#tool discourse

[foxbirdy]

Monty I love you so so dearly and you are a brilliant shining light in my life ❤️❤️❤️ and you are also so delusional and wrong I fear there is no help for you in this 💔💔💔 the pick mattock and pulaski are brothers in arms....why are you pitting two bad bitches against each other.....

[mantis-lizbian]

okay, all of this is great, and i actually like that one addition that goes into what advantages the other screw types do have, coz it's nice to at least know why Phillips exist. but! i can actually give you a decent reason for why hex can be better than Robertson at least in certain circumstances, because i worked at a factory this past year where hex bolts were ubiquitous.

and it's a fairly simple one that does, admittedly, make it fairly situational, but still: access and leverage. when working on the machinery, we'd often have to change out various parts which were all attached by hex bolts, and you had to make sure that these things were all on tight because they'd be having to resist up to hundreds of pounds of pressure for an hour or more. the L shape of a hex wrench makes this much easier to do than a typical driver ever could. but even if you had an L-shaped Robertson wrench, the locations of some of these bolts meant that you'd sometimes only have a maximum of about 60° of rotation available to you (although one bolt was in a spot that only afforded about 20° and it was fucking awful; you generally had to use a normal wrench looped around the hex wrench to get the combination of access and leverage you needed for that one). with a hex wrench, you can almost always find a decent angle to insert it for each... wrenching. a Robertson would be much less likely to manage within that limited space.

of course, yeah, for most people this is not an issue, but... it's kind of like the Phillips thing where there is at least a reason for it.

the fact that philips head (or crosshead for laymans) screws are the universal standard even though they strip so fuckin easily is insane. flat head screwdriver bitches rise up

[proudfreakmetarusonikku]

but also like. guys you don’t need to leave the minecraft youtube community bc one person is bad to clarify. like. shelby is a minecraft youtuber. a lot of her friends are minecraft youtubers. those friends are supportive and as far as we know all believe her. the vast majority of minecraft youtubers are like. fine. this shit is something that Happens because Abusers are Manipulative, going to another hobby will Not shield you from anything and you’re not immoral for liking something bad people also liked. which is. one of the biggest video games ever. like in this situation no one was knowingly harbouring an abuser and it seems everyone was supportive. this is just a case of some people being shit, not anything to do with mcyt. hell, the guy hasn’t been on minecraft in like a year lmao.

i fully understand why the content might be uncomfortable to you guys now but like, please don’t self flagellate and cut yourself off from an entire genre of media because of one guy again. i saw that happen after the dream stuff and a lot of people ended up losing important things because they made rash decisions and felt like they Had to leave. but please. take one deep fucking breath. this has happened before. this has happened so much before, and in ways far worse than this. because abusers, unfortunately, exist. you should not feel guilty for being manipulated by a manipulative abuser, don’t blame yourself. do what you have to, but please, please keep in mind that the majority of minecraft youtube is fine. it is fine to continue engaging with it. it’s fine to be manipulated by an abuser and it’s not your fault. please don’t make rash decisions and end up losing things you care deeply about and being unable to get them back. distance yourself all you want, but please be careful to not do so out of emotional self harm from the guilt. that’s something this fandom encourages far too much- even outside of this- and it’s unhealthy and anyone expecting it of you is cruel.

[philosophiums]

I have given into peer pressure.

Below the cut is my un-referenced, not proofread, off-the-cuff thoughts on the main JJK characters and their tendencies to have traits that contradict themselves, which not only makes them more rounded characters but also creates a really interesting situation in which characters have mirrors and foils not only with other characters, but also with themselves.

The point of this post is that the characters in JJK are complex. None of them are one-trick ponies and all of them contain multitudes and have, at least once, contradicted themselves and their beliefs.

Might be spoilery? I tried to keep it vague enough that it shouldn't be, but read at your own risk if you're anime only, I guess.

The Obvious One: Gojo

Gojo is "the strongest." It's debatable, I think, whether or not being "strong" is a personality trait, but he makes it his defining personality trait. (And I'm not here to do a Gojo character study, so for my purposes, it will be viewed as one.) Obviously, The Strongest is a title given to him by others, but he fully owns it and believes it. This is his identity; it's how he views himself, how he handles himself, and it is a preceding reputation that he gladly leans into. It's not a mask he hides behind, it's a flag he proudly displays on his ship to warn others of exactly who they're dealing with.

It makes sense, then, that Gojo's self-contradiction is that he has the biggest, most obvious weaknesses of all the characters in JJK. The first of these weaknesses is his knowledge of how strong he is. Toji exploits that weakness in the Hidden Inventory arc, and it almost costs Gojo is life. His second weakness is, very simply, Geto. Kenjaku exploits that weakness during Shibuya. Interestingly, Geto is a victim of Gojo's first weakness (Gojo is so self-assured that he seems to extend that assurance to the people around him, thinking that they are "as gods" like him just for being in his presence, and therefore he does not pay mind to Geto's spiraling), and exploits his second. He, better than anyone else, knows that he is Gojo's weakness, and he uses that knowledge to do everything he does before and during JJK 0 without repercussions.

Gojo is framed by himself and by many characters within JJK as being the "savior" of the jujutsu world, but in many ways he was, in fact, its downfall - because of his strength, and because of his weaknesses.

The Main One: Yuuji

Yuuji is the king of contradictions to me. Not all of it is within himself, and in fact a lot of it occurs because a large part of the plot is happening to him instead of the other way around, but he has one dichotomy that I do think is All Him. Yuuji defines himself as a cog - in his thoughts, he has been used and beaten down for evil already, so why not just be used for good as well. He thinks of himself as expendable and easily replaced; a foot soldier in a war being fought by titans. At some point, his goal stopped being to follow his grandfather's last request and instead turned into the simple act of persevering for as long as he can just in case anyone may have need of him. In a way, his outlook and perspective on everything became rather bleak and inhuman - quite literally, as, again, he views himself as nothing more than a cog.

And yet, for someone who has claimed his only purpose is to be used to kill Sukuna, everything Yuuji does is so achingly desperately human and is born out of his own desires to save people. Every other sorcerer has a CT or a fighting style that disconnects them from their foe - be that ranged attacks or weaponry - but Yuuji uses his fists. It's raw and almost savage in a way that is unavoidably intimate and human. He says, "Use me," (and, don't get me wrong, he is used) but even the act of offering himself negates the connotations that revolve around being used and shines such a lovely warm human light on him.

Yuuji doesn't push people away. The other "strong" characters isolate (Gojo has infinity, Yuuta literally fucks off from the narrative, Geto fucks off from jujutsu society, etc.), but Yuuji hoards people and connections (and yes, those become weaknesses, but the thing is: they become strengths, too). Sukuna takes Megumi away from him, but that just makes Yuuji more determined to kill Sukuna and get Megumi back. Everything he does is out of love, and he has a drive to do what he has to in order to save (or avenge) the people he keeps close. That's not exactly cog-like behavior.

The Fandom Discourse: Megumi

In my opinion, of all the characters (but especially the first-years), Megumi is the logical character. Especially when it comes to his job as a sorcerer (fighting and killing curses). He is knowledgeable about the world of sorcery, the most book-smart of the first-years, and he is smart and methodical when he fights.

He is also the only character who has openly admitted that he really only cares about saving the people he wants to save, as opposed to the general rhetoric of saving everyone. He's selfish, and he's not shy about it. Even he doesn't try to rationalize it; it's just part of who he is. Logical, methodical, smart, but also deeply, truly, selfish when it comes to where and how he expends his energy and efforts.

And yet, he is also the character who is most willing to die. Now, before half the fandom jumps down my throat, I don't mean to say that he wants to die or that he is constantly trying to - I'm just saying that he is willing to. (Obviously, Yuuji is also a character who is willing to die, but Yuuji is only willing to do so if it would also kill Sukuna, and he is determined to stay alive until such a time. Megumi, on the other hand, doesn't have a similar end-goal ultimatum for death). Yes, he comes at dying from a logical point of view, and yes, he only ever brings martyrdom into the equation if he feels he has no other option, but he has no hesitation when he reaches that point. And you (he) can rationalize self-sacrifice as much as you want to, but that is a very emotionally driven response, regardless of the situation. It's a last stand not only for himself, but for his friends, his family, the world. It's the end of the line for him, and it's something he is willing to do if it means taking out his opponent and making the world safer for everyone else - not just for his "select" people.

He is willing to run away from a fight he cannot win, but he is also willing to do something that he knows for sure will kill him if winning and running are no longer options. And I know that not everyone will see these things as opposites or all that detached from each other, but, to me, intelligent and methodical fighting does not naturally go hand in hand with, essentially, grappling your opponent and jumping off a cliff with them.

The Favorite Child: Yuuta

Like Gojo, Yuuta has access to an overwhelming amount of power. There's no doubt that when it comes to raw energy, he is the strongest sorcerer in his generation. He's exceptionally skilled when it comes to fighting and is often able to get by on simply overpowering his opponents (truly, much like Gojo). He doesn't embody being strong, though - he knows that he is, but it's not something that he considers a defining trait for himself. Instead, Yuuta's whole thing is that he has a tendency to shoulder burdens that other people won't (much like Yuuji, actually) (also it's kind of funny because of all the characters in JJK, I would consider Yuuta to be a "cog" way more than Yuuji, but that's a whole other thing). Yuuta is willing to be a monster, to make hard calls and suffer the consequences, because he has internalized what everyone keeps telling him - that, after Gojo, Yuuta is now "the strongest."

Which means that Yuuta also needs an equally large weakness to balance out that power. But where Gojo had arrogance (and his boyfriend), Yuuta has innocence. There's this pure sort of worldview that Yuuta carries with him that completely counterbalances the part of him that is willing to get his hands bloody. He has this youthful sort of hopefulness and naiveté that if he does the dirty work and puts in effort, then things will work out in his favor because they must. If he is sincere, if he shoulders an unbearable mantle, then everything will be fine simply because he chooses to do so. He does things because they are right and just, and he wants to believe that the universe will acknowledge that and be fair - even though he wouldn't have to do these unnamable things if that was true.

The Less Obvious one: Nobara

Nobara doesn't have a lot of screen time compared to the others, and specifically not a lot of time spent planning for/fighting in the "big fights," but she has one thing that the other characters don't have: self awareness. Nobara is the only character who knows what her contradictions are - she even says them out loud.

She wants nothing more than to be a normal girl who is into fashion, who could be a model, who does her hair and her nails and her makeup, who goes on dates, who has a lot of money and spends it freely. That's her ideal, that's her goal. But that's also who she is right now. She dyes her hair, wears makeup, is feminine in all the ways that would mark her as a girl to strangers on the street, goes shopping and buys too much and makes Yuuji carry her bags. She likes being girly and doesn't shy away from it.

But she is also, and I mean this with all the love in my heart, a feral little gremlin who is willing to bash people's skulls in with a hammer. She's brash and rude and loud. She takes up space and is unapologetic about it. She's vicious on the battlefield. She's not afraid to get bloody, and she hates being viewed as a damsel in distress. She's strategic in her fights, and she uses the fact that opponents underestimate her to her advantage. And she knows all of this, too, and she likes it.

She's self-actualized <3 No notes from me; I love my girl.

Anyway, that's it KSJDBVJKLDFVBJKDFVB There's no real point to this. I'm not saying anything profound, I don't think. This was all just a thought that I had, a little thing that I noticed, and I was bullied (affectionate) into sharing.

[myopicry]

sometimes I think so much of "queer" discourse surrounds semantics and identity labels because people engaging in these spaces legitimately do not live life outside of the internet. I don't just mean they don't go outside or talk to real people, but the way they interact with real people is never truly free from the internet. I think this is just sort of how gen z are now unfortunately, so much of our lives are consumed by handheld devices and social media platforms, but I find it way more prevalent in artsy, liberal, tra-positive communities. (the amount of times I just hear people straight up quote popular tumblr posts or tiktok trends...)

and surrounding yourself in real life with people who frequent the same internet circles as you and thus hold the same beliefs is a great way to not end up experiencing anything actually real, and thus you never really learn anything from your life experiences or from other perspectives, much less experiences of relationships or sex or romance. leading to people caring way too much about words and perception with things like pronouns or microlabels or "validity." everything is about optics and holding the "correct" opinions because that's the state of the internet these days! of course they'd ignore the actual material aspects of oppression, what is the internet if not a breeding ground for consumerist distraction from dealing with the various staggering issues in society?

"touch grass" isn't even a good enough solution anymore. can you partake in any hobby without thinking of how other people would percieve it? can you have a conversation without parroting the words of a tiktok post? can you seek love and relationships without obscuring it in layers of branding? can you understand yourself, truly understand who you are, without obsessing over how it looks on a screen?

[ceaselessbasher]

I should probably just avoid fandom discourse altogether but the mischaracterization of Toshiro is really starting to get to me (and this isn't a case of "my poor precious blorbo I'm the only one who understands you" because tbh I don't think he's in the top five of my dunmeshi faves)

The main issue comes from his relationships with Falin and with Laios. "He loves Falin for everything he hates Laios for." No, wrong. Does he maybe romanticize Falin a bit as a manic pixie girl with a refreshingly original personality and interests? Sure, yeah, but the thing is, he doesn't hate Laios for his monster special interest.

One thing Laios and Falin don't have in common is their way of expressing themselves. While Laios is very outspoken and talkative, Falin tends to be more quiet and reserved. Just think about the flashback to magic school when she first met Marcille. If that had been Laios, he would've also been the kid who shows up late covered in dirt from chasing grasshoppers, but he wouldn't have kept to himself like Falin did until Marcille approached her. He would've gone around the room saying, "Hi, I'm Laios, let me tell you about my project and why it's weird."

That's why Toshiro is upset/annoyed/envious around Laios ("hate" is the wrong word to describe their relationship methinks). He finds him abrasive and insistent and blind to the hints that maybe he should shut the fuck up for a second please.

[jonathan-cranes-mistress-of-fear]

I don't know who else noticed this, but several of the poses used in the comic are direct rips of poses from BTAS, these three being the closest I could place a screenshot to

Several others were less heavily referenced and more loosely defined, so I didn't include those but if you're like me and have already screenshotted BTAS, it's very obvious the artist used that for study material.

Now, I don't know how to feel about this. For one thing, comics have hella tight deadlines and shortcuts are taken all the time, also BTAS Scarecrow's design is not easy to draw. The mask alone is pretty confusing. But still, direct tracing with minimal changes for a comic intended to be sold rubs me the wrong way. (learning artists lightly tracing for doing screencap redraws is always chill with me, but a professional doing it??? I'm not so bothered by the other poses in the comic, but this is kinda pushing it)

I'd like to hear the fandom's thoughts on this

[dreamsaflame]

Mouthwashing is so prescient on discourse about inaction. So many people asking why Curly brushed aside Anya's fears and remained lenient with Jimmy. So many people asking why Swansea didn't immediately take action after the private convo in the cockpit.

And now, in real time, you can see people trying to defend both men. And I don't think this is done out of malice, or any intention to downplay the horror of Anya's situation. I think it's pretty human nature to want a better world, to want to soften the blow. There's so much we don't know (the timeline, the details of the convo, the actual nature of Curly's friendship with Jimmy, etc etc ad nauseam), so there is space to hope for a gentler moment, even if we all know the aftermath is unbearable and impact is imminent. We still want to believe things could be different, that things could be better. It doesn't change anything, but still. But still.

Maybe Anya had still held on to a little bit of hope, futile though it would have been. Maybe she didn't feel completely isolated the entire time. She was failed by both Curly and Swansea in every way that matters, but maybe she could have sat by them and not feel like her world had fully imploded. Maybe there were moments where the world allowed her to breathe.

Maybe Curly didn't know. Maybe he did try to keep Jimmy away from Anya. Maybe he was doing what he could, despite his desire to see the best in people (Jimmy). Maybe there wasn't enough time for him to even do anything. Maybe Swansea tried to step up afterwards. We don't know. We only see through the eyes of one man who only wanted to see the good in the world, and then through the eyes of one man who only saw himself.

And the game's prescience even about the end––wishing doesn't change anything. Anya dies putting away her conviction that your worst moments don't define you, that they don't make of you a monster. Daisuke dies having helped no one with his hope and sacrifice. Swansea dies filled with regret, having done nothing, protected no one. Curly watches till the end as his freeze reaction ensures he stays frozen, unable to act, to help.

Even Jimmy, wishing he was better, that he was a hero––and in the end, even Polle turns away from him.

[khattikeri]

honestly as an adult i hate that even stories for adults are turning into therapy speak mouthpieces with moral lessons and explicit verbal making up at the end of every conflict. like congrats you reinvented the 1950s american family sitcom but somehow even more annoying

[foxbirdy]

Hi fellow seasonal worker here and frequent trail worker. I get the Pulaski thing, they’re a gorgeous tool and little is better then a good pulaski, but with the utmost politeness, how could you hate McLeods? They’re so good! Nothing packs a crush pit better.

MY BOOT!!! My boot packs crush better! A grubber packs crush better! And neither of those thangs are nightmares to pack for mule strings or lay flat in a tool cage or get rocks jammed in the prongs! Smh

[buntress]

have had a wild thing while scrolling through mogai stuff lately of random mogai blogs being marked as anti-trans via Shinigami Eyes and I am

Imagine being so annoying about your exclusion that you purposefully misinform a bunch of community members just because you dont like the way their transness presents itself. Shinigami eyes is for shit like terfs or idk, actual transphobes. Not your petty label discourse. Grow up dude :///

[thosemintcookies]

I think there's a huge disconnect these days where images are communal when it's about saying right click save to nft bros but somehow protecting the sanctity of image ownership when talking about artists online. Like follow the thread. Thinking you Own an image or idea just because ypu made it does a disservice to the idea of art-as-sharing including engaging with remixing and recontextualizing and replication.

Like yes artists deserve recognition over the products of what they make but monopolizing something intrinsically shred is so wrongheaded. IP law will not protect you when it's always the richer culture producer who can gird up with lawyers to defend that your works are derivative enough to be considered theirs not yours.

Like yes talk about injustices and bad usage as they exist but it's not a problem with ai. Same shit can be said about using Photoshop or something come on now

[vfdinthewild]

A Vigorous, Forthright Declaration

A few weeks ago, this blog turned ten (10!) years old. If you have submitted, liked, reblogged, or just plain enjoyed seeing these VFDs over the past decade, thank you for your attention and contributions to this weird little chronicle I've kept.

Your very fervent devotee,

VFDinthewild

[tim-official]

thought experiment

imagine there was a generative text bot called AlphaGPT* whose abilities were on par with ChatGPT's. instead of being trained on an enormous dataset comprising all human writings, though, AlphaGPT was trained by giving it a dictionary, an encyclopedia, and hand-crafted rules of grammar, syntax, conversational dynamics, courtesy, ethics, etc.**, all carefully tailored by a team of linguists and philosophers and math people***. no risk of plagiarism, no web scraping. of course, it knows a lot less about the world.

(***no joke, at points in the 60s and 70s, before backpropagation was a thing, this is how most researchers assumed "artificial intelligence" would come about. i doubt this would actually work. but its a thought experiment.) (**what rules of ethics? what conversational dynamics does it prefer? much like with how the company openAI works, let's assume you don't get to know that and you just have to trust them) (*after the program AlphaGo, which learned to play Go at a higher level than any human player in much the same way). reblog for sample size i guess. or dont reblog if you want a lower sample size. thats your prerogative

[annmariethrush]

Not sure how this take will hit, but I find ABO fics that include male omegas to be really gender affirming as a trans non-binary person. Particularly when traditionally rather masculine characters are omegas. there’s something really validating about exploring the interplay between an interest in being the “mothering” life giving figure to children and being loving/caring/other feminine coded roles and attributes while also managing to maintain a sense of physical masculinity and identity that is not undermined by the urge to be a caretaker.

I’ve always sort of struggled with my trans masc identity because of the way that it socially conflicts with the ability for child rearing and caretaking generally which is not an aspect of feminine socialization that I’m disenchanted with. (Obviously in a perfect world this wouldn’t be an issue, people who have a desire to care for children should be able to regardless of other aspects physical or social)

Anyway, none of this is a fully formed thought, but this is just spurred on by the fact that Dean is so gender to me. the ABO fics I’ve read where Dean is an omega have managed to capture the “I had to be a mother and a father” of his character really well and give him the space to explore and accept his biological capability to be a mother and embrace it voluntarily while not giving up his traditionally masculine and therefore “alpha coded” traits that conflict socially.