#this was fun. send me more.

[forunholy]

smash or pass unaffiliated eos <3

ryuunosuke / thanatos — pass. gives off little child energy. emira / tempest — smash but only if she has librarian glasses. hadrian / wither — pass. too old sorry. james / savant — pass. thinks he's annoying </3. aleyna / cutthroat — ummm smash <3 jaime / glitch — pass because he doesn't sleep with people that have done work for him. kareem / helios — pass. friendship first. zann / just some guy — pass. too old </3 himiko / songstress — smash. reyhan / puppeteer — smash. daphne / chimera — smash. hiroji / roulette — pass. thinks he's a mess. serafín / doctor null — pass. his therapist. lucien / sol — pass bc it would feel like he was sleeping with himself. bakari / havoc — pass. two out of control individuals in a room … disaster. kintan / saprophyte — pass. too old. bruno / anteros — pass but maybe smash if he was drunk. charlie / silhouette — pass bc enemies?? dohyun / magneto — pass bc it also might feel like he's sleeping with himself. marica / stelis — smash but probably like only in his dreams :( hanbin / zeus — would walk the other way. carmen / mirage — smash. aylin / chiro — pass. gael / dead ringer — pass. bc old and ethical. aiyana / blitz — smash but in like a life ending way. virgil / bespoke — smash (ik i'm contradicting all the old statements dont look at us) amelie / ghost whisperer — smash. douglas — pass.

[mxmarsbars]

karma

[abstractfrog]

SILVER BLAZE PART THREE - happy jonkday everyone. one of these days i'll draw a scene that doesn't take place at night

[fishfearer]

self indulgent doodling really does help with artblock .. who wouldve guessed

[luxites]

"Know your place, fool." ⛩

I really want to know more about how he became the King of Curses

[wanderingibon]

regrets

[professorjirt]

I’ve discovered my favorite genre of Bagginshield art is where Thorin is a lovesick idiot who is Losing It and Bilbo is unbothered or oblivious to Thorin’s suffering LMAO

[babybluey]

Charisk doods i made a few months ago to spread my little shit! Chara and flustered! Frisk propaganda

[noixdecagette]

let us see that camera roll satoru !!

ive been way too obsessed with sukugo lately so have this dumb piece until i get some actual decent ideas about them

(edit : did a redraw of the previous ones bc i didn’t like how Gojo turned out !!! sorry lmao)

[savanir]

Death of the Father, Death of the Son

Part 2

part 1 is here and the og prompt can be found here again thanks for the prompt @mynameisjag as you can see I am not done with it yet

The aftermath of the gala was an absolute disaster in Jazz’s humble opinion.

At first she didn’t know what to think… 

When they wheeled out the body bag that supposedly had Vlad’s corpse in it, it just didn’t feel real.

Everything became a lot more real when her mom got back from her trip to the forensic lab, It really was Vlad. The GCPD went through this whole identification of the body process, everyone was already pretty damn sure for obvious reasons but they had to follow protocol. Elaborate time wasting in Jazz’s humble opinion.

Jazz stares at her phone while sitting in the overly expensive fancy hotel room fauteuil. All of a sudden she no longer really minded that Vlad had given them all their own private hotel room, the girl wasn’t stupid… She knew he did it in the hopes that her mom would magically change her mind about him and this way she wouldn’t get in the way. Interrupt them. Whatever.

But now it just gives her privacy and room to think. And think she does, thinking is all she seems able to do now.

This whole mess is just great rep for Gotham… ‘out of town millionaire gets assassinated on their first night in the city. zero hesitation’

People are mass sharing all the leaked dirt on Vlad on social media with the hashtag #Welcome to Gotham.

At the very least any potential harassment towards her or her mom was nipped in the bud once it became widespread that Vlad had actually hired some guy to kill her dad.

Ancients…

He hired a mercenary, some assassin, to kill her dad. Jazz vividly remembers when Danny would vent about the things Plasmius would threaten him with. but she always figured he did it to rile her brother up. 

For some reason she could believe the whole making her brother his son thing, just like she got the marrying her mom thing. And yet she never thought he would actually follow through on the murdering her dad thing.

…And what does this mean for Danny?

her phone is still blowing up but the only people she actually responds to are Sam and Tucker. Sam is mostly worried, asking how they are holding up and if she needs to come over and kick some corrupt police butt, or overly pushy paparazzi butt, or just nosy people in general butt. The offer is sweet but Jazz already saw how her mom verbally tore the rumour about a ‘battered wife/gold digger’ situation apart with facts and logic, so she’s not worried.

Jazz supposes that’s a good thing that somehow came out of all this… her mom got some of her spark back. 

Meanwhile Tucker is all in the GCPD systems and sharing the results of the police investigation with the rest of the team.

because of that Jazz knows that the Bats have already shown up to do their own brand of investigating, and also that the police don’t know shit.

It figures… The police also didn’t know shit when her dad was murdered and Danny got kidnapped. And they were all too happy to accept the fake dead Danny that got found in the forest, welp, kid found, he’s dead, case closed.

useless.

It’s been several days now and it’ll probably take another week or so before something concrete gets brought to the public.

Jazz thought she might get a vigilante visit at some point but they haven’t shown up yet. At least not to ask her anything… who knows maybe they have already spoken with her mom and she simply decided not to tell her as to not distress her or something, that would make sense.

—✧･ﾟ: *✧･ﾟ:*---*:･ﾟ✧*:･ﾟ✧—

It’s late in the evening now but she checked up on her mom earlier that day, she had been furiously going through all the things Vlad had gifted her and tossing them in a tiny and overly full garbage can.

“Jazzikins, once this whole thing is over we should head straight to his Wisconsin estate and burn it to the ground” Jazz can already see the fire burning in her mom’s eye, she’s completely serious.

“that will probably be extremely suspicious and get us in a lot of trouble mom” It would be very cathartic though, she will admit that.

Jazz had sat down and watched her mom go about her business, exorcizing Vlad from her life perhaps.

Eventually her mom sighed and asked, “how long do we still have to stay in this awful place?”

"We have to be available for the GCPD because they are still doing their investigation. They will most likely still have some questions, and i want to make sure there will be no misunderstandings with the notary later as well"

"That's my smart girl" Maddie pinches Jazz's cheek, "what do they still even have to investigate... though, perhaps it would be a good thing if they found his killer, that way I might be able to thank them myself"

Jazz winces, "Mom..."

"You're too sweet jazzy, you got that from your father" Maddie gives Jazz a kiss on the forehead before she goes back to what she was doing before.

Internally Jazz disagrees with her, she doesn't feel bad for Vlad at all, she's just looking at the bigger picture because she has info nobody else does.

Whoever killed Vlad was prepared to kill a halfa... and the implications of that fact terrify her and give her hope at the same time.

Danny is still out there somewhere, but he's most likely being exploited in some way.

—✧･ﾟ: *✧･ﾟ:*---*:･ﾟ✧*:･ﾟ✧—

And here she is, still staring at her phone, refreshing the feed and gradually feeling more worse as she skims the headlines.

the psychiatrist in her is telling her she’s doom scrolling and it’s unhealthy, what is she even looking for here? If the authorities identify the killer, will they even tell her? Tell her mom? they probably would to ‘aid with the grieving process’. but that tends to only happen when they have actually caught the killer.

And who knows when that will happen.

This is pointless anyway, if something useful gets found out Tucker will most likely be the first to know out of all of them.

Jazz refreshes the feed again.

nobody seems to think a Gotham rogue did it, they would have made it a spectacle. 

No, all the theories seem to think it was most likely the work of underground crime syndicates, or Vlad pissed someone off in some other country while doing business, and Gotham was simply the easiest place to get him killed, even though now the Bats are on the case. or, or…

She groans, gets up and makes herself some tea when she hears it. She’s turned around with the Fenton Anti-Creep stick raised and ready before she really knows what she’s doing and she sees two figures emerge from the shadows. Big and small. Batman and Robin.

Robin pointedly looks at the creep stick, batman disregards it entirely, "we would like to ask some questions"

Jazz looks at batman and then at Robin and then just sighs, grabs her tea, accepts that this is happening, sits down with the stick ready to go at any time and says, "go ahead"

Robin takes a strategic spot closer to the window, perched on the back of the gaudy couch for some reason and Batman gets closer perhaps to loom over her more? But he also sticks to the shadows, perhaps to make her feel a bit less intimidated with the distance? She decides to just stop thinking about it from that point on.

Batman goes over the statements Jazz already gave to the police, she mostly focuses on her drink while she elaborates on some of the things she said, but eventually…

“Most people seem to think this was an act of revenge but when the police asked you what you think the reason is why Masters got murdered you simply stated you don’t know, judging by the footage of the interrogation you were agitated”

Jazz frowns, “it had been a long day, at the time I wanted it to be over with”

“These statements are vital, especially from close acquaintances”

Her jaw tightens, “so you would like me to give a proper answer now?”

Batman stays quiet,

“The revenge part is obvious, but I just don’t think that’s all there is to it. I think someone wanted shut him up”

“and why would you think that?”

Jazz thinks very carefully and makes a decision.

“Vlad was not an easy man to kill…” she trails off, still thinking about how she’s going to explain this one properly, without revealing everything.

Batman stays quiet again, Robin however pipes up, “Because he’s rich?” 

She had basically forgotten he was there and there is a moment where she just blinks at him still perched on the back of the couch, “Well, as I am sure you both have seen by now he was more than capable of paying his problems to go away, but no, that’s not what I meant”

“hrn, go on”

Jazz swirls what little tea she has left and kind of wishes it was actually some kind of alcohol… even though she’s too young for that, and then she goes on, “Vlad was not human, not fully anyway, I don’t… know… exactly what his other half was-”

 A lie, but Batman decides to leave it be for now, no need to interrupt the young lady here, if he were to point it out she might clam up and stop talking entirely. 

"-He had gifts, one of them is intangibility, another invisibility"

They are aware that something is very different about Vladimir Masters. That much became clear when they activated the scanners they got in the forensic lab and took a good look at the corpse themselves. Those results confirmed some of the claims and accusations that everyone saw during the gala.

And it seems those close to the man knew of it as well.

Jazz goes on,

"Whoever attacked him must have been prepared for that... and considering there are only four people who know about it at all, that is… before… you know," she trails off.

"Only four" Robin mutters. 

Batman glances at the boy before asking, "Who knew?"

"Uh, me. Uhm two friends of mine who are currently back in Amity Park... and my brother, Danny"

"Tt, So that's three"

"Robin-" 

"My brother is not dead!" Jazz slams her hands on the table,  "The monster who killed my father kidnapped him, and now they are using him! The body that was found in the woods is a fake, planted by Vlad so my mom would stop looking and focus on him instead"

"Why would he-" Robin starts to ask while keeping a careful eye on the absolute vehemence coming from Jazz. One thing is very clear to both him and Batman though, Jazz believes what she’s saying wholeheartedly.

"He was an idiot, and obsessed with my mom. That's a very long and frankly unimportant story, but the proof is all in Vlad's lab in the basement of his estate. I can proof the body that was found was fake, my brother is alive" she buries her head in her hands, suddenly all the anger seems to be replaced with sorrow, 

"he's alive"

Robin shuffles uncomfortably side to side. He's gotten better at comforting distressed civilians but he's a little out of his depth right now. seeing as this is sorta his fault right now.

He looks over to his father to see what he'll do.

Batman just looks contemplative. Which isn’t useful for the boy at all.

It's then that Nightwing speaks up through the communicators to them, "B, I'll go to Amity Park and investigate both the Fenton household where the attack happened and then check out her proof at Masters estate"

Batman really doesn't like the full picture that's being painted here.

"Miss Fenton,"

Jazz rubs her hands over her face before taking a deep calming breath and giving batman her full attention again, "yes?"

"If I understand this right, you're saying you think the same assassin who took your father's life has now targeted Mr. Masters."

"Yes"

Robin shakes his head, "most assassins have some code of honor. It would certainly be a bad look to go after a former client like that"

Jazz scoffs,"Well it's been several months now. I don't know if Vlad kept in contact with that monster and managed to piss them off after the fact, that too could all be on his computers in his lab"

Batman grunts and  heads for the windows and Robin hops up to follow, "You'll hear from us miss Fenton"

She lets out a shaky breath when she's sure they have well and truly left. She figures she should update Sam and Tucker that she finally got a bat visit but the urge to refresh her social media and news feed doesn't come back.

With the supposed World’s Greatest Detective on the case she’s certain actual progress will finally be made.

She just hopes it’s not too late.

[drac0line1nn1t]

Do you think Logan would kill people for Wade?

Despite Wade being able to fend for himself?

Oh absolutely, not only is he not used to being around other people who can't get hurt, but violence is his love language

If someone was being rude to wade like for example making fun of his skin, that guy would not be found again

And if anyone hurts wade, even though it won't last a second, if wade doesn't take em out, Logan will one hundred percent fuck em up

The only one who gets to hurt wade is him

[rebka18]

the low selfesteem conman with the anxiety ptsd ex terrorist,perfect.

from a wild meme i saw here in tumblr heheh

[partfae]

Sauron, Galadriel, & Tolkien's Theology of Repentance - Part One

Summary: Character meta analysis on Sauron (and Galadriel, through the lens of Sauron). Based on both Silmarillion & RoP canon. 3.5k words. Discussion of Catholic theology involved. Blanket TW for discussion of violence, manipulation, etc., because Sauron. Spoilers for S1 & S2 and the Silmarillion, of course. The tragedy of Sauron is that he gets offered so many legitimate chances at redemption and forgiveness, and he denies them every single time. But we know he wants absolution, because that’s what he sees Galadriel as: his chance to bind himself back to the light, to be Mairon again, to heal the pain that he caused and that was caused to him under Morgoth. But because he has such a warped view of himself and his actions, he dismisses genuine extensions of compassion, forgiveness, and care as simultaneously beneath him and too good for him. And yet, he still pursues redemption, but through none of the channels offered to him.

In The Rings of Power, he’s given the explicit instruction to change for the good in the village after he’s reborn. He’s given the chance leave his past behind and work meaningfully in Númenor. He’s given the chance to redeem himself by Galadriel's offer of friendship (or love, depending on your interpretation). In the Silmarillion, he's even given the chance by Eönwë himself, and comes close to leaving Morgoth behind completely!

Let's look at this passage from Of the Rings of Power and the Third Age (emphasis mine):

When Thangorodrim was broken and Morgoth overthrown, Sauron put on his fair hue again and did obeisance to Eönwë the herald of Manwë, and abjured all his evil deeds. And some hold that this was not at first falsely done, but that Sauron in truth repented, if only out of fear, being dismayed by the fall of Morgoth and the great wrath of the Lords of the West. But it was not in the power of Eönwë to pardon those of his own order, and he commanded Sauron to return to Aman and there receive the judgement of Manwë. Then Sauron was ashamed, and he was unwilling to return in humiliation to receive from the Valar a sentence, it might be, of long servitude in proof of his good faith; for under Morgoth his power had been great. Therefore when Eönwë departed he hid himself in Middle-earth; and he fell back into evil, for the bonds that Morgoth had laid upon him were very strong.

This passage is clear that Eönwë is willing to pardon Sauron--he simply did not posses the power to do so. But when Sauron was told he must appeal directly Manwë, he gave up entirely and skulked back to Middle-earth. There are a few ways to read this:

1. He was not wholly repentant

Sauron simply wanted the protection of a new master in the absence of Melkor. i.e., he was rather fickle and simply wanted to be on whatever the "winning" side was. This is supported by the text literally saying that at least some of his obeisance was completely false, and that he only made a point of feeling bad about anything once his master had been chucked into the Void and his armies and strongholds were being destroyed (Thangorodrim). In this reading, perhaps Eönwë saw Sauron's treachery and referred him to Manwë knowing that it would be a test of his true intent. However, while a valid interpretation, I believe this to be the less holistic of the two.

2. He was truly repentant

Sauron did truly feel badly and "abjured all his evil deeds," but he was unwilling/unable to humble himself after being so fundamentally broken by Melkor and developing an insatiable power lust (hey, he isn't defined in the narrative by lust and pride for nothing).

Earlier in this same chapter, Tolkien wrote that Sauron could "...deceive all but the most wary." This is in the specific context of his physical shapeshifting. But, I would argue that this can also be tied to his lies. Tolkien has a specific ethic of beauty, where physical perfection is equated with moral goodness. Sauron completely inverts what is otherwise a hard and fast rule within Tolkien's writings by being the character most frequently described as "fair"--seven times to Lúthien's six, and she was the most beautiful woman to have ever lived!

(Side note: I have another post on Tolkien & beauty in the works where I'll get more into this idea)

Why does this matter? Even though this interaction with Eönwë takes place in the First Age, Sauron could at this point be in the demonic form Mirdania describes in the forge. And, I am inclined to believe that Eönwë, as the head Maiar and herald of Manwë, would be a pretty wary guy, and thus able to sense any of Sauron's trickery. I read this to mean that Eönwë looked at Sauron and saw his potential to be Mairon again, either in absence of his evil form or in spite of it.

Because Sauron is incredibly beautiful. And even if it is a disguise of the true, depreciated form of his spiritual essence, he presented himself to Eönwë at his most beautiful. He wanted, even in his act of repentance, to make himself more favorable in Eönwë's eyes. To show up as Mairon (who was likely close friends with Eönwë before everything went down, since they are considered to be two of the most powerful Maia and would have worked closely together).

But I don't think this was all manipulation on Sauron's end. I agree with the scholars mentioned in the text who believed that Sauron was truly repentant--which is why Eönwë even bothered referring him to Manwë instead of kicking him into the Void with Melkor.

And this is the tragedy: Sauron is told exactly how to repent, and believes fundamentally that it is an impossible path for him. And yet, he still longs so intrinsically for it! He was, under Aulë, a Maia of precision, perfection, and order. Under Morgoth, he feels disordered, dis-regulated. He needs to correct the fundamental imbalance within him, so why does he flee Eönwë?

It comes back to Sauron's pride.

If he follows through with this path of reconciliation, there is no way he can hide or pretend his actions away. If he cannot trick his fellow Maiar, he certainly cannot trick the Valar. And he cannot stand the idea of submitting himself back under their rule, especially now that he has tasted power. This is a pride wound; it is why the idea of confessing to Manwë would be humiliating to him as opposed to just upsetting/uncomfortable.

Again, the pivotal moment: he is told how to make amends for crimes and determines that he cannot do it. So he returns to Middle-earth and stews in his own self-hated and self-pity for a few years. In that time, he consciously or subconsciously latches onto Eönwë's offer--forgiveness from penance. It is the way forward. And if he cannot earn penance at Manwë's hand, he will do it on his own.

The Prodigal Son

This is where we have to talk about the Catholic roots of Tolkien's work for a moment. The scene where Sauron approaches Eönwë mirrors the biblical parable of the prodigal son. In this story, a man abandons his family, spends all his money, and falls into ruin. But when he recognizes his failings and returns to his father to get help, he is welcomed back into the family without question--in other words, he is forgiven and restored to his former position.

17 But when he [the prodigal son] came to himself he said, “How many of my father’s hired hands have bread enough and to spare, but here I am dying of hunger! 18 I will get up and go to my father, and I will say to him, ‘Father, I have sinned against heaven and before you; 19 I am no longer worthy to be called your son; treat me like one of your hired hands.’” 20 So he set off and went to his father. But while he was still far off, his father saw him and was filled with compassion; he ran and put his arms around him and kissed him. - Luke 15:11-32, NRSV CE (emphasis mine)

The parallel is clear; Mairon, the repentant Maia, returns home with hopes of reconciliation. He is prescribed the same task that the prodigal son offered to his father: he must be bound in servitude to his father/creator in order to pay off his debts. This is a deliberate allusion from Tolkien. The story of the prodigal son models the path of reconciliation that Eönwë describes. Tolkien seems to be drawing a line in the sand with this: Sauron is unwilling to do the work required by the Valar for repentance, so he is unable to receive the grace of a warm welcome back into the fold of the Ainur. Since he did not humble himself, he has to be told to do it. And he does not want to! He wants to be loved, but he also wants his power--evidence, in a way, of how his character was fundamentally altered in his time with Morgoth.

His pride--and his fear--cut him off from the potential of grace. He does not know for certain that Manwë would subject him to servitude (though I would argue that it's textually evident that it is a custom), but this assumption leads him to flee, which allows him to slip back into his old ways.

He wants to be Mairon (admirable) again, not Sauron (abhorrent). He wants to be accepted and loved, but not punished. He wants the benefits of reconciliation without the work he would have to do to earn it or the shame he would feel as he did. It's pride, but it's also deep shame--the flip side of his extreme ego is an implicit self-hatred, one that we can see in the subtext of how he speaks about himself and about his time with Morgoth.

Even the language Tolkien uses is heavily shame-coded, especially in a Catholic context; Mairon did not go willingly, he was "seduced." He admits to Celebrimbor that he was "tortured by a god". It becomes exceedingly clear through both text and on-screen canon that Sauron was routinely broken and abused for centuries. This has fundamentally damaged his self-perception, which is ultimately what leads him to "[fall] back into evil"--whether due to pride or shame, he hides, perhaps because he consciously or subconsciously does not believe that he deserves forgiveness, no matter how much he craves it.

Naked in the Garden

His flight back to Middle-earth after meeting Eönwë is reminiscent of another biblical scene, where Adam and Eve, after committing the first sin, hide from God in shame and fear (emphasis mine):

7 Then the eyes of both were opened, and they knew that they were naked...9 But the Lord God called to the man, and said to him, “Where are you?” 10 He said, “I heard the sound of you in the garden, and I was afraid, because I was naked; and I hid myself.” -Genesis 7-10, NRSV CE

The image of nakedness is, here, one of vulnerability, and Tolkien establishes that Sauron fears that which he cannot control. He needs the Rings under his power. He needs his armies and his enemies under his watchful eye. He is petrified of letting his power slip away (possibly due to never wanting to feel powerless in the hands of a Vala, fallen or not, again).

The biblical allusion here hearkens back to the fear Tolkien describes Sauron as feeling regarding his return to the Ainur. In the religious system Tolkien has established, which is likely inspired by his own religious beliefs, Sauron has sinned, and must make penance. But he is afraid of God/Manwë, and does not want to "let go" of his sin. In other words, he is not truly repentant. This reflects the Catholic sacrament of confession, which requires self-reflection and resolve to never commit the sin again.

Instead of shame driving him to contrition, it drives him to isolation.

But he still wants forgiveness. So, in his years of hiding in Middle-earth, he decides to earn it himself. His own way.

Enter the Rings.

Sauron wants to perfect the wrong he wreaked so that he can both earn his way back into the Ainur and keep his power. But what he does not realize is that this does not work. Eönwë is clear that he must forsake his true temptation--absolute power--through penance by submission. Yet Sauron in his pride thinks he can have it all. Sauron is a very carefully controlled villain, and the only times he snaps or makes significant mistakes are when his inflated self-perception is challenged, revealing the self-loathing and/or self-pity underneath. The best example of this is when he kills Celebrimbor prematurely, and cries afterwards. Why? Because Celebrimbor was right about him, and he hates it. He hates knowing that he is nothing more than the Morgoth's shadow, because Morgoth was his master as much as he was his tormentor. As Sauron puts it, his relationship with Morgoth was often defined by pain as a test to see "whose will was the mightier":

This image carries more shame, both in its implicit sexual connotations and in the simple power dynamic of it. Sauron, even though misguided, is rallying against Morgoth. He wants to break what Morgoth has created and build something new, something better, something apart from his old master entirely. But Celebrimbor confronts him with reality: he has not created something new, and perfect, and special, as he so wanted to--he can only act in imitation, not in generation. And when he got close with the Rings, it cost him everything. It's almost like he wants the power of a Vala, and loathes that he cannot attain it.

And this is why he becomes so singularly obsessed with Galadriel.

She’s his foil. They both crave power and adoration, but in the end of things, she does not fold under his temptation. She turns down everything she has ever wanted for the greater good and for the sake of her own soul. Sauron looks at Galadriel and perceives that she would have succeeded at Eönwë's test because she is willing and able to humble herself. This maddens him to the point of both desiring her and desiring to break her.

She learns that she is easily tempted and becomes strong enough to handle it (through a lot of tough love from Elrond & co.). She has to learn how to do it, but she is able to.

She grows from someone who resisted and rejected authority to someone who is trusted as an authority because of her ability to wield it wisely (see: Gil-galad allowing her to answer for him in 2x08).

In other words, she earns the trust, love, and support of her community. Sauron has to force his to comply—it is an illusion of love.

His possessive obsession with her also stems from her fairness. She was the object of her uncle Fëanor's obsessive desire for creation as well. Her hair was the inspiration of the Silmarils (see: The History of Galadriel and Celeborn; The Shibboleth of Fëanor - source with page #s here), which Morgoth desired more than anything to possess.

Sauron, wanting to spite his master, wants one better--to own that which inspired the Silmarils, to own the image of fairness (and thus of moral good) completely. This is why he wants to bind himself to her. This is why he needs her. He sees Galadriel as his mechanism of repentance, and his last triumph over Morgoth. Winning her is his salvation as much as it is proving that his will is the mightier. It is his way of dominating Morgoth. This starts, I think, as a genuine effort at proving himself to the Valar, but quickly consumes him entirely. He is overcome with the desire for revenge, just as Galadriel was at the beginning of the First Age.

And he sees this in her. Sees their similarities. Sees that she, too, is angry and lonely and so afraid of losing her power. And he leverages that to befriend her. This is where it gets ambiguous and you can read RoP as either painting the image of Sauron being earnest but completely misguided in his proposal, or you can see it as him being entirely manipulative.

I think the truth of that scene probably falls somewhere in the middle; just like when he presents himself to Eönwë, he is sincere in his desire, but only knows how to present it in an inherently contriving way. He does want to bind her to him, so he tries to only reveal to her the good aspect of that desire (and also of his desire for power, which he allows her to see because he believes that it is good and also because she understands it), and not the ugly underside of his internal struggle against Morgoth, the Valar, and himself.

And I do think, in his own way, he cared about her. Galadriel consistently shows kindness and compassion to him. In S1, they grow to know each other's minds and souls, and she considers him a close friend. He finds comfort in this, that someone could see the blackness of his heart and care for him anyway. He thought, in his isolation, that he lost that chance when he fled back to Middle-earth. And here is the very picture of the light itself telling him that she supports him, that she sees the good in him, that she wants to help him set the world to rights! Of course he is infatuated by this. Of course he also wants to use it. He is Sauron.

But Galadriel succeeds where he fails, so he stops playing nice and tries to forcibly drag her down with him. First, by baiting her with the image of the man she cared deeply for:

Then, by reminding her of all she is losing by rejecting him:

And she is still strong enough to say no. And not just to say no, but to shut the door completely. To look in the face of everything she has desired for centuries and turn it down, understanding that it will ruin her. Yes, she hesitates. Yes, she still wants it (wants him). But she wins the day by holding fast to the light that Sauron wishes so badly to bind himself to.

Because she has lost everything--her brother, her husband, the station as commander, the trust of her high king and best friend--and earns it back only through her resistance of her greatest temptation. It is a struggle, it is painful, it nearly kills her--but she does it. She wins the test that Sauron could not even bear to face.

In their headlong, self-sacrificial tendencies, they are the same. Both view themselves as fundamentally stronger/better than their peers while also being deeply lonely due to their self-imposed isolation (Galadriel's laser-focused hunt for revenge, Sauron's exile in Middle-earth). But to Galadriel, the light is more important than her pride.

For Sauron, the light is his source of pride. He desires it more than anything, but condemns himself to never being able to touch it due to his rejection of Eönwë's offer. Paradoxically, he tries to grasp at it through Galadriel, the living silmaril, and succeeds only in darkening her. We learn from Gil-galad in 2x08 that his crown piercing her flesh in an act of brutal domination nearly strips her soul from her and pitches it into the unseen world. In this, Sauron is saying: If I cannot have you, I will force you to need me. I will break you into loving me.

He says this to Celebrimbor as well. He no longer knows how to love properly. He only knows how to inflict pain until this object of his obessive desire needs him--just like how his immortal spirit was broken into submission by Morgoth. And isn't this revealing of his own sense of self? He refuses to suffer the path of light, but willingly suffers the maddening path of darkness because it is a comfortable, familiar suffering. One, he tells Celebrimbor, he even grew to enjoy (2x08). As the path of the Rings drive him madder and madder, his desire for the light (Galadriel) and the return of his power (Celebrimbor) become further disordered and corrupted until they culminate in him destroying them--and his chance at earning/owning them--entirely.

And this is Sauron's ultimate point of no return (which we will hopefully see in S3 🤞). The razing of Eregion and slaying of Celebrimbor were acts of petty rage he committed when his pride was injured. This was the final nail in the coffin. Galadriel, in her rejection of him, ruins what he sees as his true chance for redemption.

Galadriel, now stepping into the role of Eönwë, re-opens the invitation: "Heal yourself!" (2x08). But in rage and shame and stubborn pride, he turns it down again. I believe this is where his desire to heal Middle-earth shifts fundamentally into desire to dominate Middle-earth. He always wanted to rule, but now he wants to own.

[un-pearable]

I humbly offer you these

these donalds brought to you by enduring love of color block shadows in pre-digital comics

[hpdmguy]

ways they show each other love !

loads of rambles + clutter-less version below the cut

the yellow lines highlighting things is actually marking (almost) everywhere they touch since the primary theme of this piece is physical affection! the stars were just for fun

top left (kissing): pretty self explanatory! fun fact, it was the first thing i drew for this piece :)

top middle (hand on back): i was trying to sleep the other night and my brain suddenly went. drarry physical affection and that was the first thing i pictured! i kind of imagined this one as like... dracos stressed or something and harry just puts a nice comforting hand on his back

top right: the good ol pinkie hand hold,, link, ,think. yeah. no real thoughts behind this one. it fit the box and its cute

middle left (speech bubbles): one thing i see a lot (im pretty sure this is ((implied in)) canon as well, but dracos a big yapper! so its kinda showing here that harrys just listening to all hes got to say. probably my favourite one of the lot, i had fun rendering it. (looking at this post i too am a yapper)

middle (orange slices): theres this thing where you peel an orange for the people you love. you can look at it either way; draco providing food for harry, knowing his childhood food insecurity and always wanting to make sure he has something, or harry (whose love language is acts of service) giving something to draco, maybe after a long day

watermarked middle (draco constellation): just some fun symbolism i thought i might try to fit in

middle right (legs): in this theyre just chilling. dracos reading (the book didnt come across well ((i cant draw hands very well)).

right edge (flowers): these are narcissus flowers, also known as daffodils. a reference to narcissa malfoy, and also a reference i suppose to how she saved harry in the forest, because draco was alive, because harry saved him in the room of requirement

bottom left edge (flowers): these are lilies. partly to complete the circle of mothers saving sons saving the world, and partly because i wanted to fill space. (theyre fucking terrible to draw tho i do not recommend)

bottom left (hand in hair): well harrys hair is very luxurious as you can see and i imagine during cuddles draco cards his hand through it and teases out snarls and such. (i know hair pulling is something that can be seen as sexual, this isnt that and it isnt meant to be that and please dont see it as that :(

bottom watermark (stag): harrys patronus because why not

bottom middle: so this is a bit obscure but theres this post by @/iamnmbr3 that talks about a headcanon that they can share wands and its kind of special and intimate. so thats what ive depicted here. also for funsies harry has the draco constellation on his arm. not the big dipper. also i cant draw the dark mark for shit

bottom right (shoes): just a subtle way they can touch, not always big. just under the table or sitting on the sofa together, just to feel the other person there.

i knew i wanted a warm scheme and i knew i wanted orange and blue to play a big part in this. i was going to have warm colours on blue and cool colours on orange as a sort of contrast but that didnt end up working out.. the wand scene is an attempt at it except i mixed it up and made it cool on cool, its so washed out and i didnt bother to fix it

[baalzebufo]

oh yeah... redrew my older pines designs + also gideon is here because I like him and will inflict him on everyone. probably in their early 20s here, I didnt think too hard about the specifics. also some headcanons

dipper started testosterone finally so he's got the classic 'shitty little puberty stache' and also hes breaking out w acne bit. wears a lot of denim on denim. him and wendy swap hats every summer its their tradition. he has a bomber jacket with lots of alien and cryptid patches. sometimes he has kind of a mullet going on

mabel regularly chops all her hair off in the mirror with some scissors whenever the impulse hits so at any given point of her life it can be either waist-length or a buzzcut. she got into making kandi and has a bunch of themed cuffs. rhinestones. sparkles. thats a tamagotchi necklace

gideon has embraced his inner cowboy and got some riding chaps ostensibly because he has a motorcycle now but also because he thinks he looks cool. his bolo tie is a replica of his old cursed variant because fiddling with it is a comfort to him. hes got a custom leather jacket with his star embroidered on the back

hes also so tall because. well honestly my headcanon is he has an insane growth spurt in his teens. have you SEEN bud gleeful? he's huge. hes got Big Dude Genes. also honestly i just think its funny if he goes from being knee-high to 6 feet tall in the space of like, 6 months.

(i was gonna add other characters to this but i got distracted so thats for another time)