#this post is mostly the same as the old one but there are a few changes

[amf-studios]

Hello. Please answer this. I think it's important these get adressed. me and others of this community have been getting uncomfortable with some of your art. While I see nothing wrong with the Fankai, the rest of it has caused issues for people. First, there is the Natsuki fanfic. While I personally don't have much issue with it, there are some who feel very uncomfortable with their comfort character (Nate) Being changed in such a drastic way, and believe a separate community should be made for that art, as some people have gotten to the point of self harm from seeing their comfort characters changed so much. Next, there is uncomfortable undertones to your "Damonate" Fanfic. It seems very "Loli" esque, with a childish hundred year old woman being with a child. Then there is the sexual undertones to some of the natsuki art, particularly the maid outfit with Arachnia. This is to some extent sexualization of a minor. Then, there is the inequality in the amount of transmasc and transfem characters you draw. 90% of your characters that are trans are transfem, and barely any are transmasc. Then, finally, there is the softcore Arachnus and Toadal Dude art. While nothing is showing, it is very clearly provocative and you have a mostly minor fanbase. I believe that art should be on a separate account.

If you could adress these, it would be good. Thank you.

OK, guess we're doing this.

I've heard a decent few people say they find my natsuki au uncomfortable. I will only say this: no one is making you interact with this content. If you don't like it, just scroll.

I haven't heard anything about the self harm until now, but in my honest opinion; "self harm over someone else doing fanon stuff with a fictional character is indicative of a much larger issue." I say this not to undermine the struggle with self harm, as I have dealt with it myself in the past, but I cannot stress this enough, a random person on the internet's visual fanfiction should not be cited as the reason for that.

Onto the damonate issue. The yokai watch Fandom needs to realize it is a Canon fact "YOKAI DO NOT AGE THE SAME AS HUMANS"

Toiletta is 70 and still a little girl, enma is 60 and acts like a teenager til about shadowside. It is clear that the immortality of being a yokai affects how one matures, so their chronological age does not automatically make them an adult.

And with Damona, she is arguably *very much a child.*

The only time in the games where she is actually treated as a character, she is primarily characterized as a daddies girl who feigned being emotionless in order to get her dad to spend time with her. 2

(I have not seen any full episode of her in the anime, but what I have seen doesn't really disprove the above point.)

On top of that, damona received a redesign in shadowside, the sequel series where Nate himself is an adult.

And it is incredibly clear, she has also matured in this time skip. I don't know why she ages so much in 3 decades when she's at least 190 by the first game, but here we are.

Yokai age is inconsistent, but Damona is one of the more clear-cut examples of being a child.

Onto the maid point: yeah, kinda. I didn't really realize the unfortunate implications until *after* I posted the art. But I do feel that of any maid outfits I could have chose, I used some of the tamer ones as not a lot of skin is really shown on the drawing, or the characters I pulled them from. (The joke with Entoma is specifically that she *isnt* conventionally attractive)

Unfortunately maids in general have been sexualized to hell and back along with a number of other female specific outfits.

On the transmasc point: I actually agree. Mostly cause I use my own experience as a base for making content, and I just don't really have a lot of transmasc headcanons I jive with.

I have tried to rectify this with the oc Toransu being specifically a transmasc character, but I could definitely be doing more.

And on the final point: I will just make it clear here

I AM NOT HERE TO BABYSIT YOUR KIDS.

Social media generally has rules against those younger than teen years making accounts for a reason.

I know kids will lie about their ages to circumvent this, hell *I* did that when I was younger. But it still remains: it is a parents responsibility to track what their children are doing on the internet. Not the random fanartist who makes funky ghost content. If kids are coming across content I have explicitly flagged for my older audiences, that is the parent's responsibility.

I see no point in making a separate account for something I've basically only done once and don't really plan to do often. Even if I did, I've been told my style is very easy to recognize. Meaning by all accounts, I'd likely still hear someone bitching about me doing it.

And while it wasn't a point in this comment, I might as well address it: it's been brought to my attention that people are evidently accusing me of being "a proshipper"

I have never been able to actually understand that whole "pro vs anti" debate, and every attempt to get an answer has just left me confused.

All I will say on that is incest and pedo shit is gross. Apart from that, ship whatever you want, and for fucks sake don't get on people's case for ships you don't like for no reason. There are better uses of your time.

Sorry for the full rant.

[icewindandboringhorror]

boy in silly sitting positions compilation

[sam-and-crystal]

howdy! commissions are now open! i am doing them through ko-fi, where you can select which kind of commission you want and tell me who you want me to draw. you can add an additional character for half of the original price, so for example if you want me to draw 2 full color half-bodies it would end up being $22. all prices are in USD. also if you want a different kind of drawing than what's listed up here, but you've seen me draw something like it before, DM me and we'll work it out!

i will draw OCs (I ask that you either describe them really really well or give me a reference) and fanart (if it’s for something you don’t think I know about send references)! i won’t draw anything NSFW but i will draw ship art if you want. 

if i have any clarifying questions, i will DM you on tumblr to ask. related, but i need you to give me your tumblr url when you request the commission. i'll send you an initial sketch and you can tell me if you like it before i start doing the lines/colors.

i will also post the commissions on ko-fi and on tumblr as well (unless you don’t want me to). assuming i’m not flooded with commissions, give me about a week to complete each one and i will let you know if it’s going to be longer. 

i reserve the right to refuse a commission for any reason (probably if i’m uncomfortable drawing what you want me to draw) and will refund you if i’m not going to draw it. that probably won’t happen as long as you don’t ask me to draw anything crazy. 

please share this post, and thank you for even reading it!

[badolmen]

I have zero authority on this I’m just making a personal observation but like. It’s really sad going through the notes of a writing/art prompt post and seeing nothing but jokes/‘witty’ one liners/sarcastic responses. A prompt is someone putting an idea out into the world and expecting it to inspire others, not to be a setup for someone else’s punchline. Stop trying to perform for an audience and start trying to connect with art.

[listen-to-the-inner-walrus]

While we're here, I just want to add an example of a good response to Harris' video.

In the first half of the video, Harris briefly mentions a creator called Lukeypoo (who now goes by Luke Stephens) who had plagiarised Harris' Bloodborne review, and his response at the time was to deny it, signal to his alt right buddies and insult Harris.

After the video came out, Luke Stephens made a post on his community page regarding it:

For those, who can't see the screenshots, it reads:

A video went up on YouTube last night that showed something I did 6 years ago in early 2017, of which I'm very ashamed. I've talked about it on stream plenty since then and try to be very open about it, but I know a lot of people haven't been watching me since 2017 or have not heard me discuss this before. I don't want to hide from my mistakes or deflect, so very plainly here's what happened:

I was just starting on YouTube and I ripped off a phenomenal video on Bloodborne. It was a fantastic video by hbomberguy and after finding it through a Reddit post I tried to take his 1.5 hour masterpiece and make my own suckier version at around 7 minutes. I copied the premise, jokes, structure, and then pretended like it was all just a coincidence that they were so similar. I was a 19 year old idiot who thought it didn't matter because "he's a bigger creator so it's fine" and "it's just the internet." When I was rightly called out for copying his video I dodged, lied, and even attacked and insulted the appearance of those holding me to account, including hbomberguy himself. I copied someone's video, in parts word-for-word, and I pretended like *I* was the victim and *they* were being unreasonable. Unbelievable. There is no question at all: I was in the wrong, fully.

Let me be very clear: I whole heartedly disown who I was back then and what I did. Politically, religiously, and even morally/ethically I was a person that I hate today. I was an extremist, a bully, a religious zealot, and above all, a prick. This event sparked a spiral in my personal life that I didn't document online, but that has led me to who I am today. Someone who tries very hard to respect my fellow creators, audience, and to uphold a high ethical standard for myself. I strive every day to be a better man for myself, my family and kids, and for the community around me. And that's why I'm writing this, because I don't think we should hide from our mistakes or pretend they didn't happen. I screwed up, big time, and I stole the hard work of an incredibly talented creator and for that I'm incredibly sorry. I was 19, hard headed, and above all arrogant and unwilling to acknowledge I had screwed up. It took a couple years after that before I could openly admit what I had actually done, and that it took that long is all the more shameful.

I don't expect a response or certainly forgiveness, but for what it's worth, I am truly sorry for everything, @hbomberguy

For the last 6 years I've been working my butt off to be someone I can be proud of being and I hope you all can see that the man I am today is not the shameful excuse of a person I was back then.

I've never watched a video or stream by Luke Stephens so I can't attest as to his content, but this is one of the best responses I've seen to any kind of accusation, and so I lean towards believing him to be a better man than he was six years.

I thinks it's important to highlight the good response/s to Harris' video, to remind ourselves that plagiarism is not such an immoral action that from which you can't redeem yourself (though in Somerton's case, I'm less sure of that) if you take accountability for your actions, and to remember that in most cases, we should give people space to grow and become better.

The swiftness and brutality of Hbomberguy’s complete evisceration of James Somerton’s career cannot be overstated.

[crystaltoa]

And now for something completely different.

This is the ADHD Teapot. I made it in a ceramics class a few years ago. I use it to explain executive dysfunction to people who haven’t come across the term before (and those who think of ADHD mostly as Hyperactive Eight Year Old Boy Syndrome).

So, most people’s brains are like a regular shaped teapot with a single spout. Let’s say that your time, energy, focus etc is the liquid you have in the teapot. Your executive function is the spout, that directs the tea into the specific cup you want to fill-aka the task that you’re meant to be doing. Spills happen occasionally, but generally most of the tea goes in the right cup.

If you have executive dysfunction, (a symptom of ADHD, trauma, autism, schizophrenia etc.) you have multiple spouts going in different directions. You can try pointing one of them at your chosen cup and you will probably get some liquid in there, perhaps you will even fill it right up (finish the task). But meanwhile, tea is also pouring out of several other places and not going where you want it. If you have another container nearby, perhaps some of it will end up in there. But quite a lot of it is going to end up on the floor and accomplish nothing.

And at the end of the day you’ll have filled one or two cups ( or sometimes not even one) compared to the five or six that somebody with the same sized teapot (but only one spout) has filled, and everyone wonders why you’re so bad at getting tea poured, and why you make such a mess in the process.

One day I’d like to spend more time learning pottery and create a really technically good fucked up little adhd teapot. But that’s a long way off since i currently live in the outback and the nearest pottery workshop is some 400km away. But I figure that for now, it might be a useful or interesting metaphor to somebody even in its rough draft form.

This post is the cup I filled instead of cleaning my house btw.

[sortanonymous]

You know what, time for something more light-hearted and petty for a thousandth post compared to the... ahem... events I've been discussing lately.

Russian Mind is by far OPN's best album (of the several I've heard anyway) and the fact that it's the only main album with the Oneohtrix Point Never name without a Wikipedia page is flat-out criminal!

Even mid-ass Zones Without People recently got a Wikipedia page? Like, come on! We've gotta end this drought! "Physical Memory" and "Time Decanted" need more attention by any means necessary!

[the-best-bagel]

free roaming outdoor dogs a la cats are not a good idea and are just asking for injuries and conflict but unfortunately i've only ever had great experiences growing up in a neighborhood with a handful of those dogs and i miss themmmmm

[thebuttsmcgee]

so. um. 👉👈

hi guysies.

Ig I should just say like. Hi

I haven't been posting here as much cause. Idk. Might be depression? I keep thinking its cause I've been so busy, which also wouldn't be not untrue, but these past, like, 3 weeks I think so far? I've had some free time but I haven't cause. I dunno, then again, I haven't been doing too much in general? I gues, besides very mandatory things, hell I've even been lacking in my regular skyrim hours of playing.

That, and as said, I get super melancholic when I remember just how sad and bittersweet it is that t0h is. Actually legit over. The show and experience, that is.

Oh all that and also becuz my headphones broke! Fuck! That's like number 2 in my bare necessities for when I post, do almost anything really! It's seriously been painful this past month going without headphones holy shit. Dude I've been scratching at the bit for some relief for headphones, I NEED music legitimately. Even right now, as I'm typing this on my phone, my music is on low levels.

But yerp. Its been. Rough. Really rough. I really do appreciate yall, everyone of yall. Have a sweet week everyone, ✌️!

[arolesbianism]

Oh baby I've Kanoned unit swap Kohane even worse than than before how the hell am I supposed to explain this one without sounding like I'm losing my mind

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[icewindandboringhorror]

I’m always paranoid of my tumblr being deleted or malfunctioning or something like that someday, so here’s other places to find me/follow me, just in case lol

~ instagram - https://www.instagram.com/lucalicatte/

~ main youtube - https://www.youtube.com/c/LucaLiCatte

~ games/sims youtube - https://www.youtube.com/@cloudycatte

~ facebook page (I rarely use this because I hate facebook but.. it at least allows text posts better than instagram does, so idk maybe I’d use it more if tumblr went away? lol) - https://www.facebook.com/cloudycatteart/

~ Other Links (stuff I don’t use often/isn’t Main enough to list here, like twitter, neopets, other tumblr sideblogs, youtube channels, etc.) are here - http://icewindandboringhorror.tumblr.com/otherlinks )

[starry-bi-sky]

don't you want to be a cult leader? - danyal al ghul au

this is mostly a joke post but i thought it was funny and had to share so--

his first mistake was, obviously, inheriting his father's inability to see an injustice and stand still. -- actually, danyal's first mistake was his lair being so big. a mountainous island with a large temple in the center resembling his old home in Nanda Parbat? With sprawling foliage and rivers and streams and waterfalls galore? What was he going to do with all that space? Let it go to waste? He had plants there! Native trees of the ghost zone growing from the soil! He couldn't let it all be left unchecked!

So naturally after helping a fellow teenage assassin ghost -- who he later learns is named Akihiko, -- from Walker of all people, he sent them over to hang low at his lair until it was safe enough for them to wander around the Zone. Walker couldn't get through Danyal's astrofield if his life depended on it, and trust him -- he's tried. Danny was clearing out debris from his stupid transport vans for weeks.

Honestly it wasn't so bad, he and Aki really quickly became fast friends and Danny loves having a sparring partner close to his level again -- he hasn't had this much fun fighting since he left the League. Aki was very dedicated and levelheaded, the both of them clicked really well because of it.

Nonono, the real trouble began after Danyal met some long-passed League members and allowed them to come join his island as well. Apparently they had made a few enemies of the zone, and maybe Danyal still felt some loyalty to the League. He couldn't just let them be left to rot. Their zealotry could be overlooked so long as they kept it contained and helped him take care of his island.

And it.. snowballs from there? He meets a teen squire aptly calling himself Ambroise -- whether that was his living name or not is yet to be seen -- who died during feudal france, who is just about as dramatic and passionate as every french stereotype makes them out to be. He calls Danyal "my moon and great muse" -- which is both flattering and little uncomfortable, but Danyal's grown up in the League as the Grandson of the Demon Head, he is used to mild worship. he passes it off as nothing more, nothing less. -- and while his energy is overwhelming on the worst of days, he helps Danny draw out of his shell more in ways that Sam and Tucker still struggle with.

Him and Aki butt heads a lot, but the two seem to hold the other in at least some positive regard, so Danny doesn't worry too much about them fighting while he's gone. It only becomes a mild issue when Aki also begins calling Danny "my moon". It's a little sweet, so Danyal brushes it off.

Then he takes in a troupe of ghosts some time after he defeats Pariah Dark and they begin calling him "great one" just as the yetis do in the far frozen. This is where he meets the twins -- a pair of sibling ghosts who call themselves Trixie and Missy (short for Trick and Mislead) -- who aren't quite as passionate as Ambroise but more energetic than Aki. Eventually they also start calling Danyal "my moon" and attach themselves to his hip, even within the living. They like to hide in his shadow and cause trouble for the rest of the students. He makes sure they don't hurt anyone.

He's pretty sure Aki is jealous, same with Ambroise, but he can't be too certain other than the fact that they become much more lingering (re: clingy) whenever he visits the island.. Something he's trying to do much more often these days due to the increasing amount of people living there now. Since when did he become so popular?

Then there's Pēnelópeia from the Greater Athens, who ran away from home and joined his Island after he ran into her while she was being chased by Skulker -- and he's pretty sure the reason was because of her chimeric appearance. Her strange eyes and mismatched wings and lion's tail and talons. She assimilates into his friend group very easily, she gets along well with Ambroise and Trixie and Danny usually finds the three of them climbing the trees to pluck the most fruit from the top. They can fly and he knows it, but they prefer to climb.

Then finally there's silent poet Akkara who comes from ancient mesopotamia, who gets along most with Aki -- which is no surprise there considering their similar personality dispositions. he watches Aki and Danyal fight each other and leaves comments on this or that that he notices. He writes Danyal poems on clay tablets and leaves them by his room.

They're one big mismatched group of outcasts, and Danny's got the other ghosts on his island to tend to, because they're living on his island and he wants to be hospitable even if he struggles with that. But he spends the most of his time with them.

Sam and Tucker are making fun of him. Tucker jokingly tells him 'careful Danny, at this rate you're gonna start a cult'. Danny really wishes he had taken that joke more seriously.

He just. keeps. collecting people. Wayward souls lost in the zone, looking for shelter or refuge from something or other -- whether that be another hostile ghost, or a past afterlife, or just a purpose. Danyal finds them, he takes them in, offers them a place on his island until they are ready to leave. Many seldom do. He's not complaining -- he has the space, and it feels like it's only ever growing.

His close friends, his "inner circle" as he's heard the others call them, keep insistently calling him "my moon". He starts calling them his stars, because then it only feels fair. They're his stars, this is his constellation. It becomes a thing; little star halos begin forming behind their heads, picking them out from the rest. He loves them so much, it's hard to place. Sam and Tucker are also his stars, but they reside in the living realm, they're his tie to Life. Meanwhile, his friends here know what it's like to be dead, and sometimes its nice to relate.

Those living on his island keep calling him "Great One" and he's beginning to notice zealotry in their care for his island. He really, deeply appreciates it. His close friends gain nicknames -- as his stars, it's only natural for him to pick them out from the cluster in the skies. Akihiko, his Sirius and bright star. Trix and Missy, Castor and Pollux, the twins and troublemakers. Ambroise, his zealous Antares and close friend. Penelopeia, chimeric and loyal Vega. And Akkara, his Arcturus and strength.

It's ridiculous how long it takes for him to notice; he is, of course, a deadly trained assassin. He is meant to be observant -- and normally he is! But somehow this becomes a blind spot. One that becomes too big to be dealt with by the time he realizes it.

He should've noticed when Aki, his Sirius, stood beside him one day while Danyal looked over his island and saw the sprawling spirits carrying on about their afterlife and bowing to him as they saw him, and said: "I looked down into the depths when I met you; I couldn't measure it." They aren't one for flowing prose, it took him so off guard he was silent for over a minute before he finally spoke.

Danyal should've recognized devotion for what it is, and yet he didn't. He should've recognized it when Antares began spouting praises about him, crowing about his radiance and resplendence to the heavens. He just brushed it off as Ambroise being Ambroise. He should've recognized it when Trix and Missy nearly broke Dash's leg after he knocked Danyal's books out of his hands, he excused it as them being protective. Of them coming from times where such violence may have been customary -- after all, that's what he used to be like. What he was still like, sometimes, when his emotions nearly got the better of him.

He should've noticed it when the people living on his island followed his word like gospel, looked at him like he hung the stars in the sky. When his friends gifted him a shawl with the moon phases delicately embroidered into it, with silver, shimmering thread and moving stars lovingly stitched into it. Their constellations seen clear as day in the dark fabric. When he found small shrines dedicated to him -- but they lacked any image of him beyond stones carved to look like moons, so he ignored it. When the religious imagery began popping up.

He really, really should've noticed it when a bunch of cultists accidentally summoned Antares, and Antares had turned to him when he arrived and called them heretics. But he was so centered on the fact that they had kidnapped one of his stars, that he hadn't paid much attention to what Ambroise had said.

Sages say that faith is blind, they should also say faith in you is even blinder.

It really only hits him one afternoon while he's sitting in Sam's room studying with Tucker, Missy and Trixie lounging at his feet, Aki sat on his right, Penelopeia braiding his hair, Ambroise draped against him, and Akkara lurking over him. Its one of the rare few times they're all in one room together.

It hits him like a bolt of lightning. He looks up from his textbook. "Oh Ancients," he says in no amounting shock. Everyone looks up to him.

"I've become my grandfather."

[a-scary-lack-of-common-sense]

Continuation to This Post :]

------

It was always so strange to hear adults argue.

Grown up fights never seemed quite the same as the trivial spats her and Dipper sometimes had. They were similar in some aspects, yes; Adults and children weren't as different as people liked to think. Mabel had seen adults verbally lash at one another with vicious words just as low hanging and petty as the ones she'd sometimes see kids the same age as her use. Adults arguing was essentially just a louder, angrier version of children fights.

And yet, there was somehow... more to it. Grown up arguments always seemed to weigh so much heavier in the air, and for so much longer than she'd ever thought possible.

Sometimes, the weight would leave quick and early, practically gone by the next morning. However, occasionally, the weight would stay; and grow heavier, and heavier over the years. Until it came to a point when the weight was nothing but a choking, stifling presence that seemed to fill every room in the house and buzz deafeningly in your ears like an unpleasant static that made your head pound.

Then, one day, the pressure would burst with a loud yell, a slam, and a bang, and start building up all over again. It was a cycle Mabel was much familiar with.

Her Grunkle Ford's "Mystery Shack" didn't have that air.

The shack's air smelled like burnt out candles and cheap discount Halloween fake blood, with a hint of real blood underneath the stinging scent of old wood and aged parchment. It wasn't necessarily a very nice air, certainly not in any way the fresh, crisp, clean air of the streets of Piedmont, but it smelled more like home than she'd ever felt back in California. It just smelled like... Grunkle Ford.

She liked her Grunkle Ford. He was super weird; with an even weirder Uncle as his roommate. He checked her and Dipper's arms and legs every morning "just in case someone broke in at night to steal a sample of their bloods"; he despised overly sweet foods (baffling, truly); and he had exactly 27 locks installed on the front and back door respectively that he could unlock all in under a minute with his really fast extra fingers. He reminded her a little of Dipper on some occasions, no matter how much the latter liked to deny the similarities (although, bar the demonic obssession).

However, last night, the air suddenly grew heavy.

Grunkle Ford had a fight.

Mabel hadn't heard it, and she hadn't seen it, but she knew there had been one. She was an expert recognizing the signs; she could always tell.

When she had awoken that late morning, the stuffy summer air had taken an even more sour note than usual, and had become a touch heavier than it should have been. Either that meant Grunkle Ford had just recently finished up a ritual, or a particularly rowdy argument had taken place; and Mabel knew that Grunkle Ford only performed his rituals between 2 to 4 AM, when he thought the twins were well asleep.

It was strange, to feel that same heavy air push down upon her temples and pound that same painful rhythm of a mounting headache as it used to do so often back when Mabel was in California. It had already happened a few times at the shack, but this one felt... heavier, than usual. She didn't think she would have to encounter the discomforting weight again this summer, away from her parents. Yet here she was. Aching.

She knew Gunkle Ford and Uncle Bill fought and bantered. With Bill being a permanent resident trapped within her Grunkle's mind, she couldn't imagine how they wouldn't. She didn't think even she could keep her cool if she had Uncle Bill as her brain roommate 24/7.

In any case, their interactions in front of the twins were mostly a mixture of exasperated resignation, or irritated tolerance, mostly from Grunkle Ford. Their occasional volleying exchanges of vitriol doused insults and words were short lived, and brief most of the time, especially when in front of the kids. They were nothing like the long, loud ones that could go on for hours back at her house in Piedmont.

Even so, there were some times when Mabel would see Grunkle Ford late in the evening, red faced and tight fisted, stomping down to the basement and disappearing into his lab there with a deafening slam of the rickety wooden door. She recognized that slam. He didn't want the twins to hear the argument.

Even if they could hear anything, what little they could glean always seemed to be only side of the argument, with Grunkle Ford yelling curses at Uncle Bill inside his head. She always did wonder what happened inside Grunkle Ford's head. Although, she wasn't sure if she wanted to know the answer. She couldn't imagine the state of the mind of someone who sometimes forgot to eat or sleep for almost a full week until someone reminded him.

The entire day passed with that same, tense air choking the atmosphere. Dipper had dragged Mabel and himself to some adventure in the forest, but it seemed to her that he was just trying to find excuses to stay out of the shack for the time being. Even he seemed to feel the unnerving heaviness of the air.

That night, underneath her sheets, Mabel pulled out the worn and well used wooden art mannequins Dipper and Grunkle Ford seemed to keen on using to summon Bill rather than their own shadows. With her trusty golden glitter pen (that she knew Uncle Bill loved despite what he claimed), she gently drew a closed eye upon the blank wooden face of the little model.

The eye opened, and she spoke:

[momxian]

AU where Shen Yuan gets transmigrated as an Original Character into the Demon Realm a few years before Bingge gets there. But even though he's not SQQ, he LOOKS like a near exact copy. So he figures that if he wants to survive he needs to make himself useful. First things first, he needs to know what the hell is going on, so he starts working with lower level demons setting himself up as someone necessary, and relatively important so he can figure out when in the plot they are. It's pretty easy, there's not much in the way of organization down here and despite everything he's not that bad an actor. It helps that SQJ's face is beautiful in every setting and he will quickly create a reputation of the stubborn beauty amongst the demon realm. It's around this time he starts wearing a veil to mask his resemblance to SQJ, but really it just adds to the mysterious allure aspect.

He utilizes his plot knowledge to get things ready for Binghe's arrival, tidying up the palace, setting up good staff, getting rid of some of the smaller villains that kidnap Ning Yingying and Liu Mingyan etc later. Actually a lot of smaller villains who kidnap, harass or belittle Bingge's harem. It's like every time he's running an errand he meets another piece of cannon fodder that will inevitably lead Bingge to another papapa scene. It's fine, by the time he's done with them (thank god this body doesn't have the same limitations as his old one) they follow him around with big demon puppy eyes and scramble to do chores and tasks for him.

By the time the Endless Abyss moment is set to happen, SY has thorough knowledge of the abyss and all of the special items tucked away in various locations across it. You can't be mad and murder someone who helped you through the torture torment evil maze of plot relevant trauma, right?

He finds Bingge post fall and does his best to act callous and only vaguely helpful, leading Bingge in the right direction and away from the biggest threats. His goal is to be a helpful and forgettable NPC. Someone who, if he runs into him again, Bingge will have mercy for and be left alone. Despite his resemblance to SQJ. But what he doesn't take into account is A) in no version of this story is he capable of being that hands off and B) Bingge was just shown kindness for the first time in years by a mysterious and elusive beauty with brilliant eyes and an obvious intelligence.

Since this is Bingge and not Binghe, he doesn't immediately fall for SY, and is in fact wildly paranoid, terrified and angry about things in general. But every time something seems to go wrong in the abyss, instead of taking the hits and becoming the stallion protagonist, SY shows up to give him a magic item, or rushes in to protect him from fatal blows and on two separate occasions thoughtlessly petted Bingge's hair when he was injured, which rattled Bingge so bad that he almost died again fighting the next monster.

Shen Yuan is gone often enough that he still makes his way to the Demon Palace, collects Xin Mo and builds his harem, though it's smaller than it was originally. Mostly because SY had taken out the smaller villains and then because SY had interfered with Bingge's quests so often.

Obviously Shen Yuan has a soft spot for Bingge now but doesn't admit it. But he's satisfied he can slip away now without too much consequence, except no he can't. Bingge asks for him, to collect something for him. To ask him something about another demon. To just stare at him for a half hour with a vein about to pop in his forehead as he tried to see through the veil before huffing and sending him away again.

Since Bingge is obviously not going to let him slip away, and SY isn't sure if Bingge is going to kill him or not he desperately makes himself useful again. He takes care of Bingge's harem. That's a lot of housing and food and clothes to take care of! The girls fight often! He'll just slip into the mix and keep the peace until Bingge forgets about him. And in the meantime sometimes he tends to Bingge and he and Bingge have dinner together. And isn't it so cute how the stallion protagonist can blush when he compliments the dish? And once or twice he combs out Bingge's hair. And sometimes Bingge rubs the scowl from between Shen Yuan's brows and lets his finger outline his jaw over the silk of his veil when SY is tending to tedious business.

Yeah, I'm sure one of these days Bingge will let you slip away SY.

Anyway Bingge is just relieved that Shen Yuan has accepted that he's part of the harem now.

[luulapants]

Existential despair is so common in a person's twenties, I think, because up until that point, we've had a pretty clear road map for what's expected of us and we haven't had much reason to question that map. There are still a few milestones outlined for us (start a career, get married, make babies) but more and more young people are entering the post-school world and realizing:

A) that career thing just isn't happening like they said it would

B) I'm not ready to get married/I don't want to get married/marriage isn't the sort of life-altering event that it used to be

C) I'm not ready to make babies/I don't want a baby/I can't afford to raise children right now (see point A)

And in the absence of these milestones to shoot for (which one could argue weren't the promise of fulfillment they claimed to be in the first place), what we're left with is this aimless abyss of "the rest of our lives" sprawling out ahead of us with no indication of how it will go or what we should be doing to shape it. Young people start their first jobs, find they hate them, and think to themselves, "Is this it? Am I just supposed to do this job until I'm too old to do it or die first?"

Which is, yeah, really fucking depressing!! So here's my best attempt at an alternate roadmap for young people that don't vibe with the old model. Please feel free to add in your own suggestions!

Learn how you work and what you want out of a job. Unless you've been in a job-specific training program that gives you hands-on experience, your first jobs should be experiments. Learn how a full-time job feels for you, what elements are more or less difficult. Different workplaces have different cultures and expectations - what do you need out of a job environment? Do you need to find fulfillment in your job or is it enough for it to pay the bills and leave you time to find outside fulfillment? Do you want to climb a corporate ladder or are you content to hunker down as long as your bills get paid? This period of experimentation is exhausting and may feel like it's consuming your whole life.

Learn how to make time for things outside of work. Adapting to a full-time work environment often leaves you feeling so drained that you can't do anything but go home and collapse on the couch every day. That's fine - for a little while. But it can also become a habit. You need to learn how to do things after work or you'll go crazy. Go to a trivia night. Start an exercise schedule. Take a class in your community. Find volunteer work. Join a band. You will find that putting more things into your day makes you feel like you have more time, not less.

Find a community. Making friends as an adult can feel impossible. Where do you find these mysterious friends everyone seems to have?? This goes along with #2, though. As you start regularly attending the same activities, you will find that repeat interactions with the same people turn into friendships or at least friendly acquaintances. Say yes to invitations. Get involved in your local community. Strive to be connected enough to bump into people at the grocery store.

Unlearn bad lessons. We all internalize some messed up things when we're growing up. As you start off your adult life, that's the time to actively work at unpacking the things you've brought with you from childhood and deciding which things are helping you and which things are harming you. This might mean therapy or joining a spiritual group or reading new things or just making special time to be in your own head.

Learn the lessons you missed. In this, I mostly mean practical things. "Adulting." Areas of your day-to-day practical life that are causing you extreme stress are probably related to a knowledge or experience gap. Do you hate cooking and cleaning or were you not taught how to do it properly? Are you afraid of making medical appointments or is it just something new you're not used to? Does money make you queasy or do you need to learn how to make a budget?

Find something fulfilling. This can be your job. It can be volunteer work. It can be faith. It can be a hobby. It can be creating things. It can be challenging yourself physically. It can be activism. It can be going for walks in nature. Everyone finds fulfillment in different places. If you're not finding it where you are, look somewhere else.