Tumgik
#this man is a queer icon
mars-the-human83 · 9 months
Text
I was trying to think of a playlist name for just Hozier songs and
Tumblr media
30 notes · View notes
ahalliance · 1 year
Text
just finished Nimona… DAMN does it feel good to watch such an openly queer movie man
642 notes · View notes
dramazaur · 1 year
Photo
Tumblr media
It’s a pride month and that means, its my time to do silly little headcanons
I also cant decide which fandom im in so sorry for the mess of me suddenly appearing and drawing to diffrent stuff. Oops. It will happen again. For now have my asexual Dante bc this man killed sex, he’s better then it. Not like his brother. Loser
465 notes · View notes
reamnosart · 24 days
Text
Tumblr media
HAPPY PRIDE MONTH LESBIANS
May your suites be luxurious. Or something
46 notes · View notes
eremin0109 · 8 months
Text
While we're talking about Shah Rukh, tell me why the FUCK hasn't anyone fully capitalized on that man's exponential queer energy like he's hasn't been putting his entire pussy into making bedroom eyes at his male co-stars since at least 2003 (*sides eyes kal ho na ho*)
87 notes · View notes
super-nova5045 · 6 months
Text
i think the reason oliver is such a compelling character - or at least to me, he is - is because in the end…he wins! he gets what he wants and comes out on top.
in this modern world everyone is a bit of an oliver. crippling social anxiety, awkward, booksmart, and later in the film mostly queer audiences STILL find themselves relating to oliver’s struggle of how to express a desire that is so unconventional, so disturbing, so queer. normally in shows like this - shows with stunning rich people and their stunning social skills - the social outcast remains a social outcast. the queercoded character does not get their happy ending and remains the perpetual butt of the joke.
but in saltburn? saltburn almost has a gone girl sort of ending in the way the supposed villain gets what they want in the end, and we’re rooting for them! we see a mostly unexplored perspective in cinema - the perspective of the outsider, of the freak, and we see just how awful these people - beautiful shiny upper class folk - are, and then this outsider, who has been patronised and placed on a pedestal and humiliated, gets his revenge and gets everything he desired in the end. and in a world where queer, different characters are killed off or side lined or made fun off for whom or what they desire, oliver stands out, because he gets what he desires and he makes the audience root for him while he’s doing it.
47 notes · View notes
sagechan · 12 days
Text
Kageyama comes back from Italy and the first thing he says to Hinata when they step onto the court is "in te c'è già un'aria di frociaggine" and Hinata thinks he's saying "I love you" and he just goes "aw you too"
23 notes · View notes
luckyshinyhunter · 28 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
I'm hyped for Wake up, Dead man, I haven't seen the first knives out film but by instantly fell in love with Glass Onion.
Daniel Craig was great as James Bond but you can definitely tell that he had fun playing Benoit Blanc, so here's an appreciation post about one of cinema's greatest detective and member of my favorite comfort characters!
24 notes · View notes
pleeborp · 9 months
Text
Ivankov and Bon Clay meeting really was just like Luffy’s queer cousin met his Queer Rights Anarchist Aunt.
74 notes · View notes
geese-in-a-frock-coat · 4 months
Text
Tumblr media
We do not talk enough about how camp season one is.
48 notes · View notes
Photo
Tumblr media
50 notes · View notes
bacchuschucklefuck · 2 days
Note
Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?
I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.
disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.
this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.
what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.
with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.
from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.
with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)
#ask#not art#tldr a lot of fantasy high's and d20's nature plays against having a Horror horror piece in it. there's no space for emptiness or dread#that's one of the most attractive things to me about horror. the monster signifying a new world you don't understand#you see something on the deserted streets and you realize: oh. the world doesn't work how I've been thinking it does#if u've noticed how much this has in common with queer experiences haha. yeag#man. actually I should also put the I Am Not White disclaimer in there too lmao a lot of the notion of The Monstrous is! traditionally#about maintaining and upkeeping a ''social order'' (read: the powers that be)#and a Lot of Wilderness Fiction is deeply and maliciously colonialist#so when I say ''the unknown land'' and ''the monster'' I am pretty much speaking From one of those unknown lands#and from the position of one of those monsters#the fear of the monstrous is so very often the fear of being consumed by - or becoming - the monstrous yourself#and well. when you're already there in the eye of the zeitgeist. You Can Do What You Want Forever#all that to say it Is important to me that baron is made of riz's lies. even more so in this funny class swap thing I make for fun#like as a horror protag he makes me insane. he loves lines! he loves lines he drew himself. he replicates these borders in himself#that mirror the world he lives in that's so hostile to him. that kid Loves rules. he bows to even the ones that hurt him#like. u get where I'm getting to right I did make a whole comic kinda near this subject he's Already The Other#baron is a monster's monster. baron is a mirror image. GODs I cant help but wish they were messier#it's kinda why I make class swap baron to be like. an ever nearing realization. like I warble abt all this but I genuinely do also find#canon baron to be just as visually coherent and thematically perfect as riz if not more. it's hard to beat how cool the mirror stuff is#it's hard to beat that doll face in iconic visuals! I have to strike according to my strength rather than trying to beat canon#so instead of reflection it's captured moments. instead of a blank face it's the lack of one. mmm. maybe I'm just kinda breaking things#for fun also but that's My prerogative in my house awooga <3#well. thats kinda my thoughts on the general subject. thank u for listening. I will bake something soon dyou want some
17 notes · View notes
Text
Tumblr media
Donnie Darko
27 notes · View notes
leosagi-real · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
free to use pride icons!! (not necessarily my hcs, some were requests)
feel free to send any requests you have to my ask box! I'm sure I'll be doing more of these + I have other requests to do anyway :)
125 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Nonbinary Spider-Punk Icons
I was this cool the whole time
*Please rb if you use & credit embrace-the-laters-gators in your bio! Feel free to send in requests for other pride icons!*  
104 notes · View notes
rickymeat · 23 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Happy Pride Month 🏳️‍⚧️
(steal these plz)
19 notes · View notes