#tires fall off

[cyphertronix]

Stanley Pines lyric PMV bc I think he’s neat :]

EDIT: YouTube link!

[artcalledky]

Why don’t pilots have all complete controls

They napping

They sight seeing

Why are they not responsible for flying

Relaxed in Auto

Relaxed in Auto?

Who can trust maintenance

They all do

Including the manufacturing

Planes just fall from sky

Paid for people

To follow directions

Pilot error or ?

“We just lost a tire, occupied hazards”

“The seat just moved by itself”

“I heard them talk, of computers shut down, the screens are not on”

“No controls”

[bixels]

Hot to the Touch

(Sunset x Thea)

[bloobydabloob]

Playing Ratchet & Clank

[lighthouseshepard]

you know. fandom is so fun when you have like. ten or so specific people to participate in it with. even if there's just the one. theres something very cool and special about creating, whether art or music or writing fics, alongside a group of people who are all insane about the same thing you are. its a strange kind of vulnerability and openness and love. id write a novel for my friends if they asked

[squidflavoredsoup]

human steve n bill that i’m ACTUALLY HAPPY W

like i’m probs gonna change n add some things but like I ACTUALLY LIKE HOW THEY CAME OUT

[violent138]

Bruce definitely runs covert tests for brain damage on all the Batkids, an effort complicated by his own frequent head traumas and the fact that they're all nocturnal liars who quickly come up with ways to work around possible symptoms.

[erinwantstowrite]

my dream job is to write a cartoon show for the batfam (and other misc characters). twenty five episodes per season, a coherent storyline of events that lead up into an overarching storyline throughout the show, proper character development for everyone as they enter the show that doesn't get stomped on for no reason, beautiful art, encapsulating the weird quirks of Gotham and the cast,,,,

[comically-blu]

when you have annoying siblings fighting, at least there’s the perk of having a sergeant voice from experience!

[heartorbit]

im never finishing this ＿|￣|○

[linipikk]

I want to say one thing about the setup for Jinx leaving.

The Silco in her mind told her to walk away to be free and she immediately thought about dying. That was the plan.

But THEN-- then Ekko stops her from blowing herself up. The thing is how. Because talking Jinx out of that mindset would require a whole team. And it does.

We can infer he told her that there is another version of her, of course. Powder and Jinx are the same, and as Powder told him "you want me to change" Jinx would think the same! except Jinx believes there is no "good version" of her

But as we know, it is not about one version being superior to the other or how Jinx and Powder being different. But it's about how Ekko has everything to recontextualize something that our Jinx knows deep down.

Because that is the same conversation she had with Silco in the cell, but this time not from a hallucination but from someone who is treating her as a real friend, part of the support system Jinx lacks, but she clings on so desperately.

So I'll go back to Powder for a sec

This is not the first time Vander and Powder have this conversation about her potential, about her leaving

And Vander did say something about it to Ekko. He knows her daughter

As well as Silco's words of wisdom.

Here he might be talking directly about Vander but, we know that it is also about oneself, after all that's what Jinx is all about. She is The Jinx because she destroys everything right? she is her walking reminder of all her failures.

And that's the Ekko's secret knowledge that saves Jinx. We don't need a recap of that episode, we just watched it. and Ekko is there to reach for Jinx, finding her, rewinding the explosion as many times as he has to. He tries very hard for her.

Jinx, as much as she claims to destroy everything, she creates, the one thing she knows how to do, and that's where she is more herself. She builds things and she might find someone worth trying for, not her ghosts or her guilt, but just herself.

Now, here they are: you've seen them, you love them, our acclaimed shimmer ray from the explosion and the ship sailing away.

Jinx leaving is about her following her dads advice and believing in Ekko's words. And I bet she does.

I just.... find it so charming that the glimpse of hope Ekko gives her is not just from himself but also about the fathers she lost so many times.

and to tie up the box, we have the final lyrics of Wasteland (that the series leaves out for ambiguity imo)

bonus monkeys, i bet it is the second Jinx kind of knew that Ekko was talking about her when he said "someone very special"

"someone worth building it for"

[yume-fanfare]

in yume's dream world...

[jingledbells]

Ford defenders like you are now called "Ford apologists": https://eeveelotions.tumblr.com/post/772624427048419328/hey-ford-apologists-dont-interact-with-my-stuff

i feel like. I can kind of understand where this person is coming from like yes he does have flaws and make mistakes and I acknowledge this but there's a difference between saying a character doesn't have flaws and defending them from fans who demonize/heavily mischaracterize them.

in fords case, there are so many people shitting on him for things that are false or misinterpretations of things he’s said and done. a good chunk of the fandom has an irrational hatred for him.

as well as this the fandom also waters down his trauma to make it seem like nothing compared to Stan's as well as making countless jokes about his trauma. for example, the thousands of jokes made about bills abuse of ford. I cannot count the times I've seen people look at this abuse and their only takeaway/only thing they have to say about this is 'haha he fucked the triangle.' as someone who's been in an abusive relationship in the past it is extremely tiring to see these jokes constantly thrown around about bill and fords relationship. either people are ignorant and cannot see that their relationship is textbook abuse or they do know but just don't care(what is wrong with you) and I genuinely don't know what's worse.

as well as this, there is a tremendous amount of victim blaming being made towards ford when discussing ford and bills relationship. I've seen so many people straight up say it's ford's own fault for getting abused by bill and it was because of his 'hubris' and 'huge ego' and his 'selfishness', which is no thing to ever say about a victim of abuse. ive also seen people call ford 'stupid' for getting manipulated by bill, which is a) wrong, because bill has successfully manipulated and abused many others before for(have you read tbob), and has manipulated other members of the pines family shown in the show, and b) just victim blaming. I don't even know what else to say about this but many of you cannot be normal about abuse victims in media.

regarding his growing distance with fiddleford during portal construction era, this is caused by bill isolating ford from him, one of the only humans he's in contact with which is a technique often used by abusers. many people claim this is because ford 'views fiddleford as lesser', or 'has little respect towards him', which is straight up wrong. ford states in the journal that he is a great friend and a brilliant scientist and engineer, and his appreciation of him is shown through his excitement of his arrival and immediately gets to making him feel welcome in his home and gifts him with microchips and banjo strings. in fact, when they first met in college, ford was the only one who genuinely believed his theory and he immediately jumped to helping him prove it for 9 hours, despite barely knowing the man. their bond, whether romantic or platonic is strong and that's why bill's isolating ford from fiddleford is so vital to bills abuse of ford.

not only that but these people are obsessing over Stan's homelessness for ten years but don't dare acknowledge that ford has been homeless for thirty. they fail to acknowledge that both Stan and ford were being abused by filbrick even if it showed in different ways. ford wasn't favored by his mother(his mother favored stan) and his father didn't see him as anything but a way to make money for his family, providing him only conditional love and not seeing him as his own person aside from his intelligence and his hands. this is often something many immigrant children experience, having endless pressure to succeed and get top notch grades and choose a high salary career in order to raise their family out of poverty. and if they were to slip up, they would often get severely punished or even physically hurt as a result. so logically, ford being upset by this is very understandable, not to mention he was also a teenager when this happened.

i have more examples I could use, but tldr, defending ford from fandom mischaracterization, victim blaming, and from claims being made about him that are blatantly false is not equal to saying he lacks flaws or hasn't made mistakes.

[yuwuta]

omg i love love loveeee there’s only one bed trope but something equally as incredible is too many beds/just enough beds trope and watching your fav struggle between try to force proximity anyway and trying to be normal and gentlemanly

[omegalomania]

people bitching and moaning about fob "turning mainstream" as if that was never the entire point of fall out boy. that's In the goddamn dna of the band, it's baked into the ethos of why the band started in the first damn place. to be accessible to kids and especially to girls, who were often ridiculed and shunted out of the hardcore community. to be a gateway to bands that aren't as mainstream. to comment on the society they live in, as they live in it. people act like fall out boy "turning mainstream" was some kind of "betrayal" when from the start they were seizing on the trends of the time, putting their unique, unhinged fall out boy spin on them, and shooting them back out as a funhouse mirror. take this to your grave capitalized on the pop-punk zeitgeist that was big in the late 90s and early aughts and put their own spin on it: enmeshed catchy choruses with high-dexterity lyrical & linguistic skewerwork. infinity on high was basically a massive critique of the scene they were in - this ain't a scene it's a goddamn arm's race is a fucking thesis statement on what it is to be catapulted into fame in an industry that wants nothing more than a thousand cookie-cutter copycat acts of a successful formula, and fall out boy WAS the formula everyone desperately wanted to emulate. american beauty / american psycho blended sampling and modern hip-hop stylings with polished pop-rock and pointed those songs back at the snapshot of the 2010s we all lived in: commenting on racial injustice and the freeze-frame nature of relevancy. but even then they weren't doing it quite right - because fall out boy never does things quite right, they're never quite conventional, whether it's wentz's darkly confessional lyrics double-bagged in metaphor or stump's distinctive clear tenor or trohman's inescapable rock 'n roll edge or hurley's thunderous hardcore-punk-rock soul.

this band has always been too clever for its own critics, is the thing. but then, they always knew that. they knew they had a thriving fanbase of largely female fans so they were going to be mocked and belittled and ridiculed. they weren't quite right. they weren't quite so easy to market. pete wentz had to have all his hard edges filed off and cut down to size, skin lightened, literally whitewashed ("i feel like a photo that's been overexposed") to hell and back, even as he was marketed as the pretty boy of the band. and the other three members never even bothered with the spotlight: the soft-spoken vegan straightedge anarchist drummer and the wry, wisecracking, whip-clever guitarist who was more concerned with being the connective tissue than anything and the reticent vocalist who sang the words and wrote an awful lot of music but wasn't really the guy fronting the band. wentz's charisma carried the band, because the rest of them were really just some guys and never aspired to be anything else.

fall out boy is too pop. fall out boy is too mainstream. fall out boy isn't the real poster child of the emo movement. other bands are better. even within fall out boy's own narrative, they are repeatedly ignored, sidelined, and belittled, as though they weren't one of the only acts from the big 00s emo-pop movement to successfully not just survive the transition from the aughts to the '10s, and then later from the '10s to the '20s, but to thrive in it without banking on nostalgia. this band was supposed to be a flash in the pan. they weren't supposed to last and they weren't supposed to get big. they started off in joe's parents' attic because joe and pete were sick of how exclusionary and homophobic the hardcore scene was.

i think it's high time that people acknowledge how fall out boy has repeatedly succeeded where most of their other peers failed. cunning, clever, capable, and hyper-aware of the space they occupy in the culture surrounding them. that they are just as powerful, important, and artistic as any of the other bands in the scene that others might deify at their expense. that they deserve a hell of a lot more respect than they get from critics or hardcore punks who think they sold out. i hope one day they get that recognition. because they've earned it, time and time again, and the more i see people pushing back against that, the more certain i become of its inevitability.

[just-null]

i am OBSESSED with that one yandere hantengu clone art! but i do wonder, did you change their appearance a bit to make them look alike but at the same time not? this is hard to explain, but i observed the clones nose shape, sekidos hair being more different than the others, and facial structures making them each being different. very sorry if this doesn’t make sense it’s hard explaining what i noticed (T ^ T)

I think I understand what you mean, don't worry! you did wonderfully!

and basically, yes and no!

Some things were probably accidental (like facial structure), but the purposeful tweaks were their eyes and hair yeah!

I wanted the viewer to be able to tell the difference between them without being explicitly told who's who.

[design yapping under the cut]

I've heard that depending on what expression you're making often, it changes how you rest your face, and I wanted that to translate into how i drew them!

that and if you look REALLY closely, there are some subtle differences between them all in the anime/manga, so i accentuated those and added my own spin to it too.

So, if i were to draw the four making a neutral expression, it'd look something like this!

And that would HOPEFULLY be enough to give you an idea about who's who while also keeping their faces EXTREMELY similar yet a little different at the same time

but knowing me....... i'd probably still make it super obvious.......

I changed their nose because Hantengu had a sharp nose, and I thought it'd be hot cool to see them with one! I have no excuse for the eye bags and dimples.. they look like they have the type of hot guy aura to have those traits............... orz

i try not to forget small details but i probably do sometimes making them look different //slams head against wall