#to not do so is to support our own deaths

[mumblingsage]

#🤔 i remember reading about trauma being a psychic wound#from witnessing or experiencing an event where someone's physical integrity was threatened#i know you can't start talking about ptsd until 6 months after the event if you're still seeing effects from it#i'm not so sure about the formal definition of traumatized#bc most people heal after even really bad trauma. ptsd is what you get around 1/3 times when your psyche like. doesn't#so i think traumatized might be for shorter term effect? but still like a specific term for you know like an actual medical condition#and indeed i'm no health professional or expert but i'm p fucking sure that can't happen from stuff happening to fictional people#and much less from reading words on a page#anyway thank you for this post op

I also find these distinctions and definitions super interesting! (I'd say "fun" but it's just not a fun topic.)

-My understanding is that you're right, post-traumatic stress syndrome can't be diagnosed until 6 months after the event. If you're having stress symptoms in the immediate aftermath - and this is quite common, much more common than longer-term PTSD - it's called acute stress disorder (there's also 'adjustment disorder' which might overlap?). And people actually going through the fight-flight-or-freeze survival response to trauma may not be aware of themselves as particularly upset or realize they're having symptoms; those often emerge after the immediate threat is past. I cannot stress enough that people with PTSD are not weak and have not failed; to survive trauma requires immense resilience whatever the outcome. But PTSD also isn't an inevitable outcome. (George Bonnano's book The End of Trauma is poorly titled - he doesn't promise to end trauma - but was a really informative read on resilience.) Also, the fact that 85% of the people who evacuated the Twin Towers on 9/11 did not develop PTSD makes me skeptical of how many people would develop PTSD from reading or watching a movie; if as a species we're that resilient when our lives are truly threatened and death is all around us, I expect we'll be pretty resilient in milder circumstances. [However, some forms of trauma have far higher likelihood of PTSD than others because of different factors: for instance, about half of sexual assault survivors experience PTSD, because our culture really sucks at supporting SA survivors. The same article says 94% of survivors experience PTSD symptoms in the first 2 weeks; I think this is what the 'acute stress disorder' diagnosis is intended to cover.]

-So then what do we actually mean when we say "traumatized"? Speaking for myself as OP, I'd mean either/or 1. Developed symptoms of PTSD or acute stress disorder, or 2. Went through an experience known to lead to symptoms of PTSD or acute stress disorder (on which I'll defer to section A of the DSM-5's diagnostic criteria for PTSD), even if such symptoms didn't develop or have since resolved. This definition may be somewhat circular. It is not perfect (the DSM is not an unimpeachable document; at the same time, informed and caring people are always at work to improve it). But I think it gets at a real distinction that will emerge if we compare the experiences of, for instance, people who actually had a friend die suddenly in childhood vs people who just read Bridge to Terebithia.

-In hindsight it might have been helpful to define what I think it means to be "traumatized" in my OP, but it isn't easy to get the entire contents of Judith Herman's Trauma and Recovery plus Bessel van der Kolk's The Body Keeps the Score plus the odd discussion in the therapist's office into a concise blog post. And maybe it was more productive to leave the term undefined so each reader has to examine their own definition/understanding of it. (I'm giving myself too much credit. Even so.)

I'm wondering if, as a society who cares about vulnerable people, we could stop saying "traumatize" when we truly mean "upset"?

I am sick of hearing sad books or movies "traumatize" their readers. I simply do not believe that happens. A traumatic experience might be adjacent to books (I have vivid memories of books I was reading around certain experiences and even how the contents of those books affected my processing of the experiences). But it's not caused by the book. And, y'know. The weather is Christofascist Censorship Attempts outside.

Meanwhile from the other side I continue to be surprised at just how badly people fail to understand trauma and traumatic experiences in general. Watering down the term isn't helping. Find other hyperbole to express that The Bridge to Terebithia gutted you, chewed on your heartstrings, and made you cry your first pair of contact lenses right out of your preteen eyes.

[twomoreseconds]

Arcane theory - The first timeline

Now this might be a bit long so please bear with me. I absolutely loved the ending of Arcane (we win jayvik nation) but there are a few aspects of it that I can’t quite wrap my head around. If anybody has a different perspective than me please do tell I’d love to hear it.

—————————————————————

Now for what I don’t quite understand (I’ve never been good with the logic of time travel)

1. What was the first timeline like? How did the story play out the first time round? Ik time doesn’t work like that and ik about the bootstrap paradox but I’m still so curious. And how did Viktor know Jayce would be the one to save him?

2. How did Viktor know that he was giving Jayce a different rune each time? Is there like some history tab in the Arcane??

—————————————————————

I’ll now try to answer these questions but again it’s all purely my speculation:

—————————————————————

1. What was the first timeline like? How did the story play out the first time round? How did Viktor know Jayce would be the one to save him?

We learn that each time Viktor ends up destroying the world he goes back in time in an attempt to stop himself. He says to Jayce “In all timelines, in all possibilities, only you can show me this (this being the fault of his ideology).” This means he is certain that Jayce is the key to stopping him.

Now as to how he knows it’s Jayce and only Jayce that can free him from his false ideas. I have two theories.

A) He’s literally gone trough ALL other possibilities.

He’s nudged all people in and around Zaun and Piltover in the direction of developing hextech and through trial and error he finds that Jayce is the one. - This has many faults and is more of an idea than a theory

B) In the first timeline that started their loop he had already met Jayce.

If he had already in some capacity come into contact with Jayce and seen his desire to prove himself, his drive and kindness. He would know that that’s the person who’s to be his conquests undoing. - This theory sounds more plausible to me and thus is what I’ll be going with

With this established we can move on to what the first time line was like.

Since Viktor wasn’t there to save his mother, Jayce grows up to be an orphan (I can’t remember anyone ever mentioning his dad). I believe he would still gravitate to becoming an inventor/ scientist, but with no funding he would probably be someone’s assistant or some such.

Viktor wouldn’t have met Jayce so early so he would still be Heimerdingers assistant. Eventually though his illness would start showing and in my mind, Viktor wouldn’t want to die without his life meaning something, without helping the people of Zaun.

I believe he would go see Singed just like he did in our timeline. Singed wouldn’t have the support from Silco like he does in our timeline since there would be no explosion in Piltover, thus no arrest of Vander, thus no death of Vander, thus no Silco leader (presumably).

This would mean that Singed would seek more drastic measures for example hextech. I believe he would have given Viktor some hextech crystals and shimmer, maybe as a part of a deal maybe out of the goodness of his own heart.

I think Viktor would start researching hextech which would perhaps catch the attention of Jayce, leading to them working together on hextech in secret.

As his illness would progress Viktor would again corrupt the core and enhance his leg. This time though since there is no funding for their illegal study there would be no Sky, meaning there would be no accident (don’t even dare to tell me it would kill Jayce I don’t want to even think about that).

If there is no accident then maybe Viktor would use the core on himself sooner. Become the machine herald as he would have no guilt (Sky) making him hold on to his humanity.

If he becomes the machine herald so soon Jayce wouldn’t have much time to talk him out of everything. Not only would there not be enough time to talk, since they met so late their connection wouldn’t quite be what it becomes in our time line.

Jayce would get pretty close though since after Viktor achieves his salvation of the human race and realizes its faults, it’s Jayce who he trusts to save everyone.

Now he would come up with the plan to inspire Jayce sooner, so he develops hextech sooner, so they meet sooner, so Jayce has more time to stop him.

This only eventually works when Ekko buys him more time, otherwise he still wouldn’t have enough time to convince Viktor. (Ekko is the goat fr)

—————————————————————

Now for with the one that makes the least amount of sense to me.

2. How did Viktor know he was giving Jayce a different rune each time?

In episode 9 we are explicitly shown and told that Viktor went and tried all kinds of different runes in hopes that one will give Jayce enough time to save him.

Let’s say he starts with rune A, it doesn’t work so when he’s in the “world rid of humanity’s imperfections” he decides to give him rune B.

Now if it doesn’t work, the Viktor in the past who meets Jayce with rune B becomes the Viktor in the present.

Only problem is new Viktor is here for the first time. He presumably doesn’t have the memories of old Viktor, so how could he know that the rune he decides to try this time isn’t one he’s already tried for example rune A.

How does he know that he’s not already in an endless cycle of going between A and B. Never even trying C.

I believe the only explanation would be that the Arcane is somehow giving him access to all his “past” memories from his past timelines.

Although time doesn’t really work like that. Time is a loop a cycle it doesn’t have an end or a beginning who’s to say that it wouldn’t give him memories of the acceleration rune working.

But I digress since I can’t think of a better solution.

—————————————————————

If anyone actually read it to the end thank you and sorry that it lowkey read more like fanfiction than a theory.

If anybody has literally any other ideas please comment I wanna hear them so bad you don’t even know.

In conclusion going by my theory Jayvik are truly meant to meet in every timeline and Viktor is the direct downfall of Vander and Vanders Zaun. (What a silly guy am I right or am I right)

[short-wooloo]

I cannot overstate this enough, but with the threat of trump and project 2025, there is GENUINELY a chance that this year's pride month could be the last...

I want y'all to really think about that, think about it when you hear or think "I'm not voting" or "both sides are the same

[rcmclachlan]

Trademark: Top-tier Bucktommy writer + generally Cool + getting Buck pregnant

Thank you + thank you + thank you!

[lovecolibri]

.

[stirdrawsandreblaws]

screaming crying coughing up blood every time i have to fucking defend genocide joe bc ppl wanna lie and say he isn't responsible for most of the best domestic policy we've seen in decades

his foreign policy is dogshit, yes, and he should rightly be called on it and primaried out, but we can criticize the shit he's actually done wrong instead of making shit up about him ~not doing anything good~

[sincetheducksleft]

"Proshai, Livushka": Arcs or the lack thereof as a major theme of The Sopranos

One thing that's straight up insane about The Sopranos is how a narrative show can expose the insufficiency of narrative to explain our lives. I think Christopher's story is probably the most obvious example, but you see it with every single character, including Tony.

In "Proshai, Livushka" we see Tony rewatching an old mobster movie again and again, and we know that he saw the whole story every time, but the piece of the story that we get to see and our corresponding understanding of Tony's character changes over the course of the episode.

Meaning that Tony's arc in this episode, or the overall arc of the episode, may be less a true transformation of Tony himself than a transformation of what the audience knows of him. In fact, we are the ones who are changed by this episode, and from Tony's perspective he has no arc at all.

Which is sort of perfect, because here if there ever was one is a story with no "arc."

An "arc" (in the context of screenwriting, which is the context in which it was introduced to this show) is what gives meaning to the whole story. It's the narrative satisfaction, the profound feeling, the purpose, the message, the thing that makes the movie feel like it amounted to something and it was worth your time.

In the wake of his grief, Tony isn't obsessed with just any mobster movie, he's obsessed with a movie full of broad stereotypes and simple messages that amounts to a cliched, simplistic mother figure losing her son. It's the tragedy of a mother's profound grief that gives tragedy to the death of the son and makes the movie worth your time.

It's a contrast to Livia's obsession with mothers who kill their children, and its an extension of his comment to Melfi that he deserves to die. And you realize when the son character dies that Tony is wishing it was him in the coffin. Not because he's suicidal, but because he's just that desperate for a sense of meaning. For a story that has an arc.

And then you realize in the final scene, when it's not the mother's grief but the mother's love that brings him to tears, that he knows it wouldn't work. His death would have no arc, no profundity, no purpose. Because Livia never loved him the way a mother figure should.

His story isn't written in broad caricatures and it has no divine mother's love at the center of it giving divinity and meaning to everything else. Losing himself in a movie is the closest he'll ever get to putting some kind of arc or meaning or sense to that relationship.

And if real life has no arc, then at what point does it become worth your time? Or, like Livia and Robert Frost said, is every moment of our lives surrounded and defined only by the big nothing?

[candied-cae]

"Izzy's appearances in 2x03 with Stede were some of the only times I could stand him." - Allow me to further explain

I want to preface this with "I know." I know I was not an Izzy Enjoyer during Season 1 and I know I wasn't really looking forward to a redemption arc for his character because I was worried it wouldn't be taken seriously enough, since this show is a comedy. And, so far, I feel like I was right. His forgiveness feels rushed to me, and Stede's adverse reactions to him are the only times where it felt like this was in fact Izzy Hands from season 1 and not a guy with the same name and face but with a clean record and softer disposition.

The instances where Stede is put in Izzy's proximity are the only ones that really make sense coming out of Season 1. As far as we see, a few months has passed and pretty much everyone on The Revenge has forgiven Izzy for the simple reason that they can tell Ed is taking a little extra of his anger out on him. We see no apologies made, we see no kind gestures, we see no really complex stuff about him realizing he fucked up.

They skip right to his breaking down and the rest of the crew picking up the pieces behind Ed's back, even though for most of them Izzy was their torturer at least twice before all on his own.

So it felt weird and jarring that he seemed completely washed free of his "sins" of the last season, especially since it happened right there in the first episode. I wish the production team put more time in making Izzy "earn" the kindness the crew affords him, but I digress. The interactions Stede has with Izzy feel the most right (to me) and I adore how much character work we can pull from them.

(In agonizing detail by going over every word of dialogue and expression exchanged between them, you've been warned.)

The first time they address each other, goes as follows:

"Bonnet. Good to see you." "Piss off, Izzy. I don't wanna hear from you."

With Izzy approaching Stede without reason and speaking first. He limps on over and opens up with something polite almost. But when it comes from Izzy Hands - the man who personally insulted Stede, insulted all his favorite activities, insulted his crew, challenge him to duel and skewered him through the side, went on to call on Calico Jack and the Royal English Navy to take down The Revenge, who stole his crew and ship after he'd been arrested, and Stede's clearly got suspicions that Ed's behavior was influenced by him - that greeting is a slap in the face.

It's that kind of fake sweet pretend-we're-friends-for-the-sake-of-social-graces thing that Stede left behind on the mainland.

So he just tells him to leave. That he doesn't care what he has to say if it isn't information, and even if it was, Stede doesn't trust what Izzy shares.

And Izzy's a little caught off guard by that reaction. We see him sort of sway and look to the side. He looks rejected, which he is. And it's the first time all season that someone hasn't really let him have a fresh start (except for Ed). It's the first time anyone's tried to hold him accountable for the litany of things he'd done to the crew in the last season. Events that seem to have taken place only weeks/months before.

The second time Izzy speaks up, he does so to tease:

"What about my painting? Why was it all stabbed up?" "That was me." *sighs*

Izzy puts on a smile and leans his head back a bit. He's try to act proud and sort of snarky, since Stede isn't playing with him like they did previously. So, he tried to goad him into saying something. Into getting snippy or bitchy in return. He's trying to push Stede into giving him something to work with.

Because if people talk to him, and they play his games, and they soften up, that's how (it seems) he's been able to win them over and get into folk's good graces.

But Stede doesn't give. He doesn't want to play Izzy's mind games. He doesn't want to volley a few insults back in forth until it's fun. He doesn't want to give Izzy any of his time or attention or energy, because Izzy doesn't deserve any of it to him.

Stede walks away, and we see Izzy's expression freeze and fall. He's stuck and confused, because he thought that was a good move. He thought that one was going to get a reaction. And maybe that's how he's always gotten people to talk to him, by pushing them into a retaliation, but it doesn't work.

What's the quote? About how hate isn't the opposite of love, indifference is? Stede is being indifferent to Izzy's presence, and that's doing more to Izzy's feelings than if he outright hated him.

The third time they interact, Izzy's followed Stede into the captain's quarters and jokes:

"Don't cry, Bonnet. We just redecorated." "I don't mind, actually. I think the knives really help bring the place together."

Again, he's tried to push Stede's buttons. Playing on already used jokes that Stede's too posh and soft to, say, appreciate something like a dozen knives thrown/stabbed into the walls and ceiling of his cabin.

He's teasing, on the edge of calling Stede a cry baby, either just to see if it'll work him up, or if that's the only way he knew how to start their discussion. But again, Stede isn't playing with him. He brushes past the implied insult and moves to something more like "I don't care" in response.

Instead, turning his attention back to the subject of Edward Teach. Because he knows the crew were all dodging the question and he knows Izzy would have to know what happened to Ed.

During that same conversation they pivot to more serious matters:

"What'd you do with him? I know he wouldn't have left by choice." "I know you think you understand him-" "He was either going to watch the world burn or die trying. So which was it?" "Alright, Bonnet. Have it your own way. He went mad. He tortured the crew. He took my fuckin' leg 'cause I dared to mention your fuckin' name. He was a wild dog, and we dealt with him like one." "You sent him to doggy heaven." "No, I could never do that. We deserted him on a beach. Left nature to do the rest. More than he would've done for us. You and me did this to him. And we cannot let this crew suffer any more for our mistakes." "Why would they suffer?" "If your captain senses mutiny, she'll kill us all. That's pirate code."

The most notable expressions during this conversation are Stede's who almost seems to wince when Izzy says Ed retaliated against him over mentioning Stede's name, his defeat when he believes Ed was killed in mutiny, and his concern about making sure his crew will be spared.

These are feelings that are barely about Izzy, and mostly about the fact that Stede is taking on a lot more blame than he's saying. He feels a lot of the responsibility for what's happened (further exemplified by him cracking to tell Zheng Yi Sao that he should've told Ed how he felt and avoided all of it). And this is the first time Izzy really gets anything out of him from all his poking and prodding he does in the episode.

And though Stede is convinced that Ed was simply marooned and it's its own kind of tragedy and means there was somewhere to go to try and get him back, Stede worries about saving his crew first. He pleads with Zheng Yi Sao and even wins her over until Auntie finds Ed's "body."

After that revelation, Izzy's in The Red Flag's brig and only says:

"Go on, Bonnet. Give me your worst."

And Stede says nothing. He looks at him. He hears what he has to say. But he doesn't do anything. Nothing except having to physically push himself off the bars to walk away.

And again, we can tell there's blame he's assigned to himself for it.

It's a little bit his fault that Ed's "dead." It's a little bit his fault the rest of his crew is going to be executed. It's a little bit his fault, and it's a little bit Izzy's. He knows so, because Izzy said it to him himself. "You and Me did this to him." And Izzy huffs, gives him permission to fly off the handle. To pour his rage and grief all over Izzy, to retaliate with words or with blades.

Izzy would take it. Whatever Stede was going to give him, he was going to take it. Just like he was trying to make him mad earlier, Izzy was still grappling for something. For acknowledgment. For something in his last moments before an entire career of piracy ended at The Pirate Queen's behest.

But Stede gives him nothing.

And that hurts worse. That brings tears to his eyes. That settles in the quiet idea of "I'm not mad, I'm just disappointed" that cuts so much deeper.

And the last time Izzy tries for anything, he tries being grateful:

"I just wanted to thank you for-"

But Stede still doesn't listen. Doesn't even let him finish thanking him.

Even though he went as far as to save Izzy's life along with the rest of the crew (he could've struck him down or declared he was unwelcome to join them back on The Revenge if he really wanted to), he still hadn't earned acknowledgment. Hadn't deserved pity or anything else. He doesn't even deserve to stand next to Stede and fluff his ego, as far as Stede seems concerned.

Stede hasn't forgiven Izzy. And maybe it's because he feels there's nothing to forgive, it's mostly Stede's own fault- maybe it's because he blames him too much and will never let it go- maybe he's too hurt to feel anything but tired and sad once the immediate danger has passed... Izzy doesn't know.

What he does know, is that he has tried everything to get reactions out of Stede. Everything except apologizing. So, I'm personally hoping for an apology in the upcoming episodes. For some vulnerability and truth and embarrassment. Because these are the beats of a redemption. These are the plot points of turning your life around, and people either don't believe it's genuine at first or don't care.

This is the "cost" of Izzy's actions in Season 1. And it's something they haven't given us from anyone else yet. I'd also really like Ed to make some kind of address of the fact ("You wanted Blackbeard as dark and demanding as he could possibly get, I gave that to you"). Because that's how a redemption arc works best. The guy who fucked up has to put in an effort expressly to be forgiven.

To me, it's not enough that his life sucked for a couple months and he didn't get exactly what he wanted (aka, he didn't realize he didn't actually want it like that) and he lost a leg. He's going to keep pirating on one foot, but to receive a position on The Revenge happily shared, there needs to be something more.

More OFMD

[after-the-end-times]

It's gonna be both exhilarating and devastating if Ed immediately goes back to being Stede's Ed upon waking

As a crew, they'll always know that he could have been that guy, but instead drove them all to kill him

And it's no ones fault that none of them were the one guy in all the world that can keep Ed's head above water and keep the kraken at bay

But to know you just killed him when he's just back up, walking around in flowing gowns, enjoying his tea and marmalade?

That's just a devastating thing to have to reconcile in your self

[todayisafridaynight]

SO! I've wanted to talk about The Clip all day but felt like I should wait until the tumblr "premiere" (even though I think you were literally one of the first people to see it on Twitter lol). Thank you for defending my honor btw even if I am just Someone <3

But. Yes. Yeah. Yokoyama's absolute certainty in saying that??? Without anything to even buffer it? No maybe. No "don't expect too much." Just point-blank in front of a huge fan (whom I believe he's now going to be working with), a staff member, and a massive audience. As if that part isn't the matter of contention. I WILL be injecting those words directly into my veins for some time.

I was on the verge of choking and/or spewing blood and/or crying before posting it though lol, so I really appreciate the vote of confidence regarding the translation and I love your redraw! The reception as a whole has been really nice, although I wish people would keep it to themselves if they'd rather have Nishiki or Ryuji back or whatever. Not like it's a race, but even if it was, Mine's been in last place for ages lol.

And while I enjoy Y3's writing more than most, Mine's death wasn't some Grand Meaningful Statement, it was the decision of a fledgling studio that never knew if it would be able to keep making these games trying to tell a self-contained story. It did have far-reaching consequences for the series, but those consequences are also... not really relevant anymore?

Like, I can and have argued that Mine's death caused the fall of the Tojo Clan, but the clan has already fallen. So I don't see why some people are acting like revisiting his character would be A Spit In The Face to the saga somehow, but I guess I've never really been against characters being brought back...? A quote from the staff that's always stuck with me from the staff is that RGG is always going for RGG-ism, not realism.

Ranting aside... I honestly don't know if I should be saying this, but there's this new guy working the counter at Survive in some LaD8 behind the scenes footage. Now, upfront, I'm 99.8% sure it's not Mine (I happen to have a 100% accuracy rate so far identifying major RGG characters from extremely blurry images and silhouettes lmao), and I have no idea who it is, whether it's a new character or an old one heavily redesigned or Just Some Guy.

But he's not Kashiwagi. And he happens to have slicked-back dark brown hair with what appears to be an ahoge in some angles. And, unless the materials are temporary, he also dresses A Lot Like the celebrity Mine's design was based on. And his features... line up closely enough to piss me off, even though they don't fully match in the end, which is why I don't think it's him.

I'm in argumentative essay mode 100% of the time which is why I'm saying this in a "convincing" tone despite literally not believing it myself, but like... wouldn't that be something? To just have Mine part-timing at Survive or whatever and no one makes a big deal of it because they don't know any better? If nothing else, I really do think he should get The Bartender Treatment.

I dunno, I might post about it with a comparison tomorrow because it's been on my mind lately, especially with The News, but I really don't want people to get the wrong idea either. Or embarrass myself if it was too tenuous of a link to look that deeply into from the start lol

I remember seeing it two minutes after you posted it, so I can imagine I was one of the first to the scene of the crime (so my friends put it LMAO). AND OF COURSE I- and a lot of us- can't be any more grateful for all the work you do than we already are. I'd go insane trying to document and manage everything you do! especially when you have insane people like me ready to pounce on the smallest thing like I know I'd cry FJLKAJ The least I can do is give a proper title/credit to you when I can o7

If Yokoyama had any remaining hesitance about Mine being alive, then he REALLY would have fumbled by sounding so certain. Like in his old tweet, he certainly sounded more ambiguous, but this time he really had no extra notes and sounded more sure of himself. I won't expect RGG to do anything with Mine, but the concept is still very much exciting and the idea that Yokoyama almost seems earnest about the idea of bringing Mine back for whatever reason is very nice to know :] And thank you about enjoying the art I did! I can't lie in the slightest, since the last ask where you alluded to posting the clip, I had that drawing saved in the back of my head ready to make once you had that posted LMAO

But oohh not to touch drama since I generally try to Not touch it, but yeah I can't act like I haven't seen some people be. ""Interesting"" about the idea of Mine being alive. I won't dive too deep into it, but I think my major issue with the few grievances I've seen is that RGG hasn't done anything with Mine's alive status. As of right now, it's just a thing Yokoyama said, so I don't understand the need to be so angry about it (it's especially weird to say Ryuji hasn't been back when he not only got to be a playable protagonist in Dead Souls, but he was also the protagonist of RGGO- though I suppose I can understand wanting him in the mainline series again. Still, it's weird to act as though Mine's back any more than he is and being upset about it just because Yokoyama said he was alive)...

Moving on though, I'm really curious as to this 'mystery figure' you mean. I've been missing out on LaD8 production material, so I haven't seen this bit myself but I'd love to take a stab at it and analyze myself too. I agree though: if Mine does come back- whether he's working at Survive or anywhere else- I would greatly prefer if he had The Bartender status and was just never really called attention to and only existed in the background

[femwizard]

[whumptober]

WHUMPTOBER 2024: PROMPTS LIST

Welcome to Whumptober 2024 — Seventh Time's a Charm!

Please make sure to read the Event Info and FAQ below carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

This year’s AO3 Collection can be found here.

This year's playlist can be found here.

The 'Anatomy of a Whumptober Prompt' post can be found here.

And our 'Resources for Writing Sensitive Topics' post is here.

We’re very excited to see the community come together for another year of Whumptober! Go wild with the prompts, and support your fellow creators - we wish you all the fun!

Best of luck and happy whumping,

Mods Vanne, Yenn, Kitty and Surro

(Text versions of the prompts, as well as event information, rules and FAQ are posted below the cut!)

Whumptober 2024 Prompt List

No. 1: RACE AGAINST THE CLOCK

Search Party | Panic Attack | "If only we could hold on.” (Icysami x Renegaderr, Strangers.)

No. 2: TRUST ISSUES

Amusement Park | Role Reversal | “You got away with the crime while the knife's in my back.” (Charlotte Sands, Rollercoaster)

No. 3: SET UP FOR FAILURE

Fingerprints | Wrongfully Arrested | "I warned you."

No. 4: HALLUCINATIONS

Hypnosis | Sensory Deprivation | “You're still alive in my head.” (Billy Lockett, More)

No. 5: SUNBURN

Healing Salve | Heatstroke | "If my pain will stretch that far." (Lottery Winners, Burning House)

No. 6: NOT REALISING THEY'RE INJURED

Unhealthy Coping Mechanisms | Healed Wrong | "It's not my blood."

No. 7: ONLY FOR EMERGENCIES

Unconventional Weapon | Magic with a Cost | "It's us or them."

No. 8: SLEEP DEPRIVATION

Isolation Chamber | Forced to Stay Awake | "Leave the lights on." (Coldplay, Midnight)

No. 9: OBSESSION

Broken Window | Bruises | “Frame me up on the wall, just to keep me out of trouble.” (Fall Out Boy, Irresistible)

No. 10: BLOW TO THE HEAD

Slurred Words | Passing Out from Pain | "I can't think straight."

No. 11: SEEING DOUBLE

Convenience Store | Loneliness | “Leave no trace behind, like you don't even exist.” (Taylor Swift, Illicit Affairs)

No. 12: STARVATION

Underground Caverns | Cannibalism | "Just a little more."

No. 13: TEAM AS A FAMILY

Familial Curse | Multiple Whumpees | "Death will do us part." (Set It Off, Partner's In Crime)

No. 14: LEFT FOR DEAD

Hunting Gear | Blackmail | “Because I want you to know what it feels like to be haunted” (tiLLie, kooL aiD mAn)

No. 15: CHILDHOOD TRAUMA

Painful Hug | Moment of Clarity | "I did good, right?"

No. 16: NECROSIS

Swamp | Wound Cleaning | "No, I can't feel anything."

No. 17: NOWHERE ELSE TO GO

Ruined Map | Shipwrecked | "We had a good run."

No. 18: REVENGE

Unreliable Narrator | Loss of Identity | “I see what's mine and take it.” (Panic! at the Disco, Emperor's New Clothes)

No. 19: BLOOD TRAIL

Abandoned Cabin | One Way Out | "Is there anybody alive out there?" (Bruce Springsteen, Radio Nowhere)

No. 20: EMOTIONAL ANGST

Shoulder to Cry On | Giving Permission to Die | "It's not your fault."

No. 21: BODY HORROR

Body Horror | Tattoo Gun | Spirit Possession | “Let the bedsheet soak up the tears.” (Apparat feat. Soap & Skin, Goodbye)

No. 22: BLEEDING THROUGH BANDAGES

Tourniquet | Reopening Wounds | "Oh that's not good."

No. 23: FORCED CHOICE

Public Display | Broken Pedestal | "I'm doing this for you."

No. 24: RADIATION POISONING

Collapsed Building | Equipment Failure | “I never knew daylight could be so violent.” (Florence + The Machine, No Light, No Light)

No. 25: SURGERY

Stitches | Being Monitored | "It's for your own good."

No. 26: NIGHTMARES

Breakfast Table | Parting Words of Regret | “I'm haunted by the lies that I have loved, the actions I have hated.” (Poe, Haunted)

No. 27: VOICELESS

Laboratory | Muzzled | “I have no mouth and I must scream.”

No. 28: DENIAL

CCTV | Exposure | "They caught me red handed."

No. 29: FATIGUE

Labyrinth | Burnout | "Who said you could rest?"

No. 30: RECOVERY

Hospital Bed | Holding Back Tears | "What have I done?"

No. 31: ASKING FOR HELP

Therapy | Making Amends | "I'm alive, I'm just not well." (Elliot Lee, Alive, Not Well.)

Alternatives List:

Body Swap

Communication Barrier

Finding Old Messages

Forgotten

Friendly Fire

Motion Sickness

No-Holds-Barred Beatdown

Regret

Secrets Revealed

Shivering

Survivor's Guilt

Time Loop

Used As Bait

Venom

Vermin

Event Info & Rules

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. They are meant to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is “flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be a reference to an ‘old flame’ - an old relationship. It’s truly down to you!

In total, there are 4 prompts for each day. These are optional suggestions and can be used in conjunction with the theme, or as options/alternatives.  We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks. There is also a list of 15 alternative prompts that can be subbed in for any day, again to give participants as much creative freedom as possible.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

When uploading Whumptober content to your blog, be sure to tag it with:

#whumptober2024 …..(the event tag)

#no.1, #no.2, #no.3, …..(theme number)

#bruises, #stabbing, …..(the theme or specific prompt you chose)

#altprompt …..(if you use an altprompt, tag the post with the number of the prompt you replace)

#fandom or #OC, …..(ironman, original content, oc, etc.)

#medium …..(gifs, fic, podcast, art, etc.)

#teeth, #etc …..(trigger warnings & any additional tags. Keep in mind not to add “tw” in front but only use the word/trigger itself)

#nsfwhump …..(only for nsfw content)

#your own tags go here

PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]

Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.

Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed. This is based on trust and we will not check this.

Frequently Asked Questions

Please read this before you send an ask!

TIMELINE

July: Trope voting form released. Late August: Prompt list is released for at least four weeks of preparation time. Tropes cannot be posted earlier than August 25th because of Moderator obligations in real life. (But, you know, go ahead and start writing/drawing, and add the themes in later, if you want!) September: Do as much or as little on your works as you want. You can prepare everything in advance or let September go by with vibes and start working in October. It’s up to you. October 1st: Challenge begins! A storm of whump breaks upon us all! During this time, some posts will be reblogged to the whumptober archive blog. We open the yearly AO3 collection for posting (optional). November 1st: The challenge is officially over! Completionist form opens for those who want to be included in the hall-of-fame. Early November: We release completionist and participant badges, solicit feedback, and post a hall-of-fame list of completionists by the 10th.

PARTICIPATION AND COMPLETION

Q: What counts as participation? Create or continue at least one work inspired by one of this year’s prompts. Q: What counts as completion? Creating work(s) inspired by at least one prompt from each day (or alts), for a total of 31 unique prompts. Q: Do I need to create 31 works? No. You can, if you want. Or you can create one work that you add to every day with a new prompt. Or several works that combine prompts. You can also update an existing work by adding new material with the current prompts. Q: Do I need to post my works somewhere to be a completionist or a participant? No. Q: How do you know I actually completed the challenge? We’ll take your word for it! Q: Do I have to finish my work(s) to be a completionist? No, you can post WIPs. And you’re not obligated to finish them in October, but if you want it to count towards being a completionist, you must have completed 31 prompts by the end of the month. So for example, if you’re writing a long fic and you fit 31 different prompts into the writing you did in October, it’s okay if that fic isn’t finished by the time October ends, you’ll still be a completionist. Q: Is co-writing/illustrating allowed? Yes, absolutely, and it would count towards being a completionist for both/all of you. Q: Is there a min/max limit on word count for written works? No. Q: Is there a min/max limit of quality for art? No. Q: Do I have to do something each day to be a completionist? No. You can skip days whenever you want, and as long as 31 daily prompts (or alts) are in your works done in October, you can be a completionist. For example, if you wrote a 1000-word ficlet that covers prompts in days 2, 3, and 17, you can check all three days off your list even though it’s only one work. Q: Is this challenge just for fics? No! Artworks, GIFsets, headcannons, rec lists, poetry, moodboards, or any other creative work is encouraged. Q: Can I combine Whumptober with other creation challenges? Absolutely, as long as the other challenges allow it too.

PROMPTS

Q: How do the prompts work? There are FOUR prompts per day: a theme and three ideas. You can use one, two, three, or all four prompts for each day. If you don’t like any of the daily prompts, you can substitute one of the ALT prompts instead. Q: How strictly/literally should we interpret the prompts? As literally or as figuratively as you want. For example, if the theme is WATER, that could mean drowning, waterboarding, raining, swimming, take place underwater, be lost at sea, construct a metaphor about a character’s mood that changes like a flowing river, crying, or whatever else you can think of that fits that theme. Q: Can I combine prompts? Is there a limit on how many? No limit and combine as many as you’d like. If you create a work that checks off multiple prompts, that work will count for a fill of multiple prompts. You need to address 31 different prompts to be an official completionist, but you don’t have to produce 31 separate works.

WORKS

Q: What’s whump? Hurting a character, whether that’s physically, emotionally, intellectually, psychologically, or any other way you can think of. Comfort afterwards is optional. Angst is emotional whump, so it counts. Q: How do I know if it’s whumpy enough? If your character is just mildly inconvenienced, it probably needs more whump. However, no participant has to prove whumpiness to the mods. Whatever you write is up to you. Q: What kind of characters can I create for? Anything. Generic “whumpee,” OC, PC, NPC, major characters, minor characters, or whatever you want. There are no limits. Q: Does it have to take place in a specific fandom? No, you can create works for your own worlds or for fandoms or for both. You can also create more generic or pan-fandom works. You can do cross-overs or use OCs, whatever you want. Q: Can I create AI-created works? We will not reblog or promote any works we know to be generative AI-created. Q: Is there anything we’re not allowed to write? As long as it contains whump and is based on our prompts, it’s fine. Please courtesy tag your works if you post them so people who follow the #whumptober2024 tag can filter according to their preferences. Q: What about sex, minor characters, and potentially disturbing content? You can create whatever works are legal in your country and post them accordingly. Please courtesy tag anything you think might be objectionable if you post to Tumblr so people who follow the #whumptober2024 tag can filter according to their preferences.

POSTING

Q: Where can I post my work? Post where and how you want. You don’t even have to (cross)post it to Tumblr. Just keep in mind if it’s not on Tumblr we will not be able to add it to the blog archive. There is an AO3 archive for Whumptober 2024, as well as the parent collection for works completed outside of the event. Q: Can I start posting early? You can, but this is an October event and wouldn’t it be more fun with everyone doing it at the same time? We won’t be reblogging any work predating October 1st. Q: Can I post late? Yes. For the sake of our hardworking Post Fairies, only a day’s themes will be reblogged to @whumptober-archive each day of October. But you can post whenever. Some of us are still working on and posting Whumptober fics from years ago. Q: Do I have to use your tags? Only on Tumblr and only if you want us to reblog your work on @whumptober-archive. Q: How do I have my works reblogged to the archive? Properly tagged posts will be reblogged to @whumptober-archive. If you want the official archive blog to reblog you, post on Tumblr and tag correctly (see this FAQ link for more info on tagging). Please note not all posts will be reblogged each day. Q: Can we @ you? For questions and comments, of course. We’ll be getting a flood of notifications, so if you really want us to see something send an ask. Q: Can I cross post on other blogs? Yes, multiple platforms and blogs are perfectly acceptable, as long as they allow cross-posting (to us). You can also post different works to different accounts under different names, without posting them everywhere at once. If you post some works under your main and others under an alt blog, that’s fine for completionist purposes. Q: Can I upload/repost my Whumptober content to other social media platforms? Of course! We’ve created an AO3 Collection to archive any fics posted there, which can be found here. The blog is the official archive, so please respect the personal boundaries of any whumpers in your social circle (don’t out anyone as a participant who would prefer not to be outed).

Most importantly, have fun, create, and enjoy all the whump posted this October!

[followerofmercy]

Networking/Knowing A Guy: A Guide

This is the autism website. Now, as an extension of the power of love and friendship, there are few things more useful than Knowing A Guy. Knowing A Guy means you have a support network. Knowing a plumber, or a tax accountant, or just that one dude that's really fucking good at finding the information you need when you're really overwhelmed, can be the difference between being able to pay rent and having a fun party with friends to fix your shit.

How does one end up Knowing A Guy? It's a skill you can develop called Networking and it is one of the foundations of society. Unfortunately making those connections with people is fucking hard and nobody makes a tutorial for it. So, here you go:

The golden rule is you scratch my back and I scratch yours

It is necessary for survival to seek out useful people

Great news! Everyone is useful in some form or fashion - including you! When given the opportunity to learn about someone, do it! Extroversion does not come naturally to some people and that's okay. Just take whatever falls in your lap.

Types of usefulness: trade skills, connections of their own, personality you jive with, pleasant to talk to, niche interest in shared hobby, security - the list is pretty much endless. I know a guy that lives in the metro area - no job, no major hobbies, inoffensively annoying to me personally, kinda ignorant, not attractive to me, but you know what? He knows how the fuck to get around the city by foot. My rural-raised ass APPRECIATES the guide.

Remember important information: general personality, background, skillset, likes and dislikes. You can find this information by making smalltalk about their life. There is no such thing as pointless conversation. (Yes, even the annoying smalltalk)

The more people you know, the higher the likelihood that one of them will be useful in a given situation - or will know someone who is.

It is overwhelming. In a given clique/community/workspace/whatever, there is A Guy Who Knows The Other Guys. This Guy is a shortcut. Find them. They're often elderly, extroverted, a little bit annoying, a secretary or in some otherwise forward-facing position. Look for people that are gossipy/talk about other people a lot but not in negative ways. If they constantly talk shit, they'll talk shit about you too. They're still useful but be careful with the information you share

You do not have to like someone for them to be useful.

You do not have to like someone for them to be useful.*

If you have low self esteem, you're going to feel like you're using people. You're not. That's the devil talking. People like feeling valued and the connections you are making are the threads holding community together. Recognize people for their talents. It's only a problem when you're taking advantage of people

So: don't feel scummy about it. You're an animal. You have to claw out your right to survive and people will respect you more for it.

Luckily mutualism is the name of the game in the animal kingdom. Offer something back. The foundation of a Know A Guy relationship is Mutual Benefit

Sometimes that Mutual Benefit is just spreading news of the The Guy far and wide. My plumber friend is my actual friend and I love her to death, but I'm maintaining our backscratch relationship by pimping out her plumbing business to anyone that'll listen

Food is a good Mutual Benefit. People across cultures for all of human history have bonded over food. I have good success asking people for a favor and then offering to buy them lunch in return **

General compensation is also good. Offer a service in return and always do your best to offer financial compensation as appropriate. Having your plumber friend take a look at your drain: doable with a case of beer. Having your plumber friend redo the pipes in your entire house? You need to pay for that.

Being transactional is not necessarily a bad thing. I would advise against keeping an itemized list of things owed, but fish don't seek out cleaner shrimp just because they enjoy their company. Everyone gets something

Unfortunately being extroverted and generally personable is a huge benefit here, but that's the value of the Guy That Knows A Guy. There's someone out there that has consolidated All The Guys so you don't have to be the local expert. Always remember nobody can do everything and you don't need to master every skill

* This is the foundation of a functioning community. I have many acquaintances that I find incredibly annoying. They include doctors, welders, artists, social workers, lawyers, construction crew and random fuckers at the grocery store. I do not hang out with them. I do not have to in order to maintain a civil Know A Guy relationship. I can drop them useful tidbits and fuck right off so I don't have to spend any more time than necessary with them

** People may assume romantic intent. Be prepared for that. I generally denote that it's a friendly/work lunch by calling them bro at some point if they're my age. Otherwise my general demeanor is sufficient to show that I do this with everyone

Source: personal experience, mother's teachings of crime, booth vending and poverty

[steveyockey]

To be aware you might be trans but unwilling to do anything about it is to create endlessly bigger boxes within which to contain yourself. When you are a child, that box might encompass only yourself and your parents. By the time you are a gainfully employed adult, that box will contain multitudes, and the thought of disrupting it will grow ever more unthinkable. So you cease to think of yourself as a person on some level; you think not of what you want but what everybody expects from you. You do your best not to make waves, and you apologize, if only implicitly, for existing. You stop being real and start being a construct, and eventually, you decide the construct is just who you are, and you swaddle yourself up in it, and maybe you die there. There is still time until there isn’t.

This reading of TV Glow’s deliberately anticlimactic, noncathartic ending cuts against the transition narrative you typically see in movies and TV, in which a trans person self-accepts, transitions, and lives a happier life. Owen gets trapped in a space where he knows what he must do to live an authentic life but simply refuses to take those steps because, well, burying yourself alive is a terrifying thing to do. The transition narrative posits a trans existence as, effectively, a binary switch between “man” and “woman” that gets flipped one way or another, but to make our lives so binary is to miss how trans existences possess an inherent liminality.

Humans’ lives unfold in a constant state of becoming until death, but trans people are uniquely keyed in to what this means thanks to the simple fact of our identities. You can get lost in that liminality, too, forever trapped in a midnight realm of your own making, stuck between what you believe is true (I am a nice man with a good family and a good job, and I love my life) and what you know, deep in your most terrified heart of hearts, is real (I am a girl suffocating in a box).

And yet if you want to read the film as being about the dangerous allure of nostalgia, you’re not wrong. I Saw the TV Glow totally supports that interpretation, too! But in tempting you with that reading, the film creates a trap for cis viewers that will be all too familiar to trans viewers. Somewhere in the middle of Maddy’s story about The Pink Opaque being real, you will make a choice between “This kid has lost it!” and “No. Go with her, Owen,” and in asking you to make that choice, TV Glow is simulating the act of self-accepting a trans identity.

See, the grimmer read of the film’s ending truly is a nihilistic one. It leaves no hope, no potential for growth, no exit. Yet you must actively choose to read that ending as nihilistic. If you are cis and the end of I Saw the TV Glow left you with a gnawing sense of dissatisfaction, a weird but hard-to-pin-down feeling that something had broken, and a melancholy bordering on horror — congratulations, this movie gave you contact-high gender dysphoria.

In an infinite number of possible universes, there is at least one where I am still living “as a man,” embracing my fictionality, avoiding looking at how much more raw and real I feel when I “pretend” to be a woman. I think about that guy sometimes. I hope he’s okay.

Consider, then, my cis reader, that TV Glow is for both you and me, but it is maybe most of all for him. I hope he sees it. I hope he breaks down crying in the bathroom afterward. I hope he, after so many years locked inside himself, hears the promise of more life through the hiss of TV static.

Emily St. James, “I Saw the TV Glow’s Ending Is Full of Hope, If You Want It to Be,” Vulture. June 4, 2024.

[famousturtlebanana]

Why is no one talking to me? No one checks on my family anymore. Are we no longer important, the six of us?! When will I find someone to care about us? Will it be when we are bombed or dead?

The people here helped me, and the Tumblr community is wonderful. I love you all.

But no one wants to check on my family anymore. I have four children who live every day in fear, with bombings and death, in a place without sanitation, filled with epidemics and diseases. Even food is now just canned goods. Is a child supposed to live their life here without any sweets or treats?

Are we dead?! Is that why no one answers or asks about us? Or has the world's conscience died, so they don’t think about us or inquire about us?

I created a post telling our story in black and white because my family and I are starting to lose hope. Perhaps someone will look at the pictures and read the story, realizing that this family is on the brink of becoming a memory.

My children, my wife, and I read your comments and your words, and the messages you send. Why have you stopped? No one is standing with us. You know, even internet and electricity here are hard to come by, and we walk a long way to reach a place just to tell you that we are still alive here in Gaza.

We hoped someone would fight with us, try to raise our voice to the world, send our campaign to friends, or even try to adopt our cause and reach out to people, asking them to write and share our story.

If I’m the only one here in Gaza trying to raise my family's voice and save them, I won’t succeed alone.

I'm writing this because I can't do it alone, and I hope you will support me and stand with me.

Just read this with your hearts. My family and I need your support with your own selves, minds, and consciences, not just donations, above all else.

I will attach a picture of my family here, hoping it will make someone look with their heart, talk to us, and say, “I will try to help you.”

This is the link to my campaign»»»

I hope to find someone who cares about whether my family and I are still alive.

💔🙏

[intersex-support]

Help an intersex family in Gaza!

Hi everyone. I'd like to share about a fundraiser that is very important to me. A good friend of mine is in contact with the organizers.

(Described in alt).

Their story:

"Hello, my name is Abeer. I'm organizing this fundraising campaign from Belgium on behalf of my family, who currently live in Gaza. 

Since October 7, all families in Gaza have been subjected to genocide. My family is one of those families that has had to flee its own home several times because of the threat of regular attacks. 

After two months, my family decided to return home and take the risk of being bombed at any moment rather than stay in the street. Our 4-floor building now contains over 100 people who have fled from different parts of Gaza. We always open our hearts for our own people, but we can't do it without your help and support. 

My parents, Kamal (53) and Moukaram (51), are suffering from the war because of their age and health. My brother Suliman, his wife Rawan Abualnaja and their two-year-old daughter Bisan are trying to stay strong, but it's complicated by their little daughter's enormous needs. My other siblings who are not married are Mohammed 25, Inas 22, Ibrahim 17, Abdallah 15.

My family medical condition during the war:

My father suffers from delusional disorders. He can't work or help my family financially. Mohammed and Ibrahim suffer from a chronic disease, congenital adrenal hyperplasia. It is difficult for them to obtain medication in Gaza. One of their medicines has not been available in Gaza for two years. During the war, they couldn't get their medicines because they simply didn't exist anymore. My family members are still suffering. They don't want to be potential victims. They want to escape death and live like other families on the planet.

 On 01/01/2024, they attacked the local mosque and the missile failed to explode and ended up in front of my family's house. My family is in danger and the missile will explode any second.

Since then, my family has decided to be evacuated from Gaza because of the senseless attack on our city. Please help me evacuate my family to Egypt so that they can rebuild their lives in peace.

I've been in Belgium for over five years. I feel useless because I haven't been able to do much except try to help them with their daily living expenses. That's why we created this campaign. We're raising funds to evacuate my family to Egypt, a place that offers a glimmer of hope and stability. However, the cost of the evacuation is high, hence our call for crowdfunding.

Every contribution makes a difference The funds we raise will be used for :

- Evacuation from Gaza for both families (Rafah border crossing fees for 9 people total)  - Two months of temporary living expenses in Egypt, including food, shelter, and transportation  - Passport fees  - Food expences untill they leave Gaza 

No matter how small your contribution, it can make all the difference in breaking the cycle of violence and uncertainty. By supporting our campaign, you are offering a lifeline to our families so that they can rebuild their lives, heal from their trauma and make a fresh start in a safe and secure environment. Please leave a comment and share our campaign with your friends, so we can reach more people and make a bigger impact. Together, we can make a difference!"

They are using a French platform called Papayoux Solidarite instead of GoFundMe. Abeer also has a Paypal account for non European donors.

They are currently at 33 588,78 €/ 50,000 €.

Let's see if we can get them to 34,000 today. Any donation matters, even $1 or $2 donations can add up.

We need to help them meet their goal. Intersex liberation means intersex liberation everywhere--it is so important that we show up in solidarity. Those of us living with CAH know how dangerous salt wasting crises are without medication, and how important it is to urgently help Mohammed and Ibrahim get access to the medications they need to support their CAH. Intersex solidarity means that we need to show up and support intersex people facing genocide.

If you can't donate, please share. Consider doing an art raffle to raise money. Do whatever you can to help this family because it is urgent, and we need to act in solidarity with them now and make sure that the intersex community is here to support them!