#this was so fucking funny thank You

[ingolds-archived]

@arainaie. — ❛ you’re such a good boy. ❜

     for a second, one that lasts far too long, theo perks up at their words. good boy, they say, and he can't help the immediate satisfaction that blooms in their chest.

     a beat passes, and their eyes narrow into slits. zevran tries and fails to hide a grin behind his hand, and though he doesn't actually laugh, theo can read playfulness loud and clear in the lines around his eyes. he briefly considers himself fortunate that he's human. they wouldn't have been able to prevent the wagging tail, wolf's ears going back, or the toothy grin spreading wide across a gray-flecked muzzle.

     “ that's not very funny. ” theo frowns, perhaps more severely than is warranted, as heat crawls up the back of their neck. they're not used to being embarrassed. “ you should know that calling me a good boy isn't going to make me do a trick. ”

the bad guys / accepting

[shittysawtraps]

i imagine that this it’s what it’s like to be a saw apprentice

[brodorokihousuke]

GUESS WHAT DAY IT IS

[bacchuschucklefuck]

they licensed his ass

my finished piece of the FWMS (official name definitely 100%) thing we started a few days ago! I had fun I hope folks had and/or continue to have fun with the sketch as well.

[lucabyte]

leering

[wumblr]

hi i just found your nuclear waste warning loss meme reprinted in a physical playscript alongside other nuclear waste warnings. i am sorry they just reprinted your meme with no source but also you've definitely Lossed a bunch of unsuspecting people irl. (it's in the dark lady and pandora by jessica b hill, as additional material to pandora, which is partially about quantum physics)

EXCUSE ME?

[heartorbit]

the star you've longed for

[erinwantstowrite]

Erin the comparison of JL vs the Avengers to Camp Jupiter vs Camp Half blood is toooo accurate 😭

JL: There’s an established system in place and contingencies for every foreseeable scenario

Avengers: fuck it we ball

peter thinks that the Avengers have it all together because they're his teachers and they're constantly telling him to use his brain but it's really because they, for the first time, saw their own "fuck it we ball" mentality in a teenager, and thought "oh my god maybe that is like... super dangerous." like when a parent was younger and they partied a lot and sometimes got into dangerous situations and thought "this is normal" until they had a kid and they quickly realized "oh that's why my mom was insane."

that didn't make them any better, it just made them hypocrites. peter just doesn't know that because they act super responsible when he's around

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[its-always-sunny-in-city17]

vroom vroom

[flashyfools]

i love how everyone is taking their favorite one piece fan letter characters and making them their ocs; i think it's exactly the point of the episode.

those characters are purposefully left without a name because we, as the viewers, are supposed to see ourselves in them. we're supposed to look at them and relate to them, find a character that was inspired by the straw hats in the same way we were. i think creating these characters and these stories is the best thing the one piece franchise could have done to pay homage to their fans.

the fan letter characters are supposed to be appealing and relatable because they're supposed to be our reflections.

that's why i love how the fandom is reacting to them: we are already obsessing over them, finding names for them, creating fanwork. and it's exactly what we were supposed to do; make those characters ours, make them personal, bring them to life.

[cozylittleartblog]

me omw to scare mormons out of a wendys!! 🍂🖤🍟

ootd from like 2 weeks ago and yes that really happened

[claymton]

"the moralorel fandom is okay with liking flawed and traumatized characters until it's Cecil creepler" is the trauma not being able to molest/groom a 12 year old

[filipinoizukuu]

fun fact about togame, his voice actor also voices a jojo character named "Weather Report" (you see where i'm going with this?)

i want to believe that the one singular contact number in sakura's phone is not in fact his piss poor attempt to use a phone, but rather a well-kept secret point of contact between him and one certain togame jo. after the showdown with shishitoren and the rooftop celebration, togame and sakura remain... curious about each other. it starts off surface-level enough. togame wants to find a way to repay his debts somehow -- keep an avenue available to someday prove to sakura that he isn't so lame anymore.

he's eternally thankful to sakura for snapping him out of whatever fugue state choji's mistakes put him in and wants to actually befriend sakura because of it. make sure he hasnt changed and all. meanwhile sakura contemplates it, because umemiya WAS right in the grand scheme of things and he did somehow "communicate" with togame in their fight. he wants to keep talking to togame, sort of. learn all the things he couldn't gather with his jabs and kicks. so they both find themselves at the tunnel a few days after the fight as complete coincidence.

its complete fate they ran into each other without meaning to, but togame wastes no time in warmly greeting sakura and chatting him up. night begins to creep up and at that point sakura knows they've gotta start getting home if they both don't wanna start shit sitting out at night on territory boundaries while wearing their respective recognizable uniforms. he's hesitant to pull away from the conversation though and togame seizes the opportunity to ask for sakura's (barely used) phone and write himself into sakura's contacts. (he doesn't even have a password btw)

"Wow~ Not a single person on here, Othello-kun."

"Hah? What th' hell would I even need it for? If I need something, I can just go ask in person. None of that slow, boring texting crap."

"You really live life too fast, haha. What if it's too small for the effort? Or you can't come find me in time? Shishitoren territory is quite far from Furin's campus, after all."

"What would I even need'ta ask you that isn't urgent enough to come here, scraggly?"

Togame simply laughs under his breath. "Anything you can think of." he hands the phone back to Sakura, screen lit up with a single new contact under the name 'Weather.'

That's stupid.

The older boy continues to tease Sakura. "Call me to ask about the weather, if you really can't come up with anything at all. I promise I'd pick up; it's the least I can do for you after everything."

They part ways, and even if neither of them mention it -- Sakura keeps this encounter close to his chest. Thinks about it when his classmates make fun of him for it the very next day, even as he says nothing and lets them tease him. With 5 new names in his list of contacts, he remembers to go home and scroll to 'W' and asks about the weather tomorrow. Asks a whole lot of other things too. All until he falls asleep.

(He never changes Togame's contact name after that. Not even months later, stranded on a bridge and staring down an army of enemies and another black-haired tall douchebag to humble. What will the weather be like tomorrow? Clear motherfuckin' skies, baby.)

[bacchuschucklefuck]

this has been a roller coaster of a design journey but finally I can present you: class swap artificer!adaine and rogue!fabian

[benevolenterrancy]

@hereticcryptid I appear to be slowly but surely developing an entire series about how Hensheng and Baxia apparently get fed up with their owners' inability to express their feelings and take matters into their own hands...