#tiffany light

[blueiscoool]

Tiffany Studios Ceiling Light 1900

Leaded glass, patinated bronze. 23 in. (58.4 cm) high, 221⁄4 in. (56.5 cm) diameter of shade.

[oddphotos362]

[chloehallillustration]

Vancouver Game Room Inspiration for a medium-sized, traditional open concept game room remodel with white walls, no fireplace, and no television.

[forsongqian]

Living Room in Melbourne Inspiration for a mid-sized contemporary open concept dark wood floor and brown floor living room library remodel with blue walls and a wall-mounted tv

[exo-plushie]

Family Room Game Room Inspiration for a mid-sized timeless open concept medium tone wood floor game room remodel with white walls, no fireplace and no tv

[spiraling-trap]

catching up with faith the unholy trinity after a million years

[escapismsworld]

This reading lamp is 123 yrs old, Original Lamp by Tiffany Studios, 1899, New York, USA.

Officially they are known as "Nautilus Tiffany lamps". Various versions were made between 1899 and c. 1912. Expect to pay at least $55,000 for an original Nautilus lamp.

[witchrealms]

(x)

[kafkasapartment]

Clara Driscoll, head of the Women’s Glass Cutting Department at Louis Comfort Tiffany’s company, contributions were revealed through family letters discovered in 2005.

[syfysource]

💍

Chucky 3.08 Final Destination

Bonus:

[bebx]

Audrey Hepburn and her then husband, Mel Ferrer, photographed by Ed Feingersh on a country road outside Paris (circa 1956)

[1-800-poetic]

Audrey Hepburn in Breakfast at Tiffany’s

[nuveau-deco]

Three-Light 'Lily' Table Lamp. Manufactured by Louis Comfort Tiffany, ca. 1904, New York; medium is cast bronze and yellow Favrile (iridescent) glass. From the Nasjonalmuseet collection in Oslo, Norway, inventory number: OK-1987-0123. Photo by the Nasjonalmuseet / Larsen, Frode.

(Source: nasjonalmuseet.no)

[r-truth]

[lezzlesdrawsponies]

Drew my little herd 🥰

[zhouxiangs]

it is day six of losing my mind over the peteway hand-holding, what came before, what came after, and what may or may not come later, and today i am thinking about the importance of touch.

or most importantly, of touch as a gesture.

because there's the touch itself, which as two enigmas with touch-based powers that are probably touch-starved for genuine consensual purposeful touch (thank you @marinacourage, i am never recovering from reading those words strung together in that order) is... already a lot. we can infer from what we've been shown/how deliberately they focus on it every time that both their powers work by touching people with their hands, which i imagine must be incredibly alienating for both of them, albeit for different reasons, but specially so for pete who (unlike way who also has to verbally issue a command) seems to need only to touch someone to invade the privacy of their mind even if he doesn't want to.

so, the act of touch alone is incredibly intimate for both of them.

once everything is out in the open, when they both know the other is an enigma and what his powers are, and way knows that pete has been using his power every time he touches him to read his mind, pete could just stop touching him. which is what he does at first.

but then there's my favourite part: both the intent and the manner of the touch. because pete withdraws, but not because he doesn't need or want to keep touching way; he does it because he was using his power surreptitiously, and now he doesn't need to.

pete reaches towards way again, and not only touches him: he slides his own hand in between way's and touches their palms together. pete is touching way, but he makes sure that way is touching him, too. and just like when he bared his neck earlier, pete is putting himself in way's hands, at way's mercy; he can read way's mind, but way can control him if he wants, either to make him back off or anything else. and way doesn't, nor does he draw back even if he looks at pete in surprise.

because pete is showing way he believes in him. he's telling him as much, saying "don't let obligation or fear make you not dare to decide to do the right thing. you are worth more than daddy says". saying "you always have a choice. you still have the right to choose, way".

but he's also telling him with his touch, with the palms of their hands resting together. "i see you", "you are not alone", "i'm here, and i believe in you", "your past sins will not drive me away. wounded hearts can still be cared for".

and also, because of how pete looks at way and because of how emotionally charged this moment is, i cannot help but think about the metaphor of "and palm to palm is holy palmers' kiss" in act 1, scene 5 of shakespeare's romeo and juliet; juliet's evocation of a palmer touching the hand of a saint's statue as an almost holy and transformative experience. a kiss with hands.