#to write something for the antagonists haha

[prosebushpatch]

I have every intention of being better at doing prewrites, but see, so far that has just accumulated a couple of folders with documents named after characters and when I click on them months-years later, it's just maybe one sentence describing a scene I meant to write.

[dazzelmethat]

Long time no Bud. Wow the last time I made her a ref was 2018. I experimented some with her pallet. Unsure if I like the profile head but oh well, open mouthed anime inspired profile faces are notoriously hard for a reason.

Sigh. What am I going to do with her.. my writing conundrum workshopping in tags. My tag rant mentions plot related suicide and ableism (in relation to the zombie trope).

[cashmere-caveman]

My Country: The New Age, first and last episodes & Hanif Abdurraqib, For The Dogs Who Barked At Me On The Sidewalks in Connecticut (text/audio) image descriptions in alt

[nmoroder]

do you even know why I am here?

[loronoazoro]

One thing I cannot talk about enough wrt Oda's storytelling is how he loves to introduce a quirk or a character as a joke or as some small little device and then says "haha! Turns out that there is a whole backstory here!!!!"

Like Genzo and his little pinwheel. At first it's introduced as haha look at this new character with a little goofy quirk in his design like Oda loves to make!!!! And look, Luffy used inspiration from the pinwheel for one of his attacks against Arlong!!! Isn't that a fun way to integrate this quirky little character design into the story!!!!

And then Oda drags you into a backstory and hits you with this:

And it happens again with that funny little frog who tries to sumo wrestle the train (because it took two of the most important people in his life away from him and he wants to be strong enough that it never happens again) and it happens again with a sidekick antagonist who can't stop getting engaged and lending people money (because she can't allow herself to be useless and abandoned ever again) and I'm sure there are other examples I can't think of bc I'm tired but!!!!!! It itches that little storytelling part of my brain every time and I think it's so masterful and I think it's so cool and someday I want to write something like that and yeah. Good night.

[critterbitter]

If you don’t mind me asking, what’s your comic making process? I find it hard to make comics that look eye-pleasing to read and yours are like candy.

Ah, comics! Dig under cut to see some old wips as I attempt to explain my nightmare thought process to you.

For making a comic AESTHETIC and APPROACHABLE:

I've noticed that it's easier for people to be pulled into a comic if I set the environment first and foremost, so people have some vague context for the scene. Of COURSE that's not always necessary ( there are a lot of comics that start out without environmental story telling and it works perfectly) but I've always liked having a lil illustration before digging my rat claws into the meat of the story.

For example! “Emmet and Elesa have a clandestine meeting in the library at 4 am.”

The sketch was sort of the jumping point to where I wanted to go with the comic. I wanted to a. explain wtf is happening and b. draw a nice conclusion about what the f is happening.

You don't need to make the environment available in every panel too! I'd suggest making your first panel tell all the environment detail you need and then like... slowly removing irrelevant detail from there. And then hit folks with the background again at the end. (So basically, you don't see the library in this comic until the beginning and a bit towards the end. I have tricked you! aha!) So that's one tip i have. For Readability: Anyways, to make a comic easy to read, spacing is super important. Dialogue tends to cramp a shot by a WHOLE lot. For example! Remember the "Lamp is told she's beloved (and has a tsundere moment over it"? That used to be TWO panels. Man. Nightmare fuel. Lemme find it. (This is the rough. I Lined It, realized the pacing is off, and then withered. Please don't look at it too hard.)

So here's the thing. This READS. But the sheer amount of dialogue in the beginning is fatiguing for me and the "you are beloved, Lampent" NEEDS that oomph of both characters realizing that over the span of years, their relationship stopped being antagonistic and started being family instead. Some folks are fine with blocks of dialogue, but I have the attention span of a patrat on candy. I will not make it. SO! To match the almost moody atmosphere, I stretched the comic out. I stretched that bad boy out a LOT. And I got this out of it.

Something to keep in mind in comics is there's always going to be one or two iconic lines. Lines that make people FEEL things. Those lines deserve their own panel, their own shot, their whatever. A good story has lulls in its conversation. If you can replicate it, you're winning. Character Blocking:

So basically no, it's not all witchcraft. It's only a bit of witchcraft. Another thing that helps is differentiating characters if they're on the same panel is by solid blocks of color. I have, for the longest time when working on storyboards, blocked characters different tones in order to help differentiate them. Don't be shy! Do that if it helps your comics read! Ingo will always be darker shaded then emmet. The angry nightlight will always have some hint of purple on her (unless I forget). The first goal in a story is to convey information, hehe. Here's an example of color blocking! (This is from a VERY old botw comic I did for linktober in 2021.)

It's, ah, rather rustic compared to what I do. usually. I know! BUT the primary goal here is to convey where the characters are in relation to each other. And the fact they're color coded makes life easier for both reader and artist. Alright! That's all the tips I can think of off the top of my head. Time to get off that soap box, haha. Overall: Basically, my work process is-- draw a story telling image/ write a funny piece of dialogue. Build the comic around that. Pace it so the important lines stand out. Color code the characters for max visibility. And then four to twelve hours of lineart, but that's neither here or there.

Thanks for coming to my unregulated rambling!

[suzukiblu]

I have no context for liger pups. Is sacker someone we are meant to know, or is it spoilers?

. . . I apologize in advance for how long I let this explanation get, lol.

Sacker is a minor antagonist from the arc that this WIP is a canon divergence of, and he's one of the beast-men in the Wild Lands. Specifically, he is a giant old snake dude who runs a huge storehouse/trading post/fortress type thing, and he was the guy who initially enslaved and drugged Kon into his feral/depowered state when he crash-landed in the Wild Lands after Sacker also, like, literally shot him out of the sky. He does that to literally every single human who washes up on shore, because he is the only person in the Wild Lands who has ever actually met a human who was in their right mind and after that experience he immediately decided that humans should not be allowed to have their right minds anymore.

In his defense: HUMANS.

The mark Panthera is referencing Kon drawing is Sacker's slave mark, which he puts on all his humans via differently-shaped pendants. Kon's version of it looked a bit like the S-shield, so Kon was attached to it when he was feral and wouldn't originally let Sacker take it back. See: below. Therefore, Panthera doesn't realize he is actually NOT drawing Sacker's mark.

In the original arc (it's like issues 50-54 of Kon's OG solo title, I belieeeeeve it's called "Last Boy On Earth" or something like that), he agreed to sell Superboy to Prince Tuftan in exchange for a historical artifact, as long as Tuftan agreed to keep giving Superboy regular doses of his serum. At the time Tuftan did not know humans were actually, like, PEOPLE, and thought he was just agreeing to sedate a wild animal to keep it controllable. Superboy was a few days out from his last dose of serum, though, and when Tuftan forgot to bring the drugs to put into his dinner and a mercenary attacked the king while he ran back for them, Superboy got his adrenaline up enough to burn through enough of the remaining drugs to remember how to talk and also, like, break his restraints and smash said mercenary through a wall, which kiiiiinda blew the lid off the whole "totally just a wild animal" lie. This AU is one where Tuftan did not forget to bring the drugs, and Superboy has as a result been in the Wild Lands ever since.

Issue 50 of that run was actually the first Superboy comic I ever read and my first introduction to the character, so I have a serious soft spot for the arc and I just could NOT resist writing something related to it when I got enabled to, haha.

For the record, this is Sacker:

And THESE are Tuftan and Tawna:

And they totally introduced themselves to Kon as a couple by making out literally a foot away from him while Tuftan had him tied up and collared on a leash AND on his knees.

Look, if I were feral(and-definitely-repressed-bisexual-probably-also-a-furry-by-now-lbr)!Kon, I would ALSO pick being a pet to the buff and noble tiger-prince who wanted to give me to his badass scantily-clad lioness fiancee over being enslaved by the morally dubious prick who shot me, drugged me, AND stole my sick leather jacket. Like, no question!! No question whatsoever!!!!

[anonzentimes]

Rewatching the first trial I always get a little intimidated when Nagito tries to have everyone give up haha, I understand his motive but I can't place where his mind truly is at any time I see it again or how he thinks it's alright. His moral grayness is such a good aspect of his character and truly makes him a great antagonist that isn't ill intentioned but rather genuinely messed up mentally. I really love that Nagito is able to succeed at being such a cute character while also being an intimidating character, writing wise it's truly brilliant that he's able to serve multiple purposes and be amazing at multiple tones. Nagito's very strong for living with his luck and forming a coping mechanism with hope to have something to live for, but the idea with him compared to Makoto is that everything has a limit. Too much of anything is a bad thing, too much of his coping mechanism and it has become obsessive, unhealthy, and he's beyond dedicated to truly believing anything is okay for the sake of hope. Nagito deserves the world, I think. :3

[is-the-owl-video-cute]

Hazmat Hole 1: Overture

I went back and forth on whether to do the pilot or not, but ultimately decided not to. Pilots are meant to be an episode 0 that isn’t necessary to understanding the plot. I may go back to it after episode 8 if I’m not completely sick of this.

It starts off with a story book narration about how hell started because Lucifer was a rebel or something and just states very vaguely that he had big ideas heaven didn’t like. Also Adam was the first man, Lilith was the first woman but she didn’t like Adam and liked Lucifer better they fell in love or whatever and Lucifer gave Eve the apple and he and Lilith were banished to hell. I wish I could lie and say I was skipping over details but they used more words to explain that in about as much depth as I did there. Anyway. The important part is that Charlie is a princess of hell as the daughter of Lucifer and Lilith and the angels go down to hell annually to purge excess souls.

These two start off annoying and by god I do not see them getting any less so. Charlie is legitimately the most generic Disney Princess rip off I have ever seen in my life, complete with reading books aloud bursting into song. It’s genuinely jarring to hear her swear because you can tell the voice director basically just told her actor to pretend she’s auditioning for the little mermaid. Vaggie is annoying because she’s written like a middle schooler’s first “strong female character”. She’s the emo love interest in a B movie that was straight to video and made by people who don’t actually know what emo is.

Appropriation Deer is literally just here to make wise cracks and occasionally move in ways that make animators cry and deviantart users in 2010 scream in joy.

They could probably cut the budget in half by not having him in the show. Anyway no he is not here to do anything besides whine about how television sucks and emphasize that he’s only there at all because he’s into watching people fail and cry or whatever. He’s very flat as a character since he’s just there to be tumblr bait.

Angel is here and spends the entire episode being sexually aggressive to the point of making everyone there uncomfortable and that’s the entire joke. That’s it. He’s a gay man who says penis and wise cracks and sexually harasses the men in the hotel. Because that is how vivziepop writes her mlm characters.

We get a two for one easy joke with these two. Haha gay man is harassing a man who isn’t gay as well as haha asexual gets hit on but he says no way.

Angel is here because “crack is expensive” and they don’t charge him rent there.

Which he says while drinking a whole bottle of liquor to establish he’s an addict because vivziepop is as subtle as a bull in a China shop.

And thus we are taken to our first musical number. It’s very underwhelming.

Also Vaggie sings like she’s getting over a cold and plugging her nose and trying to do an impression of a duck.

The opening number also leaves me with a perplexing question. Can you die in hell? Do you go to super hell if you die in hell?

And we get our first real sexual harassment/assault joke from a giant slug flasher trying to make Charlie touch him in the middle of a musical number. I’m sure this bodes great for how angel’s abuse will be treated.

I hate that I know this but as someone who did shamefully hate watch sausage party twice I have to point out that Adam here is literally just a rip off of a sausage party character.

Everything down to the voice direction is literally just a rip off of the main antagonist of Sausage Party, the douche. This is probably somewhat intentional as vivziepop was a massive fan of that movie when it came out, but if you’re going to make an homage that borders on plagiarism (this is a joke I’m not accusing her of plagiarism here but it’s giving original character, donut steel), does it have to be from sausage party? Does it really? There’s other movies. Anyway he doesn’t say much, just establishes himself as a douche.

Back at the hotel they start filming a new commercial since Alastor intentionally made their first commercial bad because he wanted to make fun of them and hates TVs just that much. Nothing very interesting happens. Angel is hot horny. Husk doesn’t want to be there. Alastor makes a deal with Vaggie to help as long as she never makes him go on TV again.

We go back to Charlie begging Adam to stop coming to hell and killing demons by the hundreds every year and Adam says no in frankly one of the only songs that I like from this series. Sadly, it’s still terribly annoying and repetitive.

Viv posted meme please clap.

Isn’t this the homophobic character from the pilot? Didn’t realize she was given a male voice to imply she’s either a drag Queen or trans I guess. Great. I’m sure it’s a very artistic and respectful choice and not every other more likely reason this was the casting decision.

The episode ends with the discovery that an Angel was killed during the last extermination so they plan to come back in just six months to kill every demon in hell. I might care if any character established themselves as anything other than a vessel to spout boring exposition and sex jokes for twenty minutes.

And that’s episode one. It’s honestly just boring and all of the explicit language sounds extremely forced and awkward.

0/10, the one okay song wasn’t enough to save it. Too much exposition dumping.

[onebizarrekai]

Fic Author Interview

I've been tagged by @unmaskedcardinal! been a while since I talked about any of this stuff, particularly as a very inconsistent fic poster haha

1. How many works do you have on AO3?

the visible number linked to my account is currently 60, no idea if this is counting the bizarre saga from my archive account or not. technically I've posted more, but they aren't part of that number.

2. What’s your total AO3 word count?

567,314.

3. What are your top 5 fics by kudos?

ibvs season 1 & season 2 are (thankfully) the top two on my account, considering they're… well. ibvs.

number 3 is formal humiliation, a utmv fic back in 2019 where I wrote 3 oneshots all with different pairs surrounding the same idea. it's uh, it's something.

4 is behave, a saiouma despair disease fic I wrote sort of ironically in 2020. I did not realize this weird oneshot would be the thing that jumpstarted my kage obsession.

5, for some reason, is glow, a ds fic I wrote in 2019. I do not know why this is the ds fic with the most kudos. I am just really glad that it's not one of the ones I wrote in 2018.

4. Do you respond to comments? Why or why not?

lately I have been trying to respond to more comments, if they're on a recent enough story and I can think of a way to answer.

5. What’s the fic you’ve written with the angstiest ending?

most of the fics I've written right now have been Random Spot In Time fics with no articulate ending, but game over is pretty edgy. I think. I've written a similarly edgy ending but it's in an anonymous fic. it occurs to me that edgy doesn't necessarily mean angst, but it can.

6. What’s the fic you’ve written with the happiest ending?

somehow everyone lived happily ever after in the bizarre saga, no f'ing idea how they managed that

7. Do you write crossovers?

I have. I have as comedies. I tend to take a bunch of guys and put them in a new setting that they definitely shouldn't be in. poopenster high is an example of this, but none of that has ever touched the internet and I haven't touched it in like 2 years.

8. Have you ever received hate on a fic?

oh my god like. maybe once? maybe? I don't even think it counted as hate. I think like several years ago some rando complained that season 2 of ibvs was trying too hard to be funny. I barely remember what it actually said, I just remember it being annoying.

9. Do you write smut? If so, what kind?

when I was in my v3 phase I wrote some, I think "feelings with smut" describes most of it decently. the nature of the kcu meant it was like, almost all trippy.

10. Have you ever had a fic stolen?

I dunno. I hope not. I think I've had people repost stuff without permission.

11. Have you ever had a fic translated?

probably?? when I was a teen I had people say they wanted to translate my utmv fics, I don't know which ones actually followed through anymore.

12. Have you ever co-written a fic before?

(sigh) yes.

13. What’s your all-time favorite ship?

oh god, I think I honestly just phase around stuff. I don't think I've ever permanently latched onto a pair, it's just that I've had fandoms and I have pairs that I've ended up liking in them and they just sort of stay that way even if stop paying attention to the fandom. I like most ships that happens to fit into my favorite criteria (that being protagonist/morally ambiguous deuteragonist or antagonist). if you asked me what my favorite series is, it would be an easier question. it's zelda. but I don't really have any permanent favorite ships in zelda.

14. What’s a WIP that you want to finish but don’t think you ever will?

this is a scary question because I have a number of major wips that I want to get back into once I get back into writing and I refuse to accept that they may not get finished. I don't know. moose hill? for a little while I wanted to see if I could come up with a whole side story, but it is extremely unlikely that will happen. maybe a better example is a continuation of shuichi and kage's blackout adventure, which is pretty low on the priority list for if my brain every gets infected by danganronpa again.

15. What are your writing strengths?

the jokes are very important. I put my heart and soul into them. I hope that people can see my vision when I tell them.

16. What are your writing weaknesses?

actually doing the writing getting from point A to point B. I come up with this whole outline and realize there's 2000 words of empty space that needs to happen. and it's like dull shit, too. just plain old events. like look at them, it's the lunching hours again. because lunch is a thing that happens every day. is it redundant to have lunch too many times? it can't possibly! it's the only time they can talk to each other! do I need to pan the camera again because this 3 sentence exchange has dragged on for too long? help

17. What are your thoughts on writing dialogue in other languages in a fic?

makes sense to me. or like, depends on the context. if the POV is a character who can speak the language, the reader should probably get to know what they're saying (think like, subtitled sections of a movie), unless it's really easy to decipher. but if the POV can't understand it, the reader shouldn't necessarily know. it gets more complicated if it takes place in a setting where they should logically be speaking a language that is not english for example. like, if they're in a country where they are not speaking english but the fic is in english. it wouldn't really make sense to insert interjections in their home language because they're not speaking english in the first place. I guess it all depends on what you're trying to convey.

18. What was the first fandom you wrote for?

sonic. does it count. I started writing once I was old enough to type. but I think the first story I ever put online was zelda.

19. What’s a fandom/ship you haven’t written for yet but want to?

on occasion I entertain the idea of writing for corpse party, but that's probably not going to happen.

20. What’s your favorite fic you’ve written?

I'm going to not include that one anonymous fic and my pile of unfinished longfic wips that I've been proud of in past years is way too big so… maybe game over?? it's complicated. I have a ton of comedy pieces that I love but they're just… not completed!!

[ feel free to fill this out yourself if you're a fic writer! ]

[deusvervewrites]

okay good cus i have au brainrot and a sleeping problem

right now im working on lov traitor himiko bc she has done no wrong and possibly one of my favorite characters bc have i mentioned shes awesome /lh

also how do you make sure your characterization is right? ive deleted work before after working on it simply because they got slowy ooc over the course of the snippet lol

(sorry if im just barraging you with asks just tell me to stop if youre uncomfy as i mentioned i have brainrot haha)

yeah word dump (im sorry)

(This is the Anon from this Ask, but I didn't get around to this right away)

I'm not going to say Toga did nothing wrong but I love her, and the idea of her as a traitor is wild. Given her shapeshifting powers, she's probably the best situated for it after Shigaraki himself. Also she's a middle-school dropout homeless teenager so figuring out how she has the resources to do what she does could be fun

[Writing advice starts here]

For characterization, all characters are at their core comprised of three questions: 'What does this character want more than anything else?', 'Why does this character want it?', and 'How is this character going to get it?'

If you know those three questions you can handle pretty much anything. Here, let's give an example.

Bakugou:

What does Bakugou want more than anything else? To be the Number One Hero

Why does he want it? Because he has no self-worth unless people are praising him, so he's set his sights on the top celebrity in the world.

How is he going to get it? Going to UA High School.

On the other hand, Midoriya:

What does Midoriya want more than anything else? To help people.

Why does he want it? Systemic discrimination has given him a strong sense of justice and compassion for others.

How is he going to get it? Going to UA High School.

You can see how these answers inform other parts of their personality--Bakugou is insecure, so he lashes out. Midoriya is compassionate, so he empathizes with the antagonists. Additionally, Bakugou's answers change over time in response to his character development.

While thinking of characterization as a list of traits can certainly help, knowing these three questions makes it easier to keep a character consistent even as they develop in response to events.

Toga, for instance:

What does Toga want more than anything else? To live freely and not be judged for drinking blood.

Why does she want it? Her parents abused her, and she's never had the chance.

How is she going to get it? Running away from home. Later, joining the League of Villains.

Obviously, characters want more than one thing at a time, which can create drama when they have to choose between something they want versus The Thing they want more than anything else.

You can also use these questions to create character foils. As mentioned above, Bakugou and Midoriya have the same answer to the third question, but similarities and differences can come from any of those three questions.

Let's say, hypothetically, you're writing a fantasy story about three kingdoms in an uneasy peace. You might have characters who want to unite those three nations under one banner that look something like this.

Character A:

What does she want more than anything else? To unite the three nations.

Why does she want it? A mixture of nationalist pride as the crown princess and a desire for revenge.

How is she going to get it? A war of unification.

While Character B:

What does he want more than anything else? To unite the three nations.

Why does he want it? To put an end to the racial prejudice he faced as a child.

How is he going to get it? Diplomatic schemes and manipulations.

And you've got two characters who are suddenly very similar in some ways and completely incompatible in others.

(And you thought you had word dump!)

[reineydraws]

Twist villain!Shanks

Think about it.

hellooo i have thought about it 'cuz ive seen the idea floating around and sorry, i dont like it. 😭🙏 or rather, the idea of a villain shanks is fun in theory but if it's actually canon then i dont think it will pay off very well lol especially 'cuz he's the very first pirate we meet and it's been over twenty years. i would certainly be tilted.

idk how oda could write it in such a way that i wouldn't be mad aha, tho i'm sure if anyone could pull it off it'd be him. (and i mean villain!shanks as in "was always a villain", not "has to do antagonistic things but his heart is in the right place".)

i will say, however, that there is something delicious about possessive shanks, especially if it leans a little dark. like, he's a smiley pacifist right up until you harm someone that's his, and then it's game over for you and your friends and your livelihood. he's already like that in canon, but i mean like, it's to the point where his revenge gets a little cruel and he enjoys paying you back for the harm you caused.

i like attributing this to him 'cuz if he's dating mihawk, known serial murderer (of marines, if not also underwhelming challengers and entire crews of people that annoy him), then his "let's not kill people if we don't have to" thing could be more of an intellectual ethical choice for him rather than an emotional one. and once you've crossed that line for him by grievously harming or maybe even somehow killing mihawk, then it's over for you and you bet he'll enjoy it. (tho nine out of ten times i write him as a bleeding heart and mihawk is fond and exasperated by it haha.)

but yeah. i digress. 😅 it's a fun concept and i'll probably read the fic if it's mishanks and mihawk isn't his victim in a way that ends unhappily, but ultimately, the most i prefer is shanks with a dark streak.

if anyone's gotten to the end of this ask and adores twist villain shanks, feel free to try and convince me in the replies. maybe i'm just thinking about it the wrong way, and i'm open to ideas. ;P

[nym-wibbly]

Tee hee. Chuck is God. <3 It reads like a retcon rather than a plan, despite the oddness of Chuck-the-prophet's role in things, but it's the missing thread that pulls all the others together very tidily. Love it. They're not so much breaking the fourth wall as giving up on it entirely.

So... when the Winchesters et al find out they've been the protagonists in Chuck's ongoing self-insert fanfic epic (no beta we die like the Winchesters haha lolz), repeatedly killing and dying and bleeding and losing each other for the sake of his art, do they get even? Death of the author indeed. Hallelujah! But not too soon because Rob Benedict, pls thx.

And now I know why the archangels are all so messed up and/or immature, and why the lower angels all seem like lost sheep following each other in frantic circles with the exception of Castiel, who drank a liquor store and got past the abandonment all in one go so he could look for something/someone worth fighting for and believing in.

Supernatural just went all-in for keeps on the theme of neglectful fathers, shrink-wrapping the absentee-father God who's had the angelic panties in a bunch since S4 into a form we're capable of relating to as a simple parent figure. The dad who wasn't there, the dad who got bored and left to suit himself, and watched from afar as his kids self-destructed. Metatron, who's been nothing but a self-serving ass until this ep, just viscerally and vulnerably longing for another moment in the presence of the Light, while most of his siblings didn't even get that much. Retcon that onto Gabriel and Lucifer - yowch! Chuck is the dad with the tacky Best Dad mug, which he gave himself, at his elbow as he writes a permanent, living hell of hurt/comfort/angst for his kids — and plays favourites. Eesh. Chuck makes John Winchester look good in the parenting department.

Which... I mean, speaking as a writer, the simplest counterbalance for that plotline is to show one or more of the protagonists (or even the more sympathetic antagonists) being a good parent, the hard way. Present and loving no matter what. Hmm! The morality of self-serving v. self-sacrifice played out on the family spectrum. Omnia vincit amor. To love another person is to see the face of G*d. Yiss.

[sterakraffulz78]

This is hilarious and fateful

I saw the episode, and I never really thought that wasting time like this would be a suffering that lasted too long. I'm going to get good and bad things from what I saw

first for good, okay?

1. The deaf imp

In itself, I was very surprised by this character and to tell the truth I can consider him better than the other deep and sad Pseudos that only serve to make the panties get wet because of the Fujoshits, and it is something that in this program is seen very little or is scarce in Yes, it made me tender that Fizz treated him well.

2. Fizz and Asmodeus' relationship

What can we say, the relationship itself is healthy, and superior to many of both series and when Asmodeus protected Fizz it is something nice on his part, not like a certain owl who is only interested in the red cock who is a tremendous fucking creep unable to defend his """"little""", this relationship is one of the few salvageable things in this series

Now with the bad things

3. The songs

For the love of God... why? All the songs seem forgettable and super stupid to me, it seems that the only thing this chapter does is create time and necessary filler that will never contribute or amount to anything

4. The imp hater by fizarolli

This was expected, it doesn't surprise me much to tell the truth... just imagine that you are so hurt by harmless criticism of your program that you only hope for a good change and to be guided to do a good deed, but you prefer to spend and overexploit the Poor workers who only want some money to encourage your resentment in a lively way, this is ridiculous and makes others feel sorry for Viviana Medrano

5. Mammon

This is the first most annoying, loudest and most obnoxious thing I've ever seen followed by Chaz, the only thing he knows how to say is pure rudeness in every damn sentence, it's a fucking audiovisual blister that seems to never end, apart from the cringe I feel about it, the Deadly sins of this show will never be taken seriously and more that sexist phrase about "Women are not funny" and then you're dead... Damn you Medrano bitch, can't you at least respect a simple woman even if she has a tertiary role in your shitty program? (And ironic why you make penis jokes and swear words to wait for someone to laugh and praise you)

6. I HOPE THEY FUCK YOU BLITZ

Is it really necessary to put Blitz in every episode? For the love of God, am I already sick of listening and seeing that red cringe guy making those embarrassing faces and hearing his voice why can't I listen to Brandon normally anymore without remember this abusive and manipulative guy swearing!? They shoehorned this guy in just to get "laughs" and make him stick to Fizz when he was given the biggest tragedy of his life

7. Good vs bad, hAha ​​tHeY aRe RiGht wHy tHEy aRe nExT To thE bOyS aNd uwu sOfT

As always, our wonderful writing writing the bad characters, like the black ones in this Turkish soap opera and making them caricatures for mockery and portraying them as the soft boys and uwu the good ones. These characters are already predictable, if there is a soft and sore young gay uwu, he will be the good one because he is the soft and sore young gay uwu and we are all forced to take his side, while those who have the potential to be good villains like Striker, you position them as silly, cartoonish and you are the generic antagonist of a series for children under 6 years old, for example Asmodeus against Mammon

It's good that the views are getting lower and lower, so soon we won't be able to stand this series in decline and the next more ridiculous, repulsive, mediocre, cringe and pathetic chapter written by a ridiculous, mediocre, cringe, pathetic, misogyny, sexist, Transphobic , racist, xenophobic writer who only ruined her own work so that her little friends the Fujoshits (I already saw you SatorRojas, TeaTheKook and Dani) get their panties wet and buy more panties again to get them wet because they can't stand two boys together

[etrosgate]

Liar Game. it's a psychological thriller manga, with each arc dedicated to a different Game that tests the participants abilities to outwit each other, in contests of trust and betrayal, with the stakes of a lifetime of debt on the line. highly recommended for anyone who loves mind games and clever deduction, and it's got a lack of violence that's very atypical for the death/debt game genre, so it's a great pick even for the squeamish.

but one of my biggest obstacles in recommending liar game is how most of the english fan translations routinely misgender fukunaga, one of the main characters who is a trans woman.

(for the record, her writing does start out pretty transphobic at the beginning (a classic trap+reveal twist, kinda cartoon villainy), but it soon rounds out and she ends up easily one of the best characters in the manga)

essentially. i have decided to at least attempt going through the entire manga and fixing her pronouns (and swapping out the r slurs that inevitably end up in every manga fan translation for some reason lol).

completed arcs are in separate zip files, for size considerations on your end And so i can post some before i finish all 201 chapters. (also i really don't care about redistribution or credit, spread them wherever you like lol)

please give the series a shot and tell me if you enjoy it! it'll do wonders for my motivation haha.

i'll probably move stuff to a different site at some point but. for now. you can download them here. [ACT 6 "PANDEMIC GAME" IS AVAILABLE NOW!!]

want to be notified when the next act is out? you can click the three dots at the top right of this post and follow it!

just a few additional warning for the series:

some of these are vague cause i haven't revisited them yet so it's just in my memory lol

the recurring antagonist yokoya explicitly admires hitler, and his rushed... idk if i'd go so far as to call it redemption? but it brings it back in a way i remembered being weird

in chapter 59 of the contraband game, yokoya squeezes some mice in with his hand and throws them do the ground, but it's not really graphic beyond squeals and it lasts like 2 panels

in chapter 18 of the downsizing game, you see the body of someone who has committed suicide, but it's no more graphic than an intact body with a blood splatter

backstories discuss stuff like cults, suicide, and abuse

stuff that isn't content warnings but i want to inform you of anyway

its ending is infamously unsatisfying, from a really rushed/boring final game, to leaving off on a major cliffhanger. speaking for myself, just knowing that reputation helped me enjoy that section for what it is instead of being bitter about what it isn't.

please trust me when i say that kanzaki nao has gradual but significant character development (without losing any of her fundamental attributes). like don't worry, this isn't the case of a female protag who exists solely to get saved by a guy who is always the smartest cool guy. it's way more interesting than that. just give her time (act 4 is where she really starts to shine, imo).

if i've forgotten something major please tell me lmao

[fluffypotatey]

hey u know how mk only calls wukong by his title and never his name? and how wukong rarely if ever calls mk "mk," instead usually opting for "kid" or "bud?" and how both of those things are kind of representative of their relationship and how both of them care about each other a lot but they aren't honest with each other or with themselves about the other and how neither of them really wants to confront the fact that the other is a person with flaws and struggles? haha yeah <- normal <- lying about being normal

be glad i have been released from class now :) [narrator: she would later find herself late to her 2nd class while writing this]

so happy you have given me this excuse to talk about— i mean, yes! it is super normal to be thinking about this all the time and be comsumed by it and let me explain why:

i will start by going off on a tangent about names and labels and their narratove importance in stories because i love them and have a problem. (idk the word count here. viewer discretion is advized. i just wrote. it is long. beware)

In the Case of Names: a Sunburst Duo Essay

by Yours Truly <3

In the Case of Names in LMK: a Summary (please for the love of pete be a summary)

Ok, so, let me give y'all a quick overview (i failed. this is you're only warning. i failed, and this became a monster of an essay. run while you still have the chan—) of names in the literary sense. When studying novels and books and shit in your literature classes, you will notice that your professor might discuss the importance or ill-importance of characters' names in the story. For example: in the classic novel Fahrenheit 451, the protagonist's name is fucking Guy Montage to illustrate how he's just some fucking guy, a John Doe, a man stuck and complicit in the dystopian world.

You get me? No? Sorry, you want more examples? Fine then :3 let me introduce you to a story called Hard Times by Charles Dickens. It is an allegorical novel that criticized the utilitarian movement going on in dear old Great Britain in the 19th century thanks to the Industrial Revolution. Some fun characters were Johannes Bounderby and Thomas Gradgrind. Tell me, what images did you imagine when I gave you those names? Did you think of a bouncing ball for Bounderby? Were you imagining something square or maybe a mechanical grinder for Mr. Gradgrind?

Remarkable isn't it. The way choosing a name has on a reader/audience's perception of the character. Names are not just placeholders for a character. Names are the identity of that character. Names can establish their starting arc or their ending. Names can be visual in the sense that they invoke a strong idea of what a character might resemble or what themes they will present the audience with. Removing a character's name also removes their identity.

Remember that.

Anyway, I have talked enough about names in the general literary sense. Let us move on to LMK.

Given that this show is based off of Journey to the West (JTTW), many of the names of the antagonist are already provided, and their English translation is pretty literal (Demon Bull King, Lady Bone Demon, Red Son) with some exceptions (Jing & Yin, the Gold and Silver Demons), but their names all provide a description of what they are and how they should be viewed. Spider Queen is a spider demon and views herself as queen. Pretty solid characterization there. Lady Bone Demon, she's a bone demon and has enough rank to be considered a lady (or that could just be to ID that she is a woman but eh). Princess Iron Fan: she's a celestial princess and wields an iron fan. Got it? Good. These examples are simply here to show that a majority of the JTTW antagonists are still fulfilling their roles as antagonistic characters. What I mean is this: since "A Hero is Born," MK has been fighting against the Monkey King's old enemies from the JTTW book. It's like the moment MK inserted himself into the role of successor, the antagonist themselves were inserted to redo their old role of fighting the "Monkey King." It's almost as if nothing has changed beside the fact that their new op enemy is a "human" wielding the legendary staff.

[hmmmm, wait i actually never put this into words until now and it's fitting very well with the whole "MK's fight against Fate/the Narrative" but we'll just put a pin in that.]

However, when it comes to MK's friends (Pigsy, Tang, Sandy, Mei), they all share different names from their reincarnated/ancestral counterparts (Zhu Bajie, Tang Sangzang (they just give Tripitaka a last name lol), Sha Wujing, and Ao Lie). Their identity is separate, distinctive from who they are meant to reflect to the audience. (But look at how Tang still shares the same 1st name to the blessed monk, see how he's the one whose powers are the most similar, see how he being pulled into the direction of emulating the monk, see how much Tang fights it, see—)

Fascinating huh? But let us move on before I forget myself.

In the Case of MK's Names: a Paragraph (DO NOT, i repeat, DO NOT GO OFF THE RAILS)

So, in the English version, there is a running gag about how MK's "real" name is long and complicated, and we don't actually know it. All we know is that MK switched it long before the pilot. And even before MK has that talk with Master Subodhi in s4ep7 (or 6? 8?), I would chuckle at how on the nose his name was. MK the Monkie Kid... how silly of the show writers....ahaha, what a funny little decision to make :)

Do we know why MK changed his name? Other than his original one being long, no. Do we know why MK specifically? We don't know. Maybe, in his fanboy brain for all things Monkey King, MK thought it would be cool to have a name that identified close to his idol. A name that identified with someone he wished to emulate and be as powerful as and felt so connected to. But what do I know? I am a mere local gal who feeds off of metas and theories and all things relating to my beloved sunburst duo.

Then, we have MK's many titles: Monkie Kid (IDs him as the new generations Monkey), Successor (IDs him as the one who will succeed Sun Wukong in both the title of Monkey King and power), Noodle Boy (pronounced "New-dle Boi and IDs as the boy who works in his surrogate/adopted dad's noodle shop), Delivery Boy (his actual job for the noodle shop), and last but not least, Harbinger of Chaos.

What makes a harbinger? What is chaos? What are their intentions? Are they good? Bad? Neutral?

So, I've already defined harbinger before and many others have as well, but to sum up: a harbinger is a being/person/thing that announced the coming of something be it good or bad but most of the time the focus is bad. A "Harbinger of Chaos" then, would be the one to announce the coming of Chaos™️ and the disruption of world order. Is this a bad thing? Well, the show presents it at the moment as so, but that doesn't mean it will be. Honestly, the show has shown order and fixed structures more in a bad light and promotes free will and choosing a destiny that fits you as the good thing 👀 (another thing to pin in the MK might to go war with Fate)

But now I have established MK's names and must shut up and move on before I no longer can.

In the Case of Sun Wukong's Names: some Paragraphs (STAY ON TARGET PLEASE)

I will admit that my knowledge of names in China is very low, and by low, I mean I know nothing (most of what I do know comes from asking friends and informational sites). So, let me begin this segment with an excerpt of Sun Wukong gaining his name from the book itself :) and break it down with my interpretation and how that is applied to LMK.

When the Patriarch heard this, he was secretly pleased, and said, “Well, evidently you have been created by Heaven and Earth. Get up and show me how you walk.” Snapping erect, the Monkey King scurried around a couple of times. The Patriarch laughed and said, “Though your features are not the most attractive, you do resemble a pignolia-eating monkey (husun). This gives me the idea of taking a surname for you from your appearance. I intended to call you by the name Hu. If I drop the animal radical from this word, what’s left is a compound made up of the two characters, gu and yue. Gu means aged and yue means female, but an aged female cannot reproduce. Therefore, it is better to give you the surname of Sun. If I drop the animal radical from this word, what we have left is the compound of zi and xi. Zi means a boy and xi means a baby, and that name exactly accords with the fundamental Doctrine of the Baby Boy. So your surname will be ‘Sun.’” When the Monkey King heard this, he was filled with delight. “Splendid! Splendid!” he cried, kowtowing, “At last I know my surname. May the master be even more gracious! Since I have received the surname, let me be given also a personal name..." ..."You will hence be given the religious name ‘Wake-to-the-Void’ (wukong). All right?” “Splendid! Splendid!” said the Monkey King, laughing. “Henceforth I shall be called Sun Wukong.”

What a fucking cutie <3

So, what can we gather from this excerpt? Sun Wukong just gained his official name. No longer is he a monkey with descriptive titles, no longer is he a monkey without a surname to be referred to as and respected for. He now has both a surname and a personal name. And while I don't fully understand everything Master Subodi listed when naming Sun Wukong, it is important to note the importance of it and how happy Wukong is to receiving it.

Before this, the book would simply refer to Wukong as Shihou (stone monkey) or the Handsome Monkey King. Both of these are descriptive titles that just inform you what Wukong is rather than who, just like with the other demons met in JTTW. But now, we get to know him as Sun Wukong, someone more than his titles and such. There's even an explanation in the preface how Wukong's own personal name has significant meaning or relation to Buddhism, but I won't get too much into that since my knowledge is of that is 0 and I want to try and stick to LMK.

Now then, let us examine Wukong's name in the LMK sense. Literally everyone in the show call him either Monkey King or "simian" (and if he really pissed them off, Sun Wukong). The only people to refer to Wukong by his personal name is Nezha, Macaque, and Peng. It is literally just these three. And while we could argue all say it like "Wukong (derogatory)," I believe Peng's the only one who means it. Meaning, I think Macaque says Wukong because he was the closest friend of SWK, thus that's the only name Macaque would ever call him (sure, he said Monkey King and shit in s1 but that was when he was duping MK soooooooo). Nezha calls him Wukong because after the whole Havoc in Heaven and journey stuff, he is the new oldest member to befriend Wukong and not be enemies with him (yes, he will get annoyed and aggravated by him, and he will not always believe Wukong's intentions are great, but he still cares and is his 2nd closests living friend).

Peng, on the other hand, does not give a shit. I fully believe that guy never cared for Wukong. They only joined the brotherhood because of Azure (they even offered for Azure to be the brotherhood's leader). I do not think Peng cares for formalities when it comes to people they dislike. We could argue that maybe Peng cared for Wukong in the beginning, but I do, honestly, not believe it. The only reason Peng even felt betrayed was because it messed up Azure's plan. Not because the two were sworn brothers.

But yeah, very few characters actually call Sun Wukong by his name, and when they do, it establishes not just how close they are/were, but also how long they've known each other. It's the same thing with how Wukong refers to others. He barely calls Pigsy, Tang, and Sandy by their names. He will give people nicknames and shit just to place a safe distance from them because of his own very unhealthy attachment issues.

In the Case of MK and SWK's Names for Each Other: the Actual Sunburst Duo Essay (you are free now.....)

Speaking of attachment issues, let's talk about the Sunburst Duo and how much these two need to sit down and talk.

So, we have discussed how names are integral to identifying a character's purpose, thematic journey, description. We have discussed how a person's title can clue in on certain characterization, present or future, and how they demonstrate the way others view them. Now let us apply this to our beloved sunburst duo.

As mentioned in your ask, @gumy-shark, both MK and Sun Wukong barely call each other by name (MK never has as far as I am aware, and SWK has done so only a few). It's "Monkey King" from MK and "kid," "bud," "buddy" from SWK. Rarely do the two ever think to say each other's name.

In the beginning, I originally thought MK only calls Wukong "Monkey King" as a way to be respectful, and with Wukong, I assumed he called MK "kid" simply because MK was very young to him. However, as we get into s3, and especially s4, MK and Wukong have grown a lot closer. Neither of them see each other as just a mentor or student but as friends. And yet, they cannot seem to stop calling each other by their title or nickname.

Thus, the distance is still there. S3 ends with Wukong promising to do better as a mentor and be more honest with MK, and we do seem him attempt this. He gives out more praises, he's more open about his feelings and then gets sucked into the memory scroll. But here's the kicker: the two are doing a reverse in their dynamic.

When it starts out, it is Monkey King who establishes the line between the two. He will simply be MK's mentor and teach him all the kid has to know in order to succeed him. MK is ecstatic to even be near SWK. This is his idol, the guy he's had a special interest in for years probably. He now gets to train under the Monkey King. He wants to do good. He wants to kickass. He wants to be just like him.

But as the story goes on, we see SWK open up to MK more and care for him deeply and want to protect him, and we see MK uncover the skeletons in SWK's closet and feel so alone and learn that the power he used to wish for is not what he expected. And in the aftermath of s3, it is now SWK who is opening up and trying to help kindle and safely guide their friendship in a healthier path(ish). It is SWK who is placing his own protege on a pedestal because "loook at him! isn't he so great and powerful! he will help this world a lot more than i did". It is SWK who is disregarding th original rules he placed. But now ,it is MK who is keeping the distance more than SWK. It is MK is trying to force some kind of distance. He feels like he shouldn't burden SWK with his doubts and worries. He is terrified of his own powers and their capabilities and worries his actions will make the same mistake as his mentor.

With s3 and s4, SWK has called MK by name quite a few times. Especially in s4. It's not a lot, but it's definitely more than before. And yet, MK cannot call Wukong by name. Personally, I think he might still feel like he's under Wukong's shadow. As his successor, there is a legacy that he will carry when Wukong actually retires and gives his title to MK (which is what I assume Wukong will do??? It is still unclear what exactly MK's succeeding SWK of). And that legacy is quite the burden. I would not be surprised that MK is unable to place himself as being worthy of taking Wukong's place just yet (if ever).

This guy was his idol for a long time. And with that, you tend to place a high pedestal for those people. MK has given Wukong such a high pedestal, and Wukong is very aware of it. It's why the guy even keeps his distance in the first place, and why he's scared to disappoint him. But, MK has learned so much, has been told of the tales and pain his mentor inflicted on others in the past (a past SWK greatly regrets), and yet cannot find it in himself to lower that pedestal or even allow himself to think about it. Because if he does, then he will have to acknowledge his own pain and his own disappointment in someone he not only admires but has come to love like family. And it is very hard to reckon with the hurt and pain caused by someone you consider family.

So yeah, they are silly monkeys who cannot communicate to save their life and need to just sit down and talk or else this will continue to boil and explode and we'll have a SWK and MK showdown (fuck yeah! i will be crying so hard).

[end of essay]