#to ruin Stephen's life

[garvalhaminho]

idc if jace is canonically refered to as jace herondale most of the times, he will always be jace lightwood to ME.

[patroclusdefencesquad]

james flint? oh, you mean this guy?

[jtownraindancer]

Blore & Armstrong Running on The Same Wavelength: A Collection

[strangersteddierthings]

Eventually Eddie tells Steve about what happened, what his friends said

Steve shows up at Gareth’s with the nail bat

Hmm... politely disagree, nonny. Steve showing up with a nail bat is insulting, especially since he and Eddie are at a point where they talk about the things that upset them. Eddie would be furious if Steve threatened his friends with physical violence.

It's Robin who shows up with the nail bat.

[strawberrylemonadesoda]

Our daddy looking absolutely badass on the picket lines. The SAG-AFTRA/WGA strike continues.

[goldenandhappy]

I am sorry, I am heartbroken.

[2003nhldraft]

You - Stephen Wilson Jr.

I AM NOT OKAY!!!!!!!!

Victor Hedman's first home game. - 2010 - 2021 - 2019 - 2021 Stanley Cup - 2021 - 2023 - 2020 Prince of Wales - Steven Stamkos sets franchise point record - 2022 Stanley Cup loss - 2022 - Steven Stamkos 1000 games - Victor Hedman 1000 games - 2012 - 2020 - 2021 Stanley Cup - 2022 - 2020 Cup celebration - STAMKOS LAST HOME GAME AS A LIGHTNING - 2009

There is a high chance I make more about them because I AM NOT OKAY

[rustandruin]

You really will always be the person you were when you were 16. Like it’s been a little over double that time, and here I am freshly obsessed (going on three years if we’re being honest) with Supernatural, long after most folks are done with it.

[ikeharris128]

My favourite book quotes:

"Going outside is highly overrated." - Ernest Cline, Ready player one

"If you ain't scared, your are not human." - James Dashner, The maze runner

"Eddie discovered one of his childhood's great truths. Grownups are the real monsters, he thought." - Stephen King, It

"A gambler, a convict, a wayward son, a lost Grisha, a Suli girl who had become a killer, a boy from the Barrel who had become something worse." - Leigh Bardugo, Six of crows

"I do not know a better cure for mental illness than a book." - Irving Stone, Lust for life

"What is infinite? The universe and the greed of men." - Leigh Bardugo, Shadow and bone

"Stars...I can see the stars again my lady." - Rick Riordan, The titan's curse

"I'm made of memories." - Madeline Miller, The song of Achilles,

"Please Tommy, please." - James Dashner , The death cure

"The monster is me and I am the monster." - Leigh Bardugo, King of scars

"I am not ruined, I am ruination." - Leigh Bardugo, Ruin and raising

[unimportant-ramblings]

I'm so sorry guys I know that everyone knows this here but the rhetoric of "alw is closing Phantom Broadway for Bad Cinderella" will in fact kill me

[creamecafe]

This is man is so incomprehensibly attractive it hurt sm OMLLLL

“He was actually the first guy who let me into Kamar-Taj… And then he snapped and dedicated his life to trying to kill me.”

[becausegoodheroesdeservekidneys]

if I remember right, a year or two ago you made a list of recommendations for the Edinburgh Fringe. Any recommendations for this year? Already got Steffan on the list, obviously

I did! Okay, okay, here's what I've got this year. Caveat: I personally have not been up there yet (I'm going in a few days), but these are things I saw in preview/have heard great things about.

Steffan Alun: Free Standup, but at What Cost

Venue 156: PBH's Free Fringe @ Banshee Labyrinth - Banquet Hall, 21.30-22.30

Back again! Eighth Fringe, this. The show is an hour, but that includes a 15 minute warm-up act, then Steff for 45 mins. He does this so that reviewers won't come and ruin the vibe.

Anyway this year he talks a bit about being Welsh and how he is therefore grumpy with Bristolian Tesco self-checkout machines

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Jake Baker: Rule Breaker!

Venue 78: PBH's Free Fringe @ Canons' Gait - Lower, 16.30-17.30

I love Jake, he's lovely. He's a gentle soul and has an excellent delivery style; very warm and deceptively witty. Normally he goes with Just The Tonic and is given a searing hot basement in the sky that smells of mould for a room, but this year he's in Canons' Gait, which is much much nicer.

His blurb: A rule-breaker, a risk taker, a wave-maker and a convention-shaker – all phrases never before used to describe Jake Baker. But when a frustrating game of Alan Turing-themed Monopoly leaves him questioning the laws of the game, he finds himself turning that analytical impulse to bigger things.

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Stephanie Laing: Rudder

Venue 300: Underbelly, George Square - The Wee Coo, 14.50-15.50

This show is particularly Tumblr-friendly, actually; it's described as 'neurodiversity-led'. However, it's a show with a content warning, although all the ticket page is saying is "themes" (insert Stephen Fry meme here); so, <SPOILER> she talks about withdrawing consent while sleeping with a FIB, and him continuing anyway. She talks about it in a very gentle way, avoiding Big Words, and it's very heavy on aftercare </SPOILER>

Her blurb: A comedy dance show about balance. Stephanie has a history of falling over a lot, accidentally kneeing herself in the face, and falling in love with total kn*bheads. In this show she uses a mixture of stand-up and dance to talk about bodies, sex, dancing, liking yourself, consent and healing. Also, there are cartoon bears and burlesque.

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Erin McKinnie: The Faff Chronicles

Venue 108: Hoots @ The Apex - Hoot 4, 16.50-17.50

An Edinburgh local! Good solid standup for those who like such things. New-ish, but one to watch, she's very good. Don't be surprised to see her take off

Her blurb: What a faff! Erin McKinnie, a rising star on the Scottish comedy circuit, talks about faffing through early adulthood – from rogue adventures to living the "below-deck life" on cruise ships – she finds the funny in every bizarre encounter in this uplifting show that asks: Do we really need a life plan? Or... are we all just winging it? A brilliant, snort-worthy giggle-fest about exiting your 20s, facing life indecision and chasing answers for those big questions, all the while trying to convince your mother that this is a real job...

.

Alexander Bennett: Emotional Daredevil

Venue 24: Gilded Balloon Patter House - Coorie, 18.20-19.20

Dark feelings show with a really positive, optimistic message and a fun concept. It uses audience participation, but that's not compulsory, you're safe.

Blurb: I'm the emotional daredevil, and for my next feat, I need someone's help. A show about risk, for the unsatisfied and traumatised, from a Chortle Award nominee

.

Alex Franklin: Gurl Code

Venue 61: Underbelly, Cowgate - Delhi Belly, 20.25-21.25

Alex does a fun thing each year where she takes her publicity budget and rather than spending it on publicity, she hides it somewhere in Edinburgh and then reveals a clue to its location every day. This tells you something about her, I think

Her blurb: In 2024, trans girl Alex (me) started HRT. Now she (me) feels the most alive she's (me's) ever felt; and she wants to make you feel alive too, or die trying. A ludicrous, musical, chaotic, joyful show about the colours of the world becoming slowly brighter and giving people furniture via the tube. Also being trans.

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Character Building Experience

Venue 49: Bedlam Theatre - Bedlam Theatre, 20.00-21.00

It's a D&D show - the MC Sasha Ellen makes a bunch of 40-minute simple campaigns and a selection of pre-rolled characters to do them, and then gets three comedians each time to play them. You know the drill. Good quality fun, and different each time, since you'll never see the same campaign/comedian mix.

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2 Truths, 1 Lie

Multiple venues and times (search the EdFringe app or website to see them all), but I recommend catching the 3pm show on either the 25th or 26th August at Venue 108: Hoots @ The Apex - Hoot 1 for reasons I shall not share here (ooh, mysterious)

Fun panel-like show! Often MC'd by Steff, especially if you catch one of the 3pm shows. The format is:

Three comedians each declare a statement. Two are true, but one comedian is lying. The MC doesn't know the liar, nor does the audience. The audience gets to ask questions of the comedians; at the end, they vote on who they think the liar is.

(The prize for winning is a smug sense of satisfaction.)

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Anyway, once I'm up there I will possibly have more, but currently, that's my list

[tyblackthornfrog]

Imogen Herondale being the only one who recognized Jace's birthmark was so significant to me, because she just knew. She hardly denied it. She was the first person who knew Jace was a Herondale and she only told him that his dad(Stephen) would be proud of him. Because although he might find out his true heritage later, he might not get to hear those words from any of his actual relatives if Imogen died, and he would consider others are lying. That was more important.

on my tmi reread I actually cried during that moment. I was so excited for it and it left me thinking about Imogen for longer than normal. She lived most of her life grieving and ice-cold because her family had been ruined. She was alone and only in her final moments she got to know that the Herondale name will live on after her. She got to look at her grandson properly. I can't imagine the regret she must've felt when she realized she'd been against him the whole time, not caring one bit about him.

[storkmuffin]

WAIT THIS TOO WAS TOBY STEPHENS?

wtf ksxj.dekksosnxfkwndks

duke orsino - twelfth night 1996

[strawberrylemonadesoda]

Slang, contributing to global warming and ovarian explosions, one unbuttoned shirt at a time. 1983 vs 2015 - Beyond Glory rehersals edition.

[drdemonprince]

Do you have any favourite scary movies?

I love the ambiguity and grief of The Orphanage, and the main character's emotional journey is absolutely gutting.

The Strangers has some of the most subtle, dread-inducing scares of any horror film of its era; if you liked the hidden ghosts in Mike Flanagan's Haunting of Hill House, it owes some inspiration to this film, I think. It truly gave me nightmares.

The newer Suspiria has really stayed with me, and I loved Flawed Peacock's analysis of the film on Youtube as well. I watched both this and the original back-to-back a few months ago, and they're both great in different ways, but nothing tops the haunting, sickening beauty of the end of this one.

28 Days Later is the only zombie movie for me, and yes part of that is because Cillian Murphy was so fuckable in it. I'll never forget the quiet, contemplative air of this movie, which is rivaled only by The Last of Us games. The zombie genre is bloated with derivative crap, but this movie rang in a whole new generation, and did it so well you don't need most of the rest.

The original Saw is a hell of a stage-play-slash-bottle-episode, and it's far more sophisticated in its writing than any of the rest in the series. It really holds up in my opinion.

The Cell isn't really that scary, to me, but it's fucking cunty as hell with incredible costumes and set pieces, and I enjoyed every minute of it. Bonus points for having a minor corruption/hypnosis aspect really tickled my imagination. I just wish that element had lasted for longer.

Speaking of movies that are actually plays -- there's no better Stephen King adaptation than Misery. Kathy Bates absolutely crushes in a nauseating, confining performance here, and the hobbling scene is one you just never forget. To me it's a perfectly paced film, and it holds up shockingly well in the era of stans and superfandoms.

Ghost Ship is my favorite bad stupid horror movie. The opening scene is enough creative nonsense carnage to justify its existence, but stick around through the end for a very weird trip-hop montage.

Dead Silence is another goofy one that gets really inventive with its gore. I love horror movies that do just downright disrespectful, creepy shit with corpses, and that's what this one is all about.

The Boy is a fucking laugh riot to me. The entire premise is so transparent from the very beginning and the thrills are so awkward and tame that it's a great Halloween party movie. If you're anything like me, you and your friends will walk around the house talking about the Boy for days afterward. Brahms is an age regressor king

Some people find Aronofsky's movies to be too over-the-top to connect with, but I think he nailed the internal horror of perfectionism, codependency, sexual repression, and eating disorders with Black Swan. Barbara Hershey's character is so perfectly unsettling that it sets all my people-pleasing, abandonment-fearing issues alight every time. Everything about this movie is confining and distorting, which is exactly how it feels inside when you narrow your entire life to a singular pursuit and are governed by impossible rules.

The Others has exactly what I need for a horror movie to have good replay value: just like The Orphanage, it's final reveal is more depressing and unsettling than it is pure scary, which makes it cut deeper, and it recontexualizes the whole rest of the film. The interiors and aesthetics are great.

Possession is easily the most disturbing movie on this list. This one cuts deep in a confusing, unmooring way -- it makes you feel sick in your soul, hopeless, and put off from relationships. Filming it reportedly ruined Sam Neil & Isabelle Adjani's lives for a good while, and you can see why. This film is the psychological reality of divorce in its unabashed form. To really leave behind a life you once committed yourself to, you have to become almost unrecognizable to yourself, and do great violence to both your former self, and the ones you love. This film gets that, and it's painful. It makes you feel disgusting for wanting things or for staying in a place where you're unhappy.

Happy watching!