#i was surprised that humbug only had one mention and even that was a b side but when i was making this i realised that it was such a

[steinwayandhissons]

arctic monkeys and every time the word ‘love’ is mentioned

whatever people say I am that’s what I’m not

tonight there’ll be some love, tonight there’ll be a ruckus yeah regardless of what’s gone before

~ view from the afternoon

oh there ain’t no love, no montagues or capulets

~ i bet you look good on the dancefloor

all that’s left is the proof that love’s not only blind but deaf… yeah I’d love to tell you all my problem

~ fake tales of san francisco

she makes a subtle proposition, I’m sorry love I’ll have to turn you down

~ when the sun goes down

lady, where has your love gone, i was looking but can’t find it anywhere, they always offer when there’s loads of love around but when you’re short of some it’s nowhere to be found

~ no buses

well how can you wake up with someone you don’t love and not feel slightly phased by it

~ leave before the lights come on

favourite worst nightmare

it’s wrong wrong wrong but we’ll do it anyway cause we love a bit of trouble

~ balaclava

and those dreams weren’t as daft as they seem, aren’t as daft as they seem my love

~ fluorescent adolescent

there’s room for the trouble and there’s lovers to be had

~ this house is a circus

it’d be a big mistake for you to wait and let me waste your time, really love it’s fine, I said really love it’s fine

~ the bad thing

old yellow bricks, love’s a risk… houdini love you don’t know what you’re running away from

~ old yellow bricks

another roll around and another push and shove, further away from the idea of love

~ da frame 2r

the more you keep on looking the more it’s hard to take, love we’re in stalemate… you’re slacking love where have you been

~ the bakery

am I too quick to assume that the love is no longer in bloom

~ too much to ask

humbug

i had a hole in the pocket of my favourite coat and my love dropped into the lining

~ i haven’t got my strange

suck it and see

i wanna feel your love brick by brick

~ brick by brick

do you still feel love is a laserquest or do you take it all more seriously… when I’m not being honest I pretend that you were just some lover

~ love is a laserquest

your love is like a studded leather headlock

~ suck it and see

jealousy in technicolour, fear by name, love by numbers… crushing up a bundle of love

~ that’s where you’re wrong

before she showed you how to shake love’s steady hand

~ the blonde o sonic shimmer trap

your love’s not what I need, so don’t give it to me

~ evil twin

am

it’s not like I’m falling in love I just want you to do me no good… the look of love, the rush of blood

~ no.1 party anthem

love buckles under the strain of those wild nights

~ mad sounds

I heard that you fell in love, or near enough

~ snap out of it

love like locked horns, love like dominoes… love like thunder, love like falling snow

~ electricity

I know you’re nothing like mine cause she’s walking on sunshine and your love would tear us apart

~ you’re so dark

tranquility base hotel and casino

love came in a bottle with a twist off cap, let’s all have a swig and do a hot lap… but it’s alright, cause you love me

~ star treatment

when true love takes a grip it leaves you without a choice

~ golden trunks

pattern language in the mood for love

~ the world’s first ever monster truck front flip

I wanna stay with you my love, the way some science fiction does

~ science fiction

the dawn won’t stop weighing a tonne, I’ve done some things that I shouldn’t have done, but I haven’t stopped loving you once

~ the ultracheese

the car

lights out on the wonder park, your saw toothed lover boy was quick off the mark

~ jet skis on the moat

put your heavy metal to the test, there might be half a love song in it all for you

~ mr schwartz

[benjaminjamestaylor]

My Top 10 Albums of 2018

If you know me well, you know I do this every year. It’s not in the hope that people will read it; more a sort of time capsule that I can look back on in the future and fondly remember the music that soundtracked my year. Some years, there’s a clear and obvious number one (Kendrick Lamar’s To Pimp a Butterfly in 2015, for example). Others – such as this one – are more of a close-run thing, with the top spots changing sometimes as late as the writing process.

Before I get to my top ten, I would be remiss not to mention a few albums that missed out but have nonetheless been regulars in my rotation this year. Firstly, I should tip my cap to the experimentation shown by Beach House, Ben Howard, and Low, all of whom showed a refreshing intent to break from their norm and make some greatly interesting music. I’m also acutely aware of the lack of representation for R&B and hip-hop in my top ten – I didn’t ignore these genres, it just so happened that they weren’t among my ten favourites. Kids See Ghosts and Earl Sweatshirt in particular came close, and Janelle Monáe was another that I enjoyed greatly. Here’s my honourable mentions list in full:

Beach House – 7; Ben Howard – Noonday Dream; Low – Double Negative; Janelle Monáe – Dirty Computer; Brockhampton – Iridescence; Anderson .Paak – Oxnard; Villagers – The Art of Pretending to Swim; Jeff Tweedy – WARM; Matt Maltese – Bad Contestant; Kids See Ghosts – Kids See Ghosts; Pusha T – Daytona; Earl Sweatshirt – Some Rap Songs; Parquet Courts – Wide Awake; Kurt Vile – Bottle It In; The Beths – Future Me Hates Me; Jungle – For Ever; Courtney Barnett – Tell Me How You Really Feel; Mitski – Be The Cowboy; Hop Along – Bark Your Head Off Dog; Lucy Dacus – Historian.

Also, here’s a Spotify playlist of all my favourite tracks from the year.

Now on to the top ten…

10. Blood Orange – Negro Swan

I’ve got a soft spot for a true album – one that’s greater than the sum of its parts, and should be listened to as a whole. There are actually very few tracks on Negro Swan that hit home outside the context of the album. But there’s so much to like here: the way tracks flow into each other, punctuated by regular snippets of dialogue from the likes of transgender activist Janet Mock. The word that defines this album is ‘introspection’ – there are regular references to the desire to be loved and the fear of allowing oneself to be loved completely. At times the tracks feel frustratingly unfinished, and that’s all that keeps this at the back end of my top ten.

Highlights: ‘Saint’, ‘Charcoal Baby’, ‘Nappy Wonder’

9. Snail Mail – Lush

It’s been a hell of a year for young, female indie rockers (more on that later…), and Lindsey Jordan (A.K.A. Snail Mail) is perhaps the most prodigious of them all. The teenager’s debut, Lush, is a highly impressive record that showcases her signature sound: subtle, twinkly guitar melodies and foot-tapping drum beats. It tails off a little towards the back end of the album, as the novelty of her style begins to wear off. You wonder if this was a record she rushed into making, to capitalise on the considerable hype around her. If that’s the case, it’s a shame as a few more songs to the standard of ‘Pristine’ and ‘Heat Wave’ may have pushed this album up into my top five.

Highlights: ‘Pristine’, ‘Heat Wave’, ‘Stick’

8. The 1975 – A Brief Inquiry Into Online Relationships

This album is getting a lot of love, and I’ll admit that on first listen I didn’t get the hype. The 1975 are a somewhat controversial band – they face lavish praise and upturned noses in seemingly equal measure. There were moments of their absurdly-titled previous record that I liked, but their overly synthetic sound and Matty Healy’s unique vocal style are occasionally grating. ABIIOR has its flaws, but there’s also much to admire. They’ve incorporated a variety of styles, from stripped-back acoustic to arena pop and even jazz. The obvious themes of life and love in a digital age are well-explored and the production is, at times, gorgeous. Stick with it – it might just grow on you.

Highlights: ‘Love It If We Made It’, ‘Inside Your Mind’, ‘I Always Wanna Die (Sometimes)’

7. U.S. Girls – In A Poem Unlimited

In many ways, this record is a better executed version of the 1975’s. Meg Remy looks at similar themes of our problematic modern world, though in her case she explores them through a lens of feminine anger. Songs like ‘Rage of Plastics’ and ‘M.A.H.’ are direct, furious tirades towards American politics in the Obama era. The instrumentation and production is staggeringly brilliant throughout, with each track demonstrating a different string from Remy’s bow. On ‘Rosebud’, she channels her inner Madonna to produce one of the finest, most listenable indie pop tunes of the year.

Highlights: ‘M.A.H.’, ‘Rosebud’, ‘L-Over’

6. Maribou State – Kingdoms In Colour

My favourite electronic album of the year, Kingdoms In Colour improves on Maribou State’s encouraging debut, 2015’s Portraits. The improvements lie in their balance between the dance-pop hits, where they utilise long-time collaborator Holly Walker on vocals, and the more experimental, sample-based pieces that make up the rest of the album. It’s the latter that leave the most lasting impression, no better than on ‘Vale’, with the sample of Melanie de Baliso’s ‘I Feel You’ dovetailing beautifully with the group’s accompanying melody. If you’re looking for an album to put on as a backing track at your next party, look no further.

Highlights: ‘Beginner’s Luck’, ‘Nervous Tics’, ‘Vale’

5. Big Red Machine – Big Red Machine

A collaboration between Bon Iver and the National was never going to be bad, was it? Big Red Machine doesn’t quite hit the heights you might expect from such a high-profile meeting of minds, but there are enough moments of genius here to make it an album worth revisiting repeatedly. For the most part, Justin Vernon leaves his trademark complex song structures at the door in favour of simpler, more lineal compositions. This leads to some tracks feeling repetitive at times, although even these feature a central hook strong enough to keep you interested. And on 'Lyla', with its polyrhythms and meandering structure, there are hints of the exciting fruits this partnership could eventually produce.

Highlights: ‘Lyla’, ‘Hymnostic’, ‘I Won’t Run From It’

4. Arctic Monkeys – Tranquility Base Hotel & Casino

Perhaps Arctic Monkeys’ most divisive album since Humbug, TBHAC is also their bravest and most ambitious. It’s essentially a concept album – tales of a futuristic hotel on the moon brought to life by Alex Turner’s controversial switch from guitar to piano. It’s no surprise that the album has alienated some of the band’s more fundamentalist fans, as there’s a blatant lack of Turner’s usual indie dancefloor hits as well as a side-lining of outstanding drummer Matt Helders. Instead, we’re treated to songs without clear structures and, aside from ‘Four Out Of Five’, catchy choruses. Turner occasionally strays too far towards self-indulgence (‘Batphone’ is a difficult listen), but he’s still a remarkable lyricist and he’s produced an album that cements their status as the band of their era.

Highlights: ‘Star Treatment’, ‘American Sports’, ‘Four Out Of Five’

3. boygenius – boygenius EP

I may be cheating a tad here by including an EP, but given that there’s as much to enjoy here as on many fine albums released this year, you’ll excuse me. boygenius are a supergroup of sorts, featuring female up-and-comers Julien Baker, Phoebe Bridgers, and Lucy Dacus. Individually, all three are well worth a listen. But their collaborative EP propels them to new heights. Each has their own songwriting moments (two each from the six-track EP), and these intertwine through stunning vocal harmonies to form a completely cohesive collection of songs. The finest moments are Bridgers’, with her soft vocal timbre particularly captivating on ‘Me And My Dog’. We can only hope the success of this experiment results in a full-length album in 2019.

Highlights: ‘Me And My Dog’, ‘Souvenir’, ‘Ketchum, ID’

2. Kacey Musgraves – Golden Hour

No album surprised me more in 2018 than this one. After a slew of out-of-this-world reviews, I decided I had to give Golden Hour at least one listen – if only to be able to confirm it as what almost all country pop albums are: ‘not for me’. The thing is, this record transcends genre, and even those who like neither country nor pop will appreciate its beauty and the quality of its songs. Everything on Golden Hour is well-executed: Musgraves sings beautifully; the instrumentation feels minimal yet rounded; the production is absolutely on-point; and the melodies are to die for. There are even psychedelic elements throughout – nods to Musgraves’ use of acid during the album’s production. Give this album a chance, leave your prejudices at the door, and you’ll be treated to a simply perfect collection of pop songs.

Highlights: ‘Slow Burn’, ‘Wonder Woman’, ‘High Horse’

1. Soccer Mommy – Clean

As I mentioned, this wasn’t a runaway number one. But the more I re-listened to my shortlist, the more it became clear that Clean was the strongest candidate for top spot. Snail Mail and boygenius have already taken spots in my top ten, demonstrating what a strong year it has been for female indie vocalists. But Soccer Mommy’s (Sophie Allison’s) album just feels like the finished product that both Snail Mail and boygenius are aiming to eventually produce.

Clean doesn’t just contain great songs with deliciously spiky lyrics (the opening line of ‘Your Dog’ is a belter), it also feels so well balanced. Laid-back, melancholy tunes like ‘Still Clean’ and ‘Blossom’ are countered by catchy indie numbers like ‘Cool’ and ‘Skin’. Allison’s voice seems refined too – perfectly able to handle those two ends of the spectrum. Considering the album centres on a feeling of teenage angst, the sound feels remarkably mature. It’s a worthy album of the year.

Highlights: ‘Cool’, ‘Skin’, ‘Blossom (Wasting All My Time)’