam. To watch her, this brave woman in every sense of the word. There could never be a way for either of you to thank her enough, but you hope she feels some semblance of it. 

Wide brown eyes meet yours as you turn towards Eric. The two of you bob in the water for a few moments, looking at each other as you attempt to catch your breaths. Now it’s time to get to the boat. It’s time to get to safety.

Once the three of you have made it to the boat, you’re helped on board and assured that you’re safe now. Blankets are brought to wrap around you, Eric, and one for Frodo as well. 

It seems impossible to attempt relaxation after the last few days’ events, but there’s nothing else to do as the ship sails slowly along. Where it’s headed, you don’t know. You don’t particularly care at the moment, either. 

You, Eric, and Frodo make yourself comfortable in a small alcove on deck. It feels like you fall in a heap together, collective exhaustion kicking in. You weren’t even aware of how tired you were until this moment. The adrenaline finally starts to wear off and you lay your head down on Eric’s shoulder. You don’t intend to, but you quickly fall asleep against him.

When you wake, your head is still on Eric. Slowly, you sit up straight and smile when you see Frodo sleeping on Eric’s chest, all curled up in his blanket. Eric’s gaze catches yours and the moment you look into the beautiful brown eyes that make your knees weak, you remember what you promised Sam. On the boat. I’ll say something to him there.

After everything you’ve been through, you now understand clearer than ever what Sam meant about there being no time for embarrassment. No one knows if the next moment is their last, and do you really want to regret keeping your feelings inside? No. Plus, there was absolutely no way you could break your word to Sam after what she just did for you. 

“Eric,” you start, unsure of how to phrase what you want to say. He looks at you, waiting for you to continue. Gathering your nerve, you do. “I want…I have to tell you something.”

“Sure. Anything.”

Another deep breath. Sam’s voice whispers in your head, you can do this.

“I don’t, um, know where we’re going. Or what’s going to happen next. I can’t even begin to think about that, really. B-But I do know that I would like to stay with you for as long as you’ll let me. I like being with you.”

A shy smile grows on Eric’s face, and he nods his head. 

“I like being with you, too,” he says. “I’d love to stick with you.”

“Yeah?” 

“Yeah. But can I ask you…is it because you think I’m cute?” Eric is trying his hardest not to smirk, but the look of surprise on your face threatens to overtake him.

“I-I…”

“Or well,” Eric says, reaching into his pocket. He pulls out a crumpled piece of paper and holds it between the two of you, “at least that’s what you told Sam.”

Your eyes dart down to the paper, and you recognize your and Sam’s handwriting. A gasp startles out of you as you realize it’s the note you and she passed back and forth in the church.

Eric is full on grinning when you look at his face again. His shoulders shake as he chuckles, and his laugh is infectious. You start giggling yourself and bring your hands up to cover your eyes.

“Oh my God, she ripped it out of the notebook and shoved it in her pocket? She thought I was gonna wimp out!”

Neither of you can stop laughing now. After being so scared and quiet for so long, it just feels so good. 

Eric pulls out another piece of paper and hands it to you.

“She also wrote us this sweet note.”

The letter from Sam makes you smile, cry, and oddly, feel some form of peace. She’s home. 

“Aw, Frodo,” you say as you fold the note back up. “You would be the handsomest boy even if you did get fat. But no, we’re not going to feed you too much.”

Eric chuckles and holds his arm open for you. You gladly accept the invite and curl up against his side. The scent of the salt water, wet cat, and the mustiness from the blankets do nothing to cover the scent that is pure Eric. You rest your forehead against his neck as he wraps his arm snugly around you and presses a kiss to the top of your head.

“You know,” he says softly as he lays his head against yours, “I came very close to getting you and I killed multiple times.”

“What?” You frown as you reach your hand out to stroke the top of Frodo’s head. “How?”

“Well, when I first saw you, when you stepped out of your apartment, I didn’t say anything. Not only because I couldn’t, but I was speechless. You’re so pretty and I froze. Sam had to push me three or four times to get me to walk again. And then there were so many times I’d just look at you and almost blurt out how beautiful you are. Because your beauty is something that’s impossible to keep quiet about. Then I got to know how kind you are. So compassionate, brave, selfless. Your beauty runs farther than skin deep and it made me even more of a bumbling idiot.”

You can’t help but giggle as you bury your head farther into the juncture where his neck and shoulder meet. 

“But I do have a bone to pick with you,” Eric says.

Reluctantly, you pick your head up to look him in the eye.

“Why?” you ask, furrowing your eyebrows in confusion.

He picks the note between you and Sam back up and begins to read a part aloud.

“Why do you think it would be heartache?

Because guys like him aren’t interested in girls like me.

Guys like him? Girls like you?

Yeah. Handsome, smart, kind. And me, not those things. I don’t need to feel like the rejected high school girl again right now.”

He lowers the note and shakes his head.

“Now, I don’t know what kind of absolute prats you went to high school with, but anyone who rejected you is, quite literally, insane. And I don’t like this talk about ‘girls like you.’ You make it seem like such a bad thing to be you. But you’re possibly one of the best people I’ve ever met. And I know that after only knowing you for about two days. And it didn’t take me more than four seconds to see how stunning you are. Frodo and I want you to see yourself the way we do. Right, boy?”

Both of you look down at the snoozing cat and you scratch between his ears with a chuckle.

“I’ll work on it,” you say earnestly. 

Frodo tilts his head and you let your hand drop. You lift your head and Eric is so close. It would barely take any movement for his lips to be on yours. So, you make that move. The hand that was petting Frodo comes up to cup Eric’s jaw as you lean in and press your lips against his.

Eric’s body immediately sinks against yours, holding you tighter as he kisses you back with urgency. It’s as if he remembers the two of you have more time now and he can savor this moment as he slows the kiss down, enjoying exploring your mouth at a lazy speed. There’s no rush anymore. You’re safe and both here together. 

When you part, he rests his forehead against yours and you’re pretty sure there are identical grins on both of your faces. 

“I can’t wait to hear your laugh over and over again,” you tell him.

“I can’t wait to hear you say my name,” he replies.

“Eric.” It’s the first time you’ve been able to say it above the lowest of whispers. “Eric, Eric, Eric.”

His grin grows even larger, and he presses a quick kiss to your lips.

“God, I love the sound of that.”

[mostlysignssomeportents]

“Carbon neutral” Bitcoin operation founded by coal plant operator wasn’t actually carbon neutral

I'm at DEFCON! TODAY (Aug 9), I'm emceeing the EFF POKER TOURNAMENT (noon at the Horseshoe Poker Room), and appearing on the BRICKED AND ABANDONED panel (5PM, LVCC - L1 - HW1–11–01). TOMORROW (Aug 10), I'm giving a keynote called "DISENSHITTIFY OR DIE! How hackers can seize the means of computation and build a new, good internet that is hardened against our asshole bosses' insatiable horniness for enshittification" (noon, LVCC - L1 - HW1–11–01).

Water is wet, and a Bitcoin thing turned out to be a scam. Why am I writing about a Bitcoin scam? Two reasons:

I. It's also a climate scam; and

II. The journalists who uncovered it have a unique business-model.

Here's the scam. Terawulf is a publicly traded company that purports to do "green" Bitcoin mining. Now, cryptocurrency mining is one of the most gratuitously climate-wrecking activities we have. Mining Bitcoin is an environmental crime on par with opening a brunch place that only serves Spotted Owl omelets.

Despite Terawulf's claim to be carbon-neutral, it is not. It plugs into the NY power grid and sucks up farcical quantities of energy produced from fossil fuel sources. The company doesn't buy even buy carbon credits (carbon credits are a scam, but buying carbon credits would at least make its crimes nonfraudulent):

https://pluralistic.net/2023/10/31/carbon-upsets/#big-tradeoff

Terawulf is a scam from top to bottom. Its NY state permit application promises not to pursue cryptocurrency mining, a thing it was actively trumpeting its plan to do even as it filed that application.

The company has its roots in the very dirtiest kinds of Bitcoin mining. Its top execs (including CEO Paul Prager) were involved with Beowulf Energy LLC, a company that convinced struggling coal plant operators to keep operating in order to fuel Bitcoin mining rigs. There's evidence that top execs at Terawulf, the "carbon neutral" Bitcoin mining op, are also running Beowulf, the coal Bitcoin mining op.

This is a very profitable scam. Prager owns a "small village" in Maryland, with more that 20 structures, including a private gas station for his Ferrari collection (he also has a five bedroom place on Fifth Ave). More than a third of Terawulf's earnings were funneled to Beowulf. Terawulf also leases its facilities from a company that Prager owns 99.9% of, and Terawulf has *showered * that company in its stock.

So here we are, a typical Bitcoin story: scammers lying like hell, wrecking the planet, and getting indecently rich. The guy's even spending his money like an asshole. So far, so normal.

But what's interesting about this story is where it came from: Hunterbrook Media, an investigative news outlet that's funded by a short seller �� an investment firm that makes bets that companies' share prices are likely to decline. They stand to make a ton of money if the journalists they hire find fraud in the companies they investigate:

https://hntrbrk.com/terawulf/

It's an amazing source of class disunity among the investment class:

https://pluralistic.net/2024/04/08/money-talks/#bullshit-walks

As the icing on the cake, Prager and Terawulf are pivoting to AI training. Because of course they are.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/08/09/terawulf/#hunterbrook

[mariasont]

Please, Don't Prove 'Em Right Pt 2 - A.H

a/n: im not quite sure how i feel about this i feel like im really bad with resolutions but practice makes perfect and you all really wanted a part two so here we are i hope you beautiful angels like it:)

also if you commented on the first part which can be found here, i put you on the taglist for this one!

masterlist

pairings: aaron hotcher x fem!reader

summary: is it possible to forgive the man who broke your heart the most?

warnings: angst, creepy man in a parking lot, hurt lots of hurt, idk man i still wouldn't be able to forgive him for this, CURB STOMP

wc: 1.6k

The sound of your stupid heels against the pavement only served to fuel your irritation. A rough patch of asphalt snagged the stem of the shoe, jolting your ankle sharply. With a hiss and a muttered curse, you bent down, yanking off the insufferable things, all the while attempting to block out the thought of the grime that was now undoubtedly coating your skin.

Your stupid dress now dragged against the ground, collecting dirt, and your stupid makeup, once perfect, was now smeared by the tracks of your tears.

"Hey there, pretty lady, why the long face on such a beautiful night?"

The voice came from a man who materialized as if from thin air, towering over you. His clothes were worn, his tie hanging crookedly, and a predatory grin fixed on his face.

You tried to sidestep, your mood souring further, but he mirrored your movements, blocking your path, his eyes examining you with an unsettling sense of familiarity.

"Come on, don't be like that. A girl like you shouldn't be all alone. Let me keep you company."

His words were like oil, slick and unwelcome, making your skin crawl. You clutched your heels tighter, completely prepared to use them as a weapon if necessary. "I'm fine, thanks."

But he wasn't taking the hint, stepping closer, his breath reeking of booze. "No need to be shy. I'll treat you right--,"

This was it. Instead of being known for winning a Pulitzer, you'd be known as the girl who got kidnapped in the parking lot after the ceremony. The cherry on top of the evening.

"I think you're misunderstanding the situation. She's not interested."

The man of the hour. You knight in a suit and fucking tie. The stranger's gaze shifted to him, and for a moment you saw the hesitation, the calculation of a prey assessing whether he can take on his predator. The man finally scoffed--a sound meant to be dismissive, but even he couldn't mask the defeat. With a sneer, he walked away.

You released a pent-up breath, one you hadn't realized you'd been holding.  Aaron turned to you. "Are you alright?"

"Am I alright? You know what fuck off, Aaron." Your words came out laced with a venom that shocked even you, their acrid taste lingering on your tongue. The tears you'd been staving off now flowed freely. You jabbed the certificate into his chest, the paper wrinkling under your fingers. "I won, by the way."

Your turned on your heel, not waiting to see his face. The concrete was frigid under your bare feet, but your pride swallowed any reaction.

"This isn't the place to be alone and without shoes." Aaron's voice followed you.

You came to an abrupt stop, anger bubbling through every surface of your body as you spun around to face him. "Neither is the Pulitzer ceremony where I'm supposed to have a supportive husband."

"I'm so sorry, honey. I got caught up with that case and there was—,"

"Aaron, stop," you cut him off, tears burning the corners of your eyes. "I can't hear more excuses because you know what? I give you excuses all the time, and you take advantage of it. You take advantage of me and the chances I give you. And you just... you just keep letting me down. All I wanted was for you to be here for this one thing. That's it. And you couldn't even do that."

"I messed up, I know," Aaron said, his usual eloquence failing him. "There's no case, no job, no damn good reason for me not to be there. I failed you, and it's not something I can just fix with an I'm sorry, but I am I'm so sorry."

The floodgates open, and you're sobbing. "I hate this. I hate that I want to forgive you. But I can't... I can't because I know you'll do this again. And every time, it chips away at me, at us, until there's nothing left."

"Oh, honey," Aaron says, reaching out, but you shrink away, the space between you filled with more than just air.

"P-Please, don't," you gasp, the tears relentless. "I can't... I just need some space. I'll get my things and stay with my sister, okay?"

You walk away, the knot in your throat growing tighter, the distance between you stretched out and you can feel his eyes on you. You slide into the driver's seat, starting the engine, and glancing in the rearview mirror. Aaron's figure lingers there. A wave of nausea hits you. Isn't it wicked when the very thing you love inflicts the greatest hurt?

The drive home was silent, the stereo left untouched. Your fingers clenched and unclenched around the steering wheel, your chest rising and falling with heavy breaths that you couldn't seem to control. The reflection of your tear-streaked face was lost in the blur of streetlights streaking past. Your mind replayed every missed anniversary, every birthday, every empty seat beside you. You were tired of being alone.

Before you knew it, you were sitting in front of your garage. Each movement was a chore--unbuckling the seatbelt, opening the car door, the garage door, and finally the front door.

You stop dead in your tracks, eyes roaming over the living room. Balloons lie strewn about the floor, streamers dangling from the mantel. Almost every surface glimmers with the soft glow from the intermittent flickering of battery-operated candles. Aaron had an insistence on fire safety, which always negated the use of actual candles.

Tears threatened to spill again as you closed the door behind you, your steps leading you down the hallway to the kitchen. A congratulations banner hung over the island, done in Aaron's chicken scratch handwriting but it made your heart give out all the same.

The scent of chrysanthemums, your favorites, wafts through the air before they come into view--large, splendid blooms of pink and yellow cradled in your largest vase. Your hands, trembling, ran over the accompanying card, fingers fumbling to unfold it.

For My Pulitzer Prize Winner,

I realize I'm writing this before the ceremony, maybe I'm jinxing it, but in my heart, I know you will win. I know this not just because of the undeniable quality of your work, but because of the sheer force of will and passion that drives you. You are the greatest thing in my life, and every day, you inspire me to be the best version of myself.

When we first met, you told me your favorite flowers were Chrysanthemums. I remember asking if it was because it was your birth flower, but you shook your head and told me about your favorite story instead. You told me about a book that showed the beauty and strength in being unique, and that sometimes, it takes a bit of time for the world to recognize the splendor of what's different.

This has been your journey—filled with moments of doubt, but ultimately, a triumph of self-belief and talent. You've blossomed in the most extraordinary ways, and tonight, the world sees what I've always seen.

Love, Aaron

Tears speckled the paper as you dabbed at them with your sleeve, trying to clear the blots. Your focus moved to the present, wrapped neatly and sitting beside the flowers. You tugged at the ribbons, unraveling the wrapper paper with deliberate gentleness.

A shaky giggle slips out as you draw out the book. Chrysanthemum by Kevin Henkes. But what really starts the tears isn't the book itself, not, it's the familiar loops and lines of your nine-year-old self's handwriting.

This is my favorite book because it's about being special. I am special too.

This was the copy you had as a little girl, the on you lost. How did he find it? Turning the page, another stifled sob breaks free. The margins are crowded with affectionate notes penned by your family, friends, colleagues, the BAU team, and Aaron.

Fuck.

The door creaked open and clicked shut, and in no time at all, he was standing behind you. He stopped, a few steps away, as if too scared to close the distance and scare you off.

"Did you do this?" Your voice was soft, book clutched to your chest.

The pause stretches on, his breath the only sign of life. "Yes."

You turn to him, searching his eyes. "Why?"

"Why?" Aaron repeats, as if it were a stupid question. "Because I love you."

He takes a cautious step forward, like he's all too aware you're getting that shaky feeling in your stomach that's telling you to run.

"I am so sorry. You have every right to be mad, to be upset with me, and I get it. But I love you, and I want to work on this. It's tearing me apart to see you like this."

"I'm scared, Aaron." You voice breaks. "Scared you're going to do this to me again."

He steps closer, close enough to share the same breath. "I'm scared too," he admits. "But I'm more scared of losing you. I'll prove it. Today and every day after."

The room is still, the only sound the ticking of the clock. You're standing at a crossroads, the kind you read in books and see in moves, the power to forgive or walk away. You watch him, the man who is the love of your life and also the bane of existence, and you see it in his eyes. Something you haven't seen in a long time—fear. Not the fear of consequence, but the fear of loss.

It's a humanly glimpse into the man you fell in love with, the man who you know is still there beneath his layers of work.

"I'll be waiting."

Maybe you could be considered stupid, naive, with no self-respect. Maybe one day you'll curse yourself for not walking away. But maybe, just maybe the man you love will make his way back to you and prove the rest wrong.

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