#tony is so done with them.

[dragonstar2568]

You can’t tell me that Peter and Harley didn’t fight with lightsabers at their wedding.

[beaulesbian]

every time i think zoro and luffy's sense of no-direction couldn't get any funnier a new scene like this appears to prove me wrong

and it's the robin's "we are heading south, so chopper, could you actually point them the correct way before we lose them here forever?" that makes it so hilarious this time

[abby-howard]

Some damsel art! I updated her distant sprites (the old sprites were holdovers from demo #1 when the backgrounds for chapter 2 didn't change)

And a bonus unfinished sprite for ya!

Oh yeah and wishlist our game :3

[worstloki]

love the idea of the Avengers adding new members but being stingy about rooms so the OG Avengers each get their own but Bucky and Loki are forced to share one under the guise of it being 'healthy interaction'

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[spookythesillyfella]

almost a whole year ago . i made a drawing based off one of my favorite songs and . after looking through my older posts and finding it . i decided to remake it !!!

im very proud of how far ive come since then !! the evolution of my drawing style really does make me proud of my own progress !!!

★ original post : here

★ version without text under cut :

★ song : "Rainy Boots" – INABUKOMORI

[lotusxpop]

Peter: the ceo of ikea was elected president of sweden.

Tony: that's great Peter.

Peter: I heard he is still assembling his cabinet.

Tony, laying his head on the table: these jokes gotta stop.

[nostalgia-tblr]

I watched Avengers: Age of Ultron (apart from I skipped some overly long action sequences) and I am not sure so can someone tell me whether or not Tony Stark was the baddy in that film? Because about halfway through I was sure he was but then it was maybe just an evil robot after all and I am confused because either this film was surprisingly subversive or it was about robots hitting each other.

[mariocki]

New Scotland Yard: Point of Impact (1.1, LWT, 1972)

"I thought they'd lumber you with it."

"Did you, why?"

"It's a touchy one, isn't it?"

"There's a policeman involved."

"Yeah, unpleasant."

"Always."

"You were bound to get it."

"Thank you."

"Would've never happened at all if it hadn't been for that blasted Law and Order Brigade turning up on the scene, bloody reactionaries."

"Look, spare me the catchphrases, will you? I don't understand what half of them mean, I don't suppose the people who bandy them about do either."

"Well, I happen to know what a reactionary is."

"Good. You must explain it to me in great detail. Some other time."

[denebolablack]

Tony: I won't accept the use of any old-fashioned pet name to refer to me! I'M THE FUTURE-

Bucky: *Enters the room walk8ng directly to the fridge* Mornin' dollface.

Steve: *Following Bucks* Good mornin' sunshine.

Tony: *Giggles* Hi~

Nat:*Lifts an eyebrow*

Tony: They're a special case, Nat.

Bucky & Steve: *Smirk*

[pandagirl45]

Tony: I like a man that can absolute destroy me

Bucky: *stares*

Pepper: in a fight

Tony: >:3

Pepper: in a fight right???

Bucky: >:]

Pepper: by the infinity stones *leaves*

[shinobicyrus]

He’s only officially owned Twitter for 17 days.

[tonyandzivauk]

Tony & Ziva Caps: Season 10 Episode 17

[tratshka]

Doomtony parent trap AU were the champions + the ff childs try to bring Tony and Victor together again.

[sinestrosmind]

behold the plots for my biggest ref sheet yet

and of course it's Flame lmao

[jonsnowunemploymentera]

Might be a hot take but a major character’s death is really only as good as the weight and the treatment that the narrative gives it. Sure, any author has the ability to write death as they see fit. But whether the consumer (of any given form of media) is actually able to emotionally connect and resonate with the departure of someone who has occupied a good chunk of narrative space very heavily depends on how it’s treated within the story. If it’s a major character, the narrative needs enough built-in breathing space. As in, the consumer doesn’t have to fill in the blanks as to how the death impacted the plot or the remaining characters. Let the narrative do that for them, and that would actually allow the consumer to better react and relate to that major death (sadness, anger, joy, etc). Allow the rest of the characters (who were impacted by the deceased) to react to their parting. Let them engage with the death in a manner that helps justify the character’s inclusion in the narrative to begin with. Make it clear how the character’s life and (especially) their death relate to the larger themes of the story. Because most consumers aren’t stupid. We don’t want our hands held at every waking moment, but we also don’t want our investment in a story to be insulted just for the sake of a cheap shock. Give us time to breathe and grieve. And respect that we have put in a lot of emotional investment in a story and its characters, and we deserve to have that acknowledged.