IT WAS ERIC AFTER ALL!!!! I'm so glad we got to meet him (before Vil snaps him away with those Infinity Gauntlets) (can't wait to see what happens when we get the matching Infinity Tiara to go with them, there will be no survivors)
(sorry to be so slow/rough lately, just got a lot of stuff on the ol' brain at the moment! alas, if only I could spend all my time drawing incredibly stupid characters I mean I do but)
In my post, “This Whole Situation,” I discuss how Donnie doesn’t see himself or his mutation as something that needs to be hidden away. He wears clothes when he's out and about, and that’s about it. However, as turtlemen in the middle of NYC, sometimes they need to actually wear disguises. So, what does Donnie do in those cases?
Old ladies? Well, that’s a choice. And the way Leo phrased the question is interesting as well.
“Why do you always make us dress up as old ladies.”
This means that every time it’s up to Donnie to choose the disguise, it’s not up for discussion. They’re going to be old ladies. Period.
But the most interesting part of this scene is Donatello's answer to Leo's question.
You would think that blending in would be the main goal, but no. Donnie’s main goal with his chosen disguise is: comfort. He’s not willing to sacrifice his own comfort just to make other people comfortable with his presence.
He’ll wear a disguise if he must, but only on his own terms.
And I’m happy that he can set his boundary and stick to it.
Never change, Donnie, never change…
○○○○
…Does anyone else see Leo’s old lady drip?! Where did he get those pearls from? Forget the pearls, where did he get the pantyhose? Did he style his own wig? How long did it take for him to put on his makeup? What color eyeshadow is that? Look at those lashes! Look at those bazongas! He put so much work into his fit, no wonder he received a compliment.
so i played through the entirety of tgaa2 with runo's DLC outfit it's what he canonically wears in my mind and it's absolutely great!! he's so snazzy and it compliments both susato's DLC and kazuma perfectly. i absolutely adore chuunosuke
only problem is. because chuunosuke is in EVERY shot with a vacant smile, i can't take emotional scenes seriously anymore
imagine me, reaching the climax of the third chapter of the game, there's the reveal and it's all sentimental and heart-wrenching. and i have to stare at this:
Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me
I've been thinking about this since the soundtrack came out, and I feel like it needs to be talked about. Full disclosure, I am not a musician, or trained in music. I just have a decent ear. The OPLA soundtrack is amazing! They put so much work into it, it's got character themes and motifs, for the straw hats as well as the villains! This creates great moments where you can hear the villains and straw hats being mixed and competing with each other. A good example of what I'm talking is "Shriek and Ori" from Ori and the Will of the Wisps. This creates great storytelling through music opportunities, like in the "Zoro vs Mihawk" song on the ost, you can hear Zoro's theme, but the whole thing is using Mihawk's instruments, showing how overwhelmed and out of depth he is.
Now, let's talk about Zoro and Luffy. Specifically, we're going to be talking about "Gum Gum Bell". So Zoro's theme has two parts to it. The sad slow bit you hear in tracks like "Wado Ichimonji", and the fast strings you hear in combat, heard here in "Gum Gum Bell" at 4:09. Luffy has triumphant slow trumpets playing over a faster backing track, heard here at 10:35. Luffy in general is usually signified by trumpets and the occasional hurdy gurdy, while Zoro has Japanese and asian instruments. So the thing that is beautiful, is that their themes have been designed not only to be played together, but to be mixed together, layered on top. At 9:04, the end of Zoros fight, oh, that's Zoros strings, but whose trumpets are those? Oh my, those are Luffy's trumpets! And, what's this? At 10:04, where the fight against Kuro is turning in Luffy's favor, what is that fast melody being played under Luffy's brass. Well, I'll be, while different instruments, that sure does sound like Zoro's theme. Is Zoro brought up or appear on screen, or vice versa? No. Their just there, their themes intertwined and backing each other up, symbolizing how their intertwined in mind body, and soul, and how their dreams are intertwined together, and their themes fit together to show how they fit together, and they're soulmates and-
Since I'm still thinking about Ming today... Let us compare Three Mings.
1. Ming when he's Scared*
*caught off guard by domesticity/affection and how much he likes and wants it
2. Ming when he's Trying*
*to fix the shit he does when he's scared, but still seem cool and controlled (of highest priority always)
3. Ming when he's Scared*
*deeply fucking terrified, scrambling, on the precipice of a complete break from sense and reason which he shan't recover from for years
And the thing is, which of these Mings do you think stays with Joe in his bones, in his gut. Which of these Mings are the Mings Joe remembers and thinks of as true?
Ming my babygirl, you have so so soooo much more Trying to try.
i love the idea of young dad, touya, honestly, like i think it could really work for him in a way.
you meet him when he's much older of course, because he comes by the restaurant you work at on his lunch break, and he's always taking over for anyone that tries to give your car an oil change or tire rotation. and he's always talking about his kids ! his daughter and son, the prides of his life, his reasons for living and best friends.
he never shows you any pictures of them, not at the start, and it's not until your relationship takes a more serious turn that you actually meet them — and you're expecting young kids. seven and five or ten and eight or something near there.
you're not expecting thirty-one year old touya to have a fourteen year old daughter, with green-lined braces and acne on her cheeks, or his quiet, glasses-wearing eleven year old boy that looks just like him.