#this was based on a anon ask i got!

[twisting-echo]

Hades: *storming into the Evil Queen's lair* Mirror, mirror on the wall—who's the angriest god of them all? Oh, it's me, Hades! And I've got a bone to pick with you, Evil Queen!

Evil Queen: *looking up from her spellbook* Ah, Hades. What brings you to my humble abode? Looking for fashion tips? I hear skulls are all the rage in the underworld this season.

Hades: Enough with the sass, Queenie. You poisoned my Snow White! My sweet, innocent little songbird. She was just humming while baking a pie, and you—

Evil Queen: Oh, spare me the melodrama. You're the one who runs an entire realm of suffering and misery. Talk about a toxic work environment! And let's not forget your little side gig—trying to overthrow Zeus and take Olympus for yourself.

Hades: Hey, I've got ambition! And at least I don't need a magic mirror to validate my existence. Yours is probably malfunctioning anyway.

Evil Queen: Ambition? More like a midlife crisis. And don't get me started on your hair. It's like a fire hazard waiting to happen.

Hades: My hair is fabulous; thank you very much. But back to Snow White—

Evil Queen: Oh, right. The girl with the seven vertically challenged friends. You know, I heard she's been hanging out with that Hercules boy. Hero types—they're all the same. Always meddling in other people's business.

Hades: Meddling? Me? Look who's talking! You tried to kill Snow White with an apple. An apple! What's next, poisoned pumpkin spice lattes?

Evil Queen: At least I own my villainy. You're just a wannabe. Besides, Snow White survived. Maybe she's got a stronger constitution than you think.

Hades: Well, she's not the only one with a strong constitution. I've got underworldly stamina, baby! And I'll prove it by—

Evil Queen: By monologuing endlessly? Spare me. I've got a mirror to polish. Now, if you'll excuse me, I have evil plots to hatch and wrinkles to avoid.

Hades: This isn't over, Queenie. Next time, I'll—

Evil Queen: Next time, try a new heat-protectant shampoo. Your hair needs it.

(They glare at each other, and Hades storms out, muttering about hair care tips.)

---

This was solely based on an Anon Ask I got! XD

[tizeline]

Draw rottmnt donnie and rottmnt leo fighting

The word “fight” can be interpreted a number of ways, so you get one drawing of the two of them doing some friendly sparring and one where they’re just having a stupid sibling fight

[vladdyissues]

He had it in him 💀

[mblue-art]

late halloweeen dooodleee

[squuote]

"And in that moment, she thought to herself how lucky she was to be normal."

[arttsuka]

Is it Wrightworth and Spirk ?

Ye...

[therentyoupay]

im completely feral over all your jelsa stories!!!!!! do you ever write established relationship jelsa or have any headcanons about what they would be like together in a serious relationship or marriage????

THANK YOU SO MUCH. 😭😭😭😭😭😭💕💕💕💕🙏 thank you thank you nonny for this super sweet ask and this really lovely question and all of your love and support!! 💕💕💕💕💕

i have... never actually written established!relationship (in any fandom), now that i'm thinking about it? that said, i guess i can come up with a quick list of some headcanons, maybe? 😂 i will have to think about this more, but for now, here's a quick drop:

elsa is an early riser; elsa helps jack create more sustainable sleeping patterns and habit formations 😂

when jack gets Impetuous Urges to Do Something Rash and Impractically Spontaneous, elsa will ground jack, reminding him to think before acting. (he occasionally Still Does It, anyway.) elsa knows what she signed up for, lol.

jack loves to play Harmless(!) Pranks, just to watch elsa’s reaction. (he is no longer allowed to sneak up on her after The Incident).

they also quibble over the definition of "harmless" and the specific logistical implications of that; for a while, jack was banned from further pranking, but then he got more creative at showing elsa that pranks could be wholesome and genuine, in which they could both be in on the joke. however, due to elsa's deeply-rooted Need to Excel and her (Not-so)Secret Competitive AF Streak, her retaliation in escalating the Cleverness Prank War quickly resulted in jack's prompt implementation of the Prank-Free Zones and Time Periods. (no, he was not scared.)

elsa, usually reserved, has learned to let her playful side show more often with jack. she might still pretend to be exasperated by his antics, but sometimes it's part of the game (or habit).

elsa sill struggles with opening up emotionally sometimes, but she progressively feels safe enough to share her innermost thoughts and fears. with time, she confides in him more about her worries. she still never likes the idea that jack sees her Imperfect Parts, but at least she can tolerate the discomfort (and, yes, take comfort in it) now

(jack loves elsa's Imperfect Parts, and jack admits that he is Weirdly Proud and Competitively Honored to be one of the only people, even including anna, who gets to see them. he also is strangely Comforted and Validated that elsa is, in fact, not perfect because for a while there, he was pretty freaked out and intimidated by how fancy she is.)

until he realized that no one ever let her actually be a Weirdo before, and once he realizes the Truth of Elsa Also Being a Secret (albeit perhaps more Subdued) Weirdo, the Universe Aligns.

jack listens to elsa's Big Conversations intently, activating varying levels of Serious Mode.

jack is getting better at recognizing the moments when elsa needs him to play and needs him to listen or Give His Opinion or any combination of those things.

jack learns that it's not always about Saying the Right Thing (which he is not very good at, anyway, or so our Serially Unreliable Narrator thinks), but rather being able to read elsa's mood and anticipate what she might need (even if she is not aware of it herself yet).

elsa is meticulous about planning and preparing for special occasions.

elsa likes traditions! jack likes tradition only because elsa likes them, lol, and hey, okay, these are more fun than he thought?? (who knew fun could be organized??!!?)

so he really wants to show (off to) her by pulling off Incredible Planning Feats in her honor, too (they do not go as smoothly, lol).

jack will often go out of his way to spontaneously create something meaningful, a moment or a gift or a gesture, that reminds elsa that he cares. he is big on words of affirmation, gift giving (but like, souvenirs that he collects on adventures like, "i saw this rock and it reminded me of your cousin olaf, we should put it on the window after we paint his face on it"), and acts of service, as well as physical touch and quality time. HE WANTS LOVE. he wants TO BE LOVED. he wants to prove that he is worthy of being loved.

(and elsa has to get him to Chill Out sometimes, remind him that he doesn't have to Do Things For Her/Anyone in order to be deserving of care; he is more than what he provides for other people.)

(jack gets its, and appreciates it, but also, the Urge to Provide and Protect is still strong, even after so much time, and sometimes Old Habits Die Hard.)

i get the sense that he'd be the type to he wake elsa up in the middle of the night to take her on a surprise adventure, or convince her to Do a Fun Thing without any preparation (/warning).

and she would Be Alarmed at the Lack of Plan (especially if/when jack Did Not Think This Through), but he also took precautions to ward off Concerns by pacifying her with tea, or reassurances that yes, he did call ahead to make sure the restaurant was open before they left the house, of course he did, he would never just leave home without double-checking beforehand (and frantically googles it two minutes later when he thinks she's not looking; she is, naturally, and even occasionally pretends not to be).

elsa approaches conflict with a desire to resolve things Calmly and Logically. she tries to understand jack’s perspective, even when she disagrees, and she’s careful with her words, not wanting to escalate the situation.

however, she can sometimes withdraw emotionally, fearing that she might say something hurtful if she’s too overwhelmed.

jack was initially (and, honestly, still is, even though he understands more now) hurt by her tendency to shut down when she Feels Too Much, and understands (although it's still hard) that elsa needs time to process her feelings and organize her thoughts.

jack also helps elsa actually Feel her Feelings, instead of just trying to intellectualize and analyze them. (she hates it, BUT sees the value. jack lives for these moments in which he realizes that he's actually contributing positively to her life and helping her in some way, rather than just being a burden or a nuisance, as was/is his fear.)

his initial reaction might be to push for a resolution quickly, but he’s also deeply afraid of Creating Distance between them, so after the first few fights, he really makes an effort to find the right balance between Pushing Hard Enough and Not Pushing Too hard, so that he doesn't drive a wedge between them as they work things out.

jack FEELS intensely, and can be so stubborn. he does not always have the most precise vocabulary or tools to describe his thoughts and feelings, or identify the root causes of what is actually going on inside him; sometimes elsa asks a lot of insightful and guiding questions that help jack come to the conclusions himself, and other times, she Puts Into Words the very thing that he had been thinking or feeling, but could not name, and it is very reassuring to have someone who understands him well enough to be able to do that.

after conflicts or arguments, they take time to Decompress and reassure one another (especially if at least one of them, if not both, was Overthinking again).

when they argue (and healthy couples do, remember!), it’s a dance of patience and understanding: elsa might need a moment to Collect Herself, and jack learns to give her that Space while also making it clear that he’s ready to talk whenever she is, and that he is going to try very hard to be Rational and Patient About It.

in the end, they both prioritize their relationship over any disagreement, always finding a way back to each other.

[fluffypotatey]

I'm starting to think us continuously seeing Macaque associated with cores of power shaped like a heart and all this weird recent focus on magic and its physical form once again tied to him means those previous scenes secretly meant something...I was always kinda waiting for a reveal on it anyways.

yes it is certainly fascinating 👀

stealing MK’s magic core by literally punching through his chest!!!

using the shadow lantern to show MK’s inner thoughts and perspective of himself. the heart of his insecurities one might say 😌

LBD placing her own magic deep inside his chest in order to have better control on Macky. pretty sure this just solidifies that ppl’s magic cores in the lmk universe reside in their chests where their heart is

so yeah 👀 quite the choice made my lmk for a monkey whose whole character is about being scorned and betrayed by the person he loved (taken romantic or platonic) and yet progressing into forgiveness and longing like 👀 ok sir

[dykedvonte]

Ok so we know you love Benny (rightfully so, I mean look at the man) but do you have any thoughts on the other Chairmen? Swank and Tommy specifically?

I have so many thoughts on the Vegas families but even more on the Chairmen just because of how unique their position is.

Like to start off, I have mentioned and still fully believe the Chairmen are the most paranoid and distrusting of all of the Vegas families. You can get sucked into many personal dramas and plights when it comes to the other Vegas Families; Quest-lines that get you super involved with their inner workings and pasts, ergo, quest-lines like Beyond the Beef and How Little We Know. Other than the very little side quest we get from Tommy, where you don’t even out in a good word for the Aces Theater for the talent recruits, your very boxed out with the Chairmen.

While the other families are more curious and intrigued by the NCR and Legion tensions rising, House being killed and other things, the Chairmen are always paranoid, concerned and negative. They mention wanting to leave like in the old days but can’t drop the act. They don’t mention anything that isn’t in a way that relates back to them and it tells how little they wish to or do interact with those outside the family. Swank mentions how he doesn’t trust the other families and the sentiments are shared with Tommy who discourages you from seeing the other sights. They are probably not purposely isolating themselves but they keep to their own. I only think this is extrapolated by House favoring Benny as a successor and possibly more restrictions on them. They were the first family and likely the prototype of whatever is detailed in their contracts. House was not as lenient as he is now, taking Swank referring to House’s rules into account.

Specifically about Tommy and Swank is interesting. Tommy feels like he’s older to me, not like more mature but he’s been around to see how far the Boot-Riders changed into the Chairmen. He’s not like an old guy either but older than Swank and Benny. I like to think he’s a middle ground to Swank and Benny, where Benny is the idealist, Swank is the nihilist and he’s there realist. You gotta real with people when you work in entertainment. He has a keen eye and can tell when things aren’t right but doesn’t jump out of his lane, not without provocation that is. In relation to Benny, I think Tommy’s like a snide older brother type guy. He rips on Benny cause the guy is so obsessed with not being seen as a tribal anymore but Tommy of all people can see when someone is playing too much into a bit. Benny keeps him close cause he keeps him real.

Swank is described in universe by House as being dependable but unimaginative. I don’t think that’s fully the case but he isn’t the person to push things in my eyes either. He has complaints but he does what he’s asked of and is loyal. More of a “Are you sure” Man than a “Yes” Man. I don’t think he sees the best in the people around him but prefers to see them as static. I take this with how hard it is to convince him that Benny is a traitor and how he seems shocked you are so ready to kill him. Things run a certain why and it’s why he likes that. It’s why he’s so good a managing The Tops. He wants things to run smooth and easy and everyone to be having a time. He’s the type to struggle with a shift in change at first but then forget why when the new song and dance start to come naturally. He plays the part just like Benny but also reminds him of what they came from. He’s his most trusted advisor and friend keeps him in focus.

This is all personal opinion and just a quick run down of it. But I hope I answered at least some of what you asked:p

[shih-coulda-had-it]

Since you drew En playing the electric guitar do you have any headcannons for an OFA band AU? Like what user plays/does what?

I love the OFA logo that's on electric guitarist En's shirt btw! 💓

Not only am I going to give you a list of who's doing what, I'm going to give you 1.4k of a ficlet from Bruce's POV because I've been doing everything but my final papers!

THE BAND

Yoichi: Lead vocalist, ex-bass guitar

Kudou: Drummer

Bruce: Band manager, does travel and concert arrangements; ex-electric guitar

Shinomori: Equipment manager, helps with logistics; ex-electric guitar

Banjo: Electric guitar 1, ex-keyboardist, percussionist when necessary

En: Electric guitar 2 + Smoke effects

Nana: Bass guitar, female vocalist when necessary

Toshinori: Nana’s ward, roadie, learning bass guitar

+ Sorahiko: Full-time roadie, electric guitar when necessary

Izuku: Not here yet, but he's probably part of a One for All revival era

OFA Band AU in my hands still has Quirks, and the majority of the group practices vigilantism when they're not playing music. AFO is less demon of the underworld evil, and more capitalist/the guy funding industry plants evil. He's a music executive. He and Yoichi used to play music together, but when AFO went to college to be a business major, Yoichi doubled down on music and was recruited by Kudou and Bruce. OFA developed from there.

Pairings are Trio Holders, FourthFifth, and who knows what's going with Sorahiko. (This is a no Husbando Shimura/no Kotarou AU.)

Read the ficlet below!

//

“Banjo,” Shinomori says with a tone more indulgent than scolding, “stop bullying En with Blackwhip. He’s going to trip and fall on his face mid-performance, and then where will you be?”

“Laughing, probably,” Bruce cuts in before Banjo can say something flirtatious. He needs their equipment manager present and sharp-eyed. Shimura’s friend does a passable job at rounding up stray amps and cords, but only when he’s not herding Toshinori away from chatting up the crowds who want to stalk One for All members backstage. “Pack the instruments in the bus, would you? We’re cutting it close.”

Banjo winks at Shinomori and strums a quick, humorous cue anyway. “Yeah, no problem, Sandaime. We going out after?”

“Depends on Kudou.”

“Ah, gotcha. See you in a bit.” Banjo tips his chin up and obligingly, Shinomori bends his neck and plants a chaste kiss to the carefully maintained stubble on the electric guitarist’s cheek. The roguish grin softens. Bruce manfully restrains himself from being a hypocrite about PDA, and goes to find Shimura.

She’s a little further backstage, and her bass guitar is already locked away. Set beside her bedazzled monstrosity of a case is En’s unassuming one. When Bruce chances upon them, Shimura is in the middle of fussing with her cousin’s jacket. She straightens the high collar, notices Bruce, and says a cheerful hello.

En echoes her, but he adds a respectful, “Sandaime.”

God. Bruce is going to strangle Banjo for starting that up, especially as it’s been picked up by not just the band but also the media. The more impressionable members of the band—En and Toshinori—treat the titles with more respect than a bad joke should get, and the journalists have started using them in place of their names.

“Everyone packed? Where’s Torino and Toshinori?”

“Sorahiko had a phone call,” En volunteers. “I think Toshinori headed back to the bus early because he had homework to finish.”

“What? Did he tell you that? It’s a week to the deadline!” Shimura scoops up her case and En’s, inclines her head at Bruce, and starts booking it. Her decision to apprentice Toshinori still strikes Bruce as a shortsighted one, but it remains one of the few times Bruce actually remembers her performing some kind of paperwork magic to ensure the application was filled to perfection. Usually, Shimura procrastinates to the point of Torino needing to swoop in and forge her signature.

En peers up at Bruce like he’s expecting something.

“What,” says Bruce. The junior electric guitar player shrugs in deliberate carelessness.

“Are we heading out after?”

“Have you been talking to Banjo?” Bruce asks, dry, and shakes his head. “It depends on Kudou. Where’s our illustrious leader?”

“Necking with Nidaime in the dressing room.”

Wordlessly, Bruce digs into his pocket and hands over the carton of candy cigarettes. En isn’t actually capable of eating tobacco, much less real cigarettes, but he has a sweet tooth and a sly sense of humor. Moreover, he is amenable to being bribed.

Clever fingers pop open the carton and slide one white chalky stick of sugar out. En sticks it into his mouth with a pleased hum and chirps a half-garbled, “I’ll get Banjo-senpai to the bus. Is Yondaime driving?”

“Torino knows the city streets better. He’ll get us to the inn, and after that, we’ll figure out carpools back.” Bruce rubs the back of his neck and sighs. “Hey. You did good with the bridge for ‘Residual Mayhem’ tonight. Make sure to do the hand exercises later.”

“Okay!” Thusly flattered, spoiled with sweets, and charged with malicious intent to put a (temporary) damper on Banjo’s evening, En darts off to pester his senior into hurrying the hell up. For his part, Bruce double-checks the area for stray litter, then ventures to the dressing rooms.

He finds a nondescript black sock slipped onto the doorknob. Bruce raps his knuckles against the wood, ignores the muffled “OCCUPIED!”, and uses the skeleton key to break in.

The door gets closed immediately behind him.

“We’re going to be late,” he manages to snap, before his brain fully processes the sight of Kudou’s legs hooked ‘round Yoichi’s skinny hips. The dressing room is equipped with a single chaise longue, and Yoichi has Kudou pressed down against the entire length of the single-armed sofa. Thank god, they’re both still in jeans.

“Mrrmph,” Kudou says, and Yoichi chimes in, “Hi, Bruce!”

“The set wasn’t that horny,” Bruce says, nonplussed.

Yoichi grins. “Well, I know tonight’s a fight night, so I thought I’d give Kudou incentive to not make you guys stay out so late.”

“Really effective,” Kudou reports, sounding dazed. He has clearly been kissed stupid. Is it irresponsible of Bruce to want to trade places with Kudou? For a brief moment, Bruce thinks about Kudou taking the role of band manager. In that projection of an alternate universe, One for All loses all access to professional recording studios, and not only are their songs recorded with a shitty boombox, but their concerts are held at last-minute reservations.

Also, in that universe, Kudou is cursed to never find a replacement drummer he approves of for more than three months. Yes. This is the right timeline.

Bruce approaches the sofa as Yoichi sits up and pulls Kudou upright with him. “You don’t think I need any?”

“You’re way more responsible,” Yoichi asserts, but makes a ‘come here’ gesture with his long slender fingers. Obligingly, Bruce bends at the waist. Yoichi cradles Bruce’s jaw with one hand and kisses him squarely on the mouth, nips his bottom lip, and breaks it off first. He smiles as he says, “Thanks for coming to get us.”

Kudou slips two fingers down the collar of Bruce’s shirt and tugs him in for his own kiss. That too is brief, and sharp, and it’s possible Bruce is going a little kiss-stupid as well, especially when he can hear the rumble of Kudou’s groan building at the base of his throat.

“Wait,” he gasps, “wait, time, time. Our inn’s not taking late check-ins, and Shimura’s going to murder one of us if her ward sleeps overnight in the bus again.”

“Toshinori-kun thinks it’s cool to sleep in the bus,” Yoichi protests. “Did Shimura-kun say that?”

“She implied it,” Bruce says.

“Up we go then,” Kudou says, and manhandles Yoichi off his lap. Bruce straightens up and does a cursory once-over at the dressing room. Any hairbrushes? Hair ties? Stray math homework sheets that Toshinori will swear he lost to Torino’s cutthroat corrections? Distracted, Bruce helps Yoichi to his feet, then Kudou.

“Shinomori got your drumset loaded,” he tells Kudou. “Yoichi, did you take your guitar out for an impromptu vibes session with Toshinori?”

“Still in the bus,” Yoichi answers, and before Bruce can fend him off, Yoichi is fussing with the folds of his headband. Kudou is too busy shrugging into his windbreaker and shaking out the wrinkles in Yoichi’s. “Ah, Bruce, you should really think about hemming this…”

“Ragged edges are punk,” Bruce says blankly.

There’s a knock at the door. It creaks open, because even though Bruce kicked it shut the instant he saw his boyfriends making out, he forgot to lock it. Torino pokes his head in warily. “Bus is loaded up,” he reports, eyes cast to the ceiling. “En said I’m driving?”

“Yup,” says Kudou. Finished with his doting, Yoichi gratefully accepts his windbreaker and zips it right up to the top. He combs his bangs back and ties his distinctive white hair into a low ponytail; Kudou fetches a cap and plops it on Yoichi’s head before tugging the hood over. “I’m your co-pilot. Bruce, where’s your jacket?”

“The bus. Torino, we’ll be right out.”

“Gotcha.” The door clicks shut.

“Hey, is the sock on the door yours or Yoichi’s?”

“One of mine,” Yoichi confirms. He hooks his hand at the crook of Bruce’s elbow, leans into him. “Bruce, stop worrying, we haven’t left anything. Kudou, you’d better run ahead before Toshinori-kun gets the idea that he can sit co-pilot again.”

“That kid,” Kudou curses, and bolts out. It’s a reasonable response.

The last time Toshinori had wheedled his way to the front, Shinomori had been at the wheel, and between the both of them—Shinomori, possessed of a sick sense of humor that included entertaining the whims of a preteen, and Toshinori, too proud to admit that he couldn’t understand the traffic navigation app—One for All had wandered off-route and wasted three-quarters of the gas tank just to arrive at a three-star aquarium. Not that Torino would get them lost. 

No, it’s more likely that Torino would reach the limits of his Toshinori Tolerance and put pedal to the metal, and then get caught speeding (in a bus) by a cop.

Yoichi hums the opening lyrics to ‘Daisy Days’, and it sounds too sad on its own, so Bruce obligingly provides the guitar riff as they follow after Kudou.

[soranker]

Hiiii not sure if anyone's asked this yet but any advice on how to improve on art & anatomy? I use to draw a lot wayyyy back in high school but then stopped because of life getting in the way but now I really wanted to get back into art but realized my art isn't as good as it use to be & I never really cared too much about studying anatomy so all my anatomy/proportions are really wack & I'd like to get better at it. Hope you're having a good day!!! 💞💞💞

HI!!! i dont have any formal training in anatomy nor have i really done any studies, so unfortunately i think i can only offer general advice, but hopefully you can still find it helpful! here's what i'd recommend based on my own experience...

focus on proportions BEFORE anatomy! nailing down the size/length of each body part in relation to each other will give you a good foundation before getting into the specifics of anatomy, since you can practice this with simple shapes (circles, boxes, tubes, etc.). then practice anatomy/build on top of that, rather than trying to figure them out in parallel

practice from real life observation/references (ex. figure drawing)! even if you want to draw stylized, it'll be much more helpful in the long run if you study from real life. you'll be a lot more informed in how body parts actually connect to each other or how they move. observe observe observe! take pics of yourself/watch how your body moves--you can be your own most accessible resource, and a mirror and camera can be your best friends

find a way to keep yourself motivated to practice anatomy! everyone says that you only get better with practice and time... and it's true! but i can understand that sometimes it's hard to motivate yourself. if you ask me, draw your favorite characters :) it's literally all i do HAHA. my mentality is that... if i'm drawing something that i like then the practice feels less of a chore lol

[frankenvampzap]

Can u draw Q please?

yes but be quiet they are sleeping

[fantasykiri5]

lizzie for the drawing/ask game?

SHE’S DONE!!! Lizzie is always super fun to draw

[garou-art]

Patiently waiting for this year’s Yearly Takeshi

I actually already made a super early 2024 Yearly Yam in January! (here) 🙌

But there's nothing stopping me from aNOTHER YAM!!!!!!!!!!!!

[whereismyhat5678]

Pizzahead would wear a pretty princess dress for fun. Thanks for listening to my Ted Talk.

HAH of course he would-

I’d like to imagine that he would say this while also not knowing technically only Queens can do that- But he’s having fun!- Let him have it- 💪💪

And Tw: for Blood

Some good ol’ wisdom with Pizza Head :]

[basilpaste]

*Kicks down your door* Remember in Act 5 when everyone was telling Siff their wish and Isa said that he wished, “To find, to help, and to save you, Siff?” This implies that when him and the gang was made aware of Siffren looping he made said wish at the Favor Tree, possibly replacing his previous wish to be a clothing designer. That would mean that Isa willingly overwrote his own wish to save Siffren. 

Based on that assumption, would Siffren do the same thing for Isa? Would it be more powerful because they actually know how the ritual works?

Also your AU is great keep it up, I wish I was that talented at writing.

ooh. thats a fun question!!!

isa doesnt actually make a wish in canon until act 5 i dont think? sifs heard all their wishes before! the party tells him them when they find out about wishcraft. isa tells them that he hasnt wished for anything! he could be lying there tbf. i could also. be misremembering thats also a thing i could be doing.

id say that sif would overwrite his wish, but thats easier said than done! because isa loops to right after he makes his wish ("you are kneeling in front of the favor tree"). which meeeeeans: sif hasnt made his wish yet. and he remakes his wish every single loop unless isa distracts them from it. and oh boy! if that isnt a lot of... wishcraft.

easy answer to this: sif makes a second wish to help find isa and keep him safe. since they know wishcraft: this basically forces loop to help them! this wish is ultimately not more powerful than their original wish, however. it can only do so much!

AH ALSO I FORGOT TO SAY THANK YOU FOR THE KIND WORDS!!! dont put your own writing down, though!!