#tobi gives shows

[teanstitches]

My small fine liners died so I had to use a thicker pen. I’m not as upset about it at the end though.

[mydairpercabeth]

You came You called

[clowningcrows]

hot take i guess but when i watch the scene with billy and agatha where she finds out for sure he’s billy maximoff and starts tearing up, i perceive it as being bc she’s still a bit (read: significantly) heartbroken that he isn’t nicky. he isn’t hers. sure, she might’ve known from the beginning to some degree that he was wanda’s, but she doesn’t know for sure. we see that every time she panics because he’s hurt. we see that in the way she refused to leave his side when he was asleep. we see that when rio herself has to shake agatha out of it, saying, “agatha… that boy isn’t yours.” like YES logically i think she knew he wasn’t nicky, that he couldn’t be but we CAN see how painfully, hopelessly desperate agatha is to think that maybe he could be. so in my mind, she sees billy maximoff standing in front of her, finally being met with indisputable proof that he could not possibly be her lost son. how could she not tear up at that?

[guaxinimraccoon]

I’m not sure if anyone’s asked you this yet, but if they didn’t, what would happen if Alex were to spot Toby? Would he recognize his son cause of the blue hair or red hat, or would Alex not know who he was? Would he pretend to not know anything, or would he come clean to Brad and Toby? There are so many possibilities and they are rotating in my mind, so please help my brain calm down

After I'm a free human once again I'm actually planning on making a few comics to play around with the idea of: if Alex and Elisa were to find that their sons know each other, how that'd happen?

I have some ideas and I'll 100% work on them to explore this so awaited and requested meeting

But to give you a lil spoiler: Alex would instantly recognize Toby because of his hair c:

That's all I'm saying for now hihihi

[bonetrousledbones]

Can you tell us your the reasons for why you like Papyrus? (I’m sure you’ve did this before xd, but I always enjoyed rambles about Papyrus. Hope you’re well!)

oh it is 100% his whole loneliness thing. growing up i was a chronic friend group hopper all the way from kindergarten to 8th grade and then by high school that didn't work anymore so i just kinda didn't have any genuine friends for basically that entire 4 years. so hyperfixating so hard on a character who's basically completely centered around that struggle helped me feel a bit less hopeless about it. the funny thing is i think pre-undertale papyrus actually had more friends than i did back then but like its the little things

that's why this fic that i'm gonna plug again hit me so hard tbh. shit sucks when you're trying so so hard to be friendly and engage in other people and then you get to a point where you have to realize they're not at all interested in returning the favor, even if they're not overtly rude about it or anything, they just don't care to get to know you any deeper than surface level convenience and it gets real hard to not let yourself get angsty about it lmao

i do think that while sometimes i wish i hadn't been given such free internet access as a kid i'm still really lucky that i was able to be exposed to undertale when i was. it's such a unapologetically hopeful game that i'm sure it absolutely impacted the way that i think about things today in terms of optimism and the ability to turn bad situations around, and papyrus plays a huuuge part of that entire message. if it weren't for him, i'm honestly not sure if i would've had the drive to keep trying to connect with other people even when it didn't work for so long.

so tl;dr thank you funny little skeleton man for constantly reminding me that making friends is still possible even when your demeanor is frankly weird as fuck. sometimes you just gotta keep truckin until you find your people even if it takes a while

[bluefirewrites]

Me and @blush-and-books talking about PJO finale and how costume dept did so good with Poseidon cuz that man looks like his job is beach

[cultist-bones]

Rewatching Seven Deadly Sins after you've matured way more is such a surreal experience, what is this magic? What is this madness?? What are these terrible, awful realisations and these new wonderful revelations????

[dearest-lady-disdain]

i imagine steinberg on the phone with toby stephens trying to get him as poseidon for the pjo show like hii hello, remember when you played a sopping wet pathetic rage-filled tragic guy who gave up a war for someone he loved on black sails? yeah, want to do it again?

[hamletshoeratio]

Pride was Theseus' fatal flaw.

He abandons Ariadne, the literal only reason he survived the labyrinth, because he feels he can do better or because he doesn't want to acknowledge that he couldn't defeat the minotaur and survive the labyrinth alone. He gets so caught up in his victory that he forgets to raise white flags so his (mortal) father knows he survived, and said father throws himself into the sea in despair and dies thinking his son is dead. Becoming King of Athens as a result of that, he becomes a tyrannical king because of his pride and because a toxic friend uses his pride to manipulate him. Where once he was brave and cared for other people, only attacking after first being attacked, after meeting Pirithous, he began doing dangerous and cruel things without thinking about the consequences of his actions. He becomes cruel and self-serving. He kidnaps a thirteen year old Helen of Sparta, intent on making her his wife (never mind the wife he already has) because she is a beautiful daughter of Zeus, the most beautiful girl on the Earth, who else would be worthy of her?, he thinks. He tries to help his friend kidnap Persephone, a goddess in her own right, so that they both can be married to daughters of Zeus, who could stand in their way? Hercules saves his ass from Hades' punishment, but even despite all of the above bullshit, the Gods still don't abandon him. Not until he murders his own son do they abandon him. He kills his son out of jealousy and out of pride. Now he's old, and his own people despise him, even the gods have abandoned him, so he decides to try and be a hero again. He fails. He's lost everything because of pride. Eventually, he is either pushed or he himself jumps (depends on the retelling) into the sea and drowns. If he was pushed, he was too proud and thought that he couldn't be tricked. If he jumped, maybe he was too proud to believe that his father had abandoned him, or maybe he realised his fatal flaw, realised the devastion that he left in his wake as a result and couldn't live with it.

Theseus represents the worst aspects of Poseidon. He's possessive, temperamental, violent, selfish, impulsive, and all-consuming. He doesn't take no for an answer. He's too proud. If Poseidon is anything, it's a prideful god. See the Odyssey, where he has a long vendetta against Odysseus for killing his son. See the Illiad where he sides the Greeks because Laomedon, the mortal King of Troy generations before Priam, Hector and Paris, promised a temporarily mortal Poseidon great reward for building the walls that would later protect Troy from the Greeks for over a decade, then when the task was done told him that setting him free is the best reward that Poseidon could hope for. Posedion took every opportunity to attack Trojan ships and even sent a blood thirsty sea serpent to terrorise the city. There's countless stories where Posedion's pride is the driving force behind them.

Pride is not all that Posedion is, but it's one of his faults.

Do you understand how significant his surrender is? Because I do and it's driving me insane. He sets it aside and he surrenders to his brother, a brother who once took his powers and made him mortal, the brother who is the very last person in the universe he would ever want to submit to. He does it to save Percy because Percy matters far more to him than his pride.

Posedion is one of the Gods who have grown the most since ancient times. He's no Saint and he will never be one, but he's calmed, he grown, he can now set his pride aside.

It's probably why Kymopoleia was banished (she deserves better from Rick because she is full of untapped potential and ngl hoo did her dirty and I can and probably will rant about it someday just not in this post), because she reminded Posedion too much of his dark side, a side he isn't indulging in as much because he's not conspiring to steal Zeus' throne, because as far as we know he doesn't have any vendetta currently ongoing (other than doing significant damage to Florida when Hera kidnaps Percy in tlh).

We do see Posedion set his pride aside for Percy in the books, in the last olympian when joins Zeus and Co in the battle, letting his own domain face destruction. Kronos doesn't expect Posedion to join Zeus & co because of his pride and he's both shocked and pissed that Posedion has done so. It wasn't part of his plan, he never considered that happening (which makes Hades showing up too so much sweeter). Percy had to ask him to do that. Seeing Posedion set his pride aside without a single word from Percy, who has closed his eyes and accepted his fate? I'M A FUCKING WRECK

[vcrnons]

thank you @woozification for tagging me for receiptify!!

i had no idea what was gonna come up on this so i’m lowk pleasantly surprised !! (apparently i have been streaming the life out of brat & iichliwp lmao)

tagging (with zero pressure<3) : @justsomekpopstuff @chwedout @lee-sanghyeok @taeiltual @wqnwoos @raplinenthusiasts @eoieopda 🩵

[jobey-wan-kenobi]

The Engines as Mentors

Okay but I'm eternally salty that TVS in particular—though it was RIGHT to expand the NWR fleet��failed to use the dynamic of the OG characters from the books all functioning as Mentors and Elder Statesmen to the newer and more obscure and younger engines.

It would have been THE way to effectively integrate the newbies (looking especially hard at you, HIT era). Like, some of the best use of the new characters already are when they fall into a mentee dynamic with one of the established characters. But the TVS writers really only ever let this happen with, like, Thomas? To a degree? And Edward? A bit? And then the best and most beloved BWBA episodes (BWBA!) are when Gordon and, again, Edward get more of this sort of material. And then again, in fuckin' AEG, the most popular thing so far seems to be Gordon's whole Grumpy Dad shtick.

But I think canon and fan writers should have done this with all the classic characters. After decades as The Famous Eight—erm, Ten—(but not Eleven—to me Oliver is in that category of newbie that needs looking after. which is what the rest of the Little Western spends most of his one book doing!) they are all  kinda old af and well-qualified and honestly just should be mentoring the diesels and younger steam engines and whatever wide-eyed newcomers are brought to the Island Where Fever Dreams Come True and Culture Shock Is Probably One Hell of a Bitch.

LIKE. Percy. Yes, absolutely Percy! He's inconsistent about standing up for himself or making good decisions in his own working life but honestly his instincts when it comes to others have always been completely on-point. And he never has any hesitation about acting on his instincts so there is a recipe here for big-brother success. He must be so wonderful with uncertain new engines. I think he would have been much better for taking Molly under his wing than Thomas, and he must be a god among many of the newer tank engines. Like the dynamic I tried to paint in my headcanon post about Harvey—Percy gives whiplash as your mentor because he will always support you 100% but sometimes he will suddenly make the most baffling decisions and if you are not, yourself, a natural chaos gremlin, you are just along for the ride and possibly dying of secondhand embarrassment. But again, you also get over it because no one will ever show up for you more consistently than Percy the Caterpillar Engine.

The BWBA era thing where Gordon winds up mentoring Rebecca is... like, fine, I guess. I don't have any complaints about it, but—as I tried to show in my ficlet with him and Derek—I think Gordon's most typical mentorships have two unmistakable characteristics:

it is insanely arbitrary as to whether or not he decides to take you on. if you wind up in his circle of trust you probably weren't trying or even remotely expecting. it is also hard for anyone else to understand why Gordon looked at a new engine and said to himself "Yes. That one." Because the way Gordon makes emotional decisions is utterly impenetrable—this is RWS canon. Why did Gordon one day go from being Pure Unadulterated Jackass Whose Only Thought So Far In His Life Has Been "Me! Me! Meeeee!" to the engine who (evidently? without?? snark???) suggested the Fat Controller let Henry out of the tunnel to take a turn on his train? Honestly we don't know but it remains Gordon's signature style. Why did Gordon do an about-face after James took the express and graciously decide James was his new buddy? Well, to save face of course, but Gordon is also not above a good grudge so it feels like a coin toss. Why did Gordon decide to be super gracious when he rescued Percy and Thomas from their RWS scrapes? No one knows but somehow these moments are so quintessentially him (even though showing up moaning and scolding would have also been quintessentially him). And—most relevantly of all—there is what I regard as his archetypal moment with BoCo. 'My dear engine! You SAVED MY LIFE.' 'I mean, you're welcome for getting rid of them but they were never actually going to kill you.' 'YES THEY WERE. THEY HAD MURDER IN THEIR HEARTS. YOU ARE A GOD AMONG DIESELS, STANDING STRONG AGAINST THE FORCES OF DARKNESS.' '... Sure.' Gordon logic is not the same as earth logic and his reasons for rejecting or accepting others seldom make much sense.

If he does take you on, you may not even notice. Gordon is very stuffy and kind of... emotionally remote. His mentorship style consists of long rambling bouts of relating/boasting about his own experiences and/or advising you, without you able to get much of a word in edgewise—but then, he does this with everyone who is ever stuck with him—and doing extraordinarily nice things for you such as pulling strings to get you the best assignments or upgrades but he'll do it all behind your back, so it might take a while before you realize. (But you'd better, because even though he deliberately decides to do these things in secret, he will also privately feel hurt and hard-done-by if you don't figure it out and thank him. Or at least exclaim happily in his presence and sing the praises of your unknown fairy godfather.)

So yes, mentor!Gordon is a lot like friend!Gordon and worker!Gordon. He is pretty damn high-maintenance but he is also genuinely quite worth it. What his relationships lack in... comprehensibility they make up for in loyalty and generosity. ALTHOUGH. It's worth laughing because I think most of the engines he takes on are decent, polite engines who perhaps have some self-confidence issues. Basically it's like any engine he meets afterwards who is in the Edward mould he is actually magnificent to, which is hysterical considering that one of the keynotes in early canon was Gordon bullying the shit out of Edward. (I still think that wasn't malicious though, and more Gordon did not yet have the remotest understanding of Himself, Theory of Mind, or How to Be a Friend.)

If you have self-confidence issues but you do not win Gordon's capricious favor, never fear! You have James. Who is even more capricious, but that's not to say he's never been the most faaaaaabulous mentor in the world, c'est ne pas? Look. I want to see James as the catalyst for shy newcomers having a glow up. In appearance and attitude. I don't think he does he often but it has definitely happened around twice. I somehow have never actually watched "Rosie is Red" or "The Fastest Red Engine on Sodor" while paying attention but I've been assuming that's exactly how Rosie's Confident Girl Arc went down. Maybe he could be a similar idol for Neville or Flora. Another thing that has happened twice is James just flat-out corrupting a couple of the Good, Buttoned-Down Boys and Girls. I still want to see James take, like, Porter or Arthur and teach 'em anger. Introduce them to the world of (tiny) rebellions. By the time James is done with them, they are starting to Display Behaviors, and Act In Certain Ways.

Henry, I firmly believe (sticking out my tongue at most of the TVS and magazine writing for him), is actually regarded very intimidating. Like Gordon and James are intimidating too, but they are also known jackasses and the universe is known to have slapped them around reliably when they get too far up their own tenders. Also Gordon usually puts on an air of affability—in RWS it's Henry who is the Grumpy One (and meanwhile James, though he has a foul temper, is just too ADHD to be properly intimidating). I suspect Henry's actually always had the reputation for being extremely snobbish. Which is silly because he's only mildly to moderately snobbish, but there you are. He also doesn't put himself out there socially, but of course if you put yourself out there to him he's perfectly friendly. Anyway newcomers and young engines wouldn't know this right away. I think Henry's specialty is mentees in the mold of Bear and my OC Laura and even Rebecca—extroverted, expressive engines who show him respect. In those cases you see his best side, all kindliness and unstinting support. And Henry's support is really valuable, for the usual reasons that all the OGs have a lot of pull on the railway but also because Henry is surprisingly sage and sensible. He doesn't have the reputation for it the way Edward does, due to some of his notoriously poor decision-making in his earlier years and the way he can still sometimes be a bit literal or naive. But even if he's had to learn most things the hard way, he hasn't lied to himself about it and therefore he's developed a very clear-eyed view on things. Refreshingly simple and sound. We see this already in the RWS Super Rescue—he's got Bear and Spamcan pretty well-pegged long before the story ends. He also values engine solidarity in a really consistent, utterly unpretentious way that shows you he doesn't even think about it, it's just become a part of who he is. I love it. And, of course, he's bold as brass. He once hissed steam at his boss and essentially told him to fuck off for no better reason than it was raining and he just wasn't feelin' it. He had the most horrid wreck in the series and after being rebuilt he just got right back on that horse, pulling Flying Kippers again for the next century without the slightest sign of trauma. So if you need him for something, he won't hesitate to move earth and heaven for a friend. He may be a bit of a hypochondriac and likes to predict doom and gloom but he is fundamentally pretty fearless when it comes time for action. (Cut him a break with the elephant thing—he's allowed to have tunnel-related trauma, okay?)

Of course there was one extroverted engine inclined to hero-worship that Henry rejected in canon as a mentee, and that was Philip. Which brings us to Edward, and I fully agree with the fandom consensus that he is the mentor ever, capable of and inclined to look out for, like, everyone. All I'm saying is that I think the others can also step up in this way... Anyway, Edward's specialty of course is engines who are in the mould of Thomas, engines who are excited and eager to work but who talk a lot and might have a streak of mischief and who are definitely considered Too Much by everyone else. Edward likes energetic gremlins. They've always kept him young at heart. And, more importantly, they trust him so completely. Probably because they can tell he's one of the few who genuinely doesn't mind them at what everyone else considers their Most Annoying. He never tells them to hold still or quiet down or make themselves smaller in any way, so they are incredibly receptive to whatever he does tell them.

But what if you're Too Much and you are not eager? If you are not susceptible to admiring Edward's stellar work ethic? I think this is where Thomas shines. Like I think HIT abbreviated and simplified the conflicts with Dennis and Billy too much but it was such a gold mine. Because Thomas, see. You get these little sneaky rotters who don't want to listen to anyone—and at first Thomas seems like the most out-of-touch engine on the rails. Coz Thomas is a tryhard. He also has that whole "corporate positivity" thing going on. Like, the way I resolve the way TVS massacring my boy is by supposing that, after all, Thomas might have really tried to adopt that persona, especially in the '80s when he was inducted into the National Collection and the, well, television series got underway and Thomas becomes damn near the most famous locomotive in the world, certainly he knows he is an icon for children, and he might have figured that, well, this means I have to be a Good Role Model and Teach Children Valuable Lessons. And so he really did try to do this whole pep-talk, moralizing, sugary sweet encouragement thing (and he has a Word of the Day calendar, lol).

And the Dennises and Billies of the world look at that and—understandably, I think—retch a little. But then they double down. And the thing is, when they push Thomas too far, Thomas forgets to be sweetness and light, and just becomes himself. First of all, a foul-mouthed little drill-sergeant wannabe ("Cinders and ashes!!!!" "Who's been late every afternoon this week?!" "You're too fat—you need exercise!" "IF YOU DIE? IF YOU DIE, MOTHERFUCKER? SO WHAT?! I WOULDN'T GIVE A SHIT COZ I'D BE TOO BUSY FINALLY RUNNING MY GODDAMN TRAIN TO TIME." - all direct quotes from Thomas the Tank Engine, ladies and gents) Secondly, an extremely experienced engine who really has done a bit of everything by this point (he even hitched a ride on the Wild Nor'wester that one time, lol) and who is pretty skeptical so he's hard to fool (Percy was the last engine to really ever get one over on him, during the Ghost Train incident, and that's ancient history by this point). If you try to get away with doing a shitty job he's bound to notice and he will be quite acid-tongued if you've pierced his PR Persona. Third, although he can be kinda self-involved and the last to "get" what's going on with newcomers, he is surrounded by his old friends, who are all pretty good about either clocking an engine's whole Deal, getting all the tea like the gossips they are, or both. So while he was still in his amiable-idiot stage of your acquaintance, you, poor rebellious fool, thought you had the run of things but all the while he was getting up to speed on your whole deal. Which means you won't be prepared, should you really commit to ongoing antisocial behavior, for Thomas the Beacon of Children Everywhere to abruptly cast up your entire life story to you and to read it for filth, telling you the merciless truth about yourself in a way that the other engines pieced together but with which they probably never hit you deadass between the eyes.

Of course, this doesn't mean the would-be punks and malcontents who get onto Sodor are instantly cured, lol (though it has gone down that way a few times—my alternate version of Billy's intro story would feature an end where he's just gobsmacked into submission). Sometimes it just means you are going to decide Thomas is your Hated Enemy for Life, but you know what? You will have to step up your game in order to compete with him or even to gain enough clout to try and sabotage him so you're still playing into his hand (if we accept TVS's idea that 'Devious Diesel' did become a part of the Sodor family, I think this is how he was successfully integrated. At some point Thomas unexpectedly read him the riot act and Diesel was like 'who the FUCK are you?? like i know i already had beef with all the main line engines but where the hell did YOU come from???' but then after decades of competition they are essentially frenemies). But mostly the thing is, you are shell-shocked for just long enough, and you'd probably shift to being a bigger asshole than before... but, during that period where you're still burned, you are also looking at all of Sodor and every engine on it with fresh eyes (because if Thomas the Merchandise Engine could ream you out like that, perhaps you underestimated everything about this place). And you are noticing something else. Once Thomas has scalded you with his bitchery, he's also your friend. It's almost his version of sharing his lunch with you on the playground. (Something something salt and vinegar.) For all he rode Henry so hard from some of the earliest days of canon, I bet you he also beat down any 'outsiders' who took shots at him. For all he and Percy squabble, they are the closest of friends (and they weren't! for decades! but the more they squabbled, the closer they got). Getting into a knock-down fistfight is alarmingly close to Thomas's love language, and by the time he's savaged you verbally he is also invested in you. Once he's told you what he really thinks of you, he's also going to start showing up for you genuinely.

And that's when the little shits see the final side of Thomas. The genuine good humor. Obviously it doesn't win over everyone but there is a real groundedness and humility that I am sure Thomas can show (I tried to show this in the fic I made with @shinygoku based off their artwork of Thomas and Daisy) that is hard to resist. He's also fucked up along the way in every way imaginable so even when he side-eyes you, he's not looking down at you. I can just see him showing screw-ups a lot of grace so long as they let down their guard even somewhat because he's been there. Hoo boy, has he been there. That's why kids actually love him (it's not your vocabulary lessons and beaming smile, Thom, though the effort is appreciated), and it's why young engines can wind up loving him too. He doesn't hold what you've done in the past against you; he genuinely believes in second chances (and third, and...). Plus he knows every engine needs some excitement and responsibility in their lives. He has never forgotten the insanity-inducing frustration of being tethered to Vicarstown station.

Basically, once you cut past Thomas's earnest (and bullshit) attempt to be Perfect Kids' Role Model, he's actually always been great at keeping it real. And that's where a genuine respect can often grow.

[mymarifae]

after all this time i still can't predict how mayor holiday will be characterized

because like. i feel like all the fanon versions of her where she's stoic and serious and gruff are like... not right?? queen is supposed to reflect her. right. like that much is painfully obvious

... none of those adjectives apply to queen????? now ofc she could be mayor holiday's total opposite to highlight the differences in their approach to mothering noelle - i'm not discounting that or anything because i literally do not know. it's just that's not necessarily the vibe i got

queen is cheerful and silly but very pushy. very demanding. she expects a lot and doubles down and really puts on the pressure when people don't meet those expectations. all with a smile! like. i feel like the fandom saw rudy say noelle's mom is hard on her and saw the thing about her keeping her office frigid cold and automatically assumed she's a cold person who only knows how to frown

you don't have to be stoic to be a strict parent. you can be all smiles and be more demanding and controlling than the gruffest most stone-faced parent in the world. and like... we saw that when it comes down to it, queen is more than capable of dropping the silly antics and jokes and she can and will get serious. she doesn't need cages or control plugs or an army or anything but herself and a few well-placed threats. which reminds me of when alphys said hometown's cops (ugh) don't really do anything because mayor holiday takes care of it all.

i think... maybe. she used to be a little less strict and a little more genuinely lighthearted. but after dess disappears, she drops that lightheartedness. she gets really, really serious about turning hometown into a safe place and making sure noelle is strong enough to like. Survive.

but she does it all... with a smile! after all, every politician's got to have a dazzling fake grin, right?

[gilmores-glorious-blog]

me when sweeney goes “tobias!” at the end of “the judge’s return”

[hauntingblue]

Zoro was about to tell luffy off for making a scene but luffy just says some guys spilled red bean soup and he starts to make a worse one. Amazing

[27-royal-teas]

TOP TEN FOB SONGS (realizing i don’t know much abt ur fob preferences actually)

spi u are the one and only person who indulges me, I can’t thank you enough

top ten fob songs!!!! oh god. uhh

1.) 27. wrote an essay on this one once. there’s really not enough I can say about it— it’s kind of a masterpiece.

2.) alpha dog. it’s the way patrick sings ‘I’m a star’ and vocally this song is just STUNNING. also lyrically, too. also musically. it’s so fucking good

3.) fame < infamy. im in love with the intro. andy and joe went OFF in this one btw

4.) what a catch. it’s the emotion and the symbolism behind it. it’s the story. i have to be like, mentally stable to listen to it or else I start crying

5.) young & menace. I love the experimentation that went into mania and this song demonstrated it the best. I’ve seen videos of patrick singing it live (and I’ve tried to sing it myself) and it is fucking HARD to sing. kudos to him fr

6.) bishops knife trick. while we’re on the topic of mania. this is probably my favorite song off mania and definitely makes top ten. its the hum hallelujah parallels and the love behind it that makes me hurt soooo good. it’s also a fantastic night driving song

7.) the kids aren’t alright. I mean, what else do I have to say? it’s the meaning behind it. this was my best friend and I’s song for a long time. id do it all again. mic drop.

8.) the phoenix. it was the absolute perfect song for fob to come back with and it’s the rising up imagery that gets me. id write a whole essay on it if I could. maybe I will actually

9.) so much for stardust. the title track was the best, sue me. i must have looped this five hundred times at school toward the end of the year. it’s the perfect album ending and the strings were a great touch

10.) Bob Dylan. I LOVE this song. I think it might have actually been my introduction to fall out boy, the first song I really listened to without radio influence. i love the lyrics. it just… has a lot of meaning to me

[infizero]

i dont think i made this clear in the prev post but WHAT I WAS GETTING AT WAS i think toby specifically wants players to get attached to ralsei and make choices playing into that so that the inevitable reveal of our distinction from kris and their own opinions and feelings and everything hits even harder by sort of slapping you in the face and being like HEY BUDDY. THEY DONT WANT THIS. and also a slap in the face to ralsei too who i again would like to say is parasocial asf with us and needs to go to video game therapy :heart: