as I am replaying origins -- a game which, to be clear, I love very VERY much -- I can't help but feel that people do don the rose coloured glasses on it a bit specifically when it comes to the range of dialogue options you're actually given to work with at any given time (something I've seen my fair share of silent vs. voiced protagonist discourse about over the years *smokes tired cigarette in survivor of a decade of DA tumblr*). like... there are a couple of situations where you're given a decent range of responses, but the vast majority of the time you have about three dialogue options, and often they're presented sort of like 'polite/bland/unprovoked near-cartoonish levels of assholery'. arranged like, y'know:
I am [BLANK]. It's an honor to make your acquaintance.
You can call me [BLANK].
How dare you speak to me. Fuck you and your family back five generations. I'm going to rob your mother's grave before your eyes.
(sometimes if you're real lucky you get the secret extra 'Something else/I'm bald/but I'm a dwarf!' option)
I'm not at all saying it's worse in that aspect than the other games (Dalish Inquisitor 'Who's Mythal' just entered the chat), but I do think it's worth considering that this might be a bit of a franchise original sin that has been present since the beginning, as indeed it is in most rpgs because making rpgs is real hard, and you notice it more with the dialogue wheel format than when the responses and questions you can ask are all laid out in a list together
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UGH y'know what I'm gonna admit it:
I wish I could make silly little dragon noises. Like, idk something about being able to make inhuman sounding noises particularly makes me happy. Part of it is because they would be great vocal stims, too! There's just... one problem with that.
My voice never does what I want it to!!! ever!! I've had lots of reminders lately that I don't sound right in my brain. Not just the gender aspects, but like- I should be able to make noises! I should be able to have a much wider vocal range than I do. Not in pitch, but in like.... idk, flavor? I should be able to make a bunch of different sounds and I'm not. I'm hoping that doing voice training for gender reasons will help with that, since I'll actually learn to have some control over my voice. I'm just feeling particularly salty about it today, and wanted to throw it into the void since I know some other alterhumans will probably be able to relate.
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Hobson Heckled into Historical Haute-Couture
Continuing the Dan Jones & Dragons gala parade with Hobson, the Flower Crowns' oft-harried Halfling Warlock (played by the ever-wholesome Dan Floyd). Is he trying to massage away the realisation that letting his literally-half-brained patron choose his gala attire might have been a mistake? Is Valse giving him a headache over something else entirely? Did he use Detect Magic in a room full of powerful items and accidentally flash-bang himself? Yes.
More Flower Crowns Gala Outfits:
Morenthal | Gelnek
As always, design talk under the cut:
But before that, a short story: I've been following Dan's content on Youtube for... oh jeez, that sure is almost a decade now, both on his current New Frame Plus/Playframe channels and back when he was the primary founder and narrator for EC. His old games education videos helped me get one of my earliest jobs in project work and introduced me to a bunch of media production concepts (like scope management) that would go on to inform some of my own storytelling analysis posts. It was a startling little moment of artistic ouroboros to realise I was mentally running through key points from Dan's own Pose Design 101 video as I was drawing his DnD character. Never expected things to come full-circle like that, but if you're seeing this, Dan: here's to you 🫡 If you're not Dan and haven't already, do go check out his stuff - it's all super well-produced, informative, funny and he's just an overall stand-up guy.
Now: onto the tiny little nerd and his passé party attire
This was a really fun costuming challenge, with a bunch of interesting curveballs thrown in the mix. Unlike the rest of the Flower Crowns, Hobson didn't choose his own party outfit: it was picked out by his patron after Valse kibbitzed him into giving up and letting a heroism-obsessed Fey call the shots. Dan cited Valse as having the fashion sense of Stede Bonnet-as-depicted-in-OFMD, briefing a vaguely 19th century-style outfit that had frilled sleeves and 'would have looked gaudy even when it was in fashion a century earlier'.
Actually dating his outfit was the first challenge. D&D settings are kind of an anachronistic uchronia, with classic swords-and-sorcery fantasy campaigns potentially pulling inspiration points from anywhere across the Arthurian era up to pre-war modernity. Which leads to the question: how do you make something seem dated in a setting where most everything looks vaguely ye-olde-fantasy? The other challenge was that, IRL, the 19th century (i.e Victorian era) was when menswear started taking on a lot of the shapes that would eventually become modern suit and top-'n'-tails fashion. Since Trilby was already going to be wearing classic top-'n'-tails formalwear, I decided to set Hobson's style earlier in the 1800s-1820s and pull in some 18th century Stede Bonnet flourishes to visually set them apart. This article provided some great reference images, and once I hit on the figured silk waistcoat I knew I had a potential starting point.
Colour-wise, I stuck with the burgundy-and-gold palette the Dans gave Hobson in his official gala stream art, since those looked good together and matched up with Dan J's tendency to draw Hobson wearing greens/earth-tones and Valse in reds/jewel-tones. The combination is a lot more colourful and richly saturated than is typical for this style of Victorian-adjacent clothes, which felt appropriate for Valse's gaudy tastes.
Fabric-wise, I figured a fun way to gaudy things up even further would be to lean into the silks and satins that were fashionable at the time, but make all of his outfit shimmery rather than just a single feature piece. As a bonus, silk and satin clothes tend be hot, inelastic and have horribly itchy seams if worn unlined, which felt like exactly the kind of thing Valse's all-form-no-function sensibilities would inflict upon the small, long-suffering fellow. Both these fabrics also have a habit of behaving hideously and ripping themselves apart when worn wet, which makes this a great outfit to, say, accidentally fight an Aboleth in. Poor Hobson.
Some other details, just for fun:
1. Hobson's sketch layers include a drawing of his un-removable cursed left bracer. He's pulled the frilly, puffy sleeve over it but you might spot hints of the shape and the gem if you squint.
2. The reference waistcoat I used had floral embroidery on it. Had this actually been a Hobson outfit, I would have converted them to his garland flower (Forget-Me-Nots), but since it was a Valse pick I decided to make them Senaliesse chrysanthemums; a flower given out to friends of the Feywild's Summer Court as a sign of protection and favour. (It also adds extra layers to Pocket mistaking Hobson for a denizen of the Fey, which is fun).
Close crop on the details because I'm very happy with how they turned out:
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i’ve seen a couple posts that are like “how dare you put X popular song on your character playlist! It doesn’t even fit! Be more diverse with your music!” and while I think it’s always a good thing to be constantly growing and expanding your music taste and listening to new songs, and it’s also good to have songs that are thematically consistent, like… it’s fine to put whatever the hell songs you want on your character playlists. If a song makes you think of your little guy, put it on her playlist.
And for people who are saying that sort of stuff, I do get it. It can be frustrating to listen to playlists that all just have the same twenty songs on them, or aren’t done the way you like to do playlists, or whatever. But we have no business policing how people enjoy interacting with their OCs, especially not in something like playlists which, 8 times out of ten, aren’t intended for anyone but the creator to listen to anyways. Those playlists weren’t made for you. You don’t have a right to be rude about someone’s playlist any more than you have the right to be rude about their visual art. Making character playlists is a difficult enough process without someone online telling you what songs you are and aren’t allowed to use.
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[ Hi ! Did Leonard like to do art ? For example, drawing, sculpting ? If he *did,* did he try to continue with art even after establishing his pact with the faerie, even to the *smallest* degree considering his blindness ? ]
//Hi! First of all I apologise for taking so long on this, beyond just being in a slump this ask may be cursed as I've attempted it literally three different times and EACH time it ended up getting deleted for different reasons (Mobile app decided to delete my reply after changing tabs for a SECOND, computer decided to update while I was away in the middle of answering and then I accidentally closed of the tab 😭) so as much as I love the question I admit I had to fight to answer it and this answer might be shorter than I wanted it to be :,) my apologies!!!!! but anyways
//Given that Leonard seems to have come from humble startings in life, just going off the bat, I don't think many forms of art or even "hobbies" as we would consider them today were available to him, like drawing for example :( and while he might be crafty (I mean the guy built a whole house just so he could fuck off to the forest...) when the time calls for it, he ironically doesn't strike me as the type to be too willingly artistic.
//That said, I do have a few ideas of little things he may or may not have done in his younger years that could be considered that way! I dunno if you'd count his training as the kind of art you were looking for as I like to think he grew up in a smithing family and was expected to continue that legacy on until The Hermitting™ (also my explanation for why Tower's Rebuke is so..... Strange) but again, it was less of a hobby and more of a trained skill, so...
//Going off that, however, Leonard absolutely sucked at it growing up, but after committing to the bit in his teenage years in order to not let his family and village down, he became decently good at it! Not a god at metal-smithing or forging or anything, but definitely good enough to make the amenities people needed to live comfortably. :) After he hermitted himself for what I headcanon as being around six years and then was struck with blindness right after, he's VERY limited in what he can do both because of his rusty memory and lack of sight keeping him from "recalling the motions". Even so, I like to think he's capable of at least a few basic tasks like honing and refurbishing if he really puts his mind to it.
//Additionally, and this is a small thing, but as far as simple recreational things go, I like to think he widdled a bit as a kid too. Just sitting and widdling little shapes and figures from any particularly nice wood he found, and then keeping up with that whenever he found a rare moment of free time as a hermit (Though there were ALWAYS things to do, so it wasn't often). Similarly it's a lot more aimless "Fiddling with wood and a knife" now that he's blind, but he finds it a bit calming, if not meditational just to keep himself doing something when his mind tends to wander. :)
//He was pretty skilled at it, and it saved him a lot of sanity when he was living by himself in the woods.
//All in all? He's a very hands on person, able to do a LOT of handiwork, but as far as actual artistic hobbies go, he's kind of lacking. Even in Leonard's mind, he views the idea of "hobbies" themselves more as activities for the rich, and it's not something he thinks he can afford his own busy self most the time.
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