#this was supposed to be a post about
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im-goin-mad · 2 years ago
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refuses to put on sunscreen (crowley) x reapplies regularly / correct spf (azi)
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koobiie · 1 year ago
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shoutout to everyone who wants to infodump but cant string together coherent thoughts to form sentences and instead just look at you like this
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kiryuing · 1 year ago
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qiinamii · 5 months ago
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new guy in the Express
bonus:
adding more to the whimsy
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goldensunset · 2 years ago
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did you know? if you do your laundry you can get your clothes back
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xnyu09 · 4 months ago
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‘And one day, I am gonna grow wings’
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chimerafeathers · 2 months ago
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i really love how intensely Mirabelle reacts to act 5 Siffrin botched friendquest.
Isabeau is mostly operating out of concern and, eventually, hurt. he already knows something’s up before Siffrin gets to him. he knows something truly awful must be wrong for Siffrin to be lashing out like they are, and as soon as he can’t handle the situation anymore, he leaves and asks (with strained cheer) for time apart to cool off.
most of Bonnie’s anger comes from being upset and afraid that Siffrin would willingly put themself in danger for no reason, when that’s exactly why they’ve been so unsettled since the eye incident. they hate that Siffrin values their own life so little, they hate that they’re the cause of any pain or loss for him, and here he is, putting himself in that situation AGAIN. on purpose. it’s loud and explosive, but it’s familiar, too, being “hated” by Bonnie for this reason.
Odile pushes, and keeps pushing, until her concern overwhelms Siffrin and they strike where they know she’s most vulnerable. she gets physical, just for a moment, grabbing his collar before controlling herself and letting go. her fury shuts down into cold detachment, and she walks away.
but Mirabelle—dear, sweet, gentle, loving Mirabelle, “the most wonderful being on earth,” with her secret “ruthless side” that largely involves lightly badmouthing people behind their backs and then apologizing—slaps them. immediately.
and then COMPLETELY RENOUNCES THEIR FRIENDSHIP.
not just “we’re not friends anymore,” but “we were never friends in the first place.”
that’s!!! pretty extreme!!!!
of course, she ALSO starts by asking what’s wrong. something must have happened for him to act like this. but as soon as Siffrin brushes her off, she jumps past that line of questioning and dives headfirst into re-evaluating everything she thought she knew about them as a a person.
if he could say something like that to her and not see anything wrong with it, then she was wrong to treat him as a friend, wrong to read camaraderie into his teasing, wrong to think they must care about them all under their aloof demeanor.
that’s how Mirabelle phrases it—“I was wrong about you”—but i think that there’s a hidden layer of I was right about you, too.
she talks about the way they tease her like she had to convince herself that he was doing it in a friendly way. she says they talk like they “know better than her” like that’s a thought she’s had for a LONG time.
“Always soooo mysterious, Siffrin, always talking as if you're better than me! As if you know me!!! But you don't, Siffrin!!! You're just as lost and useless as I am!!! So stop!!! Talking!!! As if you know me!!!!!!”
none of this comes across as a new, sudden way to view Siffrin for her. it doesn’t shock or confuse her. it makes her angry, defensive, almost like she was waiting for something like this to happen at some point. the feeling of resentment, frustration, jealousy, being patronized and condescended to—this is something she’s been actively pushing down and rejecting this entire time, but they’ve given her ample reason for it all to boil to the surface. violently.
Mirabelle’s kindness is not inherent or easy. it’s a choice she’s making. she treats Siffrin warmly because she gives him the benefit of the doubt—refusing to act based on anxiety-fueled, cynical speculation, and reassuring herself that his actions are driven by care and friendship even if she can’t quite see it.
“I was wrong about you” doesn’t mean she always and without question believed them to be a fundamentally kind, caring person from the beginning—it’s that her first, colder instincts were right, and she was wrong to convince herself otherwise.
never mind that she asked what was wrong at first. she barely gives them time to speak in their own defense, to explain what they really meant by what they said. all of her suppressed doubts and frustrations are getting aired out now, now that all the trust she’d so deliberately placed in him has been betrayed. her pain feels bigger than this singular moment, so when she hurts him back, she makes sure it extends back through the entirety of their relationship for him, too.
“You're awful. You're not my friend, not my ally, not anything. You never were.”
like the others, she goes back to the clocktower and tells Siffrin not to come back until later. but there’s a finality to the way she ends this confrontation that isn’t quite there with the others. Isabeau and Odile reach their breaking point and remove themselves from the situation, asking for space to cool off but still somewhat leaving the door open for Siffrin to tell them what’s really going on at some point. Mirabelle is the only one who tries to fully cut ties—after everything else she says, her “I don’t want to see you until tonight” reads to me somewhat as “I don’t want to see you anymore unless I have to.”
I can’t wait to never see you again.
even back at the clocktower, Mirabelle doesn’t really defend Siffrin’s place in the party when Odile suggests leaving them behind out of concern for their trustworthiness on the most important day of the journey. Isabeau and Bonnie protest out of sentimentality and faith in Siffrin’s abilities and connection to them, and Mirabelle agrees, but…
“I agree, but... B-But would he even agree to come with us, still? Maybe they won't even come back tonight...”
she doesn’t say much outside of that. maybe the stutter and hesitation here are signs of regret about how things happened, but she lacks Isabeau and Bonnie’s confidence that Siffrin even wants to come back to them in the first place. she doesn’t trust that their bond was real anymore. maybe it never was in the first place, or maybe she broke whatever was there herself.
and she’s still mad when they finally catch up to Siffrin at the King! and she makes sure Siffrin knows that—after saving them, assuring him that he no longer needs to fight, that they’re all there for him. she still cares, of course she still cares—she’s still hurt, too, but they can figure that part out once there’s less world-ending stuff going on.
she’s the first to say that they all reserve the right to still be angry at Siffrin later—and that they’ve already forgiven him.
she’s also the first to say we want to stay with you, too. it’s not just you.
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she was wrong! she thought they didn’t care but they care so much, it’s overwhelming, it’s world-ending.
i think she’s gonna be wallowing in guilt post-canon the moment she remembers what she said and did TO SIFFRIN and not just what Siffrin said to her. especially now that she knows Siffrin’s exact hangups, and especially especially if she figures out what Siffrin was trying to say.
they put themself through hell out of loneliness and fear that none of the others cared about him the way he cared about them, he was going insane from repetition and exhaustion and hunger and trying to keep them all safe and together, and all they did in the midst of all that was say something kind of mean to her one time (that turned out to not even be MEANT to be mean it was supposed to be HELPFUL they just SAID IT ALL WRONG) and she SLAPPED THEM? and told him that they WEREN’T FRIENDS AT ALL??? how could she!!! she should have known better!! what they said hurt a lot but still!!!
so when they eventually manage to try to talk about it, they end up almost in, like, a guilt competition.
Mirabelle apologizing for how she reacted, that she shouldn’t have yelled or hit him, that she doesn’t want to be the kind of person who acts that way out of anger and she’s sorry that she made Siffrin expect that reaction from her, she should have known better and believed in him more and they only messed up like that because they were losing their mind in a time loop but what’s HER excuse—
and Siffrin going nononono stop I deserved it—(HUH DON’T SAY THAT NO YOU DIDN’T)—and that he should never have said such awful things to her, ever, and she was under so much pressure already with the weight of the country and everyone’s lives and futures and her religion and their whole party counting on her to do this impossible task because she’s the only one who can, all this unbearable expectation and hope crushing her, and they KNEW that but they thought they could skip to the ending as though her feelings didn’t matter at all, like helping her wasn’t as important as saving a little time—
until they’re just. in tears together, apologizing for all the horrible things they did in between complimenting each other’s strength and kindness and resilience and how much they admire each other and saying that no, everything you did was completely understandable, actually, the only one who sucks here is me. which neither of them will accept coming from the other!!
they’re so similar, in ways they couldn’t really understand, before.
warm, affectionate, perfect Mirabelle, the resolute hero, a beacon of compassion and hope for all those around her, who wears her heart on her sleeve, her fear making her courage shine all the brighter—nothing like the insignificant, forgettable Siffrin, too terrified to be known, too fragile to touch, too selfish and disgusting to bear letting go.
cool, mysterious, unflappable Siffrin, the worldly traveler, as charming and silly as they are confident and skilled, who brushed off losing an eye like it was nothing, accepting the risks of this journey with barely more than a shrug—nothing like the anxious, stagnant, undeserving Mirabelle, a fraud and a nobody crumbling under the weight of a mission too important to be entrusted to someone like her, doubting herself, doubting her friends, doubting her mentor, doubting her faith, too weak and brittle to bend and change the way the world needs her to without breaking.
not worth bothering others with their problems. they should be able to handle this alone. stay positive, stay calm. breathe in, and out.
they’ll struggle with it, still—the hiding, the minimizing—but now, they understand each other a little better. they can hold each other accountable for what they leave unsaid.
it’ll get easier, eventually. they have plenty of time.
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#i!!! don’t know how to end posts!#this was supposed to be about One Quick Thought and then i just. kept going.#it’s REALLY LONG. SORRY?#some of this is a rehash of what i said in the mirabelle edition loop hangout post#i didn’t want to repeat EVERYTHING though so. no prologue discussion this time#isat#isat spoilers#in stars and time#in stars and time spoilers#isat mirabelle#isat siffrin#mypost#isat meta#mirasif qpr#it makes me wonder what other negative impressions she’s harboring about the others#surely siffrin isn’t the only one that she has twisted up somewhat in her head in ways that she has to talk herself out of#it’s a very anxiety-based behavior. making up worst-case stories in your head about yourself and other people#and having to remind yourself that those worst cases aren’t necessarily reality#the most obvious (to me) in the party would be comparing herself to Isabeau and feeling Some Type of Way about finding herself lacking#even if no one else sees it like that.#he’s strong he’s brave he’s reliable he’s heroic—he’s COMFORTABLE WITH CHANGE……#meanwhile she’s just!!! same old mirabelle!!!!!#incapable of changing in so many ways that seem so easy for everyone else! what’s wrong with her that she can’t!!!!#if it’s not clear absolutely none of this is like. critical or disparaging of mirabelle. i fucking adore her.#and her handling this the absolute Worst out of all of them (Bonnie included!) is part of that#LET HER BE MESSYYYYYY#btw for those familiar i’m picturing the guilt competition very much in Steven Vs Amethyst (steven universe) style
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clumsypuppy · 2 months ago
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wait for me
#iiiiii dont know what kind of emotion i was trying to convey with this. i wanted to do a character exploration with my pmd hero and partner#which got away from me a little. i hc the hero has complicated emotions around their past which they dont remember#and i get the sense it leans into growing up without a childhood bc you dedicate your entire life trying to save the world#so now that they finally have a second chance to grow up properly they wanna take their time yk?? and yeah ik evolution =/= maturity#i remember seeing a post about an elderly treecko from pokeani speculating you could grow really old without ever evolving#but in human terms of maturity. even though you cant remember anything about being human it conflicts with what you know#and its probably just a gimmick when partner just tells me what we're supposed to do next every time i talk to them bc it#progresses the story but i also like thinking they want to grow up so badly and do everything all at once#compared to hero who knows what its like to grow up before youre an adult and wants to slow down#im repeating myself a lot here but i swear its smth ive feltmany times over and never found a good answer to. or what i would tell someone#i didnt base neptunes flowers on anything specifically but i looked into flower symbolism and it seems buttercups represent childhood#marmalade's flower crown is meant to be periwinkles which symbolize sincere friendship and unbreakable bonds#i love themb ;__;#my art#myart#comics#doodles#pmd#pokemon mystery dungeon#pmd ocs#pmd2#neptune#marmalade#team satellite#pokemon#eye contact#scopo#sort of?
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fffrost · 8 days ago
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I thought these comments were cute... so I drew them...
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scarletdreamers · 7 months ago
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Can we, for a second, think about the fact that Hannibal dressed Will before he carried him home through the snow?
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Will is naked when he's about to get the face surgery from Cordell. We see a scene of him in the operation chair where he's shirtless, lower body covered by a hospital blanket. Hannibal, who cut himself free from the ropes that were holding him captive on Muskrat farm, who then killed a large sum of Mason's staff including trained security and surgeons, saves him before Will's face gets removed. This all happens off-screen. The next scene is Hannibal carrying Will (bridal style) through the snow. In this scene Will is dressed, including a jacket for the cold and all that. Imagine Hannibal, the violent beast we saw when he killed Mason's men, blood probably still on his hands, finding Will there. Unconscious, and then dressing him. Dressing someone is a very intimate thing, especially someone unconscious. It requires care and gentleness. That, and knowing how to handle a body and loving someone enough to dress them while they don't need to be. He buttoned his buttons for him, tied his shoes, put him in a jacket to make sure he wouldn't get cold - I mean, Hannibal himself doesn't even wear a jacket in that scene. There's blood and wounds all over Hannibal's face, he's exhausted and probably the one in the most physical danger, yet he takes care of Will before he takes care of himself.
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This hits even harder if you think about why they ended up in Muskrat farm in the first place. In Florence, Hannibal tried to 'eat' Will. He tried to split his head open with a bone saw. That intense violence, the grotesque and desperate nature of those actions makes a perfect and sharp contrast to him saving Will after outside forces try to take their lives, which is a heroically gentle and intimate action. He didn't have to dress him up like that, he didn't have to carry him that way, but he did. Hannibal fails to kill Will in Florence, and with that he fails his last attempt to get rid of his feelings for Will. Or at least, to make his feelings bearable. He thinks that he can control himself better when Will is dead, so he tries to kill him but he fails. Not because he's stopped, but simply because he can't do it. If Hannibal wanted him dead, Will would have been dead. Mason's men only interrupted his theatrics. They gave him a reason to put away the saw and act like it was purely their fault, but then Will is in danger at the farm and Hannibal does everything in his power to save him and get him home safe and well. At home he takes off his jacket, literally lays him in bed and tucks him in. He covers Will with a blanket, he tries to write mathematical formulas to reverse time and cleans his wounds. That's why Will's rejection when he wakes up is so tragic and hard to watch. It breaks Hannibal, unbreakable and inhuman Hannibal Lecter. It simply hurts him enough to break his heart. It breaks him enough to give up everything he ever lived for and surrender to the FBI, which he spent a lifetime running from. He does this because when he decided to save Will, he realised he would never get over the things he felt for him. In Hannibal's mind, the worst thing that can happen is never seeing Will again. He finally realised that, after everything, and that's why he surrenders to the FBI.
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Hannibal honey, you don't want to eat his brain. You just wanted him to love you.
It's subtle details like this that always stick to me afterwards. It's just another thought I had and I felt like sharing.
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brokenrefraction · 2 months ago
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alright my dearest and humblest most sincere brother, imperator of this sleep-nurse tumblr dot come popolus. the time has come
it was either in two business days or the last ask you receive determines it
its the time. unearth to everyones eyes the body pillow of dr welcome smile corporation creation. i will await with open arms. god fucking damknit why does it have to be when i cant spa m relbog ts cus my phone is on charge
sigh. welp. you guys asked for it. I TOLD YALL ITS CRINGE!!!!!!!!!!!!!!!!!! IM NOT LYING WHEN I SAY ITS CRINGE fuck my stupid life
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feel free to kill me now
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i need my amisulpride
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ruubesz-draws · 3 months ago
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A lovely family bath time :)
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lonelyzarquon · 8 months ago
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hyakunana · 5 months ago
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🍫 Happy Valengavv's day 🍬
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finnlongman · 5 months ago
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Love to write a book with an aroace protagonist and get reviews complaining that it didn't have a love interest :| 99.9%* of YA books have a romance plotline, can we not have 0.1% focused on other kinds of relationship?
Not every book is for everyone, sure, if you're looking for romantic YA then mine isn't for you. But there's a difference between "this book wasn't for me because I prefer romance" and "this book was flawed because it didn't contain romance" and boy, the latter hurts when your life doesn't either.
*Statistics absolutely pulled out of my arse here.
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swugflower · 2 years ago
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Brucie Wayne gets interviewed and the question who, expect Batman, is his favorite Gotham hero.
After some awkward moments of silence, he blurts out that it’s Spoiler. Since she is the only one from the main active team that isn’t his kid and this way he avoids picking a favorite.
Meanwhile, the group chats explodes into chaos instantly.
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