#this song is very breaking out to me

[tunastime]

HOW ABOUT.... 77 >:3

oh shepherd. ohhh shepherd. 77 is shark week and its really a shame that shark week is so low considering that everything everything was my top artist of 2023, narrowly beating glass animals and usurping their 5 year streak. so um this is about ben and tom to me smiles

(668 words)

It’s a busy night.

That bodes well for Tom, who makes his way through the halls of the lab, following stripes of color through the bright white light. He makes his way through groups of testificates, blocking out questions and chatter, putting his mind away from whatever they could be working on. He wasn’t focused on that, tonight. He wouldn’t be asked about his trip. Not that he would be in the first place—that’s what he got for being good at his job. Nobody asked questions. Well. Xephos asked questions. But his questions were always to the point, and they were always a wrap around to the answer he was expecting, so as long as Tom was on his toes, he could answer them without saying anything at all. 

Nevertheless of all of that, he slips his way through the halls of the lab, and through a few access doors, and to a room, where he stands for a moment, fishing for his keycard. When he swipes, the door slides open, letting in a bar of light. He steps in quickly, light disappearing for a short moment, until the lamp beside the bed clicks on.

In white-yellow light, Ben looks awful.

It’s not that he normally looks good, either, which is unfortunate, but he looks exhausted. The lines of his face grow darker in the low light, especially as he blinks awake, scrubbing at his eyes. Tom feels a sharp pang through his chest as he realizes he’s woken him, but the relief etched across Ben’s face as he locks eyes with him diffuses the guilt almost instantly.

“Hi, Ben,” Tom says, a smile worming onto his face.

“Tom,” Ben sighs, leaning back on his hands. His shoulders seem to relax almost immediately as he settles, as Tom steps more into the room. He sets his coat and clipboard on the nightstand, ruffling through the pockets as he does. He holds out a bundle of napkins for Ben. Ben cups his hands, holding the bundle for a moment before Tom gestures for him to open it. 

“What is it?” Ben asks, tilting his head. The corners of his mouth lift up just so as he looks up at Tom. Tom’s still grinning, eyes squinted behind his glasses. He gestures again.

“It's for you,” Tom says. Ben snorts, rolling his eyes as he unfurls the napkins in his palm. Inside, Tom’s saved bread and cheese, crushed together from being shoved into his coat pocket, but largely still edible, and no small portion either. Ben’s face lights up, eyes flicking from the food in his hands and Tom’s face.

“You’re serious?” Ben asks. Tom nods, folding his arms as he comes to sit on the end of the bed, giving Ben enough space to stretch out his legs. Ben tears into the bread, almost famished, sighing as he chews. He smiles at Tom through his food, as if he’s holding back a laugh, and that alone sets a warm thing turning in Tom’s chest.

“Thank you,” Ben hums, swallowing with some difficulty. He reaches for the glass of water at the bedside, taking a small sip. Tom kicks himself—next time. Next time, tomorrow, or the day after, or two days from now, he’ll bring a whole canteen of water. He’ll sneak him away. He’ll make sure he actually gets clean, that he gets rest, a warm meal. Anything he can sneak to him. Anything that the testificates, that Xephos won’t miss.

Until then, Ben eats, savoring the food like he’ll never get a chance to eat again. Even in the white light, his face regains a bit more color, warm in the high of his cheeks. Tom laughs a bit under his breath, the motion shaking his shoulders. 

“Of course, Ben,” he says, furrowing his eyebrows. “What else am I good for?”

Ben laughs, a solid sound from his chest, and Tom laughs with him. He’s not sure when he decides it, but he knows now, more than ever, that he’s leaving. And he won’t be leaving without Ben beside him.

(spotify wrapped ask meme)

[cecoeur]

How do you sleep at night? No one to hide behind Betrayed every alibi you had You had every chance to make amends instead you got drunk on bitterness And you still claim that you're innocent, it's sad

[daisyswift3]

A Summary of the 🎃 Messages--The Overarching Story

So I just realized sth abt the 🎃 messages while listening to ttpd—they’re in chronological order!! I am going to try to give a summary of these messages and explain why I believe this. This album has made 99% of her songs, mvs, metaphors, and symbols make perfect sense. There were always some things like getaway car, cruel summer, and the palm trees in rep era that I could never quite figure out but now it's all crystal clear. It's like ttpd is the last piece of the puzzle needed to make everything fall right into place and to see the whole messy complicated story. One thing I want you to take note of as you read this summary is how incredibly consistent Taylor is w her use of metaphors and symbols. This makes solving the puzzle that is her music more like solving a cypher that you can know you solved correctly bc all the symbols will fit together perfectly just like a secret code. Once you understand what one symbol represents you now know what it means every time you see it. Every word or phrase she uses is intentional and there's not a single easter egg that's out of place. You'll notice in ttpd there are several words and phrases that are repeated bc she wants us to know that certain songs are related. 🎃 anon said there would be many connections and foretellings in the messages that we could find if we held them to the light in the coming unfoldings, and boy they were not wrong. So w/out further ado let's get into it (just a warning though this will be pretty lengthy so grab your favorite drink, some snacks, and get comfy).

1st message: The first one starts right before rep era when her rep started going down and she started feuding w her record label. These are the obstacles she didn’t see coming that made her slam on the (getaway bike) brakes (which were cut so she had to use her foot to slow down) and not come out. The "heel damaged" could be a reference to Achilles' heel since this was a weak spot she didn't see or it could be a reference to Jesus' heel being bruised in the 1st ever biblical prophecy (see this post for more on that). This was her first big pivot and change of plans. Many ppl have theorized that TS6 was originally going to be a different album--perhaps lover/daylight--but kimye and BMR got in the way of that. This would explain why she wears an outfit w palm trees on it while cutting the wings off her TS6 jet. She spray paints "reputation" on it which seems to indicate it was a haphazard last minute change of plans (x). Plus the endgame mv has palm trees and shows Miami, Florida (which I think is related to Florida!!! but I'll have to get to that another time) connecting it to "Island breeze and lights down low, no one has to know...In the middle of the night in my dreams I know I'm gonna be with you so I take my time." Miami is the paradise where her endgame happens. This all seems to indicate she was ready for "daylight" or "paradise" during rep era but had to pivot.

The Prophecy: “Hand on the throttle, thought I caught lightning in a bottle, Oh but it’s gone again"

2nd message: This is abt the lover rollout that started in spring of 2019 -> "The time draws near, springtime sunshine causing small drips and fractures." The ice castle likely represents the lover house (her music empire, past eras, and closet) since she burns it down w a match just like she does in the eras tour visuals and midnights -> "You strike a match and blow the smoke toward the structure that shelters and protects you. Suddenly, you hear a crack, a crunch, a whoosh. There is a sudden give beneath you, and you tumble through the broken, melting hole in your palace." The ivy reference (spring breaks loose, the time is near) just solidifies my theory that ivy is a song abt an eventual kaylor reunion that will happen before she burns all the files and deserts all her past lives (eras).

Lover era was her second big pivot. I believe she knew there was a very good chance Scott B would sell her masters all the way back in rep era hence why she says "I'm always waiting for you just to cut to the bone, devils roll the dice" (see this post for more on that). "However, in this suddenness you find yourself still somehow underprepared, kicking yourself for the time you squandered by wallowing in the seeming endlessness of your predicament" -> Her being unprepared to come out along w the mastersheist is what caused her to miss her 2nd opportunity to come out. She was so caught off guard that it made her indecisive. And so she played it safe and stayed in the closet -> "Our coming of age has come and gone, suddenly this summer it's clear I never had the courage of my convictions as long as danger is near." Remember how I said Taylor is very consistent w her use of metaphors? Well I made a post a while back explaining how folkmore represents the seasons bc summer = daylight and winter = closeting and folkmore was Taylor trying to come to terms w her 2nd failed coming out hence the grey and beige ("I'm just a paperweight in shades of greige"); so that means the ice castle = winter = closeting and springtime sunshine = almost daylight = almost being out of the closet (and spring was also the time when the lover rollout started so it has a more literal 2nd meaning to it as well).

The Albatross: "So I crossed my thoughtless heart spread my wings like a parachute, I'm the albatross, I swept in at the rescue." [I think there's a good chance this song is abt Scoots so it makes sense the parachute metaphor, which relates to her masters and failed coming out, would be used in this song]

The Bolter: "By all accounts, she almost drowned when she was 6 in frigid water...It feels like the time she fell through the ice then came out alive." ['Long story short I survived']

3rd message: This is abt the mastersheist (diamond heist) during the summer of 2019. It parallels the I Can See You mv exactly (see this post). In hindsight it now makes perfect sense why 1989 tv didn't have any mvs--bc the Fortnight mv is a direct continuation of the ICSY mv! Before the Fortnight mv, the ICSY mv was the most recent one. She didn't want anything between those 2 mvs so that it was obvious they were directly related. Her losing her masters and her 2nd opportunity at daylight is what drove her to insanity and caused her to end up in the asylum -> "I find the artifacts, cried over a hat...I trace the evidence" // "And so I enter into evidence my tarnished coat of arms, etc" | "Is it okay? Is it you? Or have they come to take me away?"

"Mere feet away from the light of freedom...Your getaway bike begins to leave without you, sparks flying as the tires try and fail to slow down for you. You have frozen in this moment of indecision" // "It was the great escape, the prison break, the light of freedom on my face...he was runnin' after us, I was screamin', 'Go, go, go!'" -> There are 2 getaway car mentions in this message which emphasizes its importance. This is likely for a few reasons: 1) To explain what the song getaway car was actually abt--her feud w BMR, not the beards 2) To show that message 1 and 3 are related; the getaway bike is mentioned in both since both are abt her masters 3) To show that the lover era pivot was actually just history repeating itself; this is what Cassandra and the Prophecy are abt.

Cassandra (notice the piano melody from mad woman): “So they set my life in flames, I regret to say do you believe me now? ['If I'm on fire, you'll be made of ashes too']…They knew, they knew, they knew the whole time that I was onto somethin', [She knew there was a good chance her masters would be sold as shown in cruel summer] The family, the pure greed, the Christian chorus line" ['Now he sits on his thrown in his palace of bones praying to his greed']

Fortnight: "I was supposed to be sent away But they forgot to come and get me I was a functioning alcoholic 'Til nobody noticed my new aesthetic [Her fans didn't notice the shift from rainbows and pastels to black mourning clothes during the lover era] All of this to say I hope you're okay But you're the reason [The you in the song is Taylor; she's the reason she decided to stay in the closet] And no one here's to blame But what about your quiet treason?" [Taylor's indecisiveness is what led her to not come out the 2nd time]

loml (This is from Karlie's pov): "Mr. Steal Your Girl, then make her cry...You shit-talked me under the table talking rings [Paper Rings] and talking cradles, [Lover mv] I wish I could un-recall how we almost had it all, [They were so close to daylight]...It was legendary, It was momentary ['I touch you (daylight/sunshine) for only a fortnight']...Our field of dreams engulfed in fire" ['So they set my life in flames']

Florida!!!: "Little did you know your home's really only a town you're just a guest in, ['I touch you (daylight/sunshine) for only a fortnight'; 'And so a touch that was my birthright became foreign'] So you work your life away just to pay for a timeshare down in Destin" [Taylor did all this masterminding and planning just to end up still stuck in the closet and bearding and only being able to see her lover in stolen private moments]

Fresh Out the Slammer: "Another [cruel] summer, taking cover, rolling thunder, he don't understand me"

The Bolter: "But it always ends up with a town car speeding" [getaway car]

Peter: "Forgive me Peter, my lost fearless leader, in closets like cedar preserved from when we were just kids, Is it something I did?" [Peter is herself; 'I'd be a fearless leader' and the fearless album; 'closets' is obvious]

How Did It End?: "We were blind to unforeseen circumstances, We learned the right steps to different dances, and fell victim to interlopers' glances, Lost the game of chance, what are the chances?...It's happening again" [This is the 2nd time she's lost the opportunity to come out]

I Can Do It With a Broken Heart: "I'm so obsessed with him but he avoids me like the plague" [They're in love w each other but can't be together in public; 'Break my soul in 2 looking for you but you're right here']

Down Bad: "For a moment [a fortnight] I knew cosmic love, now I'm down bad crying at the gym...'Fuck it if I can't have him I might just die it would make no difference'" ['You (Taylor) told Lucy you'd kill yourself if I (Karlie) ever leave']

5th message: Out of all the messages this is the one I'm the most uncertain abt. But I think it is possibly about JA leaving before his contract was up. "You are in a kitchen. Not your kitchen, of course. Your kitchen is soft and cozy and sacred. THIS kitchen is hard and cold and purely functional" -> This is not the sacred kitchen from Cornelia Street that she shares w her lover, this is a PR stunting kitchen that's a false imitation of the real domestic bliss she has. A few yrs ago kaylors were talking abt how Karlie has a kitchen that she only uses for PR/social media purposes so pumpkin anon could've been trying to remind us of that. These 3 messages from flag 🏴󠁧󠁢󠁥󠁮󠁧󠁿 anon make me think the breakup happened sooner than planned.

The July 29 message wasn’t meant to be posted until Oct 8 since it was hinting at the Toe breakup happening 5 months later in mid March, 2023.

The Nov 23 message mentions a “shift of footing” which we all agreed meant Toe 🦶 was over. The Dec 5 message w “the need to flex is sometimes necessary” directly following the Toe breakup message is what really makes me think it wasn’t planned. They had to pivot/flex but “other milestones are resolute” meaning the endgame is still the same—K and T will still reunite and both will be out of the closet at a certain time. Plus there’s the “…” at the end of the Nov 23 message which also indicates the Dec 5 one is a direct continuation of that message.

To add more credibility to this theory, RFI and SIG also have ellipses. RFI always seemed like it was supposed to be a direct continuation of SIG bc SIG sets up the “chess game” w her and her lover doing magic and pulling the wool over everyone's eyes, and RFI is when this chess game officially begins, "baby let the games begin."

Some other kaylors said they thought “the need to flex” meant that she wanted to give anti hero more time on the charts so she was flexing or showing off. But I think it makes more sense for it to be related to London Boy himself and not having him as a beard since that’s the whole purpose of having the 🏴󠁧󠁢󠁥󠁮󠁧󠁿 flag. I could be wrong though.

So Long, London: “Pulled him in tighter each time he was drifting away…Holding tight to your quiet resentment…Every breath feels like rarest air when you’re not sure if he wants to be there” [This may mean that JA kept trying to break free from the contract and Taylor kept trying to convince him to stay but it didn’t work]. "My spine split from carrying us up the hill, Wet through my clothes, weary bones caught the chill" ['They are bowing out, leaving you with double the workload, now half burnt and smoking. Their duties weren’t finished, and yet there is nothing you can do to make them stay. Shaken by this loss, chaos descends upon the team. Most roll up their sleeves to work harder']. "And my friends said it isn't right to be scared, every day of a love affair" [There were several blind items talking abt how JA was hooking up w men in a very unsubtle way; this could be what the 'cheating husband' mentions in ttpd are abt]. “Two graves, one gun” [Makes me think of a smoking gun which could be what the 'smell of smoke' in the message was alluding to. Maybe JA threatened to reveal her secrets if she didn't let him go and he had the smoking gun evidence to do so which was the recipe card. 'This time is different. Because you know this person actually has the means to share the secret menu, and that they have enough proof to make the waiting guests believe them.' -> I mean if anyone could convince the general public it would be the man who was supposed to be her boyfriend for 6 yrs]. “And you say I abandoned the ship but I was going down w it, my white knuckle dying grip” ['But you have never been one to lay your armor down. When you fail, you fail gloriously. When you go, you go kicking and screaming']. "I didn't opt in to be your odd man out" [She didn't want to be his beard just like he didn't want to be hers; and odd man out is a game that's played w 3 ppl where the odd man is the loser who's eliminated bc he didn't have a match]. "I founded the club she's heard great things about" [The Tortured Man Club -> The Tortured Poets Department that she's chairman of]

7th message: This message is all abt the domestic bliss she has away from the public eye. She has worked so hard to make sure her secrets are safe by building a tall impenetrable fence. However, she chooses to intentionally blow a dandelion full of secrets--perhaps ttpd is the dandelion w all the songs being the florets or secrets. There is one floret in particular that she’s worried abt—my guess is it’s Robin since it’s so damning if you know what to look for. Plus the song Robin parallels this message perfectly and evokes the same imagery. And to add even more credibility to this theory, the lyric vid for Robin has dandelion florets in the background. See these posts: (x)(x)(x)(x)(x)(x). "You are walking through your yard. It's one of your favorite places, all sprawling garden rows" -> Betty's garden; "your wife waters flowers," etc. "There are daisies - so many daisies - in every shade of your rainbow"--I don't think I even need to explain this. "Your lover and your fresh baked buns are safe. (The buns, of course, are in the oven turning golden as you speak. It's an old family recipe, jotted lovingly on a recipe card.)" -> The recipe card is perhaps a picture or some other sort of smoking gun evidence of Taylor's family and it connects the 5th and 7th messages together. And the meaning of "buns in the oven" is pretty obvious. "Golden" refers to Karlie.

Robin: "Higher and higher, wilder and lighter" [This may be a double entendre--not only is she encouraging this child to bounce higher on his trampoline or swing higher, she is also encouraging the dandelion floret (the song Robin) to fly higher and go out into the world after she blows on it]

The Albatross: "Wild winds are death to the candle...One bad seed kills the garden" [This may be connected to the dandelion metaphor and I believe there are many layers to these lyrics; wild winds can carry the dandelion seeds into other ppl's yards; if Taylor's secret gets out this can destroy the domestic bliss she has i.e. kill her metaphorical garden or candle; 'love's a fragile little flame it can burn out']

I Hate It Here: "I hate it here so I will go to secret gardens in my mind people need a key to get to, the only one is mine" [There is only one way to get into this garden since a tall impenetrable fence surrounds it; there are other layers in these lyrics as well like the escapism aspect of it]

But Daddy I Love Him: "I'm having his baby, no I'm not but you should see your faces" [Bc it's Karlie that had the babies]

8th message: This entire message parallels the Bolter. I believe this is abt Taylor finally choosing her lover over her reputation and choosing to intentionally destroy it in order to meet her lover down at the bottom like 🌋 anon mentioned. This may be the purpose of the whole Ratty debacle—to tarnish her image (by jumping into shark infested waters) so that when kaylor are together in public again her fans won’t be able to hate on KK w/out being hypocrites bc Taylor has already done all the things she knows they’ll accuse KK of, like being connected to someone who’s quite problematic. I believe this takes place from May 2023-now since this is when MH and her started “dating.” The use of all lowercase in the 🌋 messages may be a reference to the reputation album title to indicate that this is going to be a repeat of rep era but this time the damage to her rep will be intentional. I find it very interesting that the Feb 20th 🌋 message is the only one that has a word capitalized and the word that's capitalized is "Gold." This is in contrast to "fools gold" which is not capitalized or colored.

The self-loathing is palpable in Taylor's music (x) and it is displayed heavily in this message as well. I think it's possible the "enemy" is actually just Taylor herself or her public persona to be more exact. She is her own worst enemy; the Anti Hero mv illustrates this. She's the one that spreads the dandelions in message 7 which is what the enemy does in this message; she's the bear, and in the Bolter she (real Taylor) tames the bear (Taylor the brand). I believe TSMWEL could possibly be abt herself as well. I mean TSMWEL literally has "TS" in the track title. The clean version of the Bolter has the line "Then she'll call him a bore" which parallels TSMWEL, "You said normal girls were boring." It's as if real Taylor is doing an UNO reverse on Taylor the brand by treating her public persona the same way she treated real Taylor for years. This is very reminiscent of the Archer, "I've been the archer I've been the prey." I think TSMWEL, while it is abt herself, is simultaneously abt Scott B. And the reason for this relates back to what I said abt the 2nd and 3rd 🎃 messages--she blames both Scott AND herself for her failed coming out. The mastersheist threw her for a loop, yes, but she could've still come out anyway were it not for her indecisiveness. And I haven't have time to fully analyze MBOBHFT yet but I think it's similar where it can either be read from Karlie's perspective to Taylor after the 2019 failed coming out or from Taylor's perspective to Scott B/the industry.

The Bolter: "But as she was leaving, it felt like breathing, ['When I was drowning that's when I could finally breathe'] All her fuckin' lives flashed before her eyes...He [the 'enemy'] was a cad, wanted her bad just like any good trophy hunter and she liked the way it tastes taming a bear, making him care watching him jump then pulling him under" [This connects to the 10th message: 'You limp over uneven ground, smiling at the pain of the shark bite with each excruciating step - replaying the satisfying splash as you finally chose her over the world. As you grabbed the enemy and dove into the infested waters']

loml: "The coward claimed he was a lion" ['You’re a selfish asshole. So much of your fear is your own. You wince at your cowardice like it is a gaping wound. You so often find yourself unable to meet your own eyes. You scramble into shadows like a black cat. Scared, even, of being scared...You are a coward, but you are not a fool']

I Hate It Here: "I was a debutant in another life but now I seem to be scared to go outside" [In another life she already came out but in this one she's too scared to even leave her house let alone come out]

The Tortured Poets Department (This is from Karlie's pov): "You're in self-sabotage mode throwing spikes down on the road"

9th message: This message is abt her finishing her 11th album, the last chapter of her 11 part story, and then sending it out into the world like a message in a bottle (the Manuscript). So I'm assuming this would take place on April 19, 2024, the release date of ttpd. "You are sitting on a beach, cold and windswept. The sea is dark and angry before you." -> This may be the same beach and sea from the folkmore era. "The sun sets in muted colors." -> Describing the sunset colors as muted is quite interesting since sunsets typically have very vivid colors; this makes me think it's related to the eras tour visuals during the transition from august to illicit affairs (which I explained the meaning of in this post), and the folkmore color palette was mainly muted colors. "You finish scrawling on the parchment. Your pen dries up as you reach the end of a story in 11 parts." // "Feeling like the very last drops of an ink pen," "my veins of pitch black ink." She is sick of having to dilute her truth through metaphors and allegories which is why she is a tortured poet -> "Take me to the lakes where all the poets went to die." Plus there's the "parchment" which she mentioned many times during her eras tour speeches which relates it to the folkmore era (x)(x)(x). "And now it is just a matter of time. The dripping of candle wax. The ticking of a clock." -> (x).

I recommend reading this post which explains how the Manuscript, ATW short film, message in a bottle, the story of us, and 4th, 9th, and 10th 🎃 messages are related. Many ppl pointed out that the Manuscript lyric vid looks like a movie script, and she's been referencing films and books a lot recently which makes me think there's a good chance she's going to release a film and book abt her coming out story. The 9th message and the lyrics in the Manuscript make it clear that Taylor's discography as a whole IS the manuscript i.e. it's the author's (Taylor's) draft of her story that is getting ready to be published. In academia, a manuscript is a draft of your research that you send in to be peer reviewed and if it's accepted it then becomes a published academic article.

The Manuscript: "And the years passed like scenes of a show, the professor said to write what you know, [She's equating her life to a story w the different eras being different scenes or chapters] The only thing that's left is the manuscript, one last souvenir from my trip to your shores, [message in a bottle; 'It may wash up on a sunny beach in Florida, or a rocky shore in the northwest'] Now and then I reread the manuscript but the story isn't mine anymore" ['Once you blow a dandelion, you never get it back. It isn’t yours anymore']

The Bolter: "But she's got the best stories"

10th message: This is a direct continuation of the 8th message and takes place right before she comes out of the closet (the wooden door in the woods). So this would take place after her rep has already been destroyed which I don’t think we’ve gotten to yet. My guess is that things will start ramping up in the next few months. She may start being papped w all her previous beards looking happy w them or sth similar which is all she’d need to do to show that the relationships were all fake and she’s been lying this whole time. This may be the “chaos” that 🫚 anon was referring to (see this post). This lines up with the blood moon glitch vinyl, representing chaos and disruption, being the 2nd quarter of the yr according to the midnights clock (4-6 or April-June, 2024). Plus many ppl think BDILH is abt MH--and Taylor meant for this to happen bc this album is full of red herrings--and in that song she says "He (MH) was chaos" so this might be a hint that the bearding shenanigans are gonna ramp up. Of course things are already plenty chaotic now w everyone thinking ttpd is abt 3 different men, one of which is pretty problematic, so perhaps this is all ginger was referring to. Taylor calling herself "the Bolter" has 2 meanings: 1) She is a coward who often runs away from danger 2) The 2nd more positive interpretation is that she knows "when it's time to go." I think it's very telling that ITTG is the last track on the deluxe edition of evermore and comes right after RWYLM, a song abt being stuck in the closet after the 2019 failed coming out. She's saying that she's not going to stay there forever(more).

The Bolter: "But none of it is changing that the chariot is waiting, ['The story of 2 princesses. No place for a prince'; the Cinderella metaphor (x)] Hearts are hers for the breaking, There's escape in escaping...Ended with the slam of a [closet] door but she's got the best stories, You can be sure that as she was leaving it felt like freedom" [The 6/21/2020 ♠️ riddle spells out 'They Are Free']

11th message: This message takes place after midnight at 3am on Nov 1 after she’s gone through the wooden door. In this post I explain how 3am connects to the witching hr or devil's hr. The fact that this takes place right after Halloween is quite significant since it is a day dedicated to remembering the dead, and death and ghosts are a big theme in ttpd. This symbolizes how after Taylor kills her old self (by dragging her into shark infested waters), she will resurrect as a new version of herself and leave the past behind her. And in doing these things, she will finally be able to go back to her figurative home, her cabin, that she was exiled from. -> "I think I've seen this film before so I'm leaving out the side door," "And I was catching my breath, floors of a cabin creaking under my step...I had a feeling so peculiar this pain wouldn't be for evermore." "The flame🕯️ finally🕯️flickers🌬️OUT" -> The match that started the "goddamn blaze in the dark" is no longer needed now that the lover house (her closet) has burned down, so the flame flickers out. This metaphor shows up in Peter as well, "But the woman who sits by the window has turned out the light," where the light dying represents the woman losing hope that a coming out will happen. Notice in this message from present anon that "Goodbye" has a capital letter G which I believe links it to "Gold" in the volcano message that was mentioned earlier. This may indicate that Karlie is the woman/neighbor holding the light and waiting for Taylor's return home. The Dec 26th 🌋 message is likely from Karlie's pov in this case.

Fresh Out the Slammer: "Now pretty baby I'm runnin back home to you, Fresh out the slammer I know who my first call will be to...But it's gonna be alright I did my time...Get the matches, toss the ashes off the ledge, [the burning of the lover house] As I said in my letters [the anon messages this corner of the internet has been receiving? Could also just represent her songs] now that I know better I will never lose my baby again...Swirled you into all of my poems ['My mind turns your life into folklore (literally and figuratively)']...To the house where you still wait up and that porch light [jack-o-lantern] gleams" [see this post abt the porch]

The Alchemy (This is from Karlie's pov): "What if I told you I'm back?...I haven't come around in so long, but I'm coming back so strong, ['But I come back stronger than a 90's trend'] Cause the sign on your heart said it's still reserved for me"

imgonnagetyouback: "Push the reset button we're becoming something new...Even if it's handcuffed I'm leaving here with you, Bygones will be bygone eras fading into gray, We broke all the pieces but still want to play the game...I'm gonna get you back"

[steinwayandhissons]

arctic monkeys and every time the word ‘love’ is mentioned

whatever people say I am that’s what I’m not

tonight there’ll be some love, tonight there’ll be a ruckus yeah regardless of what’s gone before

~ view from the afternoon

oh there ain’t no love, no montagues or capulets

~ i bet you look good on the dancefloor

all that’s left is the proof that love’s not only blind but deaf… yeah I’d love to tell you all my problem

~ fake tales of san francisco

she makes a subtle proposition, I’m sorry love I’ll have to turn you down

~ when the sun goes down

lady, where has your love gone, i was looking but can’t find it anywhere, they always offer when there’s loads of love around but when you’re short of some it’s nowhere to be found

~ no buses

well how can you wake up with someone you don’t love and not feel slightly phased by it

~ leave before the lights come on

favourite worst nightmare

it’s wrong wrong wrong but we’ll do it anyway cause we love a bit of trouble

~ balaclava

and those dreams weren’t as daft as they seem, aren’t as daft as they seem my love

~ fluorescent adolescent

there’s room for the trouble and there’s lovers to be had

~ this house is a circus

it’d be a big mistake for you to wait and let me waste your time, really love it’s fine, I said really love it’s fine

~ the bad thing

old yellow bricks, love’s a risk… houdini love you don’t know what you’re running away from

~ old yellow bricks

another roll around and another push and shove, further away from the idea of love

~ da frame 2r

the more you keep on looking the more it’s hard to take, love we’re in stalemate… you’re slacking love where have you been

~ the bakery

am I too quick to assume that the love is no longer in bloom

~ too much to ask

humbug

i had a hole in the pocket of my favourite coat and my love dropped into the lining

~ i haven’t got my strange

suck it and see

i wanna feel your love brick by brick

~ brick by brick

do you still feel love is a laserquest or do you take it all more seriously… when I’m not being honest I pretend that you were just some lover

~ love is a laserquest

your love is like a studded leather headlock

~ suck it and see

jealousy in technicolour, fear by name, love by numbers… crushing up a bundle of love

~ that’s where you’re wrong

before she showed you how to shake love’s steady hand

~ the blonde o sonic shimmer trap

your love’s not what I need, so don’t give it to me

~ evil twin

am

it’s not like I’m falling in love I just want you to do me no good… the look of love, the rush of blood

~ no.1 party anthem

love buckles under the strain of those wild nights

~ mad sounds

I heard that you fell in love, or near enough

~ snap out of it

love like locked horns, love like dominoes… love like thunder, love like falling snow

~ electricity

I know you’re nothing like mine cause she’s walking on sunshine and your love would tear us apart

~ you’re so dark

tranquility base hotel and casino

love came in a bottle with a twist off cap, let’s all have a swig and do a hot lap… but it’s alright, cause you love me

~ star treatment

when true love takes a grip it leaves you without a choice

~ golden trunks

pattern language in the mood for love

~ the world’s first ever monster truck front flip

I wanna stay with you my love, the way some science fiction does

~ science fiction

the dawn won’t stop weighing a tonne, I’ve done some things that I shouldn’t have done, but I haven’t stopped loving you once

~ the ultracheese

the car

lights out on the wonder park, your saw toothed lover boy was quick off the mark

~ jet skis on the moat

put your heavy metal to the test, there might be half a love song in it all for you

~ mr schwartz

[galpalkirk]

okay but ttpd is the perfect loustat album

[camgoloud]

you ever just. become overwhelmed by a sudden out-of-nowhere wave of tenderness and affection and longing for reconnection directed towards someone to whom you no longer speak for Very Good Reasons

[pardonmydelays]

warriors essay please? 🙏

i was just literally thinking about this!

i have work today but my plan is to listen to the album again and make some notes this time because i already forgot half the things i wanted to say. i want to do it right, but for that i need to focus (the album is currently on repeat tho. it's just so amazing and i can already sing some parts lmao).

i'll try to write it this week! ❤️

[suguru-getos]

friday got me feeling numb & shit been so busy 😮‍💨

[enhanced-operatives-division]

Head in hands. 'I Spy' with Pulp is such a banger for Zor. It's giving me the urge to finally think about designing them (+ redesigning a couple others..). There's something so good abt some of the lyrics like: "you see I spy for a living // and i specialise in revenge // on taking the things that i know will cause you pain". Like....likee.............

Theres earlier parts that also make my brain tick: "it may look like to the untrained eye // im sitting on my arse all day // I'm biding my time until i take you all on // my lords and ladies, i will not fail // i will prevail, cause i spy"

PLUS the name. That did not help the situation. Alas Different Class by Pulp 🤝 IEYTD Characters. Similar can be said about the Chicago soundtrack but thats a. Whole other ramble

[buttercup-art]

AAAAAAAAAHHHHHHHH OMG OMG OMG-

[insectduck]

My niche Keith Kogane headcanon is that "Thief" by Imagine Dragons from the Smoke + Mirrors (Deluxe) album is HIS song, no if ands or buts, it just screams mullet emo 'delinquent' in the desert bonus with space motifs. If you told me it was written by the angsty fuck himself I'd totally believe you lmao

[sammygender]

thinking about how one of the last things john ever tells dean is an admittance that the way he treated him was fucked. & of course this destroys dean and makes it so much harder for him to come to terms w his death right after and with his childhood in general bc he’s spent his entire life chasing after johns approval. he’s spent his entire life telling himself that the way he was treated was okay and justified and that their childhood was good because he could handle it and he was strong enough and that was how it had to be. he’s worshipped john as a hero and seen nothing wrong with any of it. because he’s had to. his entire life is built around this idea there’s nothing else. he’s his dads perfect soldier and punching bag and wife-replacement and suddenly his dads gone & he said he’s sorry and that he shouldn’t have treated dean that way. what the hell is he supposed to do now.

[moonchild-in-blue]

Thank you for the tag @tonguetyd! My spoons are indeed low but my sleep schedule is GONE so. Random burst of energy let's go.

I didn't know what artist to pick because I didn't want an obvious (?) one, so I'm going super niche and choosing Bright Eyes because it's been a minute since I've talked about them, and they're one of my favourites 💙

Artist: Bright Eyes

How do you feel: Nothing Gets Crossed Out

What is your gender: Bowl Of Oranges (obviously funny but also it's a beautiful song! poetic storytelling!)

If you could go anywhere: Lua

Favorite mode of transportation: Driving Fast Through A Big City At Night (yes that is the title)

Your best friend: First Day Of My Life 🥹

Favorite time of day: Sunrise, Sunset

If your life was a tv show: A Line Allows Progress, A Circle Does Not

Relationship status: I Won't Ever Be Happy Again 🥲

Your fear: Waste Of Paint

Idk who made this or not so I'm tagging randomly, no pressure to do this whatsoever! @dearscone @corviisquire @hookedhobbies @politemagic (hi!) @leonsleftbicep @melit0n

[parlerenfleurs]

I'm perplexed by people who think Xue Yang could have redeemed himself given the opportunity.... It's a sentiment I see echoed a lot but it has no basis in the text or in simple logic.

The dude had plenty of opportunities to do it on his own before even meeting Xiao XingChen, when he had both a better material situation and protection from powerful sects. But sure, he was protected with the aim of making him do more bad things, and Jin GuangYao is a terrible frequentation to have if you want a chance to turn out better at some point in time, and also yeah, everyone knows emotional connection and genuine love are what truly nourishes the soul, so let's say he's a big brat bastard who needs a little more than that to grow up, and let it slide.

But then he ends up with Xiao XingChen. He ends up with him, the embodiment of pure-heartedness, with a miraculous blank slate because the dude is blind and doesn't have a clue who he is! That's the perfect opportunity to bask in the wonderful feeling of true kindness, and then of true affection, right? And what does he do? Not right away, mind you, no, he had the time to heal from his injury and dilly-dally about what to do next, he had plenty of time to make a different decision, to wait a bit more before making it, to stop being an evil asshole and sit down for five minutes. But no, what he does is, he tricks Xiao XingChen into killing innocent people. And he gets a huge kick out of doing it. AND he does it again, repeatedly, even after years have passed and they have truly bonded.

Like? I don't know what more people think he can get, as second chances go. He's a very fun villain but he is an irredeemable one. Of course, he feels love and care, in his own way, sure, yeah. Cool feelings, still manipulation and murder.

[uhbasicallyjustmilex]

every night. EVERY NIGHT when the album i’m listening to finishes, spotify starts playing killing the joke and my peaceful little writing headspace is disrupted by me staring into the void for a good ten minutes in considerable emotional distress, thinking yet again about the fact miles really wrote: ‘interstellar dressed in leather drinking bitter boy/you know the plan but you never knew the ploy/but i, i live a lonely life/since you been gone’

[petricorah]

all im saying is that la vie en rose better be in the soundtrack for next season