#this shit is historical

[onemightygoldfish]

I've been laughing at this for the better part of an hour y'all

[hesbuckcompton-baby]

people who don't study history will simply never understand the joy of reading historian beef. there's nothing like it

[persephonaae]

TERFs die mad: you just reblogged a nasty transgender person with pronouns and all who did this historical look to explore their cultural history as well as express their own nonbinary identity in a way that resonates with them. An edit I wish I didn’t have to make on this post

I’ll try to post the actual pictures I took soon, but I was bored today and wanted to shirk some other responsibilities, so I decided to do some general vague Minoan or Mycenaean look since it’s been on the mind and also my hair was looking really good today and I wanted to take advantage of that haha

[ew-selfish-art]

DPxDC Au: Normally when Danny vandalizes ancient cave walls and historic places on his 'favor' missions for Clockwork, he gets sent back to erase them. But no, apparently this time, when Danny added his actual phone number into some painting, he's not allowed to go back and fix it. Ugh.

...

Tim has had the painting of Bruce professionally reviewed a few times since the old Bat was retrieved from the time stream. He's not entirely sure how the painting still exists, he's not even sure that it matters any more... But one day Tim catches something new in the painting.

It was small, and it could've just been the light at first but... Is that a phone number in the background?? It looks like black marker on the black curtains and it makes him feel feral. The family is kinder this time about how they think he's gone crazy- but each one of them admit that they can't remember a phone number ever being present.

The lab reports that the number was added over the paint- and that it's an ink based marking akin to a sharpie but like, hundreds of years old. So... It's been added recently but not at all recently enough for Tim to have an explanation.

Tim doesn't want to hear any more of his family members opinions on the matter and he certainly isn't going to just, stop investigating or something stupid like that. So, he takes the painting to the tower, gathers his team (Cassie, Kon and Bart), and they call the number in the middle of the night after a lot of planning/back-and-forth/catastrophizing.

It doesn't answer until the final ring, and the static that comes through the phone is bone chilling. A deep, monstrous groan which echoed with agony fills the room.

"I have a math test in like, three hours, who the fuck are you and why the fuck are you calling in the middle of the night?" The voice now complains, still sounding vaguely inhuman despite it's very human word choices.

"Your number is in a historical painting, we had a few questions but uh, you can call us back later?" Tim cringes as he says it but he hadn't planned on having to reply to someone trying to go back to bed. Or someone who was apparently also a teenager. (He had so, so many contingency plans for like, every kind of villain, alien or demon. lame.)

"...Ugh. might as well." The voice calls out, agreeing with a sigh that echos so deeply the team can feel it in their bones.

"Cool. Good luck on your test?" Tim offers.

"Mph." And the line hangs up.

...

Danny is at lunch with Sam and Tucker when he remembers the late night call. He'd spent the morning bitching about never getting a full night of sleep and it finally occurred to him what had happened. Of course his friends think it's hilarious that CW wouldn't let him erase his number. Of course they do.

They stop laughing when Danny calls the number back.

"Hello, this is Red Robin of Gotham. I have Superboy, Wonder girl and Impulse present with me. How did your math test go?"

[kaleidoscopiccc]

oh you hate musicals? oh so youre allergic to all fun and whimsy then? youre against all joy and giddiness brought in front of you huh? you just hate any and all happiness and silly times dont you?

[mysterycitrus]

tom taylor has truly rotted online disk horse cause wdym people are seriously upset that during an event where heroes lose their powers this guy is the one who starts ordering people around

he’s very bossy and likes being in charge. no of fence but ofc he’s going to lead instead of flash on a motorbike or an aquaman who can’t swim

[its-a-hare-pom-pom]

[little-pondhead]

Your Ancient History, Written In Wax

-

Danny knew he should have put better security around the Sarcophagus of Eternal Sleep. It wasn’t even Vlad who opened it this time! The fruitloop was too busy doing his actual mayor duties because for some godforsaken reason, the man got re-elected.

No, it wasn’t Vlad. And it wasn’t Fright Knight, either. Nor the Observants. Who opened the Sarcophagus, then? Danny didn’t have time to find out as Pariah Dark promptly tore open a hole in reality and started hunting Danny down.

The battle was longer this time. He didn’t have the Ecto-Skeleton, as that was the first thing Pariah had destroyed. The halfa had grown a lot over the past few years, and learned some new tricks, but apparently sleeping in a magic ghost box meant that Pariah had absorbed a lot of power. The bigger ghost acted like a one-man army!

Amity Park was caught in the middle of the battle, but the residents made sure it went no further than that. Vlad and the Fentons made a barrier around the town to keep the destruction from leaking. Sam, Tucker, and Dani did crowd control while Danny faced the king head-on.

Their battle shook the Zone and pulled them wildly between the mortal plane and the afterlife. Sometimes, residents noticed a blow from Pariah transported them to the age of the dinosaurs, and Phantom’s Wail brought them to an unknown future. Then they were in a desert. Then a blazing forest. Then underwater. It went on like that, but no one dared step foot outside of Amity. They couldn’t risk being left behind.

It took ages to beat him, but eventually, Danny stood above the old ghost king, encasing his symbols of power in ice so they couldn’t be used again. He refused to claim the title for himself. Tired as he was, Danny handed the objects off to Clockwork for safe keeping and started repairing the damage Pariah had done to the town. The tear he’d made was too big to fix, for now, so no one bothered. They just welcomed their new ghostly neighbors with open arms and worked together to restore Amity Park.

Finally, the day came to bring down the barrier. People were gathered around the giant device the Fentons had built to sustain it. Danny had brought Clockwork to Amity, to double check that they had returned to the right time and dimension.

Clockwork assured everyone that they were in the right spot, and only a small amount of time had passed, so the Fentons gave the signal to drop the shield.

Very quickly did they discover that something was wrong. The air smelled different. The noise of the nearby city, Elmerton, was louder and more chaotic. Something was there that wasn’t before, and it put everyone on edge.

Clockwork smiled, made a remark about the town fitting in better than before, and disappearing before Danny could catch him.

Frantic, Danny had a few of his ghost buds stay behind to protect the town while he investigated.

He flew far and wide, steadily growing horrified at the changes the world had undergone. Heroes, villains, rampant crime and alien invasions. The Earth was unrecognizable. There were people moving around the stars like it was second nature and others raising dead gods like the apocalypse was coming. Magic and ectoplasm was everywhere, rather than following the ley lines like they were supposed to.

Danny returned to Amity.

The fight with Pariah had taken them through space and time. Somewhere along the way, they had changed the course of history so badly that this now felt like an alien world.

How was he supposed to fix this?

-

In the Watchtower, The Flash was wrapping up monitor duty while Impulse buzzed around him, a little more jittery than usual. The boy was talking a mile a minute, when alarms started blaring an alarming green. Flash had never seen this alarm before, and its crackling whine was grating on his ears.

Flash returned to the monitor, frantically clicking around to find the issue, but nothing was popping up. No major disasters, no invasions, no declarations of war. Nothing! What was causing the alarm?

Impulse swore and zipped to a window, pressing his face against it and staring down at Earth. “Fuck! It’s today isn’t it? I forgot!”

“What’s today?” Flash asked. He shot off a text to Batman, asking if it was an error. The big Bat said it wasn’t, and that he would be there soon.

“The arrival of Amity Park. I learned about this in school; the alarm always gives me headaches.”

Flash turned to his grandson, getting his attention. “Bart,” he stressed. “What are you talking about?”

Impulse barely glanced over his shoulder. Now that Flash was facing him, he could see a strong glow coming from Earth. “The first villain, first anti-villain, and the first hero,” he said anxiously. “They all protect the town of the original metas. They’re all here.”

“Here? Now??”

“Yeah? They weren’t before, but they are now. The first hero said there was time stuff involved, which was what inspired me to start practicing time travel in the first place.”

“I’m not following.”

“It’s okay. We should probably go welcome them before they tear apart Illinois, though. The history I remember says that some of them freaked and destroyed a chunk of the Midwest during a fight with each other.”

“WHAT?”

[bixels]

What's K.O. CRISIS?

Hey all. Over the past couple months, I've gotten a lot of followers who probably don't know about my OCs and portfolio projects that I'm also working on, so I'm making a quick master-post for it!

K.O. CRISIS is a series of artwork––character designs, illustrations, sketches, and animations––inspired by late-90s/early-2000s anime and Y2K culture.

Set in an alternate-history Los Angeles in the year 2001, the story follows disabled Taiwanese-American Ashley Tang as she fights her way to the top of the bracket in the national augmented boxing championship.

As the youngest female fighter in the championship, she'll have to fight tooth-and-nail to defend her place amongst the heavy-weights. While her rare dual arm prosthetics help even the playing fields, it'll take more than brute strength to prove her worth.

But this isn't a story about an underdog triumphing against all odds. Throughout the story, Ashley will push herself to the limit for the sake of validating her existence under the grinding heel of the sports media machine, in a world that values disabled bodies more than their lives. As the championship rages on, one question seems to linger through the roar: Is Ash strong enough to win, or is she brave enough to quit?

Through the project, I'm hoping to explore representations of prosthetic-users in pop culture as "enhanced superheroes," as well as discussions of trans-humanism under medical capitalism, the fetishization of new technology, and the commodification of disabled people as entertainment.

Accompanying her journey include characters like Noora Balakrishnan, a local transfem prosthetics engineer who doubles as Ashley's ringside mechanical cutwoman.

The project is still in its early stages, especially since I sorta rebooted it earlier this year (meaning I'm no longer using past, outdated art for the project). If you enjoy it, you can find more artwork for the project under the #ko crisis tag!

[endless-nightshift]

The scale of MXTX characters hand writing from Worst to Best

Hua Cheng: literally intelligible, those basically aren't even words any.

Wei wuxian: the equivalent of a sleep deprived adhd stem student notes right before an exam. Technically legible but only to him, people who know him really well.

Luo Binghe: it's good. Not outstanding but Nicely legible, pretty when it needs to be.

Shen Qingqiu: technically there's nothing wrong with his hand writing, but His writing is too modern for the Xianxia settings he's living in and although it's not too much of a problem it's definitely enough to make peoples eyebrow raise.

Xie Lian: stunningly beautiful calligraphy. Truly just art in written form.

Lan wangji: the most beautiful and technically perfect hand writing you have everything seen. Calligraphy teachers weap with joy when they see his writing.

[im-what-killed-the-dinosaurs]

[snikkts]

BRIDGERTON LADIES APPRECIATION WEEK 2023 ↪ Day Four: Favourite Outfit(s) / Hairstyle(s)

[sopranoentravesti]

Gonna make a controversial statement—people on this webbed site had more compassion for the poor white rural Trump supporters than they do for Jews

[transmascissues]

“people who present hyperfemininely but repeatedly point out the fact that they’re men are transphobic” i just KNOW these people are incapable of being normal about feminine and non-passing trans men.

i feel like the venn diagram of “people who get upset at other people for looking too much like women while still openly identifying as men” and “people who called us trenders back in the day and now spend their free time shitting on trans men who use the women’s bathroom for safety or talk about how being raised as girls affects us or talk about experiencing misogyny or consider our attraction to women sapphic or call ourselves femboys or are multigender and also women or…” has to be a circle.

i could not care less about a twitch streamer i don’t watch or the discourse surrounding them, but i do start caring when i see the discourse descend into a bunch of trans people calling gender nonconformity transphobic and saying people who look like women aren’t allowed to assert their identity as men.

[territorial-utopia]

Huzzah! It's birthday time! I'm slowly accumulating more and more things I like (latest additions this vest I made and a travel typewriter! Still need to fix the latter one though)

Sure has been a year.

[bowtiepastabitch]

Historical Analysis: class and injustice in 'The Ressurrectionists' minisode

Alternate title: why we're tempted to be upset with Aziraphale and why that's only halfway fair

Okay so first off huge thanks to @makewayforbigcrossducks for asking the question (and follow-up questions lol) that brought me to put these thoughts all together into a little history nerd ramble. That question being, Why is Aziraphale so clueless? Obviously, from a plot perspective, we know we need to learn some lessons about human moral dilemmas and injustices. But from a character perspective? A lot of this minisode is about Aziraphale being forced to confront the flaws of heavenly logic. This whole idea that "poverty is ineffable" basically boils down to 'yeah some people are poor, but their souls can be saved just as if not more easily that way, so it's not our problem and they probably deserve it anyway for not working hard enough,' a perspective that persists in many modern religious circles. Aziraphale isn't looking at the human factor here, he's pretty much purely concerned about the dichotomy of good and wicked human behavior and the spiritual consequences thereof, because that's what he's been told to believe. His whole goal is to "show her the error of her ways." He believes, quite wholeheartedly, that he's helping her in the long run.

"the lower you start, the more opportunities you have"

So here's what we're asking ourselves: Why did it take him so bloody long to realize how stupid that is? Sure, he's willing to excuse all kinds of things in the name of ineffability, but if someone in the year of our lord 2023 told me he was just now realizing that homelessness was bad after experiencing the past two centuries, I'd be resisting the urge to get violent even if he WAS played by Michael Sheen.

Historical context: a new type of poverty

Prior to the 19th century (1800s), poverty was a very different animal from what we deal with now. The lowest classes went through a dynamic change leading up to the industrial revolution, with proto-industrialization already moving people into more manufacture-focused tasks and rapid urbanization as a result of increasingly unlivable conditions for rural peasantry. The enclosure of common lands and tennancies by wealthy landowners for the more profitable sheep raising displaced lots of families, and in combination with poor harvests and rising rents, many people were driven to cities to seek out new ways of eeking out a living.

Before this, your ability to eat largely would have depended on the harvest in your local area. This can, for our purposes, be read as: you're really only a miracle away from being able to survive the winter. Juxtapose this, then, with the relatively new conundrum of an unhoused urban poor population. Now if you want to eat, you need money itself, no exceptions, unless you want to steal food. Charity at the time was often just as much harm as good, nearly always tied deeply up in religious attitudes and a stronger desire to proselytize than improve quality of lie. As a young woman, finding work in a city is going to be incredibly difficult, especially if you're not clean and proper enough to present as a housemaid or other service laborer. As such, Elspeth turns to body snatching to try to make a better life for herself and Wee Morag. She's out of options and she knows it.

You know who doesn't know that? Aziraphale.

The rise of capitalism

The biggest piece of the puzzle which Aziraphale is missing here is that he hasn't quite caught onto the concept of capitalism yet. To him, human professions are just silly little tasks, and she should be able to support herself if she just tried. Bookselling, weaving, farming, these are all just things humans do, in his mind. He suggests these things as options because it hasn't occurred to him yet that Elspeth is doing this out of desperation, but he also just doesn't grasp the concept of capital. Crowley does, he thinks it's hilarious, but Aziraphale is just confused as to why these occupations aren't genuine options. Farming in particular, as briefly touched on above, was formerly carried out largely on common land, tennancies, or on family plots, and land-as-capital is an emerging concept in this period of time (previously, landowners acted more like local lords than modern landlords). Aziraphale just isn't picking up on the fact that money itself is the root issue.

Even when he realizes that he fucked up by soup-ifying the corpse, he doesn't offer to give them money but rather to help dig up another body. He still isn't processing the systemic issues at play (poverty) merely what's been immediately presented to him (corpses), and this is, from my perspective, half a result of his tunnel-vision on morality and half of his inability to process this new mode of human suffering.

Half a conclusion and other thoughts

So we bring ourselves back around to the question of Aziraphale's cluelessness. Aziraphale is, as an individual, consistently behind on the times. He likes doing things a certain way and rarely changes his methodology unless someone forces his hand. Even with the best intentions, his ability to help in this minisode is hindered by two points: 1)his continued adherance to heavenly dogma 2)his inability to process the changing nature of human society. His strongest desire at any point is to ensure that good is carried out, an objective good as defined by heavenly values, and while I think it's one of his biggest character hangups, I also can't totally blame him for clinging to the only identity given to him or for worrying about something that is, as an ethereal being, a very real concern. Unfortunately, he also lacks an understanding of the actual human needs that present themselves. Where Elspeth knows that what she needs is money, Aziraphale doesn't seem to process that money is the only solution to the immediate problem. This is in part probably because a century prior the needs of the poor were much simpler, and thus miraculous assistance would never have interfered with 'the virtues of poverty'. (You can make someone's crops grow, and they'll eat well, but giving someone money actually changes their economic status.) Thus, his actions in this episode illustrate the intersection of heavenly guidelines with a weak understanding of modern structures.

This especially makes sense with his response to being told to give her money. Our angel is many things, but I would never peg him as having any attachment to his money. He's not hesitant because he doesn't want to part with it, he's hesitant because he's still scared it's the wrong thing to do in this scenario. He really is trying to be good and helpful. So yes, we're justifiably pretty miffed to see him so blatantly unaware and damaging. He definitely holds a lot of responsibility for the genuine tragedy of this minisode, and I think Crowley pointing out that it's 'different when you knew them' is an extremely important moment for Aziraphale's relationship with humanity. Up until now, he's done a pretty good job insulating himself from the capacity of humans for nastiness, his seeming naivity at the Bastille being case in point.

In the end, I think Aziraphale's role in this minisode is incredibly complex, especially within its historical context. He's obstinate and clueless but also deeply concerned with spiritual wellbeing (which is, to Aziraphale, simply wellbeing) and doing the right thing to be helpful. While it's easy to allow tiny Crowley (my beloved) to eclipse the tragic nature and moral complexity of this minisode, I think in the end it's just as important to long-term character development as 'A Companion to Owls'. We saw him make the right choice with Job's children, and now we see him make the wrong choice. And that's a thing people do sometimes, a thing humans do.

~~~

also tagging @ineffabildaddy, @kimberellaroo, and @raining-stars-somewhere-else whose comments on the original post were invaluable in helping me organize my thoughts and feelings about this topic. They also provided great insight that, in my opinion, is worth going and reading for yourself, even if it didn't factor into my final analysis/judgement.

If I missed anything or you have additional thoughts, please please share!!! <3