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ariaste · 4 months

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Is there disability rep in RUNNING CLOSE TO THE WIND? It seems like pirate books get overlooked for how often they show characters with disabilities.

Jesus christ okay listen. You've activated my trap card, because YES EXACTLY. Disability is one of the CORE TROPES of any pirate story -- is it even a real pirate crew if there aren't people missing some of their bits? And it's not just side characters, is it! Is a pirate captain even a proper captain without a peg-leg, a hook, or an eyepatch?

And yet when we see these characters, or at least when I see these characters, my brain does not register them into the category of "oh, here is a Disabled Character". Like it is wonderful that we are seeing more disability representation in media these days but... It's often not very satisfying, is it? They're like "Here is a very carefully presented Character In A Wheelchair So You Know She Is Disabled-Disabled 😌" and there are all of these rules this character has to follow to be """""properly"""" disabled in exactly one specific way with no variations, and always there is an Issue with her (almost always a woman??) ability to navigate her wheelchair through the landscape so that the media can Prove They Are Being So Thoughtful And Aware Of The Difficulties.

I don't know about you, but for me it always sort of smacks of insincerity. Or like, the overtly intentional and deliberate sincerity, which then comes across as a bit unnatural and uncanny valley. We as the audience are not permitted to simply experience this character as a person, we are forced by the deliberateness of the narrative to experience her as a Disabled Person. Which.... Sure, that's better than not having any disabled representation at all, but there's SO MUCH FURTHER we could go with it! But the first step is for the media creator/s to stop going "look, a Disabled Person [delicate gasp] Wow she's so brave" as if she's a fucking zoo exhibit and start going "look, a Person. she's disabled, and has some other personality traits and hobbies as well."

(I feel like we also went through this journey with Strong Female Characters too, didn't we? Where we had all of these weirdly awkward """sincere"""" attempts at people writing Strong Female Characters and Oooh She Is So Strong, And Ooh Her Femaleness, She Grew Up With Brothers... But that was not what we wanted, we wanted the writers to chill out and just write a woman who was a PERSON and stop making it weird.)

Anyway, back to pirates, because I think we've really been overlooking pirate media for the fact that the disability rep is just right out there in plain sight, and it's so normalized that it would be weirder if it WASN'T there, and the media creator isn't loudly trying to win brownie points for being Virtuous And Inclusive™. (And just because tumblr reading comprehension is piss poor sometimes: yes, there's a difference between trying to be virtuous and inclusive and trying to be Virtuous And Inclusive™, and I bet you can recognize it when you see it.)

Pirate media doesn't make it weird! Pirate media doesn't try to camouflage the fact that a character is disabled ("Yar, and here's No-Legs Bob, on account o' he's got no legs, that'll teach 'im to make jokes like he's pretending to fuck the cannon" "somebody hold me up and i'll fuck the cannon again" "[raucous laughter throughout the whole crew]") nor does it deny that their disability causes problems sometimes (the ol' "peg-leg got stuck in a knothole in the deck" gag, or the classic "whoops, tried to stab someone with my hook hand but they dodged and it got embedded in the planks" gambit). Pirate media offers a huge VARIETY of disabilities too, instead of just One Token Wheelchair User -- you've got people with prosthetic limbs, you've got people partially or fully blind or deaf, you've got people who are mute (and also btw look at this amazing parrot or monkey they have, it killed a man once), you've got elderly people who aren't quite as spry as they once were but oooh they Know The Sea like nobody else, you've got people who struggle a lot with their disability and need extra help and support AND people who are not slowed down at all and just livin' their life the way they do.

Y'know. Actual diversity.

Also the only time pirate media draws deliberate attention to the disability is 1) if there's a cool story behind it that is somehow relevant to the plot ("[captain looking balefully at his hook hand] me hand was bitten off by a WHALE.... i've been chasing that whale for the last forty years....") or 2) if it provides a fun way to show the culture and community of the crew as a whole (see the No-Legs Bob example, above). Also notice that in pirate media, you are allowed to directly address the disability and make a harmless, casual joke about it ("No-Legs Bob" again) and it doesn't feel mean or weird, it's just.... descriptive. It's just the way that pirates be. Yep. No-Legs Bob ain't got no legs. So what? It is there in his name and yet it still doesn't feel like it's the only thing about him.

The vibes are just.... UTTERLY DIFFERENT from the disability rep i've seen in other media. And so i think we should be looking at pirate media more and striving to emulate it when it comes to disability rep, because THERE'S SOMETHING HERE, they're doing something INTERESTING, there is something worth thinking about and studying, what are they doing and how are they doing it and how can we replicate that in other things? (Also, even real life pirates were better about disability than many other folks -- they had PENSIONS for crew members who couldn't work anymore.)

ANYWAY back to your question of whether there is disability rep in Running Close to the Wind.

Short answer: yes. Long answer: do you want a whole inventory?

Captain Teveri has a prosthetic eye (it's covered in gold leaf, inspired by this Tumblr Heritage post which I'm sure we have all seen). Also facial scarring, which is not really a disability but still does not get a whole lot of representation.

Many of the crew have hook-hands or peg-legs

Avra says you are not a real pirate until you are missing some of your bits, and makes some joke about how he only has a Weird Toe or something

A side character, Skully (so called because he has a hobby of carving skulls in things and is currently working on carving a GIANT skull into the face of the cliff overlooking the entrance to the pirate cove, because obviously every pirate cove is required by the Trope Laws to have a skull cliff but my question was WHO PUT IT THERE? answer: this guy), has two peg-legs and a hook hand and still goes abseiling by himself to carve the skull onto the cliff, nbd nbd. Probably got the best abs in the book, but tragically Avra, the POV character, did not think to notice them

Elderly grandmother in a wheelchair who threatens to stab Julian the Super Hot Monk through the ear with a knitting needle

Julian is described as standing out from everyone else explicitly because he's NOT missing any bits and that's odd (comes kinda close to missing some bits, though, he plays around with alchemical explosives at one point. man's on track to be missing a couple fingers sooner or later, so just... y'know, let him cook, trust the process, he's still growing as a person)

(this one is a joke) arguably Avra's Weird Luck Thing could count as some kind of chronic illness, considering that it is a thing which materially affects his life and which he does not have control over and cannot predict when it will come into affect. DISCUSS. (again: a joke)

[steps gingerly off soapbox] thank you for coming to my TED talk

(Also: RUNNING CLOSE TO THE WIND comes out in ten days on June 11th! It's a comedic fantasy novel about queer pirates stealing and trying to find a buyer for the most valuable secret in the world and fighting back against oppressive institutional powers! You can read a review of it here and the first chapter of it here, and you can preorder it here.)

#disability #disabled characters #disability rep #pirates #running close to the wind #alexandra rowland

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therantingsage · 6 months

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Because I promised this, and I really wanted to do it anyway, here's a really really long-winded rambling dissertation on:

Why N and Uzi secretly dating since before episode 5 is genuinely super plausible and also stupidly hilarious /pos

Under the cut cuz it got obscenely long oops-

Idk where to start, so I'll just cover my bases: why people think they've been in a relationship already in the first place.

We all saw this scene:

And legit it can only be implying one of two things. Either A: this is his confession of feelings for her. Or B: this is him admitting that they've been dating for a while at this point. With the hearts it's pretty clear that this statement is meant to be romantically interpreted, and Nori's aghast reaction confirms that that's how it's being interpreted.

Obviously no matter the interpretation, N only writes that because he can't think of anything else to snap Uzi out of it and thereby stop this confrontation from ending poorly. And it works obviously so good on him for the quick thinking.

Two things that make me lean towards the 'we're dating' interpretation over 'confession' interpretation, though: firstly, he's not writing this to tell Uzi something, he specifically calls out to Nori before writing it. "Hey btw I'm dating your daughter" makes more sense than "Hey btw I like your daughter romantically" because if it was the latter, Nori has far less reason to be mad at Uzi about it rather than N. It's not like Uzi can control how N feels. But if they're dating, that means Uzi is partially to blame for that and Nori can get upset at HER.

Secondly, the awkward wording. Like it's really vague and without the hearts you'd have no reason to assume anything but platonic meaning. But these are words we, and him, have heard before:

...from Uzi, in response to a question about who she is and, by proxy, the nature of their relationship. She says it defensively, follows it up by telling N to shut up. N repeating her wording which, again, is a description of the nature of their relationship....but this time implying something romantic with it, it suggests the idea that it had romantic implications the first time.

I don't think it's far-fetched to say Uzi at least has feelings for N at this point in the story. I don't think anyone's arguing that that's not true. But the idea that 'hang out' means the exact same thing both times is what I'm arguing here. They're dating, but this version of N is a stranger to her. A cute stranger, as she says, but a stranger nonetheless who she isn't comfortable admitting to that she's dating him in the future to his face.

Backing up a bit, Uzi's reaction to Nori's reaction:

This is a clear and obvious parallel to the previous episode, when 'Tessa' says "Don't date my robot, please."

In both instances, someone gets on her case about the idea of them dating, and in both cases she doesn't deny it but instead defends both his and her own agency in the matter. No one is allowed to tell them what to do and Uzi refuses to let anyone try.

When Nori says it, though, she does seem to try and deny it for a moment. "I'm not-" She cuts herself off so we can't say for certain what she was going to say (if anything. it's entirely possible she started that sentence with no plan how to finish it, I do that a lot personally). But that's also because, like, she's Uzi. If this was meant to be a secret relationship, it would probably be her who made that decision. And like with butler N, she has no reason to disclose that kind of information to a stranger. She'd probably try and deny it whether its true or not.

As for when it would've started, after camp is the only big timeskip where we don't have much clue went on during. Cabin Fever is a big episode for them, and the three episodes that come after it are all back-to-back-to-back. The only time it makes sense to have started is sometime between eps 4 and 5.

And guys. Guys.

This, more than anything to me, paired with the idea that they've been dating for a while by the time the most recent couple episodes happen.....doesn't this seem so, so romantic? You could easily call this a love confession! So easily! It sounds like one much more than 'we just kinda are hanging out a lot idk' at least.

Like, rephrase that even a little: "Being with you makes scary things fun. Being with you makes me feel brave. It makes me feel safe. So I want to keep being with you."

And Uzi agrees with that sentiment. He promises to stick with her. And she laughs and smiles with him as he makes the scary thing she's been dealing with into something fun, something they can laugh about. The together line gets repeated in the most recent episode, directly calling back to this scene as well.

Like, just...AGH. In Cabin Fever he says it once as they're falling and a second time once they're grounded. The second time its a question, and one she eagerly answers with physical affection, which is super rare for her. In Mass Destruction its a statement, because he already knows her answer. Its a repeated promise. A vow.

Backing up again. Let's assess some interactions under this context. Assuming they're dating in secret. Because it paints so many things in a different light and basically nothing contradicts it which is fricken wild. This:

Isn't a sheepish Uzi trying to hold her crush's hand in a moment of fear. This is an Uzi who wants to keep their relationship a secret but is so in need of comfort right now she's willing to risk exposing them to get it.

This:

Her being so relieved because she almost watched him die but he's alive he's ok and she doesn't care who sees it because she needs to hug her boyfriend rIGHT NOW GUYS I DON'T CARE I'M HUGGING MY BOYFRIEND-

This whole scene. Uzi interacts with him so gently here. She's not gentle with anybody else at all. She sees him stressed and uses his own "you good?" on him and it's just so dang tender when you think about it. Because no one else can hear them talking to each other. It's just these two sending face texts and everyone else's focus is on the Sentinal so they can afford to be as couple-y in this conversation as they want.

And after:

Blushing because they like each other so so dang much.......sweating bullets because the other two can see them do this. Suddenly without either of them really thinking about it they're being romantic around other people and wow! That's nerve-wracking! Peak young love early-in-the-relationship behavior they ain't slick.

His tone of voice in this scene is gentler I think than we've ever heard from him before (Michael Kovach you are so damn good at your job). His loss-filled fury is cooled in an instant when he realizes how close he came to hurting his girlfriend. It's heartbreakingly gentle before 'Tessa' cuts him off.

And when she cuts Uzi off:

He looks like genuinely pissed at her. "Did you really just interrupt my gf while she was talking?? She's scared and you're disrespecting her tf is wrong with u??"

And like- the fact he was genuinely willing to off Tessa for her. Like he realizes there's a possibility she tried to get his gf killed for no reason and upon her not even trying to deny it he just kills her instantly. Because it's no longer a question of the universe or Uzi. It's a question of Tessa or Uzi, and its a choice his heart has already made before this point.

But here's like. The thing about all this that gets me. This is meant to be a secret relationship, right? Like nobody but them is supposed to know about this. And the fact that we the audience didn't have any reason to assume them to be an established relationship without heavy headcanoning means they did a decent job at that, right?

Guys. Guys.

N is terrible at keeping secrets. Like. Horrendously bad at keeping things on the down-low. Every single time in the series he's supposed to not spill info he like. Fails. It's wild. And because the relationship happens after "Inclusive reflexes!" that means that Uzi damn well knows this and still trusts him to try.

But based on V's reaction to the handholding in Dead End:

I'm honestly willing to bet she knew. She doesn't sound surprised, just annoyed that she has to see it. Which means N probably like, heard her badmouthing Uzi or something and got like way too defensive about it and she clocked him instantly. Because he's bad at keeping secrets. And she doesn't bother mentioning it during any of these episodes out loud because she doesn't care what these idiots do in their free time.

Can you imagine how many hundred close calls they must've had? How many times Uzi must've had to aggressively shush him or cover his mouth because he was going to say something slightly too sappy in public? The only reason we don't get to see the time period between eps 4 and 5 is because it would've been painfully obvious that these two dating is the worst kept secret in the entire bunker. I'm going insane.

Uzi fell in love with a proud himbo and they both know it. It's genuinely a miracle they didn't clue the audience in sooner.

#Murder Drones #Murder Drones Spoilers #md N #md Uzi #Uzi Doorman #Nuzi #Biscuitbites #Listen!! I'm feral and I site my sources!!!#This is a hill I'm willing to die on. And then I will rise to keep talking #I miss doing posts like this. I have so so much to say always #Me when I hyperfixate to the point of essays. Oops. Glad I can read

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cripplecharacters · 3 months

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Sorry if this has already been asked before but as a general statement do you feel like the trope of having mobility aids doubling up as weapons in a fantasy story is ok? I’m disabled myself so I have a lot of disabled characters in my story so there’s a wide variety of mobility aids. Since a lot of characters fight in the story because of the genre I was thinking of making mobility aids weapons (cane as a magic staff or like prosthetics with built in powers etc) but I’m not sure if it falls into the category of ‘character is disabled but it’s actually their superpower!!!’ because I want to avoid that trope at all costs. Hope this makes sense to you since communication isn’t a strong point of mine. Love your blog btw:)

Hi! I'm glad you enjoy the blog:-D

I really feel like it depends. It can be done well and respectfully, but in my experience it usually isn't.

If you're a mobility aid user writing about the aids that you're using, you can do whatever you want! For my deeper thoughts that are too long:

The main issue that I have with the "magic aids as weapons" is that often it feels like the author doesn't actually like the aid because it's "too boring" and thus wants to "improve" it by making a cane into a wizard staff that shoots fireballs or whatever. But I don't feel like that's a good way to go about it at all. Mobility aids are cool in itself! They allow use to be more mobile! Why do they need to be made into something else?

The something else part is also what bothers me a lot around magic aids, aids as weapons, all that. Like the old "replacing a wheelchair with an animal" thing. Why not have a wheelchair? Why not a walking cane instead of a staff, you know? It sometimes feels like the author tries to distance whatever they're writing about from disabled people and our actual experiences because they're "too boring to fit their fantasy story". Like it could be done effectively, but it usually really isn't.

To finally get to the combat part of the question, it again depends (...sorry). If the character with a cane has to fight using it, then I do find it weird, I guess. "Doing cool explosive stuff" shouldn't be a requirement for a disabled character to be included, especially because a lot of disabled people can't do the things that writers want them to do! Sometimes we are weak and unsteady and fragile. Fighting isn't for everyone, and I feel like that's where some of the annoying fantasy tropes appear.

"Hm, my blind character can't fight because they're blind.. oh they have a superpower that lets them 'see'! solved!"

"Hmm, I don't know how to include a wheelchair user… I'll give them a Magic Mecha Exoskeleton, now they can fight!"

"Hm, real life prosthetics seem inconvenient. I'll just make them Magical so they're just like meat limbs but with a gun!"

...and all these kinds of "solutions" that make one wonder if the author even wants to have an actually disabled character. It's not even that the disability is a superpower, it's more that it's non-existent. Sometimes the better solution is to have us in other roles and not make us do things that our disabilities prevent us from doing, which fighting can fall under.

If the above isn't what's going on, then I think it comes down to how the whole thing is even supposed to work. Are the in-universe rules for magic centered around the idea that the Body makes magic? In this case, it could be interesting to have a character who uses a mobility aid and considers it a part of their body to be able to use it in a magical way. Because a lot of people do consider their cane or wheelchair an extension of them, so it could be actually interesting to see it validated by the magic system. But if it's like, "anything could be used" and then every character with a mobility aid ends up using their aid for that, that's... somewhat weird. It does feel like reducing the character to their disability if abled character 1 has a spell book, abled character 2 has a magic necklace, but the disabled character has their disability aid as their magic weapon. To use the example that you did, if the character's prosthetic is the only way they can use magic, I do think that's weird, because like. why… it's both reductive and "disability as a superpower". But if they can use magic through, let's say, both of their legs, and one of them happens to be a prosthetic, then I think that's cool.

I also believe that it depends on what kind of weapon you are talking about at the end of the day - in real life, mobility aids are already treated as potential weapons. I'm under the impression that no one would assume that a walking cane could cast a spell, but people do very much think of a cane as a potential tool to fight with, of a prosthetic as a potential bomb, of a wheelchair as a potential way to smuggle something illegal. I have very much seen and heard of situations where a disabled person wasn't allowed to enter somewhere because their aid was seen as a threat - you don't want to make more people think that this is a reasonable conclusion to come to. If you want to go for it without doing any kind of retrospect on that, I would keep it as a fantasy thing.

I hope this helps! Apologies for the answer length.

mod Sasza

#mod sasza #anonymous #magic aids #combat and disability

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minispidey · 1 year

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03: Barbie and the Giftshopist.

Steven Grant x f!bimbo!reader. previous part. series masterlist. next part.

03. Everyday she wears pink.

(A/n: your feedback on the last chapter about me writing the moon knight system is so amazing tysm! i referenced mpgis here and more legally blonde. i wanna note that reader has been a lawyer for a couple years now and amazing at it 🤸‍♀️ btw update tags are open!)

warnings: mention of cock, swearing and cursing, mention of blood.

the cock line is from my bubs @ominoose ily

"This isn't just a date. This is a date!" You told yourself as you threw random articles of clothing behind you as you hunted for a specific dress.

You thought maybe you shouldn't wear pink. Maybe you have a pretty dress he hasn't seen you in.

You barely slept due to excitement.

The way he talked and looked at you made you swoon over him. Just thinking about makes you-

You squealed as your leg involuntarily kicked up. You blinked twice in confusion "That is so weird..."

Maybe you were horny.

"Oh gosh, not again. Bad leg!" you scolded your beautiful leg as it kicks up again "Down girl, down! No nasty thoughts about... about... about the hot neighbor across us- no!"

You almost moaned at the though of his lips against yours... You shuddered as you kept remembering the way he looked at you. You laid down in the pool of clothing as you imagined how your little lunch date will go.

As usual, you two walked out of your flat at the same time, discussing where the two of you were going for lunch.

"Wetherspoons..." you parked your pink corvette outside, looking at the flowers decorating the place. Your high heels clicked on the pavement as you walked inside, still in your pink work suit despite planning on changing.

It was a busier day than you thought, but of course lunch time is important.

Your eyes lit up as you spotted Steven, sitting up rather stiff "Stevie!" you smiled as you walked over to his table "Hi, so sorry I'm a bit late. Traffic and all."

But Steven looked back at you with such a loving look in his eyes "It's alright, love. I haven't been waiting long."

The truth is, he thought you weren't gonna show up.

"Have you ordered yet? Gosh, you must be starved." you opened the menu and browsed.

"I haven't." he shook his head, opening his menu as well.

"Cross examination was a success." you smiled "Next week's the next trial with the witness."

Steven didn't know what you were talking about, it was out of context "That's great!" he responded.

"So then he was like no and I was like, you are. Then he was like no but then I was like you are! And he was like, I kinda am. So long story short he's like, totally gay." you said as you looked at your compact mirror.

"Thank gosh I figured it out, because no way can he say my Chanel is so last season when his shirt is so last year. My client was totally bugging, but we figured it out and I, like, totally won that. How about you, Stevie? How's your day?"

Steven smiled back at you "T'was alright, love. Just the usual." he says sarcastically "Donna's been a real-"

"Excuse my language— Bitch? Cunt? Pain in the ass?"

He chuckles "Yes. A pain in the arse, love."

"She always sounds like she's giving you a hard time. You sure you don't want me to talk to her?"

"I don't think it's lawyer-worthy. It's really alright, love." Steven shakes his head "Just another typical day."

"Yeah, which can be classified as workplace abuse."

"Really. I'm fine."

You press your glossy lips into a thin line before sighing "Alright. But if you need someone to represent you in court, I'm your girl." you playfully winked at him.

Steven blushed before nodding "I'll keep you in mind then." a waiter comes up to the two of you and he began to order "-and a cocktail. Uh, how about you?"

"Um, I'll have the Soup of the Day with half a baguette, and Pasta Pomodoro with salmon. And— wait did you say a cocktail?" you blinked twice at Steven "I'll have a cocktail too, thank you."

You smiled at the waiter as he repeated the order to you two before walking away.

"Jeez, Stevie. It's only lunchtime." you giggled at him.

"I-I just wanted something strong."

"Work's really stressful, huh?"

"It really is." he sighed "Working late again tonight. But this uh lunch date is really cheering me up."

Your cheeks felt hot, making you smile "That's so sweet... tell you what, I'll pick you up from work tonight again. I'm working late too anyways."

It was Steven's turn to blush. His hand shakes with his head "You're way too nice. I don't wanna bother you. It's quite overwhelming too." even his ears turned red.

"Steven, you shouldn't turn away blessings." you winked as you giggled. Your cocktails were served just a few minutes later.

"I haven't had a cock in a while."

Steven felt his drink rush to his nose and he quickly grabbed a napkin. He coughs a few times before looking up at you.

"Oopsies, I meant a cocktail." you covered your mouth, smiling "Well, I mean... I haven't had that in a while either."

You took a sip of the drink and Steven stared at the lipstick mark left on the edge of the glass. You always wore a certain shade of lipstick, and it always drove him crazy.

There were times he'd imagine smudging your lipstick... in more ways than one.

After lunch, the two of you laughed as you drove to the museum. Steven just kept falling more and more into your wonderland of pink and diamonds. He stared at you with half-lidded eyes, listening to every word you said.

The thing about Steven is that he loves to ramble and talk a lot, and so do you. He knew you were perfect.

"-and I was like, thank gosh I talked her out of buying an orange chiffon scarf. It doesn't suit her spring tones at all! There's a fine line between terracotta and brown."

That evening, your pink corvette was parked outside of the museum, waiting patiently for Steven after a long day of reading case papers. You puckered out your lips to reapply some lipstick before popping and smiling at your reflection.

Your freshly manicured nails tapped on the steering wheel while humming a small tune.

Then suddenly someone knocks on your window.

"Steven?"

He looked like he was roughed up, red staining his clothes, but it's not his blood. It didn't even look like the same clothes he was wearing during your lunch date.

"Oh my gosh, Steven-"

...but that's actually not your main concern.

"-I told you, blue and black as a combo is a total crime against fashion. If it were me, I'd make it law." you groaned, opening the locks of your car "Get in."

His eyes widened but he doesn't respond, only taking the passenger's seat like you commanded.

"Oh, you have a little stain there." you pat the patch of blood using a pink handkerchief with lace trim and your name embroidered on the corner.

He continued to stare at you as you took his hand and placing your handkerchief on his palm "Here. You can give it back to me some other time because I seriously I need to take you shopping this weekend."

You thought maybe he's always tired after work, that's why he's so quiet, like yesterday.

"Maybe I can figure out your color palette so I know what looks best on you. Your shirts are cute, I'd have to admit, but some of them are... meh. No offense but some prints are worse than the last. OH! I know, we'll do a whole shopping day on the weekend. An hour or so won't cut it. I know it's your weekend off, but trust me when I say when your pretty neighbor's a fashionista, your life is gonna change."

Steven looks at you from the mirror's reflection before shifting his eyes towards the body— Jake. Unlike Marc's creepy silent behavior from the night before, Jake actually looks at you as you went on and on.

He even responds with small nods.

"Can we not make this a habit? First it's Marc pretending to be me in front of her, now it's you. I don't need your help with her. Can I please go in my own pace?" Steven tells Jake, but Jake shook his head in a not now kind of motion.

As Jake entered the apartment after waving goodnight to you, he's met with a poor attempt of a glare from Steven "Don't look at me like that, you wanted the girl so I gave it a push."

"I want to do this on my own. Marc doesn't want me to, I don't know about you, but I don't need help. Can I please do it my way? It's all I ask."

"Can you ask her out?"

Steven pressed his lips into a line before letting out a sigh "Give me the body. I'll... try."

"Alright, alright. You go on ahead."

Steven, now in control of the body, swung open the door and he sees you struggling to find your keys. You blinked twice before smiling at him "Hi again, Stevie. My keys are just- ugh, a lot." your keychains jingle as you tried to find the right key.

"Can we go on a date after shopping this weekend?" he blurts out quickly. Steven was red as a tomato "D-Dinner date."

Your eyes lit up and you felt the butterflies in your stomach again "I'd love that! I'll just- oh! I found my key!"

And you also found the key to your locked-up heart.

UP NEXT: the best weekend ever! a date with steven and a little breaking and entering 💅

tags: @red-hydra @monsterroonio @pastelpinkpilatesprincess @letmehavemyfictionalmen @uncle-eggy @superduckmilkshake @3zae-zae3

#moon knight #steven grant #jake lockley #marc spector #x bimbo!reader #x reader #x you #bimbo reader #moon knight system

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red-viewe · 1 year

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general lilia x reader thoughts 🔫 (part three 👌)

COLORED LETTERS IS FAE LANGUAGE, (tw swearing)

Part 2 part 1

"Please pay attention to me, your grace~" a young lady says as she touches Lilia seductively, before he pushes her away and walks away, rolling his eyes.

'Ew.'

"C'mon, Duke! Look alive! You're the famous general, you should enjoy the fame!" A soldier playfuly shouts, as the party gets louder and louder.

The war has finally ended after 3 years, peace taking over both sides of the war. The borders are open, and many expected years of prosperity and peace.

'3 years since I've seen them, 3 years since I've felt their warmth.' Lilia sighs, massaging his temples.

'Just a few more days until i see them.

Just a few more days....'

----

"Y/n, my love and life, please take this ring and marry m-"

"Absolutely not." You slam the door, annoyed. It's been 3 years since Lilia left, and the war ended, meaning that men and women are coming back home to see their families, some looking to start one. As a hot asf, unmarried, somewhat financially stable person, you were expected to be popular among the marriage market in both women and men.

'Dude, i did not know i had this much game.' You thought, peeking out the window to see a line of people waiting at your door. 'WTF I DON'T KNOW HALF THESE PEOPLE. IT'S LITERALLY 3 IN THE MORNING. '

Sighing, you quickly pulled out a peice of paper, writing in bold, thick letters, 'NOT ACCEPTING MARRIAGE PROPOSALS' and stuck it onto the window.

'What if he forgot about me? Should i just give up on waiting?' Fuck no. Why would you do that to lilia?

'Genuinely fuck this shit.' You sighed, going back to sleep.

-----

'Knock knock knock'

'Ugh, dude i swear, if it's another suitor I'm moving.'

You slowly walk to the door, opening the door.

"I said no more suitors! Read the god damn sign!" You say, annoyed, looking up to see a man with long, black hair with red highlights. You slam the door, and go to walk back to your room.

'Wait.' You pause to think. (For once)

Long black hair with red- OMG YOU JUST SLAMED THE DOOR ON LILIA.

You rush back to the door, now fully awake and quickly open the door.

"LIlia!" You jump to hug the fae, his eyes widened at the sudden embrace.

"Beastie! I thought you forgot who i was. How mean of you to slam the door on your love." He hugs you back, pouting and nuzzling his face into your neck with warm cheeks.

"W-we don't talk about that..." You look away, embarrassed.

"Pft, it's quite alright, my love." He pulls you in for a soft, deep kiss. "So I hear you had many suitors, hmm? Planning to marry someone who's not me?" Lilia smirks, pulling away to cup your cheek.

"I swear i can explain-"

-----

"And thats how me and your mother/father met snd fell in love." Lilia giggles at the memory, "Ahh, young love." A young silver haired boy looks at his father, now filled with questions.

"But father, but isn't y/n a human? How can they live so l"ong? Also, what happened to all the suitors? And the bar?"

"Hmm, now now, silver, that's too complicated for your young mind to understand. I shall tell you when you are of age." Lilia smiles, as he rocks the boy to sleep.

"Everytime you tell that story, Silver always ends uo falling asleep." You walk in, taking Silver from Lilia's arms to transfer him to his spiderbat bed.

"It's our love story dear, I'll tell it again and again untill the whole world knows how we fell in love."

"You're lucky I love you, you cheeky bat." You pout, giving him a soft kiss on the cheek.

"I love you too, beastie."

----

Authors notes :D

I THOUGHT I PUBLISHED THIS BEFORE GOING CAMPING IM SO SRRY

Also this is probably the end of the general lilia x read thoughts series, but I'll definitely be making more stories on other characters and lilia.

Also if you guys want side stories on this series lmk(Requests r always open btw GIMMIE UR IDEAS)

(Taggies: (SRRY IF UR TAG DIDNT WORK) @rainingdandelion @rincommittedarsin

@ayachansan @sugarkitty839 @oogly-oogly @rainbowcake1212 @kitsune25 @ninjalizards

@thi3u @nico707 @mistuna @otomyoli @syndyj @ftyaftya @secret-potion @cottage-clockwork @raaawwwr

#twsited wonderland #twst x you #twisted wonderland #lilia vanrouge #twisted wonderland lilia #lilia vanrouge x reader #general!lilia x reader #lilia x you #red-viewe

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lazzarella · 16 days

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There is SO much I could—and want—to say about Peaceful Property, but I'm not great at writing about, well, anything, so I'll just stick to the ghosts for now!

First of all, I love how both ghosts so far have been workers who were essentially treated badly because of Home's family. It's interesting that the mistreatment of the working class is what haunts these properties so far. And, I guess if that theme continues, they'll be part of what unravels Home's perspective on his family and wealth vs poverty and his sense of entitlement. (And I'm assuming helping the ghosts move on will be part of what helps Peach heal, too, but that's an aside)

What I really like is that the ghosts could easily have been vengeful or violent (here's where I admit I don't know a lot about ghosts in Thai culture—I skimmed the wiki article on the subject—or how they're presented in Thai media because I haven't watched any other shows or movies centred on ghosts) but, while they're definitely restless, what's tethering them to this world isn't a lust for revenge on those who wronged them.

I think the best ghost stories tell us something about what it means to be human, and the ghosts' final wishes here are so human. They might seem like little things—or perhaps less profound—but they're really not.

The first ghost is a construction worker who died in a possibly unsafe working environment. (It seems like an accident that could have been prevented?) But he doesn't move on from seeking vengeance or from letting go of any desire for revenge—it's the last meal he never got to eat, presented with kind words, that enables him to let go.

And then Rak, who had to work while she was dying and was unfairly fired, meaning her mother was denied compensation, again wants the last thing she wanted when she was alive: to have her hair back. (I'm definitely not saying that's a little thing, btw, but again she doesn't want to do anything to the guy who fired her, and it's not seeing her husband that helps her move on either.) Her story is so heartbreaking, too, and made me very emotional for several reasons (including personal) so I'm not going to dwell on it today.

Anyway, these thoughts aren't really finished, but I just wanted to get them out there. I just love that the desires that make us human are what the ghosts want. That the last thing they wanted in life is what helps them move on.

#peaceful property #peaceful property the series #lazzarella watches tv #This is kinda dumb idk #Should’ve posted it on serializd instead 😅

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lexithwrites · 4 months

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sorry for the long read but this is important (aka lets talk about plagiarism)

hello! so, if anyone remembers the other day i posted a lil snippet for a smutshot involving remus/sirius/james. originally, someone got very upset about the lack of tags and accused me of writing SA—it was not SA, it was teasing someone and edging them, but i digress. people misread things all the time and thats whatever—and they privately messaged me accusing the same thing and saying i needed to tag better as i had triggered them. i deleted the post not wanting to upset anyone else, apologised for upsetting them then whilst trying to explain my work and explain how it wasnt SA, they blocked me. that's fair and i moved on learning my lesson as i clearly did something wrong.

what isn't fair, is rewriting said work for yourself and posting it on YOUR ao3 account.

i was sent the story and commented:

you deleted this post almost immediately and proceeded to say it isn't plagiarism. this is the definition of plagiarism btw:

that's what you did. it's the exact same scenario, it's a threesome, and the dialogue is VERY similar. the premise for the scene is the same. I've got some screenshots of both works below to highlight this:

MINE:

THEIRS:

now this isn't word for word, obviously, and theirs is a longer one shot with other plot points involved, but these scenes are similar. the dialogue in particular is similar. its a slap in the face honestly; to be given shit by someone and then see that they decided to use it for themselves.

there is always consent in my work, i've never had anyone say before that this is an issue as my finished works have discussions of safe words and safe sex and boundaries. pretty much everything i've ever written that involves sex has a conversation regarding safe words. i clearly tagged it wrong and i will admit that. i will take the blame for that and tag accordingly from now on.

but you used my work for your own. and also (since you added this to the ao3 post i'll include it) you admitted to using my work:

'inspired by some drama'

YOU REWROTE WHAT I MADE. YOU USED SIMILAR DIALOGUE. THE SAME SETTING. YOU JUST MADE IT YOUR OWN AND ARE ACTING LIKE THAT ISN'T PLAGIARISM??

like—

just because you didn't think i would 'appreciate' being mentioned does not mean you do it?? you literally admitted to 'tweaking' it and writing it yourself. this is such stupid fucking drama and so unnecessary what did you want to gain from this??

do not use other peoples fucking work. SIMPLE.

also i shouldnt have to say this but dont give this person shit. dont send hate in my name, its not worth it and not the point of this post whatsoever .im not naming them, they know who they are even if they've blocked me. i dont care if you see this, honestly i hope you see it. just please take plagiarism seriously because its annoying af and weird

ANYWAY have a lovely day <3

#the marauders #sirius black #remus lupin #james potter #whatever man

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dootznbootz · 11 months

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Odysseus was afraid the entire year on Aeaea in the Odyssey.

Content warnings: Rape, Sexual Coercion, Sexual assault, Sex Work, power dynamics, this will also be long as fuck as I talk too much. This is NOT a "Circe the Goddess Hate Post". I call her out but that's it. I tried to keep this neutral but still making a point (Let me know if I gotta put more)

Lots of lovely folks on here have written great essays on what Calypso did to Odysseus as it's soooo blatantly obvious there. It literally states how he cried every day and how he flinched from Calypso, very straightforward on how he was explicitly raped.

But I've noticed that a lot of people are always iffy about Circe's situation (understandably so, it's not so in your face.) She's usually always mentioned in the "Odysseus never cheated! He was raped!" posts but then the evidence is only ever given against Calypso, and then mentioning how you can't say no or disobey the orders of an immortal and how it was in exchange for freeing his men.

WHICH IS ALL CORRECT!!! But!!!

There ARE immortal/mortal couples who genuinely love each other. Dionysus and Ariadne, and Eros and Psyche are examples. Apollo and Hyacinthus. Psyche indeed becomes immortal eventually and in some versions, both Hyacinthus and Ariadne do too. But even while mortal themselves, their immortal lovers still remained respectful and loving towards them and definitely doted on them. There are definitely power dynamics at play here but there's some nuance.

Odysseus and Circe's relationship, however, is very different. We all know he slept with her at the very least once. And that was in exchange for his men being returned to humans. That was the only time it was explicitly stated. With Calypso, it tells you every night he was enchanted and slept beside her. It was the narrator speaking but Odysseus is the narrator now and it's his story. If you think he lied, this probably won't change your mind anyway.

But even if it was a one-time thing, (which isn't the only interpretation and I will have points that talk about others) then why did he stay a year? What was he doing?

I'm doing a deep dive into the year he spent on Aeaea based on evidence in Book 10 and then the beginning of Book 12. Step by step, and honestly I'm writing this for Tumblr, not as a thesis so I will be a bit more casual but still using sources. To me, it's very obvious that he was uncomfortable throughout the text simply based on the language that is used. But it's very subtle and not an outright statement of "He's been crying every day."

BTW, just so we're clear, this is not a "Circe is the root of all evil, etc." type of post.

This isn't meant to villainize her. She's an immortal being and in mythology that changes things. Everybody is morally gray. I genuinely think if we were to ask her feelings on it, she'd probably be like "Oh, yeah! Turned his men into pigs! Strange little man he was." I don't think she gave a flying fuck.

I just simply get pissed tf off when people think Odysseus was fine. It honestly disturbs me how often I'll go on other websites YouTube and see everyone call him a whore and a womanizer. It's sexism at its finest because 1.) "MaN AlwAyS wAnTs sEx" and 2.) women can't rape/coerce. THIS IS SIMPLY TO LOOK INTO HIS FEELINGS ABOUT IT.

This is also only for Homer's Odyssey, using different translations. If you want to discuss this, (I'd be happy to! Just be nice!) DON'T BRING UP ANY OTHER WORKS.

With all that out of the way, come yell with me 🤗

I've read multiple translations, as I know there's going to be bias depending on who's translating. And having done so, each one has basically the same situations described the same so that's nice for consistency. Also, there are some parts in the story that are vague and that we'll never have answers to.

Odysseus first simply sees the smoke from her chimney and then sends his men in, after drawing lots Eurylochus leads half of the men to check out the house. I mentioned here vaguely how the 2 immortals he sleeps with are both introduced while singing and weaving, which could be seen as an enchantment (which to me is most likely. They both possess magic and are goddesses). So I'm just gonna move past that. Just take a peek and come back or just know that enchantment was likely.

Next, I'll see people often joke on Tumblr about how

"Odysseus says that Polites is his best friend yet only mentions him once!"

I think Odysseus mentions his best friend, the one to jubilantly go in first, to show WHY he would go through with this. How much these comrades mean to him. That's his best friend, and there are approximately 20 others who are now pigs as well. Could you knowingly leave one of your best friends to live a life like that knowing you could've done something?

[...]Circe—and deep inside they heard her singing, lifting her spellbinding voice as she glided back and forth at her great immortal loom, her enchanting web a shimmering glory only goddesses can weave. Polites, captain of armies, took command, the closest, most devoted man I had: ‘Friends, there’s someone inside, plying a great loom, and how she sings—enthralling! The whole house is echoing to her song. Goddess or woman—let’s call out to her now!’ So he urged and the men called out and hailed her. She opened her gleaming doors at once and stepped forth, inviting them all in, and in they went, all innocence.

(Fagles, Book 10)

In the Odyssey, it's never mentioned why she turns people into animals. I think they were turned into pigs because, throughout the Iliad and Odyssey, Odysseus is often associated with boars. His men are associated with him, therefore: 🐖 Piggy. From what we know, the lads were just eating her food. With how much Xenia and hospitality are a large part of the story, they probably thought they were safe. They were GUESTS. This is especially welcome after the Cyclops and the Laestrygonians. And it literally says "All innocence". They were simply naive.

Then Eurylochus runs back, so terrified that he couldn't speak at first. He then begs Odysseus to just leave the men behind. Odysseus has shown that he does TRY to save his men when it is truly not reckless to do so.

But I shot back, ‘Eurylochus, stay right here, eating, drinking, safe by the black ship. I must be off. Necessity drives me on.’

(Fagles, Book 10)

Then the famous warning from Hermes. I've seen folks bring this up when talking about this. YES, he is literally commanded by Hermes to not refuse her if he wants his men back in basically every translation. It sounds like Circe was warned as well. When? We don't know, but it sounds like Hermes didn't pick "sides" here.

Strange that he was still like, "Sleep with each other" to both, because he could've been like, "Circe, there's this guy named Odysseus. When he comes to this island, change his men back." But who knows, maybe it was Circe's idea from the beginning and Hermes went along with it. Just food for thought.

Now here’s your plan of action, step by step. The moment Circe strikes with her long thin wand, you draw your sharp sword sheathed at your hip and rush her fast as if to run her through! She’ll cower in fear and coax you to her bed— but don’t refuse the goddess’ bed, not then, not if she’s to release your friends and treat you well yourself. But have her swear the binding oath of the blessed gods she’ll never plot some new intrigue to harm you, once you lie there naked— never unman you, strip away your courage!’

(Fagles, Book 10)

But that doesn't explain why he was there for a year afterward! Nor if he himself was okay with it, which is what I'm trying to delve into as he wasn't.

Also the knife thing? She's still immortal. It was meant to startle her. Her dad is Helios. Odysseus would've been toast, literally.

Also note this exchange wasn't a "Yippee! Hermes says I'm going to get laid!".

...just approaching the halls of Circe, my heart a heaving storm at every step, paused at her doors, the nymph with lovely braids— I stood and shouted to her there. She heard my voice, she opened the gleaming doors at once and stepped forth, inviting me in, and in I went, all anguish now …

(Fagles, Book 10)

Another translation by Ian Johnston, (they all say the same thing essentially but trying to make a point.)

I continued on to Circe’s home. As I moved on, my heart was turning over many gloomy thoughts. After I had walked up to the gateway of fair-haired Circe’s house, I just stood there and gave a shout. The goddess heard my voice. She came out at once, opened her bright doors, and invited me inside. I entered, heart full of misgivings.

HE👏WAS👏SCARED! The tone is solemn and suspenseful. He was just told that without Hermes' help with the root, he wouldn't be able to survive and bring back his men. Circe was dangerous.

He made her swear not to harm him.

Straightaway she began to swear the oath that I required—never, she’d never do me harm—and when she’d finished, then, at last, I mounted Circe’s gorgeous bed …

(Fagles, Book 10)

Please note that she NEVER promised that to his men. His comrades did NOT have moli in their systems. He had no way of truly ensuring their safety in any way from Circe.

He then refuses to eat or speak, literally "lost in grim forebodings". If he "just got laid", then why isn't he happy? Not many men can say that a goddess CHOSE to have sex with them. He did it to get his men turned back. It was an exchange. I don't think Circe is "Evil" so maybe it slipped her mind. Or yes, she could've thought, "Hey, I got what I wanted. He's handsome enough. Homer never shuts up about how hot this guy is He hasn't brought up the pigs yet. I'll just let this play out. Maybe HE forgot. I don't have to do anything." We don't know. But Odysseus probably felt like he got deceived.

"Hey, I did my part of the deal. I slept with you. Now do yours."

She pressed me to eat. I had no taste for food. I just sat there, mind wandering, far away … lost in grim forebodings. As soon as Circe saw me, huddled, not touching my food, immersed in sorrow, she sidled near with a coaxing, winged word: ‘Odysseus, why just sit there, struck dumb, eating your heart out, not touching food or drink? Suspect me of still more treachery? Nothing to fear. Haven’t I just sworn my solemn, binding oath?’

So she asked, but I protested, ‘Circe— how could any man in his right mind endure the taste of food and drink before he’d freed his comrades-in-arms and looked them in the eyes? If you, you really want me to eat and drink, set them free, all my beloved comrades— let me feast my eyes.’ So I demanded.

(Fagles, Book 10)

He doesn't trust her despite what she had told him that he should when they sleep together. He has figured out that while she will not hurt him, his men were not a part of that oath, the men he was trying to protect in the first place.

She is then moved by how they rejoice when they see one another again. While turning people into animals for funsies isn't cool and coercion is fucked up, I think she comes to see this group as not quite friends but I think she did find them entertaining in a way.

This is very strange but I've seen some folks say that since Odysseus was pissed at Eurylochus for still not believing him about Circe is proof that "Oh he was trying to defend her!". Which??? Uh, Eurylochus was literally questioning his leadership as a whole. Calling him reckless and shit. He is captain and he's the King, he can't let that shit slide. The text literally says "Mutinous". Also if I had to sleep with someone I did not want to especially if it was to save my friends and I got called names afterward I'd get fucking pissed too.

Only Eurylochus tried to hold my shipmates back, his mutinous outburst aimed at one and all: ‘Poor fools, where are we running now? Why are we tempting fate?— why stumble blindly down to Circe’s halls? She’ll turn us all into pigs or wolves or lions made to guard that palace of hers—by force, I tell you— just as the Cyclops trapped our comrades in his lair with hotheaded Odysseus right beside them all— thanks to this man’s rashness they died too!

They stay a year. Again it's never stated that Odysseus slept with her that whole time. You could interpret that. (Honestly, I feel Circe would get bored with him? She's a goddess, she's got more important matters than mortal men. And she definitely doesn't love him.)

His men DO have to bring it up that "Odysseus has forgotten his native land." Maybe they thought they could sneak out without her knowing??? I am fucking REACHING but hold on as Telemachus did because he knew Nestor would well, be Nestor and try to coax him with "Have a meal with us! Let me tell you about how badass I used to be in my youth." But to sneak away from a goddess? Without her permission? That won't end too well. Aeolus in the beginning kicked out Odysseus when he tried to ask for another bag of wind. If she didn't want him around, she could literally boot him out. While she didn't force him to stay like Calypso did, she didn't "release" him either.

We don't know if they've been asking for a long time. Odysseus does say to Circe that they have been begging him nonstop, but he could also be saying that to try and convince her. He's good at persuasion. I think while he knew he could rely on her for food, shelter, and good advice, he still didn't feel...SAFE with her. I think he was possibly avoiding her personally.

I think HOW he asks her to leave is important to know as well.

...but I went up to that luxurious bed of Circe’s, hugged her by the knees and the goddess heard my winging supplication: ‘Circe, now make good a promise you gave me once— it’s time to help me home. My heart longs to be home, my comrades’ hearts as well. They wear me down, pleading with me whenever you’re away.’

(Fagles, Book 10)

Throughout all of Homer's works, the characters grasp another's knees when they are desperate and are literally at the other person's mercy. Priam did when begging Achilles for Hector's body back. The man who literally killed his son and was defiling his body by dragging it around. Leodes grabs Odysseus' knees to beg for his life before Ody kills him. If he saw her as a friend, and not a captor, WHY DID HE FEEL THE NEED TO BEG IN ORDER TO LEAVE?! No one, who is in a healthy relationship, has to BEG for permission to leave. Or to "Break up", if you interpret them as still sleeping together.

And even Circe acknowledges that he is there against his will!

‘Royal son of Laertes, Odysseus, old campaigner, stay on no more in my house against your will.

(Fagles, Book 10)

[...]Odysseus, man of many resources, scion of Zeus, son of Laertes, don’t stay here a moment longer against your will

(A.S. Kline, Book 10)

This is probably another reach that you can ignore but the whole "they wear me down", could be trying to appease her. "Look, you're REALLY cool, it's actually my crew that wants to leave hahahah please don't kill them"

I mentioned before how Telemachus snuck away from Nestor but that was simply out of necessity because he needed to go home now. Not rest for the night. NOW. Nestor is just everyone's grandpa. Menelaus kind of talked more but Telemachus is very straight up in "Please I have to go now" and Menelaus immediately got things ready for him. He never has to beg and clasp his knees. Telemachus was never afraid. Menelaus is a fun uncle and Helen is your cool auntie.

Back to Circe! She tells him instructions for the underworld, they were in her bedroom. But that might've been the only way to speak with her. As even Penelope is usually away from the suitors when they are in her halls, Circe may have done the same. The text never states she played hostess physically. If she was hosting in the halls during the day, why did Odysseus wait until night to talk to her? He could've just asked her while she was on her throne in front of everyone. (He did so with the Phaeacians)

Or maybe he went alone because she only swore an oath to not harm him and so he didn't want his men near if she decided she didn't want to let them go. I could be missing something here so feel free to say something. Idk if this was a pride thing on how "I don't want others to see me beg".

She has info he needs in order to go home as well. She tells him to go to the Underworld.

She gave him new fine clothes and put on pretty clothes herself but that doesn't mean they had sex. Nausicaa gave him nice clothes as well but he never slept with her.

Then he leaves. Immediately. Not even doing a headcount as he didn't realize one of his men had died. (That was negligence on his part but he wanted out) He booked it, to the UNDERWORLD BY THE WAY. Circe even had to sneak the animals he needed for the sacrifice. Odysseus even basically said "She's a goddess. She can do things mortals can't" at the end of the book. And it almost feels...Numb? Solemn? Neutral? Gives a "It is what it is" vibe.

But Circe got to the dark hull before us, tethered a ram and black ewe close by— slipping past unseen. Who can glimpse a god who wants to be invisible gliding here and there?

(Fagles, Book 10)

She’d slipped past us with ease, for who can see a god move back and forth, if she has no desire to be observed?

(Johnston, Book 10)

She's a goddess. She has magic. She can do whatever the fuck she wants.

NOW ON TO BOOK 12!!! That was long! GET A SNACK AND WATER! LUCKILY THIS'LL BE SHORTER!

In Book 11, Odysseus swears, upon all his loved ones in Ithaca, to Elpenor that he'd give him a proper burial as he's been "unwept, unburied". So in Book 12, he sails back to Aeaea to fulfill his promise.

But you know what's funny to me?

He didn't tell Circe he was there.

He didn't even go to greet Circe himself. He sent his men to go get Elpenor's body.

The biggest clue that he didn't love/trust her is that if she was his "Affair partner" then why not go see her for "one last night together"?

SHE came out herself and pulled him aside to know what happened and then gave more advice.

I dispatched some men to Circe’s halls to bring the dead Elpenor’s body. [...]

Nor did our coming back from Death escape Circe— she hurried toward us, decked in rich regalia, handmaids following close with trays of bread and meats galore and glinting ruddy wine. [...]

But Circe, taking me by the hand, drew me away from all my shipmates there and sat me down and lying beside me probed me for details

(Fagles, Book 12)

In every translation, it talks about how he sits, and she lounges/lies down. That's not sex 🙃 In some translations, it even says he tried to be with his shipmates but she pulled him away!

So we lay down and slept beside our ship’s stern cables. But Circe took me by the hand and led me away, some distance from the crew. She made me sit, while she stretched out beside me on the ground.

(Johnston, Book 12)

Then, she gives advice about the sirens, Charybdis, Scylla, and her father's Cattle. He tries to ask if he could save all his men. She scolds him for even thinking he could try. He again books it out of there.

I think we all know it wasn't "love". But I think a lot of people think Odysseus was willing and happy with whatever this was. "Friends with Benefits", if you will. I guess you could see it that way but I will say that makes me feel itchy with the whole power dynamic and fear. I don't think folks who have that arrangement have to beg on their knees to ask if they can leave though.

I mean the entirety of Book 10 gives me the vibes of "Laughing uncomfortably because you don't want to upset the other person". To just grin and bear it.

A lot of this was just putting the text here and picking it apart step by step. What you do with this is up to you. It's rambling while banging pots and pans together.

Maybe you see him as drugged the entire year and still sleeping together, as the moli "wore off". Even then, just because her magic can't affect him, there are plenty of natural concoctions that can be created that can affect mortals.

Maybe you see the entire year as sex work in exchange for shelter and food.

Maybe he was just alongside his men the whole time under her roof and was avoiding her after the exchange. After he got asked by his men to finally leave, he would start to walk up to that room only to freeze and turn around, thinking "One more day won't hurt. Should wait until I know she's in a sympathetic mood".

I beg of you, however, PLEASE understand that there was fear and coercion throughout his entirety on Aeaea. He wasn't staying to get laid. While there is so much going on and too many things that are left vague to really know exactly what happened, it is consistent that he was scared/numb. Lots of people go through with things they don't really want to do just to appease others. There are plenty of situations of sexual trauma where one person goes through something and the other has no idea the other person isn't okay. ESPECIALLY WHEN SOMEONE CAN HARM THE PEOPLE YOU CARE ABOUT AT ANY MOMENT!

Sexual trauma is a very complicated thing and while he was scared, he definitely wasn't as traumatized by her as he was by Calypso. Calypso was a torturous hell while Circe was a year of walking on eggshells. Not comparable but I still think it should be acknowledged. It's wild because I read the Odyssey and kept thinking "Y'all are calling the sex slave a cheater? The guy who slept with a goddess to get his men back? The ultimate simp apparently doesn't love his wife??"

Things I'm adding that shouldn't affect the argument as it is not in the Odyssey but I want to mention as it's a "fun fact": Odysseus' dad was an Argonaut. Laertes probably met Circe as well, (or knew of her) with the whole purifying thing and maybe Odysseus heard his dad tell stories of her. Later myths also have Circe with the habit of turning her crushes (or their lovers) into something with Scylla and Picus.

In conclusion, Yeah, he was afraid of her. At least to an extent. And don't pull the whole "Ancient men didn't get raped". Male victims exist and deserve compassion for what was done to them and women are capable of sexual abuse. If you think otherwise, you are not a true feminist and Fuck you. I said in the beginning this'll be casual and I don't wanna write a fancy ending. You can still think Circe is neat but you have to know that this was fucked up.

If you think a lot of this is bullshit or wanna give more context or wish to yell with me but still know he wasn't alright on Aeaea, cool. If you want to point out mistakes or something I should keep in mind with interpretations then feel free to say so but give text evidence. If you try and bring up the Telegony and/or Madeline Miller's Circe, fuck clean off. This is Homer. If you call Odysseus a whore and not the malewife he canonically is I'll start biting. 😤

#feel free to add thoughts! just be nice #Was a bit afraid to post this but now I don't care lol #I'm a tired bitch #Youtube and idiots on tumblr got me acting up.#This may be too thorough but idc.#idk why the colors get weird #I don't know how other people can see all these things lined up together and not see how he was not okay.#like I said you can still like circe the goddess but know this was wrong!#might make private sometime but fuck it #Circe the goddess is “fine”. Circe the book is not #It sounds like it does her dirty anyways. Odyssey Circe would take book Circe out back and beat the absolute shit outta her.#if you bring up the tele-GONE-y then BEGONE yourself #odysseus #the odyssey #odyssey #circe #tagamemnon #tw rape #tw sa #tw sex assault #crying shaking throwing up #greek mythology #circe rant #odyssey rant #anti madeline miller #anti circe #the BOOK #Mad rambles #anti-madeline miller #essay

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jennyandvastraflint · 2 months

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Would love to hear more about your thoughts on the commercialisation of fandom!!

Ooooh, boy you've opened a can of worms. I took a Fan Studies course at uni for a module bc I could choose it, and I did a lot of research into this specific topic... I hope it's okay that I'm just putting in some of my slides and then summarising underneath each!

Now, fandom in, for instance, fan fiction spaces, works on the basis of a Gift Economy in which gifts rather than money are exchanged. However, these gifts aren't just meant for one person, but for many, and even when you for instance do an artwork or a fanfic for someone, other people can still ALSO read it. These gifts can (but don't have to) be responded to with another gift, be it a comment on a fic, or a fic in return. Now, I could go into much more detail here, but I recommend checking out for instance this text by Trisha Turk on the TWC for some more in-depth stuff about this. (I'll list all the sources I used in the presentation in the end btw!) The gist of it is that fandom is a very complex system in which the reciprocation of gifts - and therefore labour - is distributed across the community.

(more under the cut)

HOWEVER capitalism, as always, comes along and tries to ruin things for profit.

Fandoms continue to form because of the unrestricted movement and no one dictating what is well, "really" canon and what isn't. I'm sure you've witnessed some fans in more recent years refusing to ship things that "won't become canon anyway", positioning the canonicity of a ship or a scenario higher than... well, their own critical reflection and interpretation OF the media and their own creative endeavours. At the end of the day, canon for me personally is something to draw on, negotiate with, or reject if it's stupid, while more recent fandoms I've seen sometimes go about their engagement with fandom as a sort of... worshipping of canon almost, and where being noticed by the creators is sort of the ultimate goal.

Now, this is of course connected to corporations realising that hey, actually people engaging with our media and creating something about it bring in numbers, and with them being able to make a profit off of views on social media, they seek to drive certain forms of engagement with the content. However, they are of course seeking to police HOW you engage with things, and don't you dare stray from their vision too much. This, of course, harms especially marginalised communities who propose alternative readings of media, who subvert the show itself and who transform it into something else, adding themselves into the work and into a world where, by design, they were invisible. It's also an attempt to undermine fan activism and grassroots organising by fans (if you wanna hear more about fan activism shoot me another ask and I will ramble <3 edit: link to post about fan activism) by keeping them in line with a sterilised version of fandom. In this sterilised and controlled version, the forms most often encouraged are things like video edits (but don't be too out there, that's bad too) that can be consumed like content by fandom... They like video edits, sterilised fanart, and things that are easily consumed and bring numbers, but "don't you dare write that nasty Spirk fanfiction where they have sex in the captain's chair! Ewww, yuck yuck!"

Rather than having a fandom driven by community, you have one driven by consumption, and that has become increasingly clear in the past few years, with readers on fan fiction asking "When next chapter?", pressuring artists, writers, etc. for more 'content' for them to consume without a) participating in the Gift Economy fandom is built upon and b) realising that these fan works are gifts to the community in the first place, and not content... These are, by the way, often the same fans who will cheer on AI because now they can finally read a story they wanted someone to continue :D Instead of using their own fucking brain, they're asking a bot trained on scraping works to produce them some bad, surface level jumble of words just so they can consume, consume, endlessly consume without ever having to think.

A few years ago (well in like, the late 2000s), a site called FanLib wanted to profit off of the resale of fanfiction, but were quickly shut down. Their mistake was that they mistook the community of fandom for a commodity to exploit for their own commercial interests. I'm not sure you've seen it, but Wattpad has sent authors emails asking them to update their fics frequently because it would appease the algorithm (see Tumblr Post about this here), which leads me to my next little point!

Algorithms! If you have ever done fan edits and posted them on sites like TikTok, Instagram, etc., you'll have noticed that... unless you post regularly and frequently (like. one edit a day at least), the algorithm will NOT push your video at all and it will be buried. Algorithms are based on how well a post performs not in terms of actual community that is built, but of course on numbers. Wattpad also functions on an algorithmic principle, which is why you have some........ individuals coming to AO3 and complaining about the supposed algorithm, spamming their work and reposting it, yadda yadda. Basically, these fans are so used to being spoonfed by an algorithm by now, they are confused when they are actually left on their own and are supposed to learn some basic fandom rules. It's honestly frightening to see fandom not only be reduced to this surface level interaction and to number-based algorithmic systems, but also to the trend-hopping TikTokification of fandom.

A study done by Booth and Dare-Edwards published in 2021 that focused on school age children basically came to the following conclusions... Children still connect "fan" with the same stereotypes of obsessive and unruly individuals that were plaguing us thirty years ago. A whole bunch of children think fandom is a thing of the past and that it peaked in the early 2000s - and while fandom of course is different now and has changed with the spread of the internet, fandom very much still is A Thing. Further, children connected fandom and being a fan mostly with buying merchandise and collecting, and also with plain consuming content, echoing "neo-liberal associations of ‘emotion’ with ‘buying power’, but at the same time, seemed to pathologize those who practice fandom (as they see it) ‘too much’" (Booth and Dare-Edwards 230). The text concludes that while there has been an explosion of media and you are becoming more multi-facetted in what you are a fan of, lilypad hopping and essentially abandoning fandoms after a brief period of surface level engagement and consuming content is increasingly becoming more common. From my own experience, this is for instance the case with shows like Willow (2022), Good Omens(ish), etc. Pretty much anything more recent doesn't have as stable a fanbase and if you enter the fandom a month too late it's already fizzing out. It's really fucked up, honestly.

Right, after that long tangent about this, I want to bring up ancillary models, which is an attempt by capitalist companies to market the previously unwanted Gift Economy of fandom as something new and desirable, but something they are in control of.

Ancillary Content Models try to lure fans in with "free" Behind-the-Scenes content. The guise they have stolen from fandom of acting like a Gift Economy of saying "here, this is for all our dedicated fans <3 Consume :D" is used to downplay the commercial infrastructure these Content Models (honestly it's already in the name). The "gifted" content is more concerned with getting loads of people to individually consume as much of it as possible to create an alternative revenue on for instance social media through views, clicks, likes, etc. They're essentially trying to commercialise our viewing time and keep us engaged with that additional content as much as possible. Rather than having a community that comes together to share their ideas and stories around a metaphorical campfire, Ancillary Content Models want each person alone to sit and stare at the stuff they put out as much as possible, always placidly clicking "like" and demanding more. They also want to cultivate an "official" fan community (aka the ones most dedicated to consuming additional content) that they can monitor and control, and they don't encourage anything that's too... out there, too subversive, too queer, etc. Coined "re-gifting economy" by Suzanne Scott, capitalism with these Ancillary Content Models has warped the Gift Economy fandom functions on into a model that equates consumption with community, and which wants to profit off of fans' engagement and their free labour of making viral TikTok edits that adhere to the sterilised version of what a fan "should be". The example I used in my presentation for this is from The Dragon Prince, which, while I do love the show, has been pushing such Ancillary Content Models. They also have a Discord (which is regulated and monitored) as their "official fan community" place, and not only are the rules pretty strict, but it also just... doesn't feel like a community but just like a bunch of people wanting more content gathered in one place :/

Now, to conclude this, capitalism sucks and is trying to ruin fandom communities in order to replace them with something they can make some more money of, and rather than having a critical fanbase that questions things, they want one that endlessly consumes the "free" content they churn out. Stay active in fandom, remember we're a Gift Economy, learn the fandom rules, and keep hating capitalism <3

Fan Work: Labor, Worth and participation in Fandom's gift economy by Trisha Turk

Now, the sources I have used for this...

Repackaging fan culture: The regifting economy of ancillary content models by Suzanne Scott

Stanfill, Mel. “The Fan Fiction Gold Rush, Generational Turnover, and the Battle for Fandom’s Soul.” The Routledge Companion to Media Fandom, edited by Melissa A. Click and Suzanne Scott, New York, 2017, pp. 77-79.

"No one's a fan of anything anymore, this isn't 2002.": Surveying 7–17-year-olds on being a fan and contemplating the future of fandom. by Paul Booth and Helena Louise Dare-Edwards

#fandom #fandom thoughts #fandom culture #fan studies #fandom studies #fandom meta #fandom things #fan culture #fandom stuff #anti capitalism #gift economy #capitalist appropriation #fuck corporations

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irondad-defensesquad · 10 months

Text

edit (december 6th 2023): this has been getting a lot of notes - thank you for the love btw! - so i just wanted you to know that this idea has a full story! it's right here. thanks again!

tony is checking his notes while he works, when he hears the door opening.

"oh peter, is that you?" he says, a little relieved but also annoyed. "care to explain why you haven't replied to any of my messages-?"

when he looks behind him, though, there's nobody in the lab.

... the meow startles him.

tony finds the black cat sitting on his notebook, and doesn't appear to plan on getting off.

"seriously?" tony groans. "friday, why is the little black hole in here?"

"he is boss jr., isn't that correct?" the A.I. replies rather smugly.

the man glares at the ceiling. "very funny." then he turns to the cat. "why are you like this. i thought cats liked to be alone. but i guess you just love bugging me."

the cat doesn't reply. he dares to lie down, refusing to let tony work. before they settle on yet another glaring contest today, the older man's phone vibrates on the desk, much to the cat's curiosity. tony quickly takes it and sees he has new text messages from peter.

peter: sorry mr stark, i can't come over today

peter: i have a decathlon meeting and i can't miss it

tony audibly groans. yeah, of course. obviously.

then peter sends another one.

peter: how is tony jr? is he behaving?

tony aggressively texts back.

tony: that is not his name. and no, he's being a little menace, alright. he ruined my couch, he knocked my favorite mug over, and now he won't let me work.

peter: aww mr stark, he just wants attention!

tony: yeah, but he doesn't have to be such a little shit.

peter: stop being mean to him!!!

tony: he's being mean to me.

tony: so what, i'm gonna be stuck with him for another night?

the teen spends a while writing the next text, which becomes many of them, probably indicating he's anxious.

peter: look mr stark i'm sorry i forced you to look after him

peter: i just couldn't leave him in the cold and aunt may already has a lot in her plate

peter: but i didn't mean to make you mad either

peter: i promise i'll try to come over as soon as i can to take him to the shelter

tony's anger fades. he sighs it out.

tony: kid, it's fine. i get it. you have a good heart and i'm proud of you for that. i just wasn't ready to have a stray cat home.

tony: but this isn't your fault, okay? you did the right thing.

he almost texts more but decides not to.

peter: ok mr stark

peter: i'll try to get him to the shelter by the end of the week

tony: no pressure, kiddo.

when he thinks it's over, peter sends yet another one.

peter: hey mr stark? could you take a pic of him? i miss his little face 🥺

tony rolls his eyes and positions the starkphone in front of the cat. the little feline seems to notice it and looks back. and he tilts his head almost instantly. though tony knows it's not out of confusion - it's like he's posing for the photo.

the hero sends it to peter.

who in turn, replies with several stickers of people exploding with heart emojis.

peter: omg!!!! bby!!!! i would die for him!!!!

tony: please don't.

peter: aww he even posed!

peter: guess he rlly takes after you 😊

tony: he is still not my cat.

peter: still... just be good to him until i get back ok? he just wants some company

you don't get it, pete. i'm irresponsible and i ruin everything i touch.

tony doesn't send that.

instead, tony looks at the cat deep into his golden eyes.

his hand approaches the little void. he expects to get bitten or scratched like he has been all day. but worse...

i ruin everything i touch, and i'm going to kill another innocent creature. i'm going to kill him. i'm going to kill him.

...

the cat is snuggling against his hand, purring.

then he lets tony pet his whole body and his tail touches his fingers.

indeed... all the cat ever wanted was love and attention. the things he never had in the past.

with a relieved smile on his face, tony finally answers peter.

tony: okay.

just a simple reply. but many promises.

#irondad #tony jr. the cat #(a new tag???????? mayhaps????)#fics #my fics #drabble #(this got long lmao and it's not even the finished product)#anyway #tony stark in: the dad who didn't want the pet but adopted it anyway the saga

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yes0another0outsiders0blog · 4 months

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We need nsfw Dallas alphabet! ( btw ur writing makes me love the fandom even more) <3

💜💜💜💜💜💜💜💜💜💜

Of course I'll do a Dallas Winston NSFW Alphabet!!! Literally putting my half-finished alphabets on hold for this, haha, I love this terrible man! Also, thanks so much!!

!! NSFW : MINORS DO NOT TOUCH!!

NSFW Alphabet: Dallas Winston

notes : afab!reader with some fem language, characters are ALWAYS aged up to around their 20s in NSFW content, drunk sex

A = Aftercare (what they’re like after sex)

Doesn't believe in or see the point in aftercare. For hookups and casual stuff, you might get a slightly damp washcloth to clean off. If you're in a relationship, he will *oh so kindly* allow you to get up and rinse off if you're quick about it, but will complain if you take too long.

Some cuddling. Like I said in the sfw alphabet, post sex is the only time yall cuddle. He'll play with your hair a bit until he drifts off. Then, you have to slip out from under his arm if you want to properly shower and do any solo aftercare things.

B = Body part (their favorite body part of theirs and also their partner’s)

His favorite on his partner is their back. He likes that it's such a wide canvas. You can see a lot on a person's back, how their spine curves and where their waist dips in and their hips flow out, maybe the back of their ribcage, stretch marks, freckled shoulders. If you have a back tattoo?? Holy hell, he's hard just thinking about it.

On himself, he likes his dick. Because he's childish and does 80% of his thinking with it. Also, he's packing pretty decently, he isn't really attractive or anything, so it's a lot of what he has going for him physically.

C = Cum (anything to do with cum, basically)

Probably has several illegitimate kids running around because this man ejaculates and evacuates.

But in a more consistent relationship, he'll usually pull out and if he does end up busting in you he'll pay for it if you need a termination.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Has been known to snag souvenirs after particularly good hookups. If it's at his room at Buck's then it's usually panties/bras because that's what's there, but if it's at their place he's not even taking sexy stuff. He'll take your matches, or a glass from your kitchen, or a fucking hairbrush on the way out. Has a whole drawer full of them, and if you see it Dallas will have an actual story about everything in it.

Also, it wouldn't surprise me if man's got some handful of STDs because of how many drunk party hookups he has.

E = Experience (how experienced are they? do they know what they’re doing?)

Super experienced in, like, what he likes. Knows what he's doing insanely well in a fair few areas, but refuses to leave his comfort zone because he refuses to admit that he's not good at something.

F = Favorite position (this goes without saying)

Doggy style if he's super horny, reverse cowgirl if he's feeling lazy.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Takes sex super casually, isn't really one for silly sex but doesn't take it super seriously at all either. Dallas tends to tease and degrade, he gets really snarky in the bedroom.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

Zero maintenance basically ever. He hardly showers, he is NOT putting time and effort into shaving.

I = Intimacy (how are they during the moment? the romantic aspect)

Never even slightly romantic about anything, let's be real.

J = Jack off (masturbation headcanon)

If he has options then he'd rather have sex, but isn't against jerking it by any means. When he's single, he does a lot because it's just a hell of a lot easier than finding someone to hook up with every time he wants to get off, he might as well just do it himself. The second you become a consistent sex partner of his, he'll claim that's what you're there for. If you're busy or really not in the mood and can't even be convinced for a handy or some brain then he'll resort back to masturbation no problem, but he's kinda pissy about it.

K = Kink (one or more of their kinks)

some predator/prey, very animalistic sex, drunk sex, mild sadism, especially biting/marking, spanking, cigarette burns, etc., degrading

L = Location (favorite places to do the do)

Semi-public places, places that are hidden enough to not be fully visible, but are easy to get caught in. The bedroom with the door cracked slightly, a closet at a party, parked car, etc. He isn't an exhibitionist, won't intentionally be in anyone's full view during sex, but likes the thrill of the idea of getting caught.

M = Motivation (what turns them on, gets them going)

Pure, primal instict, basically lol. Adrenaline does a lot for Dallas. After a fight, he is definitely hunting you down to fuck RIGHT NOW. He gets pretty intoxicated and starts feeling cocky? Instantly doing something stupid and impulsive for the rush, directly followed by dragging you to the bedroom. Otherwise, it's just something to do.

N = No (something they wouldn’t do, turn offs)

Defined role-play. Doesn't like thinking during sex, if he has to put any effort into playing a role then he's out.

Also, not into any nicknames that sound subby being used on him, but "boy" is a HARD no (related to certain headcanons that aren't overly relevant here).

O = Oral (preference in giving or receiving, skill, etc.)

WAY prefers receiving.

But getting oral from him isn't an impossibility. He completely refuses until you tell him that he probably just won't because he sucks at eating people out, and he will absolutely prove you the fuck wrong. He has a ton of experience (I have a certain string of dead dove/darkfic headcanons related to this, I won't get into them here because they're BAD, but he's really fucking skilled is what I'm getting at), and he doesn't actually hate giving. It's rare, Dally usually uses it to bribe/reward you, he isn't really the type to take care of his partners needs that often, but the rarity only makes it that much better.

P = Pace (are they fast and rough? slow and sensual? etc.)

Incredibly rough and fast paced in any position when he's the one in control, does not give a damn about your pleasure during it.

Q = Quickie (their opinions on quickies, how often, etc.)

Loves a good quickie. Dallas will absolutely pull you into a closet if he has a little time to spare, will pull over for a quick fuck so fast if your start teasing him.

R = Risk (are they game to experiment? do they take risks? etc.)

Won't experiment, knows what he likes and doesn't want to do anything that he'd potentially be embarrassingly bad at. Doesn't want a learning curve in his sex.

He does take risk, though. Unsafe sex, not pulling out, intentionally choosing iffy locations, sadism, etc.

S = Stamina (how many rounds can they go for? how long do they last?)

Can usually do three rounds. The first two are on super rough and quick-paced, so they're maybe a few minutes. By round 3, Dal is making you cockwarm him a bit first if he isn't quite ready for round 3, then ride him. It's usually slower than when he's in control, he usually lasts longer if you're more gentle/sensual/calculated about it, still like 5 minutes.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Does not at all see the appeal of toys. Doesn't care if you use them on yourself, but has no interest in using them on his partner or himself.

U = Unfair (how much they like to tease)

Teasing you so much beforehand, but once you get started he's almost so desperate to fuck you as hard and fast as he possibly can that he doesn't have the doesn't even consider keeping that going. Completely let's his body/impulse take control.

V = Volume (how loud they are, what sounds they make, etc.)

A lot of breathy noises, groans, etc. Not too loud, but definitely not silent. A lot of rough, low "ah, fuck"s. Usually, any noises he makes are drowned out by the sound of flesh and the bed and whatever noises you're making.

W = Wild card (a random headcanon for the character)

This man loves rough, fast sex while usually well intoxicated and overflowing with adrenaline, and has a sadism streak. The amount of injuries during sex? Not just you (actually, usually not you) being injured, he does take your consent seriously enough with anything that will hurt you, but holy hell does this man get too cocky and end up hurting himself, getting PISSED about it, and completely killing off the mood. Sorry, he's a loser and an idiot.

X = X-ray (let’s see what’s going on under those clothes)

Long but thin. A good 7.5 inches hard and a fucking fencing foil of a cock.

Y = Yearning (how high is their sex drive?)

High, but not as high as one might think if you're looking at fanfiction. He's mostly fucking because he craves physical touch but is TERRIFIED of soft affection. Isn't craving the sex itself, can get the same results from a fight, but he's horny often enough that he might as well kill two birds with one stone. Or he's just really horny because of the adrenaline.

Z = Zzz (how quickly they fall asleep afterwards)

Fairly quickly, within a few minutes.

#the outsiders #the outsiders x reader #dallas winston #dallas winston x reader #ns//fw alphabet

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