#this is the opening image

[just-a-drawing-bean]

Im on the final push for the Trapped animatic ive been working on, so to keep up motivation im going to post teasers every few days...

Mr. Sleuth Jesters

@naffeclipse ohoho there are so many frames that are really cool and i want to share them so bad but alas i will start with the simple ones.

[cozylittleartblog]

"content creator" is a corporate word.

we are artists.

[dunmeshistash]

Dungeon Meshi Adventurer's Bible - Dungeon cross section

Details under the cut

Details cropped from this reddit post

[soon-palestine]

DON'T BE SILENT MAKE YOURSELF BE HEARD #FreePalestine

[image description : a person setting on his computer and says " but I am just one person " below are many persons the same way she is on their desktops telling themselves " I can't do anything " and then many more of people the same way End Description.]

[kungsljus]

Inspired by pg.23 of artificial condition.

[krysmcscience]

It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)

Yeesh, this took forever. <:)

There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D

(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)

anyway, i hate backgrounds so much lmao

Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:

I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL

Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:

The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.

They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:

In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:

Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:

Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)

Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:

And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D

what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)

And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:

It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.

Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD

Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.

Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…

Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D

They’re also 100% a sub, obviously

Anyone at all: Your relationship is problematic and potentially toxic

The Lamb: fuck yeah it is, it’s so hot~ OuO

Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:

Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:

Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)

Last but not least, have these shittens:

~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.

The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ

Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES

First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.

I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.

All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).

(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)

Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔

Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.

He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)

I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.

So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers’ devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.

Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…

Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)

They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.

(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)

But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.

He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.

Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.

The Lamb fell HARD for him in that moment. :3c

And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯

oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it

Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)

THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)

[heartorbit]

find another role, carry on the show

[gr3y-heron-art]

What if she was right? What if I was someone else? Someone beautiful and powerful? Buried alive and suffocating to death on the other side of a television screen?

[click image for better quality]

[flamingpudding]

Hotel Fenton

Red Hood stared at the building that seemingly appeared out of nowhere in Crime Alley. Below his mask his eye twitched at the very elaborated and very bright shining and blinking sign on the buildings wall spelling out 'HOTEL FENTON' though it looked like the word 'HOTEL' had only been added recently. The building in itself was also strange. Red Hood was pretty sure no one would actually willingly step into a building like that.

"Are you seriously expecting to investigate this shit?" He muttered into the coms, knowing perfectly well that his brothers were watching through the integrated helm camera.

"Yep. You lost the draw." Nightwing sang from the other end of the com line. Red Hood was going to glitter bomb his Appartement later. He grumbled something inaudible once more before taking another step towards that strange building. But froze before he even set his foot completely on the ground.

A scream echoed through the building. His hand instantly went to the gun buy his side. Then a crash. Wide eyed Red Hood watched how a chair came sailing out of one destroyed window. More shouting followed now clearer. Someone was complaining loudly and...

He took a step back from the building as fire sprouted out of the broken window but before he could even tell his siblings to send back up the fire got extinguished by a sudden block of ice growing out of the window. Red Hood blinked, muttering a half hearted "Did you guys see that too..." Into his coms before the slam of the entrance door to the Building caught his attention and he came face to face with a little girl that had obviously slammed the door she was leaning against.

They stared at each other for a moment before the girl dusted herself off and grinned.

"Hi! Welcome to Hotel Fenton the place to stay for Ghosts, Shades, Undead and More! We are a little preoccupied with a some of our current guests but I am sure there is still an open place for a fellow undead and halfa in the making!"

Red Hood's eyes narrowed under his mask but before he could ask anything, a fucking man that had vague similarities to Bruce crashed through the wall cool-aid way with a good damn Talon in his arms that was obviously trying to gnaw on the arm holding it, a second man followed close behind floating and shouting vehemently that "JACK THAT IS NOT PLAY FIGHTING YOU DUMBASS! IT'S TRYING TO MAIM YOU!"

There was only one thought went through Red Hoods head at that moment, his sibling perfectly echoed over the coms.

"What the fuck?"

[willowser]

HMMMMM bakugou being just. the absolute picture of sin.

he works overnight and comes home early in the morning, around 3 or 4 am or so, and you greet him and give him a kissy and ask how it all went. and even though it's still dark outside and he's been working for twelve hours—he's still coming off patrol, right ? so he's still got some energy left, and he eats something and takes a shower and winds down as you fall back to sleep.

and it's not until much later in the day that he wakes up, early afternoon, and you're kind of tiptoeing around so that he can get his much-needed rest. you slip into the closet of your bedroom for something and you think you're gonna get in and out without a sound, but his hearing is so attuned to just about anything and everything at this point.

so rough and raspy, he grunts out, "what're y'lookin' for?" and you whip around real fast and he's just—

half sitting up in bed, bare back leaning against the headboard. an arm behind his head, so that his bicep is tense and round and stone-solid. stretched like that, his obliques are more prominent, taut and rippling up the side of his ribcage. he must have gotten hot while passed out, as he usually does, because the comforter is all askew; one of his legs is bent, the fine hair a dark gold in the waning day; the other is hanging off the bed, lightly swinging as he watches you, and the blanket has come down enough that you can see the bulge of his thigh muscles beneath his stupid tiny black boxer briefs.

and he's just so. man. in every single way.

(his hair is flat on one side, too, and his eyes are still a little puffy from sleep—but you think that adds to it, all in all)

[smallsafespace]

Stars 😎⭐️

[remxedmoon]

STUMBLES IN COVERED IN BLOOD. hi! sorry i haven’t posted art in a while!!!! i redrew every single isat battle portrait. including 15 custom sprites, totalling up to 78 sprites total. use these for anything you want!! as long as i’m credited and it’s not for commercial purposes, go nuts!!!

full sprite sets below the cut!! for anyone who doesn’t want to open the google drive lol

SIKE. there’s also my ramblings here. don’t worry i did actually put the sprite sets below

i labeled all of the custom sprites as such in the drive, but for anyone that doesn’t want to sift through that, the custom sprites are bigfrin damage (2), act 6 siffrin KO and timefreeze, mira timefreeze, bonnie hurt, KO, buff, and timefreeze, and All Of Loop’s Sprites. the wiki doesn’t include the act 5 buff sprite but like. i assume it exists so i’m not counting it as custom.

anyways!! this took about 2 Weeks of drawing every day. i literally drew for like 8 hours straight on one of those days. siffrin here has 39 PORTRAITS IN TOTAL i’m not kidding. that’s straight up half of all the sprites. he doesn’t need that many.

i promise. i will not be making more redraws. for at least a week. i will resist the temptation to draw the battle cgs i promise i swear i prommy. this was really fun to work on!!!! really made me appreciate just how much adrienne drew for this game jesus christ. god’s strongest soldier. with all that aside, here’s all of the portraits! enjoy!! falls over dead on the ground

[sharkylass]

---------------------------------------

SPOILERS: ACT 6 ENCOUNTER, POST GAME

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More about their time on the roof. They're okay I promise <:]

I just think that while Isa was so passionate about fashion and designing and stuff-

Roboro has been in the loops for so long it kind of... forgot how to do it. And Euphrasie is the one who taught Mirabelle how to sew so-

It just made sense to have her help them a little.

[fashionsfromhistory]

Brooch

Marcus & Co. (New York City, New York)

c.1900

This exquisite brooch is one of the few extant examples of plique-à-jour jewelry made by the New York firm of Marcus & Co., whose reputation at its prime rivaled that of Tiffany & Co. Herman Marcus (1828–99), a German–born and Dresden–trained jeweler, arrived in New York in 1850 and worked for a number of prestigious firms before establishing Marcus & Co. in 1892. Following his death, the company continued under the direction of his two sons, George Elder Marcus and William Marcus.

The brooch is a superb example of Marcus & Co.’s work in plique-à-jour enameling, in which the "cells" of color have no backing, allowing light to shine through the transparent enamel, thereby creating the effect of stained glass. One of the only jewelry firms of its day to succeed at this challenging technique, Marcus & Co. followed the lead of such innovative French designers as René Lalique. The sensitive 3-dimensional sculpting of the sweet pea blossoms and leaves, as well as the naturalistic coloring of the enamels, reflects the Art Nouveau aesthetic that prevailed at the turn of the century. Indeed, close parallels can be drawn with the brilliant naturalistic work of Louis Comfort Tiffany, whose oeuvre is so well represented in the Met’s collection.

The MET (Accession Number: Accession Number: 2016.107)

[valtsv]

a side effect of magic systems that drain your life force if you overextend yourself or try to harness more power than you possess should be that your body starts to fall apart as it draws on your reserves to make up the deficit. old wounds should reopen, bones should become brittle and break, your immune system should weaken, and your organs should begin to fail and die if you push yourself too far. your body shouldn't simply crumble to dust, but rot, sloughing away in agonising chunks as the necrosis spreads.

[floruga]

           𝗣𝗡𝗚𝗌 by  @ me

 

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