#to not do so is to support our own deaths

[aethesfaelibrarae]

Mouthwashing has given me a lot of brain worms and we've got thoughts—time to share them with the hungry void that is Tumblr. One of the last places I'm 90% certain my words won't show up stolen or regurgitated by machine.

Warning for spoilers about the game and rambling!

I believe that Mouthwashing is a modern-day Lolita. The storytelling is similar, in that, almost against their own better judgement and will, the audience finds themselves thinking like our unreliable narrator(s).

Most people.. Sorry, some people have cottoned on to the fact that Anya's personality is not that of a scared, timid and ultimately, useless nurse and she's been in fight or flight response for months now with no other choice but to fawn. As someone who has been in a similar situation for only one day a week for months, the fear only got worse, the longer I went without support. And the things that she does in the background.. No doubt similar to the way that Daisuke kept track of their food supply was brushed over and unsung.. So is the fact that Anya has been keeping a severe burn victim—with 4th degree burns so severe, any treatment we currently have is experimental and expensive.. If the pain does not kill you first—she's been keeping Curly alive for months with no help and incredibly minimal supplies. (I personally think that Anya probably was on the side of giving him an easier death or maybe even suggested a gentler way of giving him medicine—but (sterile) syringes in space? Limited water? An especially dismissive Swansea and go with the flow Daisuke?.. Easier to try and give Jimmy what he wants.)

But. I believe that people overlook the ways in which Catastrophe Jim's perspective on Curly twists our own. Pre-Crash Curly exists upon a pedestal—a good man, better than Jimmy could ever hope to be; a good, well-liked captain. Well-off, better looking (I say this because of the similarities in how Jimmy mentally views himself in similar shape and age as Curly) and still reaching for more. For better. People catch the underlying jealous and resentment for the life that Jimmy wants at all cost but.. They miss the pedestal. The miss the fact that if Jimmy says that Curly's better than he is, a good and better Captain.. That means that Curly is doing the bare fucking minimum: keeping them all alive year after year. Curly is a nice captain with the capacity to soothe over minor issues and keep a cool head and keep the crew on schedule.. But he is not a good one. He's not even a good person. Not really. Jimmy thinks of him as a good person, puts him on this pedestal that he's foaming at the mouth with excitement to pull him off of. Dirty the golden boy and spit on his silver-threaded bootstraps once and for all.

Except.. What evidence do we have that Curly is especially liked or respected? Where is this cheering crew? Where is Curly good?

Curly is a human, at the end of the day.

And.. Which comes to my more complicated and no doubt contriversal take... Curly is also a victim of Jimmy stuck in fawn response. This doesn't absolve him of the ways in which he failed the crew but Anya especially by letting Jimmy run amok and failing to take any action while he still had the chance. He stood by when Anya begins to hint at something beneath the shiny veneer of a happy tight-knit crew and most damningly, he stood by as Jimothy entered the cockpit immediately after suggesting a plan to kill everyone aboard.

I genuinely.. Genuinely.. Don't know what he thought would happen.

But he does take action.. And his last action is what makes he and Anya swap places. Except.. Not truly.

Yes, they are in similar situations—vulnerable to the whims of a psychotic madman with an inferiority complex and their plight largely ignored by the crew; a necessary sacrifice to keep the peace.. Just until safe harbor—but where Anya begins to gain autonomy and some relief from Jimmy no longer having a need for her.. Curly finds himself the center of Jimmy's world.

And that is not a great place to be in.

Curly is systemically isolated (bad-mouthed to the crew over and over again, berated publicly, blamed for an awful accident that Jimmy caused) and his torture and abuse mirrors the continuous, silent medical, emotional and physical abuse that many disabled people face. And almost in a worse way, his voice is stolen from him and used in such insidious inspiration porn.. A lot of people think that he actually said those things.

But we won't know. And if he did say these things.. Why does Jimmy only seem to (mis)understand them in the final acts? Recalling them in Curly's voice but not as the Captain but as a savior, his last charitable act to wipe the ledger of blood clean.

Jimmy doesn't want to see Curly better. He likes feeling useful. He enjoys having Curly watch him and in the same breath, he loathes it. He wants Curly's judgement. He wants Curly's praise. He wants.. Everything that makes Curly Curly.

Curly as a silent observer isn't remarked on often.. Nor is the fact that more than likely, the others heard Curly's sobs of pain from the medbay. But Curly is very conscious, very aware and very alone in his thoughts.

There's a point in which the perspective changes during Swansea's mercy killing—a gift that no one offers Curly—and once again, Curly is stuck watching all of his mistakes play out, one after the other. Unable to do anything but laugh.

But is it a laugh or a sob? Jimmy doesn't care and neither does the player—what's important is the objective: the gun. 739. Click. He steps over Anya's body like it's not even there and runs away.

We don't find out what set Swansea off—maybe Jimmy couldn't help himself and said something about Daisuke or Anya that blamed them. Maybe it was something else. Curly watches on. Helplessly.

There's something to be said about the black screens and the static that occurs when Jimmy hurts Curly or kills Swansea—like he's cutting the memory off before the guilt can get to him. And it's the same thing I'd like to bring up about Curly's voice. Yes, it takes a lot to speak without lips.. Or from what it looks like a tongue.. But there are more noises Curly can make. Noises that can refute Jimmy.

And in the same way that he's at the precipice of something so terrifying he keeps returning to the same spot that's slowly killing him, he's learned that fighting is useless.

It's 2 months after the crash when see Jimmy's perspective again, after all. And while Anya's requests for help seem to be new.. Who's to say that the beatings are?

The worse type of abuse is the type that leaves no bruises. After all, Curly cries all the time in pain.. What's the difference here?

To cycle back to my original point in this.. I don't see a lot of people consider Post-Crash Curly's living hell as another facet of Jimmy's abuse going unchecked by the people around him as anything other than comeuppance. As Karma. And it's the coldest take I've seen from the fandom so far. Allow me to reheat it up for you: disability so severe that you must rely on others is not divine punishment. It's not just desserts. Just as disabled people are your infantilazed, idealized, inspirational iron woobie that can take pain and push through it.. They are also not being punished by the divine. They are humans and sometimes shit just happens and it sucks.

The way that Jimmy views Post-Crash Curly as a saving prop.. Proof that he can indeed fix it.. is so normalized that as the audience, it can be something that you aim to achieve–one of the earliest and easiest achievements you can get is opening and closing Curly's mouth like a mannequin.

There's a relief that we share when Curly shuts up. There's a shutdown in empathy when Jimmy brutalizes him. Up until we can no longer look away.

Because Jimmy can no longer look away. And that is the chilling part of all this. Jimmy gets away with it—all of it—because of the crew's inability to overcome their own apathetic acceptance of the monster in their midst.

Just like most people accept the main character from Lolita as a gentleman, the crew accepts Jimmy as a guy. A little rough and short-tempered but what do you expect from blue collar work? Hold your nose, it'll be over in a year. In 8 months. In 10. Soon. It'll be over soon.

I can't help but worry if Jimmy weren't so bad at being likable and if he were even a smidgen of the charismatic mastermind, he so clearly wants to be..

We'd have another Valentino on our hands.

Mouthwashing is a horror that I can't help but devour. FEAST, indeed.

[cinnamonest]

I assume this is because I criticized Kamala Harris in my last post.

I want to address this because it's important to me and frustrations currently consuming my life, and I'm very emotionally unwell right now. I want to share my experiences and make a point I feel is important at this time.

Once again, this is very unfitting of the smut fanfiction blog and will be deleted later, even though I'm sure this is a huge follower-losing post, but whatever.

Forgive me for rambling so much, but I encourage you and people who think like this to read in entirety.

I realize things are tense right now in the US.

Part of the reason for my inactivity the past while (besides multiple hospitalizations) is that I'm glued to my screen every night now because I'm very scared. I've been spending all my time researching, watching videos from economists, etc.

(Preemptively, sources for everything I'm about to say: the FEMA Privacy Act Statement itself, the official CPB database, Helene People Finder, United States Council of Foreign Relations, Samaritan's Purse, NYC.gov, Starlink, Politico, ABC, CNBC, georgia.gov, nc.gov, tn.gov, my own life)

The US is an extremely high-tension, polarized political climate, largely due to the bipartisan system.

However, no one should be immune from criticism.

All politicians should be criticized when they do harm. I am allowed to criticize her, and I will.

Criticizing one candidate is not the same thing as endorsing/supporting their opposition.

3,000+ Appalachians are missing. The current death toll makes this the deadliest single event in the US since 1862. A higher death toll than Hurricane Katrina, a higher death toll than the events of 9/11/2001, a higher death toll than any mass shooting.

However, it is largely going completely ignored, and mainstream news media has barely acknowledged it, in part due to elections, but largely because the people who live in Appalachia are poor, rural people. And the harsh reality is that poor people's lives are not treated with the same value as people of higher classes.

FEMA continues to do nothing, and the feds are now threatening to take children away from homeless parents... yet they blocked donations of trailers and campers from nearby areas that would help those people to, you know, not be homeless. A kind group of Amish have come down from Pennsylvania to build shelters, and FEMA may tear them down too since they don't have "permits."

Harris had the opportunity to do something, and has the authority to order FEMA agents to act differently, but she chose to exploit the situation for publicity, then leave and otherwise ignore them. She then went on to pay Beyonce $10,000,000 to speak for 5 minutes.

That deserves to be criticized.

Her campaign continues to claim a good economy and job market, when inflation and cost of living has peaked, and just this month, their policies actually have officially led to one of the worst employment outcomes the United States has seen since the Great Depression, disproportionately affecting low-income workers.

That deserves to be criticized.

She has a bad track record during her time in the judicial system for the way her actions harshly affected underprivileged people, especially Jamal Trulove, who was terribly wronged.

That deserves to be criticized.

Furthermore, the reason FEMA/the government does not have money for Appalachia is for a few reasons, all of which were ordered, facilitated or allowed by the current administration:

1) we've sent over $100 BILLION to the IDF so they can keep blowing up hospitals and kindergartens,

2) we sent $175 BILLION to Zelensky so he can keep sending young men into violent deaths even if its against their will,

3) we just sent $100+ million to Lebanon even after the hurricane crisis, meaning the federal government explicitly chose to prioritize foreign aid over its own people,

4) money was taken directly from FEMA reserves for crises like ours, and used as part of a whopping $150,000,000,000 spent on mass migration — including free flights, a $20 million welcome center with a free-use "game room" with dozens of Xboxes plus free food/lodging, and in NY, an average of $1400 prepaid debit card per individual each month.

Meanwhile, Appalachians get a one-time $750 per family, and if you have insurance to cover anything, it's a LOAN you have to pay back (many "fact-checkers" are claiming this is false when its literally in the FEMA eligibility statement). Many of the independent line workers FEMA hired for repairs are reporting they have not been paid AT ALL since starting.

In other words, the money that was specifically reserved for saving lives in times of crisis was spent on video games and free money handouts.

That, holy hell, deserves to be criticized.

Secondly, I want to address the message itself.

I realize that a lot of the american tumblr userbase is 1) people young enough that they're still partially financially dependent on parents and/or 2) are, like most of the US statistically, earning middle-class incomes, and live in fairly population-dense environments.

Most people outside the US, on the other hand, are getting their perceptions of life, politics, etc in the US from the posts/narratives of people within the aforementioned groups, popular culture, and their own local media, so their perspective is often quite limited, to no fault of their own. I'm sure my perspective of life in other countries is also very limited.

Most of you live in places other than where I live, and live very different lives from mine. As humans, we are naturally prone to subconsciously assuming the lives of others are not too different from our own, and do not naturally stop to consider how various factors might affect people's lives and decisions.

We are social beings, prone to adopting the beliefs of others who have the same experiences and thereby the same limited perspectives as us, especially in ideologically homogenous environments.

However, I have just as much of a voice as anyone else.

My hope is that I can use my words and experience to foster empathy for one another between different people in a very polarized climate at a very tense time.

I'm originally from a fairly rural community of about 8,000 people, largely low-income, low-education, evangelical blue-collar workers and farmers, in the Bible Belt.

It is well-known that this demographic overwhelmingly voted for Trump. I don't deny that. I visit home a lot, I see the yard signs everywhere, flags hanging from pickup trucks and farm fenceposts, lots of red hats.

There is a reason for that.

The administration of the past four years has utterly destroyed many rural, low-income communities.

It caused a huge spike in job layoffs, leading to homelessness, drug abuse, hunger and poverty for many already low-income people, and for select communities, violent crime.

I'm fortunate enough to have had parents better off than most of the community, but I'm self-sufficient now, and I am in the bottom 20% of incomes in the US, even with a degree. I could write endless paragraphs on how hard it is to get by, but to summarize for the sake of shortening — it's very, very rough.

Everything has become drastically more expensive, very rapidly over the course of a few years. Groceries are 3x their 2021 prices. I had to get a guarantor for a one-bedroom apartment.

Many rural families resort to drastic measures to get by. Small farmers are being financially strangled out of their way of life.

The actions of the Biden-Harris administration is the reason a huge portion of my extended family was laid off and now face total destitution, as there are simply no jobs left available.

The Biden-Harris border and crime policies are responsible for the brutal rape of a significant number of women and girls in this geographic region. Statistically, these rapes have quadrupled compared to the previous administration.

A woman was raped and stabbed to death about a mile from where I live.

Our nearby neighbor, a cow farmer back home, was attacked on his own property.

I have personally faced multiple instances of sexual harassment and aggression, some of which were very frightening. I know other girls nearby experienced the same or worse.

Alcoholism and hard drugs due to the spike in unemployment and poverty has ruined many lives, and help is often hard to access in rural regions.

A woman my mom was acquainted with ended her own life in 2023 because her children were taken from her due to her drug addiction and poverty. People I played with on the church playground as kids are now unemployed heroin addicts.

I've watched my mom driven to tears after realizing how drastically her income tax increased, and how little she has left after them despite working around the clock.

All of these can be traced back to the policies and actions of the current administration, and the current Harris-Walz platform's proposals will drastically increase it all — largely voted for by people who live in economic situations and locations as such that they are fairly unaffected by these consequences, so they may not understand how it affects these people.

I could write endless paragraphs of all the people I know who have been at best negatively affected, at worst utterly ruined, by the current administration.

Since I have the unique background of understanding these people whilst having more liberal values as an individual, with a broad range of people I interact with now, I have tried to have discussions on this over the last year or so, in real life and virtually. I believed that raising awareness would make people on the left-leaning side empathize with them, and inspire dialogue to work to implement ways to account for the concerns and needs of the rural poor, and incorporate that into their existing proposals.

I was incorrect. I've been very polite and respectful in how I address others in these discussions. In the vast majority of interactions, I was not given the same in return.

A few were receptive, which I appreciate, but in most of my experiences, the same group that is known for encouraging empathy, apparently doesn't apply that philosophy to people they dislike — no matter how I presented it, they immediately rushed to demonize, censor, humiliate, shame and gaslight me, and expressed callous apathy at best, if not active contempt, for my people.

They say "that doesn't happen," and I think they genuinely believe that due to limited perspective — but the reality is that they're simply in a position of privilege as such that it isn't happening to them.

Similarly, what you have to understand is that from the perspective of many rural people in red areas, their experience is that more privileged people inflicted this suffering on them by voting for it, then silence and shame them for speaking out about it.

Likewise, they also have a limited perspective — for them, the issue I see is that they adamantly believe the "other side" is already well-aware of the effects their choices have on others. I don't think this is true, I think many on the other end are unaware of these issues.

This dual lack of understanding creates mutual resentment and bitterness, which fuels tension.

I will say that trying to explain how girls in my community were assaulted or my own harassment, only to have it spammed with replies along the lines of "don't care" or "deserved" or calling me a liar, seeing posts mocking or wishing harm on people like my family accumulate tens of thousands of likes, having people I care about referred to as "trailer trash," passive-aggressive statements implying I'm too unattractive for a man to harass — this, along with other distasteful actions I've seen, has pushed me away from the left as a community, and I don't think that's unreasonable.

Similarly, labeling people you know nothing about as bad people, without making any effort to understand their circumstances or what they actually believe and why, will drive people away and make them resentful.

My community is multiracial, women are highly valued in southern culture for various reasons, and they themselves are marginalized and underprivileged. They're kind people who have been good to me.

I haven't really met any people who are hateful, nor is hate the reason for their votes — they're all voting as they do because they are scared, exhausted, grieving and desperate. A lot of people in the area never voted before, but are now registering to vote in droves because they feel their backs are against the wall, so to speak.

Moreover, Orange Man himself redirected $14 million dollars to Appalachia, continues to raise awareness for them in speeches, and Musk, who is associated with him, has a team working to help Appalachians. He's also the only noteworthy figure that has acknowledged certain issues affecting them.

They realize that the situation in Appalachia could just as easily be them in the future, that they'd be given the same treatment.

This has resulted in a lot of rural poor people feeling that he cares more for their lives, compared to Biden/Harris who more or less neglected them. Which, considering that, is a fairly reasonable conclusion on their end.

Finally, it is true that blue voters tend to be in favor of abolishing or ruining crucial aspects of our way of life that, I say this politely, they do not fully understand, while the people here want to preserve their way of life.

So, while I have more liberal values that differ from most people back home, I don't believe they are bad people. They are reacting very reasonably to the circumstances they're in.

All I ask of others is to consider, no matter where you are or what beliefs you align with, and no matter what happens tomorrow, that the "other side" to your own may not be the evil people you have been led to believe they are, but are humans whose lives are simply different from yours, and they are acting in accordance to their experiences, circumstances, and fears.

The growing trend of demonizing political opposition with no attempt at empathy, only creates more pain in the world. I hope this has helped to foster better understanding, and that people can be kind to one another.

That is all I wanted to say.

[laurasimonsdaughter]

Do you have any recommendations and ideas about writing around healing magic and disability?  How magical healthcare would affect disability, and more importantly allowing disability to still exist in a realm where supernatural healing exist? 

This is one of my biggest grips with healing magic across most fantasy media, that’s it’s often used in a lackluster, simplistic, and often accidentally ableist fashion. Completely invalidating disability by having it cure every ailment imaginable with just the wave of a wand. 

It's a complex concept to translate into fantasy! And a rather sensitive topic at that. As someone who suffers from chronic pain, the idea that it could be fixed with magic is sometimes a really nice fantasy. But a story with a character that lives with chronic pain the way I have to live with it, will probably resonate more strongly with me.

As to my personal opinion on writing about magical healing (and how it effects illness and disability), I think you have to weigh several factors as a writer:

What kind of world is this? In some fantasy settings death and illness are simply not relevant, so pain and disability might not feature either. But any world more resembling our own most likely would have to reckon with it. And if that world has healing magic:

Is it medical magic, based on research and knowledge? If so, it is highly unlikely that every single ailment and condition is perfectly understood and can be counteracted with magic.

Is it intentional magic, based on "restoring to health"? If so, who defines "health"? The caster of the magic, the recipient of the healing? I was born with overly flexible ligaments. They cause me pain, but I'm sure my body considers the way that they are the way that they should be. Even if I was given infinite magical energy to heal myself, my body probably wouldn't know how, while it would know how to use that energy to fix up a wound it was already working on.

Can the healing magic be used/accessed by anyone at any time? Even if there is a fantastic free magical health care system in place, unless every individual can do flawless healing magic, even on themselves, the answer is probably "no". And if so, that probably has consequences for how well something can be healed.

Personally, if you're writing in a world with loads of magical solutions, the best question to ask - after you have figured out what kind of healing magic you want - is: "what would my character want?"

Someone who has always worn glasses (like me), might feel very strange getting rid of them.

Someone who was born deaf, could have no desire whatsoever to becoming hearing.

Someone who was born with three fingers on one hand, could have no desire to change that.

And if we're getting grim: someone who lost an arm while defeating the chimera who killed their friend, might have strong emotional convictions as to why they wouldn't want that arm magically restored to them, even if it was possible.

There are plenty of reasons, either from a worldbuilding or a characterisation standpoint, for a fantasy world to include disability. And if it is not just a magical, but also a supernatural world, the concept of "disability" will likely be very different. When humans live among other species, who have entirely different bodies and abilities, it makes very little sense that the overall society's opinion on what is "normal" and "expected" from a body, wouldn't change.

But none of that means that you cannot give disabled characters cool magical solutions!

Wheelchairs could glide, hover, or fly instead of rolling.

Glasses could be enchanted to also give the wearer a different eye colour, just for fun.

Wrist braces could shift around the wearer's arm/hand depending on where they need the most support (and would never ever chafe or pinch).

Language barrier's between people who do not speak/hear the same (sign) language, could be solved with magic monocles, enchanted ear pieces, or a service creature that is able to translate perching on the person's shoulder.

Prosthetic limbs could be engraved with runes or inlaid with magical materials that make them extra effective for channeling magic or performing certain spells.

To me, those kinds of things would make a world far more fun and fantastical than a hand-waving "magic "fixes" everything."

[madrivervalleyicelandics]

TW pet loss

Big long reflection post under the cut. Wanted to say it all somewhere that doesn’t have a character limit.

We are about a year out from when we put our two mares diagnosed with ESPA to sleep. Ultimately losing them has caused me to really sit with & unpack the way I had allowed the judging & breed standards to impair, inform, & even BECOME my own judgement, even when they didn’t make sense or clashed with something I knew wasn’t right. I think we all need to become more honest about the root of our sports & traditions, & redefine our ideas of “correctness” not based off of historical trends but the best & most current research we have access to.

I liked Skvísa from the start because she was hypermobile & that made her talented & easy to prepare for sport. Bottom line. Hypermobility wins, the standard calls it correct & rewards it, & I followed & believed in the standard. I didn’t see her hypermobility for what it was until recently. I saw it as talent, suppleness, flexibility.

If I hadn’t bred her, she’d have lived an almost normal lifespan, which is true of many ESPA horses. She always had some sensitivity & required a lot of careful stabilizing training to stay balanced with a rider (particularly to keep her trot & avoid cross-canter), but she would have more or less been okay for the normal lifespan of a horse. Her fetlocks might have dropped in her late teens, she might have developed an unusual propensity for eye ulcers or colics or whatever but if I hadn’t - twice! - allowed her body to undergo 11 months of relaxin & weight gain followed by a year+ of pasture time afterwards, she’d have lived a more or less normal life, & I can almost guarantee she’d have retired undiagnosed & whatever eventually killed her wouldn’t have prompted us to make the connection & diagnose her.

She only got diagnosed because for whatever reason her kids expressed this hereditary disease to a much more extreme degree, & with a much faster progression. Síríus was incompatible with life because his larynx lacked integrity & stuck together when he flexed his neck, blocking his airway. His older sister, Sylgja, seemed normal at birth but presented with extreme nerve impingements as she grew, & was crippled & experiencing whole-body pain episodes by 5. I got to see her get better under my stabilizing training & then watch her completely fall apart worse than before & realize that it was my responsibility, entirely, from her conception right down to the bitter, early end.

What happened to these horses is 100% my responsibility & my fault, the result of choices I made. But I made those choices based on the education I received regarding what “correctness” is & looks like - a standard I was then very heavily reinforced for riding & training towards.

Since my mares’ deaths, I’ve learned about enough other Icelandic horses with this disease, & talked to enough people who fully don’t care & have no intention to change anything that I’ve all but completely removed myself from the breed community. I won’t be told this was an isolated or unlucky problem for me specifically when I know that I’m not alone. I won’t continue to use language that dances around what we’re doing when we endlessly rehab the same problems over & over again - horses losing trot, losing canter, getting pacey, crests falling over, etc etc etc. I can’t see the sense in continuing to chase an “outline” that requires inappropriate poll/AO compression & a degree of leg action that does not make sense to the animal’s anatomy, with no research to support these practices and so MUCH research indicating that this runs counter to welfare, while mindlessly parroting the standards & citing them as the reason why X hypermobile hyperflexed example is “correct.” It’s a feedback loop. We’re saying that the horse is correct if he scores high, but he scores high because he’s correct.

It makes no sense. It’s rooted in nothing. The standard was written to fit the trends - it’s not as if science informed the standard & THEN the sport followed. No! The sport came first. That’s true of Icelandic horses, true of saddleseat, Tennessee walkers, hell - it’s true of competitive dressage. Honestly? It’s true of classical dressage, too! We are riding to standards set by a bunch of dudes from a very long time ago based off of what they thought 1. Looked cool & 2. Felt cool to ride, with NONE of the knowledge we currently have about training science, biomechanics, equine behavior, etc. As recently as the 1970s, scientists were still claiming animals couldn’t feel pain. Think about how that mentality informed horse training!!

We retrofitted rules to match & reward what was already winning, in these early iterations of sport. We continue to do mental & linguistic gymnastics to maintain this status quo with every new study that emerges. We know SO MUCH MORE now. We have progressed rapidly in the last century, last 50 years especially. Equestrian sports NEED an update. The onus can’t just be on the riders to find ways to meet the standards using better, more evidence-based techniques. The sport standards themselves have to change to fit what we KNOW now.

Anyway. Not all hypermobility is ESPA, obviously, and many ESPA horses can live long, relatively okay lives with careful management - if they’re diagnosed and the owners know & can stop riding them & certainly not breed them. It’s worth learning how to manage hypermobility, & how to use certain training techniques to help stabilize hypermobile horses, because the world is now absolutely freaking flooded with them. But until we stop rewarding it so heavily, we won’t stop selecting for it, & as I learned the hard way - when you’re breeding hypermobile animals, you can’t control how that hypermobility expresses itself down the line. AND - ESPA isn’t the only disease or injury associated with selecting for hypermobility.

Bottom line: No horse deserves what happened to Sylgja, in particular. She suffered, and longer than she should have because it took me so long to figure out what was wrong.

Because of this experience with them, my life looks completely different than it did a year ago, & in my opinion every single change is very much for the better. Identifying and learning to manage my own hypermobility & connective tissue weirdness has been a piece of that puzzle. I owe very much to those mares, but that is not what horses are here for. They do not exist to suffer so that we can learn about ourselves.

I considered what it would look like to step away from horsekeeping entirely, & in the heaviest months of grief that felt extremely attractive. But where I landed is to recommit myself to understanding their minds & bodies, be a student again (the trauma-informed certification being the first step of that!) & reconnect with my own horses more as pets, & less through sport. Beyond that, I really can’t say what my future with horses holds.

Right now I’m focusing on healing & supporting my own body, & building up other areas of my life. My own horses are not in the back seat, but they’re on this journey alongside me, rather than BEING my journey. I think it’s the amount of distance & clarity I need from the various pressures & stressors of The Sport to avoid falling back into the cycles that blinded me to Skvísa’s dysfunction to begin with.

I hope that when all is said & done, I emerge from all this grief & shifting to find that I am a better horseman than I was when they left me. Time will tell.

But I can’t let a year go by without acknowledging it. They died about a year ago. It was the worst experience of my life, from Síríus’ birth to Sylgja & Skvísa’s last breaths. I miss them daily. I feel the weight of my responsibility for them & their pain always, & I always will.

And if I haven’t said it publicly, I am so, so sorry for what happened to them.

[simmerianne93]

[Simmerianne93]Simblreen2024_04

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Hello everyone!! How are you today???

Here you have my 4th simblreen gift, a little pack for those who left... I mean a ghost sim and the one they left behind.

 With the new EP our ghostly sims are finally full occults with their new panel and all that... and as the EP was about death, I thought on bring something related.

I hope you like this little sad but beautiful posepack.

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What is on it?

6 duo poses (Made with a female rig and a male rig) + 2 all in one.

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What do you need?

Andrew's poses player 

Teleport any sim by Scumbumbo or Mccc by deaderpool.

Original BG tumbstone.

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Instructions on the original post.

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TOU

Do not claim my creations as your own.

Do not re-upload or modify my creations.

Do not make money of my creations.

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Please follow my Term Of Use.

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Download it now here — AS ALL MY SIMBLREEN GIFTS, THESE POSES ARE FREE FOR EVERYONE.

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I really hope you like them and I will say on advance: Thank you so much for use them.

@ts4-poses

[gege-wondering-around]

The Emissary Deer

summary:

After whatever mess the world ended up in when werewolves became known to the human kind, both species split in civilization and tribes, both keeping the other away. Stiles wanted nothing more than to be in Derek's tribe after he had seen a black wolf in the woods once and he'd be more than capable to enter the alpha's pack by any means necessary, without much regard for what it would mean for his body, what aspects of his life would change because of it and what he would be leaving behind.

But the world was long gone, his heart was set and even more, so was Derek's, who wasn't going to deny either of them of their love.

Rating: Explicit Archive Warning: Graphic Depictions Of Violence Category: M/M Fandom: Teen Wolf (TV) Relationships: Derek Hale/Stiles Stilinski | Derek Hale & Stiles Stilinski Characters: Derek Hale | Stiles Stilinski | Minor Characters Additional Tags: Alternate Universe - Werewolves Are Known | Werewolf Courting | Full Shift Werewolves | Blood and Gore | Character Death | not Sterek | Spark Stiles Stilinski | Emissary Stiles Stilinski | Rituals | Dark Nemeton (Teen Wolf) | Top Derek Hale/Bottom Stiles Stilinski | Mates Derek Hale/Stiles Stilinski | Werewolf Mates | Magical Stiles Stilinski | Protective Derek Hale | Possessive Sex | Rough Sex | Possessive Behavior | Scott McCall & Stiles Stilinski Friendship | well you'll see | Public Sex | Exhibitionism | Top Derek Hale | Bottom Stiles Stilinski | Lap Sex | Explicit Sexual Content | Body Horror | Wendigo mythology | Graphic Description | Gore | Magical Artifacts | Pack Alpha Derek Hale | Stiles Stilinski Has Powers | Wolf Derek Hale | Safe Sane and Consensual | based on the circumstances |Not Beta Read Language: English Status: Completed Word count: 10K

✎﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏

oh oh oh, i should probably go touch some grass after this given it wasnt scheduled anyhow and it just wrote itself to its own accord, but i did enjoyed this so i'll probably write more of this sort of 'genre' in the future, maybe mixed with some more complex (or actually existing from the principle) plots, either way, it was a fun ride and also one that was way out my comfort zone based on what i've written so far, so ig i'll see if y'all like it or not (either way, i really do)

and and and, @jadezdominion here goes another work, i hope to know what you think of it, while i also hope it might be interesting for @dontcallpanic, but still, i guess i'll wait to see what you'll think

anyway, thank you thank you thank you for supporting me along this writing journey and wish you a wonderful reading time!

[short-wooloo]

I cannot overstate this enough, but with the threat of trump and project 2025, there is GENUINELY a chance that this year's pride month could be the last...

I want y'all to really think about that, think about it when you hear or think "I'm not voting" or "both sides are the same

[rcmclachlan]

Trademark: Top-tier Bucktommy writer + generally Cool + getting Buck pregnant

Thank you + thank you + thank you!

[stirdrawsandreblaws]

screaming crying coughing up blood every time i have to fucking defend genocide joe bc ppl wanna lie and say he isn't responsible for most of the best domestic policy we've seen in decades

his foreign policy is dogshit, yes, and he should rightly be called on it and primaried out, but we can criticize the shit he's actually done wrong instead of making shit up about him ~not doing anything good~

[sincetheducksleft]

"Proshai, Livushka": Arcs or the lack thereof as a major theme of The Sopranos

One thing that's straight up insane about The Sopranos is how a narrative show can expose the insufficiency of narrative to explain our lives. I think Christopher's story is probably the most obvious example, but you see it with every single character, including Tony.

In "Proshai, Livushka" we see Tony rewatching an old mobster movie again and again, and we know that he saw the whole story every time, but the piece of the story that we get to see and our corresponding understanding of Tony's character changes over the course of the episode.

Meaning that Tony's arc in this episode, or the overall arc of the episode, may be less a true transformation of Tony himself than a transformation of what the audience knows of him. In fact, we are the ones who are changed by this episode, and from Tony's perspective he has no arc at all.

Which is sort of perfect, because here if there ever was one is a story with no "arc."

An "arc" (in the context of screenwriting, which is the context in which it was introduced to this show) is what gives meaning to the whole story. It's the narrative satisfaction, the profound feeling, the purpose, the message, the thing that makes the movie feel like it amounted to something and it was worth your time.

In the wake of his grief, Tony isn't obsessed with just any mobster movie, he's obsessed with a movie full of broad stereotypes and simple messages that amounts to a cliched, simplistic mother figure losing her son. It's the tragedy of a mother's profound grief that gives tragedy to the death of the son and makes the movie worth your time.

It's a contrast to Livia's obsession with mothers who kill their children, and its an extension of his comment to Melfi that he deserves to die. And you realize when the son character dies that Tony is wishing it was him in the coffin. Not because he's suicidal, but because he's just that desperate for a sense of meaning. For a story that has an arc.

And then you realize in the final scene, when it's not the mother's grief but the mother's love that brings him to tears, that he knows it wouldn't work. His death would have no arc, no profundity, no purpose. Because Livia never loved him the way a mother figure should.

His story isn't written in broad caricatures and it has no divine mother's love at the center of it giving divinity and meaning to everything else. Losing himself in a movie is the closest he'll ever get to putting some kind of arc or meaning or sense to that relationship.

And if real life has no arc, then at what point does it become worth your time? Or, like Livia and Robert Frost said, is every moment of our lives surrounded and defined only by the big nothing?

[candied-cae]

"Izzy's appearances in 2x03 with Stede were some of the only times I could stand him." - Allow me to further explain

I want to preface this with "I know." I know I was not an Izzy Enjoyer during Season 1 and I know I wasn't really looking forward to a redemption arc for his character because I was worried it wouldn't be taken seriously enough, since this show is a comedy. And, so far, I feel like I was right. His forgiveness feels rushed to me, and Stede's adverse reactions to him are the only times where it felt like this was in fact Izzy Hands from season 1 and not a guy with the same name and face but with a clean record and softer disposition.

The instances where Stede is put in Izzy's proximity are the only ones that really make sense coming out of Season 1. As far as we see, a few months has passed and pretty much everyone on The Revenge has forgiven Izzy for the simple reason that they can tell Ed is taking a little extra of his anger out on him. We see no apologies made, we see no kind gestures, we see no really complex stuff about him realizing he fucked up.

They skip right to his breaking down and the rest of the crew picking up the pieces behind Ed's back, even though for most of them Izzy was their torturer at least twice before all on his own.

So it felt weird and jarring that he seemed completely washed free of his "sins" of the last season, especially since it happened right there in the first episode. I wish the production team put more time in making Izzy "earn" the kindness the crew affords him, but I digress. The interactions Stede has with Izzy feel the most right (to me) and I adore how much character work we can pull from them.

(In agonizing detail by going over every word of dialogue and expression exchanged between them, you've been warned.)

The first time they address each other, goes as follows:

"Bonnet. Good to see you." "Piss off, Izzy. I don't wanna hear from you."

With Izzy approaching Stede without reason and speaking first. He limps on over and opens up with something polite almost. But when it comes from Izzy Hands - the man who personally insulted Stede, insulted all his favorite activities, insulted his crew, challenge him to duel and skewered him through the side, went on to call on Calico Jack and the Royal English Navy to take down The Revenge, who stole his crew and ship after he'd been arrested, and Stede's clearly got suspicions that Ed's behavior was influenced by him - that greeting is a slap in the face.

It's that kind of fake sweet pretend-we're-friends-for-the-sake-of-social-graces thing that Stede left behind on the mainland.

So he just tells him to leave. That he doesn't care what he has to say if it isn't information, and even if it was, Stede doesn't trust what Izzy shares.

And Izzy's a little caught off guard by that reaction. We see him sort of sway and look to the side. He looks rejected, which he is. And it's the first time all season that someone hasn't really let him have a fresh start (except for Ed). It's the first time anyone's tried to hold him accountable for the litany of things he'd done to the crew in the last season. Events that seem to have taken place only weeks/months before.

The second time Izzy speaks up, he does so to tease:

"What about my painting? Why was it all stabbed up?" "That was me." *sighs*

Izzy puts on a smile and leans his head back a bit. He's try to act proud and sort of snarky, since Stede isn't playing with him like they did previously. So, he tried to goad him into saying something. Into getting snippy or bitchy in return. He's trying to push Stede into giving him something to work with.

Because if people talk to him, and they play his games, and they soften up, that's how (it seems) he's been able to win them over and get into folk's good graces.

But Stede doesn't give. He doesn't want to play Izzy's mind games. He doesn't want to volley a few insults back in forth until it's fun. He doesn't want to give Izzy any of his time or attention or energy, because Izzy doesn't deserve any of it to him.

Stede walks away, and we see Izzy's expression freeze and fall. He's stuck and confused, because he thought that was a good move. He thought that one was going to get a reaction. And maybe that's how he's always gotten people to talk to him, by pushing them into a retaliation, but it doesn't work.

What's the quote? About how hate isn't the opposite of love, indifference is? Stede is being indifferent to Izzy's presence, and that's doing more to Izzy's feelings than if he outright hated him.

The third time they interact, Izzy's followed Stede into the captain's quarters and jokes:

"Don't cry, Bonnet. We just redecorated." "I don't mind, actually. I think the knives really help bring the place together."

Again, he's tried to push Stede's buttons. Playing on already used jokes that Stede's too posh and soft to, say, appreciate something like a dozen knives thrown/stabbed into the walls and ceiling of his cabin.

He's teasing, on the edge of calling Stede a cry baby, either just to see if it'll work him up, or if that's the only way he knew how to start their discussion. But again, Stede isn't playing with him. He brushes past the implied insult and moves to something more like "I don't care" in response.

Instead, turning his attention back to the subject of Edward Teach. Because he knows the crew were all dodging the question and he knows Izzy would have to know what happened to Ed.

During that same conversation they pivot to more serious matters:

"What'd you do with him? I know he wouldn't have left by choice." "I know you think you understand him-" "He was either going to watch the world burn or die trying. So which was it?" "Alright, Bonnet. Have it your own way. He went mad. He tortured the crew. He took my fuckin' leg 'cause I dared to mention your fuckin' name. He was a wild dog, and we dealt with him like one." "You sent him to doggy heaven." "No, I could never do that. We deserted him on a beach. Left nature to do the rest. More than he would've done for us. You and me did this to him. And we cannot let this crew suffer any more for our mistakes." "Why would they suffer?" "If your captain senses mutiny, she'll kill us all. That's pirate code."

The most notable expressions during this conversation are Stede's who almost seems to wince when Izzy says Ed retaliated against him over mentioning Stede's name, his defeat when he believes Ed was killed in mutiny, and his concern about making sure his crew will be spared.

These are feelings that are barely about Izzy, and mostly about the fact that Stede is taking on a lot more blame than he's saying. He feels a lot of the responsibility for what's happened (further exemplified by him cracking to tell Zheng Yi Sao that he should've told Ed how he felt and avoided all of it). And this is the first time Izzy really gets anything out of him from all his poking and prodding he does in the episode.

And though Stede is convinced that Ed was simply marooned and it's its own kind of tragedy and means there was somewhere to go to try and get him back, Stede worries about saving his crew first. He pleads with Zheng Yi Sao and even wins her over until Auntie finds Ed's "body."

After that revelation, Izzy's in The Red Flag's brig and only says:

"Go on, Bonnet. Give me your worst."

And Stede says nothing. He looks at him. He hears what he has to say. But he doesn't do anything. Nothing except having to physically push himself off the bars to walk away.

And again, we can tell there's blame he's assigned to himself for it.

It's a little bit his fault that Ed's "dead." It's a little bit his fault the rest of his crew is going to be executed. It's a little bit his fault, and it's a little bit Izzy's. He knows so, because Izzy said it to him himself. "You and Me did this to him." And Izzy huffs, gives him permission to fly off the handle. To pour his rage and grief all over Izzy, to retaliate with words or with blades.

Izzy would take it. Whatever Stede was going to give him, he was going to take it. Just like he was trying to make him mad earlier, Izzy was still grappling for something. For acknowledgment. For something in his last moments before an entire career of piracy ended at The Pirate Queen's behest.

But Stede gives him nothing.

And that hurts worse. That brings tears to his eyes. That settles in the quiet idea of "I'm not mad, I'm just disappointed" that cuts so much deeper.

And the last time Izzy tries for anything, he tries being grateful:

"I just wanted to thank you for-"

But Stede still doesn't listen. Doesn't even let him finish thanking him.

Even though he went as far as to save Izzy's life along with the rest of the crew (he could've struck him down or declared he was unwelcome to join them back on The Revenge if he really wanted to), he still hadn't earned acknowledgment. Hadn't deserved pity or anything else. He doesn't even deserve to stand next to Stede and fluff his ego, as far as Stede seems concerned.

Stede hasn't forgiven Izzy. And maybe it's because he feels there's nothing to forgive, it's mostly Stede's own fault- maybe it's because he blames him too much and will never let it go- maybe he's too hurt to feel anything but tired and sad once the immediate danger has passed... Izzy doesn't know.

What he does know, is that he has tried everything to get reactions out of Stede. Everything except apologizing. So, I'm personally hoping for an apology in the upcoming episodes. For some vulnerability and truth and embarrassment. Because these are the beats of a redemption. These are the plot points of turning your life around, and people either don't believe it's genuine at first or don't care.

This is the "cost" of Izzy's actions in Season 1. And it's something they haven't given us from anyone else yet. I'd also really like Ed to make some kind of address of the fact ("You wanted Blackbeard as dark and demanding as he could possibly get, I gave that to you"). Because that's how a redemption arc works best. The guy who fucked up has to put in an effort expressly to be forgiven.

To me, it's not enough that his life sucked for a couple months and he didn't get exactly what he wanted (aka, he didn't realize he didn't actually want it like that) and he lost a leg. He's going to keep pirating on one foot, but to receive a position on The Revenge happily shared, there needs to be something more.

More OFMD

[after-the-end-times]

It's gonna be both exhilarating and devastating if Ed immediately goes back to being Stede's Ed upon waking

As a crew, they'll always know that he could have been that guy, but instead drove them all to kill him

And it's no ones fault that none of them were the one guy in all the world that can keep Ed's head above water and keep the kraken at bay

But to know you just killed him when he's just back up, walking around in flowing gowns, enjoying his tea and marmalade?

That's just a devastating thing to have to reconcile in your self

[todayisafridaynight]

SO! I've wanted to talk about The Clip all day but felt like I should wait until the tumblr "premiere" (even though I think you were literally one of the first people to see it on Twitter lol). Thank you for defending my honor btw even if I am just Someone <3

But. Yes. Yeah. Yokoyama's absolute certainty in saying that??? Without anything to even buffer it? No maybe. No "don't expect too much." Just point-blank in front of a huge fan (whom I believe he's now going to be working with), a staff member, and a massive audience. As if that part isn't the matter of contention. I WILL be injecting those words directly into my veins for some time.

I was on the verge of choking and/or spewing blood and/or crying before posting it though lol, so I really appreciate the vote of confidence regarding the translation and I love your redraw! The reception as a whole has been really nice, although I wish people would keep it to themselves if they'd rather have Nishiki or Ryuji back or whatever. Not like it's a race, but even if it was, Mine's been in last place for ages lol.

And while I enjoy Y3's writing more than most, Mine's death wasn't some Grand Meaningful Statement, it was the decision of a fledgling studio that never knew if it would be able to keep making these games trying to tell a self-contained story. It did have far-reaching consequences for the series, but those consequences are also... not really relevant anymore?

Like, I can and have argued that Mine's death caused the fall of the Tojo Clan, but the clan has already fallen. So I don't see why some people are acting like revisiting his character would be A Spit In The Face to the saga somehow, but I guess I've never really been against characters being brought back...? A quote from the staff that's always stuck with me from the staff is that RGG is always going for RGG-ism, not realism.

Ranting aside... I honestly don't know if I should be saying this, but there's this new guy working the counter at Survive in some LaD8 behind the scenes footage. Now, upfront, I'm 99.8% sure it's not Mine (I happen to have a 100% accuracy rate so far identifying major RGG characters from extremely blurry images and silhouettes lmao), and I have no idea who it is, whether it's a new character or an old one heavily redesigned or Just Some Guy.

But he's not Kashiwagi. And he happens to have slicked-back dark brown hair with what appears to be an ahoge in some angles. And, unless the materials are temporary, he also dresses A Lot Like the celebrity Mine's design was based on. And his features... line up closely enough to piss me off, even though they don't fully match in the end, which is why I don't think it's him.

I'm in argumentative essay mode 100% of the time which is why I'm saying this in a "convincing" tone despite literally not believing it myself, but like... wouldn't that be something? To just have Mine part-timing at Survive or whatever and no one makes a big deal of it because they don't know any better? If nothing else, I really do think he should get The Bartender Treatment.

I dunno, I might post about it with a comparison tomorrow because it's been on my mind lately, especially with The News, but I really don't want people to get the wrong idea either. Or embarrass myself if it was too tenuous of a link to look that deeply into from the start lol

I remember seeing it two minutes after you posted it, so I can imagine I was one of the first to the scene of the crime (so my friends put it LMAO). AND OF COURSE I- and a lot of us- can't be any more grateful for all the work you do than we already are. I'd go insane trying to document and manage everything you do! especially when you have insane people like me ready to pounce on the smallest thing like I know I'd cry FJLKAJ The least I can do is give a proper title/credit to you when I can o7

If Yokoyama had any remaining hesitance about Mine being alive, then he REALLY would have fumbled by sounding so certain. Like in his old tweet, he certainly sounded more ambiguous, but this time he really had no extra notes and sounded more sure of himself. I won't expect RGG to do anything with Mine, but the concept is still very much exciting and the idea that Yokoyama almost seems earnest about the idea of bringing Mine back for whatever reason is very nice to know :] And thank you about enjoying the art I did! I can't lie in the slightest, since the last ask where you alluded to posting the clip, I had that drawing saved in the back of my head ready to make once you had that posted LMAO

But oohh not to touch drama since I generally try to Not touch it, but yeah I can't act like I haven't seen some people be. ""Interesting"" about the idea of Mine being alive. I won't dive too deep into it, but I think my major issue with the few grievances I've seen is that RGG hasn't done anything with Mine's alive status. As of right now, it's just a thing Yokoyama said, so I don't understand the need to be so angry about it (it's especially weird to say Ryuji hasn't been back when he not only got to be a playable protagonist in Dead Souls, but he was also the protagonist of RGGO- though I suppose I can understand wanting him in the mainline series again. Still, it's weird to act as though Mine's back any more than he is and being upset about it just because Yokoyama said he was alive)...

Moving on though, I'm really curious as to this 'mystery figure' you mean. I've been missing out on LaD8 production material, so I haven't seen this bit myself but I'd love to take a stab at it and analyze myself too. I agree though: if Mine does come back- whether he's working at Survive or anywhere else- I would greatly prefer if he had The Bartender status and was just never really called attention to and only existed in the background

[femwizard]

[whumptober]

WHUMPTOBER 2024: PROMPTS LIST

Welcome to Whumptober 2024 — Seventh Time's a Charm!

Please make sure to read the Event Info and FAQ below carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

This year’s AO3 Collection can be found here.

This year's playlist can be found here.

The 'Anatomy of a Whumptober Prompt' post can be found here.

And our 'Resources for Writing Sensitive Topics' post is here.

We’re very excited to see the community come together for another year of Whumptober! Go wild with the prompts, and support your fellow creators - we wish you all the fun!

Best of luck and happy whumping,

Mods Vanne, Yenn, Kitty and Surro

(Text versions of the prompts, as well as event information, rules and FAQ are posted below the cut!)

Whumptober 2024 Prompt List

No. 1: RACE AGAINST THE CLOCK

Search Party | Panic Attack | "If only we could hold on.” (Icysami x Renegaderr, Strangers.)

No. 2: TRUST ISSUES

Amusement Park | Role Reversal | “You got away with the crime while the knife's in my back.” (Charlotte Sands, Rollercoaster)

No. 3: SET UP FOR FAILURE

Fingerprints | Wrongfully Arrested | "I warned you."

No. 4: HALLUCINATIONS

Hypnosis | Sensory Deprivation | “You're still alive in my head.” (Billy Lockett, More)

No. 5: SUNBURN

Healing Salve | Heatstroke | "If my pain will stretch that far." (Lottery Winners, Burning House)

No. 6: NOT REALISING THEY'RE INJURED

Unhealthy Coping Mechanisms | Healed Wrong | "It's not my blood."

No. 7: ONLY FOR EMERGENCIES

Unconventional Weapon | Magic with a Cost | "It's us or them."

No. 8: SLEEP DEPRIVATION

Isolation Chamber | Forced to Stay Awake | "Leave the lights on." (Coldplay, Midnight)

No. 9: OBSESSION

Broken Window | Bruises | “Frame me up on the wall, just to keep me out of trouble.” (Fall Out Boy, Irresistible)

No. 10: BLOW TO THE HEAD

Slurred Words | Passing Out from Pain | "I can't think straight."

No. 11: SEEING DOUBLE

Convenience Store | Loneliness | “Leave no trace behind, like you don't even exist.” (Taylor Swift, Illicit Affairs)

No. 12: STARVATION

Underground Caverns | Cannibalism | "Just a little more."

No. 13: TEAM AS A FAMILY

Familial Curse | Multiple Whumpees | "Death will do us part." (Set It Off, Partner's In Crime)

No. 14: LEFT FOR DEAD

Hunting Gear | Blackmail | “Because I want you to know what it feels like to be haunted” (tiLLie, kooL aiD mAn)

No. 15: CHILDHOOD TRAUMA

Painful Hug | Moment of Clarity | "I did good, right?"

No. 16: NECROSIS

Swamp | Wound Cleaning | "No, I can't feel anything."

No. 17: NOWHERE ELSE TO GO

Ruined Map | Shipwrecked | "We had a good run."

No. 18: REVENGE

Unreliable Narrator | Loss of Identity | “I see what's mine and take it.” (Panic! at the Disco, Emperor's New Clothes)

No. 19: BLOOD TRAIL

Abandoned Cabin | One Way Out | "Is there anybody alive out there?" (Bruce Springsteen, Radio Nowhere)

No. 20: EMOTIONAL ANGST

Shoulder to Cry On | Giving Permission to Die | "It's not your fault."

No. 21: BODY HORROR

Body Horror | Tattoo Gun | Spirit Possession | “Let the bedsheet soak up the tears.” (Apparat feat. Soap & Skin, Goodbye)

No. 22: BLEEDING THROUGH BANDAGES

Tourniquet | Reopening Wounds | "Oh that's not good."

No. 23: FORCED CHOICE

Public Display | Broken Pedestal | "I'm doing this for you."

No. 24: RADIATION POISONING

Collapsed Building | Equipment Failure | “I never knew daylight could be so violent.” (Florence + The Machine, No Light, No Light)

No. 25: SURGERY

Stitches | Being Monitored | "It's for your own good."

No. 26: NIGHTMARES

Breakfast Table | Parting Words of Regret | “I'm haunted by the lies that I have loved, the actions I have hated.” (Poe, Haunted)

No. 27: VOICELESS

Laboratory | Muzzled | “I have no mouth and I must scream.”

No. 28: DENIAL

CCTV | Exposure | "They caught me red handed."

No. 29: FATIGUE

Labyrinth | Burnout | "Who said you could rest?"

No. 30: RECOVERY

Hospital Bed | Holding Back Tears | "What have I done?"

No. 31: ASKING FOR HELP

Therapy | Making Amends | "I'm alive, I'm just not well." (Elliot Lee, Alive, Not Well.)

Alternatives List:

Body Swap

Communication Barrier

Finding Old Messages

Forgotten

Friendly Fire

Motion Sickness

No-Holds-Barred Beatdown

Regret

Secrets Revealed

Shivering

Survivor's Guilt

Time Loop

Used As Bait

Venom

Vermin

Event Info & Rules

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. They are meant to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is “flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be a reference to an ‘old flame’ - an old relationship. It’s truly down to you!

In total, there are 4 prompts for each day. These are optional suggestions and can be used in conjunction with the theme, or as options/alternatives.  We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks. There is also a list of 15 alternative prompts that can be subbed in for any day, again to give participants as much creative freedom as possible.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

When uploading Whumptober content to your blog, be sure to tag it with:

#whumptober2024 …..(the event tag)

#no.1, #no.2, #no.3, …..(theme number)

#bruises, #stabbing, …..(the theme or specific prompt you chose)

#altprompt …..(if you use an altprompt, tag the post with the number of the prompt you replace)

#fandom or #OC, …..(ironman, original content, oc, etc.)

#medium …..(gifs, fic, podcast, art, etc.)

#teeth, #etc …..(trigger warnings & any additional tags. Keep in mind not to add “tw” in front but only use the word/trigger itself)

#nsfwhump …..(only for nsfw content)

#your own tags go here

PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]

Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.

Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed. This is based on trust and we will not check this.

Frequently Asked Questions

Please read this before you send an ask!

TIMELINE

July: Trope voting form released. Late August: Prompt list is released for at least four weeks of preparation time. Tropes cannot be posted earlier than August 25th because of Moderator obligations in real life. (But, you know, go ahead and start writing/drawing, and add the themes in later, if you want!) September: Do as much or as little on your works as you want. You can prepare everything in advance or let September go by with vibes and start working in October. It’s up to you. October 1st: Challenge begins! A storm of whump breaks upon us all! During this time, some posts will be reblogged to the whumptober archive blog. We open the yearly AO3 collection for posting (optional). November 1st: The challenge is officially over! Completionist form opens for those who want to be included in the hall-of-fame. Early November: We release completionist and participant badges, solicit feedback, and post a hall-of-fame list of completionists by the 10th.

PARTICIPATION AND COMPLETION

Q: What counts as participation? Create or continue at least one work inspired by one of this year’s prompts. Q: What counts as completion? Creating work(s) inspired by at least one prompt from each day (or alts), for a total of 31 unique prompts. Q: Do I need to create 31 works? No. You can, if you want. Or you can create one work that you add to every day with a new prompt. Or several works that combine prompts. You can also update an existing work by adding new material with the current prompts. Q: Do I need to post my works somewhere to be a completionist or a participant? No. Q: How do you know I actually completed the challenge? We’ll take your word for it! Q: Do I have to finish my work(s) to be a completionist? No, you can post WIPs. And you’re not obligated to finish them in October, but if you want it to count towards being a completionist, you must have completed 31 prompts by the end of the month. So for example, if you’re writing a long fic and you fit 31 different prompts into the writing you did in October, it’s okay if that fic isn’t finished by the time October ends, you’ll still be a completionist. Q: Is co-writing/illustrating allowed? Yes, absolutely, and it would count towards being a completionist for both/all of you. Q: Is there a min/max limit on word count for written works? No. Q: Is there a min/max limit of quality for art? No. Q: Do I have to do something each day to be a completionist? No. You can skip days whenever you want, and as long as 31 daily prompts (or alts) are in your works done in October, you can be a completionist. For example, if you wrote a 1000-word ficlet that covers prompts in days 2, 3, and 17, you can check all three days off your list even though it’s only one work. Q: Is this challenge just for fics? No! Artworks, GIFsets, headcannons, rec lists, poetry, moodboards, or any other creative work is encouraged. Q: Can I combine Whumptober with other creation challenges? Absolutely, as long as the other challenges allow it too.

PROMPTS

Q: How do the prompts work? There are FOUR prompts per day: a theme and three ideas. You can use one, two, three, or all four prompts for each day. If you don’t like any of the daily prompts, you can substitute one of the ALT prompts instead. Q: How strictly/literally should we interpret the prompts? As literally or as figuratively as you want. For example, if the theme is WATER, that could mean drowning, waterboarding, raining, swimming, take place underwater, be lost at sea, construct a metaphor about a character’s mood that changes like a flowing river, crying, or whatever else you can think of that fits that theme. Q: Can I combine prompts? Is there a limit on how many? No limit and combine as many as you’d like. If you create a work that checks off multiple prompts, that work will count for a fill of multiple prompts. You need to address 31 different prompts to be an official completionist, but you don’t have to produce 31 separate works.

WORKS

Q: What’s whump? Hurting a character, whether that’s physically, emotionally, intellectually, psychologically, or any other way you can think of. Comfort afterwards is optional. Angst is emotional whump, so it counts. Q: How do I know if it’s whumpy enough? If your character is just mildly inconvenienced, it probably needs more whump. However, no participant has to prove whumpiness to the mods. Whatever you write is up to you. Q: What kind of characters can I create for? Anything. Generic “whumpee,” OC, PC, NPC, major characters, minor characters, or whatever you want. There are no limits. Q: Does it have to take place in a specific fandom? No, you can create works for your own worlds or for fandoms or for both. You can also create more generic or pan-fandom works. You can do cross-overs or use OCs, whatever you want. Q: Can I create AI-created works? We will not reblog or promote any works we know to be generative AI-created. Q: Is there anything we’re not allowed to write? As long as it contains whump and is based on our prompts, it’s fine. Please courtesy tag your works if you post them so people who follow the #whumptober2024 tag can filter according to their preferences. Q: What about sex, minor characters, and potentially disturbing content? You can create whatever works are legal in your country and post them accordingly. Please courtesy tag anything you think might be objectionable if you post to Tumblr so people who follow the #whumptober2024 tag can filter according to their preferences.

POSTING

Q: Where can I post my work? Post where and how you want. You don’t even have to (cross)post it to Tumblr. Just keep in mind if it’s not on Tumblr we will not be able to add it to the blog archive. There is an AO3 archive for Whumptober 2024, as well as the parent collection for works completed outside of the event. Q: Can I start posting early? You can, but this is an October event and wouldn’t it be more fun with everyone doing it at the same time? We won’t be reblogging any work predating October 1st. Q: Can I post late? Yes. For the sake of our hardworking Post Fairies, only a day’s themes will be reblogged to @whumptober-archive each day of October. But you can post whenever. Some of us are still working on and posting Whumptober fics from years ago. Q: Do I have to use your tags? Only on Tumblr and only if you want us to reblog your work on @whumptober-archive. Q: How do I have my works reblogged to the archive? Properly tagged posts will be reblogged to @whumptober-archive. If you want the official archive blog to reblog you, post on Tumblr and tag correctly (see this FAQ link for more info on tagging). Please note not all posts will be reblogged each day. Q: Can we @ you? For questions and comments, of course. We’ll be getting a flood of notifications, so if you really want us to see something send an ask. Q: Can I cross post on other blogs? Yes, multiple platforms and blogs are perfectly acceptable, as long as they allow cross-posting (to us). You can also post different works to different accounts under different names, without posting them everywhere at once. If you post some works under your main and others under an alt blog, that’s fine for completionist purposes. Q: Can I upload/repost my Whumptober content to other social media platforms? Of course! We’ve created an AO3 Collection to archive any fics posted there, which can be found here. The blog is the official archive, so please respect the personal boundaries of any whumpers in your social circle (don’t out anyone as a participant who would prefer not to be outed).

Most importantly, have fun, create, and enjoy all the whump posted this October!

[steveyockey]

To be aware you might be trans but unwilling to do anything about it is to create endlessly bigger boxes within which to contain yourself. When you are a child, that box might encompass only yourself and your parents. By the time you are a gainfully employed adult, that box will contain multitudes, and the thought of disrupting it will grow ever more unthinkable. So you cease to think of yourself as a person on some level; you think not of what you want but what everybody expects from you. You do your best not to make waves, and you apologize, if only implicitly, for existing. You stop being real and start being a construct, and eventually, you decide the construct is just who you are, and you swaddle yourself up in it, and maybe you die there. There is still time until there isn’t.

This reading of TV Glow’s deliberately anticlimactic, noncathartic ending cuts against the transition narrative you typically see in movies and TV, in which a trans person self-accepts, transitions, and lives a happier life. Owen gets trapped in a space where he knows what he must do to live an authentic life but simply refuses to take those steps because, well, burying yourself alive is a terrifying thing to do. The transition narrative posits a trans existence as, effectively, a binary switch between “man” and “woman” that gets flipped one way or another, but to make our lives so binary is to miss how trans existences possess an inherent liminality.

Humans’ lives unfold in a constant state of becoming until death, but trans people are uniquely keyed in to what this means thanks to the simple fact of our identities. You can get lost in that liminality, too, forever trapped in a midnight realm of your own making, stuck between what you believe is true (I am a nice man with a good family and a good job, and I love my life) and what you know, deep in your most terrified heart of hearts, is real (I am a girl suffocating in a box).

And yet if you want to read the film as being about the dangerous allure of nostalgia, you’re not wrong. I Saw the TV Glow totally supports that interpretation, too! But in tempting you with that reading, the film creates a trap for cis viewers that will be all too familiar to trans viewers. Somewhere in the middle of Maddy’s story about The Pink Opaque being real, you will make a choice between “This kid has lost it!” and “No. Go with her, Owen,” and in asking you to make that choice, TV Glow is simulating the act of self-accepting a trans identity.

See, the grimmer read of the film’s ending truly is a nihilistic one. It leaves no hope, no potential for growth, no exit. Yet you must actively choose to read that ending as nihilistic. If you are cis and the end of I Saw the TV Glow left you with a gnawing sense of dissatisfaction, a weird but hard-to-pin-down feeling that something had broken, and a melancholy bordering on horror — congratulations, this movie gave you contact-high gender dysphoria.

In an infinite number of possible universes, there is at least one where I am still living “as a man,” embracing my fictionality, avoiding looking at how much more raw and real I feel when I “pretend” to be a woman. I think about that guy sometimes. I hope he’s okay.

Consider, then, my cis reader, that TV Glow is for both you and me, but it is maybe most of all for him. I hope he sees it. I hope he breaks down crying in the bathroom afterward. I hope he, after so many years locked inside himself, hears the promise of more life through the hiss of TV static.

Emily St. James, “I Saw the TV Glow’s Ending Is Full of Hope, If You Want It to Be,” Vulture. June 4, 2024.