#this scene was one of the very first scenes we planned out

[not-so-mundane-after-all]

I know plenty of people have already made a version of the "Jinx is alive" theory post but I've also seen so many of you mourn her death that I decided to gather all the evidence and make another post, turning this theory into a fact.

Because Jinx is alive. It's not a speculation. It's literally there.

The first thing I'm going to mention are the context clues Jinx gives herself. First, the last thing the ghost of Silco tells her. I think the cycle only ends when you find the will to walk away. Then, the realization she comes to when Vi hugs her in the cell. You're never gonna give up on me, are you? What she tells Vi after she leaves her in that cell. You don't need to worry about me anymore. [...] And yes, her initial plan is to kill herself, because she thinks the only way for Vi to move on is for her to be gone. And Ekko gets there just in time to stop her but it looks like he doesn't convince her to abandon her plan, just change it.

And later, when she joins Vi in the final fight. What does she tell her? Still don't get it, huh, sis? I'm always with you. Even when we're worlds apart.

Everything that happens after is constructed specifically to let us and Vi believe that Jinx died. Until we get to this scene:

Caitlyn is studying the Hexgates designs.

She's looking through the pages depicting the place where the final fight happened, specifically focusing on the air vent shafts, while toying with a monkey bomb head - the same monkey bomb that Jinx used in her supposed last monents.

She looks down at the monkey...

Watch the eyes. The realization hits her...

And she smirks, knowing. Jinx used one of the air vents to escape before the explosion.

I've studied the explosion frame by frame. First, a small yellow explosion goes off - Jinx sets off the monkey bomb.

As it becomes bigger, she shoots out of there

this is still the beginning of the blast when we can still see her, and the big boom that destroys everything starts 10 frames later

Last context clue is a reference to the very first episode, which is clearly depicted in this gifset here, so instead of explaining, I'll just send you there to check for yourselves.

One thing that is speculation here is, how exactly did Caitlyn come into possession of the monkey bomb head? I doubt she found it there because it would have been turned to dust. And I'm thinking, Jinx took it with her and left it for Cait to find as a clue. She didn't want Vi to know but maybe she wanted Cait to figure it out. I imagine her sneaking into her house and maybe leaving it somewhere for Cait to find, like her desk or something. It gives Cait an idea, a gut feeling she needs to check, and that allows her to figure it out. Just like we are supposed to figure it out on our own.

Bottom line, Jinx is alive. She escaped the explosion through the air vents, then boarded the airship and left the city, convinced that the only way to give her sister a happy ending is to take herself out of the equation. The glitching closing shot saying The End in Jinx's colorful handwriting is a sign that she is telling us that this is where this story ends, like she's saying "don't look for me. It's over." That's also probably why we aren't shown what Caitlyn does with the information she now possesses.

I hope this helps take away from the grief 💙

[space-blue]

Fixing Vander and Silco's story (a bit)

Using canon events! Sadly we can't actually fix it, but I hope this makes it a little better. I make my own edit proposal at the end that changes the bar scene to include Felicia without issues.

They meet in the mines, and meet Felicia and her partner there too. They end up together somehow (I think we can put the brotherly allegations to rest now, eh?) and one of them (or both) inherit/buy a bar.

Although Vander is the barman, there is no indication Silco doesn't own or co-own the place. After all he comes to take it eventually as his own, and he's still not bartending. That's just not his gig.

It's implied that Vander and Silco made it, as in, got away from the mines, while Felicia clearly didn't, as she comes home to both her daughters with mining gear and gloves.

So despite Vander and Silco building the Lanes together, the mines aren't closed, and the work "isn't done".

Felicia says they've done it, and Vander is happy to celebrate their success. Meanwhile, Silco has his "NoZ" Nation of Zaun book in which he's scribbling, still planning.

Vander's first memory that Viktor sees even has Silco holding that book.

Later, in season 1 episode 3, we see that Vander tells Silco that he had Vander's respect, the Lanes' respect, but it "was never enough".

There's also this fakeout moment in the memory at the bar, where Vander says they're done, and Silco replies with "You're gravely mistaken". And I thought he was going to go all zealous and say "We'll only be done when we have the Nation of Zaun", but no, he claims he's Bozo 1.

And imo, he is probably right. He calls out Vander in act 1 saying "I trusted you and you betrayed me", and Vander does not contest this. It makes the most in character sense as well that Silco is the brains of the operation while Vander is the brawn.

And we can conclude that Silco's goals were always "bigger" and that the Lanes were indeed not enough.

Years pass, during which we can only assume Silco keeps building his Nation of Zaun and Vander happily bartends and manages the Lanes with Silco. Felicia keeps working the mines and raises Vi, then Powder.

Vi is at least 11, if not more, by the time she's on the bridge. This is just consistent with her model, but also to make her 18+ by the time of act 2.

It's a long ass time for Vander and Silco to be running a bar and the Lanes together. Even assuming Vi is more 8 or 9yo, Vander and Silco spend all that time being together.

Sadly, their models aren't aged very well.

We are also forced here to make some unfortunate assumptions.

It's not a problem, IMO, for Silco to know Felicia and be close to her. It's a problem for him to not be close to Vi and Powder too. Close enough to recognise them at least.

It's easy to say, "Well, Felicia went back to the mines and raised her kids and wasn't super involved with Vander and Silco, who lived much higher up in their bar." Adult friendships and all that.

IT MAKES SENSE, but then it makes zero sense that Vander would murder his life's partner, a man he's been with 10 years at MINIMUM (fuck knows how long they were together while in the mines), over the death of a friend in a revolt they allegedly BOTH participated in.

The memories also imply that Silco is responsible somehow, for throwing a molotov. And yet the molotov doesn't kill the enforcer.

But Vander is shown in the opening of Act 1 season 1 pummeling one to death himself, long after the rest of the revolt has died down. That enforcer wasn't getting back up lol

So whatever we pick, because the writers made Felicia and Silco close, they create a plot hole either way.

Either Vander is whacko and murders his husband over a dead friend at a revolt he set up (since he repeatedly apologises for what he did, and claims he "lost his head after she died" and had that guilt on his hands too)

Or Silco and Vi and Powder spend ALL of season 1 acting like they don't know each other at all. Then Silco takes in Powder and somehow never comments on the fact he was friends with her mom.

Everything being triggered by Felicia's death also means that Vander's emotional thematic moment dropping the gauntlets after seeing what his violence led to is then followed up by a horrible attempted murder on the love of his life, which is... you know. Bad writing.

So I propose that they indeed drift apart. Silco knows of Felicia's kids, and they hangout a bit, but they aren't that close. She's busy mining and being a mom, and Silco is busy making the safe Zaun he promised to deliver.

The creation of that Zaun leads them to act out revolts and uprisings. Vander is happy to follow. He's angry, like he tells Vi. And this manifests in violence. Silco points his violence. It's how they create the Lanes and the moniker of Hound of the Underground. A hound usually has a master, after all.

Vander is Silco's hound, and I think, in Vander's mind this absolves him of some of the consequences of his actions.

So when his friend dies on the Bridge, even if they haven't been that close in a while, well, it's easy to put the blame on Silco.

Since we're following the new canon timeline... we'll have to have him go back with the girls, ready to turn a new leaf.

I think the best way here is to have him either dropping them at an orphanage, or back at their home (trusting Vi to look after Powder for a while) or with friends.

That way, Vi and Powder aren't immediately in Silco's legs back at the drop.

Then Vander and Silco take part in the "clean up" at the bridge. They go get bodies, and since they have no real estate in the fissures, they commit them to the sea (we have canon monsters in there, so I'm sure it all gets gobbled up).

That way, we explain why Vander is weirdly shaved, and why Silco and him are at in the Pilt: they just commited the bodies of the fallen to the waters.

There may have been many others, but Silco and Vander stay there, in the shallows, as they talk.

Vander is done. He doesn't want more of this. He thinks Silco went too far with pushing this one to the bridge. Piltover got defensive and they lost too many people.

Silco doesn't get it. Where he goes, so does Vander, but Vander is his own man, he decided to come too, and he killed enforcers too. Felicia's death is tragic, but as he later will tell Renni about the death of her son: at least she died fighting for the cause, and not some petty infighting, or worse, an accident at the shitty mines.

Vander, the Hound, is not only mad with grief, he refuses to carry the blame of his own actions. It's a character flaw and that's fine! The angry man channels that anger with violence, the only way he knows how.

Silco is probably shocked, and may not say the right things to calm Vander down.

Silco is under the assumption that Vander BELIEVES IN HIS DREAM. That he's a true believer of the Nation of Zaun, like Sevika turns out to be. A true believer would understand sacrifice. A true believer would understand too, that stopping now, after Felicia's death, would make THAT VERY DEATH POINTLESS.

So maybe he screams at Vander! What do you MEAN abandoning the fight? What do you mean, being content with the Lanes? How dare you? You'd make her sacrifice meaningless! You'd make Felicia die a pointless death!

And Vander would bellow that it's over. No more death. No more bloodshed. He rescued her kids from that bridge, and they don't deserve to die too, they don't deserve to see more death.

And Silco screams back that it's their job to create Zaun so these children won't have to see more death. Vander is just delaying the struggle.

And then, perhaps, Silco may even mock him. Say that Vander can't change like that. That he's not that sort of person, to just hang up his gauntlets and go peaceful. That Felicia's blood is on his hands too, and that the only way out is through more blood, more sacrifice.

It would be a horrible point to make, if then Vander truly loses it. Silco runs, and Vander's hound comes out, just grabbing Silco and trying to drown him.

It would be poetic, because then Vander goes home in shame. Gets his arm patched up, hides the scar under a brace, collects the kids and tries to pretend like HE CAN BE THAT MAN. Even though he surrendered his gauntlets and metaphorical violence, and tries to lean into the bartender chill persona, there's what he did to Silco.

And later he'll tell Vander "I'll show you what you really are". Because Silco knows that Vander's promises of being a peaceful good dad are flimsy at best.

Anyway, Vander goes home, and eventually the impact of what he's done really hits him. He's single now, and with kids, and the Lanes to run, and nobody knows where Silco is.

Vander slowly realises Silco was right about one thing. Just because Vander followed, doesn't mean he wasn't behind that event on the bridge. Becoming the solo leader of the Lanes has to have hammered that home for him. Suddenly so much responsibility thrust on him.

So Felicia's death was on him too, and his actions against Silco are the proof that he is indeed the sort of man Silco said he was. At any rate, surrendering violence as his first reaction to any trigger will take a lot of work.

He goes to their old hideout and leaves a letter for Silco.

In the happy AU, Silco finds it, and returns to Vander BEFORE ever meeting Singed. There is no glowing eye, no shimmer, and no cannery.

In our AU, Silco never finds the letter. He finds Singed instead. Starts helping him develop shimmer.

I've been thinking that since the goal of shimmer is a form of "keeping alive" and also "bringing back to life", then it's possible that Silco's glowing eye is a byproduct of shimmer experimentation.

And that the only way to keep it alive and function is more shimmer injections. It would otherwise be grey and dead like in the Nice AU.

So Singed is also a factor here. He gives our Silco a real way to deal scary violence to Piltover. And this changes our Silco. He's more radicalised, and more opposed to Vander, having discovered that Vander works with Grayson to keep Zaun under Piltover's boot (basically making sure the boot stays, but doesn't press down too hard).

Vander is, as always, the enforcer of the status quo.

And though this works for them timeline wise, it sadly doesn't change the fact that Silco should know who Vander's kids are.

Vi and Jinx can be excused for not recognising him, what with him being one of their mom's adult friends, and scarred. But Silco doesn't have that luxury. His great friend Felicia had two very distinctive kids, ONE OF WHICH VANDER FUCKING NAMED! And her death triggered his husband so badly he tried to kill Silco over it. If anything, Silco would be hyper-aware of Felicia's kids.

And no amount of alternate fix-its changes that. It's permanent damage to season 1's Silco.

I feel like we can fix Vander's side of things by inventing an entire scene at the Pilt as I did above, but we can't fix 10 years of knowing your friend's kids and then a lifetime of acting like you don't know them.

I think it also cheapens the found family aspect of both Vander and Silco's adoption. You're left to wonder if they took in the girls only because they were friends with the mom.

Silco's adoption of Jinx and co-dependence with her was great because it spoke of the similar shape of their traumas, and how unexpected their bond seemed.

But now it's redolent of friendly obligation. And lies.

How would I fix it by keeping Felicia in the picture?

I would fully remove Felicia's one-on-one with the boys. That night at the bar? It's a party. Young Sevika is here too!

Felicia and many others are there, all congratulating Vander and Silco over the creation of the Lanes. Eventually Silco tires of the social niceties and goes to write in his notebook at the bar. Or maybe there's a montage of the night as the crowds thin.

In the end, Silco is writing, and Vander is still socialising. He talks to 3 people--Felicia, her husband, and a random person. They thank him for all his work. They've done it! And the conditions in the mines are so much better now thanks to XYZ!

Vander is beaming, he's just so pleased. It's clear for him this is the end goal. Felicia asks him, pointing to Silco, if he's okay.

Vander laughs, says Silco is fine, but he's already got his head back in the clouds. You see, Silco doesn't just want the Lanes, he dreams of a free Nation of Zaun.

The other 2 laugh, but Felicia sobers up. She rubs her belly, thoughtful. Then she says "Sounds like a dream worth fighting for."

I don't think she even needs to say anything about being pregnant, but she could go on with something like "I'm expecting. A girl, I think. I know. And I would love if she could grow in a safe city. I'm so scared she'll have to live the way I did, growing up.'

And Vander smiles sadly and tells her, 'We've gotten this far, and we're not going back. We'll make Zaun safe for your kiddo, I promise you that.'

And that's it.

Vander knows OF Felicia. She is a community member. He knows her enough, maybe from Lanes meetings, that eventually he can recognise her children. But they're not friends, and SILCO definitely isn't friends.

And the disagreement after the bridge is fully about where to go from then on, and Vander deciding he wants to run the Lanes and keep them safe, that what they have now is good enough, while Silco wants "more".

That disagreement can turn nasty, and the fact Vander tried to drown Silco becomes a statement about how violent and temperamental he is as "The Hound of the Underground". Something he'll regret soon enough and spend the next few years working hard to try and change.

What do you think?

[bonefall]

if you're stretching for shadowclan cats to use:

antpelt is mistakenly listed as from shadowclan in battles of the clans, and the wiki had him as a different character for a while. he also has an unnamed apprentice

shredtail is also mistakenly listed in shadowclan during bramblestar's storm

I am absolutely at the point where I'm willing to make absolutely ABSURD stretches. I'm affectionately calling all the extra cats I'm scrounging up from writer mistakes and background scenes "ShadowClan's Glitch Warriors." Thank you so much for pointing these three out, they're going in the list.

Suddenly, I was struck with an absolutely hilarious idea. Partner wanted something fun to draw but still has read absolutely nothing about Warriors, so I pitched;

"I will tell you nothing about these characters or who they are except their names. Draw a Shredtail, an Antpelt, and Antpelt's apprentice. TOTAL freedom over the designs here."

First they drew this lmao,

"This is a joke," they clarified

"NO I LOVE IT," I said, "KEEP GOING"

So we got Dollar Tree Shredtail, Great Value Antpelt, and the best thing I've ever seen in my life. Once they put these designs down, we talked personality and differentiators from the canon counterparts while they colored and refined them;

I loved the bushy gaster tail so much that I swore on the spot I was going to work it upwards into a whole bloodline, including the very obscure background warrior in AVOS, Wasptail. So even though they're mentor and apprentice in BOTC, I've decided these two will also be related. Probably siblings, or auncle/nespring.

The little black one is based off an Admiral Butterfly (it was my idea to make the little spots on their chest look like medals), so the name seems clear to me. Admiralpaw. Xey'll be meewa unless another gender works better; and I'm planning for xem to go out during a bloody battle against The Kin in true admiral style.

(funfact; admiral butterflies are extremely territorial. Males fight each other for control of a plant to attract females to.)

Warrior name is still undecided, though. Open to suggestions, leaning towards Admiralflight or Admiralflower.

Not-Antpelt I'm having name troubles with. I REALLY wanted to name them Majorheart, after a major ant, to keep the "military ranking + bug" pun that Addy's got... but it seems that none of the ants in this area would have a major caste. B'awww.

In the meanwhile, Antspot works fine. Alatefang or Dronepelt could work, too. Feel free to shout out suggestions, this guy's name and gender aren't set in stone.

Lastly, here's Diet Shreddy. Girl now <3

She is 100% going to be killed during The Battle of the True Eclipse, keeping consistent with the mistake in Bramblestar's Storm where Blackstar mournfully calls out the name of a Dark Forest warrior. I'm also undecided on if the actual Shredtail himself dies during that battle in BB, it might just be her.

In any case, she's probably going to be a TPB girl. If she's born during Brokenstar's time, she's one of the younger ShadowClan cats to take part in the WindClan Massacre. Might even be an early apprentice at the time, in a similar situation to Badgerfang (though in BB this was a one-time thing). If not during Brokenstar, then sometime during Nightstar's brief reign.

Right now she has no family, she's in my "reserves" at the side to use as a patch between generations. Her name is probably going to be either Tattertail or Shredclaw, given as an Honor Title after the Battle of BloodClan.

So she had a previous warrior name as well. She seems like the kind of troublemaker who would have the prefix Sike-- a small stream that dries up in summer. Sikestripe, if her name was given by Nightstar, or Sikestrike, if it was given by Tigerstar. Maybe it was one and then the other, in a sign of disrespect to his predecessor's lie.

[miwiromantics]

Let’s talk about this.

Why both will and el are so connected is because they both have the same storyline. They both have the same end purpose: acceptance.

!!warning: long post ahead!!

Will’s storyline: acceptance of love.

Unlike what most milevens believe, the duffers aren’t planning to end Will’s story with him accepting that he is gay because he HAS already accepted it. He accepted the fact that he was gay and in love with Mike, hence, the painting.

The painting, from the start, was a way of Will confessing his feelings (etc. you’re the heart) but it was never going to be said out loud. He had just planned to give it to Mike during the airport scene and it was supposed to be over.

But instead, he used it as a way to build up Mike’s confidence in himself and also lead up to say ‘I love you’ to El. He used El as a shadow over his own feelings to help Mike.

Will accepts that he likes men and is attracted to Mike. What he doesn’t accept is that he is going to fall in love. We see this in season 3 when he’s talking with Joyce.

This was a scene directly after a canon couple’s scene. Both Jonathan and Nancy are in fact in love with each other and when Joyce says the words ‘you won’t think it’s gross when you fall in love’ it indicates she meant when Will is in a relationship, not when Will is some one-sided love triangle.

So when Will says he isn’t going to fall in love, he is saying this because he knows he’s feelings in a relationship are not going to be reciprocated. He isn’t saying it because he hasn’t fallen in love with someone, he’s saying that it’s impossible for those feelings to be mutual.

Also to remind you, there was no need to put this scene in the first place if it was not hinting at something. It could’ve just been Jonathan and Nancy getting away and Joyce wiping lipstick off his face, indicating that she knew Nance was there anyway.

Throughout season 3, we can clearly notice that Will is struggling with something not related to the mind flayer. He’s struggling with his childhood, his friends and change. And the most important change is his feelings towards a certain friend.

Because of these feelings we get the rain scene. This was Will struggling to accept that he was different (gay) and in love with Mike. This was season 3’s struggle. But in season 4, through the painting, we see it’s been resolved.

He has accepted this but knows he isn’t going to be in love. He knows he’s feelings aren’t going to be reciprocated. So he does the next best thing other than confessing, and help mileven build up their already broken relationship.

Even more so, the scene with Jonathan and Will in the pizza place was acceptance enough for Will to come out. Both Will and Jonathan knew what they were talking about, the subtexts were very obvious. This was the acceptance of Will being gay and in love with Mike.

Now anybody with a right mind would see that this is clearly building up to something more important. A gay boy who thinks he’s feelings are not going to be accepted using he’s only way of confessing as a tool for a problematic ‘straight’ couple.

We must give the duffers credit as we know they aren’t just going to ignore Will’s feelings next season or slap him with some background character as a way of resolving this. There has to be more.

El's storyline: acceptance of independence.

Throughout her whole life, El has always been told what to do. Whether it has been for positive or negative means, she's never made a decision in her entire life leading up to season 2.

Let's be clear that before this girl knew the word 'friend', 'family' and 'love' meant, she had already gotten into a relationship. That before she ever knew what she liked and disliked, she was already in a relationship with the supposed boy of her dreams.

Anyways, independence is something so rooted in El’s storyline. It’s something repeated throughout the seasons. We see it in season 2 when she goes out on her own to find her mother and sister. It is important to note that Mike was not a part of this journey. Mike was not the sole focus or someone El thought she needed at that time.

Even in season 3, we are given the fact that El has never made a decision for herself. The strongest decision we ever see that season was her breaking up with Mike and even that has been disregarded by milevens, saying that Max influenced her or that she ‘didn’t know what she was doing’ or that ‘she’s just a teenager’.

Let’s be clear that anybody in a relationship is given the option to break up and leave the relationship if they want to. Max did not ‘influence’ her, she merely gave her the option. The option that is rightfully hers. By saying that it wasn’t really her decision or that she didn’t know what she was thinking, it’s like saying she doesn’t have an option.

She has the right to leave a relationship if she wants to.

The words ‘not hopper, not mike, you’ is so important to a character like El. A character that has been locked up and dependent throughout her life, finally given a choice to decide for herself is powerful.

Season 3 is important in El’s arc to independence because unlike what Milevens say, she doesn’t require Mike to be there for her to feel complete. The reason that El went to find Mike in season 2 was because they need each other is debunked in season 3. It shows that even when Mike is within her reach, she doesn’t go find him.

Now in season 4, we see a very big shift in her attitude from the previous seasons. She’s pretending to have a normal life when she clearly isn’t. She’s lying and hiding behind a fake persona to make her seem happy. She is still grieving from hopper while trying to put everything behind her and live a ‘normal’ life.

She, like many milevens, is building a reality where her and Mike are the supposed perfect couple. A reality where they are truly in love. She lies to Mike and herself throughout the rink-o-mania scene. And this all unfortunately breaks when Angela (that bitch) comes into the picture.

She throws El’s persona into the fire and absolutely humiliates her in front of the one person she didn’t want to be humiliated in front of. And this is where we see their relationship break (even more).

We see the first crack when El says that Mike doesn’t understand how she feels. To be honest, she’s right. Mike didn’t know how it felt to move to a whole new side of the country without her father and to be subjected to brutal bullying. But disregarding his feelings towards bullying is also something she does.

Now the curtains are open and everything is shown. We then get a scene of El basically pleading Mike to tell her he loves her. But instead of admitting it, Mike gaslights her and tells her their problems are caused by other people.

Mike says he says he loves her but if this was really the most important couple in the show I’m sure the duffers would’ve included the supposed scenes where Mike and El say they love each other TO EACH OTHER. And when she brings out proof, he calls her ridiculous.

Even in the van scene, he says that he’s scared that El won’t need him anymore. He wants to feel like a hero to her, someone that can protect her when in reality, she is way past it. She wants him to love her but he wants her to need him. He wants her to be dependent on him.

Through the beginning of season 4, we see her define herself in the way Mike sees her. While giving him a false narrative of her life, she pretends she lives in them. Plastering a fake smile just so that Mike would think she’s enjoying herself in Lenora and lying about parties to make herself seem cool.

You can see how defeated she looks when she realises that Mike might not love her at all.

She, like so many more milevens, want Mike to be the perfect lover, the person who is with her through all her problems and a shoulder to cry on. But he isn’t that person and she knows it.

But after she leaves Mike, we can truly see what her goals are. There isn’t a scene throughout her journey where she thinks of Mike and you can see her gain more confidence in herself, once again proving that she doesn’t need him to feel complete.

She does better without him.

Her arc was never about romance. Her arc was about finding who she truly is. It was about her finding a place in this world where she doesn’t have to be the hero or villain in the story. It was about her growing alongside the people she loves and the family she built.

We see that she realises that she is her own superhero, that she can solve her own problems and that she doesn’t need a shoulder to cry on. She can take on a challenge headfirst without letting anyone define who she is.

She doesn’t need Mike telling her that he loves her to realise that she is loved or that she can live a normal and happy life just like how she doesn’t need to forgive brenner to know that she is a good person. She is her own person.

And before anybody comes at me, yes. A woman can be in a relationship and still be independent. But once it come to a point of lying about and to yourself and defining who you are through another person’s feelings, it is not healthy.

She has taken on challenges before Mike, during Mike and will continue to do so after Mike (and all this happened without Mike). She doesn’t need him.

Both Will and El need support and love through their journey. It only comes down to what type of love they need that’s important. El does not need romantic love to thrive while that’s the only love Will is lacking.

Anyways we also clearly see that in the end El is on her own journey and that Mike and Will are a team alongside all the other endgame couples.

So byler endgame and El independent arc era.

(My writing is a bit sloppy here and there so if there are any questions regarding it pls ask. Also again, sorry for long post)

[clocky-soul]

Okay so first of all, Arcane Season 2 Act 3 Spoilers!

As much as I loved the second season I feel like it did have quite a few problems?

I pray you can make sense of this insanity, me not being a native English speaker may shine through my bad.

Here’s some things I didn’t like (it’s mainly the last episode):

- no deep talk between Ekko and Jinx?

Okay so maybe they thought that the first episode (which I really liked, might be timebomb bias but also just glad for Ekko to have his episode and we got to see what was going on with Jayce) would be "compensation" for the lack of their interactions in this episode? It didn’t, it felt like there was a scene missing, which is a feeling I get throughout the entire second season. There was a LOT of shit unsaid at least to us, now Arcane doesn’t always need dialogue but leaving the whole thing out just seems like they were rushing.

-no scene with the firelights and Ekko

While I feel like this could have easily been a montage but still, no cool lil thingy of jinx and her team coloring shit, what do all the markings mean? (Some we can guess obviously but still they are just there)

-no Sevika and Jixn scene?

Like really? Oh look they hung out the second act, they won’t notice them not interacting now? No mention of Isha at all throughout? I suppose mentioning her specifically isn’t needed but like nothing? Really?

-No Vi and Ekko scene?

They interacted like once in the entire fight and post fight forgot the other existed ig, I mean obviously she told him that Jinx "died" (I’m certain she’s alive btw, will get into that) but we didn’t even get to see that?

-characters got no conclusion (some)

Okay so maybe it’s intentional, but I feel like the only characters who got a "conclusion" are Vi and Cait (when’s the marriage btw), they have obviously stated that there will be more series similar and also in Runeterra but like, it feels like Ekko, Jinx (who’s definitely alive and am not just coping), Jayce and Vik and also Heimerdinger (what happened to the Lorax? What of the tree) are waiting for another season or something.

Now maybe they’ll use them as tools to connect to different stories (which like feels like it could work well for Jayce and Vik (if those 2 are even alive god knows what happened to em)) but I feel like it won’t work for Jinx? I mean I could see it working but like bestie just jumped on an Airship and poof ig (if that is what happened pretty sure) she just hasn’t been on her own like ever and I feel like if she was she’d just crash? Idk how to describe it, like she didn’t "heal" after Isha so idk where she’s off to, I understand the whole "breaking the cycle" thingy but, it feels just very sudden and not planned out? Like, we don’t have time to make people talk so they just have to disappear (nevermind Ekko being miserable atm, idk how close they would have gotten again in the unseen talk they had)

I just feel like there are scenes missing between Jinx and like half the cast (especially Vi, Ekko and Sevika), allegedly one of the main characters and barely talked in the final act (excluding the alternate universe thing). I don’t know maybe I’m weird but it feels like nothing happened, like I’d see Season 3 pop up suddenly.

I overall feel like Zaun and Piltover still have a lot to offer story wise (some characters from the game (that are in Zaun) don’t even appear in Arcane), now maybe they don’t wanna go over every champion (don’t feel like they need to but you never know, there were like 30 in here).

-Warwick is dead ig?

I mean fair but like really? I feel like that whole sequence at the end was not necessary? I don’t know I’m still figuring out how to feel about that specifically.

As much as I had fun and loved a lot of this season, you can tell it was supposed to have more seasons, while some things concluded well some just didn’t and new problems showed up.

-Now, I love, love, love Isha, and she fits in super well, but at what cost.

I understand very well why Isha was here and I loved her for it, however I feel like her role could’ve easily been given to a different character (mainly Ekko, and this is not me wanting Timebomb) introducing new characters in an already shortened story is kinda eh, especially if screen time for other characters suffers (Ekko, Jayce, Heimerdinger) and the small scene between Ekko and jinx kinda proved that to me? Instead of having her suffer over Ishas death it could’ve been Silcos, act 3 could’ve been Act 2 (minus the final battle obviously), I don’t exactly have a script ready but maybe some of you understand what I mean? Or get my way of thinking at least. And the everyone close to me dies thing could be like cancelled out by Ekkos Z drive (in my head anyway, just makes sense to me).

-if they intentionally left some characters "open" (read as: don’t feel fully developed or took steps back from their development)

I hope, HOPE, they make them interact with each other gain in a different series, because i feel like they aren’t done with each other, it just doesn’t feel like it. Like Vi and jinx and obviously Jinx and Ekko, not to mention fucking Vi and Ekko. (Still salty they didn’t talk afterwards but gg ig)

Characters develop thanks to the characters around them and I feel like making Jinx just suddenly bond with other characters outside of the characters we have met seems Meh? Like bro there a construction site back home go there. Maybe she goes on a journey of self discovery (which I’d be fine with as long as she goes back to Zaun in the end, idk bout everyone else but to me Jinx is the embodiment of Zaun and leaving it would destroy her character (like as in that’s bad). I feel like I should expand on this but I’m so tired rn.

I just feel like it should have ended differently? Like I feel like Vi would definitely stay up Topside with Cait, and Jinx and Cait could’ve easily just had a truce? Like I’m not expecting Jinx to become Silco and lead Zaun (Ekko or Sevika are clearly much more qualified, jinx is more of a mascot.) but I feel like she could easily become an ally to The Firelights, and as Viktor stated, she could use her capabilities to build. A healing jinx easily could, she did repair and modify Sevikas arm so that’s something she could do (she clearly had fun and as she said "its something I could fix"). I feel like you could still expand here either way.

-Also Mel didn’t even get to speak one last time rip. Ambessa is also dead ig.

If they carry on with Noxus I feel like this works fine, Mel is after all now the new Queen or whatever Noxus has. Warlord? Idk with this I’m actually fine? Like I find this acceptable just wish she’d had more time (they could’ve made the last episode 2 hours long and I feel like we would’ve had something better).

-Overall, even if it was only the last act, they had a lot of meat on a bone that’s too short.

They had a lot of things they wanted to do (needed to do) but didn’t give themselves the time, one extra season would’ve given characters more development and would have made a lot of this stuff better in my opinion. I know a lot of hardcore fans are looking at the season through rose colored glasses and I did too, but because I love arcane as much as I do, I can actually admit when stuff wasn’t good, I don’t need to convince myself everything was done well when it wasn’t.

Now it wasn’t anywhere near bad or even mediocre it just wasn’t what it could have been.

The way they could maybe fix some things is with an extra collection of small episodes? Imagine this (maybe I’m delulu, did not sleep)

A collction of 3 short videos that cover some stuff I wish I saw: 1 (Caitlyn deciding she didn’t wanna be besties with Ambessa), 2 (Ekko and Jinx preparing for the battle, (I feel like maybe they had no idea how to make jinx act in this but I digress)), 3 (more conclusive aftermath of the battle we have been building up to for 2 seasons)

Overall it is not what it could have been if you ask me, now maybe they aren’t done with the characters (not the world, these specific babies), which I am hoping, as I said earlier I feel like there’s some people that still need character development. And also I don’t wanna say goodbye but that’s a different ache in my chest, also the way Caitlyn was talking it sounds like we should be expecting a second series with these characters (with some new ones why not), I just feel like THESE CHARACTERS ARE NOT DONE YET. And I’m not talking abt a cameo in the background, I’m talking abt a role as at the very least a side character.

These characters are the ones that introduced us to this world (unless you play the game obviously, I do not). And I feel like that gives them the right to have better written conclusions.

Feel like I’m repeating myself at this point. Probably forgot something too but whatever maybe if I remember I’ll add it.

I also just get so sad at the thought of Jinx being alone after everything she’s been through like Ekko will absolutely take you in rn sweetheart, we miss you come home (please tell me I’m not wrong abt ur ass being alive pleaseee)

If anyone read through all of this disorganized mess, I hope it made at least a bit of sense.

[sopaprimordialy]

Boppers, hear me out.

Victor is Luther's father.

Ok, now, you might be thinking: "what the actual fuck are you talking about?" Well, in this essay I'll expose favorable arguments to my theory/theses/head canon that, in the album, the police officer Victor is Luther's father. Keep your radio tuned tight, boppers, bcs I might be crazy OR I might be onto something.

(There will be spoilers)

1. First of all...

For context, Victor is the cop that kills Fox. He's played by David Patrick Kelly, the actor who plays Luther in the original movie, The Warriors (1979). This alone is a huge reason for me to believe that they are somehow connected, BUT THERE'S MORE!

I think we already established that what a character claims to be their reason for doing something is not always their real reasoning, or, at least, not the entirety of it. I do believe Luther kills Cyrus because he enjoys the chaos and has a lot of hate in his heart, as Swan wisely says, but I don't think that's all.

We have hints among his lines that he's also misogynistic and racist. "Well, duh?" You might say, because there were few white men who weren't those things by the time this story takes place, but sometimes we may underestimate how heavy this stuff weighs in the narrative. If he really likes chaos that much, why not kill, Idk, a police captain? That would certainly create generalized chaos just as he likes, but instead, he deliberately targets marginalized groups' leadership — he kills a black woman, a powerful black woman who was trying to unite her community.

She was obviously an obstacle for the cops to keep up with their oppression towards these groups because unity is strength, and all they don't want is strong communities that knows their rights and won't accept to be chased down like animals when they've done nothing but trying to survive.

In the very first track of the album, the question "but is Cyrus atractin' police action?" Is asked. The answer we find further on, especially when the police invades Van Cortlandt Park right after she's killed, is: *yes*, of course she is.

* Also, the timing here is too convenient, don't you think? Just like the police knew exactly when to attack, when the desperate crowd would be disorganized, when they would be easy prey... anyways 😛

2. That weird af phone call

Now that we have established that there would be a lot of interest on the police's part to have Cyrus killed, let's move on to the next topic.

Suddenly, without any further context or this being ever mentioned again, Luther talks to *someone* on the telephone. This happens in the album, and in the movie as well, it is not confirmed who the hell Luther was talking to on that phone call. I've already seen some people theorizing that he has contacts inside the force and that he's talking to them, and I agree, but I think he's not talking with some random cop, I believe he's talking to Victor.

Come think with me: how did Luther instantly knew Ajax had been taken by the cops ("Holy shit, Warrior down [...] Picked the wrong fight / now she's in for a long night", I'll talk about this later btw), and most importantly, what exactly was Victor doing at Union Square's station?

Let's compare this approach with Barnes' one at the park.

Barnes was alone in the bench, and only when Ajax approached him (and started beating the shit out of him), he called for police reinforcements. It didn't feel planned, even tho he was trying to bait them to come closer to him, I think it was much more about sexual harassment than him actually intending to arrest them. With Victor, however, it doesn't feel like a random encounter.

"Officers are on the scene". This line repeats a lot during Reunion Square, that alone indicates that there are a group of cops there, like they've been called. They knew the Warriors, specifically the Warriors, would be there, and why was it so important for them to get the Warriors if they're just a "likkle Coney Island crew"? Because Luther would be FUCKED if the Riffs reached them alive.

Of course, the Riffs could just not believe the girls, but he was not willing to risk it — after the phone call, Luther tells Cropsy the Riffs wanted the Warriors alive, but they don't. And he was right, wasn't him? Cleon being alive and telling the Riffs the truth was the only reason for him to be caught and... well, we don't know for sure what they did to him, but we can imagine they weren't gentle.

That being said, we have strong evidence that Luther was in touch with the cops, else he would have no way of knowing Ajax was grounded. And Victor needed a reason to be there as well; not only an informant, but also a motive, and if we consider the theory that he was talking to Luther, we have both things.

3. Trust in the impunity of a daddy's boy

During the entire musical, Luther thinks he can get away with about everything. I atribute that not only to the fact that he's a white man targeting women of color, but he must also have other reasons to believe he's immune to justice of any kind, and there's where I start to try to convince you that he's Victor's son.

I mean, when Cropsy shows that he's worried the Riffs would go after them, Luther, rather ignorantly, responds with "they're looking for the Warriors, remember?" As if the fact that the Riffs are going after the Warriors is enough for him to believe they would never even think about interrogating them, trying to find the murder weapon, etc.

This behavior suits someone that has never been held accountable for any misdeeds at all, and who would fit this description better than a cop's son?

Let alone that Victor is a captain. He holds even MORE power within the police. Being the son of a cop, even if you're a fucking gang member, you'd feel safe enough to do just whatever the fuck you want without even thinking about the consequences.

Like, how many times he could have been caught doing something illegal, just tell the cops "do you know who my father is?" AND IT ACTUALLY WORKING? I firmly believe he was the one to inform the cops about all of this — the gathering, the Warriors' location, and the fact that he needed daddy to arrest the women who could potentially cause something to happen to him, because the Riffs are not the police, they'd not give af abt who his father is, even someone like him would have to be a little worried about being taken by them.

4. Fox & Luther — Parallels

I bet you did not see that one coming. "What do you mean there's something in common between Fox and Luther specifically that makes Victor killing her an interesting parallel with his (supposed) son?"

Well, games. That's kinda it. Old games.

So, there are only two characters that canonically like games in the musical, because they actually mention them: Fox ("A-yo I'll take you on an Odyssey like Magnavox") and Luther (with his multiple references to Pacman during the entire thing and other game expressions, like "I was at the top of the screen when I took that shot")

The Magnavox Odyssey is actually mentioned on the movie (according to my own father. I confess I don't remember this part, but I trust my nerdy father who actually have a connection with old consoles to notice that) by the Lizzies (fem version of the Bizzies), and Fox was not even there at the moment. Actually, movie Fox does not have a lot of... personality, if you ask me, he was kinda irrelevant. Anyways, even if Lin and Eisa wanted to reference this specific part in which the Lizzies offer to play Odyssey with the Warriors to lure them, why not have the Bizzies saying that? Why Fox?

Because that would be a bitter irony in the future. I might be crazy, BUT HEAR ME OUT, Victor killing a young woman that shared his son's interest for games was a foreshadowing for him being responsible for Luther's death as well — because he failed.

This is other thing they share: they failed. Victor failed to stop the Warriors from going home, Luther failed to kill Cyrus and blame the Warriors with no consequences, they failed together at silencing them, and this CAUSED Luther's (probable) death.

5. A gang member who endorses the police?

Ok, this last section is based in my belief that, even tho the crews fight and have their diferences, they all share a common enemy: the cops. That was the reason for them to accept the truce after all, the cops are their common enemy.

But somehow that doesn't feel true for the Rouges.

First of all, they killed Cyrus, which obviously means they were not in favor of the truce. But why? They sure would suffer from police brutality too if they were a normal gang. And we can all agree that they are even more violent than the average gang (I mean... have you listened to their leader?).

Also, this line intrigues me.

I mean, "picked the wrong fight"? It is clear that Luther's view is biased to take the cops' side. In this case, one could argue that his misogyny would play a big part on him diminishing Ajax's will to fight against an abuser. Anyhow, I think that this evidences that, even tho he's a gang member, he has a strong connection with the police.

CONCLUSION

I think we can all agree that Luther has something going on with the police, and I hope I have convinced you that he has something going on with Victor specifically.

It is possible to argue that their connection is only "tactical", or even go as far as to say that they are friends or something (tho, I don't think that's possible. One thing about brats like the Rouges: they don't go well with old people, with all due respect. I don't personally see this working as a friendship), but I'll stand with the father-son relationship till the day I die!!

Thank you for reading this madness and please lmk what you think! If there's something that doesn't make sense, if you have your own theories... I mean, I'm far more invested in this than I ever thought I would be, please give me more content 🙏🙌

[shadowjinx2906]

I just wrote a scene that my fic is nowhere near and its making me want to cry because I’m an evil genius and parallels and angst but also comfort and giggles

I am rewriting the first few chapters, because I wanted ✨more✨ as well as a better plan, and also want to have a good bit prewritten before I update again but this is the fic (I suck at summaries and will one day redo that 😅):

The Black Snake (24269 words) by ShadowJinx Chapters: 7/? Fandom: Harry Potter - J. K. Rowling Rating: Not Rated Warnings: Creator Chose Not To Use Archive Warnings, Graphic Depictions Of Violence Relationships: Regulus Black/James Potter, Sirius Black/Remus Lupin, Barty Crouch Jr./Evan Rosier, Regulus Black & Sirius Black, Regulus Black & Remus Lupin, Sirius Black & James Potter, Regulus Black & Barty Crouch Jr. & Remus Lupin & Evan Rosier Characters: Harry Potter Characters Additional Tags: Alternate Universe - Zombie Apocalypse, Other Additional Tags to Be Added, Established Sirius Black/Remus Lupin, Regulus Black Needs a Hug, POV Alternating, Angst with a Happy Ending, Regulus with a knife, BAMF Regulus Black, BAMF Remus Lupin, Rosekiller, Jegulus, wolfstar, Character Death, i want you to laugh, but I also want you to cry, Zombie Apocalypse, Blood and Violence, Other Ships Not Mentioned in Tags, Alternate Universe - Non-Magical, Death Eater Remus Lupin, Regulus Black is a Little Shit, no beta we drown like regulus black, Idiots in Love, Mutual Pining, Fluff and Angst, The Walking Dead References, did I mention tags might contain spoilers yet?, Alternate Universe - The Walking Dead Fusion, Kinda, Bad Parent Walburga Black, Bad Parent Orion Black, Morally Grey Regulus Black, Morally Grey Characters, Traumatic things happen and everyone reacts in their own way, I intend to break your heart so read at your own risk, But it’s not all angst I promise, Pushing the boundaries of platonic, platonic but intimate, Platonic Sex, idk if itll be explicit or just implied yet, did I mention that people die?, like its the marauders in a TWD AU so expect death, but don't forget i want you to laugh and be happy too, even if your favorite character dies.., maybe I should stop with the tags or else I'll scare everyone away lol, I am planning a happy ending though I solemnly swear Summary: Regulus Black (22) and his estranged brother, Sirius Black (24), are separated during the apocalypse and experience it very differently. One becomes a Death Eater and the other joins the Order of the Phoenix. One looks for his brother and the other hopes he never finds him. Will they find each other? What will happen if they do? Have they changed too much, or will they find each other just in time? … As James raises his hand a third time, the door finally yanks open. Regulus’s hand, full of black and silver rings, leans against the side of it. A scowl that would make Walburga Black proud immediately crosses his features—his bored expression long gone—when he sees them and promptly slams the door in their faces. So.. he’s definitely not out… It’ll be okay. Probably. “Little fucking shit,” Sirius growls. A muffled yell from the other side reaches James’ ears, “Remus! Your idiots are here!” “Well, that’s just rude,” James mutters. Sirius is right. __ SO, this is far from finished but I have plans for it <333

[srslyblvck]

── drunken chaos,, klaus mikaelson

pairing: klaus mikaelson x daughter!reader

synopsis: you come home drunk, your father isn't very pleased

genre: fluff

warnings: none

word count: 1k

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ THE MIKAELSON ESTATE WAS a scene of mixed tension and comedy. Klaus paced the grand living room like a caged predator, muttering curses under his breath.

“She should have been back hours ago,” he growled, shooting a glare at his siblings. “Witches on the loose, and she’s out partying like it’s Mardi Gras.”

“She’s fine, Nik,” Rebekah said, lounging on the sofa with a glass of red wine. “You’re more dramatic than usual tonight. What’s she going to do? Skip home drunk and accidentally summon a hex?”

Elijah, ever composed, sat in a high-backed chair with a book. He didn’t look up as he responded, “If she doesn’t return soon, I suggest we go look for her.”

“Finally, someone sensible,” Klaus snapped.

But before any plans could be made, the front doors swung open, revealing a sight none of them expected.

Standing in the doorway was Leonard—a nervous-looking vampire with sandy blond hair and a slightly disheveled suit—carrying you like a sack of tipsy potatoes. His arm was wrapped securely around your waist as your head lolled on his shoulder, blissfully unaware of the scene you were making. Your sparkly sling purse dangled off his wrist, and in his free hand, he clutched your broken heels like a defeated soldier presenting a battle trophy.

The room fell silent.

Klaus’s mouth dropped open, his fury momentarily eclipsed by sheer disbelief. Rebekah choked on her wine, sputtering as she struggled to keep it from spilling. Elijah, ever composed, dropped his book squarely into his lap, looking entirely affronted by the sight.

“Uh…” Leonard began, his voice, high-pitched with nerves. “Hi. I, uh, brought her back?”

You stirred slightly, mumbling, “’M fine, Leonard,” before promptly giggling and going limp against his shoulder.

Klaus was the first to recover, storming across the room to snatch you from Leonard’s grasp. “Give her to me,” he growled, his voice low and dangerous.

Leonard obeyed immediately, carefully handing you over. Klaus cradled you in his arms for all of two seconds before thrusting you toward Rebekah. “Hold her,” he barked.

Rebekah raised an eyebrow but took you without protest, holding you up as you draped yourself over her like a human scarf. “Darling, you’re heavier than you look,” she muttered, though there was an amused smile on her face.

Elijah approached with a resigned sigh, plucking your sparkly heels and sling purse from Leonard. “Why do I always get the accessories?” he murmured, eyeing the glittery bag in his hand.

You giggled at the sight, squinting at him through bleary eyes. “Uncle ’Lijah, you look so fancy holding my purse.”

“Thank you,” Elijah said dryly.

Klaus rounded on Leonard, his expression deadly. “You have exactly five seconds to explain yourself, or I’ll use your head as a centerpiece for our next family dinner.”

Leonard’s face drained of color. “S-Sir, I—uh—”

“Four.”

Leonard gulped. “We were out at the bar, and—and then these witches showed up! They were attacking people, and, uh, your daughter jumped in to—”

“She jumped in?” Klaus interrupted, his voice rising. “And what, exactly, were you doing? Standing there like a useless lump?”

“No, no!” Leonard stammered, his hands waving defensively. “I was helping! I swear! She told me to distract one of them while she handled the other two. She was amazing! Seriously, I’ve never seen anyone fight like that—”

“That’s because she’s a Mikaelson,” Klaus snarled. “And you? You’re an idiot for letting her put herself in danger!”

Leonard looked like he might faint. “She—she didn’t really give me a choice—”

“Dad, stop it!” you interjected from across the room, your voice slurred but insistent. Rebekah was barely holding you upright now.

“Stay out of this,” Klaus snapped, but you were having none of it.

“Leonard was just being nice,” you slurred, wagging a finger in your father’s direction. “You’re always so mean to him. He has great hair!”

Rebekah snorted, hiding her laughter behind her wine glass.

Klaus ignored her, turning back to Leonard. “You are not to see my daughter again. Do you understand me?”

Leonard nodded quickly, clearly eager to escape. “Crystal clear. Goodnight!” He bolted for the door, disappearing faster than a squirrel in a thunderstorm.

Klaus turned back to you, his fury reigniting. “And as for you—”

“Give me the wine,” you whined, stretching like a child reaching for a cookie jar.

Rebekah grinned, taking a long sip herself. “Not a chance.”

“Rebekah, leave,” Klaus barked, and she raised her eyebrows but complied, passing you off to him.

“You’re so grumpy,” you mumbled, poking Klaus in the chest as he held you upright. “You’re always mad. You need to chill. Take a deep breath. Do yoga.”

Elijah chuckled softly from his seat, adjusting his tie as he set your purse and shoes aside. “I must say, she does have a point.”

“Don’t encourage her,” Klaus growled.

You squinted up at him, tilting your head as you tried to focus. “You’re so tall. Like a big, angry tree.”

Rebekah reappeared briefly, smirking as she leaned against the doorframe. “She’s delightful when she’s drunk. You should let her do this more often.”

Klaus shot her a glare.

You attempted to stand, wobbling slightly. “Okay, okay. I’m going to bed.”

“You can barely walk,” Klaus muttered.

“I can totally walk,” you declared, taking a step forward—only to immediately trip over your own feet.

Before you could hit the ground, Klaus vamp-sped toward you, catching you in his arms with a sigh. “You’re going to tumble down the stairs one day, and I’ll be left to clean up the mess,” he muttered, scooping you up effortlessly.

As he carried you toward the stairs, you leaned your head back, your hair spilling over his arm as you waved dramatically at the others. “Goodnight, Aunt Bekah! Goodnight, Uncle ’Lijah!”

Rebekah raised her glass in response, grinning. Elijah simply shook his head, a rare smile tugging at his lips.

Klaus sighed as he ascended the stairs, muttering, “You’re impossible.”

“And you love me,” you replied, resting your head against his shoulder.

Despite himself, Klaus smiled. “More than you’ll ever know, love.”

[ayamari-no-goshi]

This is an interesting panel when it comes to trying to figure out Jason and his motivations.

Leading up to this, Jason, who had originally had a set of rules regarding who he’d kill, had purposely thrown it aside to coax Bruce into action. Bruce had become too conflicted regarding how to handle stopping Jason and froze, so Jason purposely became more of a villain.

Now, we see this. Jason is actively trying to lead Bruce to the Joker to ask his question and get his answer, but Bruce is distracted by what’s going on in Bludhaven. This won’t do, so Jason is purposely taunting him to make sure Bruce stays focused on him.

Then we get to the famous scene where Jason demands Bruce to choose between him and the Joker. And Bruce chooses the Joker. This was everything Jason was striving for since he started his training after his dip in the Pit.

But something not enough people pay attention to is that Jason didn’t expect to live through everything. He was fully prepared to die, and in all honesty, probably wanted to. We’ve seen again and again in the comics that Jason believes he was better off staying dead. In that moment in UtRH, nothing mattered more to him than continuing with his plan and getting that answer before taking out the Joker and himself. And ending his suffering.

Yet, the first person he turns to after the events of UtRH (it’s like a year later) is Dick. And even though Jason is absolutely shit at trying to express it, he was testing the waters to see if Dick possibly still saw them as family (per the telegram given at the end of Brothers in Blood). Which seems very contradictory with Jason’s actions in that arc because that’s when Jason was impersonating Nightwing and killing people.

One of the most interesting things about Jason, in my opinion, is how contradictory his actions are towards his family. The man can act as if they mean nothing, put them in death traps (specifically before N52), but he’ll then turn around and help them out if they’re nearby and in danger. He also deeply wants love, but no longer knows how to ask for or express it.

I don’t think this helped explain anything, but these are things I’ve noticed about him during this period.

til that slade bombing bludhaven happens at the same time jason and bruce are duking it out in the under the red hood storyline and they see it happening.

in other news, jason peter todd is a raging asshole omg what a JERK THAT’S YOUR BROTHER?!???

[ash-and-starlight]

Sokka splashed a line of water through his path. The fire fizzled. Zuko’s eyebrow raised, then he forged on. The path zigzagged out of the constellation, hopped eastwards through the galaxy’s north. Hiss. Hiss. Sokka met him each time with a streak of water. Zuko pressed on, building rhythm with each star he joined up.

The Mercy of Magpies Chapter 4 out now!!

as always written by thee @ranilla-bean and betaed by @faux-fires

Chapter Post || Cover || Map and Characters || Ch2 || Ch 3.1 || Ch. 3.2

[sankttealeaf]

oooooo rue and gortash saying how theyre going to tadpole his parents together. planning to make it a little date. the wretched children finally standing up to those who were horrid against them

only for rue to disappear. and now gortash has to do it alone

what started as something they could laugh about has now turned into anger and grief and rage because he has to face them alone. and i think the plan would be completely different.

rotating post-durge-disappearance gortash around in my head right now

[pastafossa]

im watching frank castle edits (he is so hot) and im dying to read some badass scenes with him and jane. i think that if they would start to get along, they would be really lethal combination. do you plan something like this?

YESSSSSS, I definitely have some stuff planned with Jane and Frank after he's out of jail fuck having him in prison is inconvenient but it won't be for long, and especially him getting to work alongside Hound!Jane as they hunt Certain People TM down (I have one scene in mind that, if I pull it off, will be fucking awesome and kickass for the both of them; been working on that one for MONTHS). Because yeah, when you think about it, the way they both operate would flow fairly well together and their hunting styles aren't all that different. They also both, technically, want the same thing: Cyrus and all his people dead, and Jane would absolutely resonate with his own drive to get vengeance. They'll be friends by the end, though there'll be some tugging back and forth a bit between Matt and Frank over her for a little while - not in the romantic sense, but in a morality sense, since Frank's going to encourage very different instincts in her than Matt will, and there's still the thorny murder-y issues that her and Matt are avoiding discussing. Then again, Frank nudging her like that isn't going to go the way Frank thinks it will either...

[lottieurl]

me realizing some people were emotionally hit by the twist that it's a dream sequence while i was watching it the whole time absolutely sure it wasn't real but still worried it might be and thinking about how the true horror was shauna being all touchy feely towards the baby

[spider-man-2o99]

i don’t think we talk enough abt how when miguel first got his Spider Powers it was at least partly because his coworker genuinely tried to murder him on a whim just for being. like. kind of annoying at the workplace. utterly deranged and iconic behavior from aaron here

[mariocki]

New Scotland Yard: We Do What We Can (2.11, LWT, 1972)

"I have to be careful."

"You're big and ugly enough to look after yourself."

"Not with this little firm I'm not."

"Which firm?"

"Jimmy Sutton's. He don't believe in straighteners. Goes in for surgery."

"Surgery?"

"Amputation with a sawn-off shotgun."

"Ah. Well, you can always apply for a claim at the Criminal Injuries Board."

"I wouldn't have a leg to stand on, would I?"

[arolesbianism]

Thinks oh so hard abt the spiraling upwards clan founders, especially the birchclan founders. Silly lil kitties who's pasts are drenched in blood with the primary regret of not drawing it sooner