#this week is already going great

[expelliarmus]

[wikiangela]

fuck it friday

another snippet of the barbecue fic (aka another snippet of buck being horny for his boyfriend lmao I swear this is a wholesome fluffy family fic haha), this is my priority now, I wanna finish it soon so send all the motivation haha <3

prev snippet

___

“Behave.” He scolds with no heat behind it.

“Mhm, yessir.” Buck purrs, his lips moving across Tommy’s bare shoulder. 

“Fuck.” Tommy breathes out and completely stills, and Buck can’t really see his face but he knows his boyfriend closed his eyes and is trying to calm down – which can’t be easy with Buck still plastered against his back. “This food is gonna burn if you keep this up. And we have guests to feed.” He adds, and as if to make a point, he flips a slightly overdone burger, Buck hindering his movements just a little bit.

Before he can respond, he hears another voice get through the chatter and music and reach his ears.

“Buck!” Chimney calls, and Buck looks over his shoulder to find everyone’s eyes on him, amused expressions on their faces. “Don’t distract our cook, we’re starving!”

“I’m just scolding him for taking his shirt off.” Buck says easily, then adds a little louder, to Tommy but making sure everyone hears, “Babe, you’re gonna burn yourself, you’re a firefighter, you should know better.” He shakes his head, and Tommy looks back at him with a raised eyebrow.

“Oh, you’re gonna pretend like you don’t approve?”

“Oh, I so don’t, Tommy, at all.” Buck tries to keep a straight face, but a chuckle bubbles out of him anyway. “You’re such a distraction, this is dangerous for everyone here.”

“I think you’re the only one with that problem, Buckaroo.” Hen laughs, and only then Buck remembers everyone’s still paying attention to them. It’s so easy to get lost in Tommy, to feel like it’s just them, even in a crowd of people. So distracting. It’s a hazard, really. He should keep Tommy away from everyone, preferably locked in the bedroom with him, for everyone’s safety.

___

no pressure tags (lmk if you wanna be added or removed):

@dr-shortsighted-owl @eddiebabygirldiaz @watchyourbuck @ladydorian05 @diazpatcher @monsterrae1 @rainbow-nerdss @pirrusstuff @bucks-daddy-issues @rogerzsteven @honestlydarkprincess @jesuisici33 @steadfastsaturnsrings @diazheartsbuckley @giddyupbuck @thewolvesof1998 @underwaterninja13 @your-catfish-friend @kinard-buckley @evansboyfriend @beyourownanchor6 @weewootruck @kirkaut @jewishbuckley @loveyouanyway @daffi-990 @lonelychicago @bibuckkinard @spotsandsocks @bucked-it-up @theotherbuckley @drcloyd @bidisasterevankinard @hippolotamus @girlwonder-writes @perfectlysunny02 @dadbodbuck @kinkleydiaz @diazsdimples @aringofsalt

[ardate]

Every Boromir hater makes my enormous love for him grow stronger. Sorry you couldn't understand him, I get him tho and we're holding hands and the whole of Gondor is laughing at you

[bacchuschucklefuck]

and! barbarian!fig! its her

[front-facing-pokemon]

[sluckythewizard]

YOU JUST HƎARD IT FROM [HIS MOUTH] FOR SURƎ!!!

[twig-tea]

Love in the Big City TV Series Episodes 3 & 4: Found Family

[Thank you again to @lurkingshan for organizing and to @bengiyo for the discussion questions in this week's discussion post ]

I talked in my non-book-club post on this section about the t-aras at the hospital after Yeong's suicide attempt moved me. A lot of us have reflected on the t-aras and how their presence in this part of the novel changes the feeling. For me, their presence really complicates my emotions. I love that they are here, and here for Yeong, especially after his suicide, but also through his confusion about Yeong Su. And at the hospital, I love how they function as a foil to his mother in that moment. When people ask about found family vs family, this scene will come to mind in future. Family is who you are raised with who have a legal obligation as well as legal privileges. Found family are those who do not have those legal privileges or obligations but who have chosen to care about and be there for us without them in place. That glass holding the t-aras back, and the t-aras being the ones who make Yeong cry, is what made me cry.

Yeong’s mother in both versions of this story tells him not to be in such a rush to die, which is such an excellent line for her. It accomplishes so much in so little; it could be interpreted as “I'm dying of cancer and fighting so hard to live, and you're trying to die? How dare you” while also saying “I don't want you to die” and even “don't worry, whatever is so hard will not last forever”. But in the adaptation, the impact of the t-aras being there right after she said that line made it so that it also felt like a reminder that he has good things and good people in his life who do love him. And that's why my emotions are so mixed up and complex about their presence, because while the t-aras being here in parts 1 and 2 make Yeong feel less alone than Young felt in the novel, it wrecks me that Yeong still clearly feels that loneliness in spite of their presence. That is so real, and so painful a truth, that the presence of people who love you are not enough to make you not feel so lonely and miserable that you want to die. When I read the novel, the later sections revealing these friendships made me feel the impact of that loneliness later, removed from the moment, but in the series I got it in real-time (even as their presence made seeing the moment play out a little easier to bear; because in the novel we had the benefit of Young's wry hindsight to aid in emotional distance).

I was also thinking about how, in this adaptation of the scene, we see Yeong's mother clock the t-aras in the hospital, and how it feels like they performed the function that Yeong wanted Yeong Su to perform in his attempt to make Yeong Su and his mother meet: they demonstrated that as a gay man, Yeong has people who love him and who are good for him in his life. I would like to think that it's their presence in the series that softens Yeong’s mother to Yeong’s queerness to the point where she kept the polaroid of Yeong and Yeong Su when she found it and let him see it in the binder of her clippings of articles about him; as though it's something she can't engage with or talk to him about but can now tacitly acknowledge. In the book, that polaroid is left out intentionally for Young to find as (at least as he interpreted it) a punishment and a warning. In the series, it felt like the closest thing to acceptance she could offer while saving face: putting that photo of him and Yeong Su in this binder of positive articles about his writing (which is all about his life as a queer man) feels like an acknowledgement that other people can love this part of him that she can't.

I've been dragging my heels on writing this because I'm not ready for Part 3. Holding all of your hands as we all dive in to getting emotionally wrecked this week!

[bookshelf-in-progress]

Gosh, do I love discovery writing. The freedom. The sense of play. The way you have to hold the material lightly and follow where it leads, never being afraid to scrap things that don't work or to rewrite to emphasize things that do. You have the fun of discovering the story you're writing rather than the frustration of being unable to capture the ideas in your head. This way might wind up taking ages, but it makes the writing process such a joy.

[heyyesimtrash-whatofit]

“And all of this is captured by the greedy eyed photographer who stalks me like a vulture!” -Nick Carraway, The Met

(Non Text Version and ramblings under the cut)

Back to our regularly scheduled Gatsby Posting as of late. This time the song of inspiration is The Met from The Great Gatsby Musical! I would be a lying fool if I said the symbolism in this song has not had an iron grip on my writer brain from the very start. I adore the blatant spotlight it places on Nick and his constant being overshadowed and almost hunted by those around him throughout the story. Seriously, whoever wrote these lyrics, you are great. Also Noah J Ricketts an absolutely amazing Nick I just have to say that. I will absolutely be continuing to loop this soundtrack and am actively trying to plan a trip to NY to see the show live because if I don’t my sorry English nerd self will perish. Until my next post!

Non text version:

[ra-vio]

I miss nier. I have to watch the automata anime

[badgopher]

Friday(ish)

Whoever decided humans didn't need a nice lil winter hibernation really screwed that one up.

My new hobby is spite voting.

Live music is life.

They've almost got the botanical garden put back together.

The book's fine. Enjoyable enough.

[eggsistential-breakdown]

quick and loose (24 hours and counting) thing i tried to finish before move-in i'm calling it here i was defeated 😔 let's see if i can finish it before classes actually start (no) featurnig partial view of my krita setup (default) god be with ye all i need to be doing last minute packing in five-odd hours and then i will not sleep for four entire months god be with y'all

[essektheylyss]

I technically only have 8 scenes left of this book draft. That's fucking insane.

[fischiee]

*holds mic up* thoughts on self statement reading bodies being from an eye avatar/this universe’s archivist

ohhh!!! oh that is a super interesting idea and i love it!! i was wondering why the body was telling this story, and how the it got out, like she was able to die and then be found in the house? she was able to leave to be able to tell the story? the vast kicked her out into the ocean?? the lonely drove her to suicide and then she decided to be chatty abt it?? but there were so many overlapping entities in the house that it really would make sense that it ended with the most powerful entity (at the time of universe convergence at the end of s5) manifesting as a way to send her out as some sort of message/warning to create even more fear

but that also has been making me think about how these errors/statements have been found like they don’t really seem like they would all be submitted, especially this one where his options seemed to be destroying the note or providing evidence of the haunting, neither of which really happened. plus like the online message board abt the magnus institute and the youtube videos abt ink5oul - im not sure those would really be tracked and submitted to a government organization unless by the police who somehow found them??

they’re really so significant to the thoughts/influence of the voices (eg. martins story about losing yourself for the sake of following and searching for your lover as well as this most recent ep being jonah sharing about building a house of terror around yourself without being able to escape) that it makes me think that the statements that are read aloud might be jon martin and jonah using the eye to pull stories from the world that they relate to in a desperate attempt to communicate in the only way they’re capable of

anyway this got a little away from me but i am LOVING this season and ep 18 was so good im so glad the plot is starting to shine through!!! thank you for the ask! 🥰

[bunnihearted]

🫖🐭☁️🍚

[ravencromwell]

The poem evokes human greatness and human vulnerability. People are “godlike” in their courage and skill, but even the greatest mortals fall and clutch the dust between their bloody fingers. The beautiful word minunthadios , “short-lived,” is used of both Achilles and Hector, and applies to all of us. We die too soon, and there is no adequate recompense for the terrible, inevitable loss of life. Yet through poetry, the words, actions, and feelings of some long-ago brief lives may be remembered even three thousand years later.

--Emily Wilson's introduction to the Iliad