#this ran away from me . again .

[littlefankingdom]

Bruce died(?) again

Jason: Well, it's my turn.

Dick: What are you talking about?

Jason: Everytime Bruce is gone, one of you starts to act just like him, pushing everyone away, acting as only you can be right, and fighting anyone that gets in your way. Dick did it, Tim did it, even Cass kind of did it. So, this time, I will do it.

Tim: Isn't that how you act all the time?

Jason: Whoa, fuck you. You are so banned from historical drama movie nights.

[yuanology]

m!reader fingering afab!geto while being 100% aware gojo's watching through the crack of the door so he decides to show gojo how sensitive his friend is and geto ends up squirting?? (lowkey embarrassed i wrote this, but yknow ignore it if you want😅)

what the Fuck .

gojo satoru was not a virtuous man. far from it, in fact. as a self-made god, satoru existed on a plane far above morality and whatever other human concept was created to define right and wrong. within infinity and the insurmountable power residing in it, there was only the man who wielded it and the humanity confining it.

even so, satoru still knew deep within his heart—the trembling, still beating thing residing underneath the constricts of his ribs—that he should not be doing this; that he should not be staying.

but satoru was not a virtuous man, and so he stayed.

because there, past the thin crack of the door, was his best friend—the same one he had known from childhood, the same one who had walked with him through the ins and outs of darkness—with his clothes stripped clean, thrown messily around the room, both of his feet planted flat on the bed, and his back arching off the mattress in a pleasured arch. between his legs, slick and heavy with evidence of his own debauchery, stood you—fully dressed, only the first two buttons of your collar open.

satoru knew of you. it was impossible not to. you were older than the both of them. when they were freshly entering their first year, you'd already matured where you existed in your third one. satoru himself had barely spared you a glance but in retrospect, he did remember suguru mentioning once or twice that he was training with you on the side.

fuck, satoru thought, dazed. if he had known this was what 'training' involved, he would have listened a bit better on what suguru had to say about you.

because you were holding his thighs apart, well-practiced fingers relentlessly pushing past suguru's slick folds, producing the loudest squelching noises. satoru couldn't see very well from this angle, but he could hear the sounds his best friend was making; fucked up and high-pitched, whiney in a way satoru had never heard him speak before.

suguru cried out your name, breathless and panting. "please," he was begging you, sounding close to tears. "please, no more."

you leaned in, mouth brushing over suguru's chest as you whispered your response. satoru couldn't hear you, even as his ears strained to catch a wisp of your words. but whatever it was, it must not be good because suguru is letting out a loud whine, one the turned into the strangled beginnings of a scream when satoru noticed that you had begun to pick up pace.

oh my god.

just as satoru took the first hesitant half step backwards, swaying in place, he hears your drawled out voice—cutting, brave, unyielding.

"now, where do you think you're going, satoru?"

satoru stiffened, and he realised that he wasn't the only one. suguru did, too—his body locking up as a new flush crawled across his skin. satoru had half the mind to apologise to his best friend in his head, a chant of i'msorryi'msorryi'msorryi'msuchashittyfriend looping in his head as if it could forgive him for not only being a pervert, but also for intruding on his best friend's secret.

satoru cleared his throat. he wanted to make an excuse, to apologise, but all that could tumble out of his throat was a hoarse, "um."

suguru let out a high whine at the sound of satoru's voice, as if he was spurred on by his audience. his back arched, his mouth parting as a deep sound escaped him. satoru watched, mesmerised, as the muscle on suguru's body rippled at the motion, your hands never once faltering in its ministrations.

"come here for a minute, satoru." your voice was calm, collected and almost clinical. as if you didn't practically have your entire fist buried in between suguru's slick folds, your thumb nudging at where satoru guessed must be suguru's clit if suguru's high pitched whimpers were anything to go by. "i need your opinion on something."

satoru swallowed thickly as he was drawn into the room, his motions dumb as if he was a mere puppet on your string. as he moved closer, he realised that there was more to the scene that he couldn't earlier see from his post by the door.

suguru's cunt was fucking drooling, slick dripping all over the place as his hips canted in the air as if to escape and to move closer to the pleasure. his hole would no doubt he gaping if you pulled your hand out, hungry for more. your thumb covered his clit wholly, rubbing at it mercilessly.

satoru felt himself twitching in his pants, throat working around the words stuck in his lungs.

"what do you need?" satoru asked, his voice wrecked. he would be embarrassed by it if it wasn't promptly drowned out by the sound of suguru's choked out noises.

without thinking, satoru moved a hand to rest on suguru's thigh, at the sight of his best friend in distress. he didn't realise what a great mistake it was until suguru did a full body shudder, a ragged gasp leaving him. satoru couldn't fucking breathe.

clearly, you didn't share the same sentiment because you were speaking again. "suguru wants me to stop, but i personally think he can come one more time," you said casually, as if this was a common conversation to have with just about anyone.

suguru let out a weak whimper, pathetic and desperate in a way satoru never knew him to be, at the sound of your words. you must have been trying to convince him about this for a while then.

stiffly, satoru nodded, not quite knowing how to react. "okay," he said dumbly.

he wasn't looking at you, too entranced by the sight of suguru with his legs spread wide open and his messy cunt being on full display, but he could hear the smile in your voice when you said, "well, what do you think? can he come one more time?"

satoru opened his mouth, a half-baked answer on the tip of his tongue, when he was interrupted by the sound of suguru's babbling.

"no. no, please. no more." there were tears in his eyes, dripping down his cheeks prettily, satoru noticed. suguru looked a mess, his hair a halo around his head and his hips lifted in the air as if he was nothing more than a cheap whore. satoru thought he was beautiful. "please. i can't. don't make me. please, please, please, pl—"

his words promptly turned into a loud scream, half-pained and half-pleasured, and satoru's head whipped around to look at the source of it. he swallowed thickly when his eyes dropped from suguru's face to his engorged clit, where your thumb was no longer rubbing at but rather, your earlier free hand was now gently tugging at the hood over it.

holy shit, satoru thought, his head spinning. because he just watched you pinch suguru's clit. you pinched suguru's clit. judging from the nonchalance of your gesture and the way suguru didn't try to fight back, instead canting his hips higher, this was something that you did often.

satoru was going to die. holy shit.

"shh, suguru," you reprimanded, silencing suguru's desperate sobs with a gentle pat to his thigh. suguru sniffled, but he stopped letting out those depressing sounds. "it's not you i'm talking to."

suddenly reminded that he owed you the debt of an answer, he blurted out an answer before he could think twice. "he can," satoru replied. "he's an overachiever, the dumbass. he can come another time."

suguru let out a loud sob at his answer, one that sounded a lot like betrayal.

satoru couldn't properly apologise to him, though, because your lips were curling into a sharp grin, looking like a cat who caught the canary, and satoru couldn't help but think that maybe, he was just in as big of a trouble as suguru was. maybe, with his answer, satoru had condemned not just his best friend, but himself as well.

you pulled your hand out of suguru with a lewd squelch, one that made satoru flush all the way to the roots of his hair—and oh god, he hadn't even realised he could burn up even more—and the way that suguru whimpered, both devastated and relieved by the loss, wasn't helping.

you took a step backwards, letting suguru's body drop onto the mattress. you gestured towards the now empty space between suguru's thighs. "on your knees, satoru. hands behind your back."

satoru couldn't do anything but comply. he dropped to his knees, his hands behind his back and his eyes now at level with suguru's fucked out cunt. holy shit. suguru was twitching, his pretty clit engorged and swollen from the earlier abuse and fucking pierced apparently. satoru exhaled sharply at the sight, his breath fanning across suguru's folds, and earning himself a short, aborted whine from suguru. oh my god.

satoru almost flinched when he felt your hand card through his hair, tangling your fingers into the strands as he guided your face closer to suguru's gushing pussy. "go on," you ordered him, your voice gentled by the sound of melodious laughter. "eat him."

thank you for the meal, satoru thought dazedly as his face was guided closer and closer, until he was buried in suguru's cunt and lapping up the taste of his best friend.

the response was immediate—suguru's thighs started quivering on either side of satoru's head, moving to rest on satoru's shoulders and pulling him in as if to suffocate him. satoru didn't mind, taking that as an unspoken order to start eating his best friend out like his life depended on it.

he didn't bother with hesitating or testing the waters. he licked a broad strip up the length of suguru's cunt, dipping in between his folds to gather the slick there at the centre of his tongue. satoru moaned at the taste, and he was immediately greeted by the feeling of suguru's walls squeezing around him as suguru met him with his own weak whimper.

"suguru's already sensitive." that was you again. there was notable amusement in your voice. "want me to help you make him come faster?"

satoru should say no. he wanted to stay buried in suguru's cunt forever, eating his best friend out until he was shaking all over the place. he wanted to make his best friend feel so good that he stopped being satoru's suguru and instead started becoming your suguru with satoru instead.

but he could hear his best friend's pleas even above the sound of his pounding heartbeat, the sound of suguru's suffering, and he couldn't let this keep going for much longer.

he nodded, the bridge of his nose bumping over suguru's clit in the process. suguru's thighs squeezed around him, a whimper escaping, and satoru quickly drew circles on suguru's hips in apology.

you, on the other hand, didn't seem to have the same courtesy as you told him, "suck on his clit, then open your jaw wide."

satoru obeyed even though he didn't really understand why you were telling him to do that, knowing that you likely understood suguru's body more than he did in this matter.

he pursed his lips around suguru's clit, sucking on it firmly, before he let his jaw drop open.

oh.

oh, holy fuck.

because suguru was squirting directly into his mouth, making a mess out of the lower side of his face, and satoru could only kneel there, his mouth wide open as he swallowed all of his best friend's slick juices. his head was light, and he couldn't breathe—both from the suffocation and the fact that geto suguru, his best friend, his one and only, just fucking squirted into his mouth.

when suguru finally let him free, thighs unlocking from around his head and limply falling onto the edge of the bed. satoru leaned back, unable to process what just happened, when he heard you speak again.

"don't forget your manners, suguru."

it was quiet for a moment, then he heard the small, almost shy, voice of his best friend. "thank you, satoru," suguru mumbled.

"you're welcome," satoru replied, his voice sounding fucked over. he couldn't correct himself just yet, though, his head still reeling.

he was still on his knees as he watched you rearrange suguru on the bed, peppering soft kisses onto his face and his collarbone and his chest in stark contrast to the way you had treated him earlier. there was the lull of soft conversation passing between the both of you, one that satoru didn't try being a voyeur of.

he was content with just kneeling there, his head filled with cotton and static. he didn't even bother with touching himself, still too entranced by the feeling of this all happening.

finally, your footsteps drew close to him. he tilted his head as he watched you approach him. you cupped his chin, tilting his head back to meet your gaze.

"messy," you noted, but the corners of your mouth were quirked into a smile. "but suguru's always been messy." satoru didn't have any response to that, so he simply nodded stupidly. somehow, that must be the right answer because you laughed.

you took a step back, taking a seat onto the edge of the bed. satoru's eyes tracked your movement almost curiously. he frowned when you patted your lap, as if you were expecting something from him.

"over my knee," you said. "i think fifteen should do. usually, i'd give more, but i'm assuming you're new to the scene, hm? don't forget to count."

satoru blinked dumbly. he stayed rooted on his knees. "what?" he asked hoarsely.

you raised a brow at him. "oh, satoru," you said, your voice placating. "did you really think that i was going to let you go unpunished just like that? over my knee. fifteen spanks and i want you to count."

when he still did nothing, your gaze darkened and your voice grew firm. "now, satoru."

oh, satoru thought smartly.

swallowing thickly, he moved to comply.

[poorly-drawn-mdzs]

No time to play. You are being sent away.

[First] Prev <–-> Next

[tsukinoshinjiu]

The Goddess Hylia Reborn

[multifandombullshitbabes]

have we ever thought abt the fact that zuko is literally azula's older brother. like she's his little sister. that's his little sister. throughout a big, big part of atla plot, he was actively running away, scared of his little sister killing him because he KNEW she would/could. can you imagine that? your little sibling, wanting more your father's approval than your companionship to the point of death? every time they fought, zuko was fighting his baby sister. azula was fighting her big brother. this is making me so sick. they were 16 and 14 years old.

[alfairy]

Nimona AU where Ballister and Nimona do leave the kingdom and go over the wall to find a new safe home. Years pass. The kingdom is more paranoid than ever because the queen killer and the monster were never caught and could presumably still live among them or return to cause more chaos.

The director decides one day that they need to take the fight to the monsters, strike first before they are stricken again. Knights are sent out beyond the wall to search the surrounding land and burn down the woods in order to “smoke the monsters out.” Destroying everything, trying to fight a monster that was never even there.

During one of these instances, Ambrosius and Ballister finally see each other again face to face for the first time in years since that fateful interaction at the institution. They’ve both changed, physically at least; Ambrosius’ hair is longer, Bal’s got some more grey streaks and a new arm upgrade. But underneath all of that they’re still the same, still got that lingering hurt and romantic feelings. Nimona is still the same as ever and hasn’t aged a day.

(Also idea that maybe there’s other small communities and people living outside the wall that Bal and Nimona ended up quietly settling down in. People who are far more open minded and accepting of others, and who are more concerned about the walled off kingdom with guns pointing at them than this nice guy and his cool daughter. That’s their neighbor and they’re not gonna let some knights storm in and cause trouble for him.)

[flowercrowngods]

based on this concept of steve and mike coming out to each other

🤍 also on ao3

The sun is setting in beautiful hues of pink and purple, tinging the town of Hawkins, Indiana, in a light of serenity and beauty it doesn’t really deserve. Steve’s hands are gripped tight around the steering wheel as he carefully scans the road and the houses he passes.

He almost misses the bike where it’s lying on the curb, carelessly discarded by the looks of it, and a tinge of worry shadows his frown. Worry that doesn’t quite dissipate when he spots the figure sitting on the roof, almost black against the lilac colour of the sky, but he breathes a sigh of relief. He considers grabbing the radio to let the others know he found Mike, but decides against it. Something tells him that maybe they’ll take a while. Something tells him there’s more to Will’s stunned silence and Mike’s sudden departure from where they were all hanging out at Steve’s after another successful Hellfire session. 

With a sigh, Steve cuts the engine and gets out of the car, keeping his eyes on Mike the whole time — ready for him to take off again, ready to go sit a while and wait for him to come back. But Mike doesn’t move, even after he shuts the door and approaches the Wheelers’ house. He doesn’t acknowledge Steve when he pulls himself up to the roof, easier this time than the first time he did this. 

There’s a snide comment in the air between them, a version of Mike that would have lashed out at him, made fun of and insulted him. But this one just sits there, hands in his lap, frown on his face, and stares ahead. 

“What do you want,” he asks eventually, though it doesn’t have the kind of heat that Steve expects. He barely even sounds like a teenager. Just sort of… dejected. Steve aches for him; just a little bit. 

“Just making sure you’re alright,” Steve says, shrugging, looking ahead as well so Mike doesn’t feel watched. Or seen, maybe. 

Because the thing is, Steve does see him. He sees the way he looks at Will sometimes, and the way his eyes fill with something that can only be described as yearning, or aching, followed by regret and fear. Which always, always turn into anger. Into frustration. Into snide comments and rolled eyes and walls that keep getting an inch added to them each day. It’s never directed at Will, that anger, and rarely at the rest of the Party, but Steve still sees it. Gets the worst of it and takes it, because he knows something about how that feels. 

He knows something about looking at someone like that, about feeling that fear, that regret, that worry that come with it. He knows something about never really daring to meet someone’s eyes for fear of what they would see. 

“I’m alright,” Mike says, sounding anything but. There’s a bitterness in his voice. Frustration in the way his thumb is picking at the skin of his fingers. Confusion in the tension of his shoulders, and Steve feels like he only needs to make one wrong move, say one wrong word, make a single sound that’s off key to the melody of this moment, and Mike will jump off the roof and take off again with his bike. 

So all he says, after a moment’s consideration, is, “Cool.” Like he believes him. Giving Mike room to breathe, room to pretend. He knows something about that, too. 

He knows and he sees and he feels. 

And suddenly he wants to say something he’s never said before, something he didn’t even get to tell Robin because she knew and saw and felt, too, taking something from him that he hasn’t yet been ready to reclaim for himself. 

And maybe it’s because he sees something of himself in the way Mike holds himself, in the way he snaps at anyone willing to listen, in the way he frowns in regret and barely meets anyone’s eyes except when it’s in challenge — and, most of all, in the way he never, never meets Will’s eyes. In the way he looks away when the other boy turns to him, and in the way his eyes will snap back and take in everything about his best friend when he’s not aware of it. 

Maybe it’s because the sky is pink and lilac and purple above them, allowing for a certain magic to happen, allowing for a bravery that doesn’t come easy to him; but as he sits on the roof next to Mike Wheeler, the only one of the Party he never really connected with, he closes his eyes against the breeze that catches in his hair and opens his jacket a little further, slithering beneath the fabric as if in a brief embrace, a nudge, a sign to take this leap, and takes a deep breath. 

His heart is picking up its pace inside his chest, taking this leap along wit him, and pulls up one of his legs to wrap his hands around it — just to have something to hold onto. 

He opens his mouth once, twice, three times, but the words never really come out. They don’t know how, and he’s beginning to tremble a little with it, tension building in his chest where the words are still locked away, hidden among layers of truth. 

Mike looks over with a frown and eyes him warily. It makes Steve want to laugh, this sudden change of pace, but he just keeps staring ahead; even when Mike asks, “Are you alright?” 

“Yeah,” Steve says. And then then dam is broken and breaking further, and with another deep breath, still not meeting Mike’s eyes, instead focusing on the tree tops in the distance that shine in hues of purple, he finally says, “I’m kind of dating Eddie Munson.” 

And just like that, it’s out. He’s out. 

He doesn’t know if the world still spins, if time still passes, if he still breathes, because for a moment there is only silence. Mike stops picking at the skin of his fingers, Steve stops trembling, and neither of them moves. 

It’s both anticlimactic and momentous, this silence between them when their eyes meet. When the words unfold and grow wings, when Mike understands, his eyes growing big with something that Steve can’t quite read with how tense he is despite his best efforts. 

The silence stretches between them, surpassing comfort and overstaying its welcome, and suddenly it’s Steve who feels like he’s about to take off if Mike so much as twitches his brows. 

“You… What?” 

Forget it, Steve wants to say. Nothing. 

But also, I’m in love with Eddie Munson. And I used to be in love with Nancy. And that’s okay. Both of that, it’s okay. 

He ends up repeating his words, though, because they know what it’s like to be spoken now. “Eddie. I’m kind of dating Eddie.” 

“But…” It’s Mike now whose mouth is opening and closing without saying anything. Mike who’s blinking, trembling a little, twitching, picking at his skin again, moving further along his hand this time to pinch the skin between his thumb and pointer finger. Steve almost reaches out to stop him, but he doesn’t really dare to. 

“But?” he prompts after a while, not quite comfortable with this loaded kind of silence. 

“Eddie’s a boy.” 

But Tammy Thompson is a girl. 

“I know,” Steve says, his tone carefully neutral, wanting to see, to wait where Mike takes this, to hear what’s on his mind, to watch the wheels turn and the gears shift. He feels awfully raw and open, vulnerable with someone who hasn’t been treating that with care yet. But there’s something about this moment that feels bigger than his own fears, bigger than the light nausea settling in his gut; far more important than the way he wants to run and hide, away from the scrutiny. 

“And…” Mike continues, still battling the words inside his head. Steve wonders if there are too many or none at all. “But you… You loved Nancy.” 

Ah. Smart boy. “I did,” Steve says with a small smile. “And it was never a lie. But I found that… Yeah, I can kinda like boys, too, y’know? And that’s, like, okay.”

A beat. A frown. A confused, hopeful, small, “It is?” 

Steve just nods, smiling in reassurance and relief at equal measures. Silence settles once more, now that the sky has darkened into a deeper, darker blue; but it’s not as loaded this time, not as tense. It’s an invitation. An offering. A promise of I’m here, I’m with you, you can take as long as you need. To get down from the roof, to come back, to come out of wherever you think you need to hide from the world. 

Mike takes it. He stays, pulling up his leg, too, mirroring Steve’s pose and staring ahead, but not as far away. He seems alert, seems to be thinking rather than dwelling, seems to be gearing up for something. Steve watches and sees and knows, remaining patient beside him, his chin resting on his knee as Mike learns to deal with this new world that has been presented to him. This new world that comes with opportunities and chances and possibilities that are scary and big and difficult to make. 

“Y’know,” Mike starts at last, interrupting the silence, playing with it, his voice hushed and quiet to keep it from disappearing completely. “Lucas, when he had that championship game? He told us, Dustin and me, that we didn’t have to be the losers this time. The nerds. The outcasts. Different. And all I wanted was to scream at him, because…” 

Mike swallows his words, keeping them from tumbling out of his mouth, and Steve aches for him again. He wants to reach out, wants to say it’s okay, tell him it’s alright, to take his time. But he waits in silence, lets Mike find the bravery he needs on his own, and waits. 

“Because how could he say that, you know? How could he, when… Will wasn’t there. And all I did, all I ever did anymore, was miss him. And I loved El, I knew I did. And she was gone, too, but…” 

He trails off again, and this time Steve picks it up. To let him know he’s not alone. To let Mike know he understands what he’s saying. He understands. “But she’s not Will. You needed Will.” 

“But I shouldn’t!” Mike explodes suddenly, riled up because Steve adds fuel to the fire, because Steve has that same fire, too; and because they are so, so similar when they want to be. “And now he’s back and it should be fine, I shouldn’t be feeling like this, it doesn’t even make sense! How can I…” 

Steve looks at him, at his expression that is nothing but lost — completely and utterly. He’s seen it on the bathroom floor at the mall; high out of his mind as he was, he’ll never forget the way Robin looked at him, the sheer crestfallen expression. All that confusion, all that fear and frustration and, in the end, resignation. He’s seen it in the mirror, and he’s seen it in those pretty brown eyes that he just can’t get out of his head anymore. 

He offers, gently, “How can you need him when he’s right there? How can you love him when a year ago you loved El?”

And Mike just looks at him before he deflates completely, his shoulders falling along with his face. He nods. Shrugs. Looks away and hides his face behind his leg. 

Steve sighs softly, watching the boy and speaking the words he wants to say the sixteen year-old version of himself. “I don’t know,” he says truthfully. “I really don’t, and it sucks sometimes, having this need to, like, decide. Or understand. Or stop and be like the rest of them.” Like Robin and Eddie, or like the rest of the world. “But I like to think, sometimes, that maybe it’s a good thing. That there’s just… I don’t know, it sounds corny as hell, but like, there’s just so much love to give, we can’t even stick to only boys or girls, y’know.” 

“That does sound real corny as fuck, man,” Mike says, and back is that long suffering tone of his, back is that eye roll and the twitching elbow, ready to nudge Steve in the side. It’s still tinged with that vulnerability, not quite Mike yet, but it’s an offering.

One of many tonight, it seems.

Steve grins, a bit lopsided and raw, shoving Mike gently as he remembers something he overheard once. “Sorry, mister Heart of our group, but I don’t think you have any leg to stand on here.”

That makes Mike freeze, though, and he stares at Steve wide-eyed; caught. Exposed. Reminded.

“What did you say?”

“Uh,” Steve falters, not sure where he went wrong — or if he went wrong at all. “I overheard Will calling you that, talking about you to, uhm. Someone. I don’t know. Why, what’s— What’s wrong?”

“Nothing,” Mike says, way too quickly, pulling away again with everything he has, hiding behind those walls once more, and Steve feels whiplash from it.

“Mike,” he says, his voice quiet and gentle as he turns to face him completely.

“No.”

“It’s okay,” Steve says. Promises, as much as he can.

“Shut up!”

“You’re not wrong or bad or broken. It’s okay, you’re okay.”

“I said, shut up, Steve.”

“You should see the way he looks at you, too. You should go talk to him. You—“

Mike lashes out, finally coming out from behind those walls again, only to shove at Steve, to push him away — hard enough for him to lose his balance and almost fall off the roof, clenching one hand on the edge, the other in the rainwater gutter with a bitten-off curse.

“Shit, I’m sorry!” Mike reaches for him immediately, snapping out of whatever anger Steve caused, and pulling him back until he’s safe again, apologising over and over, dead to Steve’s promises that it’s alright. “Fuck, I’m so sorry, Steve, I’m so—“

He pulls Mike against his chest, finally reaching out to hold the boy who always pushes people away when they get too close — quite literally, too.

But he doesn’t shove this time, doesn’t move out of Steve’s grasp as the mumbled apologies become heaving sobs.

“It’s okay, you’re okay, you’re so okay, Mike,” Steve tells him over and over as he holds him. The sky above is almost black now and Steve lets Mike cry into his chest.

It takes a while for Mike to calm down, but Steve just holds him through it, ready to let go whenever Mike wants to pull back and snap out of it again — but he never does, and Steve feels a certain kind of affection for the boy that is usually reserved for Lucas or Dustin.

At last, when he’s calmed down, Mike pulls back a little. “Do you really… Does it… Is it really okay?”

Can it be okay? Can I really like both? Is that not just me, being broken and wrong and bad? Will I get the chance to not be alone?

Steve swallows hard, and his voice is hoarse when he says, “Yeah. It’s really okay. ‘N’ I’m with you, yeah? If someone gives you shit for it. Or if you need a reminder.”

And Mike — puffy eyed, snotty nosed, so, so young — looks at him with those trusting eyes and nods, like he believes Steve. Like he trusts him. Like he hopes.

“Just don’t fucking shove me off your roof again.”

Ans just like that, the spell is broken, the tension is lifted, and silence has left them, as Mike almost chokes on a laugh and shoves at him again, lightly this time, before jumping off the roof so Steve can’t retaliate.

“Asshole,” he mutters, shaking his head as he, too, jumps off the roof, dusting off his pants as he watches Mike grabbing his bike. “Hey, Micycle,” he calls, cackling when Mike flips him the bird. “You want a ride back?”

Mike stops, considering as Steve casually flicks his keys into the air and catches them expertly. “What kinda music do you got?”

“The Clash, ‘cause Eddie hates them.”

“Yeah, that’s because they suck!”

Steve snorts, opening the driver’s side door. “Y’know, they’re one of Will’s favourites, actually.”

He watches Mike freeze with a grin on his face, knowing there’s no way the boy would take the bike.

“You’re so annoying,” Mike sighs as he brings his bike close to the garage and carefully lays it on the grass this time before hurrying over to Steve, getting in on the front, rolling his eyes when Steve cackles. “I don’t know why Eddie would date you—“

His words are drowned out when Steve turns up Train in Vain, drumming along on the steering wheel with a shit eating grin. Though the atmosphere is wildly different now, the spell broken and the bubble burst, it’s undeniable that something happened between them. Something big, something important.

Something that makes Mike’s annoyed, long-suffering expression be broken by the smile he’s trying to hide. It makes Steve laugh, elated and feeling something that’s much, much bigger than he himself ever could be.

It’s going to be okay. So, so okay.

Before they know it, they’re pulling up to Steve’s and he turns off the car, is about to get out when Mike makes him still again.

“Hey, Steve?”

“Hm?”

“I think it’s cool. You and Eddie.”

He smiles, relief and fondness washing over him. “Yeah?”

“Yeah.”

“Thanks.” He reaches over and ruffles Mike’s hair — a wild mane these days, but they could make it work with some care and some products. “Now go get your man, lover boy.”

“God, you suck so much, you’re so annoying!”

Steve’s cackling again when the passenger door slams shut and Mike lets himself into his house.

He spots a figure in the dark, their face lighting up when they take a drag of a cigarette — and Steve’s heart stumbles in his chest. He scrambles to get out, attempting to look calm and collected, even though Eddie always manages to see right through him.

“Hello, stranger,” he says, leaning against the wall beside Eddie, hiding away in the dark, where the world won’t see their shoulders touch, or their fingers tentatively playing with each other before they can’t take it no longer and lace their hands, holding on tight.

“Hi,” Eddie breathes. “How’d it go?”

“Fine, I think. But, uhm… I told him. About me. About us. That, uh. That okay?”

Even in the dark, Steve can feel eyes on him, but he just stares ahead, opting instead to give his warm hand a squeeze. He smiles when Eddie’s thumb begins to draw patterns on his palm.

“Hmm. Very. You think they’ll be okay?”

“Yeah,” Steve breathes, stealing Eddie’s cigarette from his mouth and pulling it between his own lips. “Yeah, I think they will be.”

[caeslxys]

I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)

As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)

He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.

(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)

It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.

(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)

[g00seg1raffe]

So there was a post a while back about Ben Solo always being told "don't do (x), that's how uncle luke lost his hand" when he was a kid - and I raise you: Elrond and Elros being told "don't do (x), that's how Maedhros lost his hand"??

Like, at Amon Ereb when the twins were newly acquired and refusing to eat their vegetables and Maglor is Mag-mothering them until Erestor, feral half-sane clinically depressed anarchist Avari hostage/patient/infiltrator and Certified Little Shit, hits em with:

"I would listen to the Lord Maglor, winyamor, he well knows the dangers that come to young elflings who don't eat enough vegetables - after all, that's how his brother lost his hand."

Elrond looks conflicted. Elros squints suspiciously. "Truly?"

Erestor, practically comatose since the massacre but ultimately saved from Fading by the biological compulsion to fuck with you, lays a hand over his heart. "I would never lie about such a thing! Just what do you take me for? This is a true tale and a grave warning - the Lord Maedhros' hand was tragically lost in the days of his youth, whilst he was still growing as you are. He refused to eat his vegetables and so, cruelly deprived of the strength it needed to grow strong, his body started to fall apart! First his fingers, then his thumb, and then his palm and wrist - all turned blue and dropped off!"

"No!" Elrond gasps. Elros looks both terrified and impressed. Maglor's face is scrunched up into something that the twins probably interpret as pained - at reminder of the horrors of limbs falling off! - but is actually just him busting a rib trying not to laugh.

"Yes!" Erestor cries with relish. "And it never grew back. All because he didn't eat his vegetables. Isn't that right, Lord Maedhros?"

Maedhros, a looming terror at the head of the table, scarred and solemn and impenetrable as his fortresses, narrows his eyes consideringly at the unfolding shenanigans and the rascal behind it. His conclusion? Fuck it. He gives a slow, solemn nod. Completely deadpan and exaggeratedly formal, because it may have been centuries since he last had his brothers smothering laughter at political dinners but the Finwëan sense of humour, once caught, is not an ailment easily cured.

Maglor conceals his wheezes behind his goblet as Erestor nods sagely to the wide-eyed twins, who suddenly seem a sight more interested in their vegetables.

[odderevents]

I have had a thought. Steve secretly knowing how to play the piano bc he learned as a kid and had to stop bc his dad's an asshole is lovely. I've seen this floating around a few times and I love it. Eddie catching him playing the piano and being so fucking in love with him will never not be perfect.

But.

Consider

Steve playing the Harp.

It's definitely a rich kid instrument. Big ass fucking impractical instrument. Absolutely beautiful to look at and listen to. Hands playing piano is great. But have you ever seen an accomplished harpist? It makes you think impure thoughts about what those fingers can do.

So. Steve secretly knowing how to play the harp

Maybe his mom used to play it, so there's a big harp (the ones with the columns and super intricate base board, not celtic) that's just gathering dust in the basement. Steve started piano lessons, loved learning how to pull music out of an inert object. But his dad decides it's to effeminate, makes him stop. And sure, a harp is a different beast to a piano. But you've still got cords, and Steve's got a pretty decent ear, and he can barely remember seeing his mom play. So one day when he has the house to himself, which isn't an unusual occurrence at this point, he tries it out. And he's admittedly pretty shit at it, but so was he at piano when he started. Only difference is he has no teacher.

So maybe Steve discreetly finds a way to acquire a beginner's practice instructional book for harp. And works on it when he needs to get his brain away from things.

He's even more careful with it than he is with any dirty mags he might later acquire. He knows that worse, much worse than piano, harp is not a masculine instrument and under no circumstances should his father find out about his affinity for it.

It's still his go to when he can't sleep even years later, pulling out the now old and battered booklet of sheet music and exercises. Especially once the upside down bullshit starts. It's soothing and mindless at this point.

The harp that was much too big when he first started with it is now just the right size, it's weight against his shoulder comforting. He can close his eyes and his fingers naturally find where to land and pluck.

Even when he becomes friends with Robbin and then Eddie, both musicians who he knows wouldn't give a damn about him playing a woman's instrument, he can't bring himself to mention it. If he did, they would want to hear him play and he's self-conscious about being self-taught. Both of them play well, they play with other people and people come to listen. He doesn't consider himself a "real" musician. It's just something he does to keep his hands and brain busy on nights where the sheets feel like they're strangling him and the dark reminds him too much of when he can't see not because it's night but because something's hit him in the head again and he can't tell apart the sound of his heartbeat from something pounding through his walls.

So he goes to the basement. Finds his stool. Removes the dust cover. Goes through the meditative motions of tuning it by ear, because that's how he's always done it. And then he plays until the tips of his fingers feel numb. Somehow, he always comes out of it peaceful enough to pass out on the couch in the basement for a couple more hours.

Steve is so used to keeping it a secret he doesn't even think about it when he starts dating Eddie. It's just a thing that's always only been his, and most importantly, it's been vital to keep it that way for so long it's the natural state of things for Steve at this point. It doesn't ever come up. When Steve gets nightmares when he's sleeping with Eddie all he has to do is curl into his boyfriend's chest and feel the warm heartbeat that's not his own to settle back into himself.

The problem arises on a night when Eddie was supposed to stay with Steve but he got held up in Indianapolis when getting a new amp for his guitar. He would come back to Steve but it would be late in the night. Steve has been keeping himself busy all day so he passes out in the early evening on the couch in front of a shitty sitcom he put on to try to distract himself from the empty house.

Nightmares find him, which isn't terribly unusual, but he doesn't have his usual method of coping so he resorts back to his previous habit.

Eddie walks in bone tired after many hours of driving to and from Indianapolis, waiting while the clerk figured out they didn't have the amp he'd been assured over the phone would be available for pickup today, waiting some more while they had the amp driven from a sister shop an hour away because no way was he driving back and forth again to Indianapolis on another day. So yeah. Eddie is beat. All he wants is to dive head first into his boyfriend's impeccable pecs.

He doesn't find Steve waiting with a welcome kiss like he usually would when he walks in. Instead he's greeted with a hauntingly beautiful rendition of the melody of Master of Puppets in a way he's never heard before.

He drops his stuff in the entry hall and goes down to the basement where the music is coming from, curious to see where Steve might have found the recording. Eddie doesn't quite know what to do with himself when he finally lays eyes on Steve, with dried tear stains on his cheeks and his eyes closed as his fingers pluck and strum without hesitation. He's rooted to the spot as he watches Steve work his favorite song in a new and completely heartrending way. He hasn't been able to listen to it since he played it in the upside down. It always brings up the bitter blood tang of the air and the hair raising shrieks of the bats. But this is somehow different, it's soft and melodious but it's still got the same bones.

Eddie feels tears on his own cheeks. He's missed this song goddammit. And he couldn't be happier that it's Steve that's given it back to him

Queue tears and fear and confessions and comfort. Somehow much later in the future there's inexplicably a harp in some of the corroded coffin tracks. And it shouldn't work but it does

[quietwingsinthesky]

Dean is such a paradox for me because on the one hand, I have been actively triggered by him in the show, there are moments where, intentionally or not, the writers managed to create a portrayal of manipulation and abuse and control issues that it sets off actual alarms for me. And on the other hand, I would not have him any other way. There is something — not comforting, that’s too soft a word — about knowing where Dean’s actions stem from, having seen and learned all that we do about his childhood neglect and parentification and the trauma he goes through repeatedly in the show, and that he doesn’t come out clean. He comes out a goddamn mess who ends up hurting the people around him in reaction to his own pain!

There’s a reality there that’s. Almost nice, actually. Distressing to watch, but it is a fucking mess, it’s a good mess! He’s got zero healthy coping skills and a healthy relationship with say, his brother, is terrifying because it leaves him open to abandonment!

I’m not sure I’m wording this correctly. There is a way to be a good abuse victim. Take the pain, martyr yourself on it, and then, even if you have no support or idea how to, then you have to become a Good Person who never hurts anyone the way you have been learning to your entire life. Simply toss everything that shaped you out the door and emerge a saint with a tragic backstory. And Dean is not that. And that’s so fucking good. Everything that he has gone through continues to effect the way he treats the people around him, and he can’t fight the behaviors he might recognize as harmful because he also sees them as protecting him (or protecting Sam by keeping Sam with him.)

And sometimes, idk. It feels good to see a guy who didn’t heal the “right way.” Who mostly didn’t heal at all, just keeps the wound open because it’s easier that way.

[yuanology]

Im back again👹, I’ve been thinking on fwb with suguru, and I believe that in some way Suguru would prefer fucking in the night, only the moon through the window as a source of light, yknow like i can’t get out of my head praising suguru, telling him how pretty he is but he can’t help it but feel not enough ,like not enough to be something more than a sexual partner

lowpropgeo my head is full of sad ideas 🐸(it’s a sad frog )

jesus fucking christ.

suguru lets out the prettiest noises when you're buried deep inside of him, thrusting into him lazily as if you intended to make love to him until the end of the world came and passed, leaving your skeletons still wrapped in each other's arms; a perfect mimicry of the lovers you were not.

he was shy about his noises. you knew that from the very beginning. he would cover his mouth with his hand, beg you to stuff his mouth full with your fingers. even so, you always taught him that there was nothing at all to be embarrassed about. you always caught his wrists, pinning them over his head, as you coaxed sound after sound out of his lips.

tonight was no different. the blinds were parted slightly, just enough for the moonlight to filter through. it was a pleasant reminder that just one wrong move was all that it would take to reveal everything unraveling here to the rest of the world.

you were always careful with him. this sight was just for you, after all—geto suguru in your sheets, his back arched and his lips parted, his eyes rolling to the back of his skull and his toes curling in his pleasure as you coaxed out pretty sound after pretty sound from his mouth. he was beautiful, always had been, and unlike most people, you had the privilege to tell him that straight to his face.

so you did.

"you're beautiful," you whispered. your voice was too soft, too loaded with such reverence and awe, but you had learned to stop catching yourself a long time ago. suguru was always the most beautiful when the compliments would filter through his ears, and the weight of your words would settle on his ribs.

true enough, suguru let out a sound that was akin to a sob. his nails dragged across the skin on your back, no doubt leaving red marks that wouldn't fade away for days. you only let out a low chuckle, the sound helplessly fond, as your mouth met the skin of his jaw.

"it's true," you continued. "you're beautiful, suguru. every inch of you." especially this way, bathed in the moonlight with his hair splayed all around him like a crown; a halo befitting a fallen angel

here, cradled in your existence, geto suguru was entirely yours—and what a thrill it was to hold him in your arms, to simply hold him as you fuck into him lazily without a care for the world. "so, so beautiful," you murmured.

he let out a ruined sound. "please," he choked out. it wasn't the first time he had begged you tonight, and you sincerely doubted this would be the last if you kept this up.

he was always so good to you, setting aside his pride and arrogance just so that you would hold him the way he deserved to be held—as if he was something precious, as if he was someone worthy. it was still nice, admittedly, to see suguru break and become a mindless being who just wanted more of your touch, your presence, your love.

"please what, gorgeous?" your lips skirted over his jaw.

his voice was strangled. "want more. not enough." he sounded fucked out, entirely braindead. you doubted he even noticed the way his hips were fucking against you, the motion steady enough that you could stop thrusting into him and he would barely notice.

"what's not enough, lovely?" you asked him. a customary question.

you expected the ordinary answers, the sound of his voice catching in his throat repeatedly before he managed to grit out his answer. please, you could already hear him say. please, this isn't enough. i want more. it was routine at this point, a predictable motion, a back and forth.

so you weren't expecting it when he choked out—

"you."

there were tears in his eyes. his nails were scratching down your back. his voice was ruined. this should all be the usual. this should be predictable.

except his answer was all the wrong ones.

oblivious to your internal struggle, suguru sobbed underneath you. his body writhed, clinging onto you tighter. "please, please, please," he babbled. "i want more. not enough. please, not enough."

not enough. not enough. not enough.

all thoughts of lingering quickly curdled into something sour in your stomach. you reared back, hips meeting his in one abrupt motion. a loud scream escaped suguru's throat, a sound that you would usually relish in but couldn't focus on now.

your motions were robotic as you fucked him, sharp and hard and fast the way suguru liked it when you ruined him. not enough, huh? fine. if suguru thought none of this was enough, then you would just please him the way he wanted to be pleased. you wouldn't linger any longer, wouldn't give him reprieve or a chance to be touched the way he deserved to be touched.

(and fuck, didn't that thought hurt? you thought you were both doing well; that something more was perhaps blooming. you must have thought wrong.)

suguru continued letting out slurred words under his breath, his pleas bleeding into the sound of his own choked moans. you disregarded it. instead, you fucked him as if you didn't care about him, fucked him as if he was just another warm body for you to get yourself off on.

suguru wailed, and you swallowed the heart beating in the back of your mouth.

not enough. not enough. not enough.

you leaned your forehead on his shoulder, feeling him shudder underneath you beautifully. you couldn't help the lump that formed in your throat, the gentle ache in your chest that you had learned to associate with geto suguru.

not enough.

it shouldn't be a surprise, really, that suguru woke up the next morning without you by his side for the first time in a long time. there was no letter, no message, none of your warmth lingering on the bed next to him. you were gone, just like that.

still, suguru thought as he clenched his fists. at least, if you were going to leave him, you shouldn't cook him breakfast and leave out coffee before you did.

[existingingrey]

A touch that whispers, 'I’m so glad you're safe.'"

A sigh, radiating relief that words can't express.

[coridallasmultipass]

HAPPY BIRTHDAY TO MY BESTEST WIDDLE SNAKEY WAKEY.

I can't believe my son is 18!! I estimated a birth date for him to be about a month before I got him in fall of 2006, since he was such a widdle month-old baby sneky. I always try to get a good birthday pic of him - especially after he eats and gets the good yawns in.

Pretty soon, he'll be off to snake college, for snakes. Dunno how we're gonna afford those ssssnudent loans.

Image description below the cut:

First photo is an albino corn snake (species name: Pantherophis guttatus) peeking out from behind a fake flower on a rocky hide (a house inside the tank where reptiles can feel secure and hidden). The snake is flicking his tongue out. Only his head is visible in the photo. Caption on the photo reads: Demo's 18th birthday. August 9, 2024.

Next photo is the same snake, but in a clear, close-up, detail photo. Each scale is clearly defined. He has red eyes and pink cheeks, and pale white patterns on an off-white body. The scales on his head are shaped to follow the different planes of his face. The scales on his neck (and body, not shown) are uniform and scallop-shaped.

The next three photos are sequential. The same snake appears with his mouth barely open. Then, his mouth is wide open in a yawn. His cheeks look so smooshy. His head is shaped the way a snap hairclip opens, curved upwards, and it's funny and cute. His mouth has ridges inside, but no teeth or fangs are visible (because his teeth are too tiny to be photographed politely, and he does not have any fangs). The last photo in the sequence has the snake with his mouth still open, but the top of his head is a normal shape again as he begins to end the yawn.

[art-from-the-juice-box]

gen loss >:] and a written out talking to myself because i think it’s funny that it looks like a star wars intro

[flowercrowngods]

making a real post for @rvspecter pls bear with me

anyway harvey hurt fic where after mike is busted and given a second chance at life (or a third, really) and pearson specter litt seizes the chance to instate a pro bono department mike is heading because he wants to get it right this time and harvey will do just about anything to keep him, these two men finally mention this Thing between them and decide to give it a try. and it’s good. it’s fragile and it’s tentative and it’s gentle and it’s the same as it’s always been but with more tenderness, more honesty, more vulnerability (and more sex of course) and it’s good. against all odds, it’s so good.

but then one day, long after hours, donna approaches harvey in his office and her eyes are shining, but it’s not a glow harvey is used to — he never wants to get used to donna’s eyes filled with tears so he asks her what’s wrong, but he’s not ready for the answer. because she tells him she can’t work for him anymore. she tells him she’s leaving him — to work for louis at first, maybe to quit altogether. the fact do the matter is she can’t be the Donna to his Harvey anymore because she’s in love with him and she thought she had it under control but she doesn’t, okay, she doesn’t and it hurts and she wants to be happy for him and mike because they’re so good but all this time she’d never thought that harvey would ever find someone real, and now that he has, well. she can’t pretend anymore that it doesn’t tear her up inside and she doesn’t want to put that on any of them so she’s doing the mature thing and leaving. to heal. to get over him. to come back stronger.

and she’s so, so sorry.

they listen to gordon one last time, they toast to thirteen years one last time — her words, not his, but they drive a knife into his heart nonetheless because harvey doesn’t do one last-anything and yet here sits his best friend and asks for one last night together and who is he but to give her everything she wants and more. she’s his donna — still, tonight; one last night. she is.

he doesn’t tell mike that night. couldn’t, even if he wanted to; because he doesn’t have the words. but in the secure hold of mike’s arms, he says “donna won’t be working for me anymore, starting tomorrow.” and he doesn’t mention how that means that donna went to jessica and louis first, he doesn’t mention that he was the last to know, he doesn’t explain how he wasn’t given a chance to fix this — not this time. “donna quit?” mike asks, and harvey swallows, shakes his head, shrugs. “just me,” he says. “just me.” and when mike pulls him closer and holds him tighter and tells him “i’m so sorry, harvey,” it’s the first i’m sorry that night that he believes.

unfortunately, sorry never fixed anything.

especially when soon after, mike finds out just why donna left. and he gets all up in his head about it, he allows himself to spiral because he’s so ready to succumb to tunnel vision and obsessing over solutions to problems that aren’t his to fix. and so he tells harvey that he can’t be the thing that comes between him and donna. they’re soulmates after all, mike can’t bear to be the one to sever their bond. harvey doesn’t understand. he’s the one who’s supposed to lose his mind over having lost his best friend and pretend like everything is okay, what right does mike have to make that about himself, to take it upon himself to fix everything when harvey’s the fixer, harvey is the one who solves problems and protects people. but mike won’t hear any of that and tells harvey that he can’t do it like this if it means hurting donna because she’s his best friend, too, and he wants to get it right this time. he doesn’t want to build this new life on decisions that hurt his people — not again. he’s hurt enough people, he can’t keep doing it.

harvey wants to ask him why he’s always so ready to protect everyone at his expense. isn’t this thing between them, their relationship, isn’t it meant to stop them from hurting each other? why is it okay to hurt harvey, but not to hurt donna?

he doesn’t ask any of that, only tells him that they’re not in high school, and that they’re either doing this or not, but he refuses to base their relationship on whether or not his best friend is okay with seeing him happy or not. “you’re either in this with me, mike, or you’re out. that hasn’t changed, and it won’t, because donna will get over it and everything will be back to normal before you know it.”

“you don’t know that.”

“yes i do, because we’re grown-ups and we get over things.”

famous last words, it turns out, because mike just slowly shakes his head, agonising over this and not thinking, clearly not thinking when he says, “i’m sorry, harvey. i can’t to this; not like this.”

and all he can do is watch mike’s back as he all but runs from him, dragging his heart behind him, through the dirt, uncaring as bits and pieces of it chip off with every step mike takes, with every second that passes and allows the words i can’t and i’m sorry, harvey echo in the hollow of his chest.

we’re grown-ups. we get over things. well, tough fucking luck.

and this is how harvey loses the two most important people in his life in the matter of a week. before he knows it, he’s alone, left to fend for himself and hollowed out. his walls are broken down, deconstructed piece by piece by carefully, gentle hands to reveal what’s underneath — only for the hands to retreat, letting in the icy cold and accepting what’s inside to wither and die.

there’s a reason harvey specter makes his own luck; the universe isn’t very forthcoming otherwise. a fact that is proven when he finds a stranger outside his building when all he wants is to curl up and breathe through the cracks of his broken hearts that have pierced his lungs, they must have, surely they must have, because he can’t breathe. and he doesn’t learn how to breathe again when the woman — a kid, really, merely twenty-five — reveals that she’s his half sister. because it turns out the reason lily specter was so ready to up and leave all those years ago; the reason she didn’t fight for her family and instead blamed it all on harvey, was because she was pregnant. and she lied about it — for twenty-six years.

amelia selene specter is the little sister harvey has always wished for — but cancer is a curse that rests on the specter family, and while marcus got lucky twice, selene isn’t. she didn’t have the money for medical resources, and it’s eating harvey alive that he didn’t know, that there was no way for him to help her and that there’s no way now.

but there is. because selene has two kids, seven and four, and she needs his help because they can’t get lost in the system, they can’t live with total strangers or be separated because the system doesn’t actually care about children, they only care about not feeling guilty. and she won’t ask lily. these two angels must be kept from her at all costs because she ruined two families already, she won’t ruin this one.

and harvey is obsessed with the thought of more family, he needs to take care of and be there for someone and he’s ready to take on the world to protect his niece and nephew — but he’s not warm, he’s not available, he’s not even at home most of the time, nor is his place suitable for kids.

he agrees to take them in and find a solution though. he promises selene that he’ll be there for them. he’ll always be there. and when he gets to meet them — a few days before his sister dies way too young, way too alive for something like death to not rip him apart entirely — he gets attached instantly and vows to himself and to selene that nothing will happen to them as long as he’s there.

even though harvey just lost his family — the one he chose, the one he was born into, and the one he never got to meet. even though harvey’s entire world was deconstructed with no one around to put it back together. even though he doesn’t know how, because evidently he got it wrong every single time, harvey gets to build a new family with these kids. and though it tears him up inside, it heals something inside him too — and sometimes they balance each other out, and he can breathe again for just a little while as he reads to charlotte because she’s feisty and afraid of nightmares and not listening when he says she’ll be tired in the morning because “i’m tired in the morning anyway, but now i wanna read” and he trades her going to bed for a bedtime story, and she falls asleep with her face pressed into his side.

it’s so frail, though, so fragile, this little family, and he knows what it’s like when everything breaks. he knows what it’s like to lose one’s family — over and over and over again. and he’s terrified that he’s building himself back up the wrong way. he’s terrified because there’s no one keeping him together but both his hands are occupied holding these children that cry for their mama.

he’s terrified because he’s not supposed to be doing this alone. but everyone else has made their choice and he, as always, is just there to bear the consequences and try to turn it into a win.

one day, he will. he has to. and one day, he’s not alone anymore.