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jack-of-heartstrings · 21 hours ago

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Some of us take it very seriously. There are a few things you have to accept if you want to enjoy Miraculous Ladybug, is all.

First is just that it's built like this:

You have to accept that watching it means dealing with the extremely over-the-top aspects, the stupid and the absurd, whether funny or frustrating in a given case. You have to accept that the world as a whole is heavily exaggerated, that Marinette memorizing Adrien's schedule for three years is this world's equivalent of an awkward teenager learning her crush's class schedule and going out of her way to bump into each other a few more times a day in the hall, etc.

You have to be willing to accept that everyone is frustratingly stupid. There are like four characters who own 98% of the world's braincells, and Marinette is only allowed to use most of hers when she's fueled with overwhelming anxiety on the behalf of others rather than her love life. Everyone else is surviving by passing around the last 2%. In that regard, yeah, maybe you've gotta not take some parts too seriously, be willing to groan or laugh or both at the absurdity.

But if you can deal with that or are the sort of person to find it fun more often than frustrating, then what Miraculous does well, it does really fucking well.

It's not always right away, and I feel like a lot of dissent in this fandom comes down to impatience or lack of faith in the ability to achieve a satisfying payoff when things aren't going like people wanted Right Now. (Ex: Chloe was set up for failure from the start, Marinette made numerous bad choices discouraging her progress and encouraging her to backslide, s3's finale explicitly said she lost hope, the most comically "evil" parts in season 4 follow a distinct pattern, and now she's finally had lasting consequences and been removed from the easy comfort enabling her behavior, but rather than think breaking down the world around her could be room to finally rebuild something new, all I see anyone take from it is a "bad ending", as if they don't think she's coming back, as if she's not living in the city where Felix, now a part of the team, also lives, and as if Audrey's words didn't hauntingly echo Tomoe's to Kagami. Like.... There's potential here guys. Yes this was a whole tangent mini-essay, I digress.)

But the themes? The symbolism? The subtle background worldbuilding from the very beginning? The rewatch value when you realize how long Adrien has had A Weird Relationship With Feathers, or you see the statue outside his house and how it differs from its real life counterpart, or you look into the painting Emilie's portrait is based on, or you've watched long enough to develop a Pavlovian chill down your spine when anyone says the word "Perfect" anywhere near Adrien or Kagami? The direct acknowledgement that Marinette's romantic fantasies are straight up turning her anxiety into a form of escapism so that she never actually has to DO the things she's Too Worried About and thus can escape the risk of rejection, and the fact that she's aware of what she's doing?

The way they've built Lila/WHATEVER-her-name-is up slowly but surely over time, starting with the chronologically last episode of season 1, and the first of the series to REALLY say, "Hey, this won't always get resolved in 22 minutes, actually"? The way her whole thing is LYING, and that's treated as horrible, and at the same time, a literal requirement for all heroes? The degree to which Marinette lies all the time? The bad excuses world champion? To the point that Luka, whose entire character was so deeply tied to truth and openness, experiences one of his biggest moments of character growth via embracing a bold-faced lie? The way season 5 set The Big Liar up as the new main antagonist while simultaneously setting up the biggest and most soul-crushing lie Marinette has ever told?

And yeah, to OP's point, the way characters parallels interact. Gabriel and Marinette, the humble tailors who fell for the beautiful rich blondes who never actually cared about being rich, but wanted to be free and loved. Gabriel and Adrien, the only two Agreste Boys to ever exist (with Gabriel's name change reveal and all), and the way Adrien's love for Ladybug was often all too much like his father-- obsessive, needy, prone to angry outbursts-- never on the same level, but something that might have gotten there, given time. Marinette, who has been desperately trying to stop overplanning for every single thing, but has been validated for doing so again and again, and punished numerous times when she didn't account for enough. Marinette, who wants so desperately to ensure that everyone and everything is okay that she ends up trying to control everything, precisely the kind of thing Gabriel spiraled from.

And yeah, Nathalie seeing those tendencies sounds like exactly the kind of thing we can hope to see, and dear GOD I hope you're right OP in that she'll oscillate between enabling habits and trying to do better as a mentor than she did as a peer.

Yeah man. Miraculous Ladybug has an insane amount of stuff that can be taken very, very seriously. It's not everyone's cup of tea. The writing in early seasons is very different than later ones, and if people would like the later ones but can't get through the earlier ones (or lack the same investment for trying to skip them) that's fair, and if people liked the more light-hearted silly adventures and don't like the show taking itself so much more seriously, that's fair, and if people like the serious parts but find the remaining absurdity too tone-clashy for their taste, that's fair! It's not flawless. But for what it is and what it's trying to do and be, for those who like the things it's trying to do and be, it's really, really good.

thinking about how Marinette and Gabriel are the same

and how Nathalie is going to be uniquely positioned to be able to see that from within the narrative

i wanna see season 6 Nathalie project Gabriel onto Ladybug. i wanna see her fall in to old habits to both her and Marinette's detriment.

and i wanna see her recognize the worst aspects of Gabriel in Marinette and guide her away from them

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moonofthenight · 8 months ago

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I could talk about this exact moment for hours and hours and hours.

#this was the most perfect last episode they could have given us #it's all I wanted and more #tbh i never thought they'd be endgame like this #but here we are #young royals #wilmon #prince wilhelm #simon eriksson #yr s3 #yr s3 spoilers

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rtdont · 6 months ago

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Hmmm, trying to decide why Clara in s7 pulling a version of Sam's arc doesn't bother me while the mere idea of rose doing that and/or that being ruby's arc makes me wanna spit knives, and trying to come up with an answer slightly more rational than 'I enjoy Moff's writing so I will forgive him for this whereas davies annoys me and his slavering stans drive me up the wall so actually when he does it he's a hack'.

#rtdont original #doctor who negativity #rtd critical #doctor who #tbf I did and still do sideeye the fuck out of the resolution to the name of the doctor because Oof #of the various nuwho plagiarisms it is undoubtedly the most egregious but also consider: I like Clara #also my willingness to criticize moff over even perfectly valid criticisms has gone down to below zero frankly #he could send in a script worse than the giggle and at this point i'd cheerfully craft apologia for it #I'm just so tired of the moff hate it's actively exhausting #it doesn't make me wanna ~think critically~ about s5-10 it makes me stubbornly go 'no actually they were perfect and flawless'#meanwhile the extent to which the last six episodes that davies has turned in (ALL OF WHICH HE WROTE)#have been graded on a Very Generous curve is just. astounding #people really are sticking their fingers in their ears and insisting DW has never aspired to be more than dumb fun #just because to admit that half the eps rtd's given us so far have been shit #would be to admit that they maaaybe went a smidge too hard on the whole nostalgia-poisoned 'return of the king' shit #like nah guys at his best rtd was a solid B writer #and now's he's too big to edit and oof does it really show

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lowkeyrobin · 7 months ago

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Hii!! Is it possible to request a Minho x Reader Angst fic? I don’t have any real ideas for what i just rlly like angst😭

Anyway make sure you’re looking after yourself!!

YES 🙏🙏 I concocted the perfect idea for this so I hope you enjoy! ; thank you for requesting!! ; I wrote like a good chunk of this in geometry and physical science so this is actually kinda good lol ; also this is so damn long for me what the FUCK. ; also a bit of inspo in the end thanks to she by jelly roll...

MINHO ; they

summary ; minho loses you again

warnings ; language, guns & gun violence, explosions/bombs, death, he rips off your wckd jacket & top (not sexual), and a panic attack

disclaimers ; top ten most unneeded deaths in cinema

track ; she, jelly roll (again, not a word)

word count ; 2.5k

masterlist

Minho lost everything he'd been able to remember once he left the Glade, including you.

You were a smart thinker, which confused him as to why you stayed back with Gally and the other skeptics who didn't want to find escape in the maze. He tried so hard to convince you to come, but with such little time, he couldn't.

He'd spent months imprisoned mourning the loss of your presence. He didn't know how to function without you. He wondered where you were all the time, if you were even alive or not. He'd been wishing the best in your fate, in the scorch and back in the hands of WCKD. He missed your dorky smile and infectious laughter, hoping one day he could hear it again, even in the stars that he oh-so-missed gazing with you.

Your name scorched his heart every time it was spoken. Your face was engraved in his brain, to the point every time he thought of or imagined you, he'd fight back tears to stay strong. You were weaponized against him, being used to create false memories and episodes to help them find a cure.

Every time he'd wake up from a real dream where you were present, he'd end up in tears, to then have to cradle himself back to sleep. He'd been confined like this for months, then another few days before the bust. It was so, so much worse in the Last City, he'd rather have died in some horrific train crash then have missed his chance at freedom.

However, you survived. Gally did, too, though, even after Minho pierced his chest with a spear.

You'd joined some revolution gang together, learning to use guns and join the ranks. You'd been given bulletproof vests once you proved your worth, officially becoming part of the team.

Reuniting with Thomas, Fry, and Newt was a story in itself, but knowing, or at least hoping, that you'd see Minho again made your heart race in your chest. Gally took Thomas and Newt out to explore the perimeter of the city, letting you reconnect and catch up with Fry and get to know Brenda and her father figure Jorge.

Brenda grew fond of you quickly, liking your badassery and passion to overthrow WCKD. She knew you weren't into trying to kill innocents and understood that you wanted bullets in Janson's and Paige's heads, and you were willing to do it for free.

You showed her and Fry how to use the electro-guns, two you'd stolen from WCKD guards that defended the city walls. They're good for torture, but it was never your taste of tea, you left the others to do the sick shit. You wanted your friends back, you didn't even know they'd been free up til earlier today.

Once the trio came back, they set up a plan that you and Gally jumped in on to deflect and suggest ideas. It was set for tomorrow night, and you didn't know how to process it. You try not to think of Minho the rest of the night, which you awfully fail at, as you'd fallen asleep thinking of him.

You play out your role over and over again, overthinking every single detail down to the grade of gun you'd have strapped to your side. Gally, now your close friend after all this time together, could see your nervousness and anticipation.

"You okay?" He asks, leaning on the railing to your shared bunk bed. You slept on the bottom, him on the top.

You nod, arms sprawled over the top of your pillow, basically holding it like it was going anywhere. "I'm good. Nervous"

He nods, "It'll be alright, we're gonna get him back"

You'd stolen WCKD gaurd suits, your first priority. You and Gally walk around the perimeter of the building post getting the kids on the bus. Your masks are up to avoid any real guards noticing that you're fakes. He holds his bulky gun across his chest, while yours is angled with the safety on across your back. A hand rests over the pistol on your side.

You can feel your heart pounding behind your ribcage, the anticipation of seeing Minho and taking down WCKD killing you. Gally pats your shoulder for reassurance and nods forward silently, wanting to pick up the pace.

You notice explosions in the distance, firey flames illuminating the sky.

As you walk under the main area, you notice a fire extinguisher land in the modern pool, splashing water into the air as it sinks to the bottom. You hear yells, then three bodies plop into the pool. You and three other guards behind you run to the scene, while you and Gally lag behind, knowing who just showed up.

Thomas, Newt, and Minho rise out of the water, floating over to the side after Thomas sends Janson, standing in the bay of the window, maybe twenty stories high, a middle finger. They wade over to the edge and pull themselves out, guards hold them at gunpoint, leaving their faces shaken and in despair.

Gally acts first, shoving one of the guards into the pool, then you pistol whip the one on your right, and you together knock out the last guy. The boys stare at you two, confused as to why two guards had apparently saved them, their questions are quickly answered as Gally rips his mask off.

"Hey"

"Oh, you bloody genius!"

"Oh, shit"

"What the hell?" Minho mutters.

Laying your eyes on him again, even though that mask, it brought you nearly to tears. Seeing his eyes, so tired, his body clearly so weak from the mental and physical stress, your heart broke for him. You make sure your handheld gun had the safety on before tucking it away properly.

"Long story" Gally replies to Minho, knowing what he was thinking.

Minho, still in genuine shock, adrenaline coursing through his veins, looks to you, wondering if you were maybe Brenda or Fry. You bite the inside of your cheek before pulling your mask off, softly smiling at Minho.

Newt and Thomas smile, Newt much more weak, as he was beginning to crank out.

"Y/n?" He questions in disbelief. "How- am I dreaming again?"

You quickly pound the boy into a hug, the moisture from his body rubbing off onto your red and grey outfit. The mask lays on the concrete, where Gally kicks it into the water, same with his.

You hear him begin to sob, holding onto you so tightly in fear you'd disappear like all the times before. You rub his back with your dominant hand, which trails up his spine toward his nape.

"I thought you were dead" He cries, "They've been using you in those simulations-"

"It's okay." You softly speak, "We have to go, you can tell me all about it later"

He nods, eyes still widened in shock and confusion as you follow the other three as they quickly flee the scene.

You take cover by some bushes, leaving Newt on the side to rip his jacket off as he sweats profusely. The veins in his neck were bulging out of his skin, colored a matte black.

You couldn't help but stare, unable to listen to the others talk. You quickly rush to his aid, wanting to help him be the most comfortable he possibly could be.

You crouch down next to him, giving him some reassuring words that he'd be okay. You help him to his feet, where Minho is at your side.

Gally and Thomas lead the way as another explosion rings through the air near you. You duck your head as some loose shrapnel lightly hits your skin, thankfully not enough force given to puncture your face.

The explosions only become worse as you run through a little diner, having no alternate route around as the city was being blown to smithereens.

"God damnit, we said blow up the entrance, not the whole damn city"

Newt falls to the ground, too weak to walk as black ooze drips from his lips. Glass explodes behind you, in which you quickly shove Minho to the ground in front of you to protect him. You cover your head, letting the glass shards hit your protected back.

He gasps for air for a moment as Thomas and Gally prop him up against a safe wall, trying to talk to him. You and Minho follow suit, making a quick plan to go get the temporary cure from Brenda and Jorge, and run back to give it to Newt.

"Stay strong for me, okay?" Minho speaks, his hands on the blonde's shoulders.

He nods, his eyes clearly lost in a daze, his vision blurry and wobbly.

Minho pats his shoulder before standing up, letting you give him a nod of reassurance. You and Gally follow Minho, weapons drawn to protect him as he leads with his quick sprinting skills.

You three get one last look at Newt and Thomas before fleeing, working your way through the maze of buildings and explosions to get to your friends. Gally shoots a guard at his side while you do the same at about a 10'o'clock radius.

"This way!"

You follow Minho, the explosions so loud that they defeaned gunshots. The battery on your stolen WCKD gun runs out, and you toss it to the side, resorting to using your pistol to defend your friends. Another bomb nearly knocks you off your feet, causing you to stumble into Minho.

"Sorry!" You shout over the noise.

"You okay?" He shouts back, helping you balance on your feet again.

"Yeah!" You quickly reply, nodding forward for him to continue running to get the cure.

You make it down to the Berg, where Fry, Brenda and Jorge await your arrival.

"The cure!"

"We can't leave him here like this"

"We can't take him back-"

"We have to, please"

"It's too dangerous, we won't make it back to the Berg in time, or we'll get blown up carrying him!"

You stand at Minho's side, looking down at the blonde haired boy as he stands up. He wipes the tears from his eyes, looking at you.

"We have to leave him, Minho"

He nods, slowly placing the cure in Newt's cold hand. He takes one last look at him before turning away, waiting for anyone to speak and give orders.

Brenda speaks up again, deciding to get back to the Berg as fast as possible. You all follow her, guns out, ready to shoot whoever you had to at this point.

Minho turns to you as you run side by side, "Why are you here? Why are you putting yourself in the face of danger? To save me or something?"

You give him a little head tilt to act as a shrug, "You called"

"What?"

You shake your head, deciding to explain it once you were in the hands of safety. An explosion, which cause the ground to rumble beneath you, knocks you all off your feet and onto the hard concrete.

You all groan in pain, having fallen all over each other. Brenda had fallen onto Fry, and they both stumble to the side, apologizing to one another profusely. You'd fallen onto Minho, of course, and help him back to his feet.

You feel lightheaded, your face growing cold, odd for the amount of heat and fire and running around you'd been doing. You lean onto the boy, feeling woozy, as maybe you'd stood up to fast.

Then you fall to your knees, some invisible force knocking you down, your cargo pants ripping at the knees from the impact.

"Y/n!" You hear Minho shout, his voice echoey in your ears.

You hear three gunshots coming from each Fry, Gally, and Brenda. You look back, seeing a WCKD guard fall on their back after taking three shots to the head and chest. Minho's hands rest on your shoulder and on your cheek as he calls your name, asking if you're okay. You see his eyes glance down, where he quickly looks back up to not scare you.

You stand up, numb to any pain. He follows, making sure you're able to keep balance on your feet. He quickly rips off the bulletproof vest for you and your jacket, revealing the wound right under your collar bone.

You look down at it, then look back up at him, eyebrows furrowed. You look to the other three, eyes widened in shock and fear. Another explosion pops a few hundred yards away, shaking the ground again, though not enough to knock you all down once more.

Minho quickly shouts for anything he can use to keep pressure on the wound. He held his hand over it, as the bleeding was horrible at the moment. His hands are covered in your blood, considering the bullet that shot you went clear through you. You notice the bullet a few feet away, light flickering off of it as it rolls into the street where multiple bloody bodies lay.

Minho rips a piece of his shirt and stuffs it into the exit wound, ordering you to hold it there. He pulls you along as you continue running through the city. Your left arm rests over Minho's shoulders, not wanting to upset your other side. Considering moving, it would only agitate it more, and you were trying to keep pressure on the wound anyway.

As you reach the final yards to reach the Berg where Jorge and Vince wait, you collapse to your knees again, landing face first in the debris covered concrete. Minho falls with you, your weight having dragged him down. He tries to pull you up but notices the pool of blood forming around you. A thin, but large pool.

He calls your name over and over, then flips you on your back, where blood sputters out of your mouth. He quickly pulls you up, your back now held up by Brenda and Fry, who were quick to turn back. Gally crouches down on one knee and slowly removes the cloth from the wound, absolutely drenched in crimson.

"No, no, no, no. Not now! Y/n, get up, please," He pleads, watching Vince and Jorge rush to your aid. "They were shot by a gaurd, went clean through, there's so much blood-"

You reach your hand out to Minho as the men pick you up off the ground, where you stumble to walk with them. They practically carry you on their shoulders to the Berg.

Another explosion knocks you all to the ground again, leaving bruises on faces, arms, and legs as you're pounded onto the ground. You'd be lucky enough not to get AIDS at this point.

Minho stumbles to his feet, rushing to you as the men pick themselves up before you.

He notices blood spewing from the other side of your chest. He rips the extra layers of clothing off your torso, tossing your pistol to the side as well. Gally looks around, finger on the trigger of his gun, looking for a shooter.

"Stray bullet!" Brenda shouts, "Get them in there! Go! Thomas needs us!"

Minho places his hands under your arms and drags you into the Berg himself, all the children right in view of your slumped body. You choke on blood and air, feeling your face grow cold and pale. The liquid trails up into the aircraft, staining the hard metal red for the time being.

Vince jumps into the driver's seat, ordering the others to help you and how to before it's too late. Brenda stands next to him, trying to get any info out of Thomas through the walkies.

You wrap your arms around Minho, feeling the pain in your chest now as you grunt and cry. You squeeze onto the back of his shirt, the pain causing you to claw your fingers into him. He holds you, his heart breaking in two as you struggle to breathe.

The placement, it wasn't possible to keep you this time. It wasn't possible to keep you and be free in any situation, in any timeline, in any universe.

"I don't wanna say goodbye"

He sits on the beach every morning, talking to the sunrise as if you were there next to him. He didn't mind the sand that would pile up in his boots or the dusty grain that would stick to his hydrophoric hands all damn day if it weren't for the water there to wash it away.

His fingers traced over your name on the rock when he felt lonely, like you were magically there, hugging him again.

He'd never know for sure what you meant when you said that he called. He understood that you definitely didn't hear him call for you after awakening after nightmares, but maybe you did, he wouldn't have known. He guessed in a metaphorical sense, he did call for you, which you both knew, but it still confused him somehow. He wanted you to explain it all so he'd understand, like how you always did.

He regretted never being able to rant about all his feelings to you. He wished he had time to tell you about all he went through so you could reassure him that you'd protect him forever. You'd protect him from the nightmares and the scars, the mental baggage that would weigh him down forever.

He started crying himself to sleep after he began to forget your face.

He just wanted another hug, but your face was beginning to blur out. It sent him into a panic attack right there. No one was there to help him as he cried and clawed into the dirt, trying to ground himself again. He couldn't believe himself, he treasured you so much yet he was forgetting your face after merely a year after your dissapearance?

It didn't help that after a while, he began to forget your voice too, that hurt even more. He'd been forced to talk about his feelings to Thomas like a parent-child conference. He wasn't himself anymore.

His eyes were always swollen, eyebags dark and weighing his happiness down. He was depressed. Every smile he showed was just him trying to make his way through another day's work, distracting himself from the fact that he lost you, for good this time, he watched it.

He wrote letters to you with no address to send to. It didn't help whatsoever that he himself pushed you out into the sea once Thomas regained consciousness so he could say farewell. He watched it all, he knew you were gone this time. At least he had some sense of closure.

He had nothing left of you other than that WCKD jacket you wore, that haunted him as he slept. He only kept it because even with the logo of the corporation that tortured him for years and past the bullet holes in it, it provided him a little comfort that you were still there.

He found that telling stories of you to the younger kids helped.

"They were like the life of the party, bright smile, infectious laughter. They were the one everyone wanted to be around. You could see the sunrise in their eyes."

"Who were they to you?" One little girl asks.

"I don't really know" Minho shrugs, looking down at his hands for a moment.

"Where are they now?" A little boy asks, tilting his head.

"They're in the sky, they have been. They're stuck there. I hope I see them again" He replies with a little nod, looking up at the sun beginning to set up on the island.

"Why are they stuck in the sky?"

"They're afraid of coming down"

#lowkeyrobin #minho tmr x reader #tmr minho x reader #tmr minho #minho tmr #the maze runner x reader #maze runner x gn reader #maze runner x reader #maze runner oneshot #the maze runner #gender neutral reader #gn reader #they/them reader

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stormandforge · 6 months ago

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And just like that, Forge has a name.

I almost choked when I heard it. I use captions, so I could see I hadn't imagined it, and I was in absolute shock. I repeated "DANIEL?" in disbelief about 10 times, my hand on my mouth and my eyes wide. I looked at my husband to confirm I wasn't going insane. Then I stared into space for the rest of the episode.

X-Men '97 using Forge's real name was the last thing I expected. And the way they did it, too, so casually, in conversation. I'D BEEN WAITING FOR THIS FOR 30 YEARS.

You might think it's a small thing, but before X-Men '97 episode 10, so before yesterday, Forge didn't have a real name. He was introduced in 1984. Let that sink in: that's 40 years without a single Marvel writer bothering to give him a name.

The fans, myself included, came up with headcanon to justify the decision and sometimes made up names for him in fanfic (Jonathan Silvercloud being the most famous one - no it's not an alt reality name, it comes from fic), but no Marvel writer took the time to explain or rectify.

This was frankly insulting of them, especially when you consider Forge's constant presence in the comics, and the ridiculous number of names some other characters have. Also, and perhaps most importantly, Chris Claremont had already planned a name for him:

All Marvel needed to do was use this name to make it canon. Or perhaps ask Claremont if they could use it. (And if they didn't want to speak to Claremont, they could still just...make up another name. You know, that thing writers do all the time.) But no, even after the name was announced on Twitter, it still was never used, on panel or elsewhere.

Enter a simple piece of dialogue in X-Men '97, and boom, Forge has a name. It wasn't that difficult, was it? Such a small move, but it shook me like a bomb. It's a historic moment for the character, and for the people who love him as much as I do. It's like he was finally given an identity, and with it the basic dignity he deserves.

I had imagined all sorts of scenarios in which his name would be revealed - all quite dramatic or emotional. But I guess the best way to retcon something that doesn't make sense is to pretend it never happened. So revealing his long-withheld name in conversation, natural like, is absolutely perfect. I love that Forge doesn't even react, because, you know, it's just his name, no big deal.

(I'm a bit sad that Ororo wasn't the first one to call him by his first name, but hey, you can't have it all.)

As far as I'm concerned, the name is canon now. '97 isn't the comics, but it's still Marvel, and that's good enough for me. I've waited long enough. And if the first name Claremont wrote is canon, then so is the last.

Which means: Forge has a full name. *SQUEEEEEEE*

I don't know who made the decision to use Forge's name or why, but I want to thank them. They righted a major wrong.

Now catch up, Marvel Comics. Everyone deserves a name. Even the monkey wrench repairman with non-flashy powers.

Everyone, meet Daniel Lone Eagle.

#x men 97 #xmen97 #xmen97 spoilers #xmen forge #x men forge #forge #Daniel Lone Eagle #marvel #marvel comics #xmen #xmen comics #x force #x men

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mongrel-mage · 1 month ago

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A Spoiler-free review of Edge of Sleep

Fucking incredible. Like...9/10 and the only reason I say so is because there were only 6 20-ish minute episodes and I wanted the show to be longer and give us more backstory on the characters and such. It'll be a bit longer of a post, but rest assured that there are no spoilers under the link.

Main differences from the podcast, but still minor: the character of The Trespasser does not feature in the show, nor do Dave's story about the Moobles and the ensuing hallucinations he describes. However, I was satisfied with how they used the information from The Trespasser's subplot in the actual TV show, and there was a little reference to him at the beginning of Episode 5 that made me smile, so I'm really not that fussed about those things being missing.

I'm going to take a minute to rave about Eve Harlow, who plays Linda. What a goddamn POWERHOUSE of an actress, honestly. Perfect casting. She nailed a character who is tough as iron, focused, determined, and intelligent without making Linda come across as unnecessarily cold or unlikeable--I'll go so far to say that Linda was my favorite character (by a slim margin, but still there). Eve Harlow has an incredibly expressive face and eyes that convey complex emotions without relying on the same few expressions or overacting what she's feeling. I really want to see her get some sort of awards or accolades for her performance because she carried damn near all of her scenes.

Let's talk about Mark. I already knew that he could act well because I'd watched his other projects, but most/if not all of them have at least some level of comedy, humor, or character who lightens the mental load at least a little bit. We all know that he's a giggly bitch and likes to have fun, and there's nothing wrong with that. That said, I'm comfortable saying that Edge of Sleep is easily his most ambitiously dramatic project--there was a lot of raw stress, grief, anger, and pain that Dave Torres went through, and I was impressed at how well Mark portrayed it. It's obvious how much he tries and how hard he cares; it's so clear that this wasn't some celebrity vanity project. You can really feel the love and the energy and the care that he put into this, and I was, like I said, impressed at his range as a drama/horror actor. There were some moments and expressions he had in the show (namely in the first episode, when the people at the party are giving Dave a hard time about his sleep disorder and past episodes) that hit me unexpectedly hard. Amazing performance, Mark. I'm proud of you.

I also want to take another moment to rave about the makeup and hair department. Standing ovation. The gradual increase of the characters' exhaustion and general levels of dishevelment (the thing that stuck with me the most was Linda's makeup and hair, SO good) looked very real and read well on camera. Anyone who knows me irl knows what a freak I am for good practical effects/makeup, and I want to make sure that those artists are acknowledged and appreciated. I'm also going to throw in some kudos for whoever was behind the Elephant Monster--that thing was FUCKED UP (/pos). I love a Creature and it was sufficiently more disturbing than I had expected it to be, since The Elephant isn't given much of a description in the podcast. I'm not sure if it was practical effects or something computer generated, but whatever it was it was amazing. Hats off to the Creature Crew!

Lastly: I WANT SEASON TWO. GIVE IT TO ME. I WANT TO RIP IT APART WITH MY TEETH. I HAVE BEEN GOOD AND COHERENT FOR THIS LONG NOW GIVE ME MORE.

Also. I promised no spoilers and there shall be none. But that last shot of the last episode? fucking HAUNTING. Here's hoping that us catapulting Edge of Sleep to the TOP FIVE, BEFORE THE OFFICIAL LAUNCH, will seriously throw some weight to whoever can decide to give us a second season.

#the edge of sleep #teos no spoilers #no spoilers teos #review #markiplier #mark fischbach #dave torres #eve harlow #linda teos #teos #the edge of sleep amazon prime #edge of sleep #I'm FERAL FOR IT DON'T LOOK AT ME

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laughhardrunfastbekindsblog · 2 months ago

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You know the one point above all others that leaves me convinced Bad Batch season 3 underwent some massive rewrites?

The time skip in episode 1.

Now, the time skip could have worked fine if there had been any attempt later in the season to meaningfully follow up on the vital conversations that apparently took place during said time skip. But that's not what happened.

And I have too much confidence in the writers' vision/abilities to believe they originally intended to use the time skip the way it ended up being used: to completely gloss over the aftermath of Tech's fall to the point that the audience is left wondering - maybe Tech's family/friends have already processed it and moved on? Or maybe they haven't?? Who knows! Let's leave it super vague all season long and have the audience interpret it as they will! Pick your preferred grieving method and tell yourself that's what all these characters did during the time lapse, or if that doesn't work for you then just "something something stoic soldiers."

To give a clear example of what the writers are capable of: Mayday has the distinction of being recognized as THE tipping point to Crosshair finally turning on the Empire and later is given a satisfying, if heartwrenching, callback scene that decisively provides closure for his loss. Remember, Mayday is a character in ONE episode. Just ONE. In the grand scheme of the show, he probably qualifies as a tertiary character. Crosshair knows him for, what, 2 days at most? And yet Mayday is still definitively recognized as a key influential figure in Crosshair's life.

I love Mayday. He deserves all the recognition and more. I bring all this up simply to compare to how the show handles Tech's death, especially for Crosshair.

Tech is Crosshair's brother, was raised with him from birth and lived and worked with him day in and day out for over a decade, and for years they were in life-and-death situations together. Unlike with Mayday, Crosshair wasn't there when Tech died - died on a mission he had pushed for to save Crosshair from consequences of his own choices. Not only was Crosshair not there for Tech in his final moments, but the last time he saw Tech, Crosshair was arguing with him along with the rest of his brothers. Vitally important as Mayday is to Crosshair, Tech is even more so (or should be). Given all this, I'm supposed to believe the writers' grand plan all along was to skip over the critical moment where Crosshair finds out about Tech, spend the rest of the season ignoring all other opportunities to address it, and throw in one line during the finale ("Clone Force 99 died with Tech") that somehow manages to simultaneously deprive us of any semblance of catharsis for Crosshair AND completely miss the point of why Tech had sacrificed himself in the first place??

Nope. I don't believe it. There were forced rewrites on a time crunch. I REFUSE to believe the writers responsible for the near-perfection that is Bad Batch seasons 1-2 would, on their own, so thoroughly botch something as crucial to the show as Crosshair dealing with Tech's (supposed) death. There had to have been some kind of outside interference.

(I am clinging to the theory that the rewrites were part of a bigger plan to save some plot points for continuation in another project; but the point still stands that there had to have been significant rewrites in the first place.)

And since there would have been little to no reason to take out scenes with proper closure for Tech's fall during the rewrites if the original intention was indeed for Tech to be dead, I conclude yet again that Tech isn't actually dead.

I will say this for the time skip: it is what first pushed me into writing Bad Batch fanfiction. So there's that.

#the bad batch #star wars the bad batch #tbb critical #i admire the creatives' abilities too much to think they originally planned on plot points falling apart the way they did in season 3 #in other news #tech lives #because it's the only thing that makes sense #not to mention makes the story end in a satisfying way #the show didn't provide satisfying closure on this so tech's obviously not dead #bring tech back #it's been a few days therefore it's time for another tech lives post

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acertaincritic · 4 months ago

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Episode 9 & the season overall

MEEEEEH

Do I need to say more?

Like yes, fine, overall, it's not as bad as the previous two seasons. Overall, this was the best season since season 2.

But let's be honest, it's not some high benchmark to clear.

Structurally, this episode's problem is that it's the final episode yet it has the structure of an early-in-season episode. It solves a personal issue of Rayla and it deals out Aaravos's backstory, and it even recaps early seasons! If not for Aaravos's return in the end, this could've been the first episode of the last season. It still could've been, just move his return one episode earlier and the rest could stay the same. No reason Aaravos can't explain his backstory to Claudia after she lets him out. The whole "cast spell with love" was a bullshit excuse.

But the most prevalent issue of this whole series is its refusal to put its heroes through any meaningful trials or tribulations. Any time they have any meaningful choice to make, the story ultimately makes it so they don't have to pay the cost. Some examples:

Rayla decides to lose her hand instead of killing Ezran - Zym just breaks her hand-cutting bracelet.

Callum decides to use dark magic and regrets it - he just gets primal magic he can use with clear conscience. He arguably chooses wrong and then he's still given the good magic in reward.

That also entirely nullifies his initial choice of "use dark magic or have no magic." He just gets good magic.

Claudia kills a deer to heal Soren's legs and in the end... Nothing? She gets ugly I guess? Soren is perfectly fine, it doesn't matter that such a powerful dark magic was used on him, at most it's Claudia who bears the cost, and it's not clear what "looking ugly" really does, if anything at all.

The Dragon Mom ignores her injury and pretends she's fine - when she stops being fine she just stumbles across a healer by accident.

Or just this season:

Callum gets healed from using dark magic by a ritual. They say it's dangerous but eh, it seemed pretty easy, half an episode and done, and he's fine and has his primal magic. No cost.

Rayla thinks she'll have to choose who to save, but in the end her parents are at peace and happy to go. She doesn't really have to choose, she just goes with what the other people choose.

The Sun Queen strikes out at her brother's forces and in the end nothing happens to her lol. That whole Z plot line was ultimately a nothingburger. The big sun dragon wasn't even needed to release Aaravos. You could've entirely cut it out and just have Claudia sneak into the castle to get the egg!

And so on and so on. And it's just so tiring, because we're dangled nice stuff in front of us, like a possession arc, but then nothing happens.

Claudia just lets Aaravos out like she's intended for three full seasons. It's just dull. It's boring! It's, well, it's the definition of meh.

Guys tell me, seriously, am I the weird one? Is it weird for me that I expect the heroes to have to deal with complex issues and hard choices, and not the villains? Am I asking for too much?

Because it feels like the creators had some nice epic pictures in their heads, like Katolis burning or a big battle among the Sun Elves, but they just can't or won't commit to them. They don't write a meaningful story to accompany those pictures. All the heaviness is put on the antagonists, while the heroes, if they have any issues, typically resolve them within one episode - like the Sun Queen had a one episode long "arc," but she just had to listen to a story and she's perfect and flawless again! Callum's arc of struggling with dark magic and possession is the only such one, and it still came to an anticlimactic, easy end with the cleansing ritual.

Yes, the show can still do something with it. If I had more trust in this series and its writing, I'd say that sometime in the next season, Callum is going to use dark magic to save Rayla, breaking his promise, and then she'll be unable to kill him, breaking her promise, and they'll need to put themselves back together and come back from that.

But... I don't have any trust in this series at this point. They used false advertising in the trailer! There wasn't any scene with Callum having black eyes this season, yet they even used it as a thumbnail?

So with my zero faith in the writing of TDP, I'm presuming there will come a moment when it'll look like Callum might use dark magic again, but he'll then refuse and instead of suffering any consequences, he and others will be promptly rescued by someone, like maybe the Dragon Mom coming back during the final battle or something like that.

Because the heroes just got to choose right and they'll suffer no consequences for it. I guess the moral of the story is "just be good and things will work out on their own." In other words... "trust in God/Fate."

Amazing. That's exactly the message to teach kids, instead of "sometimes doing good is hard but it's still worthwhile" or "be smart and creative and you'll find a solution" or idk a hundred other messages this show could've had.

Like seriously, the setup where humans don't have inborn magic and elves do is such an amazing one. It could've been a story about humans outsmarting elves, about figuring out other ways to use magic, about not letting their lack of power put them down.

But nooo. Instead it's a story about those born powerful being always good and beautiful, and only a couple of them are bad apples - usually because they're deceived by one particularly bad apple. And if you're born without power (privilege, khy khy) you should just accept it and you'll be rewarded by fate/those with power.

This show is progressive?

#the dragon prince #tdp season 6 #tdp spoilers #live reaction #rant #review #stuff

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lemotmo · 2 months ago

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Some of the questions that you all get 😅😅. Bless all of you who have to deal with this stuff.

Q. I don't understand why Oliver feels like he can't talk about Tommy/Lou? He's been brought up to him a few times and you can see that he clearly wants to talk about him but won't let himself. It's part of Buck's story. He can and should talk about him. Ryan being present shouldn't have mattered. Tommy is part of Buck's story and Oliver should get to talk about him.

A. Oliver didn't edit his response because Ryan was there. Oliver didn't want or need to talk about Tommy. The Tommy topic has been handled pretty consistently by both Tim and Oliver in recent interviews. They're talking AROUND him instead of ABOUT him. And they both quickly shifted their focus to other things. Tim made it about Eddie, for obvious reasons, and Oliver shifted to talking about how poorly Buck is handling the Gerard situation because I think that's what's ultimately going to lead to them parting ways. That's clearly a deliberate choice. They're not talking about him because there's nothing to say. He isn't the point of anything happening within the storyline. They have to talk around him because the plot point that Tommy was serving has not yet been resolved on screen. But I'm guessing his part is finished and closed by the end of episode 2 at the latest. If he was sticking around for any length of time both Oliver and Tim could have said that we would see their relationship continue to grow. That's a very simple answer to give. It doesn't require any additional details but would at least let the audience know that their relationship was going to get some kind of focus. Instead they both just said it was still at the early stages and no real time has passed from last season to this season. Then Oliver flat out said they don't yet know what a relationship 'could or would' look like. But Ryan telling the interviewer that Buck and Eddie will be leaning on each other is the biggest tell. If the Tommy relationship was a priority of any kind they would be having Buck lean on him not Eddie.

I think the golf photos we saw are a Buck/Eddie/Tommy outing and they just happen to run into Gerard. If that is the case then that scene is going to be used exactly like all of Tommy's scenes last season were used. To highlight the difference in the way Eddie and Tommy talk to, listen to, react to and regard Buck. If the Eddie story is going where most people, including many jurnos, now think it is they need Tommy out of the way fairly quickly and the Gerard plot is the easiest way to do that. And, in spite of what his fans are currently shouting, makes perfect sense given Tommy's canon history. He's going to tell Buck to keep his mouth shut, his head down and ignore everything. Buck is not going to be capable of doing that, this is something you all would know if you had bothered to watch any of Buck's history. Even if the golf thing turns out to be something different I still think Gerard will be the reason they split. If Buddie is the plan, and that looks increasingly likely, they need Eddie and Buck in some kind of story position before Christopher returns. Given everything that has happened between Eddie and Christopher he's not going to want to keep secrets from him. So even if they aren't ready for Buddie yet they need Eddie in position to open up to Christopher about what's changed for him while he's been away. They don't have time or frankly need to drag out the Tommy part. They need that plot point closed to move forward with the bigger story.

Thank you Nonny! As always, I appreciate you dropping these asks in my inbox.

This post kinda speaks for itself, doesn't it. All of this makes perfect sense when we step back and look at all the things that have been said about BT, Buck and Eddie so far.

Whether or not the Gerrard-situation will lead to their break up, I do expect a break up to occur pretty early on as well. It will be used to propel Buck's story forward, while simultaniously influencing Eddie's story as well.

As for the details? Pffff... who knows? We'll just have to tune in, watch and hope they'll do this story justice. 🤞🤞🤞

IMPORTANT! Please don't repost this ask and/or a link that leads straight to my Tumblr account on Twitter or any other social media. Thank you!

Heads up! For anyone who is giving me the shifty eyes for reposting Ali's updates instead of reblogging. Read this.

Remember, no hate in comments, reblogs or inboxes. Let's keep it civil and respectful. Thank you.

If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

#anonymous blog I love #season 8 speculation #911 speculation #buddie speculation #BT speculation #nonnies galore

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sgiandubh · 1 year ago

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Labor of love

I was very interested to see what S told Mark Gillespie on the last episode of the latter's WhiskyCast podcast, @bat-cat-reader immediately shared with us.

It was a most instructive 35 minutes. I listened to all of it, because I wanted to also hear Gillespie's tasting notes forThe Sassenach. And I regret nothing: once you get past the traditional (and a bit obnoxious) 'why The Sassenach?' question, you're in for some interesting news.

You can listen to it here, by the way:

Before anything, who is Mark Gillespie?

One of the most respected professionals in the very small world of alcohol specialized podcasters, with a 37 years work experience in media and broadcasting, spanning household names such as CNN, Bloomberg, Wall Street Journal, Gallup and MSNBC. But also, and this I found very interesting, given the current context, the owner of CaskMedia, a firm specialized not only in media production, but also marketing and PR.

The podcast was recorded at The Metropolitan Club's library, moments before the Keepers of the Quaich dinner, where S was a keynote speaker. So not 'just there for the Haggis Ceremony ' - a 'guest of honor' is never invited just for the show, people should have known better, eh?

S's 7 minutes interview starts at the 09:32 mark. Comments in brackets are mine.

Gillespie surely doesn't like to beat around the bush and after the customary niceties, asks a million-dollar question:

MG: 'I have to ask: did you have the troubles (problems?) in Germany straightened up?'

SH: ' Ha, ha, ha [not an organic giggle, but hey - gotta do what you gotta do, eh?]. Well, I am not entirely sure I should talk about it [speaks very quickly and through his teeth - visibly annoyed/nervous; not entirely sure I got it all correctly, so feel free to amend in comments], ah... ummm... not as yet... not as yet...ummm...we did fall into an issue with the name Sassenach, which was similar to a big brand in the US... ah!... in Germany, sorry... of a beer brand... I...I personally don't see the similarity [neither do I, S...neither do I], but I am sure once people taste our whisky, they'll know what it is, whatever the name is on it.'

Yes, this interview was probably rehearsed. Yes, Gillespie might have sent the questions to S/his people in advance for reviewing. No, he could not speak about a legally complicated situation before the final settlement with that Schoppingen beer brewer (penalties are probably still to be fixed and paid, but I will check that, so don't take my word for Gospel truth, yet). I will write separately about this whole thing, because I still think that was a very questionable decision of the EUIPO. Not because it royally pisses me off (so fucking unfair!), but because I really fail to see the proper legal reasoning and basis for it. His answer was perfect, under the circumstances. Absolutely perfect.

Anyways, FWIW, it would seem some sort of solution has already been found ('whatever the name is on it') and that most probably would be to rebrand it. And sell it on the German/EU market under a new name.

Lallybroch (https://trademarks.justia.com/981/67/lallybroch-98167525.html), perhaps? Time will tell, but that could explain this recent trademark application I didn't have time to properly look into, yet:

Further ahead (and fast forward through the cask version release, these things bore me to death), we land on another (as yet) unexploded ordnance:

MG: 'I have to mention your show MIK that you do with Graham McTavish, you visited a bunch of distilleries during that one... any visit in particular stands out?'

Now I am not very sure if that question was the best possible one, since that SAG-AFTRA strike is still an ongoing situation. And his answer was quite clever, changing the focus on their visit to Laphroaig's distillery on Islay and waxing lyrical about the casks, the peat, the landscape, etc. But other than a perfunctory and logical 'we', I heard absolutely nothing about McTavish, and it could have been so damn easy to further change the subject and mention his bourbon, with a few kind words. Therefore, I think things are pretty obviously not exactly on the sunny side, between the two. And I guess we all know why.

To end this long post on a cheerful note, I almost forgot to mention something very important. Answering a listener's question about Sassenach not being available in Rhode Island/part of New Jersey, S said something very interesting: 'obviously you can get it online, (...) we've just signed a deal with Southern Glazer's, so we're rolling it out. It is a limited batch, so you know, every year we do do a release and it is very limited, so it does tend to sell out pretty quick. But yes, it is available (...), but obviously you're not gonna see it in every bar, restaurant or retailer, because we just don't have enough of it. But online you can get it and great delivery service, it's very quick.'

I am taking two things home from this last answer: demand exceeds supply, which is both a blessing (solid yield, room for expansion) and a curse (lackadaisical market presence). On short to mid term, distribution will concentrate on the online market, with the help of Southern Glazer's superb infrastructure.

Remember the older guy he had lunch with in MIA, in May? You should, if you didn't focus on Mordor's inept babble about shirts, ballerinas and the like. That guy was instrumental into arranging the deal with Southern Glazer's. Just the biggest wine and spirits distributor on the US market, mind you.

Don't believe me? Check this out:

That company was founded in Florida. Its HQ is still in MIA. He didn't go there because he was looking for ballerinas at his birthday dinner. He went there because when these people are available to meet you, well: you leave everything aside and you damn GO.

Now who the hell is writing fanfiction, eh? You really should be ashamed, madam.

I rest my case.

#BoozeWars

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timeagainreviews · 6 months ago

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Witnessing Greatness

Thinking about the most recent episode of Doctor Who, I find myself reminded of Roger Corman, who died last month. Corman was a producer and director of b-movies and television. He was also beloved by industry titans due to his work ethic and ingenuity as a filmmaker. What made Corman so unique is how he dealt with limitations. If an aspect of one of his films was lacking, he made up for it in other departments. If the effects were bad, the script had to be great. If the acting was hammy, he’d make sure the music gave it strength. Instead of spreading everything thin, he knew that giving a little bit more attention to individual elements would make for an overall better experience. If you’re not firing on all cylinders, make sure the ones that do are firing brightly.

“Rogue,” is an episode with many bright shining points, lighting up the sky of Regency Era Britain. But lost within that light are a few flickering bulbs that could stand to be turned a bit tighter. However, it’s not as though we’re poking around in the dark. Without a doubt, the brightest star in the Whoniverse at the moment is Ncuti Gatwa. In a stand-out performance from a series of stand-out performances, Gatwa has really outdone himself this week and I can’t wait to talk about it. The folks at Bad Wolf Studios have refused to spread things thin, but no story is perfect. For as much as I enjoyed this week’s episode, I didn’t have to reach far to find problems. But when I’m smiling this much, it’s harder to care.

It’s funny how a week ago I said I didn’t like fan theories and then promptly made one. Just as promptly, I am now abandoning that theory. After the trailer for next week’s episode, I no longer think Susan Twist is the Rani. I officially don’t know what I think. I kind of love that. I have seen the rumours of Susan Twist being Sutekh. Maybe the Doctor is in the Land of Fiction. The name S Triad is an anagram of the word TARDIS. Perhaps she’s the original owner of the TARDIS coming to retrieve it. The point is, she could be anyone, and I am not all that worried about it. Why that feels important is that I was often full of dread waiting for Chibnall’s next big reveal. I didn’t look forward to the ways in which he might next waste a concept by not properly exploring it. So being in a place where I am game for whatever feels zen.

Having two new writers this week was a major draw for me. I’ve seen what both Davies and Moffat can do, the good and the bad. This is the first time all season where I felt like we were truly wandering into the unknown. I did watch Loki season one, so I was familiar with Kate Herron’s work, but not as a writer. I was even less familiar with Briony Redman. But like I said, I’m game for whatever. The pair bring a metatextual reading to the Regency Era drama that fits Doctor Who’s brand of camp. I was reminded of Kate Beaton’s satirical comics from her “Hark! A Vagrant” series. “Rogue,” acts as a sort of love-letter to Jane Austen, so it’s only appropriate that they treat it with a playful touch. The Doctor and Ruby aren’t just visiting Bath in 1813, they’re cosplaying Bridgerton. But they’re not the only anachronistic party goers. This bash is about to go to the birds.

Leading up to this episode, an article in Doctor Who Magazine had given us random lines of dialogue from each story, including this one. However, the line “Psychic earrings. Choreography beamed into your motor system. Tap twice to choose your moves. It's like instant Strictly!” left me a bit nervous. We were fresh off of “The Devil’s Chord,” and part of me was wondering if they weren’t suddenly turning Doctor Who into a variety show. I’m joking a little, but I was rather relieved when the line turned out to be about dancing at the Duchess’ ball. The Doctor and Ruby are dressed to the nines in their period appropriate clothing. I love the idea of the Doctor wearing more from his wardrobe as it’s always been fun in the past. Tom Baker’s tartan tam o’ shanter in “Terror of the Zygons,” is one of his most iconic costumes. Ncuti said in an interview that he wanted his costume to make him look like he owned land. It’s a brilliant image to depict when you consider the Regency Era was merely four years away from the abolition of slavery in Britain.

The Regency Era also brought with it a change in men’s attire. Dandies like Beau Brummell popularised a look of comfort and wealth while simultaneously streamlining much of the frills from 18th century fashion. It’s funny to look at the ruffles of a dandy’s attire and consider it anything other than flamboyant, but it was a considerable shift toward more conservative styles. While women’s fashion continued to evolve, men’s fashion stagnated a bit. A standard had been established and you can still see its influence today with the basic suit and tie combo. No wonder the Doctors often dress like variations on Edwardian fashion.

The opulence of the period led to a lot of scandalising and gossip, which has given us centuries of great drama. While I’ve never read “Emma,” I have seen “Clueless.” I’ve never watched Bridgerton, but I can still get into the costuming and pomp. Basically you don’t need to be a fan of the genre to know the tropes. It was a nice change of pace that it was Ruby’s love for a tv show that puts things into motion. The Doctor and Ruby are tourists as much as the Chuldur, but with far less deadly consequences. Both groups are there to experience the emotional highs of the time, but the Chuldur don’t care who they hurt in order to do it. This of course is why Rogue, a bounty hunter, has also crashed the party.

You’ll be pleased to know I actually remembered to watch “Doctor Who Unleashed,” this week. Partly because I had some questions, but mostly because I wanted to hear them talk about the costumes and make-up effects. Davies mentioned that the season hadn’t yet had its baddie in a mask trying to take over the world, which I love that he considers. If you read my review of “The Witchfinders,” you may recall how much I appreciated the Morax being scenery chewing people in latex makeup. There’s something essentially Doctor Who about bug eyed monsters (sorry Sydney) and there’s something very RTD when those monsters have animal heads. Davies is now confirmed as a furry, I’m calling it.

The Chuldur share their appearance with birds, something we don’t often see in Doctor Who. I’m trying to recall bird villains from the show and I am coming up a bit short. There were the Shansheeth in the Sarah Jane Adventures, those bird people on Varos, that heavenly chicken from “The Time Monster,” and the Black Guardian’s hat. Considering all of the reptiles we get, I’m surprised we’ve gotten so few birds. If you also watched the Unleashed episode, you may have noticed that they digitally changed the bird version of Emily’s beak from black to orange. It’s the Vinvocci’s green faces from “The End of Time,” all over again! What’s funny is that this change in Emily’s beak gives her something of a penguin appearance. It’s not exactly the shapeshifting penguin I was hoping for, but I digress.

Speaking of shapeshifting, I rather enjoyed the Chuldur’s unique method of doing so. If you recall, when the Duchess spots her servant out in the garden, the bird form of the servant is played by the same actor as the servant. It’s not until she takes the form of the Duchess that her bird form also takes on the resemblance of Indira Varma. You don’t usually see that and I admire them for making two versions of the same makeup, if nothing else. Doctor Who has had its share of shapeshifters, so it’s nice to see them changing up the formula a bit. Unfortunately for the Duchess, this isn’t a Zygon type of body snatching where you have to keep the person you’re copying alive.

Ruby’s psychic earrings are doing a treat until they begin picking up interference from Rogue’s tech. A lot of people have mentioned that this episode seems to borrow a lot from “An Empty Child,” and so it’s only appropriate that the Doctor does a scan for alien tech. The source of the interference directs the Doctor toward the balcony where Rogue stands brooding. Meanwhile, the Chuldur version of Lord Barton has taken a liking to Ruby. The Duchess, still human at this point, attempts to introduce them, but Ruby is not impressed by the pompous dandy, referring to him as Lord Stilton. As Ruby strops away she notices a painting of Susan Twist’s character as an old matron. The Duchess refers to her as “the Duke’s late mother,” whose eyes still follow her around the room in judgement.

The Duchess takes her leave to the garden where she meets her fate with the Chuldur masquerading as her servant. We get a bit more of a look at what exactly the Chuldur do when they take over your body. What’s left of the duchess is little more than a desiccated husk. Meanwhile, in the study, Ruby has stumbled upon a rather intimate moment between Lord Barton and Emily. The bookcase obscuring her from the two frames them like a television screen. Ruby is unable to look away from the real life Bridgerton scene playing out in front of her. The Lord tells Emily that he will not marry her which would leave her ruined, but he is compelled by her nonetheless. However, before they can kiss, Ruby knocks a pile of books onto her head causing a disturbance. I rather loved this moment for Millie Gibson. It’s rare that women get to be portrayed as clumsy and that book definitely bonked her on the head. A great bit of physical comedy.

The Lord storms out of the room leaving Emily and Ruby to talk. Removed from the framing of the bookshelf, Ruby finds her compassion once more and comforts Emily. After all, Lord Barton was being a bit of an ass toward her. Emily is amused by Ruby’s modern sensibilities and lack of finery. You could tell this scene was written by two women as they actually take the time to let them have this moment. Meanwhile, the Doctor and Rogue take a stroll through the garden in order to size one another up. There’s a flirtatious energy between the two but a wary tension underlies the conversation. The Doctor muses about the stars, but on a terrestrial level. It’s not until he finds the Duchess’ shoe and then the rest of her that he gives away that he is not of this world. Rogue sees the Doctor’s sonic screwdriver and begins to suspect the Doctor is a Chuldur in disguise. The two confront one another as the culprit, but Rogue has the bigger gun.

Still comparing sizes, the Doctor and Rogue compare ships like they were Ten and Eleven comparing sonic screwdrivers. Speaking of sonic screwdrivers, it feels appropriate that the Doctor’s sonic would match his outfit. That’s so Fifteen. He’s a fashionable Doctor, so of course he would accessorise. It’s like they made his wardrobe and accessories with cosplay in mind. Rogue’s costume is also noteworthy. People have drawn comparisons between Rogue and Jack Harkness and it’s not difficult to understand. His long coat draws parallels to that of Jacks and he even mentions assembling cabinets in regards to the sonic. But what’s equally interesting is how Rogue’s gun resembles the type of handgun you would see in a Regency Era duel. Its barrel resembles that of a blunderbuss. He’s either deep undercover, or he’s got a thing for cosplay himself.

Rogue doesn’t get a lot of time for character development, but they do give him a few little moments, mostly through environmental storytelling. He has a striking birdlike ship fit for a heroic rogue, but inside it’s dirty and depressing. Possibly most telling on Rogue’s ship are the set of orange dice on his table. Rogue gets his name from Dungeons and Dragons, but beyond being a geek, these dice could tell us more about his personality. We learn that Rogue has lost someone, perhaps these dice belonged to them. Perhaps he is unable to move the dice from that spot because he didn’t leave them there. We also learn later that Rogue isn’t a very strong roleplayer. He’s quieter and more thoughtful in his improvisation. Perhaps his staged tryst was the first time anyone has asked him to roleplay since losing his partner. Either way, Jonathan Groff plays it with a vulnerable subtlety, and I loved it.

Speaking of loved it, we have now reached the portion of this article where I gush over Ncuti Gatwa. Now, I need to preface this by reminding you all that I have always been pro-Ncuti. I adored his portrayal of Eric Effiong in Sex Education. I never doubted for a second that he could pull it off. However, it wasn’t until this episode that his Doctor finally crystalised for me. We’ve seen that his Doctor could be flirtatious and fun, but we hadn’t yet seen the way in which he could use that to do Doctory things. We’ve had hot Doctors, but we’ve never had a Doctor who was so effortlessly hot. He’s hot in the same way the Second Doctor was bumbling, as in it’s almost a distraction from what he’s actually doing. It actually makes him slightly terrifying.

Even as his Doctor is standing in a trap, he’s able to use his charm to buy time. Also, once again the Doctor is stepping onto things that can kill him. An odd recurring theme. He maintains an air of authority even in the face of danger and that is so the Doctor. When the Doctor finds Rogue’s music playlist I think I may have melted. How could anyone incinerate such a beautiful person? How could you not want to dance right along with him? As much as I loved this scene and the meta reference to Astrid Perth, it does also buckle a bit under itself. First of all, wouldn’t the Doctor knowing an Earth song like “Can’t Get You Out of My Head,” make you question whether he was a Chuldur? Sure, they know Bridgerton, but it would be enough to give me pause. Furthermore, I’m not sure how seeing the Doctor’s many faces would cause you to not think he’s a shapeshifter. Kind of odd that one other face means shapeshifter but eighteen other faces don’t. Wait, did I say eighteen?

When I had first watched this episode, I didn’t immediately recognise Richard E Grant as the mysterious extra face in the lineup of past Doctors. We now have three extra faces in the form of Jodie Whittaker, Jo Martin, and David Tennant (again), but this extra Doctor wasn’t registering for me. At first I thought he was the Valeyard, and then I thought he looked a bit like Jim Broadbent, which is ironic considering “The Curse of Fatal Death.” It wasn’t until I got online afterward and saw people saying Richard E Grant that I could see it. I wasn’t even 100% convinced it was him, but I’ve heard they actually took new footage of Grant for that scene, so I guess it’s him. The more interesting question is which him is he? Is this the Shalka Doctor or the Fatal Death Doctor? Maybe he’s both. Maybe he’s neither. This wouldn’t be the first time they’ve given us retroactive Doctors. Moffat gave us the War Doctor to great effect. But despite a strong performance from Jo Martin, Chibnall did a piss poor job of establishing the Fugitive Doctor as a character. I’d love to get excited for this mystery incarnation, but I’m taking a Tim Gunn stance in the meantime- “Make it work.”

With Rogue now on his side, the Doctor takes him to his TARDIS so they can recalibrate his triform transporter to be non-lethal. Recently in an interview, Ncuti Gatwa mentioned he had gotten onto his agent about playing someone like the Doctor or Willy Wonka. It felt a bit like wish fulfilment for his Doctor to sing “Pure Imagination,” to Rogue as they entered the TARDIS. I really loved Jonathan Groff’s slow growing infatuation with the Doctor. I’m a big fan of “Mindhunter,” but it’s a very heavy show, so it was fun to see him in a more playful role. In many ways, Rogue feels like a bit of River Song and a bit of Jack Harkness. He’s something of a reboot and remix at the same time. I don’t doubt we will see him again, which would be a nice chance to give him some much needed character development, but for the time being, we’ve been given enough to work with.

The Doctor and Rogue’s plan is to draw the Chuldur to them by exploiting their love for drama and scandal. What better way to whip people into a frenzy in 1813 Britain than for two men to share a passionate dance together? Besties, I’ll be real, I was grinning from ear to ear. Watching Gatwa and Groff dance was very exciting. I’ve seen people complain that the Doctor and Rogue’s romance felt rushed compared to the “slow burn,” of Yaz and Thirteen. Slow burn is a funny way of saying “non-existent for two seasons.” And I would much rather see two men share a passionate kiss than two women share a passionate ice cream. What’s wild is that I’m not usually the kind of person who likes the Doctor to have romantic relationships. They managed without them for 26 seasons. However, due to Ncuti’s emotional availability, it works for me. I can buy that his time with Donna might have left him more open to romance. Furthermore, this is the antithesis of queerbaiting. Ice cream is not a payoff.

The Doctor ends the dance by staging an argument with Rogue and calling him a cad. But Rogue doesn’t respond in turn with the same volatile energy. There’s a hesitation on his end that feels personal. As I mentioned before, perhaps this is him working up the courage to roleplay again. Perhaps his lost partner was more the avid roleplayer between the two of them. Or perhaps Rogue simply has a softer approach. What I loved is that his marriage proposal felt equally as shocking, but in a more emotional manner. It even feels like it takes the Doctor by surprise. There’s a moment where it actually feels like a real proposal. The Doctor says he can’t and you almost believe he considered it. Or maybe the Doctor can’t even pretend to say yes because of his marriage with River song. If he undoes their wedding maybe it can revert us back to hot air balloon cars, Winston Churchill, and pterodactyls.

Not to be left out, Millie Gibson has gotten a lot of time to shine in this story as well. She does a fair bit of choreography, but there is one bit of her choreography of which I was a bit disappointed. After learning that Ruby is from the future, Emily reveals herself to be a Chuldur, and she wants to cosplay as Ruby next. However, Ruby’s psychic earrings come with a battle mode, which complicates things for the feathered fiend. My disappointment however, stems from the fact that they kind of phone in the fight choreography. They went through the trouble of hiring Bridgerton’s choreographer, Jack Murphy, for the dance sequences, but the fighting felt like a second thought. It could have been really cute to see Ruby do some “Crouching Tiger Hidden Dragon,” moves, but instead she clobbers her with a book. A bit underwhelming. Still a fun idea, though.

The Doctor and Rogue abscond to the garden where they are pursued by the Chuldur who reveal their numbers to be greater than anticipated. As baddies go, the Chuldur were little more than hand wringing monsters foaming at the mouth for a bit of mayhem, but I liked that about them. The way they speak to one another reminded me a lot of the Slitheen. The last time we saw Indira Varma in the Whoniverse, she was playing Suzie Costello, the best part of Torchwood. Here she chews scenery with a zest befitting her brilliant makeup. The only time that I felt they went a bit too far with the Chuldur is when they call what they’re doing “cosplaying,” as it felt a bit too on the nose. Otherwise, I loved the idea of evil birds going around and messing up planets all too satiate a dangerous appetite for excitement.

The Doctor sees Ruby acting as though a Chuldur has taken her form and it brings out the fury of the Time Lord. I wouldn’t be the first and I won’t be the last to point out the parallels between this and “The Family of Blood,” wherein the Doctor has some long term punishment in mind for the bad guys. Unfortunately, it also feels like a case of writers giving the Doctor weird morality again. Rogue wants to send the Chuldur to the incinerator, but the Doctor wants to send them to a dimension where they can live out the rest of their lives somewhere where they can’t hurt anyone. How is that any different from what the Weeping Angels do? It’s “Arachnids in the UK,” all over again. When the Doctor expresses happiness that the Chuldur will suffer for a long time, it begs the question- as compared to what? I’m fine with the Doctor losing his temper and going too far, but what about his plan actually changed other than his attitude about it? He was always planning on sending them into a dimension where they would suffer for 600 odd years. A line of dialogue or two could have fixed that.

The Chuldur’s big finale is a wedding between Barton and Ruby followed by a light bit of mass murder, but the Doctor has other plans. The Doctor’s objection to the marriage reminded me a lot of Tom Baker. I could easily hear Tom saying that line about it being hard to hear things through those heavy doors. Gatwa has that bizarre alien charm that feels correct. However, neither the Chuldur or the Doctor know the entire story as neither side knows Ruby is still Ruby. So when the Doctor traps the Chuldur in the triform transporter, he’s also dooming Ruby to the same fate.

I’ve seen some confusion as to how the transporter actually works, but I think I can piece together enough to understand it. They had calibrated the transporter to trap up to six humanoids. When Ruby is first trapped, there are five humanoids in the trap. Rogue throws Emily into the trap bringing the count up to six. We’ve established that the Doctor was able to throw his psychic paper from inside the trap, so things can leave its field. My thinking is that as Rogue pushes Ruby out from the field, he overloads it with seven humanoids giving Ruby just enough give to fall out of the trap. What got a bit confusing is why didn’t Ruby just step out of her shoes? If you can throw psychic paper, then it’s not trapped by the field. Therefore, her shoes would be the only thing molecularly bonded to the field. They could even say the shapeshifters can’t step out of their shoes because they’re actually part of their bodies. But then we couldn't get the big sacrifice at the end.

The aspect of this that I found harder to follow was why Rogue would sacrifice himself in the first place. Sure he and the Doctor have chemistry and there could be a romance brewing, but he barely knows the guy. Perhaps he couldn’t stomach the idea of watching what happened to him happen to someone else. It was a chance to stop the sort of thing he was previously powerless to prevent. I could buy that well enough, but it barely felt earned. However, it fits the tone of the rest of the episode which was one of over the top romance and drama, so I digress. Around here, fun is king and fun I had. It didn’t matter that I didn’t fully understand people’s motivations. There’s plenty of time for that in the future.

The episode ends with the Doctor sending Rogues ship to orbit the moon until it can be retrieved again (or until the moon hatches like an egg, whichever comes first). He wants to move on, but Ruby won't let him until he takes a moment to feel his feelings. This is classic Doctor/companion stuff. The Doctor has always benefited from having humans around and I am glad they took a moment to reestablish that. The Doctor pulls out Rogue's ring from the proposal and slides it onto his pinky finger. Fans of Amy and Rory will recall that rings can be used to find lost lovers, so there's a seed of hope there. It was a fitting end to an emotional and exciting episode. I got to watch the Doctor and Ruby do Regency Era dances to covers of Lady Gaga and Billie Eilish. I got to see Indira Varma hunt people while dressed as a bird. This wasn’t just my favourite episode of the season, it may be one of my favourite episodes ever.

________________________________________

Before I go, I wanted to apologise for how long this article took me to write. I’ve been dealing with some pretty heavy depression as of late, and it’s been hard to write these last couple of reviews. Even though I enjoyed both episodes quite a bit, it’s been a struggle. Despite episodes dropping at midnight on Saturday now, I don’t usually get around to writing until Sunday or Monday. But I didn’t get any good work done on this article until Monday evening. These articles are actually very therapeutic for me. It feels like a lifeline to the outside world. You may not think it, but I read every comment and every hashtag. I appreciate them all. Thank you for taking the time to read my stuff. It means a lot.

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tessarionbestgirl · 1 month ago

Note

"I don't think he was the sole reason they had Alicent hand KL over to Rhaenyra but he was most likely one of the reasons."

Alicent Hightower is the poster girl for Team Green, since the first season HotD has always advertised the show as Alicent vs. Rhaenyra rather than Aegon II vs. Rhaenyra I so there would have been a lot of reasons to pull the rug from under the audience and have her switch sides. It would have been discussed at length, weighing out pros and cons, deciphering how best to do it etc. It wasn't a last minute decision, they would have put thought into this.

At the end of the day all roads lead back to Rhaenyra Targaryen and their refusal to make even slightly morally grey.

So the reasons they had Alicent betray Team Green:

Rhaenyra the Cruel

Helaena's suicide

Rhaenicent

Jace

They hate Alicent

They love Rhaenyra

Rhaenyra the Cruel: they've already used this name in 2x02 with the purpose of showing it was undeserved, Rhaenyra had nothing to do with B&C so how could the people give her such a horrible name? 😢 But as we know she was given this moniker for raising taxes as the Greens hid all the gold and even after being mutilated by the torturers Tyland Lannister refused to tell them where the gold was. By having Alicent betray the Greens all blame will be placed on her because she should've known this was their plan. I bet they'll even have her suggest raising the taxes and thus be called "Alicent the Wicked" instead.

Helaena's suicide: her son was violently decapitated in front of her leaving Helaena an emotional wreck. Once Rhaenyra seizes Kingslanding she'll be forced to play nice with her son's killers, worsening her mental state. In the books what ended it for Helaena was Myseria telling her Maelor's dead, he doesn't exist in the show so it will probably Daemon cruelly telling her Alicent's the reason Rhaenyra's on the throne. Finding out your own MOTHER colluded with your son's executioner is enough to tip anyone over the edge, and that's exactly what's going to happen. Helaena's suicide now has nothing to do with Rhaenyra, it's all because Alicent betrayed her.

Rhaenicent: well this is an obvious one, they're obsessed with this ship and for some dumbass reason think this is what viewers want. If they have to destory George's work to force this doa relationship to work then so be it!

Jace: I don't think this was the no.1 reason simply because even if Alicent didn't betray the Greens they can still have Rhaenyra seize Kingslanding without Jace dying, he doesn't have to be the trigger. That being said, when they were having the brainstorming sessions I'm sure this came up as one of the justifications for the change. Pretty boys make money, and he's all Team Black has in the pretty boy department.

They hate Alicent: it cannot be said enough, never in my life have I seen writers hate half of a ship so much, it's so peculiar to me. So they've reduced her to nothing, she's lost her fanbase and every single positive character trait, she's been downngraded from Queen Dowager to Rhaenyra's "pet". Her existence is a neverending punishment for daring to turn on Queen Rhaenyra I Targaryen, she needs to be humbled and degraded! Now she's the reason Otto's executed, Gwayne's killed and Helaena commits suicide, everything that happens to Team Green is solely her fault because she's a traitor.

They love Rhaenyra: Rhaenyra must be 100% perfect, to suggest otherwise is blasphemy! Forget about morally grey, they can't even make her off-white because she has to be pure with no real flaws. Episode 8 was all about Alicent being humbled and the writers reminding the audience why Rhaenyra is 100x better than her awful stepmother as both a mother and a Queen.

You breakdown perfectly. 💯

What better way to break team green as valid choice than break the head of it?

If the show wasn't bias as claim to be they would make Alicent the one that pushes and plan things with Aegon like the books hint at. Even Aemond betrayal is more forgivable when you put into context the parallels between him and Daemon.

But Alicent? She is the front figure they use to promote tg and then destroying her breakdown all the base for tg. Humiliating her, means humiliate team green. Making her betray her own faction and saying nothing of this matter, makes any team green claim invalid.

Now there is only one claim that is some what valid, and a bunch other people with their own agendas.

#house of the dragon #team green #hotd #alicent hightower #hotd critical #anti rhaenyra targaryen #anti rhaenicent #Is pure nihilism #If you ask me

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lemonhemlock · 5 months ago

Text

S02E03 First Impressions

- this episode annoyed me a lot less than the last one. i really liked the harrenhal sequence. my gosh, what a great actor simon russell beale is! i mean, i knew already, but goodness. matt smith plays really well off of him. great, moody vibes, great decor and a terrific introduction to alys as a character. daemon conceptualizing rhaenyra as her teenage self.......delicious! this whole section looked lifted off of an A24 movie. loved it!

- i like that they at least attempted to create some tension within the black faction with 1. rhaenys insisting to corlys that he name rhaena his heir and him being meh about it and 2. rhaena feeling resentful at rhaenyra for sending her away to care for children. it's still quite tepid for my tastes and i remain unimpressed because it took them this long to depict even the seeds of disagreement

- you know, i don't even dislike this version of rhaenyra. i don't even dislike this version of mysaria. but they're totally different characters from the book. i've spoken about this before but someone with rhaenyra's current assigned personality would not have done the things rhaenyra has done. i like how anxious she is during council meetings, for example, and i appreciate how she tries to avoid bloodshed, but they want to make her into this reasonable leader because they don't know how to write a story that has two >problematic< sides. they need the dichotomy of good v bad, because the only deconstruction they know how to do is to make the "good guys" just a tad questionable and not perfect and to make the "bad guys" at most a little humanized. they just don't have the guts to go all out from the beginning. i know we will get to mad queen rhaenyra because the story beats demand it (hopefully), but they have to start rhaenyra off as wise and temperate. they don't know how to write book!rhaenyra, who was awful but raw and real in her grievances and could have been sympathetic as such.

- not even going into mysaria the unicef goodwill ambassador. they defanged her so much but without even redistributing her involvement in b&c to daemon. instead, it's all just a harmless fuck up. the diminishing of b&c is such that helaena seems over it this episode. ?? way to gloss over one of the most horrifying scenes grrm has ever thought up. i swear to god, rhaenyra was depicted as feeling more sorry for jaehaerys than helaena. 😵

- my main gripe with this episode, though, is the glorification of viserys. please, i am so tired. i get why otto would be ultimately fawning over him, i get why rhaenyra would hold on to a rose-coloured glass view of her father. i even get why alicent would inhale so much copium as a survival mechanism. but why are we, so often, throwing around so many uncritical statements about viserys being a great king and person? he forced pregnancies on his ailing first wife, killed her to get a son out of her, engineered a succession crisis and maritally raped his teenage wife, impregnating her against her will, too. why is there nothing, not one statement by anyone inviting the reader to contest that? it's one of the grossest things they're doing. is this a joke?

-as such, i don't careeeeeeee about viserys' death bed wish!!!!! i understand why it may be important to alicent and rhaenyra personally. FINE. have them quibble over it in the sept. but no one is making the legal argument that aegon is viserys' heir by andal law! no one! the show wants you to believe that it allllllll hinges on viserys' death murmurings. oh ffs. it can be a good propaganda tool to use, but the king's word is not law as this fantasy setting was imagined with its political structures in place, political structures that the author didn't bother to change from the european medieval history he took inspiration from. he left them as is, so they function as is!!! there are no explanations given as to how or why the westerosi power structure would function differently! the only MARGINAL argument we have heard is that the lords would never accept a woman for a monarch, but never the law itself: a son comes before a daughter and a daughter comes before an uncle. watch the greens in the next episode claim aemond is aegon's heir over jaehaera because the writers won't allow them to remember their own laws. ☠

-as it is, alicent's actions don't make any goddamn sense. if she always thought that somehow viserys' has the last say in naming his successor, then why is she yelling at teenage aegon that he is rhaenyra's challenge simply by living and breathing? why is otto telling her that she has to prepare aegon to rule or else cleave to rhaenyra's mercy? why is little aemond telling teenage aegon that helaena will be his queen? where did he hear that from? if alicent always intended for rhaenyra to take the throne? why is she telling her children since they were small that aegon will be king? it obviously didn't matter to her that viserys failed to actually nominate aegon. it's obvious that she was planning this for a very long time. also, the fact that they wrote that the council "went behind her back" to crown aegon doesn't make any goddamn sense either. it's just a plot hole. they are so inconsistently writing this schroedinger's alicent - she meticulously prepares for years so that aegon could be a legitimate king - gives him the conqueror's name, makes him marry his sister, make him have heirs of his own, tells her children this is what is going to happen, but somehow isn't aware that the council she headed for years was planning the same thing. somehow she was waiting for viserys' say-so. i don't have a problem with highlighting hypocrisy, but this is just a straight-up plothole.

- gwayne. listen, i love freddie fox as much as any man. i knew i was going to stan gwayne since he was cast, no doubt about it. i love how sassy he is. i'm intrigued by the buddy-cop comedy they seem to be building for him and criston. but did they really have to make him sneer at criston specifically because he is dornish and lowborn? and no one is batting an eye? this is so unserious. dorne is not even part of targaryen rule at this point and it hasn't even been mentioned once. no one has said anything about the status of dorne, about how the dornish are viewed throughout the rest of westeros and why. i bet the general public didn't even catch on that being dornish is viewed through a racist lens and that criston is not considered white. 🤦‍♀️ not to mention that ofc they gave the racist line to a green character, whereas rhaenyra gets to collect POC characters like pokemons to prop herself up as a diversity champion

#house of the dragon #hotd s2 #house of the dragon spoilers #hotd spoilers

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callahanisms · 1 month ago

Text

Impressions - Part 02

pairing: tashi duncan x bipoc! fem! reader

word count: 2.3k words

context: 2019. los angeles. tashi duncan has found her perfect actor after a vigorous round of auditions. but did the actor stumble upon the audition by chance? or was it premeditated?

no specific pronouns used. reader is able bodied and can speak. reader is about 25, while tashi is 31/32.

based on this post. check out part 01.

sorry for taking so long. grad school is really kicking my butt right now.

She doesn’t seem impressed.

The way she turns the pages of the stapled papers, her nails glimmering in the light. There’s a hint of glitter and they have a cream to pink ombre. They look really nice. And it was clear she had just gotten them done. The clear gloss made her lips look soft and shiny.

Your heart is pounding. You don’t know why. Tashi Duncan asked you for criticism of her work. Were you perhaps not harsh enough? It was hard to tell. The script was just…well, you wanted to keep reading. You had to read it a fourth time to actually start annotating and adding your notes. It was also hard to criticize her vision without any sort of visual. Film was a visual medium after all. It was hard to see what she meant when you were reading.

“Did you hold back?”

You pick up the glass of sangria and take a small sip. “Well…”

Tashi looks at you expectantly. “I thought you’d be harsher.”

“It’s hard to judge entirely. Because part of film critique is…to see the film…”

Her other hand plays with the fork, before stabbing a few leaves and tomatoes of her salad. “So…essentially, you can’t fully critique it without seeing the actual film.”

“A script is only part of it. I just think it’d be nice to have some sort of visual.” Your plate was already clean from your appetizer. It felt odd to be treated to a full course meal by Tashi. But she said you wouldn’t need to pay. Which was generous considering how expensive the restaurant was and being an adjunct didn’t pay as much as you wanted it to. Plus rent was due soon.

“That’s fair. I have a specific vision I want to achieve.” She closes the script and her finger runs over the colored tabs. She liked that the cover page had a key for the colors—by highlighter and by tab. “You seem well aware of that.”

“I’ve watched…most of your stuff. All your films. Majority of the television episodes you’ve directed. And I’ve watched a lot of behind the scenes interviews.” You feel your cheeks heat up. Honestly, you sounded like a bit of a fan.

There’s a smile creeping up on Tashi’s face. “It’s surprisingly rare to find people that have watched your work and…understand your process.” She says. “It takes a certain amount of trust and popularity to be given full control.”

“I’m pretty sure you’ve proven yourself already. Your last film was amazing. 5 stars on Letterboxd.” You hold your glass, tipping it towards the director.

Tashi picks up her cocktail and gently taps the glass against your own. “You and the other hundreds of thousands of people.”

“Where are we?”

Tashi puts the car in park and turns off the ignition with the touch of a button. There’s a click and the rapid retraction of her seatbelt. “My house.” The sound of the door opening is crisp. Or maybe it’s because the sangria made things sound sharper than they should.

It was actually smaller than you thought. But certainly a lot of space for a person living alone. “How many bedrooms?” You unbuckle your seat and climb out of the car. The air feels refreshing against the hot skin of your face. You could feel the vessels throbbing beneath from the body’s processing of the ingested alcohol. You make sure to close the door all the way and follow after her.

Her keys have a keychain attached to it: a Sonny Angel with a frog hat. And he’s wearing a green shirt and some jeans. “Three beds, one full bath, one half bath.” She says. “It’s expensive, but I can afford it. And one of the bedrooms is…well, you’ll see.” When she looks back at you, it’s teasing. The corner of her mouth is curled into one of her charming smirks. The kind that also became a popular meme to use online. “The other is a guest bedroom. Because you never know when someone’s going to stay the night.”

“So…does that mean your parents drop in often?”

“Yes.” The door clicks and she pushes the door open. “Hi~” Her voice is suddenly a pitch higher.

When you step into the house and close the door behind you, you see why. A gray tabby cat nuzzles up against Tashi’s leg, mewling. It suddenly jumps, trying to climb up her pants. You remove your shoes, setting them to the side so they aren't in the way of the door. And you make sure to lock the front door. “Who’s this?” You ask.

“I named her K.C.” Tashi gently pries the cat off of her pants and holds her.

“After your character on that spy sitcom?”

“Yes. Precisely.” Her nails scratch K.C.’s chin and there’s a purr in response. “She’s a little troublemaker. But she followed me home one day after I went out to eat. No one came to claim her, so now she’s my cat.”

You take a few steps closer to her and put your finger out. K.C. sniffs the offered finger and nuzzles her nose against it. “How old is she?”

“Around six months. She followed me home when she was only eight weeks old.” Tashi bends down to set the cat down. You follow the director into the kitchen, taking in the decorations after your eyes adjust to the sudden turning on of the soft lights. You’re not surprised to find plenty of movie posters on the wall, including one of Amélie and Tampopo. Which was smart. Putting the movie about food in the kitchen certainly made the hunger return.

Tashi quickly fills her bowl with some kibble, wet food, and a little bit of bone broth. She sets it down and K.C. immediately begins to eat. “Kittens. They always eat like they were never fed.” You joke.

“There was a time she literally ate my toast.” Tashi slowly plucks the rings off her fingers and washes her hands. They move so delicately. Covered in a thick layer of suds. Her scrubbing beneath her fingernails. The water washes away the soap and she turns off the faucet, drying her hands. The towel gets between her fingers. Her fingers. Her long fingers. She slides the rings back on. “She jumped up and just took my toast out of my fingers. And it had grape jelly on it—”

“Wait. You eat grape jelly?” You knew no one that actually liked grape jelly. Aside from your grandfather and younger brother.

Tashi rolls her eyes. “I prefer raspberry. But a friend got me an artisanal grape jelly when he visited the farmer’s market. Said it’d be good to try it. And it was good. I just prefer raspberry. The tartness balances better with the sugar.” She begins walking and when she looks back at you, you know what she’s saying.

Follow me.

Your feet carry you and you can faintly smell the lingering notes of her perfume. Tashi turns the hallway light on and then opens a door off to the side. She flicks the light switch on and the room is filled with a warm light. You stand in the door while she goes over to the desk and leans against it, arms crossed over her chest.

You’re taken in by the boxes in the corner, stacked. There’s an easel by the window. Multiple sheets of paper were taped onto the wall. There’s a board with more sheets of paper pinned to it. It definitely feels like an artist’s studio, a stark contrast to the reality of Tashi Duncan as a filmmaker.

“So you’re artsy?” You ask.

“You could say that.” She cocks her head to the side. “You can come in, you know.”

“Yeah…I’m afraid I might set this place on fire.” A nervous chuckle escapes you. It’s utterly gorgeous. And some of the pieces on the wall take your breath away. Gorgeous. Vibrant. Full of color and with gorgeous shading. There’s some photographs tapped around the room too. Mostly landscapes and settings. One collection is just a room at different angles.

“You won’t. Just come take a look. These are my storyboards.”

“...Huh!”

Your jaw practically dropped.

These were Tashi Duncan’s storyboards?

This was on a similar level to Ridley Scott. That was kind of mindblowing. “Y-Your storyboards?”

“I just have a really tedious process.” Tashi uncrosses her arms and rests them between her thighs. “It’s a little…frustrating. But it really helps get the images out of my head and onto something tangible. And if it doesn’t look like what I actually want it to, then I am still satisfied anyways because my vision was fulfilled.”

Your step is gentle and you walk over to the board first. This was clearly the storyboard with guidelines and vague shapes to indicate lighting and shadows. It was clear to see that Tashi’s strong suit was perspective. Your eyes slowly move to the big paper taped to the wall. A woman looking up. The light is shining down while the background is bathed in a dark blue light. Blood covers her mouth and drips down her chin and neck. The neckline of her dress is red, soaked from blood. And…

“She kind of looks like me.”

Tashi purses her lips. “Yeah.” She lets out a small laugh. “It just came to me in a dream.”

You look back at her, smiling. “It’s funny how dreams work, huh? The kind of people our subconscious recognizes and puts together. Which reminds me. I think you should maybe lean more into psychoanalysis for your movie. I know the idea of id, ego, and superego is overdone and may be boring…but I think there would be something interesting in presenting your three primary characters in that way. It never gets old. And honestly, psychoanalytical readings are never not trendy.”

“That’s actually an amazing suggestion.” Tashi licks her lips. You fail to notice her eyes trailing down your back.

“I’m happy you think so. I think a lot of film scholars would just go crazy over it.” You look at her. “Also, where’s the bathroom?”

“Down the hall to your right. It has a peacock on the door.”

“Got it. I’ll be back. I just had a lot of sangria.”

Tashi watches you leave. And she turns back to her desk, collecting the photos together and putting them in a neat pile. Pictures of you. Some of them were stills. Some your headshots. Others from your Instagram account. She opens the drawer and lifts up a manila folder and sketchbook, shoving the photos beneath. The drawer slams shut and she opens another drawer off the side, pulling out some more books.

She hears the sound of the toilet flushing and then the running water of the sink. You come back within three minutes, hands dried and rubbing lotion into your skin. “Where’d you get the lotion in the bathroom?”

“Costco.”

“Damn. That’s hot.”

You realize what you just said.

“I-I mean…it’s hot that you have a Costco membership!”

Tashi can’t help but laugh. “I would say the same to someone. Do you want something to drink? Some tea? Or maybe some water?”

“I think water would be good.”

“Be right back.” When Tashi leaves the room, her clothes brush against you. You feel the goosebumps forming over your arm. And there’s her perfume. It was addictive.

You decide to walk around the room, taking in the storyboards more. You don’t dare touch the boxes, despite the urge to look. There’s something else that satiates your curiosity: the books on the desk. You pick one up and carefully open it to a random page. It’s some sketches. You recognize one of the sketches as actor and producer Art Donaldson. You forgot that he was in Tashi’s second film, on top of producing it.

“Like them?”

You nearly jump, slamming the book closed. Tashi walks over and sets a mug of water on the desk. She hands you the other one and you take it. There are flowers on it. “Sorry. I was just looking—”

“It’s fine. You’re already in here. You might as well look.” Tashi shrugs.

“You’re like…amazing!”

“It took a lot of practice.” Tashi grabs the more run down book and flips it open. You purse your lips to stifle a laugh. “It’s okay, you know. We all start somewhere. Besides, Rian Johnson’s storyboards look the same. And this was my first time directing.”

Tashi Duncan’s directorial debut. Inside Audrey Horne.

“You’re right. I mean if it gets the job done…what’s the point in arguing?” You take a sip of the cold water. “So you practiced and now…you just do full on art pieces?”

“I like experimenting with color.” She shrugs. “And naturally if I am taking inspiration from Dario Argento and technicolor, then it’s best to figure out what colors mesh well.”

“So what do you use?”

“Pastels. I like my drawings to look smooth.”

“You do have a way with color.” Your eyes keep going back to the big drawing on the wall, of your lookalike staring up at something in both awe and horror. “I’m guessing that’s the scene of when I cannibalize my former castmate?”

“It is. I have a specific idea of what that shot would look like.” Tashi takes a sip, her brown eyes watching your body language. You’re at ease. You’re relaxed. You’re in the mood for chatter and to hear more, like the film nerd that you were. “So…do you have anything else you want to add?”

“I mean…your script is solid. And seeing what you intend to make just…it’s awesome to see what your vision is.”

Even though Tashi said she didn’t want a yes man, she still liked getting praise. It was necessary to know what she was doing right and how to keep it right. But hearing it from you was different. It was more special. So she decides to prompt you.

“Tell me what’s on your mind.”

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