#thoroughly enjoyed this one actually

[lit-in-thy-heart]

flies go up, the prince of hell does not

Rating: General Audiences

Archive Warnings: No Archive Warnings Apply

Categories: Other

Relationships: Beelzebub/Gabriel

Characters: Beelzebub, Gabriel

Additional Tags: Fear of Heights, Edinburgh, they're both soft with each other, IBweek2023, POV Beelzebub, Fluff, can we appreciate that i wrote something with no angst???!!, hand holding, Protective Gabriel, They/Them Pronouns for Beelzebub, He/Him Pronouns For Gabriel, gabriel is a bit oblivious but he's trying his best, Communication, (crowley and aziraphale could never), (that was a joke i do love them as well), Hope, it started as a hot chocolate date but gabriel got distracted, Established Relationship, Post-Canon

Words: 3, 844

Chapters: 1/1

Summary: Beelzebub knew how much Gabriel loved heights, how at home he felt amongst the clouds, and though the thought of being up any higher than on his shoulders made Beelzebub want to throw up a little in their own mouth, there was no harm in trying.

When Gabriel discovers a climbable monument in the centre of Edinburgh, he is beside himself with excitement. Beelzebub, having spent most of their existence beneath ground, is beside themself with something else.

Opening:

There were, Beelzebub reflected, many fragments of Hell in Edinburgh. The scenery was better – that went without saying – but the constant flow of people and the narrow streets reminded them of the place that had once been their kingdom. Looking out towards the Old Town, Beelzebub leaned further over the balustrade and tilted their face a little towards the sun. Feeling the warmth on their skin was still a novelty, though that was as much to do with the summer showers that they’d been experiencing as it was to do with not being a resident on Earth for too long. Beelzebub had witnessed rain before, had seen it sent down from the heavens and watched it drench humans within seconds, but experiencing it had been a different matter entirely. They had been walking with Gabriel along North Bridge, towards a cafe that had caught his eye last time they had been in the New Town, when a sudden downpour had forced them to sprint along the bridge and seek shelter in a doorway. Gabriel had immediately stepped out in it again, marvelling at the coolness against his cheek, and Beelzebub, after getting over the initial shock of the temperature, had laughingly watched him kick spray from gathering puddles in their direction.

Written for Ineffable Bureaucracy Week 2023 (day seven: new experiences)

Read on ao3

[izloveshorses]

hollywood is at it again !!!!

[grapejuicegay]

Sometimes I just start thinking about this moment - paired with Maddie's "I just think that maybe you're not sure of your own feelings yet. And if there's something that you need to tell Eddie, you will. Just, in your own time" - and then don't stop thinking about it.

Maybe I'm just reading into it but the way this moment moves. Eddie steps forward, Tommy steps up to exactly where Eddie was, Buck turns to look where Eddie was, doesn't find what he was looking for but still finds something good. It's not just ep 4 and 5 where the focus on Eddie blows me away, it's also this.

[moonlit-dreamers]

*sighs loudly* so i Was going to draw them but turns out my own design is too difficult for me to draw. but i'll be making this post anyway bc this au has been cooking for so long i might as well!

Featherless Flight AU

aka dca avian au where these fucks r BIRDS

(disclaimer this is a sun x moon au. it also deals with heavy themes such as child abuse, death, violence, and. ya know. wutever tws come with the apocalypse (also these will not be talked about in detail in this post))

nothing robotic in them. just feathers, blood, and bones. a lot of that stuff may be lost or break throughout their story! but lemme at least tell u wut they look like (without having my own drawings OTL (i only have a ref for their faces (which im not confident of)))

a quick note for both of their designs, they r both Fully Covered in feathers, including their arms and faces (yes they have arms And wings). the only places that dont have feathers is their lower legs and hands. they have anthropomorphic legs. and their face shape is also similar to a barn owl, as shown here (ignore the lack of mouths, idk wut to give them)

suns design! he has the coloring and general design of a sun conure. hes full of bright reds and yellows, tho the green is replaced with a bit of blue. he has multiple crests around his head that fluff up similar to a cockatiel but theyre in a way that make it look like rays. in the drawing above is wut they look like without their crests raised; that is their default. suns feet r grasping feet which r 2 toes in the front and 2 in the back. sun has high speed wings so aes a lot faster. (if u dont know wut any of this means i recommend u look it up, im a bird nerd) sun is also specifically an omnivore (them having different diets is actually plot relevant)

moons design next. moon is the color of a hyacinth macaw tho his anatomy is closer to an owl. he has one large crest on his head like a cockatoo. its also colorblind! since its anatomy is based mainly off of owls, for moons ability to see at night means he can see less colors. and bc hes more sensitive at night his eyes r always half closed in light, making it look sleepy despite being fully awake. moon has raptor feet with 3 toes in the front and 1 in the back. xis claws r also much larger than suns. moon has passive soaring wings which is better for longer flights. and moon is a carnivore :)

theres also an eclipse but their design is an enigma to me even in my own mind

but back to sun and moon! if anyone is curious moon uses he/it/xe pronouns while sun uses he/it/ae pronouns. they r both aroace and love each other deeply (qpr babyyyyy). sun is genderfluid while moon doesnt give a shit (agender).

sun is more bubbly and energetic. very much high energy bouncing off the walls. hes the kind of optimist where u cant tell if their "bright side"s r trying to help or be condescending. its a master at back handed compliments. heavily a perfectionist and will reach the point of screaming fits if wut he doesnt isnt perfect. ae has a lot of self image issues. ae hides a lot of aers lack of self confidence and doubt behind a wall of "im the best", tho that wall can crash very easily. a bit of a flirt, but mainly bc he just enjoys seeing how ppl react. he takes compliments from everyone but moons compliments r always the best

moon is lower energy and calmer. at least, he acts like it. hes more reserved and if it wasnt for sun he wouldnt have any friends or talk to ppl at all. he fears abandonment and sun is the only person who has stayed with him this whole time and is the only person he truly trusts. is very aggressive towards anyone it doesnt know. despite being shorter than sun (hes 6ft while sun is 7ft) it definitely does a good job at intimidating ppl. over time when xe becomes comfortable with someone xe will eventually calm down and show a bit of a softer side to them. when xes actually calm and likes someone xe can be a bit... chaotic :)

im honestly not sure where ill start their story since ive already thought about their childhood but i also wanna write about their adulthood as well. the story of their childhood mainly deals with the abuse they went through, then with adulthood theyre shoved into an apocalypse bc... y not :) (btw the apocalypse is mainly just bc ive been enjoying apocalypse aus a Lot lately and wanna write one. the child abuse is for their development and to show y they act the way they do. while it will be fun to write their development, i am by no means saying abuse is okay and this topic will be treated carefully and seriously.)

oh theyre also nd as Fuck

but yeah. these r my babies! i hope to at some point start writing the fic so i can show it to u all, but im already in the process of writing another fic, which will be coming out soon!

[sylvancastor]

Okay am I going crazy or was that episode SIGNIFICANTLY better than the past four? Characters had their own motivations and disagreements and we saw a multitude of reactions to Rhaenys's death and it actually got the weight it deserved? We finally got to explore the dynamics on the Black side and that last scene with Rhaenyra and Jace was excellent.

We didn't get to see as much of the Greens, but what we did get to see was great. The eerie vocalizations when Aemond is standing in front of the Iron Throne and the pan back to Helaena asking him if it was worth it? And the scene of Aegon whispering "Mummy" after Alicent had walked away truly broke my heart.

I felt like I was watching the first season of House of the Dragon again where each episode kept me on the edge of my seat enjoying the character interactions and the interplay between the characters. It does beg the question that if the writers are capable of writing a decent episode what in the world occurred with the first four episodes, but I hope this starts a trend for the back half of the season to outshine the lackluster (in my opinion) opening episodes.

[thegreatyin]

and with that, evolution is complete.

i do think the scoundrel made the right choice, in the end. maybe- potentially- they think so too.

[toastytrusty]

"I cannot deny that there were moments in which my direct rival and my direct motivation was you."

[gaybearwedding]

hi hi hello i have been gone forever due to various reasons such as “work” and “mental illness” and “having developed a kpop hyperfixation that has been occupying most of my attention recently” but i need everyone to know that i saw off book live twice last week (in philly with a friend and then in nyc with my girlfriend) and it was truly so everything. i didn’t get many pictures but i did get a few and none of them are very good but one of them is of jess’ amazing stool balancing act and that’s all i need really

[nobodybetterlookatme]

At work rn and I'm full of disgust bc my partner is very clearly sick as hell and I have to be literally right next to him all day 😭😭 wtf I hate it here, he sounds so fucking bad, like why the hell is he here 😭😭

[stanheightis]

im watching yellowjackets for the first time.. does the adult plot line get any more interesting..

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[falsesecuritysketches]

Papercraft Doll Astarion 1/3! The first prototype and once finalised will be on sale in my shop! Keep your eyes peeled if you want one!

[servuscallidus]

I'm done!!

[doolallymagpie]

been trying to come up with a BattleTech “pitch” for fans of The Expanse, but honestly?

this is probably enough, plus the official “primer” document if you want actual information rather than just a bunch of pretty images and a banging soundtrack by Jon Everist (who I’m fairly sure admitted he wanted this piece to sound kind of Expanse-y)

or if you don’t want to click links or watch videos:

politics-heavy hard-SF space opera, thrilling heroics, (almost) zero easy answers to the dilemma of the day, main themes are “people are always going to be people” and “the end justifies the means, but there is no end”. obviously this describes both settings nicely.

one just uses that to explain why people are hopping into big war robots and slapping the shit out of each other.

[bumblingbabooshka]

Started watching SNW season 2 episode 3 and my eyes literally glazed over the moment they both came out in matching all black hoodie-leather jacket-jeans outfits and I couldn’t keep watching after that

[unproduciblesmackdown]

ok another one in that i went over everything again expressly to pick up murder mystery clues, especially in the beginning

noted as the first appearance of mordecai, hanging out in the garage. to be perched on the hood of a car, leaning back, is so whimsical for him. jaunty. but also, being the earliest appearance in the comic / its own timelines, you know. more informatively, it sure seems like atlas was shot or something there. looks like it matches his design even from the mostly obscured look we get at it, and presumably there's any all the more unobscured view available to everyone in-universe. it's also presented as part of someone's file, so that's noted re: drago, though it may just be the required framing to present it as a photograph that'd exist at all

then introduced to mitzi in the next page, and i've helpfully added the arrow b/c i was looking for it like "well, based on this Theory that the basis of mitzi and mordecai being in cahoots and having an understanding about it is their mutually having a personal/emotional connection to atlas (at least on their end b/c we see so little from atlas and hear even less. even when people would usually say one is personally connected to their wife. are they)....might mordecai show up at the glimpse of atlas's funeral" and i'm noting how closely that design there aligns with mordecai's, even though this isn't high res enough to be absolutely certain. but: seems to have a shaded-in coloration, center streak in the ear, sharply triangular corner of face (especially a feature in these earliest depictions, rather than this triangularity incorporating a bit more waviness / curve later), light uhh muzzle nose mouth area, what could be the outline of the light stripe under the eyes, light eyebrows >:c ly arched, & pince-nez or just glasses if that's the only option when you're cats....there's a lot of "wow that really could be mordecai huh" design alignments that are otherwise just a lot of coincidences like, whoops drew this background rando who matches so closely one of the main cast members....characters. getting theatrical out here. and what's then also noticeable is: none of the other background randos resemble any other characters, even when if mordecai is simply here as an Important Employee, where's viktor, where's anyone else we know was already around, where's the employees who remained steadfast who are shown immediately after this, versus mordecai who, as an employee, did Not loyally stick around at lackadaisy, but as someone with enough emotional investment in atlas for that to indeed be the foundation of his and mitzi's murder mystery Understanding, to then also maybe be the only lackadaisy employee at atlas's funeral (presumably with mitzi's knowledge), to have left lackadaisy out of grief rather than professional interests....hmm

mordecai also in this picture, where again everyone's hanging out, next to atlas and singled out by being the only person not sitting. did he just get there, maybe. is he On The Job still, i.e. maybe by being something of an [almost always active personal bodyguard] here. seems he'd face more Away from atlas for that. but not like i know what he's up to otherwise, and Thee Point may be to more symbolically have him standing apart. with even viktor also there, sitting and chilling, to show how mordecai Might also be doing that....but isn't. also of course tingling with mystery senses about what mitzi was going to have said to wick here, about how she would hate to, dot dot dot...then changes her mind upon Considering Atlas

here's mordecai Standing Near atlas again while socializing is happening. while he is also distinct from a) mitzi, in that this is confirming (if somewhat implicitly) that mordecai was in fact already associated with lackadaisy & atlas before atlas met mitzi, and b) viktor, who was still stationed with the arbogasts' funeral home, wherein i'm also considering this relevant b/c naturally it emphasizes that the professional viktor & mordecai duo's existence doesn't make them interchangeable: backing up that mitzi sure may have had a reason beyond a coin flip for having this secret with mordecai rather than viktor (and, of course, the reason probably isn't just "i need to work with some lackadaisy employee who can fire a gun" in the first place)

a couple more points being

mordecai going on and on about professional approach all the time; could simply be his preference, could be an expression of the like precision / methodical perspective that makes him good at biting and killing, could be [that] plus just how he deals with his job being biting and killing when it's unlikely he was up to that before the train ride ft. atlas and atlas taking him on for that success....i also wonder if he took a Professional Approach to killing atlas / thinks of it in that way, even if that reason for [secret mystery involvement with mitzi on this] was an emotional one, and that being recent and tumultuous has him like tripling down on this. even though mordecai may not have killed atlas either, even presuming atlas Was shot and killed. and knowing that mitzi gave him a gun, or mordecai gave her the gun, or they passed it back and forth a few times for obfuscation

the pig farmers start wandering into a dark area of lackadaisy's caves and there's bones back there. what goes on in said caves....all this coming about b/c atlas opportunistically took advantage of the cave access, seems like the kind of environment with real potential for some figurative resonance. like also the rivers.

mitzi telling wick that atlas was the murderous one in the relationship....not necessarily that significant when like, technically who around here Isn't murderous. just like there having been "here's the body stashing cave section" isn't necessarily extraordinary in its literal existence, but with the symbolism of wandering into the caves and finding an area with no light, where you start walking on old bones, and are about to be killed yourself....hmm. and re: atlas's murderousness, sure is possible to team up to kill someone to protect a fourth party, even though like, who. and that would add another layer of "mitzi and mordecai care about the same person" on top of their presumed [handshaken] emotional regard towards atlas. possible, but like, who would that be. it seems unlikely atlas would, say, threaten ivy or something. and how would that incorporate that [there has to be the Mitzi's Asserted Culpability] element. but these things are sure noted

not directly related to the mystery but i will leave off again on the mordenico agenda. even though, also, it is a "bite me a zillion times, two zillion times shy on me" situation like, what are the odds the [inroad of intrigue over shaking up the glitter in your funny little guy who everyone usually just would rather ignore] situation is actually bound for working out. yet [Also Everything Else. like in this scene and the prior Hotel Room Fête encounters] and declaring yourselves as the same and trying to stay friends no matter what....we can dream