#this is your badness level

[wreckitremy]

[bunnions]

something something katsuki can't keep his hands off you when he's had a little too much to drink (see: denks the worst at-home bartender in the world, believes a shot of vodka really means four).

it starts off innocently enough, gathered in eijiro's living room, when he cracks a foul-mouthed joke and you double over into side with laughter. the heat starts to creep up his neck, but it's easy to blame it on the alcohol. he nudges you back playfully, a grin quirking at the corner of his lips.

two more shots of whatever vile concoction denki mixed up and he's melting into the couch. he's sitting on one end, a little squished with how mina, eijiro, hanta, and denki are piled on top of each other - chatting away, drinking, and desperately trying not to make eye contact with the wasted blond. katsuki's got you perched all pretty in his lap because "there isn't any room left to sit." a convenient excuse.

you're flushed and trying to keep up with mina's story and you're having a great time with your friends but katsuki's hands are looping casually around your waist and pulling you closer to him and he's leaning a little on you for support and you feel a zing speed down your spine as his lips brush against your arm. an accident.

his head's a little fuzzy, but katsuki's practically melting with the alcohol swimming through his veins. and you're so soft it's making everything even fuzzier. before he even finishes that thought he's testing out the plush of your waist, your thighs, pinching a little at the small of your back, and back down to your thighs. you squirm in his hold, and he retaliates with a soft grunt and by biting what he could reach.

the spit on your arm is more uncomfortable than the rather tame bite he gives you. you can see his eyes wobble, flitting to different parts of your face. "hol' s'till," he garbles and your heart leaps into your throat. you can feel four sets of eyes boring into you both, but you can't break away from katsuki's heavy, lidded, lovesick gaze.

[archiepelago]

alternate surface au inspired by a few ive seen around on tumblr :3

[poorly-drawn-mdzs]

Remember: The burning sensation is part of the process.

[somegrumpynerd]

Killer's nightmare

He has many, but the one he has most often is of coming out of stage 3 and finding he's killed his new family too alone again. Or maybe worse, that he'll never quite be without someone from his past.

Luckily, it is just a nightmare, and he has a different Nightmare he can see to help him calm down.

[vanmarkus]

since we only have a couple of days left until the premiere, here's a reminder that if buddie doesn't go canon and if Eddie doesn't come out and even if Buck doesn't come out either, none of that means that the writing is terrible and that the show is bad and that the cast is at fault somehow.

just so we're clear.

[odd-chips]

Here's a big post of some of my doodles of [Cap'n and crew] that I haven't posted yet! Couple are comics, couple are shitposts, you know how it goes.

(Also have some extra character tidbits beneath the cut!)

Cap'n (she/they) has become a Spongebob-adjacent "married to the job" type with sprinklings of "they are not immune to rose-tinted Company propaganda". Cartoonishly loyal to work, she's more upset about lying to the boss about her condition over actually becoming a monster on work time (though she isn't particularly a fan of being a monster, either).

Skeets (she/her) was already implied to be pretty optimistic and curious, but I've doubled down on this. She's constantly curious about entities and the state of her co-workers, asking questions and absorbing new information. She's also extremely lucky when it comes to encountering entities.

Mav (she/him), as implied by her nearly leaving Cap'n behind in the first comic, has become a "I won't hesitate, bitch" bitch. Split second decisions aren't an issue for her, she WILL shoot first and ask questions later. (She also now has a gambling addiction, haha. LOVES betting credits on things)

Kid (he/him) is now Irish. I will not elaborate. He's kind of literally the same otherwise. He's also in major inherited debt because of a Company-caused clerical error, but don't worry about it.

Uh. That's about it, I suppose!

[hello-eeveev]

man people really hate that orym still gets sad about his husband and father being murdered huh

not only is healing not linear and one’s progress shouldn’t be compared to someone else’s, but orym is actively in a situation that is bringing up that trauma and grief again and again, and you just want him to ignore that? to never talk about it??

like, I’ve been really stressed out lately in a way that’s bringing up a lot of old, tough memories and just a *smell* started to trigger a spiral, but you want orym to be perfectly reasonable when he’s dealing with the organization that killed his family, friends, and coworkers???

I also think that some of you just don’t like that Liam’s narration style utilizes a lot of imagery and parallels, because I’ve seen takes that are like ‘liam narrating orym being reminded of laudna’s past as she plays with her puppets shows that he doesn’t view laudna as a full person’ and ‘orym telling laudna that she has more love than delilah and that she deserves to live outside of delilah’s shadow means that he is incapable of viewing her beyond her history with delilah’—and with the latter take specifically: literally no? what? the whole recent arc has been laudna struggling to do that herself? how is orym trying to combat that view reinforcing it?

marisha frequently evokes delilah imagery in her narration of laudna and we all agree that it rules, so why is it suddenly Problematic that orym also thinks about these parallels? hot take I guess but I think it’s cool actually that liam pays attention to how his friend describes her character and has his own character engage with it.

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[houseswife]

transgender detector going haywire rn…

[gay-strawberry]

forgot to post the andrew version.

guess who had things to do but made a neil mood board instead ?

[poorly-drawn-mdzs]

hope you feel better soon!

I am riddled with ailments, but I stay silly!

[grapecaseschoices]

some of the extremely supportive but slightly[?] unhinged things wyll can say to the dark urge as they fight the wyll [haha] to peel off his face.

[malenjoyer]

Good morning 🙏🏼

I want to thank everyone their support with reblogging my stuff over the years and reblogging some of the context of the situation.

Tumblr and Instagram is filled with the most supportive people I’ve ever had the chance of meeting. The last time something like this happened, I didn’t have much support, not even from people I thought were close to me. It took me a year or two to be okay with being perceived again in fandoms. So I’m very grateful for everything.

I just wanted to post that I appreciate all of the asks and I’ve been reading all of them. I actually get anxious I’m spamming everyone too much so I probably won’t reply to everything. Please don’t feel pressured to support me financially, there’s is a free option on patreon to follow. I’ll post future project plans and occasional updates because I still love comics and I still love DC/Marvel. I do enjoy having people following along for my art/reading journey so I would always be okay with people just following for free. My brain is telling me this post is too long now so I will go 🙏🏼😭

[natjennie]

what's weird about the fantasy high drama is that like. it seems to me like people forget d&d is primarily a) a game you play with your friends and also b) luck based.

I mean it's fine to say that "nothing felt like a challenge" and "they just dominated everything and there weren't any stakes" but like. it's not as if they weren't up against huge threats. they lost the mall fight. the last stand was an onslaught of enemies. they fought a dozen dragons from an airship. the fights were hard. they're just really good. they've had very good dice luck in general this season and are all very high level and highly specialized. fig is gonna beat deception and performance checks. adaine's gonna figure out the arcana. riz is gonna succeed investigations. like. for some reason their strategical competence and wisely picked abilities are. a downside? a disappointment?

the thing about d&d that you need to remember is it's first and foremost a game. it's mostly random and it takes you down weird paths and you're playing to have fun with your friends. the dice are literally telling the story that it's their time, it's their year. they've struggled enough. they've trained enough. they're good at what they do. and in my post about the academic/domestic/personal stressors being the focus, d&d doesn't have any other system to work them out than rolling different skills. that's what d&d is. brennan set specific challenge levels for different tasks and the players strategized to prioritize which abilities they were strongest in. the challenges were there. and the players rose to them. they were both smart in their delegation of responsibilities and lucky with their dice rolls. of which, both are foundations of d&d.

don't mistake them being good players and getting lucky with there being no hardship. just because they smashed through the wall, that doesn't mean the wall wasn't strong. they were just stronger.

[camembri]

ace's first on screen presence has him wearing both a jacket and a black hat, making him both the most clothed we ever see him and also demonstrating that he clearly has different colours of the same hat for different occasions. realistically this choice was deliberate by the animation studio to make him look more mysterious, giving him a recognisable motif whilst simultaneously building intrigue and not spoiling the whole fire power thing but. what's the in-universe explanation. he doesn't know there's an audience. this leads me to believe that he donned this outfit in a deliberate attempt to screw with Luffy and be all mysterious and psych Luffy out by pretending there's some guy following him (except it didn't work because he'd already left Drum). first of all - peak older siblingism. second of all he's sooo extra I'm surprised he didn't wear that same black hat when confronting Blackbeard to set the mood better. third of all do you think it's actually a different hat or did he spend the time between alabasta and drum painstakingly peeling paint off of the orange one. much to think about...