#this was one of the designs i was looking most forward to drawing i love slime guy
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liauditore · 7 months ago
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I don't have the entire context for him and cleo's situation but I think we should all get weirder about it.
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lorarri · 8 months ago
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★ . . . 𝐅𝐀𝐒𝐇𝐈𝐎𝐍 𝐃𝐈𝐒𝐀𝐒𝐓𝐄𝐑𝐒 , 𝐂𝐋𝟏𝟔
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summary , a collaboration leads to fights disses and eventually blossoms into a whirlwind romance that no one saw coming
pairing , fashion desginer! charles leclerc x fem! f1 driver! reader
series masterlist | main masterlist | sol’s masterlist | f1 masterlist
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CHARLES LECLERC
bonjour! it's Charles Leclerc the head fashion designer of Aurora Balletic I asked your manager for your number because I wanted to personally ask you if you would consider doing a campaign and also being a brand ambassador for Aurora Balletic
Y/N L/N
hello! yes I would love to!
forward me the details
CHARLES LECLERC
link
my team will contact your team to set a date for the first meeting
Y/N L/N
perfect! can't wait!
yourinstagram . 3hrs ago
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seen by charles_leclerc landonorris 87,287,106 others
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CHARLES LECLERC
so what do you think about the idea's for the campaign
Y/N L/N
yeah...they are good
but a bit out there for my taste
could we possibly consider going back to the drawing board
CHARLES LECLERC
well I'm known for weird shit
and you already signed the contract....soo
so pick 3 looks that you like the most
and let's try and work together to make something that we both like
Y/N L/N
okay...
but for the love of god I'm not wearing leggings with paint on them
CHARLES LECLERC
we shall see about that hhehehe
F1 → Y/N TAKING SHOTS?!?!
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CHARLES LECLERC
wanna come over for dinner?
so we can talk this out
Y/N L/N
bet.
send through the details
yourinstagrampriv . 2hrs ago
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seen by landonorris logansargent 480 others
yourinstagram
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liked by charles_leclerc lewishamilton 78,269,173 others
yourinstagram shit at fashion and at cooking damn double kill my guy - but at least he cute
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SKY SPORTS → Y/N ON HER NEW BAE BEING AT THE RACE TO SUPPORT HER
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VOUGE → CHARLES LECLERC ON HIS FAVORITE MODEL THAT HE'S WORKED WITH
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charles_leclerc . 1hr ago
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seen by yourinstagram landonorris 197,279,379 other
yourinstagram replied to your story!
I love you so much baby
even though your taste is questionable sometimes
I love you too baby even though you can't park to save your life
despite the fact you drive the world's fastest cars for a living
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silent-stars-clan · 17 days ago
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had enough energy while recovering for some quick headshots, so i did a spin on that 'give me 6 clangens' thing & just drew some characters from different comics i've read & been inspired by c:
left > right, top down:
WILDFIRECRY (@loudclan-clangen) - im still not recovered from You Know What but his revenge bit was both badass and cathartic. the artists who can commit to character deaths are always really impressive to me!
HERONSTAR (@juniper-clan) - i've been dying to draw heron since she got her adult glo-up, i think her design is really fun. simple & strikingly effective! her very specific fur design was a nice challenge (i hope i got it right).
SNAILSTEP (@snailstep-and-her-clan) - i couldn't not draw the titular girl, especially when she inspired me to start this blog!! i really love her wild mane of fur so much & it was delightful to draw.
RUNNINGSTAR (@darkest-before-dawnclan) - i had a hard time picking just one character since they're all so interesting & well designed... but i ended up going with an as-yet only briefly shown character bc i really vibed with him!
VANILLABRIGHT (@moons-of-dewclan) - i don't know if i could ever do these characters justice, but dewclan is a longtime fav, and i love seeing other adult warriors fans, haha. i know the comic is kind of on hiatus, but i look forward to seeing whatever comes next!
CLOWNWISH (@circus-clangen) - absolutely a must-draw here, the setup for this clan is so unique & fun & the puzzles are just so creative! i haven't solved a single one bc i suck at puzzles, but still a huge inspo for me.
i'm always excited to see what other clangens pop up in the tags, i know most of these are more popular ones, but i'm hoping i get to draw fanart of some off the lesser-known ones soon!
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reds-skull · 19 days ago
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The frames of the video from the comic in the previous post. I experimented a lot with this, it was really fun to work with this chunky brush I found. Also the first time I draw the Reaper of Destruction as it was before Lumity!
More comments under the cut+a frame I ended up scrapping!
I'll go by order of appearance, because it's basically a chronological retelling of the events of part 1.
So the first frame is the least fancy because it was the first and I didn't nail down a style for this yet lol. It shows Ghost and Soap's first true meeting, in chapter 1, where Ghost helps Soap when he gets impaled by a rebar.
The second frame jumps to chapter 8, when Ghost first put Soap in Limbo. The triangle around them was a later addition, taken from the next frame. I love this scene, it's so fun to see it drawn out now :)
The third frame was the most important one to nail the style. I painted a whole frame, only to come back to it the next day and restart from almost 0.
This is the original third frame
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They both show the same event - chapter 21, the second time Soap is thrown into Limbo. The difference is, one shows a more literal image of what happened, and the other is more symbolic.
And by now I think you know how much I love symbolism lol
What also bothered me with the scraped painting is that the composition isn't central, and the entire pose, while more dynamic, isn't fitting the mural feel the rest has.
There's an even earlier version of the scrapped painting, with Soap's face, but nowhere else there are faces in these series, so I went wild with it and covered it with flames. He had them behind him already, as the description of this scene in the fic says Soap had a helo of fire behind him.
(also hated how Limbo's victims looked in the scrapped version like... ew lol)
There wasn't a real reason to add the circles around Soap. I just wanted to lean more heavily into the mural style. But I took that circle motif to the end, after that, and added it to Ghost as well, hence the triangle.
Soap has one skeletal hand, and one palm. That one is on purpose, to show he's hanging in between life and death.
The fourth frame is pretty self-explanatory, it shows the part in chapter 21 where Soap gets the dark marks on his forearm. If the colors look weird in that one, it's because I messed with them so much I couldn't tell if they look good anymore on not
The fifth frame shows another favorite moment of mine, the moment Ghost gets his marks, the white tear tracks, when he finally notices Soap fighting in the void.
The sixth frame is my favorite of the bunch. Soap and Ghost, the triangle and circle combined. The moment they killed Graves, Ghost in full control of his subjects, Soap with his sword of white fire and army of burning moths. They look so scary in this one I love them
The seventh frame shows Void and Destruction. Void was straight forward, I've drawn it a few times before, but I had to make a more detailed design for Destruction, and I only had the very first sketches I made for Revenant AU to go off of, as well as Lumity's design. Idk why I designed Lumity before Destruction, but that's how it is. I wanted Destruction melting, like it can't handle its own heat.
The eighth frame is of Void and Destruction combining. In the fic they had in-between states, it didn't look like this, but for the sake of the video I thought it'd be nicer to have a clear frame of them combining.
The ninth and last frame is of our beloved Lumity. Their design is a little more detailed than the drawing I made a while back. This frame is also the only one that interacts with the foreground, aka Makarov. I think he was jump-scared, don't know how much that comes across.
Damn I had a lot to write. Well, when given the opportunity to ramble...
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hockeyassforposterity · 22 days ago
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A beginner’s guide to goalie equipment
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I’m taking a class dedicated to zine making and self-publishing this semester - and I made this for my first assignment. It’s twenty eight pages, printed on cream coloured paper, and saddlestitch bound with blue linen thread.
You guys seem to love goalies so I thought you might like this. I also love goalies, but in a sort of narcissistic way.
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Full transcript with page numbers below the cut
(3) Under normal circumstances, there are six players on the ice from each team. One of these players is a goalie.
Hockey has a lot of rules, but to understand goaltending, you actually don’t need to understand most of them. All you need to know is that your team’s objective is to put a vulcanized rubber disk into your opponent’s net. This is called a goal. If you’re a goalie, then all you need to do is to stop your opponent from doing that to you. Most goals wins. Simple.
If items in pairs are treated as a single piece, then my goalie equipment consists of eleven pieces. They are as follows:
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(4) It’s called a jock or a jill depending on your personal plumbing. This is the one that keeps you from getting hit directly in the junk.
They make ones specifically designed for goalies, but I don’t have one. After thirteen years as a full time goalie, this is the only piece of equipment designed for players that I still own.
“Jock and Jill went up the hill…”
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(5) They look like shorts but they call them pants.
Goalie pants have extra padding to protect the front of your legs and very little padding on the back. If you fall on your ass, it’s gonna hurt. Ask me how I know.
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(6/7) In comparison to the skates worn by players, goalie skates are shorter. The boot sits in this hard plastic dish called a cowling that keeps your feet from getting broken. New goalie skates have these built in.
Skating technique for goalies is based on pushing laterally rather than gliding forward, so the blades are straight instead of curved.
I’ve had my skates for almost ten years.
//
(8/9) Big, box-shaped pads made of synthetic leather that attach to your legs with straps, designed to take up as much space as possible. Hard enough that pucks bounce off, but soft enough to move in. Smooth on the sides so they can slide across the ice.
//
(10/11) If I needed a visual metaphor for goalie pads, I would represent them as wings.
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(12/13) A piece of cut resistant fabric and padding that wraps around the neck and is secured with velcro, protecting it from cuts and from the impact of getting hit.
There’s an additional piece of hard plastic that hangs off the goalie mask by strings so you won’t get hit in the neck at all. These are known colloquially as danglers.
Neck guards are not mandatory in the NHL or PWHL. Some players wear them, but most players don’t. It’s your life, but I think you should wear one.
It is mandatory to wear a neck guard in minor hockey.
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(14) One big piece of equipment that covers your entire upper body. A lot of little plates all connected to each other.
There is a lot of padding on the front.
And no padding on the back.
Goalie equipment is like a turtle shell, but in front of you instead of on your back. You have to learn not to be afraid. You won’t get hurt if you let yourself get hit head on.
//
(15) Why do they wear jerseys in any sport? So everyone looks the same, but with numbers to still be identifiable, I guess. In hockey, the number 1, but also the number 30 and 31 and other numbers in the 30s are widely considered to be numbers specially for goalies.
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(16/17) A lot of goalie masks have custom paint jobs. My dream is to someday paint my own. If you know someone who could help me with that, please give them this zine.
I want to cover it in hands, because I love drawing them - but I’m worried that would make me look like a freak. Maybe that’s the point, everyone always says that goalies are weird.
Goalies wear pads and goalies wear art and goalies have special numbers just for them. Goalies do not have to look the same.
//
(18/19) It’s loud when you get hit in the head. If you get hit hard enough, the material of the mask will flex to mitigate the force of the impact and the straps keeping it attached to your head will pop off. So you don’t get hurt, your mask is designed to fail.
I once heard someone say they could never be a goalie because they aren’t mentally strong enough.
I don’t think this is true. Every kid cries at first when they get scored on and then sooner or later they stop. You will learn how to fail.
//
(20) Called a catcher or a trapper, but sometimes just referred to casually as the glove, it has a pocket to catch the puck. You have to break it in like a baseball glove. My dad and I spent years playing catch to break in my first glove.
My parents have two daughters and no sons. After we were born, people would ask my dad if he was disappointed to have no sons.
I don’t know why. You can play catch with your daughters.
//
(21) The blocker goes on your dominant hand and is the one you use to hold the stick. It’s a glove with a literal block of padding attached to it. If you position it properly, pucks will bounce off.
Like your pants, like your chest protector, like your mask, you have to face the puck head on. If you’re afraid, then you’ll get hurt. Do not be afraid.
//
(22/23) Hockey sticks are made out of molded carbon fibre and are hollow on the inside. Goalie sticks have a wider section at the base referred to as a paddle. The ideal paddle length varies depending on your height. You wrap the blade and end of the stick in tape for increased grip.
When I was fourteen I subbed as a goalie for another team at a tournament. My first crush on a girl was on a player on that team. She was blonde and wore glasses. I don’t remember her name. I haven’t seen her since.
There is a company that makes hockey tape with a rainbow pattern explicitly as a symbol of inclusion.
Last year the NHL banned its teams from wearing specialty jerseys in support of causes, any cause, on the ice. Later, they banned players from using pride tape on their sticks. When Travis Dermott used it anyway, the ban was overturned.
Marie-Philip Poulin is the captain of the Canadian national women's team. She plays on the same team as her wife, Laura Stacey.
We’ll get through this, please don’t be afraid.
//
(24/25) Goaltending works by covering as much of the net as you can. Obviously, the taller you are, the easier this is, but the way it’s actually achieved is with angles.
The closer you are to the puck, the less net there is to see. The better you face the puck, the less net there is to see. And of course, the faster you get to the puck, the better.
I am not tall, but I can get to the puck anyway.
If I needed a visual metaphor for goalie pads, I would represent them as wings. Why else would they call it the butterfly?
//
(26) How to be a goalie, in four simple steps:
Learn how to put on your equipment.
Learn to fail.
Learn to fly.
Do not be afraid.
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artfromsaturn · 11 months ago
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Collection of Free Art Tutorials
I don't usually make text post on this blog, but a nice artist I know was asking for tutorials a while back and I forgot to send some to them while in school. So here's a post on it since it's easiest to grab and go this way. :)
This list focuses on the basics. I'm focusing on the foundations of art, so medium is generally irrelevant and you can use physical or digital with these. You'll have to google more specific tutorials on things like character design and such.
One of the biggest pieces of advice I can give to you is strangely, introduce things to yourself one at a time. In art class, we took whole topics week by week. For high school, we did a few exercises then spent a week drawing/painting and doing your piece(s). For basic art 1 & 2 in college, we did 1-2 exercises and then did 1-2 drawings, followed by HW (which we turned in next week) and sketchbook practice (which she'd check at midpoints). For basic art lessons with a tutor, we did practice then our own art. You can see the pattern here - the point is don't be distressed if you don't get everything at once, or the lesson in 2 weeks, or the lesson in 3 years - we practice and do a lot over time, and you'll pick up on things you need to improve naturally and through help with others. Take time to be proud of your art in mini steps too, even if it's not the best! You tried and attempting to climb an obstacle over and over again before finally leapfrogging it is still progress to it.
Overall tutorials:
DrawABox.com is a site that's dedicated to art exercises and practicing when you can. They talk about the basics of art as well as how practice is important. It can get tough at times and it's ok to stop and do a balance of say those practices and doodles if you choose to try and do all of it's stuff - but you don't have to either. It's just a nice basic education done by some art nerds who like going hard.
Ethering Brothers - these guys are famous for their 40billion tutorials. If you need help on a specific idea, search their gallery and you'll likely find something.
Thundercluck's Art Fundamentals - She did a good huge ass tutorials on how things work, and it's the least overwhelming of the 3 I got in this section, so I suggest it as one of the first to look at for digital stuff.
Art Instructions Blog - Another good & simpler website that goes great into fundamentals. They focus more on traditional art but if you're digital, you can replicate most of the techniques - art fundamentals and subjects cover all mediums. Very important
Drawsh - Particularly notes on Construction: construction is the basics of building an illusion of a 3D image on a page. Figuring out how to build shape gives depth to your work, and learning how to see in 3D lets you be able to draw an item then move it around in your head (sometimes, when you're good enough, don't be afraid to pull out a reference or use live subjects). Construction is how to figure out the foundation of your drawing, and good planning = better picture! This link starts at the back, hit newer post to go forward.
There's a lot on anatomy and other nitty gritty details for when you want to practice those as well.
Griz and Norm's Assorted tips - Long time artist talk about various tips and tricks they use in art and how to avoid certain pitfalls. It's eclectic but great to look through.
James Gurney's Blog - He's got a lot of thoughts, a lot of tips, and a lot of adventures he catalogues. It's the least organized out of these but fortunately he has plenty of tags and most post have something neat going on. He's fantastic!🥰
BEFORE ALL OTHER BASICS….
How to Make Your Art Look Nice: Mindset
There's a lot of artist with different perspectives on how to approach art and your mindset while doing it, but the general consensus is that it's a process and sometimes you have to remind yourself to enjoy art!
Line
How to draw straight lines without a ruler. …but for the love of all that's good do NOT feel bad about using one! This talks about how to hold your pencil and how to do some good freehand stuff, some good practice.
5 grips for holding a Pencil for Drawing - This goes for pencil, pen, tablet, etc.. Get comfortable and figure out what's right for you and your pictures. I'd like to note that paintbrush holding will overlap, but some will differ.
A few line drawing exercises that help with line confidence.
Types of line drawings & what they are.
Contour Line & exercises with Mrs. Cook - Contour lines are one of the first art exercises I do in all the drawing classes I've taken. The good news is that they're surprisingly fun & look neat, even the blind contours!
Good deep thoughts on lines and how to use them.
Line Weight Tutorial
Lineart Weight Tips!
How to show variation in your line art: part 1 & part 2.
Some teacher's Drawing 1 & 2 lessons put online.
Light, Shadow, & Value
An introduction to tonal values.
Why values are important. The main reasons are that they give depth to a piece, and values literally shape our world.
Tonal Values: Everything you need to know
How does light work & the basics on Light
Light & Shadow in Art - much more in depth of the above! Highly recommended if you have time to spare.
Understanding grayscale/monochrome art. Great for shading & planning.
A guide to Cross Hatching (and hatching in general) - As a side note, crosshatching is one of the early things taught as it marries Line + Value into a nice neat package and helps add form with just a pen.
Crosshatching for Comics
Learn more about coloring by working in grayscale
How to Make Your Art Look Nice - Contrast!
Using lighting to make your art look nice.
Some light & shadow classifications.
Edges - notes on how they work in shading.
Color
A side note - color theory doesn't differ much, but color MIXING will change between mediums. If you're doing traditional colored pencil, you're overlapping 2 or more pigments on top of each other. If you're doing traditional paint, you're mixing & creating a solution/emulsion (depends on the pigment and binding) of pigments with the particles reflecting light in different ways. In digital, overlapping colors & blending colors depend on how the program you use calculates it if you're not just putting 2 color side by side. This just means you have to adjust your mixing when you switch between them. :)
Slawek Fedorczuk's Light & Color Tips - also shows how to guide through a scene.
The Color Tutorial Part 1 & 2 by Sashas - A personal favorite.
Color Studies 1-6 by Sheri Doty Amazingly nice breakdown on how color works in simple terms.
Sarah Culture's Tips on Color
The value of underpainting
A few notes on reflective light.
Experimental color techniques with Alai Ganuza: first post, second, & third.
Color zones of the face charts
Composition
Good Tips on Composition
Here's an example of how you can search the Etherington Brothers' stuff and get like 10 tutorials and tips on one subject. Composition & Cover Design, Shadow Composition, Two Line Composition - plus more.
How to make your art look nice: Thumbnailing!
And don't be afraid to make silly thumbnails or sketches.
Composition Examples - charts like these are great when you can't think of something yourself. There's no shame in using them.
Flow and Rhythm
Formulas for landscape composition.
Perspective
Perspective Drawing Tutorial by Julie Duell
Linear & Atmospheric Perspective Guide
One Point Perspective City Tut by Swingerzetta
Niso Explains Perspective - these are great for drawing figures in perspective!
Putting characters into scenes and drawing backgrounds
Backgrounds that make your character stand out!
Using background detail to guide the eye.
Odds and Ends
I shit you not, probably 1/3rd of my color, value, & structure knowledge comes from pixel art since I've done so much of it and it is all about challenging yourself to do the most you can with limitations. Check out lospec's tutorial database for fun and see how it compares to art techniques you're doing - even if you never try a medium, it's always interesting to see how it works. :D
How to Make Your Art Look Nice: Reference Images & Style, Pushing Proportions, and developing style.
Foervraengd talks about how he expanded his comfort zone with concept art & landscape drawing.
Luna Art talks about what they're thinking when doing concept art.
Repeating visual motifs in character design looks cool.
Eric's Thoughts on Drawing Backgrounds and Props.
Show vs. Tell: Why Visual is Not Optional in comics.
The Lost Vocabulary of Visual Story Telling Day 1, Day 2, Day 3, & Day 4.
Traditional Animation's 2 Digital Library books, The Know-How of Cartooning by Ken Hultgren & Advanced Animation by Preston Blair are two books from the golden age of animation they have up on their site for free viewing!
Animation resources dot org has a lot of cool stuff. Here's Nat Falk's How to Make Animated Cartoons (part 1). Their pages on Instruction & Theory are a good start.
Books
Good news: the internet archive has a TON of resources. Make sure to check around and toggle filters, it's a bit weird with organization. For example, a book can be under art or drawing - techniques, depending on who catalogues it.
Andrew Loomis is someone artist tend to die-hard reccomend. His work is collected here & here on the internet archive (one is Andrew Loomis, the other is Loomis, Andrew - thanks). I own Figure Drawing for All It's Worth and I recommend checking all of his stuff out, especially if you're having trouble with bodies and hands.
The Animator's Survival Guide by Richard Williams is mandatory in animation classes for good reason - it's fantastic!
Perspective for Comic Book Artist by David Chelsea is great for any type of artist. So is Extreme Perspective & Perspective in Action.
Scott McCloud's Understanding Comics, Reinventing Comics, & Making Comics. The first one is on the internet archive, the second two are likely avaliable at your library or at a bookstore as they're pretty popular.
Speaking of comics, Drawing Comics the Marvel Way has been a favorite of comic artist for years no matter what comic book companies and artist you like, it's a good introduction.
Anything by or endorsed by James Gurney, Color and Light: A Guide for the Realistic Painter is one of my favorites (this is his official page but you can get them elsewhere for cheaper too).
Art resource blogs with good tagging systems: @artist-refs , @help-me-draw , @helpfulharrie , @art-res , @drawingden , & @how-to-art
Lastly, I suggest if you find something you like online for free, SAVE IT! Whether it is through the Wayback Machine, screenshotting a whole webpage, reblogging/retweeting something, or putting it on pinterest, digital media is fickle and tends to go up in smoke when you least expect it. I have a partially organized Pinterest board that helped me find most of the stuff I wanted to keep. Figure out what works for you and save what you can.
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brokenmutations · 2 months ago
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Not just a “Fling”
Logan Howlett • She/Her Pronouns • Mutant!Reader [Heat Manifestation] • You and Logan were never…exclusive. It’s always been a friends with benefits even if the friend part is silent. But when a scare happens, it draws Logan out of that state of mind • ANGST/SFW/NSFW - Illusions to sex / hickeys / biting • TW: Pregnancy Scare / Injuries / Scars / Anxiety
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There seems to be a routine with it.
Logan waits outside of Y/N’s class whenever he was in the mood, and she would wait outside of his for the same reason—-then they would go to Y/N’s room in the mansion, have a little fun, and Logan leaves almost immediately after.
It’s a bit surprising that no one has caught on to their situationship. Logan is the master of denial and 90% of the time they would believe him, but when the accusations hit Y/N about the two of them. That 90 becomes 100%. She knows he doesn’t want more out of the two of them so what’s the point in feeding into her “delusional” feelings.
“So, you and Logan—-“
“How many times do I have to tell you it’s nothing, Jean?” Y/N sighs, getting her suit on for the mission she, Jean, and Scott were assigned to. She was testing out new thermal gloves that Hank designed for her mutation so while Jean focused on her love life, she was more looking forward to the long gloves.
“C’mon! I see the way he looks at you”
Like a piece of meat Y/N thought and had a bit of a “wait a minute” moment giving Jean a look but was instantly met with confusion. Thankful she didn’t read her mind.
“You sure you don’t see the two of you…I don’t know…together in the future?”
“No” How quick Y/N’s answer is what brought disappointment on Jean’s face.
“You sure you don’t need an extra hand?” Logan asks Scott as they were headed toward the hanger. Scott side eyed him even if he couldn’t tell with the visor he has. “What? It doesn’t hurt to have back up”
“For a scouting mission? The backup can stay comfortably here. But I promise you, with Jean alone, Y/N and I will be safe. Hell. I don’t have to go really. Professor asked me to go along with them but the two could’ve handled it alone” Scott realizes he was rambling and before they entered the hanger, he stopped Logan. “We’re good.” and with that he entered alone but when the doors were hissing shut, Y/N caught a glimpse of Logan and vise versa.
The scouting mission was a success…for the most part. They did get themselves into a pickle but didn’t call for backup on the matter. Scott handled it, after a few shots were fired and a few grazing Y/N. Nothing too serious.
Room in 5
Logan stares at the text he received and downed his beer that he kept hidden from the students. Tossing the bottle in the bin after removing the label so the professor wouldn’t get pissed about alcohol in the building.
The second he entered the room without being seen, the man was shoved against the closed door and Y/N’s lips met his in an instant. Logan didn’t mind this one bit. He thought it was odd that the lights weren’t on when he entered but with the way her hands were taking off his belt then his pants along with it…his mind blanked and focused on one thing.
Fucking her until she forgot her name.
After their fun, Y/N shifted in her spot turning her head toward the sleeping form beside her. He’s never slept over she thought and there was good reason he didn’t, aside from their “rules.” She slowly sat up in her bed letting the blanket fall and the coolness of the room draw a shiver out of her when it hit her bare chest. She reached over and the palm of her hand glowed a light red, pressing itself into his skin and causing him to wake. The heat she emitted wasn’t enough to cause damage, just enough to bring warmth.
Logan jolted awake, giving Y/N a confused look that didn’t last long. “Sorry”
“It’s whatever. Just make sure no one sees you” Y/N slipped out of the bed in her naked glory making her way toward the bathroom, she flicked the light on and Logan took note of the hickeys that littered her neck, a few bite marks on her shoulder, and the bandages on her arm from her injuries. “Take a picture it’ll last longer”
“Can I?” Logan smirks getting out of the bed and making his way over, with hopes for a round two in the shower but she gently placed her hand on his chest to stop him. “Is that a no?”
“It is a firm…no” Y/N gently pushed him back seeing the smirk not leave his face. “I need a shower and you need to clean up for drinks later”
“Thinking of ditching that, if you do too…we don’t have to leave this room” He smirks leaning against the doorframe as Y/N crosses her arms eyeing him up and down. “See something you like?”
“Yes…but I could also use a drink…” Y/N weighed her odds before sighing. “You can join me in the shower, but you need to leave after. I’d like to see Scott’s drunk ass try and sing Bye Bye Bye later so I can record it for blackmail” she smirks stepping back and letting him in as he shuts the door behind him.
Loud and terrible singing coming from Cyclops himself can be heard throughout the bar followed by drunk cheering from his other half. Y/N sat at the bar watching this unfold as Ororo went up to Scott to join him in fishing the song in which Y/N stopped recording. She looked over at the booth the rest of the team was at as she couldn’t help but feel herself stare at Logan and Jean talking to one another.
One of the many reasons she doesn’t want to pursue something. Or whatever she’s trying to call it. She’s not intimated by Jean, just knows how much she means to Logan. So meaningless sex it is. All…her feelings…for the emotionally unavailable, just had to stay dormant.
Until the alcohol kicked in.
“Y/N!!!! Come sing a song” Ororo called out to her as Y/N downs the last of her fourth drink and got up off the stool making her way to the stage. The only cheers coming from her and Scott who slumped against the table.
Y/N punched in the song and took the microphone from Ororo staring out into the bar with very few patrons.
“Love of my life…you’ve hurt me” Y/N starts, her eyes moving to the floor. “You’ve broken my heart, and now you leave me…love of my life can’t you see?”
As she continues to sing the Queen song, Jean leaned into Logan tipsy herself as the sober Wolverine kept his eyes on Y/N.
“Just admit you love her already…” Jean whines, grabbing his arm shaking him. “We both know you dooooo….”
“I don’t, Jeanie.” Stop lying to yourself.
“You know I can read your mind”
“In the state you’re in?” Logan quirked an eyebrow looking at her as she had closed her eyes after saying such, half expecting her to be trying but then she started to snore. “Yeah that’s what I thought”
“You will remember…when this is blown over…” Y/N sat on the edge of the stage, looking over to Logan who kept his attention on Jean. “And everything’s all by the way…when I grow older, I will be there at your side to remind you…”
How I still love you
Y/N didn’t finish the song and decided to close their tab before drunkly helping Logan load everybody up in Scott’s car. The other three passed out on the drive while Y/N who was slowly but surely started to sober up had fought against sleep even if Logan kept telling her to.
“Should’ve stayed home…”
“Liking my plan right about now, huh?” Logan looked at her, noticing the grimace on her face as he was about to question if that’s toward him. But with a quick look to the car door, he pulled over watching her push it open and vomit her guts out. “Yeah…definitely.” He put the car in park and before he could even think of helping her, he heard Scott gag which only meant he was next to vomit.
What a gross chain reaction. But they EVENTUALLY made it back to the mansion.
Y/N collapsed on her bed feeling gross and in a desperate need for another shower. Maybe five. She couldn’t stop thinking about the song she sang and how close Jean and Logan were. She thought she truly shoved her feelings away.
But she’s really just a temporary relief.
With her feelings lying on the surface, she hasn’t hooked up with Logan as much as she did before. Maybe once a week? Or once every other week? Still a lot given Logan can last for hours but they used to fuck like bunnies and now Logan is standing outside of her classroom for more reasons outside of the physical.
“Penny for your thoughts, Logan?”
The professor caught him staring at Y/N who was simply grading papers.
“Uhm. No. What do you want?”
“Ororo needs assistance on a quick meet up for intel on Magneto’s whereabouts. Mind joining her?”
Logan nods before leaving to meet up with Ororo, leaving Charles to linger at the door bringing his attention onto Y/N who locked eyes with him.
Stay out of my head, Charles Y/N frowns as he decided against her words wheeling himself in and right beside his desk. She stopped what she was doing, gripping her hands tight. “How much do you know?”
“I didn’t snoop too far into your mind. Just the surface of not wanting Logan at the door…and the fear that…well” Charles shrugs with a worried expression toward her. “You might be pregnant”
Y/N’s face went from annoyance to a hint of rage as she looks at Charles gripping her fists that glowed red.
“Stay out of my mind.”
“Y/N, you should get a test or have Han—-“
“Charles. Leave before I burn this whole mansion down.” She snapped watching him nod quickly and leaving. But her heat wouldn’t cool fast enough so she got up and ran out of the classroom.
Having run past Charles and a couple of students on her way to the back of the mansion, only brought more concern for her as he wheeled himself out urgently which caught Scott’s attention in passing.
“Professor what’s—-“
“Get Y/N a towel, if you don’t mind” Charles frowns as Y/N stood in the shallow part of the lake before slumping and sitting in the muck for a while. “I’ve got this”
As Scott leaves, Charles brought himself as close as he could to the lake without falling in. Y/N turned to him with an apologetic look and tears rolling off her cheeks.
“You know. Whatever happens, and whatever you decide…we are here for you. I’m here for you. You’re my family, Y/N”
Y/N continued to sob as she dragged herself out of the lake bringing herself to Charles and he did not hesitate to open his arms to her. Letting her drenched self bring herself into his arms and onto his lap. He didn’t care about the suit he wore or anything on that matter. She wanted the comfort and he gladly gave that to her.
The wild goose chase Logan was on, only pissed him off and he wanted to relieve those emotions but when he reached Y/N’s room the door was open. He hesitantly stepped inside not sensing her in the room but as he entered and looked around for a brief moment. He was about to leave when he noticed a few boxes on her dresser.
It felt like the worse timing for Y/N to come back, smelling like a pond and having to come to a decision. But when she came in and saw Logan holding up the boxes of pregnancy tests she felt all that anxiety return.
“I don’t know yet”
“Were you gonna tell me?”
“Yes”
“Now how do I know you’re not lying to me on that? Most people don’t tell the other person until it’s too late”
“I’m not like most people and you would know that if what we have wasn’t just sex.” Y/N snapped, taking the boxes out of his hands. “You’ll be the first to know, Logan. But trust me. If you don’t want this…to be tied down with me forever if this comes out positive? Then you don’t fucking have to” she said with a bit of a harsh shove of him out the room. Logan quickly turned and before he could say anything, she shut the door on him.
His mood affected those around him for the rest of the school day that Scott reluctantly invited him to drinks just them. Even if Jean and Ororo invited themselves after he told Jean what he was doing that night.
“So no Y/N?” Jean questions with a frown as Ororo looked up from her phone hoping for a reason why. But with how Logan was gripping the door to Scott’s car from the passenger’s seat, a soft sigh escape Scott.
“She got swamped with grading. Told me she’s been behind on papers for her class and decided to stay back at the mansion”
Once they were at the bar, Ororo got a booth with Jean which left Scott and Logan to get the first round of drinks. But even after a couple rounds, Logan didn’t budge from the bar. So once Scott knew the girls were alright and comfortable with the bar food he got for them, he went to join Logan.
The awkward silence grew between the two until Scott decided ripping off the bandage was the right plan.
“Listen. I didn’t know you and Y/N were serious in any way. But you know you have more than a team right? I know we butt heads a lot but—-“
“Shut it. Y/N and I…we’re…Fuck off. We’re not…whatever it is” Logan groans pinching the bridge of his nose. “Is that why you asked me to join yall? To talk about my feelings about her being fucking pregnant?”
Scott sighs leaning against the bar. “See now I didn’t know that last part and for someone who can’t get drunk, you’re spilling a lot to me. Of all people”
“…What do you want?”
“To help you. Why are you feeling the way you’re feeling…if you were never something more”
Logan squinted at Scott before gesturing for another drink and to give Scott another of the club soda he was drinking before getting into it.
“She told me I don’t have to. I don’t have to be there…and before I could say anything, she shut the door in my face”
“If she hadn’t, what would you have said?”
A tight grip on his new bottle relaxed and the big scary Wolverine everyone knows…took a moment to fall apart. Fold. Crack.
“I would’ve told her…I never thought I wanted this…until she came around. Until it just. Fucking happened…I want to be there…I’m….” Logan sat up straighter and ditched his beer along with Scott and the girls.
The bar isn’t exactly close to the mansion. Nor is the weather the best in Westchester County. Logan got a cab but when it wasn’t going fast enough, the man stepped out and ran back to the mansion in the rain.
When he stumbled into the mansion, he dealt with a few straggling students that should be in their dorms but instead of scowling them he ran toward the teacher side of the dorms.
Y/N lifted her head from her book when she heard pounding on her door. Her eyebrows furrowed in confusion as she tossed her book on the bed next with her blanket off her lap before going to the door.
The now very wet Logan appeared on the other side of the door and given Y/N’s mood hasn’t changed on matters, she tried to shut the door on him again but Logan slammed his palm against the door.
“You have to listen to me”
“I don’t have to do shit”
“Y/N, baby—-Please” Logan pleaded, bringing his body into the frame where it would only hurt if she tried to shut the door again. “Just let me talk, alright?”
Y/N’s anger relaxed but she was still mad…she took a step back to let him into her room, closing the door. “Why are you wet? You’re lucky you can’t get sick…”
“Ran in the rain. Had to get here. Had to get to you. Tell you everything” Logan paced slightly tugging at the wet clothes which only prompted Y/N to go into her dresser pulling out one of his flannels tossing it to the bed before going into her bathroom to get him a towel. “You kept that?”
“After one of our…excursions…you left in a hurry with just your pants on and shoes in hand that you forgot your flannel so…yeah I kept it…” Y/N found herself trailing before jumping back into it while Logan took off his wet clothes. “What is it, Logan? And I’m going to not face you when you strip because your nudity is going to cloud my judgement”
The second she turned around, Logan felt nervous. He hasn’t felt this nervous in a long time.
“I want you.” He started and he knows by the way she tensed that she read it as the other need. “And not in just…how we’ve been doing it. I want you…Y/N, I need you. As much as you think this was it and that’s what it looks like…But I’ve noticed every little thing you do that makes you, you.” He stepped closer once he got the flannel on and was now standing behind her with just the shirt and boxers. “How you don’t want to wait for the kitchen to be free and use your mutation to make grilled cheese…then Ororo and sometimes Kurt will beg for their own when they catch you doing that….” He chuckles lightly, hearing her soft giggle. “Listening to you hum softly when you’re focused on something, whether that be on a mission or helping a student…the warmth you give, regardless of your mutation…while you can be a bit wild on the field and when certain unexpected things happen…you always have this warmth…that’s welcoming. Even to someone like me…”
Y/N felt the loose tears roll off her cheeks, as the warmth from his closeness engulfed her when he brought his arms around her frame.
“I’m sorry. For yelling at you…I was afraid and shouldn’t have assumed you wouldn’t have told me…that you’d lie to me” Logan whispers, resting his chin on her shoulder bringing her close as she held onto his arms. “You are more than just a fling…and this was a wake up call. That I want more. I want more with you…even when the next steps aren’t in order”
The tears continued as she gently pulls away to turn around looking up at him.
“Yeah?” Her voice cracked with the tears still falling but he brought his hands to cradle her face gently wiping away the tears. “L-Logan, I’m scared though…”
“Listen, Y/N. Listen to me carefully…” Logan held her face slightly making her look at him as he brought his close. “I’m not going anywhere. No matter what the test says.”
Everything he’s been saying, felt so out of character. But he’s always had this soft center he’d crack open for, for his person. Y/N brought her arms around his neck pulling him into his arms holding onto him tightly, feeling his arms return around her frame holding her close.
When she took the test, Logan sat with her on her bed waiting for the three minutes to pass. Y/N’s face gave the result away as it went from fear to the smallest hint of disappoint to a sense of relief. She turns to Logan who shared more of the disappointed feeling on his face.
“You’re off the hook” She laughs softly feeling him nudge her with a hint of annoyance. “What?”
“For now.” Logan stated with his signature smirk, only for Y/N to pat his chest resting her head on his shoulder. “I meant it. I’m not going anywhere and if the future has this in it…We’ll be perfect”
“Flaws and all” Y/N says softly feeling his arm wrap around her shoulders. “So what’s next, Logan Howlett?”
“Officially making you mine” Logan smirks bringing his lips to hers and it felt right this time.
And for forever after.
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heavysighing-dreamyeyes · 3 months ago
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On Muddied Stones
Part Three of this pirate!au. Stubborn, self-sacrificing love because sometimes we don't realize what's best for the people you love is you. 18+ warning, beginnings of smut that gets cut off, MDNI. Angst and a bit of a cliffhanger. ~2.5k words
Your husband guides you into the store, smiling easily as he leads you towards a mannequin, "Welcome to Vixen's. Mari is the best at what she does."
You tilt your head curiously, "And pirates would know which seamstresses are the best?"
He laughs a little, "She is the best designer, treasure, you'll see," and he lowers his voice to lean down and whisper, "But she's also the best weapons smuggler on this coast."
"Oh," you murmur, surprise pitching in your voice.
He grins widely at you and pulls your hand up to kiss your fingers, "Pick out anything you want, love, I'll be right back." You watch quietly for a moment as he steps away and disappears behind a curtain leading to the back of the store.
You start to busy yourself by picking over materials and colors of the displayed clothes, eventually settling on a dark gray, cotton cloak with a hood. It will suit the purpose of blending in with a crowd. You fidget with the material between your fingers, lost in thought.
"Is that all you picked?" Jason's voice draws you to attention and your gaze flicks to his.
"It's all I needed," You tell him, eyes trailing to the women gracefully walking out from behind the curtain. She gives you a knowing smile and a wave.
"Ah, I figured as much. Mari will have some things sent to the ship for you," he says idly, taking the cloak from your hands.
"Things?" You question, "But I don't need–"
"You do need, my love," Jason cuts in, gently pulling the cloak around your shoulders and fastening the clasp. "I took you to my ship with nothing but the clothes on your back. Allow me to remedy that, and have things of your own brought to our cabin."
He leans forward and presses a kiss to the crown on your head, then draws the hood up, voice fond, "A perfect fit. Do you like it?"
"I do, thank you," you answer softly, and you find yourself leaning into his touch.
"Good, I'm glad you approve, darling," Jason says, tracing his thumb over your cheek affectionately, "I would keep you like this forever, if I could, but I believe we have more things on your list to buy."
"Don't we have to pay?" You ask, eyes darting over to Mari, who offers you a sly smile and a wink.
"All taken care of," Jason answers, nodding to Mari as he takes your hand, leading you back out onto the streets. "Shall we get your hair pins next, my love?"
"I– yes," You mumble, reeling slightly at how sweet this is. How much of your husband you still recognize in the man most people fear. It makes guilt coil in your stomach, at the thought that you've been planning to leave. But how much can a few weeks of kindness make up for years of separation?
He squeezes your hand, and leads you along to a stall with a variety of scarves and pins and handkerchiefs, "Here, treasure. Take your time."
You pick over the hair pins slowly, selecting three. A simple, glossy black pin. A shiny silver pin, dotted with glistening red gems. And pin engraved with a golden snake, its eyes made of piercing green emeralds.
"And this one," your husband says, holding up a pin with a rose etched from silver.
You falter, "Our gardens had roses. You planted them after we got married."
"Aye, I remember," he says fondly, and carefully sets the pin in your hair. He nods in approval and digs a few coins out of his leather pouch, dropping it in the vendor's hand, all without taking his eyes from you, "You look beautiful."
He steps closer to you, guides you to his body with his hands on your hips, "So beautiful. I always remembered you in our garden. Surrounded by flowers, petals in your hair. I'd imagine children running past your skirts, a babe in your arms. And your laughter. Always you smiling." He's rambling, his voice gentle as he leans down to press a kiss to your shoulder.
You exhale shakily at the thought of children, "It's a shame we can't have a garden on the ship."
He laughs and nuzzles your throat for a moment before pulling back, "Mm. Yes, treasure, a shame. I could build you a new garden, a little place to keep your flowers. Would you like that?"
You blink at him, and the pins in your pocket feel heavy. You're keenly aware of the rose in your hair. You feel your voice come out unsteady, because you've always been able to see that life with him, "What about your ship and crew?"
He lifts your hand to press a kiss to your knuckles, "My ship will be fine. My crew is more than capable of keeping her afloat. And I've enough gold to keep us comfortable for the rest of our and our children's lives."
You're not exactly sure what to do with that, "I guess raising children on a pirate ship might not be the best environment," You murmur and your eyes fix on a merchant's caravan for a moment.
He laughs, his hand settling on the small of your back to lead you to the next stall, "We can have both love. A few weeks at sea, a few in your garden. There's nothing I wouldn't give you. Now, books next, darlin'? Something to fill your lovely head and the ship's library?"
"The ship has a library?" You ask curiously, wondering if you had missed it when you were exploring his ship.
"I'm having one built," he drawls, like it's nothing at all.
"You're- What? Where?" You stumble out, trying to figure where there could possibly be room on the ship for a library.
"In one of the storage rooms, treasure, it wasn't being used anyway. Ah, here we are," Jason nudges you towards a vendor with more books than you've ever seen, effectively ending your line of questioning, "Pick out whatever catches your eye. I'll be right back."
He presses a kiss to your cheek, and you watch as he lazily heads over to women selling baskets.
You hastily pick out the first book that looks interesting, and Jason raises an eyebrow at you when he strolls back to your side, "Only one book, love?"
"Just one is fine," You answer, reaching to take the basket.
He moves the basket from your reach, "Pick out a few more, darlin'. You're not being greedy. It'll be good to have something to do at sea, right?"
He watches you closely as you nod, and go to pick out two more books a little more carefully, "Good. Now pick out two more."
You frown, "This is enough."
"Two more, treasure," he says softly, reaching for the three books in your hands. He pulls them from you gently and sets them in the basket, "go on."
He hums in approval when you pick out two more novels, and he drops coins in the old vendor's hands. He takes the books from you, "Very good, love. What did you want next?"
"That was everything," You answer quietly.
He smiles brightly, "Then, there's a bakery I'd like to show you. They have croissants, love, with chocolate on the inside. But, first," he says, mischief glinting in his eyes as he leads you away from the marketplace, and into an empty alley.
He places the basket on the cobblestones and gently pushes your hood back, admiring your face as you watch him with confused eyes, "What are we doing, Jason?"
"This," he mumbles, pressing a firm kiss to your lips. It catches you off guard, and he kisses you again and again until you're both panting, "so perfect, my treasure." He trails kisses up to your ear, nipping at your skin, "so clever and lovely and sweet."
"Jason," You protest as he starts to lift your skirts. He hums softly, kissing your throat as he turns you around to face the wall, pressing his stiffening cock to your backside.
"Jason," You try again as he traces his fingers up your thighs, exploring and relearning what makes you shiver.
"You're trembling," he notes, pressing more kisses along your neck, "Don't worry, love, I've got you."
"Someone could see," You mumble, eyes darting as you brace a hand against the wall, his weight behind you making you unsteady.
"Let them," he says simply, and the sound of his belt clinking makes you tense.
"Jason– wait, I–" You stumble out and he freezes, fingers stilling against your thighs and mouth leaving your skin, "I feel like a whore."
He makes a choked noise and drops your skirts, turning you back around with panic in his eyes, "Love, no, I would never– the last thing I want in the world is to make you feel that way. You're my partner, not some wench," he says your name, strangled and pained, "I love you. I swear it. I wasn't planning to– this was the first secluded spot I could think of, treasure. All I ever think of is how much I want you by my side. This wasn't supposed to hurt you. I never want to hurt you."
"I'm not hurt," You mumble, embarrassment and unease settling in your stomach as you avoid his eyes.
"Love," he breathes out, "I'm sorry."
"Don't be," You say quickly, adjusting your clothes and cloak, "I– this is what your life is, isn't it? Danger and thrills and all that comes with being a pirate."
He frowns, reaching for you, starts to say your name. "Will you take me to the pastry shop?" You cut him off instead.
He studies you, concern and apologies written clear on his face. He then nods slowly, and bends down to pick up the basket filled with your books, "This isn't– treasure, I've only ever been with you. You know that, right?"
You nod, "I know."
Jason doesn't quite look like he believes you, but offers you his hand hesitantly. You don't miss the way his shoulders drop in relief when you take it, "The bakery, then," he says gently, leading you slowly through the winding alleys and back onto the streets lined with stores.
"Jason," You call, pausing outside an expensive looking shop.
His gaze snaps to you immediately, voice eager yet careful, "Yes, love?"
You gesture to the store, "They sell rings."
His eyes light up and he steps closer to you, "You want me to buy you a ring, love?" He exhales softly when you nod, and he lifts your hand to kiss your wrist.
"Can I wait out here? With the books? I'd like to sit on the bench. And, ah, be surprised by what you pick," You say, drawing out your words.
"Of course, darling. Anything," he agrees easily, immediately guiding you to the bench and placing the basket next you. "I won't be long." He hesitates again, before bending down placing a tender kiss to your cheek.
You watch as he disappears into the store, and every fiber of your being knows this is your only chance. If you're ever going to leave, to let him go so both of you can move on, now is all you're ever going to get.
It makes you sick with guilt, thinking of the way he looks at you with adoration, but he's in love with a memory of the past. He should be focused on his future. He's a pirate lord now, and he has a full life, a new family, and new adventures where you don't fit.
To tie him to a life of flower-filled gardens when you've seen first hand how much he loves the salt and sea, is something you could never do.
You stand on shaky feet. You leave the basket of books on the bench, you take the hair pins. Jason will look for you. His crew will look for you. He might even think you've been kidnapped. So, you have to be clever. You've always been clever.
You force a practiced, perfect smile to your face, one you've worn for the past two years around Gotham's finest nobles. You approach a young woman, "Excuse me, Miss? I love your cloak, would you want to trade it for mine?"
She looks surprised, but when her eyes dart over you and lock on the insignia engraved on the fastening of your cloak, she seems much more interested, "Oh? That's– a cloak from Vixen's?" You nod innocently, and she smiles greedily, "yes, let's trade."
You both unpin your cloaks, and as you walk away, drawing the light gray material over your head, you hear her chirp about how naive people from outside Star City are, how they don't appreciate how hard it is to get any clothes by Mari.
You have to be fast. You've learned how to be fast, to disappear into crowded streets during the years Jason was gone. It's not long before you're standing in front of an elderly man ticking off items on a list. "Sir?"
He looks up at you kindly, but looks can be so deceiving. It's a risk you're willing to take, you decide, and force back the thoughts that it's unfair to be testing your husband in this way. You hadn't meant for it to become a test, but in a way, it is.
Lies spill easily from your tongue, "I heard your wagons are traveling to a village near my sister's home. Is it possible I could pay for passage to ride with you?"
He smiles at you, eyes still soft and kind, "of course, Miss. There's room. You're welcome to sit in the wagon," he offers you an aged, calloused hand, and you take it as he helps you into the wagon.
"Thank you," You murmur, grateful you didn't have to steep to bargaining with the hair pins just yet.
He nods, voice soft and knowing, "We'll be leaving in just a moment, Miss," he draws the canvas of the wagon closed, and you settle yourself between boxes and sacks of goods.
You busy yourself with picking at your sleeve as the caravan starts to move, the rumbling and shaking doing nothing to calm your nerves. You keep your head down, and wonder if he's even noticed you're gone.
The horses whine and cobblestones turn to dirt roads, the sounds of the city grow dull. You risk a glance out the wagon towards the port city. There's no smoke from fires, no screams or alarms raised.
It had been so easy. So painfully simple. And there's no way for him to track you down. No way for him to know if you're still in the city, on ship, or in a carriage. There's no trail for him to follow. No lighthouse that leads to you.
Tears start to spill down your face before you even realize you're crying. You tug your knees to your chest. You're heading inland, far from any ports where ships could chase you. If you went through enough towns, you'd be impossible to trace.
You could disappear almost entirely. And why would he look for you? Abandon his crew and the sea to find you?
It was for the best, you tell yourself as you muffle your tears into your traded cloak, for both you. It had to be done. You had to leave.
There was never any other choice for either of you, than to end the dying chapter.
Part Four | Even More Headcannons
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ryanseslow · 7 months ago
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How to Create Paper Cut-Out Reliefs: Tips and Techniques for Beginners
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Back again with another lil' series of 2D wall relief paper cut-out forms. Both of the pieces below follow the same process and technique. Im really happy with the process and outcomes. Im working on animating them as we speak. I'll add them to this post later. My paintings inspire my drawings, and my drawings are inspired by those same forms found in my paintings. It makes sense that every so often I want to make those forms "pop out" and off the surface of a flat plane. Alas, it all starts with a quick sketch. See below, just a series of light loose free flowing lines take the lead, forward ->
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Here we have a dude posing for a profile style portrait. Most likely, this is inspired by the NYC B-Boys from the years 1983 - 87ish. Either way, it's nostalgia for me. Once the sketch feels good, I'll break out the paper and x-acto knife. I keep telling myself that one day Ill work with another material other than paper for these works, perhaps wood or metal.. It will happen, I can foresee it for sure, hang in there. Im using a white bristol paper for the cut outs, I believe it is the vellum type and not the glossy, but either or will work just fine. I love to cut paper and the whole medium of paper art in general.
Paper cut-outs, also known as paper cutting or Kirigami, is a traditional art form that involves cutting shapes and designs out of paper. The history of paper cutting can be traced back to ancient China and Japan, where it was practiced as a folk art. The Chinese and Japanese would create intricate designs, often featuring animals, plants, and mythical creatures, and use them as decorations for festivals and special occasions. I always loved it and have felt inspired by these pieces.
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Using the sketch above, I apply the "map" of the shapes and forms that I see. Sometimes I redraw those forms on the paper that I will cut out, and sometimes I just "draw" with the x-acto knife to recreate the forms. Sometimes, it's a combination of both of those techniques. There is also a series of "out-take / byproduct" cut outs that do not make the final piece, those can be saved and used for the next piece, obviously!
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I layer the forms on top of each other to compose the arrangement as a whole, its fun to watch it all come together, in the next phase, you will need some kind of durable tape or you can make little paper forms that can be pasted to both sides of the forms as they stack, this will create the gauge and depth of the piece once it is placed onto the wall.
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This is the final composition above, I love it! I used a roll of duct tape to make small cylinder forms that connect the pieces together, the piece as a whole comes "off of the surface of the wall" by about 1.5 - 2" inches - you can play with this a bit but keep in mind, the tape makes the piece heavier and it will want to comply with gravity :)
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I hung the piece (also temporarily adhered via the same duct tape) for the photoshoot and to also get a good look at how it will function on the wall. I have an old painted fire place in my studio that is a great surface for hanging things, I love the contrast of textures between the bricks and the paper, as you know, the shadows will be super cool to see too.
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Once I had the whole piece constructed I took a few pictures of it. I immediately wanted a clean vector line drawing of the whole character. I brought the photo into adobe Fresco and used a vector brush to draw this lovely variation. This is how my brain works, I switch paths because I know they are really pipelines to the "next thing" that I will push this to, so forward we go.
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Then, it was light source and photo shoot time. Im not really happy with these picture as traditional "photographs" as I know I can do a much better job, but, as a series of "sketches" for a planned photo shoot, these will really help to make those plans a reality. I love neon colored lights. I have a bunch of them from various places and spaces that I found on the internet. Amazon has a great selection of flashlights with various colored light options. Get a few and play around with how the light can effect your work and the shadows that it creates. This is where the depth and gauge of your pieces play a role. The photos below are also a part of the same session, which all took place over a few days.
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Here is another variation with a different character.. What do you think? Shall I make more?
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anim-ttrpgs · 1 month ago
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I recently ran an oneshot for my friends in Eureka.
It was a lot of fun and went mostly smoothly! The charakter creation was very easy. It still took more time than I expected, but that was simply because the players needed it to decide on which traits etc. to pick.
The central resolution mechanic with 2d6 is of course tried and true (I assume. Never played one of the many other 2d6 games.) but especially the Eureka system felt really good.
I think I read in a recent post of your's, that you are overhauling the chapter on combat. That seems very important to me. Even though I read the whole book once before running the game, I had immense problems finding out how small details of the combat worked during play. The musings on game design (eg, "yes, the combat is deadly, thats on purpose heres why" and such) where really enlightening to read, but got in the way when searching for concrete stats.
I will run the same oneshot again for different friends. The game seems really promising to me.
My mystery took place on a single in game evening, and none of the players were monsters. Having therefore only scratched at the surface of Eureka, I am looking forward to running it more.
Woo! We LOVE hearing about this kinda stuff!
And yeah everything about how the combat-related rules are structured is getting overhauled. All of that was written like 2 years ago when I was a slightly worse game designer and MUCH worse at writing coherent paragraphs and hasn’t been touched since until now. Instead of being split across like four paragraphs (what was I thinking), there will be just two chapters on it: “Instruments of Violence”, which is mostly just a giant list of references for the stats and special rules of weapons and armor, and “Dangerous Situations”, which covers every rule related to how your investigators can get killed. Some of these clean-ups are already available in the latest patreon release, and the rest are coming soon to both patreon and the itchio beta.
Combat is a very rare thing in Eureka, but when it does come up, we want it to be tight and granular, but without wasting the players’ time, which I think we’ve done pretty well at.
Like the book says, combat is deadly and there’s a reason why: so it doesn’t waste the players’ time.
This is a twofold problem to solve. The first layer of it, we solved by making sure the numbers are low. Most weapons can take a character down in 2 to 3 hits, so a single instance of two guys smacking each other will never take too many rounds.
Secondly, well, combat is dangerous and deadly, and if the PCs approach it without a plan, they’re gonna die, or at least get their asses kicked fast. Otherwise, well, I consider that a waste of the players’ time. If it was predetermined that the PCs would win otherwise the story can’t continue, well, what did we roll all those die, look up all those stats, and track all that HP for? Why didn’t we just describe the PCs winning and move on? Combat matters because it can change the outcome of the adventure, and if it can’t change the outcome, why are you rolling dice? Of course with death being so possible, to keep it fun, we gotta include lots of “tools” like cover, positioning, different weapons, special melee attacks, etc. that the PCs can use cleverly to give themselves an edge, and *earn* their survival.
Oh and also yeah can’t wait to hear what you think about the monsters. Funny thing about that, everyone who has read the rulebook knows that monsters and other supernatural creatures are supposed to be really rare, like one supernatural person for every 3,000,000 normal people kinda rare, but, monsters are super cool and fun to play, and are one of the big draws of the system, so we were kinda worried that that rarity wouldn’t come through in play, everyone would just be monsters. We considered setting a limit on how many monsters can be in a party? But quickly decided against it, because then players would have to compete for the limited monster slots, and people might even feel like if they’re not filling in that slot every single adventure, they’re missing an opportunity, and so every party would max out their monster limit every time and there’d, again, be way too many monsters.
In practice, though, most parties in Eureka seem to be comprised of all normal people, or all normal people and 1 monster at most, even without the limit. And I suspect this is both because monsters are kinda difficult to play despite their immense power, and, just to brag, because we made the normal PCs fun has hell to play too. :)
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demaparbat-hp · 4 months ago
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Hi Dema!! Your art is fantastic and even the lineart is awesome! Solid and confident in where it's thick and where thin. I really like how your style has characters look more realistic and they have specific consistent features. Your blog has a pleasant atmosphere, and you're skilled in weaving AUs! There's a lot of details and structure, and I'd like to ask if any of them have a full story arc? Could you do a list of all of the AUs? Is there a motif that you especially like that repeats in any of the AUs? And whenever you add comments to my stuff in the tags I literally smile, it makes me want to keep at my plan to create everything I have in mind. So I'd like to spread this joy! I hope you have a nice day! (from late-draft ^^)
Hello, Late-Draft! I wasn't expecting this ask at all but I'm so glad to have received it!
First of all—I'll try to hold myself back from giggling like a schoolgirl. I'm having a sempai noticed me moment over here and that's just embarrassing. So give me a second to compose myself, if that's alright?
Okay, I'm back.
Now, on to business.
Character design, especially when it comes to facial features and how they're unique to each person, has always been a passion of mine. I always try to have a solid design for each character. I choose which features feel like the character in question, which face feels natural to draw, and go along with it. I love drawing Katara as much as I love drawing Zuko. Meanwhile, I seem to be on a never-ending battle against Sokka's features. Woes of an artist, I suppose.
Character design is actually one of the reasons I love your work so much, in case you hadn't noticed. I'm currently experimenting a bit with a different style... Hopefully it won't be long before the artwork is done and I can share it over here. I'm so excited for everyone to see it!
Now it's time for the reason we're all here.
I have said it before and shall say it once more: AUs are my lifeblood.
I love them so much! Building them, daydreaming the scenes, thinking of the characters and how they differ from their canon versions. The arcs and the themes and the worldbuilding. Building AUs is my passion, and I have so many of them!
There are a lot of motifs and themes that tend to repeat themselves in several of my AUs, I believe.
You'll notice that most of my stories are Zuko-centric, with a heavy emphasis on grief and humanity. There's the question of what makes us human and how to move forward when the whole world seems to push you back. I put a lot of stock in metaphors and symbolism within the narrative itself. I'm especially interested in the nuance of war and how it affects people emotionally, physically, and psychologically
I also tend to reutilize some elements of the lore and/or worldbuilding! Such as the Painted Lady's backstory, or the existence of War Children within the ATLA universe.
Now, the list!
I think I'll start with my current project, if that's okay :)
For the Spirits (New Gods AU)
Zuko was a child when he met Agni. Then, the spirits started coming to him. Eyes hidden in the hallways, voices pleading for help, for recognition, for remembrance.
Zuko could see Agni. He could see the broken remains of a Great Spirit and the empty smiles of amnesiac ghosts.
And they could see him in return.
I've been working on this AU for a long time, but only now did I get the chance to start writing the fic (linked up there!). I'm extremely excited about FTS and where the story will lead us in the future, but I'll try not to spoil too much.
It's a Zuko-centric story, with a heavy emphasis on Spirits and humanity. I'd like to add a warning for depression/mental health issues.
To Hesitate (Lee & Kya AU)
As she watches Lee and Kya avoid each other's eyes from across the room, the phrase comes back to her, swift and silent:
"To hesitate is to lose."
.
As Song treats the victim of an unfortunate interaction with a rare poisonous flower, her day takes an unexpected turn when it becomes apparent that the old man's nephew and her assistant have history.
A vivid history.
The Lee & Kya AU is a vibe, a feeling. It's probably one of my oldest AUs out there as well as one of my dearest.
A classical Lee and Kya From The Tea Shop AU, full with wholesome fandom tropes such as: fake (but not really) dating, fake identities, Ba Sing Se shenanigans, vigilante stuff, White Lotus missions, Iroh is a great Uncle, Zuko is an awkward turtleduck, and, of course, the fluffiest fluff you'll ever see.
Other than that, Lee & Kya is probably one of the less plot-focused AUs I have. However, that doesn't mean that there aren't scenes I can't wait to write or a canon divergence or two where Zuko is concerned.
(I have another fic posted but I'll leave that one to the end. You asked for a full story arc and, oh boy, does Soundless deliver.)
Kintsugi AU
Closer to being canon-adjacent than canon-divergent, Kintsugi is yet another Zuko-centric AU (and are we not noticing a pattern over here?).
I'd love to explain it in depth, but I believe the caption of the artwork linked above does a better job at explaining than I ever will.
Kintsugi is the art of decorating your scars with pieces of Agni.
In the Fire Nation, the amount of golden marks are a sign of status. Only the Royal Family can afford to seal every single wound with Kintsugi. Such is the weight of this tradition that, among the ones with Agni's blood, it is the highest mark of dishonor to have a natural scar, for it proves you aren't worthy of the privilege.
After the Agni Kai, Ozai forbid Zuko's scar to be sealed with Kintsugi. The boy wasn't worth his title, his traditions or his pride. Zuko would be broken, but he wouldn't be beautiful. Not anymore.
(And sometimes it's easier to pretend he never was)
Kyoshi Warriors AU
One of my absolute favorites!
In this AU, Ursa took Zuko and Azula with her when she was banished, so they could start anew. With help from Iroh and the White Lotus, she managed to relocate her freshly burned eight-year-old child and her crying daughter to Kyoshi Island.
Years later, when Avatar Aang and his companions first arrive at Kyoshi Island, they're met by the Kyoshi Warriors and their leader, Noriko of pale skin and warm brown eyes.
The Gaang leave Kyoshi Island many weeks later with a new companion. And if Jian Li, with his war paint and his scar and his dual dao, gives the island that he has called home for so long one final, longing glance as they fly away on Appa, they pretend not to notice.
Hunters AU
We're starting to dwelve deep into dangerous waters!
This is a Katara Joins Zuko In His Quest To Find The Avatar AU, with a twist!
This AU was born as a writing experiment. What if we take Katara's character, and change one of her core characteristics? Katara, who looked up to the Avatar as a saviour figure, now blames him for leaving and allowing the Fire Nation to wage war on the world.
Then comes Zuko, a banished Prince with a crew full of traitors and his own agenda. Zuko wishes for nothing more than to dethrone his father and end the war. He is a White Lotus member, an honorable, driven young man, and he has a plan.
The catch? He needs to take the Avatar to his father if he wishes to regain his title and be able to rightfully take the throne. Oh, and he will deliver the Avatar to the Fire Lord—but nobody said it had to be in chains.
Halfblood AU
I watched Blue Eye Samurai a few months ago and it destroyed me. The idea of a half-blooded child dead set on getting revenge for their very existence stuck with me, and this AU was born.
Kanna made a life for herself in the Earth Kingdom after leaving the North. Katara was raised by her grandmother in a small village, being taught to hide her bending if she wanted to live peacefully in a place she was only half of. Her mother had died in childbirth. Her father, a nameless warrior from the Southern Water Tribe who had loved Kya and left her behind, didn't know of Katara's existence.
Katara took over Kanna's clinic after she passed away. Always taking care of others. Always suppressing her need to bend. Always wishing for more.
One day, he arrived. A half-child, just like her. But while she was of Water, he was a son of Agni. He was searching for the man who brought him to this world. The man who scarred him. The man whose face he couldn't recall, whose name he did not know. The man whose specter had chased his mother to her grave. The man who would die at his hand.
The answers were hidden in a small teashop deep within Ba Sing Se. Lee offered her a way out, and Katara took it.
Soundless (Uiscefhuaraithe)
Katara of the Southern Water Tribe has hands scarred by fire and great talent, though no teacher.
Zuko is a mute War Child, a herbalist and healer, and the Blue Spirit. He bears the mark of fire, and the scar of the blade that took away his voice.
The first time they met, the Blue Spirit had just saved her, tough not before her hands got burned. The second time they met, his name was Lee, and he was healing her.
They live in war and they will fight, if not for the world, then for themselves.
You asked for a full storyline, and I shall deliver!
Soundless is probably the only AU I have fully planned. Three-books, Azula redemption arc, role-reversals and all.
This AU has everything. From travelling through the Earth Kingdom together, to odd character team-ups that somehow manage to work, and a major goal/conflict to resolve.
Zuko and Katara must find their way to Omashu in an Earth Kingdom ravaged by war as they also grow to understand each other, themselves, and the world around them. They meet with new and old alliances, keep their ears open for rumors of the Avatar (They say he is an airbender, Lee. Do you truly belive that?), and do their best to always be two steps ahead of their pasts.
Meanwhile, both the Northern and Southern Water Tribes are searching for the runaway heiress, Aang must find his way alone on this new, hostile world, and Azula must face the revelation that, despite what her father has stated for the last two years (liar, he lied at her! Her! He lied he liedliedliedlied), her brother might just be alive.
I'm sorry for making this such a long answer! I just get very excited about these subjects and don't know when to stop. If you made it all the way down here: thank you again.
I hope you have a good day ❤️
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seancekitsch · 6 months ago
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What about the Vees sharing reader?
this is actually kinda sweet despite the fact that they're all literal villains? i love them im not sorry
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When Valentino has you, it’s the closest thing to all of you being a polycule. Valentino loves being physical with you, anywhere, everywhere. But Valentino is a busy man, and Val enjoys watching you with Vel and Vox, often filming it for his private collection. Hell, sometimes Val even watches you and Kitty play. He’s also a big fan of sharing you with Vel and Vox. Sometimes all at once. Thats the only time Vel will be anywhere near the other two, just to get her hands on you. Val loves the way he towers over you, loves gifting you weapons and taking his time polishing and customizing them for you. He’s obsessed with making sure you’re armed and protected, even though with the Vees you’ll literally never need to use it. He sneaks videos of you into Vee’s movie night rotations, often enough that the others expect and look forward to it. Honestly he doesn’t love the big lavish dates with you, his favorite thing is to take you in the back of his limo and drive around Pentagram City with you, sometimes getting freaky, but more often than not its champagne and him pointing out his favorite neon signs to you and being excited to have you all to himself in this little private way. 
When it’s Velvette in your room she likes to play hard. Dressing you up, dressing you down, taking you apart just to put you back together. She loves to leave her mark on you any way she can, whether it’s love bites and bruises or a matching tattoo she designed. She’s all about extremes in your relationship. Vel is the one least likely to share when it’s her time with you, definitely not above throwing things or shouting at the guys when they come sniffing around. If they come on dates, they’re your muscle to make sure you’re well protected when she takes you clubbing or to an expensive or experimental new restaurant. She actually forces Val and Vox to go on their own little date nearby so that they don’t bug the two of you. She actually takes the time to print out and make physical collages of pictures of the two of you, writing sweet and funny little notes and adding stickers before hanging them up on her wall. (Theres also one of the four of you but that collage is much harder to find.) Vel loves gifts and little physical trophies and mementos of your relationship, little physical reminders of you. Her most prized possession is a necklace you made for her one night at the very beginning of your relationship when you binged Voxflix and played around in her workshop until dawn. 
When you’re on Vox’s arm he’s possessive and boastful. He loves showing you off as his partner and plaything, taking you to any press event dressed in only the best and holds you close. The paparazzi has hundreds of pictures of him tonguing you in front of the Vee tower and getting in and out of limos. Val swears his boyfriend hires the paps to get more photos of the two of you. Val and Vel know to flank the two of you at these events, but they always get their secret little moments. Val loves to escort you for smoke breaks and share cigarettes with you, kissing the smoke from your lips. Vel loves to take you to the bathroom under the guise of fixing outfits and make up but you always end up coming back more disheveled. Vox doesn’t mind, in fact, he loves that you’re being so well taken care of. He feeds off the attention though, the head rush when his fans overheat from your constant kissing and touching. He loves when you fawn over him, and he takes care of you in return. Vox is always the first to draw you a bath or offer a back rub after a long day or cook your favorite meal just because. 
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midnightechoes · 1 year ago
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Five years ago today, She-Ra and the Princesses of Power premiered on Netflix. I had seen a few preview articles about it, and liked what I saw. Those articles mostly focused on She-Ra’s, Adora’s, Glimmer’s, Bow’s, and Catra’s redesigns, and I thought they were fabulous. I loved Adora’s new red jacket and bouffant hair style. Glimmer’s entire redesign was inspired, and I loved that they made Bow black so we could have more diversity in the main cast.
It was She-Ra’s and Catra’s redesigns that caught my eyes the most, though. They made Catra an actual catgirl, and not just in the anime sense where she's just a cute girl with cat ears and maybe a cat tail. She was a full-on furry. It was a brilliant design choice. Honestly it’s no wonder that so many were instantly drawn to her.
And of course, She-Ra herself. I loved her new look, and her huge ass new Sword of Protection. In fact, I loved it so much that I drew this picture of her before the show even came out:
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Then the show came out, and needless to say, I fell in love. And honestly, it changed my life.
I know, I know. That sounds very hyperbolic, and to an extent it is, but in a lot of ways, I’m absolutely serious.
Alright, I have to back up a little. Back when I was in college, and for a few years after, a couple of friends and I tried to make a webcomic called The Devil’s Gate. It was minorly successful but eventually floundered. Then I met some people and we tried to make a video game, which also failed. After those few years, I found myself on my own and trying to rework the concept of my webcomic. Making comics, creating stories, those have always been my dream, and I was desperately trying to figure out a story I could make work, something that I believed in. But it never truly got off the ground. By the end of 2015 I had given up on the comic, realizing that after working on it for years in different forms that I needed to step away from it.
I didn’t really know what to do after that. I was still doing my quick daily doodles, but I wasn’t writing, I wasn’t drawing anything of note. I felt emotionally and physically drained of my creativity. I was honestly getting to the point where I thought it might be time for me to give up on trying to be creative or making things all together.
She-Ra and the Princesses of Power came out on November 13, 2018, but despite looking forward to it, I didn’t actually watch it when it came out. It wasn’t until that weekend that I decided to check it out.
I was instantly hooked. I binged through the entire season in two days, and did plenty of crying and cheering. And then rewatched it immediately. I was in love. I was obsessed. It had been a long time since anything grabbed me like SPOP did. I loved the characters. I loved the colorful, sci-fi-fairy tale world of Etheria. I loved how unapologetically feminine it was. And most of all, I loved how queer it was.
I hadn’t done a ton of shipping before SPOP. I’ve been down bad for harlivy for what feels like my whole life, and I was angry when Mika and HG didn’t get together in Warehouse 13, but more often than not I had just been conditioned not to look for queer things in mainstream culture, and even barely in subculture.
That is to say, when I was smashed in the face with Catradora I was surprised how much I glommed onto it immediately. I was absolutely taken with Adora and Catra and their relationship. Both characters were so relatable, and despite not quite being text (although the subtext was so loud and obvious it might as well have been text), it was impossible to not read their feelings for each other as romantic.
It wasn’t just Catradora, even if that was a lot of it. Spinnerella and Netossa being canon from the start was wonderful. How much Glimmer and Bow screamed “BISEXUAL DISASTERS” from the start was adorable. Scorpia’s crush on Catra was as cute as it was sad in its one-sidedness.
I had never really been in a fandom. That is, yeah I’ve liked things, loved things even, but I never found other people to talk about it at length, never found discords just for that thing, never read or wrote fanfic, barely ever drew fanart. 
But, I watched SPOP, and then I watched it again. And then I drew Catra. And then I drew Adora. And then I drew them again. And suddenly I was on AO3, a site I never frequented, reading Catradora fics. And then I had an AO3 account. That December I participated in Catradora Week 2018 (I’d never heard of this kind of thing) and drew two pictures for it and wrote my first fanfic.
By the end of February I had drawn more in the three months since the show had premiered than I had in the previous year. I was working furiously on a long, multi-chapter fanfic, and writing more words than I had in the previous couple of years combined.
I was inspired again.
In the 18 months that SPOP ran for, I drew more than I had in years, I wrote hundreds of thousands of words. I felt so rejuvenated and happy about my creativity and free for the first time in years.
It’s hard to put into words exactly how it felt. I was so close to giving up my art and writing, which honestly, would have been giving up a part of myself. An important part of myself. It’s not overstating that SPOP saved me, or at least my creative spirit.
I also learned about the wonders of being in a fandom and fandom things like fan weeks, big bangs, zines. And I made some wonderful friends that I cherish to this day.
Even as I inevitably moved onto other hyperfixations, my love for She-Ra hasn’t diminished. Plushie Catra and Adora sit next to me on my desk every day. Catradora art still hangs on my wall.
The inspiration that SPOP ignited in me hasn’t died either. It’s carried me through a tremendous level of creativity that I’ve been riding since the premiere. It let me create a ton of fan art for SPOP, and then RWBY and then the Witch From Mercury, and I’ve written a ton of fanfics for RWBY and Supergirl. And perhaps the best, that inspiration has helped me create more OC stuff in the last couple years than I had in a long time.
I owe She-Ra and The Princesses of Power so much. I am so happy that it exists and that it happened when it did. I’ll always cherish it.
And for real, Netflix, SPOP spin-off movies WHEN?!
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becauseicantthinkwritings · 11 months ago
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No Other Gods
Serial killer! Billy Russo x Female Reader.
Billy’s POV mostly
Summary: Billy’s on the run, moving from place to place as he leaves a trail of bodies behind. When he steps into a church to hide, he stumbles upon someone that makes him want to stay.
Warnings: Dub- con, violence, gore, blood, blood smearing, so much murder, mentions of Billy's past assault attempt, suggestion of possible sexual assault attempts toward the reader, religious themes, blasphemy, sexual acts in a church, thoughts of non-con (no actual non-con), poison, restraints, oral, fingering, sexual intercourse, wax play/heat play, Devil worship. 
If you want clarification on a possible trigger, I am happy to elaborate. 
I took the dove out back, shot it, then resurrected it so I could kill it again. Be warned.
For my lovely @ittybxttykxttytxtty who was so instrumental in the design of this fic. This goes out to you, love, who reminded me that I shouldn't be afraid to write whatever inspires me.
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He’s calm. 
Each step he takes is slow, measured, he hears the echo of it on the quiet street, the drag of his shoe on the concrete sidewalk. 
He turns the corner, and has to fight the instinct to hold his breath as they turn their heads to look up at him. The murder weapon tucked into the waistband of his jeans feels ten pounds heavier.
Even breaths, one in, one out, he knows nothing, he has no sense of concern, or worry. He blinks, feels trepidation wash from his skin.
Internally, he readjusts his course, doesn’t want to walk past the group of officers that are studying him from further up the street, doesn’t want to answer questions just yet, not until he has his story straight.
From the corner of his eye, he catches sight of the church and he changes his walk ever so slightly that it looks as though he’s been heading there the entire time.
When he’s at the closest point, he raises his head and smiles, gives a little wave to the officers, wishes them a good day, though he knows what they know, and it’s not a good day for them.
The church is pristine, unlike the other buildings on the street, it stands with fresh paint and the smell of almost dried varnish and scrubbed steps that tell him that this church is probably the most coveted place in the entire town. 
Billy, having just cut a man’s throat in the High school gymnasium, steps past the door, and does not immediately combust.
Surely, that must mean he’s doing something right, that his cause is a good one, maybe even approved of in the eyes of God.
He’s not convinced.
For a moment, he thinks it’s empty, thinks he’s alone with God and his thoughts, up until the slight movement of shoulders draws his eye.
He’s in disbelief that he missed you the first time, the light of the stained glass hitting your sedentary form.
He takes some quiet steps forward, swears he feels the concealed knife grow warmer. He watches you, studies in rapt attention the way the coloured lights look on you, the way they illuminate your hair, makes his fingers ache to touch something that looks explicit in its forbiddenness.
Your dress is white, or a cream colour that tells him the outward state of your mind, the purity nurtured in your soul.
He moves faster now, eager to see you, to know what you look like, to hear your voice, to look into your eyes.
He turns when he makes it to your pew, sees the way the light caresses the planes of your face, and he wishes he could do the same.
You are radiant, undisturbed beauty, your hands clasped together beneath your chin, a small rosary wound between your fingers. He wants to touch your hair, swirl strands of it around his finger, he wants to feel your skin, hold your form beneath his palms.
Everything he wants, halts, the moment you turn your head and look up at him.
His lips part in surprise, he’s taken by you. You must be an angel, or something more.
“Hello.” You say softly, gazing up at him with unsure eyes.
“Hello sweetheart, I'm sorry to bother you.” Billy answers smoothly, as though he isn't desperate for you to get closer so that he can catch your scent.
You look like you smell like flowers, he thinks to himself, bristles with delight when you finally stand, the light streaming through the stained glass paints you with a myriad of colors.
“It's okay,” you soothe, “I don't mind helping.” You smile at him, an ease of trust in your eyes. Trust, he could so easily extinguish with the weapon concealed on him.
You extend your hand, giving him your name, he smiles, gives his back. In your eyes, he can see something he doesn’t quite recognize.
Too pure, Billy finally decides. You're too pure, there must be some wrong.
“I’m new to town,” Billy explains, leaning in so that he can stand in God’s light with you, in hopes that you can absolve him of the thing he has done.
“Got a little bit lost. Will you help me find my way?”
You smile, and it reminds him of warm fires in the winter, of standing in sunlight after being drenched from head to toe.
“Where are you going?”
.
One of the wives whispers something in your ear, Billy watches you tilt your head back laughing. You had this entire town wrapped around your finger and before he’d arrived, he’s sure no one had ever questioned your purity.
A white dress and blue cardigan, he wants to take you into one of the back rooms of the church and push his murderous hands under your dress, feel your gasp in his skin as his hands paw at your delectable thighs.
He wants to ruin the very image of you, reshape you for him, and him alone.
He turns his head slightly, observes that he’s not the only man here transfixed by you, but one in particular catches his eye.
The reverend, in the same clothes he’s just delivered Sunday sermon, gazes lustfully at you, his glasses balanced at the very tip of his nose to conceal the direction of his eyes. 
He recognises the expression, knows it like he’s looking into the face of someone who once looked at him the very same way. The reason he started killing in the first place. 
He feels the itch swell inside of himself, his fingers flex.
It seems as though it would be time to hunt again very soon.
.
“Lost again?” Someone says behind him while he’s picking out laundry detergent.
He turns, seeing you there, in a pale pink shirt, and tan pants that hide your figure from his view. 
He smiles, watches the way you light up even more. A sweet, little morsel made for his fangs.
He holds up two different boxes of detergent for you to see.
“What do you think?” He asks.
You hum, deep in thought.
“This one,” You say, pointing at the item in his right hand, “smells too flowery for my taste, and you don’t seem like a man that likes to smell like flowers.” 
He smiles, raises his eyebrows, intrigued.
“And this one,” You point to his other hand, “Oh, that’s the one I use.”
“So it must be the best.” He agrees, as if you made a proper suggestion, putting the latter into his shopping cart.
You smile up at him in amusement.
“So, how are you getting all of this back to your place?” You ask, tilting your head at the moderate amount of groceries in his cart.
He turns, looking at what you were observing.
“You’re right, I might have picked up too many things for my walk back home. I’ll have to put some things back.” He agrees with her implications.
“No way!” You protest, reaching to take his hand, tugging him with you.
“Pastor Wade brought me along with his wife, I’m sure they’ll have some extra space in the back for you.” He follows, feeling anger that Wade had found himself closer to you than before. You wave your hand excitedly at the reverend, and Billy smiles internally at the sour look he receives from the man himself.
The trunk gets filled with the reverend’s new items, and Billy smiles, looks at you as you tilt your head, trying to solve a problem of too many groceries and too many people trying to fit into one vehicle.
“Give it up,” He says, mouth angled near your ear, “I’ll find another ride-”
“Don't you dare,” You argue, “I promised you a ride home and I won’t back down now.”
He smirks, watches you pile yours, and then his items into the backseat of the car. When you’re done, there’s only just enough space for only one person to fit.
“That’s okay.” You insist, “I can sit on you, if you don’t mind?”
Of course he doesn’t mind.
“If you’re sure.” He taunts.
“It’s a great idea.” Wade’s wife echoes, too eager to have them both in the back seat and the journey started.
Billy does his best to appear aloof, he gets in, and looks up at you expectantly.
You’re hesitant at first, before looking around, and then climbing into the back seat of the car to seat yourself in his lap.
Billy takes a deep breath, exhales, watches the pores on your neck and collarbone rise when his breath touches you.
A few moments into the ride and you’re wriggling uncomfortably in his lap.
“What is it?” He asks.
“Warm.” You explain, reaching for the buttons on your pink cardigan, brushing his stomach with your hand as you tug it off your shoulders.
Billy watches, with rapt attention as you reveal a white shirt beneath your cardigan. When you almost slip off his lap, he reaches to grip your knees.
“Hold on, sweetheart.” He whispers, just so you can hear.
You hold conversation with Wade and his wife throughout the journey, talking about how excited you are for the upcoming Christmas season, and that dressing up as an angel at the annual concert is a highlight for you.
All the while, Billy keeps you seated in his lap, your ass right on his hardening cock, the smell of blossoms drifting from your hair.
He closes his eyes, tries to distract himself from thinking too much about you, but he knows it doesn’t work. When the road gets bumpy, Wade apologises for the rough ride, and you respond with something reassuring.
You stiffen after a moment, and he knows he’s been caught.
He knows you feel him when you turn your head to look at him in surprise, his cock, hot and hard below your ass, rubbing against you as the car sputters along.
He looks right back at you, meets your shocked look with a sinister one of his own, wants you to know what a man feels like, makes sure you commit him to memory.
In the rearview, he sees pastor Wade glance at the pair of you. Billy looks back, holds his eyes, gives the supposedly pious man a smirk.
.
The next Sunday, you sit beside him in church.
It completely unfocuses him from his next target, he tilts his head to look at you.
Such a curious thing, drawn to something you now know isn’t as wholesome as appeared to be. It makes him feral, makes him want to put his hand on your thigh, slide it slowly up until he’s at the apex, tuck his obscenely large fingers under the waistband of your panties, find you dripping, feel you aching, press a lone finger to your swollen clit, make your sweet little cunt gush in God’s sacred domain. 
When it’s time to take his hand in prayer, he makes sure to do it as slowly as possible, dragging his fingers along your palm, your touch makes him feel blessed.
.
It becomes a habit, sitting beside him for Sunday mass, the eroticism of your touch right before you pray, before you ask God for forgiveness from all your impure thoughts and deeds, and Billy sits besides you, blood dripping from his hands as he imagines the ways he wants to violate you in this very church.
.
It’s a Wednesday evening when he steps into the church, the most desolate time possible. He knows there’s only two people here, him, and his target.
He moves slowly, cautiously, on the balls of his feet to avoid making too much sound. The wind blows, the front doors to the church groan. 
He passes the stained glass windows where he’d first met you, he passes the pew he sits at every Sunday while thinking about you, he passes the doors at the back of the church that he thought would make a decent place to defile you.
He goes deeper, till he can hear the quiet familiar slapping of a man going at it.
He’s not shocked by it, or scandalised, he knows his wife barely touches him, he knows she has an idea of what goes on inside his head. Billy’s studied her too, looked at her while she watched the way he leaned in to speak to you, a spark of realisation in her eyes. 
He makes gentle movements, turning the doorknob with two of his fingers at a pace so slow it goes unnoticed by the person on the other side of the door.
He gazes steadily through the small gap.
Pastor Wade has your pink cardigan pressed to his face. Billy remembers the last place he saw you wear it- in the back of Wade's car. 
He has one hand to his face, and the other stroking his meagre erection. Billy waits, in the stillness, the only sounds are the preacher’s laboured breaths and the movement of his hand.
There’s a right moment to act, and Billy waits patiently, he doesn’t have to talk himself into this one as much as he’s done with some others before. This one comes easily, in part because he’s grown accustomed to the feel of blood spilling onto his hands, almost craving it now, but mostly, it’s because Wade’s next intended victim is you.
In front of him, Wade groans, tilting his head back pace quickening. Billy pushes the door open. The wooden door doesn’t groan like it did before, Billy had greased the hinges just last week in preparation for this.
Billy stands behind the man, waiting for the precise moment, and when the preacher lets another groan loose from his lips, a warning of impending release, Billy strikes.
The man comes just as his throat is cut open, blood spraying from his neck as semen spills from his cock. Warm blood pours over Billy’s hands, as he supports the man as he drops, not wanting to cause more noise than necessary.
He lies on his side, turns his head upward, mouth parting in surprise as he sees Billy’s face. 
“I wish I could punish you more, but I’m not worried, I know the Devil is going to take his sweet time with you.”
He watches the words register behind the dying man’s eyes, and Billy smiles wickedly as life leaves him.
He tugs your cardigan free from Wade’s hand, it’s partially soaked in blood and will need to be properly disposed of, he doesn’t want anyone finding it and linking you to the crime in any way. 
He studies the soft pink material, smiles at the thought of you. He brings the material up to his nose, catching the smell of blossoms just barely clinging to the fabric.
The fluttering wings of a bird above makes him glance upwards, and he figures one must have found its way into the space between the ceiling and the roof, searching for a comfortable space.
He uses your cardigan to clean his knife, before turning, and heading for a sink to wash the blood from his hands.
.
He brings a casserole to the deceased’s house the evening they discover him dead. 
It’s just a little something to help out, he explains to Wade’s widow when he greets her in the kitchen. Her eyes are bloodshot and swollen, crying from the moment she’d heard the news, no doubt.
He doesn’t stay with her too long, excusing himself despite her attempts to hold onto his hand, the women around her gazing at him, more intrigued than ever about his culinary skills.
He wants to find you, to see you. There’s an itching inside of him that won’t go away until he knows you’re here with him.
When he finally catches sight of you, something inside of him unknots itself. You’re standing in the middle of a large group of concerned people, you look like you’re fighting tears with everything you have. A woman touches your shoulder, and you raise your head to give her a brave smile.
He pauses on the outskirts, wonders how he’s ever going to get your attention.
But he doesn’t have to worry, because your eyes lock with his as soon as he stands still, as if you’d been seeking him out this entire time. He gives you a small smile, something of an icebreaker from so far away, and you take it as an invitation, running right to him with tears already spilling down your cheeks.
Your body collides with his, and for a moment, there’s only you, and the softness of your form, and the smell of your hair and he’s quietly reassuring you that everything is going to be okay.
He enjoys it, the way you grip his shirt, the way you cling to him with every ounce of strength you have. He hugs you back, finding a way to the soft loveseat in Wade’s living room. You don’t pull your head from his chest as you cry, you shake with big, heaving sobs, and he tries his best to comfort you.
If you’d only known what Wade’s intentions were with you, you wouldn’t be crying. After a while you calm, and you continue to cling to him while you sniffle, his shirt damp with your tears and he wears it like a badge of honour.
So many people stop in to check on you, more and more with each passing hour. Billy thinks more people are concerned with your wellbeing than with Wade’s actual widow.
It amuses him, that so many people are drawn to you, that you have such influence on everyone, that they care so much for you, and here you are, tucked into his body, turning your head into his chest to cry every now and again, growing less frequent with the more time that passes.
Later, he offers to take you home. He’s just been able to afford a slightly beat up car, and he asks if you’d be okay with being driven by him. You accept with sleepy eyes, and he smiles internally, going to find Wade’s wife to bid her goodbye.
He overhears one person speaking with another about the state in which the body was found, covered in his own blood and semen, throat slit from ear to ear. Billy is delighted to hear it, he wants everyone to know, he wants to shame Wade’s name, even in death.
His widow is sad to watch Billy leave, she grips at him once more, trying to wrap her arms around him the way you do. When he mentions your name, he watches her stiffen, mouth set in a grim line, something in her eyes like accusation, or knowledge of something that she cannot say to another soul. 
She doesn’t speak her accusations to him, and he leaves, wraps an arm around your wobbling form and helps guide you to his car.
You’re so tired, and you fall asleep in his car as soon as you’re buckled in. He drives slowly, takes the long way, anything to be by your side longer. Your cheeks are stained with tears, he thinks about how beautiful you’re going to look in black.
You hum sleepily, reaching across, he blinks in surprise when you take his hand in yours.
“I heard how he died. Can’t wrap my head around it. Someone just decided he shouldn’t be alive anymore. Can you believe that?”
The lord giveth, and the lord taketh away, he wants to say.
Out loud, “I’ve seen it a couple of times, back in New York.” he says instead.
You squeeze his hand.
“Do you think you could ever take a life?” 
His breaths pause, it was time to confess to you.
“I have,” He clears his throat, “I have killed people, I was in the army.”
Your head swivels to him in his peripherals, he glances back with a sad smile.
“I just thought you should know.” 
“Thanks for telling me.”
You continue to hold his hand.
“You- you’re not- you don’t hate me?” 
“It’s not in me to hate, I have to believe that the path you’re on was necessary to bring you to me.”
“To you?”
“So I can help you.” You answer, squeezing his hand.
He wants to rip you apart and reshape you with his own hands.
When he finally gets to your house, he helps you out of the car, helping you up the few stairs and supporting your weight as you get the door open. When he tries to let you walk on your own, you stumble, and he has to catch you before you fall.
“I’m really tired.” You explain to him, and he hums in understanding.
He takes you up to bed, watches you collapse onto the soft surface, knee length dress rucking up so that he catches just the quickest glimpse of your underwear.
His hands clench into fists. He wants to push your skirt up, bury his face between your legs, taste your little cunt, worship you until you come on his tongue. 
“Will you stay?” You ask, arms spread out, legs slightly bent as they press together.
He kicks his shoes off decisively.
“What will people say?” He teases.
“You don’t strike me as a man who’s ever cared about that.” You whisper softly.
He grins, climbs into bed beside you, reaches around your hip so that he can pull your body against his.
“Goodnight, angel.” He whispers as your eyelids flutter, struggling to stay conscious.
“G’night, Billy.” You respond, touching your face into his chest once more before you doze off completely.
It's too much power, and you must know it. To fall asleep so easily right beside him, every temptation to be like the predators he hunts. He could press his palm to your thigh, drag his hand up to your hips, you would never even know. He could do so much worse, pin you to the bed, pull his cock out and take you right here, watch you wake in shock while he fills you. Watch his cum leak out of your little hole. What could stop him? You? God? Everything he's wanted at the tip of fingers and all he has to do is take.
In the end, he doesn't do it. He lies beside you and thinks of all the vile things he could do and doesn't act on a single thing and he doesn't really know why.
He thinks it's because of the consequences. Doing that would mean you wouldn't want to be around him, and he needed you to want to be around him. 
By the time morning comes, and you wake, he's spent the entire night memorizing the feel of your body against his. If you feel his aching erection, you say nothing of it, and he's not sure if that's a good thing or not.
.
He finds you right after the funeral, lighting the candles that have gone out when the doors had been wide open to allow the coffin through.
“How are you feeling?” He asks, approaching you, swallows as he finally has a chance to fully appreciate your funeral attire. 
It's loose, giving you an almost formless shape, to hide from everyone's view, your skirt is just a little shorter than usual, probably something you haven't worn in a while, resting at mid thigh and no doubt giving the women something to chat about in hushed voices. 
You glance at him with a little smile, before continuing your painstaking process of relighting each candle. 
“I'm alright. The lord gives, and like natural order, the lord takes.”
He blinks.
“That's right.”
“What do you think about the Devil?” You ask suddenly, not looking up, simply tilting your head to continue your work.
“What do you mean?” He pries.
“Is he evil? Or is he just the way God made him?”
“He's both.” Billy answers.
You smile, and finally turn to look at him. 
“Do you think God loves him?” 
“Doesn't the Bible say God loves all his creations?” 
You smile wider, nodding. For once, Billy feels like he doesn't have the upper hand in a conversation. 
“Are you worried about eternal damnation?” Billy asks, taking a step closer, ready to reassure you that someone as sweet as you couldn't possibly end up in Hell. If you were damned, well that didn't bode well for him.
“I'm not afraid of Hell, I can handle fire.”
Billy watches you raise a hand, and hold it closely over one of the candles. He hisses, grabbing your wrist and pulling it away.
He turns your palm to check for any serious burns, but he'd withdrawn your hand just in time.
“I'm alright, Billy.” You reassure him, leaving your hand in his, and using the other to continue with your previous task.
It's the first time he realises that there is more to you than he'd initially thought. He'd seen you as a pristine painting before, something to be looked at, forbidden to touch, to love from afar. Now? You were an enigma, a puzzle whose pieces were made to be handled, to be solved by the right person.
Billy wanted to be that person.
.
“-He wants to be here with you, the lord is one with everything, he’s in everything you see, and everything you touch. You just have to close your eyes and let him in.” 
From around the corner, Billy listens to you speak, your hands holding the other woman’s, who’d stumbled into the church an hour ago, searching for someone to speak with. 
“I’m not worth the forgiveness.” The woman sobs.
Billy is ashamed to admit that the very sound of your voice turns him on. He feels sick, that listening to you speak about the lord makes him hard. If he closes his eyes, he swears you talk about God as if he’s just another person in the room, 
“He believes in you. You’re here, you found me, because that’s what he wanted. You found the strength to come in, to open yourself up to being judged just a little, and I know he appreciates that. He loves you, and I do too.”
Later, when the woman leaves, with a promise to be here on Sunday, Billy finds you, shuffling and reorganising reading materials near the altar.
“You’re good at this.” Billy murmurs.
You smile.
“I’m just doing what he commands.”
Jealousy stirs in Billy’s chest.
Before he can stop himself, he’s stepping into your space, you look up at him with wide eyes, as you try to back away.
“You’re so selfless, don’t you know what people say about you?”
You blink in surprise, your body lowering as you descend the stairs, away from the altar and toward the pews.
“It- why should it matter what people say?”
“They call you a temptress, you’re the reason Wade’s burning in Hell. I heard his wife say it herself.”
“That’s not my fault.” You defend.
“It’s not? You’re telling me you have no idea of the effect you have on men?”
You go down another step, he follows.
“I- I don’t- I’m not-”
He feels so large, looming over you, frightening you.
“You don’t?”
“I only want to serve.” You whisper.
“Who?” Billy taunts.
“What?”
“Who do you serve?”
“The Lord.” 
The back of your legs bump the wooden pew. Billy watches you gasp. 
“And what if I wanted you to serve me?”
He doesn’t let your confused expression last for too long.
Billy acts fast, sitting on the pew, and gripping your hips to drag you onto his lap. He guides your legs over his, spreads his thighs so that you’re forced open too.
You suck in a deep breath, head falling back onto his shoulder. You look up at him, mouth parted, eyebrows drawn together.
“What are you doing?” You ask, your body still on top of his own, he realises that you’re not fighting him like he was worried you would.
He shushes you, gently presses the tips of his fingers right above your knees, takes his time dragging them up.
You reach for his hands, covering them, unsure if you should stop him or not.
“I’m giving you what God can’t.” He simply says, looking up at the altar before them, listening for anyone walking in as he brings a veined hand up to cup your mound.
You let out a little whine, fingers gripping his wrist, unable to pry his hand away.
“This is wrong.” You whisper, tugging at his wrist.
“I’ll make you feel right in a minute.” He answers, moving slowly to push his hands into your panties.
This is what your cunt feels like, is his first thought. Billy bites down on his bottom lip, his fingers feeling over your pussy, exploring, learning, and when he finally dips his hands lower to find you wet, he can’t help chuckling to himself.
The wrongness of your situation turns you on, and Billy uses it like fuel, lights a fire so readily, eager to watch everything burn.
“This is all an act, isn’t it?” He jabs, “You pretend to be so pure but that little cunt is dripping on my fingers.” You shake your head in protest.
He’s gentle when he finally touches your clit.
You gasp, let out a strained moan, trying to fight a losing battle with your body.
He circles his fingers on your little bud, pulls your legs open wider when you try to shut them. He’s slow, he’s careful, he feels you tremble, feels your breaths get faster. 
“Don’t tell me you’re going to cum already.” He chides, “I’ve only just started.”
A soft cry is your only response.
When the sun is at the right angle, it shines through the stained glass and paints you both in multitudinous colours. He looks down at you, your face is one of mindless pleasure while the hues dance on your trembling skin.
“Look at you,” he murmurs reverently, “sinning in God’s light.”
Your eyes roll back in your head, mouth parting with the start of a loud cry, he slips his free hand over your mouth, muffling the sounds of pleasure you make.
You rock on him, cunt spilling more and more onto his fingers, his mouth begs for a taste.
Your nails dig into his wrist, he welcomes the feeling, delighted to have given you something only he could give.
When he’s sure you’re going to be quiet, he slips his hand from your mouth, and after a few moments, he pulls his hand from your panties.
His fingers go right into his mouth, eyes closing in bliss at your tart taste, he licks his fingers clean, runs his tongue over them one more time to make sure he’s gotten every drop of you.
You look at him with parted lips, caught in your own amazement, coloured light still spilling onto you.
He smiles, pulling your skirt down, closing his legs which close yours.
He pauses when he feels your fingers touch his chin, he looks at you in surprise to find something calm in them. You part your lips, like you’re about to say something, and then you startle when the doors to the church are pushed open.
You slip off his lap, rising to a stand, you smile, welcoming the people coming in.
.
Billy is waiting in the confessional booth for you to pass by. You’d been so exhausted recently, trying to help the newest preacher get settled, and then someone else had been murdered. A woman working at the bank had been stabbed repeatedly in the face inside the bank vault. Her body had been found on a pile of money. 
It was odd, Billy thought he was the only one of his kind in town, to know there was another out there, made him want to look out for you more than ever.
This, was not him looking out for you.
Rather, he was waiting to pull you away, to be your distraction from another funeral, to save you, if he so dared call it that.
He hears footsteps, identifies you from the click of your familiar shoes on the church floors.
He hears the large wooden doors at the front open to allow the coffin in, and while everyone looks in the direction of the doors, he slips out, wraps his hand around your mouth, and pulls you, struggling into the confessional.
You stop fighting when you see him, and he smiles, bolting the doors closed from the inside. 
He looms over you, cock hardening in his pants, presses a finger to his lips with a smile.
Your mouth parts, curious about him, and when he presses you back, settling your body onto the wooden bench, you don’t have much choice but to obey.
He watches you, fire in his veins. You look up at him with the sweetest eyes, and he knows he’s ready to defile you right here.
Instead, as the funeral begins, he drops to his knees in front of you, pulling your panties down your legs so that he can worship you with his tongue.
He keeps you right on edge for the entire sermon, licking you slowly, your hands in his hair, your breathing deep and low to avoid attracting attention.
He edges you, echoes the prayers being said outside into your heated core, licks at your sweet bundle of nerves, doesn’t stop for a single second.
When the congregation takes up a gospel in praise, he waits till the voices are at their highest point to let your orgasm take you.
He tastes you greedily, thankful to have ever crossed your path.
He closes his eyes, decidedly not done with you, peeling at your virtue until nothing remains.
.
He takes you home that night, helps your exhausted form like he did before, hands gripping your waist to support your fumbling steps.
“You need to stop expending all your energy like this.” He chastises, lips in your hair, breathing in your scent.
“I’m fine, I just need to sleep.” You protest.
He guides your key into your door.
“Will you stay again?” You ask hopefully.
“If you want me to. But if someone sees me leaving-”
“I know, they’ll have reason to call me a whore.”
“Don’t say that about yourself.” His voice is maybe too sharp with you.
You let out a little laugh.
“Right. Sorry.”
He gets you up the stairs, feels you take a deep breath as you yawn.
“Help me get out of this dress?”
God, you really were tempting him.
He watches you fall back onto the bed, clad in only your underwear. He finds it impossible to look away, when your body looks so divine. 
He gulps, wants to kiss every exposed inch, wants to make you see heaven any way that he can.
You watch him while he watches you, he’s transfixed by you.
“You want to touch me, don’t you?”
He curls his hands into fists.
“I always want to touch you.”
You give him a sleepy grin, arching your back, reaching behind to unclasp your bra.
“Can you bring me a dress from my closet?” You ask softly, and he stiffens to obey.
He pulls the door open, searching through the delicate things suspended from hangers for something for you to sleep in. He finds a sheer dress, smiles as he pulls it from the closet, he glances back at you to find you already asleep, your breasts exposed to the cold air.
He smiles, turns back to close the door, pauses when something shiny catches his eye.
It’s behind the wooden walls of your closet, shining through the slats. Billy’s eyebrows draw together, leaning in to press against the spot, the entire panel of wood shifts, and he realises that the closet has a false back.
He tosses your dress over his shoulder, reaching for either side of the wood, he presses down gently, and the entire thing shifts upward, allowing a space for his fingers to fit in.
He pulls, the piece of wood is heavier than expected, turns, and tucks it against one side of the closet.
What he finds… washes his mind blank of any rational thought.
It’s an altar, but it’s not for God.
There’s an inverted pentagram painted onto the wall in something that Billy, with his years of experience in the matter, knows to be dried blood. On the pentagram, there are photos pinned, polaroids of him that he’d never seen you take, taped to your wall with little hearts scribbled on. There’s other things as well, the dog tags from his bedside drawer, the pocket square he’d thought he’d misplaced after Wade’s funeral. So many little items of his, in this space, and he realises that he has no idea who you are at all.
On the floor, is the pink cardigan soaked in Wade’s blood, half burned from where he’d tossed it into a quick fire in the woods behind the church. Billy kneels, fingers brushing the handle of a knife with a blade embellished with flowers, stained with blood. The skull of a goat, surrounded by black and red candles.
He knows he should be feeling fear, but there’s no ounce of it anywhere in his body. He licks his lips, plucking a photo of himself from the wall, he feels his lips curl up involuntarily.
He stands, turns to wake you, to confront you, and halts when he finds you already behind him.
You look sleepy still, swaying on your feet, body still bare, and before he can say anything, you raise a fist, and blow a strange powder directly into his face.
It stings when it touches his eyes. He groans, drops the photo of himself he was holding, presses the heels of his palms to his eyes and stumbles. His throat tickles, he coughs, body trying to expel whatever you’ve dosed him with. He can’t see, and he reaches for where he knew you were last, only to find formless air.
He tries not to panic, if you wanted to actually hurt him, you would have by now. Perhaps you just didn’t know what his reaction was going to be and you were safeguarding yourself.
He feels the handcuff wrap around his wrist, but he fights it, his eyes sting too much for rational thought.
“I’ll help you if you cooperate.” He hears you say.
He huffs out a breath, extending his cuffed arm for your guidance.
You pull at him, bringing him to your bed, and cuffing both his arms to the frame. His eyes sting when he tries to see through them, his face burns too, like it’s on fire.
The next thing he feels is a cold cloth on his face, and then there’s instant relief. 
You place a damp rag over his eyes, and on the lower half of his face, leaving his nose exposed for him to breathe.
“Let it sit for a little, it needs to neutralise the poison.”
Poison? He thinks in shock.
He tries to calm himself, tries to tug on his restraints as little as possible. He tries to run through everything he’d learned in the past few minutes, sort them into his head, solve puzzles he didn’t even know existed.
You were entirely not who he thought you were, not even a little, not even at all.
No, not true, he’d seen it, glimpses of the real you from the very start, too pure, he’d thought, too pure that there must be something wrong.
He should have seen it from the minute you took his hand, from the minute you sat on his lap, when you felt his erection and still flocked to him. Billy should have known. It was in the way you thrived under the attention, the memory of you holding your fingers over the candles in the church. He’d seen it all, and had been unable to put the pieces together.
He hears movement, feels the bed dip as you come closer to him, feels your weight settle on his hips, straddling him.
The rags are pulled from his face, and you use the edge to wipe the remnants of something he can’t see.
“Sorry about that. I didn’t want to hurt you, but it was this or hitting you over the head with a bat.” You smile down at him, he can still see you there.
You don’t look like a new person, you only look more relaxed in his presence, his eyes drop down to find you wearing the dress he’s picked before he’d discovered your secrets.
“You don’t worship God.” He starts.
You smile.
“No I don’t.”
“But you go to church, you help other people find God.”
“You think that saves them? No one in that church is free of sin, no one is made better by being there, they’re only better at hiding it.”
He blinks, tilts his head, waits for you to continue.
You reach for a box of matches, striking one, you light the candle sitting on your bedside table.
“I go to church, because every time I step in there, I spite God.”
He watches you reach to strike another match, lighting the candle on the other side of the bed.
“My Lord, the only one I pray to, is the Devil himself.”
Billy blinks, tilts his head.
“You tempt everyone there with your innocence on purpose.” He says, thinking out loud.
You make a sound of disagreement.
“Not exactly, I’m just charismatic, and the fruits fall where they fall. My intention isn’t to tempt, it’s not my fault that men are so easily… tempted.”
He raises his eyebrows in amazement at your point.
“Look at Wade for example, I was only as nice to him as I was with everyone else, but he took it another way, I’d finally decided to kill him when he touched my thigh for too long… I was watching him from a small space in the roof when you came in.”
Billy watches, hypnotised as you drag your palm over your stomach, your ass grinding gently against his semi-erect cock.
“I watched you stand behind him, waiting for the right moment.” You whisper, hand slipping under your sheer dress, working its way down the front of your panties. Billy’s teeth clench, pulling at the handcuffs.
“I watched you cut his throat,” You groan, “There was blood everywhere.” Your head tilts back as he watches you touch yourself to the memory of his past crimes.
“You took my cardigan. I knew there was something about you before, but it was only then that I knew I had to have you.”
He watches you, fingers hidden from his view as you pleasure your little cunt. He feels rage at not having any control.
“The woman in the bank,” Billy tries to think with you so close, “That was you.”
You nod, smiling down at him. 
“She was a bad person. I wanted to give Satan someone to play with. Just like he gave me you.”
Billy’s hands are in fists, blunt nails pressed to his palm.
“Let me go.” He grits out.
You smile dreamily, shake your head.
“Not yet. I want to have you first.” 
His breath halts in his chest, desperate to ask you what you mean, but he thinks your intention is clear enough.
He pulls harder on his restraints, not wanting to be bound the first time he feels you.
“Don't fight it, Billy. Let me have you how I want, and then, maybe we'll see about those cuffs.”
He stops struggling, takes a deep breath, goes still.
You smile, undoing his belt as quickly as you can, and then tugging at the buttons of his shirt until his torso is bared to you. 
He listens to you hum with delight, feels your scorching tongue lave at his chest, over his heart, flicking at his nipple.
He begins to understand how feral you are, listening to your hums of appreciation as your tongue drifts over his neck. He realises, that you’re just a small thing, searching for someone exactly like you in a world full of people pretending.
When you open his pants, his mouth goes dry, his jaw drops open as you suck on the tip of his cock for just a small moment, enjoying the taste of him before you’re slipping your panties to the side to take him in.
Billy closes his eyes, swears, low in his throat. You feel better than he’d imagined, your walls fluttering around him, pulling his cock deeper into you so naturally that he swears it was always meant to happen.
You moan loudly, head tossed back.
“I would have let you fuck me in that church.” You confess, “I would have let you fuck me in a pool of Wade’s blood.”
Billy groans.
“I’d fuck you in the bare earth.” He grunts, supporting your conversation, “I’d make you beg me to.”
You clench tightly around him, and Billy swears he sees stars for a moment. Your breasts bounce as you roll your hips on him, and after a moment, you pause, reaching for one of those lit candles beside your bed.
Billy looks at you, keeping your steady gaze, trying to prepare himself for the possibility that you might drop hot wax onto his skin.
But you spare him, instead, you tilt the candle, letting a few drops of molten wax fall onto your thigh.
He feels you tighten, grunts in pleasure at the vigour your pace takes on.
He’s so captivated by your enjoyment of it, that he can’t help but ask.
“Do it to me.” He asks.
You smile, hovering the candle over his chest, and when the first drop hits, he gasps. It stings, burns like fire, but then something sweet fills the space, his body somehow asking for more.
You don’t give him any more though, placing the candle back in its original spot, and beginning to rock your hips in tandem.
You’re struggling to achieve orgasm in this position, and he feels amusement rise within him, knowing more about your own body than you seem to know.
It finally makes him relax, knows that no matter how hard you try, you still need him to get you off.
He waits, and waits, and finds that he can be patient when it comes to pleasuring your cunt.
You pause, pouting.
“Poor little girl,” Billy chides, “Can’t manage to come on her own. You need my help, don’t you?”
Your eyebrows are drawn together When you look down at him, trying to make sense of his words.
“N-no, I can, uh, do it myself.”
He grins sharply, relaxes.
“You’re so out of your depth.” He taunts.
“Nuh uh.” You hum, still trying to use his cock to pleasure yourself. Billy turns his head to study his restraints, the wooden pillar he's cuffed to on the headboard is wobbly, he figures one sharp pull at just the right angle would get that hand loose. The other pillar however, is too sturdy for a move like that.
He has to move fast when he does it, find a way to get you to release his other hand.
But first, a distraction.
“You're beautiful like this,” he says truthfully, “Your true self is so much more than I'd imagined and- well maybe we are right for each other.”
He watches you nod eagerly, still trying to reach your peak, your head tilts back, lulled into a false sense of security.
Billy takes his opportunity to strike.
He pulls as hard as he can on the wooden pillar of the headboard, muscles flexing almost painfully. He almost thinks he's going to fail but right at the last second, the wood gives, freeing the handcuff and allowing movement.
Your eyes fly open, and you reach for something behind you, pulling out a knife.
He catches your hand, twists your wrist so that the knife falls free, and pushes it off the bed.
Before you can scramble off of him, his hand grips your hair harshly.
“Unlock me.” He hisses into your terrified face.
Despite your obvious fear, he still feels you clench around his cock, and his desperation to have you exactly how he wants, increases.
“I'm not going to hurt you.” He clarifies, “But you're mine now, so unlock me.”
Your eyelids flutter, your eyes glancing at a spot beside him. He doesn't turn to look, simply leaning his body with yours, hand still fisted no doubt painfully in your hair.
He looks from the corner of his eye, as you tug the bedside drawer open and stick your hand in.
 “You better not be reaching for another knife. It wouldn't take much for me to squeeze the life out of you, even with one hand tied.”
He feels you clench around him again.
“You like that? That I could kill you without a second thought? Your cunt’s gripping me so tight, baby.”
You let out a little whine, withdrawing with just a metal key pressed between your fingers.
“Good girl,” Billy praises, feels even that go right to your cunt, “Now unlock me.”
You do his bound hand first, and then pull the other cuff from around his wrist. Your eyes cling to the reddening bruise on his wrist from pulling too hard.
When he's finally free, he grins, right in your face, before pulling you off his cock and flipping you over.
You gasp in surprise as your back hits the bed, Billy leans away to get a good look at you.
He can see your delectably shaped tits through the white sheer dress, he admires the way it looks- like innocence and somehow pure sin wrapped all in one. 
He thinks, for the first time, he finally sees you, finally understands what he has, looking up at him with careful eyes. 
“You said something earlier. That the Devil sent me here for you,” he leans forward, cups your breasts through the dress, stiffening your nipples, watches you writhe beautifully under him.
“But I'm not your plaything, little girl,” His fingers pinch down, pressing your nipples between his thumb and forefinger, watching you gasp in pain and pleasure, “You're mine.”
It sets off something inside of him, and like an avalanche, any semblance of self control he'd ever had, just crumbles.
He leans down, lips pressed to yours, he feels an ache inside of him lessen.
You kiss back, with forceful lips, your hands gripping the back of his head, fingers in his hair to stop him from pulling away.
His hands press against your shoulders, feeling their way over the sheer sleeves of the material, gripping your hips, fingers catching on the fabric as he touches your body for the very first time.
Your legs wrap around him, it makes him so delighted, that you want him, that he's going to use that against you.
He pulls back, grinning when you whine, reach for his mouth once more, his hand finding your throat too easily, gripping it to push you back.
“Where did my little fighter go, hmm?” He leans forward to lick your cheek, enjoying the surprised expression on your face.
“Please,” you whisper, “I need you to make me come.”
His nose brushes yours.
“Why? Don't you touch yourself all the time?” He taunts, already knowing your responses before you say them.
“I haven't been able to- since you touched me.”
He laughs, watches you get more and more demure with each moment.
“You haven't been able to come since I put my hands on you? I wonder why?”
“You feel too good.” You confess to him.
He tries to fight it but it makes him laugh again, he buries his face into your neck, amusement so heavy in his body and he has to let it out.
“Sorry, It’s just that- you haven't even seen what I can really do yet.”
“Show me.” You beg.
His hands caress you gently, he nods his head, and then, tears your dress into pieces.
You’re so turned on, aching for him, you shudder as he pulls the remnants of your dress from your skin.
His touch is frantic, his palms skate over your skin, gripping, feeling, your thighs, your legs, your arms, it makes you so much more aroused to be felt like this. No part of your body is safe from his wandering hands, it feels as though he’s trying to learn you, and you are so eager to let him.
His lips are next, kissing the top of your breast, working his way between them, the feel of his lips on your skin makes you feel more connected to him than before. He pulls your panties off in a swift rush, kissing at your knees when he finally gets them off.
“Want to know why my touch feels good? Because I know you. I know what your body likes.” Billy says, you lift your head to look at him, his hand sliding up between your thighs, the tips of his fingers making delicious sparks.
He touches your slit, tracing the seam of your cunt so gently, desperation pooling under your skin. He presses a single finger against you, until he just brushes your clit with the very tip of his finger.
“You need this little bundle here touched, kissed, and it can’t be too harsh.”
You cry out when he just softly strokes your clit. Pleasure burning through you at just the simplest move.
“You think that just because you like pain, that this has to be rough too, but no, your pretty body craves a soft touch.”
He proves it to you, his gentle fingers massage your clit, he makes it look effortless, eyes drawn to your centre, looking up at you with dark eyes every now and then.
It’s the burn of his slow movements that make you lose your mind. The worst part is that he’s right, you’ve never touched yourself so gently before.
“Does that feel good, baby? I’ve killed so many people with these same hands. But I bet that makes your little cunt even wetter.”
You mewl, nodding, remembering the way you’d seen Billy kill. The amount of blood he’d left behind, such a messy crime scene.
You bite down on your bottom lip, back arching, hands gripping your sheets.
Just a little bit more, you think, gasping, quietly urging him on, hoping that he doesn’t stop his movements.
“That’s it,” Billy praises, “Just like that, show me exactly who owns you.”
Your breath stutters in your chest, your vision goes white as pure euphoria overtakes you. It comes in waves, cunt fluttering around nothing, your body shudders as your brain tries to process pleasure beyond your comprehension.
It takes you a moment before you can breathe through it, and like before, it feels like you’re floating, somewhere deep in your subconscious.
His face comes into your line of sight, a proud smile on His lips, beautiful in every way as He hovers above you.
You suck in another breath, it helps you feel your body, and the remnants of your still occurring orgasm.
“The first time I saw you, I couldn’t look away. I thought you were the most beautiful thing I’d ever laid eyes on. I wanted you all to myself. Now that I have you here, now that I see you, I want you forever.”
You nod eagerly, smiling up at him, gripping his hand to press your cheek into his palm. You wanted that, you wanted to be His as well.
“Now be a good girl and stay still.” He whispers, lowering his body once more, burying his face between your thighs for the second time in your life.
You almost want to scream. His tongue pushes its way to your clit, flicking softly, dipping down to lick at your entrance.
You hear Him moan between your thighs, you shudder, arching your hips into his face.
He slaps your thigh, a warning that he intends to uphold the discipline of His instruction, you simply clench in response.
You wanted- so much more than you could admit.
You'd thought, for a brief moment, that he was the personification of Lucifer himself, that Billy was a reward for your years of devotion, but somewhere in the back of your head, you were starting to feel something different, new, that not even your devotion to Satan himself could match.
He licks you like he's starving for it, hands on your thighs, tongue in your cunt you want to struggle just so He has a reason to hold you down.
You say His name, you feel your thighs tremble, His lips kiss at your swollen clit.
You don't know what you're feeling, something in your chest, that tugs everytime he touches you.
Drunk on His mouth, you hiss when his pace increases, unsure if you'll even be able to have another orgasm so close to the last.
He's careful, dexterous, precise, he licks cunt the way he kills- with careless precision, a spectacle to be admired, spoken about in hushed tones. 
Billy doesn't ask, he simply manipulates your body until you're wound so tightly on edge once again, unable to comprehend how you got here in the first place.
You groan, your grip on sanity crumbles away, all you can think about is Him, and the way his beard feels, scratching between your thighs, and the darkness of his hair and the grip of his fingers on you, holding you to him, daring you to struggle. 
There’s a loud rushing in your head when your next peak finds you, your back bowing off the bed once more, something pinches in protest but you can’t focus on it, the pleasure too important to give up just because you’re a little uncomfortable. 
He licks at the arousal spilling from you, moans into your body with each taste, making you see stars, or fireworks or maybe even just flashes of bright lights and colours. 
It somehow reminds you of the stained glass of the church, makes you feel adjacent to something that’s on the tip of your tongue but you can’t find the right words for it.
He draws back, beard wet with your slick arousal. It’s gorgeous, and you watch him tug his black shirt off- that he’d worn to the funeral of the woman you’d killed- and use it to dab at his chin.
Your eyes roam down his body, it’s the first time you’ve ever seen a man as sculpted as he is, lean and muscular, small bits of hair on his chest and a spot right below his navel that your tongue aches for.
You sit up, looking at him, pressing your thighs together as he pushes his pants all the way down his legs, his cock already solid and leaking for you.
You remember the first time you felt Him, the way you knew without a doubt that you were going to have him, before you even fully understood what he was.
He reaches for you, grips your thighs and pulls you to the edge of the bed. You gasp at his easy display of strength, watching as he strokes himself for a few moments before lining his cock up with your dripping entrance.
Your past orgasms have made you more sensitive, each inch of him he presses in makes you bite down on your bottom lip, trying to breathe through the overwhelming pleasure and the stretch associated.
“You're so tight.” He utters with a strained voice.
You can only moan, reach to touch Him, the light of the candles flickering on his bare skin in the dead of night.
Your fingers graze a circular scar on his lower abdomen, and at the same time, he thrusts the rest of his cock fully into you.
You cry out, the sudden bliss of being stretched, goes right into your head, you gasp, your body begs for more, begs to be undone by him.
You swear you can taste blood in your mouth from biting down on your bottom lip too much, unable to vocalise your appreciation of him, he draws his cock out, before making another harsh thrust.
Your back arches, you don’t feel like you’re in your body, or maybe you feel too much in your body, the only thing you know for sure is the pleasure that fills you, that threatens to swell under your skin and explode outward.
He keeps his motions swift, harsh, deep, following through with each shift of his hips fully before beginning another.
“Who’s your God? Tell me.”
“L-Lucifer.” You utter automatically, but it’s the wrong thing to say. He stops, hands gripping your jaw tightly, bringing all your focus to him.
“What was that?” He grits out.
“Lucifer?” You whisper, voice light with pleasure.
He shakes his head, leaning away and reaching for something nearby.
You tighten around him when you spot the burning candle in his hand.
“Say that again.” 
“Um…” You stutter, unsure of what to say.
You gasp in surprise when the first drop of hot wax hits your hip. It stings, just for a moment, before leaving the sweetest tingle in its place.
“Please.” You moan, pressing your hips upward for more of his torment.
“Can Satan do that?” He asks, rutting his cock into you at a slow shallow pace. When you don’t respond, you feel another heated droplet sting the skin of your hip.
You peek at him through parted eyelids, watching the way he looks at you in amusement, before tilting the candle again, this time to allow hot wax to fall onto the opposite side.
“Billy.” You moan, and you watch him grin.
“Answer my question, little dove.”
You shake your head.
“N-no. Satan can’t make me feel like this.” You whisper.
He moves, drips wax onto your thigh, making you gasp in pain, feeling it heighten your euphoria.
“Do you like feeling this way?” He asks, and before he can finish his sentence, you’re nodding, raising your hand to your chest to roll your nipples between your fingers for his appreciation.
“I like it, Billy, I love it.”
“Then tell me who your God is.” 
You think you finally understand what he's trying to say, his cock pressed deep inside of you. He's the reason you feel so good, he's been the person occupying most of your thoughts from the day you met. He's someone you'd be willing to kill for.
“You.” You finally answer, and he smiles, moves his hand, still holding the candle, wax dripping onto his fingers, he tilts the candle and lets a few heated droplets touch the skin over your womb.
You gasp, the skin there is a little more sensitive, the burn is more intense, more pain than pleasure but He doesn’t seem to care, simply continues to smile as he blows the candle out, putting it back on your nightstand.
There's still another candle on the other side, allowing you to see, though everything is just a little dimmer now.
Your skin tingles, warm, the dried wax on your skin cracks as you move, but you don't get a chance to focus on it too much, because as soon as Billy lets go of the candle, he's pressing into you with renewed vigour.
Your thighs tremble, tears pool in your eyes, He's rough, grunting with each stroke he makes, earning a reciprocated cry when his cock bottoms out inside of you each time.
Skin against skin, sweat glistens on his chest, you want to taste him.
“Say it again.” He commands, leaning over you to brush his lips to your ear, “Who do you worship?”
“You, Billy.” You respond eagerly, gripping his shoulders, pressing your nails in, listening to him hiss in response, gripping your jaw to bring you into a bruising kiss.
It's messy, his tongue dipping forcefully into your mouth like he owns you, his cock doing the same, taking everything as if it's owed.
You bite down on his bottom lip, hears him grunt out a manic laugh in response.
“You're all fucking mine.” He grits, leaning back and pulling your boneless body up until you're on top of him, his hands gripping your hips to keep you moving on his cock. You tuck your head into his neck, unable to be anything more than a receptacle, to take Him, over and over until he's finished with you.
“How does it feel to be saved by your new God?” He grunts between thrusts.
You can barely find the words to speak.
His hand slaps the flesh of your ass hard, demanding a response.
Cruel, you think, that He wants you to speak, that He thinks you're even capable of thought.
“Feels good.” You hum, fingers gripping his neck, nose to his jaw, taking what he gives, you tears dripping onto his collarbone.
He groans into your ear, it’s the best thing you’ve ever heard and you finally begin to understand true devotion.
“Please,” You beg, “Please.”
He grunts out a chuckle between thrusts.
“You don’t have to beg, I’m here, I’m not leaving.”
You tilt your head up, vision hazy, your body tingling with something too intense to be just bliss.
He kisses you softly one more time before dropping you back onto the bed, pushing your knees upward so that they’re almost to your ears.
He feels so much deeper this time, fucking you hard, merciless thrusts that has your cunt fluttering again, warning you that you’re on the right path to an orgasm.
He doesn’t stop, looking right into your eyes as he pushes his cock into you, over and over and over. You see stars, you see him, you see nothing else.
He licks his thumb, lips wet with saliva, he slips it between your bodies, angles it right against your clit, swipes gently from left to right.
You make a loud sound, followed by a flurry of pitiful whines, trying to warn him, to implore him. He doesn’t stop fucking you.
Your toes curl, one small breath of air before the most intense rush of ecstasy takes root in your body. You’re lost in the rapture, taken by the experience to even register the sounds you make.
You feel fire, you feel sparks, tingles that rush all over your skin, your inner walls gripping him so tightly as you’re forced to experience bliss at His hands.
He groans loudly, and before you know it he’s fucking into you rougher than before only for a moment before he makes a sharp sound of relief, cock pulsing as he spills himself into you.
You clench around him, making sure he gives you every drop of himself. Knowing that this is the right way to show your devotion.
There’s a moment of insecurity, when he crashes to the bed beside you, eyes closed, his breathing is quick, as if he’s just run for miles. You worry that once he’s had his fill of you, that he won’t be interested any more.
Your head is turned to look at him, lungs still heaving, the bliss of your orgasm hasn’t left you completely yet, and you watch him, curious to observe what he does next.
He peeks an eye open, mouth pulling into a smile that bares his teeth, he pushes himself up, crawls closer till he’s in the space between your body and arm, kissing at your cheek and shoulders softly.
It opens something inside of you, to feel that, to know without a doubt that He meant every word He said.
You raise your hand in wonder, fingers gently brushing His cheek, before pressing your palm to His face. 
He looks down at you, moves his own hand to run the backs of his fingers against your face, two people, finally seeing each other, finally showing themselves, unafraid.
It’s more than you could have ever hoped for.
.
Billy stands in the shadows, waiting.
He watches his targets leave the bar, two men, laughing with each other as they head to the nearby bus stop.
He follows, observing the way they move, trying to figure out just exactly how drunk they are. One wears a leather jacket, with his hair slicked back, the other wears a plain white t-shirt, and jeans.
They talk loudly, confessing to things Billy already knows about.
When one of them looks up, and sharply elbows the other, nodding to a place ahead, Billy knows what they see.
You lean against the bus stop, face buried in your phone, too occupied with it to notice that you’ve been spotted.
You’re beautiful, Billy muses, white dress, denim jacket, a little purse hanging from your elbow, standing under a small streetlight. It’s like he’s seeing you for the first time all over again. 
The man in the leather jacket gets to you first, looking over your shoulder, peering into your phone looking at what you’re doing for a moment before saying something to you.
He watches you startle, look up at both men as they approach.
It’s like a dance, the way your fright gives them confidence, the manner in which you step back, warning them that you’re going to run before you actually do.
He smiles as you slip from their reaching grip, running into the nearest alley, he watches them take chase.
He moves faster, making sure there’s no chance of putting you in any real danger.
When he gets there, they’ve got you cornered, your back against a wall with them closing in. They’re too focused on you to ever notice him.
He takes a breath, waits for a moment, enjoys the thrill of what he’s about to feel.
When one of the men reaches to put his grimy hands on you, Billy strikes.
The man in the leather jacket makes a gurgling sound as his throat is cut wide open, splashing mostly on himself, but some of it gets on your dress and he knows he’ll get on his knees later to apologise for getting your dress messy, even though he knows you like it.
The other man can only make a single sound of terror before he’s falling to the floor, mouth agape as the handle of a knife protrudes from his eye.
He’s still alive, though not for long as Billy watches you drop to one knee, pulling the knife from his skull to plunge it into his vocal cords next. 
You look up at him, with bright eyes, excited to be doing this with him. He bites down on his bottom lip, thinks you look adorable when you’re seeking his approval.
He doesn’t care if the men are in their last moments, he reaches for you, grips the collar of your jacket and hauls you up, manoeuvring you until your back is pressed against the wall of the alley.
He drops his head, angles to place a fierce kiss on your lips, smearing blood on your face when he grips your jaw.
Billy pulls away, breathless, heart hammering with the thrill of murder, he looks into your eyes, and finds himself looking back.
He’s not surprised- simply acknowledging to himself that it’s what he’s been seeing the entire time, what he couldn’t put a name to when you first met, he now knows.
.
“And the lord said ‘Thou shalt have no other gods before me.’” 
It makes you look up, to meet Billy’s eyes.
You watch the corner of His mouth twitch in amusement.
.
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shirecorn · 11 months ago
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Hi! I was wondering if you'd be willing to share your thought process for Prancer's design? I love her long feathery antlers and soft golden colors, but I wasnt able to figure out the meanings of her design and would love to know more!
(all of them were fantastic btw and has honestly been what I've looked forward to the second-most of all of Christmas. I was gonna say top spot but that has to go to the stinky cheese we're gonna eat lol Hope you have a great holiday and eat lots of tasty food!!)
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Honestly the design inspo for prancer is the weakest of the reindeer. It's literally what we call "schmoovement" I wanted a deer that was really feeling it. Confident, sexy.
The feathery antlers were just part of that big, proud movement. They're for flow.
After finishing the drawing, I realized that the gait shown wasn't actually prancing. So I spent the last couple days redrawing it to have those happy highsteps horses do, but its hard to beat this drawing. i mean look at it its gorgeous. So I scrapped all my technically prancing prancers and just went for The Mood.
The antlers aren't too far off certain reindeer examples actually. here's some refs
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The color is based on a popcupine caribou (named for their territory not spines, sadly) They have dark noses, legs, and eyespots. And are cute as hell.
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And I chose a light color to make my lineup go from light to dark
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One little easter egg in the design is the prancey feets. I gave prancer fluffy feet to really accentuate their steps. and they are modeled after something that is technically dancing, but is kinda prancing when you think about it.
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Tap shoes!
Clip clop am I right?
As for my holiday plans:
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parisoonic · 1 year ago
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I just want to say I love how you do your lineart, it looks so good! ahhhhhhhh!!
I'm gathering a lot of advice about the topic of lineart and I just wanna know how you get it to look like that? My line weight is getting better but the drawing itself just comes out a bit.. weird.
Thank you so much! Lineart is probably the thing I've been working hardest on as I am not a lineartist (and still struggle a lot) but it's something I really need to get better at for my job. UM there's honestly so much that could be said on the topic of lineart. Big things for me are:
Weight -> Use line weight (aka thickness) to describe form, lighting, contact and scale. Thick lines imply shadow, contact and nearness-to-camera. Thin lines imply tension, recession and light.
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Straights vs Curves -> Use straight lines against curved ones for maximum interest. This is partly a character design thing but as we're using lines to describe our characters it's worth mentioning :)
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Complex vx Simple -> Use complex lines against simple. Faces are always complex so therefore the backs of heads should always be simple. Chests are quite complex so backs should be simple. Dorsal sides of the arms are complex (Delt, tricep, bicep) whilst the ventral side is more simple (tricep...mainly) etc.
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'Think in Ink' -> Lower your sketch layer almost to 0% opacity so you're not getting hung up on how nice/energetic your sketch look and instead are approaching the piece from an ink mindset. BUT it's digital! So if there's something in your sketch that you like just bring it forward (copy and paste) into your ink layer. I sketch and ink with the same brush so I can use this workflow
'Confidence' -> small hesitant feathery lines will look nervous compared to big swooping lines. Less is always more. I'll redraw arms/limbs until I can get the appearance that it was done in one brush stroke. Again it's digital so you can erase to cheat this look : )
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MISC 01: I always hear 'draw from the shoulder'........meh............it's digital so draw from your wrist...it's fine honestly. If we were working at A1 in a life drawing class then we could get some shoulder action going but most of us are hunched over 16inch tablets. I think this advice aims to pull people away from feathery-nervous lineart honestly which you can improve on without relearning how to draw from your shoulder.
MISC 02: For a 'smoother' look do your lineart at a larger canvas size than you need. Once I'm happy with a sketch I usually double the canvas size and do my lineart then.
MISC 03: In PS (at least) anti-aliasing goes funny at any zoom level that isn't in the 5 times table. So try not to look at your canvas when you're zoomed in to 87% or 71.39% or something crazy. Just stick to 25%, 50%, 75% and 100% if possible.
UNFORTUNATE TRUTH: Lineart is incredibly based on raw draughtmanship I've discovered. When you're working with colour you can hide a lot in rendering (shadows, highlights) or post-processing (depth of field) but in lineart all your mistakes are just...there for people to see. There's ways round this...which I use A LOT. 'Flourishes' (I use 'flourishes' to mean over-confident lineart where it veers particuarly thick or particuarly thin in contrast to your approach in the rest of the image) can sort of trick people into thinking you're more confident about an area than you actually are.
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As well as leaving 'breathing room' within your lineart instead of actually...resolving the area. I do this the most around the face and hands.
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Hopefully some of this helps? Honestly there's a lot of deep dives that could be done into indivudal things and there's also the massive caveat that all of these are 'guidelines' and not strict rules. I also favour a more...concept-arty? animation-y? storyboard-y? look to my lineart which favours flourishes and breathing room for a incomplete/work-in-progress feel which would make methodical colouring (ie: for a comic or something) a pain.
Keep up pratice is the main thing and doing studies of artists who you like that have great lineart - you'll pick up draughtmanship skills along with the lineart studies. Here's some of my lineart from a year or two ago...it varies between very 'standardised' (which makes it difficult to read volumes and to be honest, it's boring) and 'TOO EXCITING' (which...also makes it difficult to read volumes and for the eye to rest).
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I'd like to share my brushes at some point as I've found 3 that I really like and use for everything more or less. I discovered that a shocking low amount of people use PS on tumblr (shocking to me I guess as i'm so used to PS being the standard) and everyone seems to use Procreate or Clip Studio Pro...so I want to check that the brushes are Procreate compatible at least before I share!
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