#tolkien tldr

[nenyabusiness]

TOLKIEN TLDR: Where the fuck is Celeborn?

We all have a vague idea of who Celeborn is. He’s tall, he’s blond, and he’s married to Galadriel. He does, at some point, become the Lord of Lórien, and he dislikes Dwarves. I’d say that those facts are undeniably canon. This installment is not going to focus on what we know about Celeborn, though. This time, we’re heading straight for the question marks. 

In The Rings of Power, no one knows where Celeborn is. The only information we get is that he went to war and never came back. I mean, we all know that he was conveniently removed from the show to give room for Galadriel and Halbrand’s there-was-only-one-raft-shenanigans, but the funny thing about it is that Tolkien didn’t always seem to know where Celeborn was either.

In The Unfinished Tales, Christopher Tolkien himself states: “There is no part of the history of Middle-earth more full of problems than the story of Galadriel and Celeborn,” and, well, he’s not wrong.  

So, going age by age according to Unfinished Tales: Where the fuck is Celeborn?

Years of the Trees:

- Possibly in Lórien with the Nandor (one of the clans of Elves that never reached Valinor)

- Possibly in Doriath with the Sindar (another clan that never reached Valinor)

- Possibly in Alqualondë (chief city of the Falmari Elves; a clan that actually did reach Valinor) with Galadriel

First Age:

- Possibly in Lórien, meeting Galadriel for the first time

- Possibly in Doriath, meeting Galadriel for the first time  

- Possibly in the haven of Círdan with Galadriel

Early Second Age:

- Possibly in Lórien with Galadriel (highly unlikely at this point)

- Possibly in Lindon with Galadriel

- Possibly in Doriath with Galadriel

Brief palate cleanser: We do know for sure that he did at some point journey with Galadriel to Eriador, and we know that they established Eregion around SA 700 (750, according to outside sources). Alright, let’s continue with the mess. 

Second Age 1400 (kinda depending on whether or not Celebrimbor revolted against him and Galadriel):

- Possibly in Eregion (if revolt: without Galadriel)

- Possibly in Lórien (with or without Galadriel; there are two versions of this because hey, why not make things even messier)

Second Age 1700:

- Possibly in Lórien

- Possibly in Rivendell

Second Age 1800:

- Almost certainly in Rivendell

Late Second Age:

- Probably in Belfalas

The rest is pretty clear. Some journeys in Rhovanion, staying for a while in Rivendell after Celebrían and Elrond’s wedding (do not get me started on the inconsistencies regarding Celeborn and Galadriel’s kid/kids), and then we reach the plot of The Lord of the Rings. In the Fourth Age, Celeborn sails into the West.

So… yeah. When people ask where Celeborn is in The Rings of Power, “who the fuck knows” is a pretty legit answer.

(A/N: All of these statements have been taken straight from Unfinished Tales Chapter IV: The History of Galadriel and Celeborn. Some of them are considered far more canon than others, but they all existed at some point. I’m sure there are even more statements that could be added to this list, but these are the ones mentioned in this particular chapter.)

[ofthebrownajah]

Seeing so many show onlies saying this brings me joy 🥹

[earlgraytay]

i'm beginning to think that it's impossible to make a good video game set in the Tolkien legendarium

don't get me wrong: i'm not saying you can't craft an immersive and enjoyable experience set in Middle-Earth (there are plenty!), and i'm not saying it's UNADAPTABLE or anything like that

but I'm beginning to think that any game set in Middle-Earth is actually doing itself a disservice, and that setting a video game (especially a conventional action game) there actively weakens your game rather than strengthening it

[wizardlyghost]

dnd elves that go from baby to adult at the same rate as humans but start aging at 1/10th speed once they're done with puberty. the elven milestone for social adulthood is around age 100-120 because that's roughly when an equivalent-of-mid-30s elf reaches the point where most or all of the non-elf friends they grew up with have died, and they start to form more bonds with other elves than with shorter-lived folk. this also somewhat explains why elves are known for being both lively and fey and also serene and melancholy - the former is more typical of younger elves, the latter of elves who have passed this milestone and settled down somewhat.

[miriel-therindes]

this is random but i'm just talking into the void- i'd love to get back into making aesthetic edits/moodboard type things as i'm getting back online more (if i can dust off my photoshop skills, that is) and i was thinking of doing a series of moodboards for my favorite albums! i started this blog very soon after i started really listening to music (as opposed to just listening to instrumentals or hearing it when other people were listening) and since the first band i really got into and loved was The Amazing Devil, they comprised the majority of my music taste for two years or so, but now I've branched out a lot and i thought it'd be fun to show some of the music I'm into now! Especially because I think TAD had a really strong influence on what I like in music.

[irrealisms]

checks out.

the experience of being into silm vs being into mcyt rp are so vastly different that i dont think i could ever successfully manage to get silm fans to watch dsmp or get dsmp fans to watch silm. which is tragic because yall cdream enjoyers would go crazy for maedhros feanorian

[dailyadventureprompts]

Monsters Reimagined: Bandits

As a game of heroic fantasy that centers so primarily on combat, D&D  is more often than not a game about righteous violence, which is why I spend so much time thinking about the targets of that violence. Every piece of media made by humans is a thing created from conscious or unconscious design, it’s saying something whether or not its creators intended it to do so. 

Tolkien made his characters peaceloving and pastoral, and coded his embodiment of evil as powerhungry, warlike, and industrial. When d&d directly cribbed from Tolkien's work it purposely changed those enemies to be primitive tribespeople who were resentful of the riches the “civilized” races possessed. Was this intentional? None can say, but as a text d&d says something decidedly different than Tolkien. 

That's why today I want to talk about bandits, the historical concept of being an “outlaw”, and how media uses crime to “un-person” certain classes of people in order to give heroes a target to beat up. 

Tldr: despite presenting bandits as a generic threat, most d&d scenarios never go into detail about what causes bandits to exist, merely presuming the existence of outlaws up to no good that the heroes should feel no qualms about slaughtering. If your story is going to stand up to the scrutiny of your players however, you need to be aware of WHY these individuals have been driven to banditry, rather than defaulting to “they broke the law so they deserve what’s coming to them.”

I got to thinking about writing this post when playing a modded version of fallout 4, an npc offhndedly mentioned to me that raiders (the postapoc bandit rebrand) were too lazy to do any farming and it was good that I’d offed them by the dozens so that they wouldn’t make trouble for those that did. 

That gave me pause, fallout takes place in an irradiated wasteland where folks struggle to survive but this mod was specifically about rebuilding infrastructure like farms and ensuring people had enough to get by. Lack of resources to go around was a specific justification for why raiders existed in the first place, but as the setting became more arable the mod-author had to create an excuse why the bandit’s didn’t give up their violent ways and start a nice little coop, settling on them being inherently lazy , dumb, and psychopathic.   

This is exactly how d&d has historically painted most of its “monstrous humanoid” enemies. Because the game is ostensibly about combat the authors need to give you reasons why a peaceful solution is impossible, why the orcs, goblins, gnolls (and yes, bandits), can’t just integrate with the local town or find a nice stretch of wilderness to build their own settlement on and manage in accordance with their needs. They go so far in this justification that they end up (accidently or not) recreating a lot of IRL arguments for persecution and genocide.

Bandits are interesting because much like cultists, it’s a descriptor that’s used to unperson groups of characters who would traditionally be inside the “not ontologically evil” bubble that’s applied to d&d’s protagonists.   Break the law or worship the wrong god says d&d and you’re just as worth killing as the mindless minions of darkness, your only purpose to serve as a target of the protagonist’s righteous violence.  

The way we get around this self-justification pitfall and get back to our cool fantasy action game is to relentlessly question authority, not only inside the game but the authors too. We have to interrogate anyone who'd show us evil and direct our outrage a certain way because if we don't we end up with crusades, pogroms, and Qanon.

With that ethical pill out of the way, I thought I’d dive into a listing of different historical groups that we might call “Bandits” at one time or another and what worldbuilding conceits their existence necessitates. 

Brigands: By and large the most common sort of “bandit” you’re going to see are former soldiers left over from wars, often with a social gap between them and the people they’re raiding that prevents reintegration ( IE: They’re from a foreign land and can’t speak the local tongue, their side lost and now they’re considered outlaws, they’re mercenaries who have been stiffed on their contract).  Justifying why brigands are out brigading is as easy as asking yourself “What were the most recent conflicts in this region and who was fighting them?”. There’s also something to say about how a life of trauma and violence can be hard to leave even after the battle is over, which is why you historically tend to see lots of gangs and paramilitary groups pop up in the wake of conflict. 

Raiders:  fundamentally the thing that has caused cultures to raid eachother since the dawn of time is sacristy. When the threat of starvation looms it’s far easier to justify potentially throwing your life away if it means securing enough food to last you and those close to you through the next year/season/day. Raider cultures develop in biomes that don’t support steady agriculture, or in times where famine, war, climate change, or disease make the harvests unreliable. They tend to target neighboring cultures that DO have reliable harvests which is why you frequently see raiders emerging from “the barbaric frontier” to raid “civilization” that just so happens to occupy the space of a reliably fertile river valley. When thinking about including raiders in your story, consider what environmental forces have caused this most recent and previous raids, as well as consider how frequent raiding has shaped the targeted society. Frequent attacks by raiders is how we get walled palaces and warrior classes after all, so this shit is important. 

Slavers: Just like raiding, most cultures have engaged in slavery at one point or another, which is a matter I get into here. While raiders taking captives is not uncommon, actively attacking people for slaves is something that starts occurring once you have a built up slave market, necessitating the existence of at least one or more hierarchical societies that need more disposable workers than then their lower class is capable of providing. The roman legion and its constant campaigns was the apparatus by which the imperium fed its insatiable need for cheap slave labor. Subsistence raiders generally don’t take slaves en masse unless they know somewhere to sell them, because if you’re having trouble feeding your own people you’re not going to capture more ( this is what d&d gets wrong about monstrous humanoids most of the time). 

Tax Farmers: special mention to this underused classic, where gangs of toughs would bid to see who could collect money for government officials, and then proceed to ransack the realm looking to squeeze as much money out of the people as possible. This tends to happen in areas where the state apparatus is stretched too thin or is too lighthanded to have established enduring means of funding.  Tax farmers are a great one-two punch for campaigns where you want your party to be set up against a corrupt authority: our heroes defeat the marauding bandits and then oh-no, turns out they were not only sanctioned by the government but backed by an influential political figure who you’ve just punched in the coinpurse.  If tax farming exists it means the government is strong enough to need a yearly budget but not so established (at least in the local region) that it’s developed a reliably peaceful method of maintaining it.  

Robber Baron: Though the term is now synonymous with ruthless industrialists, it originated from the practice of shortmidned petty gentry (barons and knights and counts and the like) going out to extort and even rob THEIR OWN LANDS out of a desire for personal enrichment/boredom. Schemes can range from using their troops to shake down those who pass through their domain to outright murdering their own peasants for sport because you haven’t gotten to fight in a war for a while.  Just as any greed or violence minded noble can be a robber baron so it doesn’t take that much of a storytelling leap but I encourage you to channel all your landlord hate into this one. 

Rebels: More than just simple outlaws, rebels have a particular cause they’re a part of (just or otherwise) that puts them at odds with the reigning authority. They could violently support a disfavoured political faction, be acting out against a law they think is unjust, or hoping to break away from the authority entirely. Though attacks against those figures of authority are to be expected, it’s all too common for rebels to go onto praying on common folk for the sake of the cause.  To make a group of rebels worth having in your campaign pinpoint an issue that two groups of people with their own distinct interests could disagree on, and then ratchet up the tension. Rebels have to be able to beleive in a cause, so they have to have an argument that supports them.

Remnants: Like a hybrid of brigands, rebels, and taxfarmers, Remnants represent a previously legitimate system of authority that has since been replaced but not yet fully disappeared. This can happen either because the local authority has been replaced by something new (feudal nobles left out after a monarchy toppling revolution) or because it has faded entirely ( Colonial forces of an empire left to their own devices after the empire collapses). Remnants often sat at the top of social structures that had endured for generations and so still hold onto the ghost of power ( and the violence it can command) and the traditions that support it.  Think about big changes that have happened in your world of late, are the remnants looking to overturn it? Win new privilege for themselves? Go overlooked by their new overlords?

Art

[sotwk]

I think I finally understand why I find Silm writers scary--and it's 0% their fault.

First of all, the Silmarillion itself is scary. I crawled through my first read of that book over 10 years ago, and I can't even say I digested all that info properly. I'm currently attempting a re-read, and it's only slightly easier this time around.

Silm writers not only have a clear grasp of the massive source material, but they are SO creative in thinking up story ideas spanning the entire breadth of the legendarium. It's mind-boggling. It's wizardry. The style, quality, and depth of their writing make me feel like a fraud. Or a wee baby Tolkien writer just trying their best.

The only "Silm" fics I would/could write are tales that would support the background histories of my Third Age LOTR/Hobbit characters. I would not blame real Silm writers for seeing that as frivolous and quite dumb. Though again, this is probably just my own insecurities barking, because every Silm writer who has befriended me has been super gracious and encouraging. Thank you guys--I appreciate you so much!

TLDR: This is how I imagine myself when my Silm writer friends comment on my fics/headcanons/random Silm-adjacent nonsense:

@hobbitwrangler @glorf1ndel @emyn-arnens @cuarthol @cycas @doodle-pops @a-world-of-whimsy-5 @niennawept

[emilybeemartin]

[TW: joint dislocation/surgery talk]

Well, I wanted to have one more big finished piece for you, but I think my high expectations have gotten in my way, and now I'm out of time.

This whole Boromir kick started after I dislocated my shoulder for the fourth time back in June, and it was a bad one. My summer of swimming, hiking, and camping with my kids was taken over by wearing a sling, orthopedic referrals, MRIs, and ultimately, the reality that my cartilage is torn and is not going to heal. This Friday I'll be undergoing surgery for it, and I'll be in a bolster sling for weeks afterward. I should be able to type during that time, but I won't be able to draw.

I'm not sure why Boromir snuck up on me this summer, as I sat wearily sketching under an ice pack, trying to keep my arm loose, but it's been a blast. I had no idea that drawing a half-baked comic culminating with a feral raccoon becoming High Warden of Gondor would kick off such an all-encompassing dive back into LotR. I'm really grateful for all the follows, shares, interactions, and lovely comments from the Tolkien community---it really kept my spirits up and fueled a ton of inspiration. I can't remember the last time my art folder was so hyperfocused on a specific character.

Anyway, TLDR, I'll be quiet here for a while. Don't trust anything I might post for about forty-eight hours starting 8/18; general anesthesia makes me extremely stupid. I can only hope this surgery will fix things and I can go back to drawing niche comics and emotional thirst traps.

And send me your fics; not being able to draw is going to drive me OUT OF MY MIND.

[sorcerousundries]

If you're taking requests, could you please write something about which Lotr and The Hobbit characters would be most attracted to a reader who's really intelligent and good at debating them? Like I'm picturing a sort of Rivals to Lovers dynamic where the reader is super smart and really good at arguing their points, but I'm curious which Tolkien characters you think would be most into that type of partner 🤔

I can totally picture Eomer falling for a person like that because he honestly seems perfect for Enemies to Lovers arcs, but tldr what Tolkien characters do you think would be most attracted to a super intelligent person who could debate them into the dirt? Thanks!

I have been alone all my life but with the compensations of intellect.

Lord of the rings and The hobbit characters react to an intelligent reader

Warnings: none

Includes: Elrond, Thranduil, Gimli and Éomer

A/n: thank you for your request <3

Content under the cut

Elrond — Friends to lovers

You and Elrond would meet in a fairly formal setting, maybe during a business gathering or a dinner of sorts.

You would be chatting with some high noble who would introduce you to lord Elrond and the two of you clicked immediately.

He would often invite you for tea and insist you stay for dinner, maybe offering you a bed as the hour gets later.

He is knowledgeable about history, lore and the affairs between both men and elves alike, he would likely be drawn to someone he can engage deeply in discussions of middle earths past, present and future.

The debates between you and lord Elrond would be competitive but friendly, if he lost he would shrug it off, the pinnacle of healthy masculinity. If he won, he wouldn’t care, maybe tease you if your friendship started to grow closer but never in a cruel, condescending way.

He would grow feelings slowly yet steadily, he would never force himself on you but he couldn’t deny the flutter of his heart whenever you’d smirk triumphantly as besting him during a debate of which medicine would be best to use for a rope burn, the simple action making his heart warm.

As your relationship turns romantic your playful banter wouldn’t stop, it would only grow, turning into silly debates before bed as you two move in chorus around the bedroom, performing your separate night routines though you’d never allow the room to grow silent as you chat about whatever topic comes to mind.

Overall he’d enjoy having a partner that he could chat away with, it’s rare that he finds someone who equals his intelligence, let alone best it.

Thranduil — Shared traumas

Thranduil would likely already be acquainted with you, after all the king knows everything that happens in his kingdom.

Though he only started to cultivate a relationship with you when you outwitted him in his own throne room, for the first time a millennium the king of the woodland realm was left speechless, you intrigued him, instead of sending you away he invited you to join him in his study.

The debates between you two would be filled with romantic tension, heated discussions would be filled with you leaned so forward your nose would also my be touching his, as you did something that countered his you would pull back, thoughts of how his eyes would dart down to your lips so quick you almost didn’t see it would flood your brain.

He would love discussing battle strategies and such, even better if an elf and you saw the battle for yourself.

Nothing pleases him more than falling back on you when he doubts his leadership skills, after having to listen to courtiers and advisors drone on about their ideas and excuses, he can go to and simply sit across the room as you answer his questions logically, not even looking up from your book.

Your relationship would start to turn romantic when he confided in you about his troubles, his worries for his son, even telling you about the death of his wife.

And who knows, maybe he’ll pull you in for a kiss before you turn in for the night.

Gimli — opposites attract

Gimli would first see you at the court of Elrond, during the forming of the fellowship.

He never thought his heart would lurch from his chest when he saw an elf sitting at lord Elrond side, chin held high and regal.

Not even his admiration for lady Galadriel could compare to the way his heart jumped at the sight of you.

While he’s not typically seen as a debater, Gimli has a strong sense of pride surrounding his culture and way of life, he would be drawn to someone who can engage in conversation about dwarven history and culture with him.

He would hold an immense level of respect for you, often coming to you to double check any technical blueprints or a different perspective if he’s struggling to visualise how something would come together. He would appreciate someone who can offer unbiased opinions not swayed by any existing rivalry between elves and dwarves.

Any debates with him would lively and high spirited,he would engage enthusiastically defending his views with passion and light hearted humour, your discussions could range from history and craftsmanship to the simple differences between elves and dwarves.

He would let out a small “oh!” As you kiss him on the cheek, nodding him a farewell after helping him find scrolls about an ancient smithing technique, his smile turning his eyes into slights as he pumps his fist once you’ve turned your back.

Eomer — Enemies to lovers

Eomer would find your intelligence intriguing and infuriating at the same time.

His warrior ideals and loyalty to Rohan would initially clash with your more logical approach to things, your debates would arise over strategies in battle most likely.

Early on in your relationship, misunderstandings were the main fuel to your bitter relationship. Your critical views on his leadership or warfare would be interpreted as disrespect, driving a wedge between you two.

But as the power of Sauron grows, you’re forced to put your differences aside.

He would begrudgingly admit that you’re actually very useful in a fight, offering new ideas that contrast his own.

However one night as your both sat around the fire, when every other solider has turned in for the night, he might open up, revealing to you his fears about not being a good leader, you in turn offer him insights and philosophical perspectives that resonate with him.

He thinks about the conversation when he nods silently before sauntering off to his tent, laying in bed staring up at the white linen cloth of his tent, the words he forgets as he slowly realises he in-fact wasn’t listening to your words, instead focusing on the curve of your lips and the brush of your eyelashes against your cheeks every time you blinked, the way your eyes gleamed as the fire crackled.

He frowns as the words “oh shit, I’m in love with them” echoed in his inner monologue.

He doesn’t tell you through words rather showing you, right before the rohirrims marched to Gondor he would give you heated kiss, displaying not his passion as a warrior, but as a lover.

[nenyabusiness]

TOLKIEN TLDR: What the hell happened between Finrod and Sauron?

Wanna know how Galadriel’s brother Finrod actually died? Here, have a silly, simplified version of his death according to The Ruin of Beleriand and the Fall of Fingolfin and Beren and Lúthien.

The story does, of course, start with Finrod, son of Finarfin, also known as Finrod Felagund. For a Noldorin Elf, he was a really good guy (that bar is pretty low though tbh). He befriended pretty much everyone he met, including Men and Dwarves. Solid dude, through and through.

Okay, time for some backstory. During the First Age, Morgoth was hiding in a northern fortress known as Angband, and for about 400 years, the Noldor had the place surrounded. They called it a siege, which is a bit of an exaggeration. They weren’t able to actually assault the place so they were mostly maintaining status quo, killing the occasional Orc here and there. Things were fine. They had things under control.

(Spoilers: No, they didn’t.)

After centuries of plotting and planning and preparing, Morgoth breaks through the “siege” and unleashes all the dark shit he’s been brewing in Angband. He burns down the entire area around his fortress and sends out myriads of Orcs, Balrogs, and a dragon. Lots of Elves and Men die that day, and even more become refugees. The peace that was never really a peace is over. This battle would forever be known as Dagor Bragollach, the Battle of Sudden Flame.

The House of Finarfin takes a heavy hit. Two of Finrod and Galadriel’s brothers die in the battle. Finrod would have been killed too, if it hadn’t been for a Man called Barahin. Barahin’s men manage to protect Finrod but suffer heavy losses because of it. Because of their bravery, Finrod decides to swear an oath, which is never, ever, a good idea in the Tolkien universe. He swears that if Barahir or any of his kin ever find themselves in need of aid, he will help them.

Alright, time skip. We’re now in the story of Beren and Lúthien, a couple of years later. Beren, Barahir’s son, comes to Finrod’s stronghold Nargothrond because he needs help with a quest. Lúthien, the love of his life, happens to be the daughter of a very overprotective king who won’t let Beren marry her unless he brings him a Silmaril (one of those three fancy stones that cause so much murder) from Morgoth’s crown.

Remember how I said that swearing an oath never ends well in the Tolkien universe? Well, things are about to go to shit here because there’s not only one oath at play here but four.

1. Lúthien’s father swore an oath not to kill Beren on the spot. Instead, he came up with the most lethal quest he could think of—retrieving a Silmaril.

2. Beren swore an oath to bring the king a Silmaril, because he really, really wants to marry Lúthien.

3. Finrod swore an oath to aid Barahir’s kin, no questions asked.

4. Fëanor and his sons (Finrod and Galadriel’s uncle and cousins) swore an oath to never let a Silmaril belong to anyone but them.

The two sons of Fëanor that happen to be in Norgothrond at the time throw a fit. The oath they swore is by far the most destructive one, but it had been lying fairly dormant during the “siege”. Morgoth has the Silmarils and they can’t really do anything about it. The oath accepts that. The idea of some random bloke retrieving it and then handing it off to some other king, though? The oath says no. They go on and on and on about how much they dislike the idea until Finrod, who has also sworn an oath, actually abdicates so he can follow Beren on his suicide mission.

Just… don’t swear oaths.  

Finrod and a handful of Elves join Beren on his quest. He disguises them as Orcs, and they travel safely until they reach Sauron’s domain. Sauron notices that the “Orcs” are acting weird, so he brings them to him. That’s when the famous battle between Sauron and Finrod Felagund begins. Their weapon of choice? Singing. Yeah. It’s a singing duel. Sauron ends up defeating Finrod (I mean, he used to be a part of the angelic Ainur choir so I guess that checks out), and then throws the company into a deep pit. He has no idea who they are or why they were trying to sneak through his territory, but he intends to find out. He tells them that until someone starts talking, he’s going to slowly kill them off one by one.

Yeaaaah, Sauron is not a good guy in The Silmarillion.

Since no one talks, he sends down one of his werewolves (beasts with dreadful spirits trapped inside them, not the man/wolf kind) who devours some poor, nameless dude from the company. This happens again, and again, and again, until it’s Beren’s turn. This is when Finrod performs his final act of heroism. He uses all the strength he has left to free himself from his bonds and kills the werewolf with his bare hands. He gets fatally wounded in the fight, though, and dies in that dark pit. Beren is later rescued by Lúthien (who is honestly a lot better at this Silmaril quest thing than Beren is), and Finrod is buried on the hilltop of Nargothrond.

TLDR of the TLDR: Finrod was a really good guy, oaths are bad, and Sauron can sing.  

Aaaanyway, there it is, the Silmarillion version of Finrod’s death. The Rings of Power has its own version, sort of insinuating that Finrod went after Sauron after the fall of Morgoth, but they did keep some elements. He was, indeed, killed by a servant of Sauron in a dark place.

[thefallenangelsgang]

I'm losing my fucking mind

Or: I just saw Lord of the Rings the Musical at the Chicago Shakespeare Theater and my brain chemistry has irreversibly changed

I'm too genuinely scrambled at the moment from travel to make a solid post (I am multiple states away from Illinois and I hate city driving) but I cannot shake the life-changing experience that was.

SPOILERS AHEAD

(Spoiler free tldr: story is changed sometimes severely to make a sub-3hr runtime or to simplify, but the message doesn't get completely lost. Tolkien fan approved)

First issue I can see everyone having is how much the story changes because it does change a lot. Rohan and Gondor being merged is probably the most glaring. I think it works because the show is more focused on the Hobbits (specifically Frodo and Sam). Personally I can look past it. My one issue is the missing Sam monologues (mount doom is a rather swift sequence, I'd have liked to see Sam give his devotion speech and his speech about the shire while waiting to die) those would have made insane songs but alas. The ending still was a gut punch though so it's more a personal preference thing.

First thing that blew me away was the technical aspect. The lighting and set design was GORGEOUS and EVOCATIVE. There were multiple times lighting alone drew me to tears.

The puppetry is immaculate. The nazgul chase is singularly some of the most beautiful choreo I've seen and I'm a slut for puppetry

The cast play all of the instruments live on stage, sometimes while doing choreography (nothing will prepare you to see Legolas holding a fucking trumpet or Boromir strapped into a goddamn accordion)

The costuming is more accurate to the original editions' illustrations which I found endlessly charming. One difference is, for safety (probably OSHA), all the hobbits (and Gollum) wear Sandals. This is never discussed. I love that.

BOROMIR IS KILLED BY HIS OWN SWORD WHICH I CANNOT EXPRESS HOW PERFECT THAT IS NARRATIVELY

GOLLUM PLAYED BY TONY BOZZUTO IS NEARLY INDISTINGUISHABLE FROM ANDY SERKIS

(I am not joking about this. Somehow he has mastered Andy's physicality and voice work. It truly was a sight to behold.)

Saruman/Elrond's actor (dressed as a hobbit) was hanging out in our section during preshow and was having a grand old time.

Bilbo and Frodo were in the main audience bothering people. Frodo was playing a stick and ring game and got absolutely shown up by some 10 year old he invited to play.

The Entmoot took literally 2 minutes (the way I had to stop from HOWLING at that)

I was SOBBING at the end, like actually.

Somehow this production managed to keenly make me feel the ending of Frodo leaving for the Grey Havens more than the movies did. The Irony of Frodo leaving being both a hopeful prayer that there is a place where people bound with trauma and wounds too deep to heal can live in peace without pain and also a grim acceptance that sometimes people cannot recover was STARK

Frodo and Sam really push the narrative of this show up until the end and it hits HARD. God bless this cast with steady work, they all deserve it.

[nemiriel]

LotR dudebros online irritate the heck out of me! All they do is whine and nitpick every little detail about The Rings of Power; so many of the things I enjoy about the series, they revile. 🤦🏼‍♀️

Tolkien’s works and “the lore” are not the gospel, and there is no reason whatsoever to be treating it like religious people treat holy writings.

An adaptation is never going to 100% exactly like the original work. And if you want to spend your free time channeling all of your energy into hate, you’ve got big problems. 🤷🏼‍♀️

And another thing: as much as I love Peter Jackson’s Lord of the Rings trilogy, it is by no means gospel either. So please stop endlessly comparing the two and treating PJ’s movies as far superior The Rings of Power. Both make departures from “the lore”! And both are great!

TLDR; haters gonna hate, but sometimes it wears me down. 🙃

[cilil]

Why did Manwë let Melkor out of jail? - Ainur answers

(by none other than JRRT himself)

Like Námo's silence regarding important events in the future (for an explanation of that, see here), the decision to free Melkor after three ages of captivity has been subject to very understandable confusion and frustration on the part of many readers. Instead of the unsatisfying, dismissive answer "we wouldn't have a cool story otherwise, duh", there actually are in-universe reasons, but the answers are somewhat hidden in deeper Elf and Ainu lore that not everyone comes across or finds pleasant to read and research (which, again, is very understandable).

I thought long and hard about how I could present this in a digestible way and upon revisiting the texts, I realized that, conveniently enough, Tolkien himself has provided an explanation for Melkor's release from Mandos, which of course is even better than anything I could have scraped together.

The passage in question can be found at the end of the essay "Ósanwë-kenta". I'm going to summarize Tolkien's explanation in a hopefully clear and helpful manner and am happy to provide screenshots from the PDF (best I have access to right now, sorry) if needed. There's also a tldr at the bottom.

⪼ Previously, Tolkien has described how ósanwë works. The key takeaway is that not even someone as powerful as Melkor can forcibly "read someone's mind" or perform "mind control" or anything of this sort because every sentient being is able to close themselves off and not reveal their thoughts unless they choose to. Thus Melkor was able to deceitfully approach some people, convince them to "let him in" and gain access to them that way, but others essentially blocked him. He learned language as a secondary tool to circumvent that barrier by other means of communication.

⪼ Tolkien then moves on to the issue of the Valar being deceived by Melkor. He acknowledges that it may seem strange to a reader that the Valar couldn't see Melkor's true intentions and how Manwë "appears at times almost a simpleton compared with him" (his words), especially when we as readers already know that Melkor is too absorbed in hate and pride to repent

⪼ He states that Melkor could read Manwë's mind because his was open, but Manwë couldn't do so in return because Melkor had closed himself off/projected a sort of false openness that hid his true intentions

⪼ Tolkien then poses the question: "How otherwise would you have it? Should Manwë and the Valar meet secrecy with subterfuge, treachery with falsehood, lies with more lies? If Melkor would usurp their rights, should they deny his?"

⪼ According to him, Manwë's mind was always open, both as in receiving instructions from Eru and doing his will and as in being open to others because he had nothing to hide. Melkor knew this and relied on Manwë being consistently honest and acting in accordance with Eru's rules and laws, even if he (Melkor) broke them and did whatever he wanted

⪼ Tolkien writes: "Thus the merciless will ever count in mercy, and the liars make use of truth"

⪼ He makes it clear that Manwë couldn't force Melkor to reveal his true thoughts. Melkor had to be believed until proven false and be given an opportunity to fulfill his promises

⪼ The force that was used against Melkor - Angainor, the captivity, etc - was, as Tolkien clarifies, not a way of forcing any sort of confession ("which was needless"). It could be called punishment, but should more accurately be thought of as "putting Melkor in timeout" (not his words), so that he has the opportunity to reconsider; for the sake of Arda, but also his own

⪼ Tolkien stresses that, should Melkor choose to return to the allegiance of Eru, he has to be given his freedom back and could not be enslaved or denied his part

⪼ He also stresses that Manwë's task as Elder King was to keep everyone in Arda in the allegiance of Eru and bring back those who strayed, BUT he is to leave them free within that allegiance. This is important to understand about Manwë's role and kingship in general

⪼ Because of this, it was only when Eru finally allowed it that the Valar went after Melkor (presumably referring to the War of Wrath, but the same idea applies to the Chaining)

⪼ Tolkien describes Manwë as acting reluctantly when he went to war against his brother. The reasons given include grievous hurt to Arda, as is the result of Ainur fighting, but also that, while the use of force was lawful here, it didn't accomplish much: Melkor's evil wasn't eradicated and couldn't be; only maybe if he had repented, but he didn't. The captivity made him more hateful, more adapt at lying, more vengeful

⪼ Next Tolkien argues that while great pain, suffering and loss came from Melkor's release, this chain of events also led to his ultimate defeat which otherwise maybe couldn't have happened

⪼ Finally, he discusses the question whether Melkor's continued captivity in Mandos would have led to a better outcome. Even when diminished, his power is "beyond our calculation". It could have been that, being denied his freedom and when he asked to be released, there could have been a "ruinous outburst of his despair"

⪼ But Tolkien says that this wouldn't have been the worst outcome. Rather the main concern is that Manwë breaking his promise to Melkor would have been a step down the same dark path his brother chose, even if done with good intentions. He would have acted like a mere worldly king who takes advantage of a defeated rival and ceased to be Eru's representative

⪼ Tolkien concludes by saying that this would have resulted in a world split between two proud Valarin lords striving for the throne and reminding us that one evil Vala was more than enough to handle, especially for us incarnates

Tldr:

Due to the way ósanwë works, nobody had any way of knowing if Melkor was speaking the truth or not and he couldn't be forced to reveal his true thoughts

Manwë had to, according to Eru and Eru's laws, give Melkor the benefit of the doubt

Not doing so would have been an evil act and disqualified him from being Eru's appointed vice-gerent

Melkor's lies and ultimate refusal to repent caused untold sorrow, but also his own final downfall which otherwise may not have happened

Obligatory disclaimer: As should be evident in the text, this is Tolkien's opinion, Tolkien's answer to this question and Tolkien's intentions for his own universe. The above summarized explanation he gave is not an "opinion" or "headcanon" of mine. You are entitled to your own opinion on this, I merely felt like it's only fair - and arguably necessary or at least helpful in terms of understanding - to hear out what the author himself has to say.

Like I said in the beginning, the intention behind this post was to compile his take for your convenience. The intention is very much not to attack anyone or their takes. In return, I ask you to please don't attack anyone either, please don't bash characters and please keep the conversation nuanced. Thank you!

[eri-pl]

Silm reread 24A (the long-expected continuation): The Gift

Or: the Fall of Númenor

TW: well, it is Númenor. I will not give more details than the book does.

It is said among the Eldar (because where else :þ) that Men fear and worship the Darkness (which is a word the Eldar use as a synonym for "evil" which is a bit inconceivable but let's move on).

We get a recap od what we know of Men, also in the War of Wrath Morgoth was "ultimately defeated" ok I know you can't make your mind, (both Jirt and Pengolodh probably), I like this better than "he's going to fight Túrin and Fefe in a van".

Men in the East are in a bad situation, the Valar abandoned them for a time (until they send the Blue Wizards I guess) because they obeyed bad people. Generally the East is wild and bad and … :/

OK, so now we are told Manwë imprisoned Morgoth and the language strongly suggests "but he will eventually break out and do Ragnarok stuff". Huh. I did say something about not being able to make your mind, right?

Now there's the weird part about "the will of Morgoth" which sounds like a somewhat separate entity?… I get the general idea, it's hard to have him booted out and explain why there's still evil in the world. Still it all feels odd.

OK, quote (emphasis mine):

But Manwe put forth Morgoth and shut him beyond the World in the Void that is without; and he cannot himself return again into the World, present and visible, while the Lords of the West are still enthroned. Yet the seeds that he had planted still grew and sprouted, bearing evil fruit, if any would tend them. For his will remained and guided his servants[…]

Huh. Any thoughts?

Eonwë personally taught the leaders of the Edain. What did he teach them? I don't know. We are not told. But it suggests that Eonwë may have better social skills with Men than I have assumed.

It was Ossë who raised the island of Númenor (at least he does something nice and non-violent ;) ) + the Valar upgraded it and only then did the Númenoreans sail. It is almost as the history of Arda in miniature. Just make it better (Morgoth is not there, Men live longer etc), what could possibly go wrong with this?

[Yes, I read the situation as "the Valar are trying to jump higher than their heads here".]

The Númenoreans don't get sick. I forgot that part. Well, they don't until they get under the Shadow. They are taller than normal people and their eyes shine like stars. TLDR: they're like offbrand Elves and Tolkien likes shining eyes.

And they don't have many children. Why? It makes sense for Elves, but why the Númenoreans, even early?

No temples, only the open mountain. OK. and we get the mention of the graves of kings at the mountain's base even now. Does it mean that even the first kings had big decorative graves?

It was the Valar who chose Elros to be the king. I wonder why, but "he could be an Elf but preferred to be a Man" seems like a --- yes, this is a good reason.

We get a recap of the peredhil. Again.

The Númenoreans learned Quenya during the alliance with Elves, so again: they speak Vanyarin Quenya, or maybe non-Exilic Noldorin Quenya. So either they do read "ty" as "ch" or they read the "th" as "s". I don't remember which one it was. Anyway later they spoke a lot with the Elves so they probably settled with some kind of pronounciation based on whom they spoke with the most.

Nobody later reached the sailing awesomeness of the Númenoreans. The book is written in, what, late TA? Early FA? Makes sense that they sail less.

We get an explanation of why the ban. It makes sense, but also I get that it seems very arbitrary (especially with Númenor existing).

Also, a quote:

For in those days Valinor still remained in the world visible, and there Ilúvatar permitted the Valar to maintain upon Earth an abiding place, a memorial of that which might have been if Morgoth had not cast his shadow on the world.

OK, maybe it's just me adding to my little box of arguments, but this sounds to me as "Ilúvatar permitted them because they asked intensly but it wasn't a great idea". Also, a memorial. Of what might have been. This does not sound good. This sounds like the vibe of the Elven Rings.

Also, again we have mixed messages about whether Valinor was moved to the orbit or into the unseen world (made purely spiritual somehow)?

Sigh. the Númenoreans civilize the people of ME because they need it. *sigh* at least they're goodwilled about it.

Aaaaand, who could guess, with time they grow more and more focused on the bright thing that is nearby (Valinor). Just like it was with the Silmarils and almost everyone who saw them.

Also, they don't like that they die, and they murmur. And they are upset that the Elves don't die, even the ones who disobeyed the Valar and it's so unfair, the Noldor went to ME and did all kinds of bs and still they don't die and we never even get— I mean, and we die. How unfair.

Seriously, almost everyone in this book is so predictably stupid and the worst part is that knowing that all does not make us less stupid. anywa, let's continue with the reread:

"Aren't we the greatest?" Huh. :/

Manwë is sad. Relateable. I want to hug him, and it's not even from a fic. My guy [affectionate], my poor birb.

He sends emissaries to the king. Oh, he's learning from his mistakes around Feanor! <3 You'll eventually learn how to deal with the Children. <3

The Earendil argument (and as was discussed, no tuor arguement, at least not quoted in the book). And a recap of how Men and Elves work. <3 some vague Athrabeth-ish tones. <3

Thirteenth king and we're already deep in trouble. :(

OK, now we get the big graves. And colonialism. The good guys visit Gil-galad and figth Sauron together. The bad guys colonize the South.

We get a recap of Sauron. Who wants to be an overking and worshipped by Men and hates the Númenor for pretty much everything including "their ancestors fought against Melkor and me in the War". And he is afraid of them.

More kings. Some of you remember their names… 23rd king hates the Faithful the most… huh, he is not the one to burn them so I would argue with the narration here. The Elves from Tol Eressea still visit, but in secret. This has a lot of fic potential. (Also, don't tell me that nobody ever at any point of Númenorean history tried to sneak into an Elven ship and go to Aman with them. not at this point, probably. But earlier you could have someone who both doesn't like the Ban, and has contact with the Elves)

Then the Elves stop visiting, because the Valar get angry. i'm not sure why now, what exactly was the tipping point.

A recap of Andúnie, the, ugh, situation of Inzilbêth, we get a good older brother and bad younger brother— wait, maybe the Men have this scheme inverted in general? I'll need to investigate this.

Tar-Palantir. Whose remorse is too late because the Valar are already angry— excuse me, Pengolodh, my guy, what? I'd get it if you told me that the problem is that the whole nation has already been gone so far and the king could not convince them, but I really don't like what you said about the Valar here. But yes, ok, it;s probably because the nation is still full of bs. Pengolodh. Please, be so kind and spare us your opinions. Especially on questions like forgiveness. go handle your exilic trauma somewhere else. I can't find a quote for this, sadly.

So, Tar-Palantir gets a healthy dose of the typical Silm "sad about my brother" especailly that he (the brother) dies early. Aaand we get Pharazôn. Yay… :/ People love him, because he's a great general and gives out riches.

The 25th king. As I have already speculated in one post, the number 5 is not a good number.

Sauron provokes him to war. When the Númenorean fleet arrives, everyone is so scared that they run away and the army marches through an empty land, which gives me echoes of Earendil, but this makes no sense, I think tolkien just likes the image of someone (or an army) walking through a deserted land/city. I agree, it has a lot of atmosphere. they march for seven days, with trumpets, and in red and in gold.

So Sauron does his thing, but Ar-Pharazôn is not a fool—well, not this kind of fool—and doesn't trust him. which plays very well into Sauron's ringed hand.

Sauron sees the capital of Númenor and again we have someone reacting to a beuiful city with envy and hatered. (First: Melkor to Valinor in general; second: Maeglin to Gondolin; third: here.)

He tells the king a lot of secrets, and "he knew many of the things not yet revealed to Men". Like… what things? I wonder. Many of the Elf-Friends get confused and scared and switch sides. I wish I knew why exactly. It is before the violence started.

Something something Darkness and Sauron's peak bs.

Amandil and Pharazôn have been friends in their youth (yes, Pharazon liked him too!) → Fic. Potential. So much fic potential. Amandil gets higher on my "I like him because he has a lot of things to be sad about" list. So, Amandil—

We've had many, many instances of characters cursing things/characters/themselves/whatever. Now we get the only instance in the Silm of an Incarnate blessing something. (Amandil blesses the seeds of the White Tree.) which is very interesting.

OK, warning: it gets dark from here.

Sauron. The language. I know the style of description of the thing is not Sauron's fault… I suppose the style is, again, illustrative of his general vibe (which is a very smart writing btw), so, ugh. Seriously, Professor, you never give the dimensions, so we all know why you gave the dimensions here, and … yes I do get your stylistic choices, they make me want to punch him which i assume is exactly what you were aiming at.

I'm sorry, I should probably elaborate more.

So, to elaborate more: the temple which sauron built is described in a language that is vaguely reminescent of the Temple of Salomon (ie giving the exact measurements, and yes, this is very noticeable because tolkien is always very poetic, about sizes too) and the juxtaposition makes me feel offended, and this helps, because this is how we should feel at this point in the book. So, this is brilliant.

They didn't burn only the Faithful, I would assume also some criminals and maybe random people. Also, there were some anti-king conspirations, the book almost says that.

People die more, everything is awful, and of course the people of Númenor are "it's fine" (as you do). In addition to Sauron's main temple of Melkor, people have private temples. Where they burn people stolen from ME.

madness and sickness availed them; and yet so they were afraid to die and go out into the dark, the realm of the lord that they had taken; and they cursed themselves in their agony.

I really wish we had an idea how this came to the chronicler. anyway, an Elf repeating things he hard from some escaped Númenoreans about what their friends/lords/whomever were thinking. And still it sounds very much like what they would be thinking.

No, wait, there could be a better source. Imagine a noble and depraved lady (or nobleman) who left Númenor for the colonies, thinking it'd be just for a short time, and in the meantime— the whole thing happenned. Great fic potential for survivor's guilt leading to remorse and later this person as an old woman telling this stuff to an Elvish chronicler, or maybe not even so old, maybe telling the story in the times of the Last Alliance and fighting against Sauron to do at least that, and I'm not a fan of the "redemption equals death" trope, so living into old age, but without a leg or something. Maybe ending up in rivendell. that would be fitting. The guilt of it all. And yet you chose to live and to do what you can.

Anyway back to the story. Amandil. Nobody even speculates about what happenned to him. (Well, I do, but)

The Faithful prepare to sail and the seven Seeing Stones (all but one of them) given by the Eldar— by whom? I hope it was Nerdanel. Or someone wlse who actually had the right to give them away. Yes, I will assume it was Nerdanel.

Lightning strikes kill people on random hills… I would prefer to assume it's either Sauron or gossip. especially that just a bit later we learn that Sauron is immune to those lightnings. So yes, i think some elements of the "wrath of the Valar" is just Sauron trying to make people even more desperate.

I can't imagine Manwë killing people just like that, even in this context. Especially with how later he doesn't do anything to Pharazôn's army until given a very explicit leave to do so.

Logically, it is sauron killing those people.

The armada… they sail for 39 days (where did I find that information?) which I'm sure means something, but what. 40-1? 3*13? Both?

40 is a number of transformation, so 39 would be a failed or false transformation maybe?

Also, black and gold coloring. Beautiful but in the Silm, vaguely evil-coded.

Just as they break the ban(? but I think it is this moment) they get a strong wind. I guess it's Manwë saying "ok, if we have to, let's make it quick".

They pass Eressea, I think mostly ignoring it? Pharazôn sees Taniquetil and gets one good idea (to cancel his idiotic thing), but nope, he's too proud. Seriously. That's… "my guy" is not enough of a wording.

The Eldar have escaped from Tition… this makes me smile a little, because assuming the ex-exiles did move back to tirion, they do deserve a little fright. For Alqualonde. I know I know. But. It's not like any harm happenned to them. they were just terrified. Of an army of Men. Which is encamped around their island.

So yea. The world is round now. And again it sounds like Aman is moved to the unseen world. Huh. Mixed canon.

Oh, here is the 39. 39 days from the fleet leaving Númenor to the destruction. Including also a volcano and earthquake.

And speaking of numbers, 9 ships of Elendil, Isildur and Anárion.

Also, all the sea shorelines are changed.

So, back to Sauron. Idiot. He is terrified by what happenned, because he expected Pharazôn and everyone to die, but not something like this. So, he is sitting on his black (of course) throne and laughing. What had I said about Sauron being somewhere high up and laughing? So he laughs three times and just as he does the third time his throne falls down into the watery abbyss. "Not noticing a divine tsunami" level: pro. I am not surprised. I mean, I read the book before, so of course I am nor surprised, but anyway, that is nor surprising.

Loses his beauty. Just. The amount of mercy. "I convinced Men to sacrifice other Men to Morgoth, and put the Valar into a trolley dilemma and all I got was this ugly face so that I maybe finally learn" — he needs a t-shirt with this. I need to draw him in a frigging t-shirt.

I want to punch him in the face again.

Yes, i know, i know. It's not my fault he gets more infuriating descriptions.

Oh and the peak of Meneltarma is maybe an island, and people want to find it and have visions of Númenor's past glory… *sigh* Call me old and grumpy but focusing on that doesn't seem like— ok oh. they don't have anything better to focus. This is also true. Huh. I just realized that this makes the whole "focusing on unreachable shadows" things so much more tragic. anyway…

Oh, they do not find it. Good for them. I am sorry, I know it's sad, but it is good for them.

The Dúnedain seeking this island is peak amdir. (This is neither a compliment nor a accusation, or maybe both).

But explaining this would need a long tangent of "amdir" meaning etymologically "looking up" and of the gneral idea of looking in the wrong place. I know I shouldn't be quoting motivational posters when talking Tolkien, because they are much less profound but generally "Stop Looking for Happiness in the Same Place You Lost It"

So anyway, The Land of the star is lost, and the Straight Road is no more and Tolkien is sad and pretty much everyone is sad and we are growing up.

Still, there is a shortcut for Elves who want to use it.

Huh. this reread felt more profound than the others. Not so many facts I've been missing, but the vibe. I think I understood some vibes I didn't understand before. But this may be just the autumn.

[thecalvinistkat]

Sonic Prime and Lord of the Rings: A Cross-Character analysis

So we all saw how Nine acted when he was hocked up on Prism energy…

that’s rough buddy

…but did anyone notice the similarities between him and the previous wielders of the Prism shards?

It reminded me a lot of Lord of the Rings, actually. The wielders of the Prism are so overcome, so intoxicated by the sinful energy that they cannot help but act irrational and ruthless.

And, if given the opportunity to hold on for too long, I’d imagine it might even become a Smeagol/Gollum situation. I mean, Dread was calling his shard “me beauty”— not all that far off from “my precious…”

I’m not saying that Nine and the others shouldn’t be held responsible for what wrong they did. But at least a part of them was acting under the maniacal influence of the Prism. I’m reminded of Paul’s words in Romans 7: 19-20:

“For I do not do the good I want, but the evil I do not want is what I keep on doing. Now if I do what I do not want, it is no longer I who do it, but sin that dwells within me.”

On an opposite note: Sonic’s willingness to sacrifice himself points to his purity and goodness, and is almost sort of maybe possibly absolutely reminiscent of martyrs and saviors such as Jesus. Now don’t confuse what I’m saying here. I’M NOT SAYING THAT SONIC IS HEDGEHOG JESUS, OK. Please don’t make Jesus the Hedgehog a thing.

(That will immediately reverse the redemption that Jesus gave you when he died for your sins /j)

What I am saying is that all good stories have a hero, and the writers have to get inspiration for that hero’s qualities from somewhere. J.R.R. Tolkien and C.S. Lewis both got their inspiration for their fantasy worlds (Hobbit/LOTR and Narnia, respectively) from the Bible’s story and message, so I don’t think that it’s a stretch to say that some of Sonic Prime’s heroic qualities are reminiscent of Biblical heroes.

After all, where better to get inspiration for a good savior than from the Ultimate Savior?

Sorry for the long post; here’s a Tails Chao

TLDR: Nine, Dread, and Thorn Rose were influenced by the sinful power of the Paradox Prism in the same way that Smeagol/Gollum was influenced by the sinful power of the Ring; Sonic’s heroic sacrifice is reminiscent of Jesus.