#this was from my drafts at 2 am

[sad-emo-dip-dye]

Dazai office shenanigans where he plays harmless pranks on his coworkers instead of doing work. Of course he subtly moves his paperwork to Atsushi’s side of the desk. He makes paper airplanes out of important documents. He changes the stamp pad colors on Kunikidas desk, and when that gets old he changes the stamp itself to something inappropriate. He spreads feathers around the office and convinces kenji and atsushi there is a pigeon living in the walls.

[poorly-drawn-mdzs]

"What do you mean their name isn't Beef?"

(for @moondal514)

[parisoonic]

zzz

merry christmas everyone!

[al-luviec]

something simple to try to get out of art block (it didn't work)

[e-likes-bones]

back again w/ yet another request, this one’s from another platform but it’s beach bear!

also the frog, everyone’s here for the frog ofc

[rockpaperscissuhs]

HISPANIC HERITAGE MONTH + BAND OF BROTHERS:

JOSEPH "JOE" RAMIREZ

Born October 5th, 1921, in Nebraska

Died April 8th, 1988 (age 66), in Martinez, California

Joe Ramirez enlisted in September 1942 (age 20) in San Francisco, CA, and he trained with Easy Company at Toccoa. Holding the rank of Private, he served in Normandy, Holland, and Bastogne. He was hospitalized in January 1945, and discharged in July 1945. After the war, he was married for many years, and had children and grandchildren. When he passed away he was buried with his wife, who had passed away 11 years earlier. Further information about him is scarce, but the brief character profile in the Band of Brothers series bible describes him as Mexican-American, and his personality as "sensitive and nervous."

Appears in Episodes 1, 3-8, and 10; portrayed by actor Rene L. Moreno

Sources below

A million thanks to @bleedingcoffee42 for tracking down this info for me!

[raiiny-bay]

:-)

[anxious-witch]

I am actually kinda insane over how similar Crystal and Edwin are in some things, and that's why they don't get along at first, because how can you like someone who is reflecting everything you hate about yourself?

I wonder if Edwin ever thought about how his life would have gone if he lived. Sure, he wouldn't have been tortured in hell, but I can't really imagine his life being great, given he was a gay man in 1900s. If the ritual failed or if there was no ritual at all, he still would have gotten bullied by Simon and the other boys. We don't know anything about his family, but I think we can safely say it wasn't a very loving, affectionate one. If Edwin lived, burdened by small, everyday injustices and pains of life, would he have grown cruel? Spiteful? Bitter?

I am not saying torture in hell for over 70 years was in any way easy, but I think that it was so severe-too severe, given Edwin didn't do anything-for Edwin to ever accept he deserved it, despite his shame around his sexuality.

But if he lived his entire life in shame? Even if he did everything right, got a wife, had kids, he would have to be aware of being gay at some point. If there was no Charles to show him a true goodness he and in turn, other people were capable of. If he lived long enough I wonder if he would have turned to similar copying mechanism as Crystal. Hurting people in the way he had been hurt.

As for Crystal, we saw she was capable of the change once she forgot the hurt she endured and when she had Charles and Edwin. There is something very tragic that for both her and Edwin, it was a demon that made them suffer disproportionately, but that ultimately led them to want to help people because of it.

Idk just. I need more of them bonding and understanding each other in S2. I need Crystal to be broken over how mean she was before she lost her memories, and I need Edwin to empathize. Because as much as I think Charles is wonderful and he would try his best to support her, I think he copes in very different ways.

Like yes, he lashes out physically, but he only loses his temper when there is an actual danger or his friends are threaten.

What Crystal and Edwin do is lash out at the chance of being threatened, to destroy the threat before it happens, and sometimes they are wrong about what is a threat. And I need them so badly to bond over it. Please?

[qyburn-in-the-black-cells]

There's so many layers to Ygraine s2e8.

Uther was Arthur's mother's killer, Arthur's father but also Arthur's de facto mother after Ygraine's death.

Meeting Ygraine is the first and only time Arthur gets to see Uther for what he really is - a father and a murderer rather than his whole parental unit wrapped up in one person. For the first and only time, Arthur gets to know his actual origins - he is a creature made of magic. It's what runs through his blood, making him closer to any Druid child massacred on a raid than the knights that he led. It's the first (and arguably the only) time Arthur recognizes he can break away from Uther - and tries to.

Not with a pithy "I am not you, father" or an angry argument on morality but with the rage of the son of a murdered mother - an abused child finally physically and psychologically capable of inflicting violence on their abuser.

To be clear - that's unbelievable and terrifying for anyone with a moderately healthy relationship with their parents.

Merlin sees Arthur's attack on Uther through that lens.

He also sees Arthur as the man who'll evolve into what he thinks the Once and Future King should be - just, kind, merciful, egalitarian, always seeking peace over war, returner of magic.

When Merlin says he didn't stop Arthur for Uther, what he means is he did it for Arthur and the Arthur he is certain will one day exist. Merlin is also more comfortable with lying than being honest. His whole identity has become wrapped up in serving and protecting Arthur - "I was born to be your servant."

Using magic to stop Arthur, an obvious option, would go against both his instinct to lie, save his own life (and protect his identity - which can't risk the ego death that would come from not being Arthur's servant, protector, friend. His unwillingness to alter his relationship with Arthur or see him hurt means in s2e8 Merlin has to cut Arthur's growth off at its knees - change requires some form of suffering and Merlin loves Arthur enough to die for him but not enough to risk the suffering of living without him.

[kaiserouo]

Bloodhound in Destiny 2

[mappingthesky]

not a prompt necessarily but I’m always down for planymphia angst 🙏🙏🙏

in response to multiple asks i’ve received for planymphia angst… here is this <3

i know baby, no attachment

None of this had been in the plan.

It was the first thing they’d talked about that first night in Jane’s apartment; Neither of them were looking for anything serious. They were both unavailable, incapable of making any promises. Not now. Not yet. It would be clean, simple, no strings attached. Just two people using each other. Innocently, admittedly using each other, but using each other nonetheless.

They’d been on the couch in Jane’s dimly lit apartment. Jane was an obvious sort of gorgeous. It was the first thing Nymphia had noticed about her, what drew her in on that first night they’d met: she’d been wearing something meant to lure you in, hypnotized by the clinging of her clothes to her body, the wave of her hair, her eyes tightlined and sharpened like knives. Jane was almost lethal to look at, all done up and primed to kill; the most magnetic friend-of-a-friend Nymphia had ever been introduced to. She was somehow even more gorgeous now, sitting on the couch in her casual clothes, her face aglow in the light of the television, her auburn hair pulled up into a messy top knot. She was painfully, effortlessly attractive, and, much to Nymphia’s surprise, only so much of a smooth talker. She came off suave at first, all punchlines and quick remarks, but after a while Nymphia could start to see her thinking. Jane would be in the middle of a sentence, flying through it, hurtling towards some revelation, and then she’d catch herself. She’d pause, freeze on a word and scoff at it, like she was considering whether whatever she was about to say would be worth the sentiment. And then she’d go a bit shy, averting her eyes and playing with the pilling on the upholstery, giving away just how carefully considered she was. And just when Nymphia was starting to think that Jane was completely nervous to her core, that Nymphia might actually have the upper hand in this situation, Jane would bring it back. She’d pick her head up and let the words go, say something so stunningly direct and devastating. It left Nymphia a little breathless, a little too endeared, a little too eager to kiss her.

They could have guessed at the chemistry, but it didn’t come close to the real thing.

What happened when Jane’s skin hit Nymphia was the sort of collision that produced suns and planets and supernovas, flinging particles off into space with enough pressure to form entire worlds. Nymphia could practically see the stars behind her eyes, fluttering shut when Jane was hovering above her, hand between her legs, finding some undiscovered place that Nymphia didn’t know had been there all along, waiting to be found. Jane turned Nymphia’s body into something more than it was before, transforming her irrevocably. Jane was a comet crashing through her atmosphere, and Nymphia was awe-struck, staring at the sky and watching the sparks shower. You can’t be prepared for such life-altering things, it's what makes them so devastating.

What neither of them could have predicted was the ease of what came after - the lying in bed, talking about it. The debrief. Nymphia was a bit too happily fucked, and unwilling to share the extent of her satisfaction. She was worried she would come off easy, inexperienced somehow. Jane, however, was endlessly attentive. She wanted Nymphia’s experience of the encounter, all the details - what she liked, what satisfied her the most, what she wanted more of. Her sheer desire to please was enough to pull the details out of Nymphia. She was rewarded when Jane allowed her to relive it, this time through Jane’s eyes. Jane’s gaze was far off with remembering, a smile playing at her lips as she recounted her experience of Nymphia in such erotic detail, every telling arch and shudder, and the whole thing was so overwhelmingly flattering that it sort of made Nymphia want to do it all over again.

Nymphia had known better than to pack an overnight bag. She thought she had, anyway.

Her eyes were closed and she was nearly asleep when she’d mumbled, ‘I should be going soon.”

Jane just chuckled. “You’re half asleep already.” Her fingers trailed up the curve of Nymphia’s thigh. “Just spend the night. If you want to.”

Nymphia's eyes were suddenly open, “Yeah?” Jane traced stars onto her hip.

“Mhm,” Jane hummed, eyes flickering up, then back to the curve of Nymphia’s waist.

Nymphia closed her eyes, savored in the feeling of Jane on her skin. A long moment passed.

“D’you cuddle? Or is that against the rules.”

Jane’s hum was an amused look at you asking so soon. She was already pulling Nymphia to her chest.

That first night turned into a three-day sleepover, because of course it did. Nymphia and Jane stretched themselves over the long arc of the weekend, sharing the sort of welcome, unexpected ease that you can’t put down, the kind that you’ll happily destroy your routine over and resign yourself to picking up the pieces after the fact. One weekend became another, and then occasional nights at Nymphia’s apartment with the door shut and her duvet crumpled at the end of the bed. And then they added the weekday rendezvous: Nymphia meeting Jane at her place after work on Thursday evenings, promising not to keep her up late and failing miserably, leaning her head on Jane’s shoulder in the morning as she locked the door on her way out. And then Nymphia was bleeding into Jane’s week, her Tuesdays and Wednesdays, her breakfasts and dinners, her late-night ice cream cravings and subsequent walks to 7-11. And then it was all too regular: Nymphia and Jane, Jane and Nymphia.

It's been a few months now, and there are so many things Nymphia loves about Jane.

She loves how Jane drives with one hand on her thigh, or with her fingers in her mouth. How she looks over to the passenger seat with that special look that's reserved just for Nymphia, and makes her feel like the only person she's ever wanted. She loves how she listens to her music loud, sings along when she’s drunk and tossing her hair, or when it's Sunday morning and she’s at the stove and there’s a record spinning in the living room. Nymphia loves how unabashed Jane is, how bold. How she never hesitates when it comes to the people in her life, how to be loved by Jane is to be fiercely defended by her. Nymphia loves how Jane kisses her in the middle of her sentences, especially when she's talking too much. She loves that Jane is so rough. How she can fuck her like she hates her. She loves how Jane can be so tender. How she can fuck her soft and slow, as reverent as religion. How Jane can make a mess of her, then put her back together again.

There are so many things Nymphia hates.

She hates that Jane is so impulsive, how she strikes so thoughtlessly, how she has to return to the wounds later to draw the venom out of them. How Jane is so stubborn, so set in her ways, so inflexible. How there’s two Janes - the one she’s with now, the one she is around her friends. The one who doesn’t kiss her, hardly touches her aside from a possessive arm around her shoulder or a tap on her knee. How the real Jane, Nymphia’s Jane, emerges as soon as they’re alone together, the one who will see her downturned gaze on the way home and coo what can I do, princess? Hmm? What can I do to see that pretty smile? Nymphia hates that she forgives Jane so easily, that she crumbles every time, that she loves Jane completely and entirely and beyond any measure of hurt that she could unknowingly inflict upon her.

She hates that she’s still sitting at this party, long after Jane promised they’d leave. She hates that Jane’s friends clearly like her; they laugh at Nymphia’s jokes, compliment her shoes, send knowing glances and winks across the room every time Jane so much as mentions her name. She hates how, when they ask what they are, Jane is all too quick to brush them off.

It's obvious that Nymphia’s upset by the way she pounds up the stairs, by the way she wordlessly digs through her purse for her keys, by the way the anger and the hurt and the disappointment emanate from her like poison.

“I just can’t believe they asked that,” Jane scoffs. Nymphia says nothing, gritting her teeth as she turns the key in the lock.

It should be obvious, but Jane is a bit too self-absorbed to notice.

“Like, we don’t even know what we are,” Jane says, and Nymphia feels sick, because she thought she did. “Why would she put me on the spot like that? In front of everyone?”

Nymphia pushes into the apartment, beelining for the kitchen.

“I mean, it was weird, right?” Jane continues, relentless. “Why do they need to know so bad?”

“Yeah,” Nymphia’s voice is hard, laced with venom. She chucks her keys onto the counter with a little too much force. “Why would they?”

“Right,” Jane doesn’t notice. “It would be nice if they could just let us-“

“I don’t know why they could possibly be so confused.” Nymphia interrupts, working off her thigh-highs.

Jane misses a beat. “Wait. Are you-“

“I can’t fucking imagine why they’d think that we’re together.” Nymphia lets her boots drop to the floor, one gut-wrenching smack after the other.

Jane blinks, brows knit together. Nymphia straightens up, fumbles with things on the counter that don’t need to be fumbled with. “Are you upset about this?”

“Why would I be upset?” Nymphia picks up a stray mug, sets it down again. “You just told all of your friends that we’re nothing serious. Why would I ever be upset about that, Jane?”

“I didn’t say that, Nymph,” Jane starts, already on the defense. “I said that we’re something.”

“Oh, right. My bad.” Nymphia scoffs. “We’re something. Let me know when you’re ready to illuminate me on whatever the fuck that means, Jane.”

Jane recoils at Nymphia’s profanity, unfamiliar with her frustration. She’s never seen her like this- so hurt, so ready to retaliate.

It's not funny. Jane shouldn’t laugh. She really shouldn’t, but she’s viscerally uncomfortable and horrifically unprepared for this situation, so she does anyways. “Are you really angry about this?”

The whole thing is white hot and embarrassing, and Nymphia has tears in her eyes when she turns and whips her purse to the floor.

Jane jumps. “What the fuck?” She’s wide-eyed, both hands held up in shock. “Nymphia. Are you serious right now?”

“I don’t know Jane,” Nymphia bites. “Are you serious?”

“What?”

“I kinda thought you might be,” Nymphia steps over her bag. “Y’know, because you cut me a key to your fucking apartment. I thought maybe that constituted we were more than,” she curls her fingers in the air, “something”.

Jane shakes her head, jaw tight and temple pulsing. When she speaks, it's in a lower voice, almost ashamed. “I don’t want to talk about this right now.”

“You never want to talk about it!” Nymphia’s voice cracks, a desperate wail. Jane’s mouth opens, already halfway towards defending herself until she looks at Nymphia and sees her bottom lip quivering, the spilling over of her tears. Jane looked back with a concerned, almost panicked expression, lips frozen and slightly parted.

“Do you love me, Jane? Do you even fucking like me?”

Nymphia surprises herself with the question. She’s so amped up, so high on adrenaline that she lets it all out- the culmination of weeks of words she’d bitten back, suddenly pouring forth from where they’d been collecting in a lump in her throat.

“No, seriously, do you? Because I can’t fucking tell. I think you do, because- because you say all these beautiful things, and you spend so much time with me, and you take such good fucking care of me. So you must fucking love me, right? But when your friends ask, I have to sit there and listen to you tell them that we’re something. Like it’s so fucking confusing to you. Like it's a goddamn secret. Do you know what that feels like?”

Nymphia is fully pacing now, walking the length of the kitchen over and over again. Jane follows her with wincing, pained eyes.

What Nymphia hates, more than anything, is that she doesn’t hate Jane at all. Not for any of it.

“I’m fucking in love with you, Jane, alright?” Nymphia whines, hands whipping through the air with frustration. “I’m so in love with you, and everybody fucking knows it. Your friends, my friends, my mom, everyone! But no one seems to have any goddamn clue if you love me too. And you know what? I’m not sure if I do, either.”

When she finally expels the last of the words from the hole in her heart, Nymphia looks up through her tears. She can barely stomach the sight of Jane, lips parted and wordless, unsure of what to do with the outpouring of Nymphia’s heart. She stares at her, eyes twisted in pain, then looks to the ground, like Nymphia’s words have slid off her and collected in a puddle at her feet. Nymphia just cries, a pained and exhausted whimper on her lips as she pushes past Jane and into the living room. She collapses on one end of the couch, pulling her knees to her chest and hiding her face behind one hand, hot tears sliding down her cheeks and into her mouth.

Jane stands in the center of the room with her back turned, still facing the phantom of Nymphia’s words that may very well haunt her kitchen forever. Her head is spinning, because how the fuck did this happen. Nymphia is openly sobbing behind her, and the sound is so gut-wrenching that Jane is nauseated.

Nymphia makes a horrible, shuddering gasp for air and Jane finally breaks, crossing the room and dropping to her knees on the floor where Nymphia sits. She doesn’t even look at her, just sobs, and Jane can physically feel her heart fucking breaking.

“Nymphia,” she says, placing her palm on Nymphia’s knee. “Nymph. Hey.”

Nymphia shakes her head, face contorted with tears. She flinches at Jane’s hand like it fucking hurts, and Jane winces as the guilt slices through her. She exhales a sharp puff of defeat and drops her head in hurt.

Nymphia just cries and cries, and the reality of the situation sinks in Jane’s stomach with every sob. She’s sick to her stomach with concern, worried that Nymphia might actually fucking hyperventilate, and then she’s gently begging the girl to breathe. She goes to reach for Nymphia again and pauses, scared to reach out, scared to hurt Nymphia, scared that she’ll recoil from her again. It’s then that Jane knows, for the first time in all of her life, what she wants. She knows, right as it threatens to slip out of her hands.

“I’ve never done this before.”

Jane hears her own voice. Her words hang in the air for a moment, floating like smoke between Nymphia’s shaky, shattered breaths. Jane looks up.

“This,” she says, a tentative hand on Nymphia’s knee. “What you and I have. I’ve never-”

The words are hard for Jane to stomach. They don’t pour out like Nymphia’s do. They catch in her throat, feel wrong in her mouth. She’s not sure they’ll be enough.

“I’ve never had this with anyone,” she says. “I’ve never wanted to. Not until now.”

Nymphia wipes at her eyes, shudders a bit as her breathing quiets.

“I, um,” Jane glances down, scared to look. “I don’t know how.”

Nymphia finally looks at Jane, so small and nervous and crumbling at her feet. She wants to take her hand, to show her, to be endlessly patient even if it kills her. The desire is so enormous, even now. She almost hates herself for it.

“I know I’m fucking it up,” Jane says to the floor, her voice tiny and wavering. “I’m sorry. You don’t deserve that.”

“I just need to know,” Nymphia whispers.

Nymphia swallows hard, and then Jane looks up and its so fucking harrowing, so moving, because Nymphia can see the guilt in her eyes, the desire, the glimmer of words she can’t figure out how to say. She watches as she considers, catches herself, lets it go.

“I do.” Jane says. Nymphia’s heart plummets, because she knows what she means.

“I don’t want to say it now,” Jane says. “I don’t want it to be an apology. I want you to know I mean it. Is that okay?”

Nymphia nods and Jane mutters over and over I do, I do, you know I do.

It's beautiful and tragic and overwhelming, and Nymphia wants to crash into Jane, to merge together and surpass the need for words entirely. It's too soon to know yet if it's for better or for worse, only that she does it - that she reaches out and takes Jane’s hand.

“I don’t know if I’ll be any good at it.” There’s a hint of a smile on her lips, a bit of Jane laughing at herself. “But I want to try.”

Nymphia just nods and feels more tears streaming down her cheeks, and Jane’s crying too, and then they’re crashing into each other. Nymphia is leaning down and throwing her arms around Jane, who is sitting forward and clinging to her like she’s scared to let her go. Like she caught a shooting star in her bare fucking hands.

It's a whisper against her hair, but Nymphia hears it. “Can I try again?”

Nymphia could hate herself for it for all of forever. She’s prepared to. Jane doesn’t know what she’s doing, and she doesn't either. Nymphia nods anyway.

It's a new world, one of their own making. It's unexplored, uncharted, and they’re venturing into it together, hand in shaking hand. It's dangerous. She’s doing it anyway. She might hate herself for it. It might be the bravest thing she’s ever done.

[fluxweeed]

Hii, I just discovered your fics and am reading my way through them. Love, love, love the ones I’ve read so far.😊 I was just wondering what your favourite Draco is you’ve written, and what your fave Draco is in fics written by others? ☺️

ACK thank you!! what a question!! i've considered this v carefully and it turns out i have………a lot of thoughts. i will keep them under a cut so nobody is accosted with a full 700 words of my Draco Opinions 😂 so my quick answer is:

my fave draco i've written: the taste of țuică my fave draco ever: rookie moves by peu_a_peu

draco is an interesting one for me bc i don't really LIKE him? but i have sooo many feelings about him. really not sure i could summon the same fervour for harry, for example, who is my number one boy forever and always.

(i saw a thing once that said a pairing becomes ur otp when u relate to one of the characters and want to fuck the other one, and 🙈 i mean, i think you're supposed to relate to the gryffindor, aren't you. whoops.)

OKAY SO HERE'S THE UNHINGED DRACO MALFOY ESSAY BY FLUX W. EED.

listen. i love and respect people who are Refined Draco enjoyers. connoisseurs of redemption arcs. appreciators of majestic malfoy bone structure and ethereal grey eyes and soft windswept hair. fans of dracos who insult harry (with hidden affection) and who are a bit snobbish (in a rich, sexy way) but ultimately have realised the error of their teenage years and have become a better person. perhaps this draco has built a potions business and helps the aurors. perhaps he IS an auror. either way, he has a biting sense of humour, maybe, but he's a good guy.

unfortunately, the draco of my heart is a horrid mean little rat man.

i've never actually managed to write him the way i love him. i tried to aim for immoral bastardy in what's mine is yours but i got so caught up in trying to nail the feelsforbreakfast-style humour in the narrative that i ended up focusing much more on that and much less on writing genuine bastardhood.

i've written him as reserved and clever (in the four doors – this draco was written entirely for @jovialobservationanchor, who had a weak spot for closed-off academics with soft centres) and as a traumatised self-loathing mess (in two to lie and to some extent for lack of wanting and say no to this) and hopelessly sexually/emotionally horny for one harry james potter (in, um, most things) but i've never managed to capture the genuine cruel streak and flawed personality that is sooo so important to me.

WHICH IS WHY i picked țuică!draco for my favourite of the ones i've written. he's still a bit too emotionally intelligent to be Just Right, imo, but i think he's maybe the closest? he's unrepentantly rude to people. he's not attractive. and he has a streak of self-destructive fucked-upedness that is some form of wartime guilt, but certainly not a pretty one.

HOWEVER. rookie moves?? NAILED it. i adooored how genuinely fuckin MEAN he is, even tho he's an auror. i love love LOVED that he's kind of bad at his job in a way that's in complete opposition to how drarry!draco is often written these days:

The look on Malfoy’s face was not only troubling, Harry realized, but familiar. At once activated and dead behind the eyes, like an invasive species in an ecosystem that could not check it. It was the look of the meanest fucking teenager Harry had ever known, giving in to his urge to bully.

-

What Malfoy wasn’t good with was people. Despite his repeated insistences that his upbringing had equipped him with impeccable manners and a facility with society intrigue, the truth was that he rubbed almost everyone the wrong way. He was, undeniably, annoying. Witnesses were put off by his snide, dismissive tone, and he didn’t know how to coax out information with curiosity, warmth, or strategic silence.

that's not to say unrepentant cunt draco is the only one for me!! i DO enjoy the classic redeemed drarry draco!! i love a quirky draco, à la wwpwcs or maya's drop dead gorgeous. gallaplacidia's draco is sooo painful for me to read (complimentary) that even though i adore her fics, i still haven't read them all bc i have to space them out, for my health. and i'm sure there are dozens more dracos that i'm forgetting how much i like – basically, as long as he isn't super suave, absolutely gorgeous and/or obviously tom felton, i'm on board.

[endlesslytired]

Making 2 posts because one all together would not work out for tagging and id lose my mind. Some HI3 mixed in because fr just play it if the recent video was confusing. (It's worth it)

(and the yoyo weapon from free daily passes...)

[lovesickeros]

lord its so dark in here the sahara desert of tsaritsa content you are like a shining oasis. your characterisation of her compels me & mihoyo would be hard pressed to top it imo.!! caaaaan i humbly request yr thoughts on her first meeting w a reader of any kind, or maybe even multiple kinds (sagau, sagau god au, isekai, etc) if you so desire...

it really is like a desert here. being the fan of a character we aren't getting until the last damn nation is driving me up a wall but i will persevere bc if nothing else i support morally bankrupt women in media. we r in a severe drought over here but i do my best. unfortunately nothing i say is ever coherent so pull out your translation notes its abt 2 be messy

also this got out of hand but thats bc first meetings w the tsaritsa are tricky to write + a LOT of her characterization lies in deeper exploration then just surface level yknow...NOT A DIG AT YOU this is just my excuse for rambling. gently pats the tsaritsa she can hold so much complexity i do not have the word count to delve into it completely :]

gonna talk cult au for a bit here though because that's 99% of my content. and honestly? she thrives in sub au's of the cult au like villain au + imposter au. it's basically made for her. i mean, early days, the imposter au had been going around for a little while but one of the first few ideas was the Fatui taking reader in so like. it kinda technically actually was. pretty sure cult au Tsaritsa popped up because of the imposter au. a lot of it's writers kinda left though which. man am i getting old or.

anyway.

there isn't much of a chance her first impression is all that positive. at best it's usually neutral, imo, but rarely if ever positive. specifically because i view the Tsaritsa as someone who isn't as fanatical as most of the acolytes typically are towards the creator. she's not exactly going to worship the ground you walk on unlike a certain geo lizard. which is partially why i think she thrives in the sub au's i mentioned.

imposter au, for example. she meets you at your lowest. there's no gaudy extravagance or pampering from the acolytes waiting for you because your own acolytes have turned on you. for all intents and purposes you aren't a "god" at all. which is why i don't think she meshes well with normal cult au reader. the Fatui are made up of outcasts, basically, and imposter au slots right in just perfectly. you're weak, at your lowest, when you meet the Fatui in the imposter au. and the Fatui can help you, too.

a mutual exchange, really. the Tsaritsa sees a tool she can use to one up the rest of the nations and especially Archons, and she has no qualms about you using her and the Fatui in turn. you both want something out of it, after all. whether you just want to be safe from the rest of the acolytes, or you want revenge, or whatever else..she'll give you the power to fulfill it, and she gains the strongest piece on the chessboard when all is said and done.

the best way i can describe the first meeting is "practical", i suppose. she sees an opportunity in you. the ultimate gamble. because if she "saves" you, and you dont trust anyone else because they tried to kill you, well..she holds all the cards, doesn't she?

but the Tsaritsa, imo, is just as capable of being just as fanatical towards you as anyone else. she just won't worship you as the creator. but as yourself? clawing your way back to your divine power and taking back what belongs to you? the Tsaritsa is, to me, a character who's character flourishes in long-term fics more because she changes a LOT between "just met reader" and after having been with reader for some time. she's practically apathetic at the beginning but a lot of her character, in my characterization, shines through LONG after the first meeting.

[tartagliatum]

relationship weight is so cute bc im just thinking about childe straddling wriothesley in the morning,, the two having a lil lie in on the weekend

bending down as he presses little kisses to the sleepy boxer's face before sitting up to rub his tummy the way he likes it; running his thumb along the strip of exposed midriff where his t-shirt has rucked up before gently smoothing his palm over the pliant softness, pressing his palm in with warm pressure

and he's like “hmm you've gotten kinda chubby,,”

“it's bulking season.”

“you always say that...”

cue childe being thrown forcefully off of the bed,,

[ay-miphae]

Ayreontasiatober days 1-2: Favorite Avantasia Album

Happy Inktober to all who celebrate (me) aka the only time of the year I consistently post art. My fandom friends and I have been COOKING so be prepared :))

I’m working off two prompt lists this year - one put together by @starsirrah a few years back (that I’m doing in full) and one that several of us put together! 

Today’s prompt is favorite Avantasia album which would have to be Ghostlights my beloved. For a story album it’s pretty vague, though I find it pretty amazing how the lyrics can not only follow the story of a distressed Victorian man and a mind control cult but ALSO hit really close to home about what’s real and not and about rationality vs. spirituality. Plus it’s banger after banger. Anyway this was a lot of fun so enjoy ^^

(My dad, knowing nothing about TMOT/Ghostlights, saw this one and said it looked Victorian so mission accomplished I guess?!)