#this post is kinda all over the place

[heartorbit]

find another role, carry on the show

[kanotototori]

The welcoming and friendly and bright facade of "Mother" and the family she raised at the Hearth, whose cruelty was hidden just beneath the surface - raising children as brothers and sisters so that they might slaughter each other in the future for the title of "King",

Versus

Arlecchino as the "strict" and "unfeeling" and cold and emotionally distant Father, who teaches her children that they should rely on each other, love each other, cherish each other and their own lives, stand on their own two feet in the world. The names of Arlecchino's constellations - "You shall become a new member of our family / You shall love and protect each other henceforth / For alone, we are as good as dead / From this day on, we shall delight in new life together" - are her teachings to the children of the House (and her hopes, too - we shall delight in new life together).

And the warm gentleness in her voice when she begins speaking - "come with me" - that turns into cold monotone, "like a strict and unfeeling Father". You can literally hear the moment she creates the persona of that "cold", "unfeeling", "strict" Father, when she puts on her mask.

And that's not even getting into how it's also a continuation of this vicious cycle - "I will raise you as my child" - because while Arlecchino's House is certainly leagues better than Crucabena's, she is still raising soldiers and ultimately leading many of them to their deaths* (despite her best efforts, it seems), she is actively priming Lyney to be the next "King", and the throne of the "King" is upheld by much death and bloodshed.

*As an aside, I gotta wonder if Arlecchino's crimes were pardoned only in exchange for her becoming a Harbinger, so now she's locked into a job where she has to raise more child soldiers and send them to die, just like her siblings were sent to die. It would explain why Childe clocks her loyalty to the Tsaritsa as being very shaky (him being a Tsaritsa fanboy in the first place, anyway). But if she didn't become "King"... well, wouldn't that mean all her siblings' sacrifices would be in vain? That would be kinda fucked up innit.

[naggascradle]

[1driedpersimmon]

Doodles

[nikthesoup5]

I wonder what that's supposed to mean haha ♥

This one's a bit older, but I am still super happy with how it turned out! Especially since I don't usually draw a "comic". But hey, I am challenging myself more now with my art! Altmal is still one of my top fav pairings :) AGH ♥♥♥

COMMS are open rn! For more info, like pricing and my TOS, can be checked the carrd in my bio~

Please do NOT use/reupload my art (ESPECIALLY) without my permission!!

[degendog]

god id love to fuck with a strap-on that has a “cum” tube. id love to be able to fill someone’s hole so nicely with cum, watch it drip out before scooping it up with the tip and fucking it back into them. it’d be better than the real thing. id be able to “cum” over and over without softening, or be able to fill their guts with an obscenely large load.

and the only thing we’d have to worry about afterwards is cleanup :)

[front-facing-pokemon]

[reuben-7991]

Octavian’s treatment is one of my least favorite things about HoO because it isn’t his character, it’s his lack of one.

We COULD’VE had an excellent character who was a look into what could truly go wrong with blind devotion like Octavian’s, drawing an excellent parallel to Luke’s blind hatred in the original series (Percy even says Octavian reminds him of Luke).

We COULD’VE had a fantastic contrast into a follower’s descent into insanity after making empty promises of power whilst under the influence of a massively elder being, thus leading to said follower’s death.

What makes me especially mad is that Octavian has no backstory. This is a problem with a lot of Roman characters, but Octavian especially. He doesn’t even have a last name. All we know is:

- He’s a legacy of Apollo.

- He used to be sane and probably very charismatic, due to Reyna stating she used to have a crush on him in TTT.

That’s it! One of Rick’s gold stars is that his human characters are just that: human. They have motivations and flaws, deeply personal origins and ideals that affect their actions and their outcomes. None of the villains are just plain villains, evil by birth. They have motives to back up their actions (now weither those motives make sense or not, that’s another story, but they’re still there.) There’s Luke, Medea, Lityerses (who is an entire other can of worms), Circe, Loki, Gunilla, Randolph, hell, even Kronos and Gaea. All of them have reasons for the shitty stuff they did. Octavian is a glaring exception. We know he’s power-hungry, but we don’t know why. We know he’s violent, but we don’t know why. We know he hates the Greeks, but we don’t know why. You may argue ‘oh, he’s a minor character, he doesn’t really get a reasoning’ which is just blatantly untrue on both fronts.

1: Octavian is NOT a minor character in the slightest. He has major roles in the plot throughout the books.

2: Him being a ‘minor’ villain wouldn’t have anything to do with his motivation. Chris from the OG series has stated motivation, and he’s way more minor than Octavian.

Another thing is that Octavian’s insanity is played off almost comically. He’s relatively well put together in SoN, only being super dramatic and reportedly blackmailing Hazel and probably other legionnaires, but by BoO he’s absolutely broken. He’s utterly obsessed with being a hero to the Romans, with being Pontifex Maximus, with killing Gaea and almost proving himself to Apollo (who is utterly disgusted by him), but it’s all either framed as ‘hate this guy more plsplspls’ or brushed away to the side.

I’m torn on his death scene, because it’s a good scene overall but too much of it is humorous in my opinion. Between Will calling Octavian an ‘anemic loser’ (which like. what.) and Leo describing his screams as a little girl’s, it seems almost too light for such a pivotal point in the story. Octavian has truly lost himself to madness, ranting and raving and insisting no, HE has to be the one to kill Gaea, HE has to be a hero.

His death is horrific, yet it’s framed as a silly oopsie.

What the fuck.

Overall, Octavian is a shining example of missed character potential. We could have gotten the Riordan special and made to empathize more with our villain, like what happened with Luke or Randolph from MCGA, but all we get is a crazy blond kid, character so shallow he could count as a tide pool. It infuriates me to no end how in a sea of good, properly motivated antagonists, Octavian is the outlier.

It’s a real shame.

[flowercrowngods]

part 1 | part 2 | part 3 | part 4 | part 5 | part 6 (these make one big story, you won't understand this part without the others)

day 07: free space a happy ending

Wakefulness embraces him so slowly and gently that Steve’s not entirely sure he isn’t dreaming when he sees Eddie lying next to him, watching him with an easy smile as his fingers tap out a slow beat on his pillow. Steve looks at him, blinking away the remnants of sleep, not quite daring to do anything more than that for fear of it being a dream after all, scared that Eddie would disappear if Steve reached out to touch. 

But then Eddie’s smile widens. “Good morning, sunshine.” 

Steve gasps a little and moves his hand to Eddie’s cheek, tucking a few strands of hair behind his ear, his breath hitching when Eddie leans into the touch. 

“You’re here,” he whispers, his gaze wandering over Eddie’s features, taking it all in and looking for any indication that this is a dream. 

Eddie hums. “And you’re pretty.” 

It hits him out of nowhere, the open sincerity in Eddie’s voice, the fondness in his eyes, the honesty in everything about him. The love, open and free now — or getting there, at least. It’s still so raw, though, so new, that Steve doesn’t know how to handle it yet. 

“Shut up,” he huffs once he’s caught his breath, rolling over to hide his face and the way his cheeks are heating up. He rolls right into Eddie's chest, though, and he's so warm, so close, smells so good that Steve wants nothing more than to bury his face in his neck and stay there for the rest of the morning. Or maybe the rest of his life.

The reflex to pull away is there. The urge to run and hide, to laugh it off, to freeze up and find something else to do, something to occupy his hands and stop them from reaching for Eddie. Years and years of muscle memory telling Steve to leave. 

But Eddie's arms come around him, holding him close and pulling him even closer. And Steve breathes him in, remembering that it can be okay. Remembering that they get a chance now. 

Remembering the words. 

What are you doing? 

Changing the world. 

So he tries that, too. Changing the world. He tries by winding his arms around Eddie, too, and breathing in again and again, learning that Eddie won't disappear if he does. 

Slowly, he dares to move his arms, stroking along Eddie's back in slow, gentle patterns, lulling himself into a safety he hasn't felt in a while. Maybe ever. At some point Eddie begins to hum, and Steve thinks that it's just another one of his audible smiles, inviting Steve and the rest of the world to join in if they're so inclined. But then he detects a familiar melody in the vibrations of Eddie's neck against his skin, and he holds his breath to find out what it is. 

His heart jumps when he recognises the song as one he used to listen to on repeat like a lovesick fool around the time his feelings for Eddie turned into something more, something better, something infinitely worse. 

It skips and he forgets how to breathe as he lets his hands travel over Eddie's back, slowly and tentatively daring to slip underneath his shirt and touch his skin. 

Eddie begins to sing, then, and Steve wonders if he's even been in love with him before, because nothing of what he's ever felt compares to Eddie's gentle, hoarse, sleep-rough voice as he sings Somebody to Steve, to their little bubble, or to the world outside. 

"I want somebody to share, share the rest of my lifeShare my innermost thoughts, know my intimate details."

He closes his eyes as he listens, focusing on the vibrations, on the warmth, on the closeness, on how this moment is everything he's never even dared to want. Everything so perfect that he couldn't even dream it up. 

Everything. You're everything. 

He needs to be closer still, so be buries his nose in Eddie's neck and breathes him in, tangling their legs, filled with a breathless kind of joyful bliss when Eddie's breath hitches, too, and he stumbles over the words of the second verse as Steve tries to climb into his skin. 

"I want somebody who cares for me passionatelyWith every thought and with every breath."

You have me, Steve thinks, pressing his lips to Eddie's pulse point. It's not a kiss, not quite. It's something deeper. It's a promise. 

Eddie's hands come up to hold him there even as his voice carries through the drumbeat of Steve's heart in his throat, running fingers through his hair, lightly scratching at his scalp, making him purr along to the melody. 

"But when I'm asleep I want somebodyWho will put their arms around me and kiss me tenderlyThough things like this make me sickIn a case like this, I'll get away with it."

When the song ends, Eddie's words faded out, replaced once again by the gentlest silence, Steve feels raw. Vulnerable. Open and exposed. But he also feels safe, and loved, buried in Eddie's skin and held there, as though Eddie is just as scared of fading away as Steve is. 

He lifts his head just slightly, enough to meet Eddie's eyes – only to find that they're closed, an expression so serene like Steve has never seen before. Mesmerised and overflowing with affection, he reaches out to trace the line of his brows, down to his cheeks and all the way to his lips, where his eyes are glued for a second. 

The thought of kissing Eddie is right there. The opportunity is, too. But he doesn't. He barely dares to move as it is. But he does roll them over the rest of the way until he lies comfortably on top of Eddie, and tucks his head underneath his chin, finding one of his hands and lacing their fingers. 

"You've got him," he breathes eventually. "That somebody. If you—“ 

"Yes," Eddie says, his other hand finding its way to the nape of Steve's neck to play with his hair again. "I want."

"Good." It's lame; far from what he wants to say. From what he has already said last night. It feels like they're doing this backwards, starting with the I love you and catching up with the slow build-up afterwards. "Good. Me, too." 

"Good," Eddie hums, and there's that smile again that Steve can't help but mirror. 

They fall asleep again like that even though it’s already late in the morning; cuddling and holding and cradling each other, still trembling slightly. Maybe that's what changing the world will do to you. Maybe that's the bravery more than the love. 

Or maybe it's just Steve and Eddie. Steve and Eddie. SteveandEddie. 

I love you. 

~*~

It takes a bit for Steve to relearn loving Eddie. To not associate it with tragedy and sadness and a bone-deep loneliness that'll leave him breathless even on the best of days. 

It takes a while for Steve to learn a whole new kind of breathlessness, a whole new kind of aching when it comes to Eddie. 

And Eddie's not much better than Steve, pulling away when Steve wants him closer, swallowing his words and needing a second, third, fourth try until he learns that he gets to love Steve now. 

Years of unrequited love, or feelings unreturned, of words put out into the universe with no one to receive them, are not easily or quickly unwritten. But every time Steve's breath gets lodged in his throat and he wants to run away, Eddie is right there to remind him of what they can have now. Every time Steve tries to be a little less of who he really is, Eddie is right there to coax him out of his head with gentle touch and a lot of hugs. 

Every time Eddie starts to doubt himself and all the ways he makes Steve the happiest person on the planet, Steve is right there with the words he only has for Eddie. Words that don't get stuck anymore. Words that finally get a recipient. 

~*~

Their first kiss, the first real kiss, doesn't happen that first morning. They spend the first week only holding each other, barely wanting to let go, hiding their vulnerabilities within each other. 

Steve is worried about it at first, seeing Eddie so quiet, so reverent, lacking his usual cheer, his energy and snarky comments. He asks about it one night, ready to prove right that he isn't and can never be enough for him, that all he will do is steal the things that make him Eddie. 

Eddie stops then, lifting Steve's chin with a finger when he's too scared, too ashamed, too vulnerable to meet his eyes on his own accord. 

"Stevie," Eddie says, his voice so gentle that Steve immediately feels stupid for doubting. "I have loved you for ten years. I've had you for three days. Let me bask in it. Let me be unable to be myself with how absolutely and utterly overcome I am with the knowledge that I have you now. That I get to hold you. That I get to kiss you and keep you and... God. I'm not unhappy. I'm so much the opposite of that that I'm not sure there's a word for it. Other than devoted. Smitten. Bewitched, body and soul."

Steve wants to kiss him then. Almost does, with the way they're just staring at each other, breathing the same air —air that smells like Eddie now. In the end, Eddie just holds him, brushing a kiss to his cheek, his forehead, his temple, and whispers, "Let me bask in it." 

And so they do. 

Wayne called Eddie not long after with the words, "Chrissy just told me the wedding's off. Please tell me that means what I think it means." 

Eddie just blushed, reaching for Steve, tucking a strand of hair behind his ear. "Yeah, I, uh. I finally talked to Steve."

There was a very loud cheer on the other end that made Steve laugh, falling into Eddie's side, holding him tight, a weight falling off his shoulders knowing that Wayne was okay with them. 

You know, I always figured it would be you. 

No matter what happens, you'll always be a son to me.

It made his eyes sting again, but he basked in the moment and in the knowledge that Wayne was on their side. Always has been, always will be. 

"You better come here on Sunday, and bring Robin and Chrissy, too." 

"Robs and Chrissy?" Eddie asked. 

"Oh, you're in for a treat. I'll see your asses on Sunday, boys." 

And with that, he hung up. Steve immediately went to call Robin, hopeful and giddy with Wayne's implication, knowing that Chrissy was Robin's person just like Eddie was his. 

"She loves me," Robin said, on the verge of tears, and Steve joined here right then and there. "She's– Steve. She's so– She... God!" 

"Yeah," Steve laughed at the ceiling above his bed, grinning because Robin sounded so happy, not even caring that she didn't have the right words for it, because he could hear Chrissy laughing in the background, too. Laughing and saying hi to him and interrupting Robin's ramblings and groans and giggles with kisses that always left her dumbstruck for a good two seconds each time. 

When the call ended, he went right back to the living room, where he and Eddie started watching Pride and Prejudice before, and fell right on top of him with a happy, happy smile. 

~*~

It happens at Wayne's, exactly one week after Eddie showed up at Steve's in the middle of the night. One week after the phone call. One week after I love you. 

It happens in the soft glow of the fairy lights Steve and Eddie helped him put up years ago. I happens after Wayne hugged him tight once more, after he pulled Chrissy to the side and promised her that she's still his kid, that he still loves her, and that he's happy to see her smile like that. After he promised the same to Robin.

It happens when Wayne's inside to refill their drinks and Chrissy and Robin are caught up in each other that they're blind and deaf to the rest of the world. When Steve turns to find Eddie looking at him with the softest, gentlest expression. 

"Eddie," he whispers, leaning in to rest their heads together, lacing their fingers and stroking his thumb along Eddie's palm.

"Yeah, baby?" 

Baby. It fills him with butterflies, with the urge to scream, to shout from all the rooftops that he loves Eddie, and more importantly, that Eddie loves him back! Baby. Baby.

"I love you." 

"Hmm. I love you more." 

No, you don't. Just longer. "Can I kiss you?" 

He can feel Eddie's little gasp before he leans in even closer, rubbing their noses together, cradling Steve's face with his free hand. "Please," he whispers. 

And Steve does. He captures Eddie's lips, pouring into it everything he feels and more. Sealing the promises he's made and all the ones he's yet to make. The promises to love and cherish Eddie. To be brave. To be there. To stay and keep and bask. 

It's nothing like their first kiss all those years ago. There is no question behind it this time. Only declarations, only promises, only the beginning of a shared future. 

And there are many, many more after this one.

🌷🤍🌷 THE END 🌷🤍🌷

tagging: @sexymothmanincarnate @mcneen @livsters @eddiemunchondeeznuts @abstractnaturaldisaster @steddie-as-they-go @hyperfixationgoddess @goodolefashionedloverboi @stxrcrossed186 @eddiemunsonswife @bidisastersworld @ghost-ly-s @romanticdestruction @walkingaftermidnight07 @anaibis @rainydays35 @mightbeasleep @sunfloweringstories @korixae @tuesdaycats @totoroinatardis @ilovebookshowboutyou @musical-theatre-gay @theluckyalien @copingmechanizm @srra @changelingbaby @sassygoop @obsessivelyme @r0binscript @hardboiledleggs @estrellami-1 @bisexualdisastersworld @space-invading-pigeon @swimmingbirdrunningrock @y0urnewstepp4r3nt @oxidantdreamboat @spilled-jar @phirex22 @littlemsterious @captaingigglyguinea @animecookie95 @sharingisntkaren @haluton @littlemsterious @animecookie95 @suddenlyinlove @bisexual-bilingual-biped @jinx-nanami @makewavesandwar @scheodingers-muppet @morcantinon @hexdbog @homosexualhomocide13

god i can't believe it's over. i thank you, every one of you, who cheered for me, cried with me, screamed and yelled at me, and stayed with me throughout this past week. i have no words right now other than thank you 🤍🌷 and i hope this is okay

[employee052]

turns out a brief moment of feeling ok doesnt mean im done grieving

anywho, heres a vent doodle with a pose i saw online, might not reblog the road trip thread posts for a bit (i feel bad for not being able to participate in my own trend but as long as people enjoyed it then i dont mind all too much)

i dont wanna call it a break bc i cant help but be on tumblr, but things might go quiet in terms of art or me talking.

hope yall are doin well today/tonight/timezone n ill see yall when i see you :3

[emberglowfox]

faceless day (post-canon)

[3416]

1634 + shared dreams

Credits: Marina Tsvetaeva | Mark Blinch | Behind the Maple Leafs’ franchise-changing draft selection of Mitch Marner | Matthews: It's a dream come true | Rebecca Lindenberg, “Love, An Index” | NHL: Auston Matthews was born for this | Marner on wanting to continue playing for the Maple Leafs | H.G. Wells, The Time Machine over Lee Balterman, Steve Russell | The Hockey News over Steve Russell | Franz Kafka, Letters to Milena over Kevin Sousa (1) (2) | Leaf's (former) goal song: You Make My Dreams by Hall & Oates | TSN Unique Opportunity graphic | Jeff O'Neill on TSN The Quiz Panel | Two young Leafs join a pair of all-time Leaf greats | Hall & Oates again | Matthews thrilled to be committed to Maple Leafs | Kevin Sousa | Mitch Marner has another gear in him. | Frank Bidart, “To the Dead” on Mark Blinch (1) (2) (3) | Haruki Murakami, Sputnik Sweetheart | Mark Blinch

[peridotite]

my bumbleby amv is done please enjoy <3

[mishy-mashy]

Do you think Banjo is the type of person who hides his problems behind a clown mask?

The guy acts like a bit of comedy relief, but I think he's the kind of person to face his problems head-on. I don't think he uses humor as a coping mechanism. We never see him do that for himself. He's just a loud guy

Look at how he first appears to Midoriya

He's loud, and it steals Midoriya's attention. But he's calling him out on why he's messing up

But as a character's debut, the first things he does are:

Call out Midoriya for trying to do things alone, when Yoichi's first message to him was that he wasn't

Tell him that if he can compose himself, things typically work out

Understands Midoriya's side of things, and tells him he knows (like lacking a mouth)

And once he says those two previous things, he exhales, and his eyes show their pupils properly

The parting advice he gives Midoriya is a reiteration of the second point: It's okay to be mad. What's important is controlling your heart.

Blackwhip is a Quirk that responds to the holder's emotions. Like other Quirks, but Blackwhip goes out of control when the user isn't able to get a grip on themselves

Banjo used his Quirk effectively. He'd have to live that advice to pass it on to Midoriya, back when Abilities were starting to become normal, but Japan was still wrecked. And we know that Quirks are influenced by, and influence, the holder's personality.

Banjo would have to be able to be honest with himself, understand his emotions, and has the maturity to say it's okay to be mad. Just control it.

When he said that for the first time, it actually surprised me. Everyone in fiction or reality says "Don't be mad", but a character on his debut and says it's okay to be that. I never heard anyone say that controlling your emotions and outputting them in a healthy manner is what matters. People just say not to he negative or annoying, because it's inconvenient; but Banjo went past that.

And when he fades, he tells Midoriya he's got this. He reminds him that they're all behind him.

Whenever he speaks, he doesn't make the receiver feel bad, or speak down to them. He understands them, and gives the next step in a familiar, friendly way.

On his debut, he told Midoriya to control his heart, and to remember he wasn't alone. Here, he tells him he should try understanding their Quirks better.

He's actually got a mature way of seeing things. He's an adult, and being the holder between Shinomori and En, he wouldn't be able to deal with either of them if he wasn't mature about himself. Shinomori probably wouldn't choose someone who can't be honest with himself upfront, after spending almost half his life for OFA. And En is young, prone to panic, and a guy who acts like his problems aren't there or funny wouldn't help that.

I can visualize Banjo sitting at a small fire with Shinomori, having an honest, calm talk about life (until Shinomori says the wrong thing and Banjo yells something about it). But not Banjo trying to push his problems down with a hearty laugh, and Shinomori being okay with that.

When Midoriya used his Quirk for the first time, Banjo did get loud at the start, but he did lecture him in a way that was kinda teacher-mentor-ish.

I actually like the way Banjo talks about his observances. He's got the demeanor of a good teacher, he's clear, and direct. He's light-hearted about serious things, but doesn't diminish them. He just approaches it in a way that you aren't feeling the pressure, and can feel like it's possible.

He seems to have this habit of being loud to get people's attention, and simmers down once he has it. He's never indirect or leaving the addressed to figure out the answer on their own, he gives it outright.

When Midoriya used Blackwhip for the first time, Banjo was all "You got it all wrong!" and then explained things. Since he felt himself fading, he could've been talking louder to compensate himself past the daze he felt. To make sure he was talking, heard, and to keep himself awake

When the first Three made the void silent because Kudo and Bruce didn't want to help, Banjo broke it with what Midoriya should do next

When Shinomori got yoinked, the first thing Banjo did was report it in a panic to Midoriya. This just tells Midoriya he really has to be careful now, because OFA can really be stolen. Even if Banjo just panics and doesn't say that aloud

Every time Banjo is facing some kind of problem, he doesn't let others panic too hard. He's not pressuring about problems, and steps back to let Midoriya figure things out.

When Midoriya was running himself into the ground, Banjo was one of the vestiges that didn't show up to tell him to rest. He already understood how Midoriya saw things, and was doing them his own way

Rather than trying to be a clown, I think Banjo is just a friendly person. He's honest with others and with himself, otherwise he wouldn't have been able to utilize Blackwhip right, or be the holder between a sagey hermit and young, scared adult.

[neixins]

[ID: a compilation of panels from “yona of the dawn”, focused on parallels between hak and yona (left column), and gija and jaeha (right column). descriptions of each panel are included in alt text. end ID.]

ch. 75 & 204; 63; 108 & 107; 134 & 105.1; 107 & 95; 137 & 130; 226 & vol 19 title page; 254 & 133

-> part 1

[wishchip106]

i wonder if, hypothetically, cherik were to become canon

where would it happen?

the movies or the comics?

cause like i’m kinda expecting marvel to bring in more mutants to the mcu and possibly after this multiversal saga we’ll having something related to mutants? who knows

but would the writers be like “hey lets not be cowards this time and make the old men kiss!” or just focus more on the actual mutant existence (no clue what marvel has planned honestly)

OR they would somehow make it happen in the comics

fyi, i’m not up to date with the comics and i only have a brief knowledge of them but how would they do it?

would they try and mention a past relationship that was never mentioned until now or would they just have one of them go “i always had feelings for this guy but never acted on them”??

honestly no idea

but it would be cool nonetheless cus cherik canon

me thinking of the possibilities ^^^