#to know that people enjoy my writing

[rintoki]

if you don’t think that your comments in the reblogs mean anything, i just want you guys to know that i still go back and read through them even now, months after you wrote those comments.

so please reblog and leave comments, i promise it means more to the writer than you realise.

[composeregg]

edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here

And, given that the original is from April 2023, that means I can very easily say:

No, this was not an ISAT reference!

Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT

(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)

If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that

[zombolouge]

The thing is, it's not about the Therapy Speak. It's not that everyone who disliked DAV hates healthy communication as a dynamic in fiction. It's not even about only being allowed to be a good guy, really, because most of us did do that anyways (though the option not being there is a loss I grieve even if I never chose it myself, but that's another rant for another day).

It's that DAV does all that stuff at the expense of being believable. At the expense of characters being permitted to have personalities. At the expense of emotions behaving the way emotions actually work for people. At the expense of letting the plot build tension through the stakes we're forced to grapple with.

Half the fics out there take the conflicts between the characters in the previous games and resolve them. I do it myself ALL THE TIME because I like to find a path to resolution through just about any conflict, that's what fascinates me about telling these stories. But the higher the stakes, the harder a conflict is to resolve. You CAN resolve any conflict, you CAN communicate healthily through any emotion, but you can't skip the time it takes to process it all to even be able to communicate it. As someone whose got CPTSD and recovered from many Traumas, I can tell you that the TIME it takes to work through it is not something you can fast track, and the ups and downs of your emotions on that journey can't be skipped. It doesn't matter if you know exactly how to do it, exactly how it's going to feel, or exactly what the end state will be, you CAN'T speedrun it.

DAV has stakes that are astronomical, but nobody treats them that way. Nobody experiences denial - a common psychological reaction to being presented with information that shatters your worldview. Nobody expresses any distrust in the establishments handing out this information - something common among cultures that have at times been at war, even if those wars are "resolved" in the present. Nobody really ever breaks down - something that any person is capable of under extreme circumstances, especially when facing multiple crises of faith that challenge everything they thought they knew about themselves. Nobody blows their lid because they've been repressing the hell out of everything. Nobody grieves for southern Thedas, the entire thing dying off screen and giving you, the player, NO way to engage with it in any way.

Not to mention there are barely any inter-party conflicts, when there should be a lot more. Why is everyone (except Spite) fine with it if Emmrich sacrifices Manfred to become a lich? Why is everyone fine with Illario potentially being set free if he was working with the venatori and Elgar'nan, two sources that have actively attacked everyone in the party? Why doesn't Neve resent Lucanis if Treviso is picked? Why doesn't Harding get pissed off at Nevarra for having a secret society of liches that never helped during the Inquisition's war against the breach and corypheus? Why doesn't Harding feel ANYTHING about Ferelden and the rest of the south? Shouldn't Harding resent the fact that she's stuck in the north while her home dies?

All of these conflicts ARE resolvable, but not easily. And it's not believable that they're never brought up. It's not believable that these characters skip through everything that happens with like, barely a frowny face most of the time. In DAO, Alistair leaves if you don't treat his conflicts with respect. In DA2, your party members try to kill each other if you don't pay attention to their conflicts/emotional needs. In DAI, people can leave or betray you, Cassandra throws a chair at Varric and tries to body him out a window. ALL of these can be resolved but it takes effort, and the characters get to SHOW that they're bothered by them and struggling the way a person would when faced with those emotions.

The problem isn't the therapy speak, or that everyone is loyal and won't leave, or that they aren't mean to each other enough. It's that it's toxic positivity. It's toxic as fuck to imply that anger or grief should be smiled over or else you're giving up, and it's damaging to people to avoid engaging with their own negative emotional responses to extremely negative stimuli. It's pasting optimism over very real, very weighty issues, sweeping it all under the rug, and you keep waiting for the lid to blow off the pressure cooker that creates, but it never does. It never becomes anything that emulates real emotions, which is why the whole damn thing feels hollow. Everything's dying and nobody cares, not even about themselves, and that's NOT healthy communication.

It's bullshit, half-assed storytelling that didn't tell us the actual story, just the vague idea of what it could have been.

[wardingshout]

Zelda goes mushroom girl

[madootles]

jon sims losing his mind in seasons two and three <333

the magnus archives has me in a serious chokehold right now

[panthermouthh]

And I said, “Hello, Satan

I believe it’s time to go.”

[diamondzart]

I know Toy Story 4 is not really loved by the masses, but I can’t help admitting that I’m that person who loves it just as much as the trilogy. I was really excited about it back in 2019 and even had a little bit of hyperfixation on it. I really adore the concept of lost toys who live on their own. As much as Woody’s choice in the end was unexpected, I think it opened big possibilities for post-canon ideas. Like this one! I decided to design his possible appearance after a couple of years of living outside with Bo. Description under the cut!

I noticed what was missing from those few fanarts on events after the end of Toy Story 4 that I found on the internet. Bo Peep is all so cool and fancy with her hook, raincoat and all sorts of useful thingies that she carries with her, and Woody is just clean and unscathed, as if he just yesterday got out of a dry and warm room. Naaah he wouldn’t stay like this for long 😆

Because what is lost toy’s life? Dirt, unforeseen damage and the need to periodically fight off stray animals. Moreover, we already know that Woody has a tendency to get into troubles. Moreover, he is a rag doll — that is, more than Bo is vulnerable to problems like unstable humidity, getting stuck somewhere with his limbs and getting attacked by cats / dogs / raccoons / whatever else they can encounter. He should become as hardcore as Bo after a couple of years, because otherwise there is no way to survive in this world.

The “raincoat” is of nylon, most likely cut out parts of an umbrella that someone conveniently lost in the park during stormy weather. The trick is that it’s waterproof, since when you are made out of natural fabric, it's important not to get wet as much as possible. Moreover, Woody is quite old, and he should be concerned about the condition of his fabric if he does not want to literally fall apart after a couple of years of such adventures.

The holster is used as a pocket for small things, here it’s used for matches and paper clips, which can be useful in different situations. For matches, a striking surface from a matchbox is attached to the outer side of the right boot. This will allow to quickly light a match by yanking a foot down while holding match to it and thus minimize extra full-body movements, which can be useful in an emergency situation. I think that this can be effective not only for lighting up spaces, but also for scaring away animals, especially small ones like rats.

The hook is a pencil and a fishhook with a broken tip, strapped with duct tape. Basically an analogue of Bo’s hook but made from improvised materials. As we have already seen in her example, it is an excellent utility for crossing various obstacles and, if necessary, for self-defense.

Stitches and scuffs. Both Bo Peep's arms were broken off and are taped back. That means, free living involves the regular risk of losing limbs. Even in an antique store, Woody got his foot stuck somewhere several times, which suggests that either himself or with the help of some stray animal he lost one or another limb and had to sew it back on his own or with Bo’s assistance. He will have to overcome his fear of being broken and accept this as a new part of his existence.

These were general notes on this sketch! Perhaps I will continue to develop this idea in order to find some new interesting solutions.

[otaku553]

Haha

[tagarilaghost]

I SWEAR CELEBI'S THINGY IS COMING SOON BUT I REALLY WANTED TO POST THIS ALRIGHT

yeaah... future trio got me too...

and Darkrai is there too, because of course he is.

hey look i drew a cute Drifloon :D

...ignore the rest

whatever started at Darkrai doodles ended in brainrot of future trio + darkrai and I'm blaming @scribz-ag24 for this

[crow-caller]

started playing fallen london cause of your blog and i absolutely love it! Thank u :)

Excellent!!! If I have any power, let it be used to get people to play fallen london and its related games (sunless seas, sunless skies = Survival exploration, mask of the rose = visual novel)

[secrescaryat]

// pentiment spoilers (implied ig but still there)

more of these because i was inspired

[poorly-drawn-mdzs]

Smell Check [Easy: Failure]

MDZS Disco Elysium AU part 1 (part 2 - part 3)

[icewindandboringhorror]

Pages from trying to keep a little sketchbook-scrapbook type thing going for two weeks lol. I gave myself specific rules in hopes they might all end up more cohesive/consistent seeming, but alas, scribbly chaos reigns, it seems

[jadewritesficshere]

Pretty

Eddie Munson x reader

Contains: no plot just filth, sub!Eddie Munson, bound hands, edging, slight overstim, cumplay, ass play, aftercare, pet names (Eddie is called Baby), no gender descriptors for reader (your thighs are mentioned but not size or shape just that Eddie finds them beautiful)

This is unedited I wrote this in a blur idk how many words maybe 1k ill add that at a later time

18+ only!

"You look so pretty like this."

Eddie shudders as he feels your breath against the back of his neck. He looks ahead into the mirror, pupils blown wide at the scene before him.

You sit behind Eddie. A saccharine grin on your face. His back is flush with your front, he can feel every inhale and exhale you take. Your beautiful thighs he wants to bite are on either side of his. Your ankles are locked around his, holding him in place. Eddie's hands are bound with his belt, resting on your thigh.

Eddie's shirt is pushed up, belly button piercing glinting in the low light. The red of his piercing matches the red on his face that runs down his neck. If he had his shirt off, you'd be able to see the blush bleed into the top of his chest. He shivers as you blow against his ear.

"Look how pretty you are Eds."

He lets out a whine as your fingers delicately trail his length. His cock is flushed a deep red, almost purple at the top from how turned on he is. Slightly curved to the left, the tip leaking so much cum he's practically glistening. Your fingers ghost over the slit and his hips jump forward, only for your touch to leave. Teasing him again.

It was torture of the best kind. He isn't sure how long you have been teasing him. Tears in his eyes from pleasure and annoyance. Your hand wrapped firmly around him bringing him to the precipice only to let go before he reaches the edge. Tantalizing touches that sway the line of not enough and too much.

"Say you look pretty Baby."

He gasps as your hand wraps firmly around him again, hoping you won't remove your hand again. His nails dig into your thigh, trying to grab hold of anything he can. He can feel your smirk as you press a kiss to where his shoulder meets his neck. "I uh I look pretty," Eddie's voice is raspy.

"The prettiest boy." You murmur. "The fuck the prettiest boy." Eddie whimpers. A tear rolls down his cheek and he watches as you swipe it away. "Color?" You pause. "Green so green please don't stop," Eddie babbles slightly, turning to face you. You smile sweetly as your hand forces his jaw back to facing the mirror.

With your ankles locked around Eddie's, you spread your legs, thus causing his to spread wide open. Its obscene, being fully on display. "Awh," you coo at him, making him whine. Eddie shivers as you slide your hand up and down his shaft, your other hand gently squeezing his heavy balls.

Eddie jumps as you trail your fingers lower. You lightly press against his hole, just enough for him to feel it. It takes him a minute to realize the moan he hears was from himself. His cock leaks another spurt of precum, dribbling down your hand as you continue to jerk him off.

You remove the pressure teasing his hole and swipe up the cum that has leaked onto your hand. You coat your finger with it before pressing against Eddie's tight hole again. Your gently slide your finger in.

Eddie can feel his eyes crossing as his mouth drops open. He can feel you pump your finger in and out of him in tandem with the hand that is stroking him up and down. "Gonna come for me? You look so good baby. Look so perfect like this," you kiss the shell of his ear. Eddie nods, barely able to open his eyes. Barely able to think of anything as he feels the warm pleasure spreading throughout his limbs.

His hips snap up as a loud whine leaves him. His brain goes silent as pleasure comes over him in waves. You never falter your pace, its almost too much as he keeps cumming. It's the hardest and longest he has ever come, it almost knocks the breath out of him. His senses hone in on the euphoria he feels, numbing his mind to everything but the pleasure.

He pants and gasps as he slowly comes back to himself. He's barely aware he's holding onto your thigh with a death grip. "Did so good baby, so good." You murmur. "Uh-huh." Eddie can feel his heart beating in his chest. His limbs feel like jello. He's pretty sure if he tried to stand his legs would shake.

You slowly move out from behind him (wait when did you stop touching him?). Eddie opens his eyes, tracking you as you grab a water bottle and wash cloth on the bedside table. You wet the wash cloth before wiping the cum off him. Eddie tries not to but jumps from still being sensitive. You murmur apologies, as if you have anything to apologize for. If Eddie's tongue didn't feel of lead, he would sing your praises.

You toss the wash cloth away and quickly undo the belt around Eddie's wrists. Even though there isn't a mark, you take your time massaging his wrists and hands. You gently place a kiss on the back of both of his hands. If he wasn't already completely in love with you, that would have done it.

Eddie can barely focus on your words, barely think through how good he feels. He's aware you are holding the water bottle up to his lips and he drinks greedily. You swipe away the water that dribbles down his chin.

Eddie curls into you, head against your chest listening to your heart. You slowly stroke his hair, comforting him. He's aware you're whispering to him, praising him. All he can think about is how loved he feels in this moment. How safe he is in your arms. How he can fully let go and know you have him. How he knows you love him with your whole being, just as he loves you.

[moeblob]

Yeah! I haven't read any fics focusing on them but I have seen that they exist! And also there's like a five sentence interaction in a fic I read ages ago that lives rent free in my brain. I think about it all the time when I draw Sixty.

[fishofthewoods]

Oh my god I woke up this morning and my Stardew Valley meta post had almost 150 notes????? Hello?????????? Anyways I started writing this last night because @moon-is-pretty-tonight left nice tags on the original so thank you so much!!

We know from the starting scenes of the game that the farmer's grandfather loved Stardew Valley. So why did he leave? Pelican Town is a good place to grow old; George and Evelyn are just fine. It's a fine place to raise a kid, but maybe he just wanted to raise his child closer to real schools and other children.

Or maybe, just maybe, he understood.

Was there a day when he was in his thirties where he looked at his friends and realized they weren't like him? That he could run faster than them, work longer, explore deeper into the hidden places of the valley?

Was there a day when he went to the wizard to ask him for help, for knowledge if nothing else? Did he learn then that his family was different? Special? Chosen? And how did he react? He couldn't possibly raise a child in the valley if they would be as strange and fey as him. He had to leave. There was no other way.

But years later, on his deathbed, did he regret that choice?

Is that why he gave the farmer the letter?

Is that why they went back home?

When the farmer steps off the bus that first day, the valley is still on the cusp of winter, just barely tipping over into spring. The flowers are starting to bloom, but a chill still hangs in the air. As soon as the farmer's boots touch the soil there's a change. The air gets warmer. The trees get greener. Not by too much, not all at once, but it changes.

The junimos watch the farmer as they do their work. They're new to farming, but take to it with frightening speed; their first batch of crops is perfect. None of the townsfolk tell them that parsnips don't normally grow in less than a week, that cauliflowers don't grow to be ten feet tall, that fairies don't visit when the sun goes down and grow potatoes and beans and tulips overnight. The junimos talk amongst themselves in their strange, wild language, and agree: this is the one. They're back. The valley recognizes its own, even when they've left for a generation. The farmers have come home.

Things change fast in the valley. The community center, empty and decrepit for so many years, is rejuvenated. (Lewis says it was abandoned only a few weeks after the farmer's grandfather left. Strange coincidence, he says, that it both came and went with the farmer's family.) The mines and the quarry, similarly abandoned, are explored for the first time in ages. The town becomes cleaner, brighter, more vibrant, happier.

And it is happier. Not just the environment, but the people. It's the talk of the town for weeks when Haley does her first closet purge. Leah's art show in the town square is a huge success. Shane's smiling for the first time since he moved to the valley. All of them, when asked, say it's all thanks to the farmer.

People love to ask why Lewis didn't fix the community center on his own. Why Willy never repaired the boat to ginger island. Why Abigail or Marlon never went down to fix the elevator in the mines, or why Clint didn't fix the minecarts.

But isn't it so much more interesting to ask how those things were there in the first place? How they got so broken down? If the stories the townspeople tell are true, the valley was once a beautiful place, flourishing and full of life; why did that change? When did it change?

Was it when the farmer's grandfather, the locus of the valley, its chosen representative, left town?

And if so, what happens when the farmer comes back?