#this was such a fun paper to write

[summershandystan]

I didn’t write a 10 page paper about how handcuffs by tfb is a direct reflection of the criminological theory of labeling and self-fulfilling prophecy for yall to sleep on it

[shartfinz]

Nintendo if you bring super paper Mario back I'll fix Mr. L's hands in this drawing just for you

[yabakuboi]

you ask for ficlet prompts, and a prompt you shall receive:

merman Steve please and thank you 🙏

blows you a kiss, i would do anything for you also im mixing a lot of lore here im so sorry

He grew up lonely. Nereides live solitary lives mostly, only gathering when called, when there is need. He spent many years roaming and exploring deep oceans, only seeing his kind in passing moments of trade and exchange. It is a very lonely life, and he never understands why he was so different from the resst, when all of his kind are perfectly happy in their solitude.

The ocean is vast, and there aren't many nereides in this part of the world. But there are a lot of humans—humans who are never alone, he finds, always accompanied by others in their boats and their swims.

He loves to watch them. They are fascinating, these land people who throw themselves into the ocean with excitement and joy and curiosity. He watches from a distance, filled with longing and envy, as these creatures leave the safety of their home to touch the sea.

It's how he finds Dustin, as its little body struggles as a rip tide pulls it from the shores. He knows he shouldn't, knows how dangerous humans are, but still, he rushes to it as the tiny thing wanes, stills, and brings it to the surface.

They float there together, the human and the nereid, just above the water, the human gasping for breath, trembling against him, until finally it speaks. Or screeches really. "HOLY SHIT!"

He doesn't understand the words, but he understands the meaning. "Holy shit," he says back to the human, because he's kind of feeling the same way.

The human begins to babble a whole lot of other things, and he has no idea what any of it means. He knows a little of human speech, things overheard, but he knows none of these words. This goes on for a long time, the two of them floating in the water alone, until finally the human points at itself and says, "Dustin."

"Dustin," he repeats.

"Dustin!" the human says again, gesturing at itself.

Ah, this is a Dustin. "Dustin," he says, agreeing, and uses his free hand to pat the human's head. Dustin then points, its little finger wagging in his face.

"You?"

"You?"

The Dustin says something again, but he doesn't understand it, distracted by a human boat shooting across the water towards them now. The Dustin is saying a lot of things still, but it's quickly approaching.

"Good-bye," he says to the Dustin, hoping that's the correct word. He ducks under the water and releases it, waiting a moment to make sure it floats, before darting back into the depths—only so far as to not be seen from the surface, even when the little human sticks its head underwater and looks around. Soon, the boat is beside it, and the Dustin is pulled from the sea.

He tries not to be sad about it. Dustin was wiggly and warm, and it was nice to hear it talk so loudly and so much. Nereides rarely speak like humans do, and he wishes that Dustin could teach him a few more of his words.

"Holy shit," he says, alone in the water, and decides to come back again tomorrow. Maybe he can see Dustin again.

[thewisestdino]

Cloudtail 75 for the Spotify wrapped thingy :3

Leah you're breaking my heart and I'm letting you Oblivious beauty I'm betting you don't even know what you're doing to me

[fuckyeahchinesefashion]

chinese college students are studying how to add volume to hair by 我爱吃榴莲

[kvetchinglyneurotic]

my wildly impractical idea is that ao3 should have an annotate feature. leaving a comment at the end of the fic isn't enough. i want to read a fic and then give it back with my line by line reactions scribbled all over it

[difeisheng]

A Jianghu Mystery of the Middle Xi: The Tomb of Li Xiangyi

By Qiling, University of □□ (2024)

Left: A photograph of the inscribed text at Li Xiangyi's tomb, reading, "The grave of the Sigu Sect's departed Sect Leader, Li Xiangyi". Right: Artist's sketch renditions from eye-level frontal and aerial side views, recreating how the tomb may have appeared during the Xi dynasty.

Among the numerous important archaeological finds from the Xi Dynasty, the tomb of Li Xiangyi is not the most well-known, nor has it yielded any artifacts of particular intrigue, yet it has raised questions about certain points in history since its discovery. The tomb constitutes a small site, near a mountainous overlook which should have received little common traffic at the time of construction. Its structure is in line with some other aristocratic burials of the Middle Xi period: aboveground, with a chamber at the center of a raised rectangular dais several meters wide, large enough to bear only a single individual. A stone marker, which has survived in legible condition until today, declares it the tomb of Li Xiangyi, leader of the Sigu jianghu sect.

Records about Li Xiangyi are found at other archaeological sites contemporary with this tomb, and so his name is not an obscure one. The Sigu Sect complex has already undergone excavation for nearly two decades, with evidence that Li Xiangyi spent several years there as its first sect leader and founder. His tomb is within two hours' walking distance of the Sigu site, though isolated in its location, compared to the Sigu Sect's grand mountain entrance. (The complex itself was inhabited well after his death; bamboo slips cite Qiao Wanmian as the Sigu Sect's next major leader some years after, who oversaw it for several more decades into the later Xi). In addition, the Baichuan-Pudu site, closer to the eastern coast and historically the headquarters for the Baichuan Court, is affiliated with Li Xiangyi. Its origins apparently lay in an offshoot of the Sigu Sect, which grew into its own independent legal organization after his death.

Legends surrounding Li Xiangyi's life have been well-documented, both at Sigu and Baichuan-Pudu, but also in books and transcriptions of oral stories at sites around the country. These are dated to both the Middle and Late Xi periods, as well as a few scattered mentions in writings from the following dynasty. As a jianghu sect leader and swordsman, Li Xiangyi's reputation truly preceded him. Some tales speak of his early accomplishments, ridding towns of villainous tyrants and defeating criminals. Others talk about the founding of the Sigu Sect when Li Xiangyi was seventeen, and his subsequent missions leading his fellow swordsmen to protect the borders of the country. Not all of these narratives can be verified with surviving historical proof, and given Li Xiangyi's status in the shifting canon of folklore, the percentage that are hyperbole or fiction is likely significant. However, one that should be true, and is the most frequently told story throughout these sources, is that of Li Xiangyi's death.

All texts place Li Xiangyi as having died relatively young, with some providing a specified age, generally around twenty. He perished in a duel with Di Feisheng, leader of the Jinyuan Alliance, a rival jianghu organization and presumed threat to the Sigu Sect. As the sources say, the Jinyuan Alliance killed Li Xiangyi's sect brother, Shan Gudao, and in retaliation he used the Sigu Sect to launch a war against the Jinyuan Alliance. His final battle was the last in this war, dying in the East Sea on Di Feisheng's ship. The Jinyuan Alliance in return was badly defeated by the Sigu Sect; excavations at its first compound in the last five years have shown evidence of siege, with fire having destroyed large parts of the buildings. Afterward, the Sigu Sect disbanded without Li Xiangyi, with only the Baichuan Court continuing to function, before being resurrected one decade later.

Given this knowledge we have about Li Xiangyi, the matter of his burial should be straightforward. He had a tremendous impact on the jianghu in the few short years that he stood at its peak. He died heroically, if tragically, to obtain justice for a brother. He was honoured with a tomb, standing guard over the sect he dedicated his youth to. Why, then, is said tomb regarded as somewhat of a mystery?

This tomb was first stumbled upon during extended surveys of the Sigu site territory, with excavation taking place within the last two years. Parts of the stone chamber and foundation of the dais have withstood time, as have most things left inside. The tomb bears no signs of looting. However, there are some details which, alongside discoveries from other archaeological sites, contribute to a shadow of uncertainty on the existing narrative of Li Xiangyi's life.

Firstly, is that the austerity of the tomb does not line up with what we know of Li Xiangyi. Although overall sufficient enough for someone of his great reputation, the tomb is rather plainly embellished. There are an unexpectedly small number of burial objects inside, with those present being neither rare nor expensive. For all his contributions to the jianghu, less money and resources were poured into remembrance of Li Xiangyi than seems proper for his time.

Secondly, and far more significantly, is that the tomb holds no human remains. Whether the fact of Li Xiangyi having no recovered body to bury was made public is unknown; if it was, we do not have record of it. Certainly those who arranged for the tomb to be built and sealed would have carried this with them the rest of their lives, but no one else may be accounted for. Granted, it is not impossible for a disappeared body to have been common knowledge or presumption, as Li Xiangyi was killed at sea with no guarantee of being found. Yet this, combined with the ordinary appearance of the tomb, causes the entire site to appear... a nominal thing. Constructed to maintain acknowledgement of Li Xiangyi's absence, though his death was only marked by words, rather than a physical state.

He was given a tomb, but was Li Xiangyi truly dead before it was built?

In terms of the aforementioned other archaeological site findings, there is one that potentially implicates Li Xiangyi's death at an interesting political junction, within the context of the dynasty. The Xi Dynasty was unstable and relatively short-lived, established after taking back the Central Plains and adjacent territories from the southern conquering state of Nanyin. It endured for just under two centuries, the first of which was fraught with pockets of conflict, with many jianghu skirmishes such as that between the Sigu Sect and the Jinyuan Alliance. The greatest threat to the Xi Dynasty (until its fall) came one hundred years after its founding. Recovered archival records from the Xi capital excavation report that remaining Nanyin loyalists attempted a coup, supported by jianghu organizations, including a restored Jinyuan Alliance (although whether Di Feisheng was still its leader at this time is unclear). This attack was ultimately unsuccessful, but important to note is that the leader of this renewed Nanyin force is described as being Shan Gudao, Li Xiangyi's former sect brother.

Although Li Xiangyi brought the Sigu Sect into a war upon news of Shan Gudao's death, that demise seems to have been faked, with Shan Gudao disappearing underground only to reappear as part of a later rebellion. Could Li Xiangyi have been aware of this? Was his reaction to Shan Gudao's apparent death genuine? Or part of a coordinated plan, using him as a reason to destroy the Jinyuan Alliance, to eradicate any future resistance? Did Li Xiangyi, too, fake his death alongside Shan Gudao, in service of a shared cause? Were remnants of the Sigu Sect instructed to build an empty tomb, cementing Li Xiangyi as a dead hero so he could work in the shadows of the jianghu instead?

This is merely speculation, contradicted by the fact that if Li Xiangyi had indeed done as such, unlike Shan Gudao, after his duel with Di Feisheng he has no reappearance in any surviving records or at any archaeological site. As well, Li Xiangyi should have had no motivation for committing to such a scheme, with even loyalty to Shan Gudao a stretch for putting all the lives of the Sigu Sect on the line. That being said, history has a way of surprising the present, and this theory may not be entirely ruled out. At any rate, Shan Gudao's survival is a baffling accompaniment to Li Xiangyi's (lack of a) burial, one which will hopefully receive clarifying answers in future archaeological developments.

Perhaps the strangest piece of the puzzle concerning the end of Li Xiangyi's life, however, is Di Feisheng. After the Jinyuan Alliance was scattered by the Sigu Sect, stories regarding Li Xiangyi declared him dead and disappeared. Yet not unlike Shan Gudao, he became known in the jianghu once more about ten years later, witnessing the Nanyin's attempted coup and living long after. His tomb remained untouched, and was excavated eight years ago as part of the greater Tianji Mountain site project. The location of Di Feisheng's tomb is surprising, not only because it directly links him to the powerful and wealthy He clan of Tianji Manor, but also because he was buried next to their sole young master during the Xi Dynasty, Fang Duobing.

The son of financial minister Fang Zeshi and engineering master He Xiaohui, Fang Duobing became a notable youxia travelling the jianghu in the emperor's name, assigned in the wake of the attempted Nanyin coup. According to palace records, he was also betrothed to Princess Zhaoling, although the marriage agreement was eventually formally dissolved. What is otherwise known of Fang Duobing was his admiration of Li Xiangyi, having styled himself as a follower and disciple of him during his youth. As well, one eye-catching artifact among Fang Duobing's burial goods was a preserved wooden replica of a blade, with Li Xiangyi's name carved near the hilt. Likely a children's toy, prized and kept safe throughout Fang Duobing's life.

The exact nature of the relationship between Di Feisheng and Fang Duobing is not entirely certain, but it must have been a very close one, for Di Feisheng to have the privilege of burial on the Tianji estate. This topic justifies future study for our understanding of the Tianji He clan, already known in prior generations for its socially subversive relationships, but pertinent to Li Xiangyi is that the man whose most infamous act was to kill him, was laid to rest beside one who revered him. Why was there such a bond between these two figures, if the stories of Li Xiangyi's death have any truth to them? Did Li Xiangyi really die by Di Feisheng's blade? Did Li Xiangyi's empty tomb, plausibly signifying Di Feisheng's innocence, alter his relationship with Fang Duobing? Or indeed, did Li Xiangyi, the man himself, have a part to play in this?

No traces of him from this time remain in the archaeological record, true. But this should not be taken to mean without doubt that he was not alive then at all.

The discovery of Li Xiangyi's tomb has been an exciting development for studying this era of the Xi Dynasty, but it has also outlined doubt in areas of one man's life that were previously taken as likely facts. Li Xiangyi's tomb is scarcely fitting for his name as a founding sect leader, built more for the sake of its existence than anything else, and there was no body sealed inside to begin with. In addition, Shan Gudao— someone dear to Li Xiangyi— established a precedent of faking his death. Di Feisheng, known across the jianghu for killing the man, held a close bond with someone later in life who had personally looked up to Li Xiangyi, and so he may not have been fully responsible for Li Xiangyi's death to begin with.

What truly happened to Li Xiangyi, resulting in a tomb such as this? The past holds the answer, knowing things that we do not. Hopefully the future of archaeology will continue leading to new discoveries, and allow us to more completely understand the legend that was Li Xiangyi.

[itsdefinitely]

LOVING YOUR LORDS IN BLACK ART!!! ESPECIALLY TINKYYY, HE LOOKS VERY SKRUNKLY <333

he's so insane <3

[genshin-impact-updates]

The "A Parade of Providence" wallpaper series is now available!

The "A Parade of Providence" wallpaper series is now available!

Click the link to download the wallpapers in different dimensions!

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[polaroidcats]

Ugly crying & the marauders generation - a pseudo-scientific approach (my marauders crying PhD abstract)

Abstract

In recent days, there have been a variety of claims as to who the prettiest and ugliest crier in the marauders generation could be. This paper aims to address the recent surge in opinions on the matter, and categorize different approaches as well as add a new approach to the scientific examination of ugliness/prettiness when it comes to crying. I hope to provide readers with an overview of the current state of research and encourage all marauders scholars to add their own and I intend to make a contribution to the discourse by committing to the bit and writing a pseudo-academic paper about it instead of actually working on my thesis.

Introduction

In the following paper, the discourse about 5 marauders era characters will be examined in regards to their various levels of perceived ugliness whilst crying. Scholars who may ask why Peter [Pettigrew] is not included in this analysis are advised to refer to acclaimed marauders ugly crying scholar @lynxindisguise's (2023) original poll on the popular blogging website "tumblr.com" which did not include Peter, but rather two non-marauders characters named Lily and Regulus. This paper will follow that approach, since Peter is the nastiest skank bitch I have ever met, I do not trust him and he is a fugly slut. The characters included in this approach are as follows: James Potter, Lily Evans, Sirius Black, Remus Lupin and Regulus Black.

Following the scientific criteria for ugly crying, as stated by lynxindisguise et. al (2023), the question of the ugliest crier can be answered by observing the crying person and assessing their ugly-levels on the following parameters: (1) unbecoming facial expressions, (2) facial swelling/blotching, (3) unsettling noises, (4) snot factor, (5) tear volume, (6) general loss of dignity, (7) glistening eyes/lashes, (8) Victorian heroine factor, (9) elegant tear-wiping, (10) post-cry glow (ibid).

Criteria (1)-(6) can be categorized as the ugly crying parameters whereas (7)-(10) are pretty crying parameters, creating a false binary between ugly and pretty crying, which may be problematised and addressed in another the paper. In contrast to lynxindisguise’s original 10 criteria to measure the aesthetics of crying, this paper proposes to add (11) explosiveness of cry as another ugly crying parameter, in order to get a more clear assessment of where on the ugly-pretty crying scale a character falls.

The ugly crying parameters

(1) Unbecoming facial expressions

James Potter is mentioned in this category by several marauders scholars: @jaylienpotter talks about his red face and ugly sobbing, @artbyace mentions his “scrunched up cry face” and @sectoren claimes “james (…) is that one handsome guy that when the waterworks get going becomes like. Cartoonishly ugly”, raising the question of upkeeping toxic masculinity in order to avoid having to witness more of James Potter’s crying “mug”.

Though James Potter features heavily in this category, another character who is also mentioned just as often is Remus Lupin: @kaaaaaaarf, @appreciatedmoron and @http-starboy all emphasise that Remus Lupin is the one with a red and blotchy face.

(2) facial swelling/blotching

While there is a definitive overlap between the categories of facial swelling/blotching, unbecoming facial expressions and snot factor, Sirius’ and Regulus’ victorian heroine complexions, which give them an advantage in the homonymous category, may be to their disadvantage in the “blotching” category. This will require further research by other scholars.

(3) unsettling noises

James Potter is mentioned in this category by Jaylienpotter (2023), claiming he not only hiccups when crying but also that “his cries are one of the most heartbreaking things you’ll ever hear” and similarly, artbyace states that “James loves and feels so loudly”, whereas “Sirius is silent”, both sentiments are reminiscent of znelda’s (2023) statements that James “was allowed to feel his emotions freely in a loving household” and “Sirius (…) [is] used to hide [his] feelings and [has] become stoic”.

With several other scholars, among them also @jamesunderwater (2023) raising the point that James may be the ugliest crier due to him being “the only one well adjusted enough to have access to his feelings” this raises the question of possibly introducing another category, maybe of emotional awareness/stability to be able to measure this parameter more efficiently, though emotional vulnerability may also just be a part of the unsettling noises parameter, suggesting that there is a correlation between noisiness and the existing environment being welcoming to and accepting of various expressions of emotions.

(4) snot factor

The most popular winner in the snot factor category seems to be Remus Lupin, with several scholars agreeing that his sobs are the dampest and snottiest out of all the candidates. kaaaaaaarf (2023) writes “he turnes all red and blochty and snot drips out of his nose (…) he cant (sic) not cry with his mouth open as well so there is a lot of spit”, and appreciatedmoron (2023) agrees with kaaaaaaarf on this.

It only seems right to me to include spit in the snot category as well, seeing as they’re both crying-related bodily fluids that add to the ugly-cry factor. http-starboy (2023) also mentions snot in regards to Remus Lupin, which compared to both their comments in (1) opens up the question of how unbecoming facial expressions, more particularly redness of the face and snot factor may be related, as several authors seem to write about both specifically in relation to each other. Whether this is just pure coincidence or not would need further research, for which we currently do not have enough funding. This is only one of the many research gaps in the relatively new field of marauder’s ugly crying studies, which cannot fully be addressed in this paper.

James Potter is also mentioned in the snot category, namely by the marauders scholar artbyace (2023).

(5) tear volume

Artbyace (2023) claims James Potter is “full on bawling” which can only be assumed to refer to tear volume, but the most convincing argument for tear volume comes from the acclaimed marauders scholar @fruityindividual (2023), stating that “tsunami warning tones go off in sirius’ brain anytime remus is close 2 (sic) tears” which already indicates high levels of tear volumes. The author then goes on to specify the volume by claiming that “indeed the ocean wishes rj lupin would jump in and help contribute 2 (sic) rising sea levels”, further emphasizing the volume of Remus's tears.

(6) general loss of dignity

@pastaplatypus (2023) writes about James Potter not being able to do a Melodramatic Bollywood Cry, which is perceived as inherently racist by the crier.

I would like to argue that Sirius Black also deserves to be mentioned in this category. While as of today, with less than 1 hour left to vote, 15.5% of voters agree that Sirius is the ugliest crier, the more outspoken voices all argue for different ugly criers. Due to their upbringing, I am tempted to name both Black brothers in the “loss of dignity” category and look forward to reading future contributions to this discussion.

The pretty crying parameters

(7) glistening eyes/lashes

Undoubtedly Sirius Black deserves to be mentioned in this category. I believe his dark lashes and glimmering eyes are part of what makes him the prettiest crier. Whereas Remus’s eyes also sometimes glisten or appear red, and it is usually attributed to be caused by drug consumption, which more often than not is a wrong assumption, but he happily goes along with the pretense of being a weed-smoking bad boy in order to hide his ugly crying damp tendencies.

(8) Victorian heroine factor

It almost seems superfluous to even mention Sirius (and, to a lesser degree, Regulus) Black in this category. This category was made for Sirius, as is apparent when reading lynxindisguises (2023) description of the victorian heroine factor, in response to a question by the scholar @plecotusauritus:

“the Victorian Heroine Factor is a deeply scientific assessment of the Vibes. Is this person giving tragically beautiful, windswept Victorian Heroine, sobbing gently into their hands while sprawled across a boulder or a well or a fountain of some sort? When they look up at you, do their tear-plumped lips part elegantly as a single tear slides down their cheek?”

(9) elegant tear-wiping

There hasn't been a lot of research in this area, but I would like to propose handkerchiefs with embroidered initials and family crests as another potential factor in favor of the Black brothers scoring high marks in this category as well as the Victorian heroine factor.

(10) post-cry glow

Artbyace (2023) claims “lily is always beautiful (…) even when crying”, which is echoed by znelda’s (2023) earlier claim that “Lily (…) [is] a woman and no woman is ugly when crying.”

Sirius is the other popular choice by marauders scholars for this category, with @in-flvx (2023) stating that he “handsomely handsomes while dying after 12 years of torture hell and another year in shackles”, which would mean that “a few tears would[n’t] stop him from being the hottest person in the room at all times” (ibid).

Additional parameters

I am suggesting to introduce an additional metric in order to further specify and better assess the ugly-crying levels:

(11) explosiveness of cry

@felixantares (2023) introduces the idea that Remus “is the type that very few people have been seen cry because he ignores every difficult emotion hes (sic) ever had (…) and it all explodes at once and its horrible to watch when he breaks down”, a sentiment shared by several of the other authors mentioned above in various other categories.

Further opinions & conclusions

The most popular consensus seems to be that Sirius cannot be the ugliest crier, sometimes also in direct comparison to his brother: @spindrifters (2023) answers the question of the ugliest crier with “obviously it’s regulus”, elaborating that “at least [it’s] definitely not sirius bc (sic) reg is canonically less handsome in all ways” which brings up the question if regular beauty plays into ugly crying. This is contrasted by lynxindisguises argument, that Sirius may be an ugly crier because he’s so gorgeous, and his ugly crying subverts the expectations of beauty:

“the most beautiful man alive looks hideous while crying, and his deeply awkward and perpetually damp bf (sic) is literally in his element while crying – dampness becomes him, you might say.”

This statement raises yet another question – does regular crying make the crier more or less ugly? Can an ugly crier become a pretty crier by practice or are we all born either ugly or pretty criers, condemned to this fate for life?

While this paper has given an overview of the current state of research to ugly crying/pretty crying, it has also raised many more questions. Other topics which may be addressed in future papers also include the philosophical question whether ugly crying is in the eye of the beholder and if it is possible to ugly cry without being perceived, and if it is possible to ugly cry if the person perceiving you doesn’t find it ugly. Since the research field of ugly crying is a relatively new one, we can only hope to read many more opinions on these and other topics in the future, and I look forward to reading different scholar’s approaches to these highly relevant topics.

[emry-stars-art]

Doodles after learning the different meanings of different wax seals; according to this infographic using blue wax indicates romance or passion, the darker the blue, the stronger the feelings. Abram only has red wax (the default option) if any at all, but luckily he knows exactly who to ask when he finally learns there’s a separate proper way to seal certain sweet letters to his prince

Find the royal au masterpost here 💕

[theartofdreaming1]

Some more Captain Swan (or would this qualify as Captain Duckling? idk)

This started out as a simple, mindless ouat doodle, but then my brain decided to come up with bits and pieces of a story for this while I was working on it, so... If you're interested, you can read the basic premise under the cut:

Basically, we have bar wench Emma teaming up with infamous pirate Captain Hook to bring down the Dark One: Killian has finally gotten a way to get rid of the damn crocodile and Emma has learned of that while the crew of the Jolly Roger stopped by the tavern she works at; for Emma, it's about getting her son back (Neal/Baelfire is still Henry's father in this AU, but left the realm to escape his father, so Rumple's trying to use Henry to track down Neal, i guess)... Anyway, Emma steals onto the Jolly Roger (to steal whatever magical item required to best the Dark One or to stowaway on board, your pick), gets discovered by our good captain ('feisty lass' that she is, she still manages to hold a dagger to his throat before he gets the best of her - there are on his ship, after all), she reveals why she's doing this in the first place - to reunite with her son - and they strike an accord to work together as they share a common goal... Shenanigans ensue, (and no, there is connection/bond between them that's growing closer over time, Emma is absolutely positive of that, thank you very much ;), plans go awry - they are chased by a monster of some sort, Killian decides to fight it off, to give Emma some more time to flee - she has to make it back to her son, after all - and tells her to go, to leave him behind... (but we know she doesn't listen... she never does ;)

Something like that, I guess ¯\_(ツ)_/¯ (and hey, if any Captain Swan writers out there feel like writing that story for me, let me know - I'd love to read it!)

(Also, I'm kind of happy how dynamic the poses in this drawing have turned out! I reworked the lineart a couple of times, not sure if I was wasting my time but while I liked the og sketch, I think the end result is a definite improvement)

Og sketch/doodle:

[stuckinapril]

genuinely appreciate the fact that i still study w physical textbooks and use sticky notes. the neuro clinic i'm interning at uses binders for patients and also uses paper for initial data entry and idk holding an actual pen and flipping through actual pages is so healing to me

[gillyburnsthings]

"... as long as I draw breath."

- A Court of Fey and Flowers, Dimension 20

[layzeal]

Dr. Lace, as a practicing Lan Wangjiologist, why do you think Lan Wangji waited until the end of the novel to tell Wei Wuxian about A-Yuan surviving? Like, in universe, because while I think the real answer is that the twist plays out better at the end of the story, it’s more fun to guess why Lan Wangji kept quiet.

"Dr. Lace" and "Lan Wangjiologist" made me laugh for like two days straight. well done anon. well done sjdhfkjsdhlfkdsjf

but you've actually caught me on something that i don't know if i have a true answer!! i mean, as you said there is the obvious reason of it just working a lot better from a storytelling point of view.

us readers don't really learn about a-yuan existence until wwx mentions it the first time as they're hanging out in yiling before climbing the burial mounds, then there's a flashback where we met the wen remnants, they die, wwx is killed, and immediately after we return, we get the blood poll scene, which also immediately reveals to us that the little boy we met is actually now the BIG boy we've fallen in love with a long time ago! we care about lan sizhui long before we even know that he was relevant in wangxian's life before that. "what happened to a-yuan" isn't a looming question that follows us or the characters throughout the story, because a-yuan only comes up quite late in the plot. mxtx wasn't going for a shocking plot twist with that reveal, but merely using him as another piece in the story's theme. we love lan sizhui before we even know he's a-yuan, and knowing that he's now only alive BECAUSE wwx sacrificied all he did to save the wen remnants, even if he "failed" shows us the human side of how worth it was.

but of course that doesn't come without its foreshadowing. note that i don't subscribe to the "wangxian are a-yuan's parents" or "lan sizhui secretly calls lwj 'baba/fuqin'" headcanon (although u can always argue that 一日为师，终身为父 but that's for another day lmao), i find their relationship has a lot more nuance and honestly more depth than that of a nuclear family. we see how he and lan wangji seem to be much closer compared to other juniors (ie hgj personally teaches him the qin language, gives him books that other lan disciples seem to not have access to, etc) and while that is curious, it's not out of place for lwj to have a particular student he wants to train more closely. lan sizhui clearly deserves it! however, once it is revealed just how much sizhui means to lwj, as well as how he gave him both his new "birth" name and his courtesy name, as well as why he'd want sizhui to be under his protection and teaching, it all clicks!

but again, it's simply not a major focus within the plot.

ok cool lace, that still doesn't answer why lan wangji doesn't bring that up in-universe. and you're right! i'm quite fond of tangents

but seriously, i do think that's part of it as well. just like how the question of "what happened to a-yuan" doesn't follow us around the story, that's the same for our main characters. wei wuxian has long been convinced that a-yuan died alongside the wen remnants, so he doesn't ask because he's allergic to reminiscing anything about the past. for lan wangji, lan sizhui is safe (and still amnesiac), and wei ying is back to life, there are a thousand other things they need to focus on before bringing all of that up. and lan wangji is nothing if not focused on fixing the most important tasks at hand, matters of the past can be talked about later unless relevant (it's no wonder that all of lwj's backstroy is revealed to us by the narrator or a different character, after all).

but most of all, i think lan wangji didn't bring it up because he simply did not know how to tackle the subject of the first siege, wwx's death, or the wen remnants with him. it's understandably a very sensitive subject, and lan wangji did not wish to overstep his boundaries by bringing it up when wwx wasn't ready to. again, he's a man of priorities, and he wouldn't risk breaking the scab off the wound unless it was necessary, or wwx did it first.

from those lens, it's no question why he only seemed to consider revealing a-yuan's identity after the second siege, not only because wwx has finally had closure on the death of the wens, but because lan sizhui himself is starting to piece things together, though it is also not something that should be forced. however, after the second siege, things really begin speeding up again, and between wwx watching the wens fade away and having a fight with jiang cheng, he's is clearly both physically and emotionally drained all the way until they get freaky in the bathtub, where things get even WORSE, and then guanyin temple happens which just... yeah. there was enough telenovela drama for one night.

so, once all of that is finally over, and lwj sees sizhui analyze chenqing with a clear sense of reminiscing, lwj finally settles it that he will reveal it. they're not in a hurry, wwx is finally doing okay, closure has been achieved in multiple things, and there are no other priorities at hand.

except that! he doesn't even need to. because sizhui catches up does it for him. and isn't that even more fitting?

but really, since i received this ask i have been thinking to myself "at what other time would lan wangji have revealed a-yuan's identity? and why?" and i just... keep hitting a wall. because revealing extremely charged emotional subjects to a beloved person who has never brought it up to you, about another person who doesn't even know or remember it, it's simply not lan wangji's character. wei ying is alive and safe, a-yuan is alive and safe, tearful revelations can come later, but right now lan wangji needs to ensure that they'll continue that way.

[lynpheas]

i have a paper to write but. i cannot stop thinking about musa and stella. their dynamic is SO underrated…

they both have such strong personalities except musa is a lot more understated and subtle while stella is more exuberant and outgoing!! but in a subversion of expectations, stella is so down to support musa being in the spotlight — like in their s2 red fountain performance where stella did backup vocals/dancing while musa sang her heart out.

they both have familial issues & come from very different backgrounds, which simultaneously threads them together through a commonality and then sets them apart. for example, they both understand somewhat unconventional family dynamics and the absence of a parent, their mothers. stella’s parents were so busy arguing and just generally being unhappy in their relationship that they overlooked stella and how they made her feel and how their actions affected her. the loss of stella’s mother in her life is something we can infer that stella has had very little room to openly discuss with her parents, and so she has all of these internalized and idealized hopes for a future that we know will never come to pass. but she’s navigating these feelings without proper support from luna and radius. similarly, after musa’s mother’s passing, musa’s father reacted to his grief without taking into account how these events affected musa. ho-boe blamed music for matlin’s passing and so he rejected it completely, imposing that will upon musa and straining their relationship because of it. musa’s only avenue of feeling close with her mother is through music, but her feelings are disregarded and so she has to navigate this relationship with music and also her late mother all on her own.

however, for stella, she is a princess and her parents are merely divorced; so, although she rarely sees her mom and her parents don’t get along, she still has the option to go see her. i think you could say, on top of needing to be charismatic and charming as a leader, stella’s exuberant personality might’ve developed as a result of her wanting more of her parents’ attention, to be seen and understood by them. i think the 4kids dub may say otherwise, but i think it’s fairly clear that musa comes from a more modest background. and contrastingly to stella, musa has completely lost her mother and so their connection is almost…spiritual? and introspective. without her father’s guidance and understanding, musa would more have to retreat into herself. still, both of them are individuals with strong senses of self—their specific familial situations have simply informed their coping strategies and the personalities they’ve developed.

with or without that background in mind, i also just love the way stella and musa’s personalities play off of each other! because of their strong personalities, they’re prone to disagreement and small clashes. musa’s more sensitive, while stella is—although well-intentioned—more thoughtless with her words. i find musa to be more measured, but perhaps equally as blunt at times. these personality differences might result in small but realistic bumps and tiffs within their friendship, but they also have a shared understanding of one another that gives their relationship a strong foundation. and again, despite musa seeming more chill and stella seeming more prone to wanting the spotlight, stella is absolutely musa’s cheerleader!