#this scene is just perfect

[hangingoffence]

ive only watched the season 1 of into the night bc reasons i wont get into here but i think it had one of the most brutal and disturbing fates ive seen in televition. Terenzio was one of the most unlikable characters and i really really hate him but i cant but feel pity and utter desperation when i watched his death scene the first time. The pure terror of being handcuffed into a poll while you have mere minutes until the sun rises and kills you and desperately hoping that people would come and save you. And then watching the beautiful sunrise over the mountain and the lake and yelling for it. "Give you all you got!" The whole scenario haunts me to my core and i think its one of the best death scenes ive seen.

[emotinalsupportturtle]

David Tennant being a lifelong Doctor Who fan who was inspired by the show to act, becoming the Doctor and Ncuti Gatwa who watched David Tennant and was inspired to act, playing the Doctor opposite David’s Doctor is the most beautiful thing

[captain-flint]

me too, anthony. me too.

[poorly-drawn-mdzs]

MDZS x Brazil (1985)

(Yes. Real movie dialogue)

[not-equippedforthis]

forever mourning how granada holmes never adapted the three garridebs. diabolical. unbelievable, even. 'if you had killed watson you would not have made it out of this room alive' but in brett's frightfully intense and low, biting, hissing voice. the violent, wild stare versus the gentle hand on watson's knee. all of that precarious control getting flung out the window. the humanity of it. gritting my teeth can you fucking imagine.

[spirkbitch]

i love spock with cats just like everyone and i don’t know how much y’all know about cat body language but i felt this would be important to share

this cat is extremely happy (understandable), she’s slow blinking (sign that she’s content/comfortable) and even making biscuits a little bit (the way she clenched her paws like she’s kneading, another sign of comfort/that she trusts the person she’s with)

and i can’t find any other clips but you can tell the whole episode that the cat actor is just so excited to be there

anyways that wasn’t really important i just think it’s nice

[ninja-knox-ur-sox-off]

Some of my favourite Sonic Movie Marathon doodles

[loveisactivated]

[jkvjimin]

(178/∞) the perfect nose for butterflies to land on it ♡

[choccy-milky]

modern AU seb and clora's first interaction 📘📗 (and by modern AU i actually mean super trope-filled high school romance set in the 80's/90's LOL)

[s--strawberry]

this scene is so good !!! how can a 7 seconds clip have so many things

niko being the only one noticing edwin changed his style and complimenting him

edwin looking behind him assuming she wasnt talking about him then realizing she was and smiling

charles just taking the opportunity to check him out

10/10

[daeyumi]

🔹 Anamnesis 🔹

[Cycle of the Stars au]

[neospokenworld]

DANDADAN EPISODE 4 SPOILERS

PEAK.

[poorly-drawn-mdzs]

Remember: The burning sensation is part of the process.

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[evie-doesnt-write]

I don’t know how to say this exactly but like… fandom and show are kinda weird about Mel and Ekko and it is very much rooted in racism