#this is official art. they know and they are feeding us

[echos-gal]

no further comment

[happypeachsludgeflower]

Modern day YouTube au where Xie Lian is infamous on the internet for his catastrophic cooking channel.

[starsandnoodles]

Today I did a lot of doodles so I’m going to post them now because I haven’t been posting a lot!!

First, the crossover no one asked for

Second, Taranza picking a fight and being angry because part of my soul needs more bastard Taranza content DESPERATELY. Like guys… feed my soul.

Third, Susie Haltmann but a Gijinka based more or less on my own outfit today (I cannot write T’s very well I apologize if it looks like an R)

And last but not least a drawing of Susie Haltmann I started months ago and finally finished today

[netscapenavigaytor]

the stage in a hyperfixation wehre every day you go talk to a friend on the same wavelength of insanity about it as you, and every day emerge from the dms shaking and covered in blood .

[strixludica]

The unappreciated art of making mecha look inhuman

Something I noticed lately, by browsing lots of lancer homebrew and fanart and comparing it to the official art, is that a lot of third party artists, across levels of artistic competence, made mechs that looked plain to me for a reason I couldn't pin down. Again, this was only weakly correlated with other metrics for artistic quality, like posing, shading, and linework. After comparing them closely with other art that didn't give me that vibe and art from 1st party material, I realized what gave me that feeling: their mechs looked too human; they looked like they could be convincingly portrayed by a person in a costume.

If you look closely at official Lancer art and the best fanart, you will notice there are always details making sure the subject is unequivocably a giant robot and not a person in sci-fi armor.

One strange but effective way this is achieved is the legs: each manufacturer has one or more distinct style of legs, with the only overlap being between SSC and RKF (which makes sense because SSC has close ties tot he Baronies). Let's go through them and see what about them makes sure you know this is a mech:

Smith-Shimano Corpro + Royal Karrakin Foundries: SSC has three kinds of lower limbs: the Horse Leg, which they share with RKF; the Foot Without Heel, and the Anatomically Correct Human Leg With Toes.

The Horse Leg is not only obviously inhuman, but also obviously unnatural, bacause no biped would be able to move properly standing on horse hooves: it would be like contantly doing a ballerina tip-walk using clown shoes; that is something only a mechanical device assisted by top-of-the-line automatic balancing could achieve.

The Heel-less foot, due to being used almost only for their spider-mechs Death's Head and Swallowtail, has little dehumanization work to do, but it does cover that function when used on the Dusk Wink, which *is* in fact a person in power armour, but still the artist took care of reminding us of how mechanical it is, by giving it feet which have little in common with boots or any other footwear. The Toed Leg seems, at first, to be the opposite of dehumanizing: it looks the most like an actual human bodypart, it feeds into SSCs fetishization of the Human Form (phrasing entirely intended). However, that is also the reason why it very clearly shows the Monarch and Mourning Cloak are robots: because no suit of armor would ever look like a naked leg; this level of anatomical fidelity only makes sense for something mechanical, whose skin *is* armor and as such doesn't need to cover itself.

Horus: Horus is mostly the easy one, with how most of the art gives their mechs beastly paws and hooves, gecko-like foot pads, or long, amphibian fingers whose vague semblance to human hands only contrasts with the blatantly monstous shapes of the Pegasus and Gorgon. However, they have four mechs portaryed with human-like legs.

The Hydra has little need to mask its mechanical nature, but the Lich commits the grave sin of being clothed, one of the biggest risk factor in making mechs look like dudes in armor. To counteract this problem, it's feet have two very evident inhuman characteristics: they have only two long, slender toes, and they touch the ground only with their futhest tarsus, in a way that makes it obvious they aren't bearing any actual weight, as if both Lich and Hydra were alway hovering a couple feet above the ground and used their feet only to skip along it, like a venetian boatman might do with their pole.

The other two exceptions are the Calendula, which being an RKF design has their trademark horse legs, and the Kobold, which already looks inarguably like a robot thanks to the barrel shae of its main body, the Horus-patented Pikey Blobs Aesthetic(tm), but still has feet with actual toes, which achieve the same effect as those from SSC.

GMS: For the longest time, GMS did not have art at all, but let's look at the [G] Type Everest from Op. Solstice Rain:

While the Boot with Auxiliary Side-Toes shape of the foot could potentially belong to a suit of armor, if we look up at the knee it's a different story: look at the slabs on either side of the joint which restrict it to one degree of freedom, as opposed to the frontal protection typical of armor for humans; look at the opposite bends of hip and shin, which almost makes the leg look digitgrade. Inequivocably robotic despite the clearly humanistic design. However, the lower parts of mechs are not the only way their design is dehumanized: we come now to Inter Planetary Shipping - Northstar and Harrison Armory, and in a curious inversion they take the opposite approach.

Although some legs of IPS-N mechs use the above principle (the Blackbeard's angular feet whose toes almost look like retractable claws, Drake's heel-less boots, and Lancaster and Kidd's SPOT-like hooves), a lot of their mecha have quite human-looking armoured boots. HA goes a step further, likely due to a deliberate stylistic choice stemming from the anthrochauvinist ideals: Their mechs look very much like armoured warriors, often even with little skirts like the Iskander or Sherman or reinforced *baltei* like Genghis and Tokugawa. With one important exception: their head.

IPS-N has a very distinctive One-Eyed Cylinder with Another Eye on the Top shape for their mecha, it's probably a deliberate par of their brand; it sees some variation like Drake's looking more liek a helmeted facemask and Stortebecker's tricorn, but even Lancaster and Kidd have a sort of vestigial head on the front with a single eye coming out of a slit.

HA's mecha have greater variation, but nevertheless for all that their body is as human-shaped as possible, their heads are always distinctly not: Barbarossa has a flat prism with a this transparent section on top, looking more like the control tower of an aircraft carrier than a head; Genghis, Tokugawa, and Gilgamesh both have canopies recessed into their bodies; Napoleon also has a barely-extruding canopy with a strange shape and covered in Blinkshield emitters that make it look like a bug-eyed little freak; Sherman is quite literally built around having a cannon for a face; and Sunzi has its drum-looking Blinkspace device. The only HA mech that has a "head" region separate from the rest of the body is Saladin, and even then it's a flat cylinder with a rectangular window in the middle: a design which would never work as a helmet but makes sense as a rotatitng cockpit with a canopy.

The observant among you will have notice that I left out four mechs: Nelson, Vlad, Enkidu, and Iskander. That is admittedly because they are those whose design asserts its inhumanity the least.

Of the first two, despite Nelson committing the sin of clothing, it also compensates hard by leaving a gap in its tabard to show the hatch for the pilot, while Vlad unfortunately does not, and with the weirldy human-looking eye, if there wasn't a pilot for scale one might legitimately not know it's a robot without context.

Iskander is the one mech in the entire Compendium which can be cosplayed without altering its proportion: cyclopism aside, this could be a person in future armor.

Enkidu also has a look which could work just as well for a human-scale cyborg, but given that it's a deliberate statement of intent it gets a pass. At the very least it's elongated head and pad-less feet make it obvious that this is not a person in armor.

Conclusion:

Although I cannot prove it without some double-blind polls, I think one of the secrets to a good mech design is making it look not only obviously like a robot, but also giving it pose, proportions, and details such that it would look big not just on a white background with no context, but that if you tried to shrink it and put it in a scene as though it was more or less the size of a person, people would realize that it's supposed to be larger.

[destielvalentineszine2025]

Announcing the 2025 Destiel Wedding Anniversary Valentines Zine!

Organized by @disabled-dean & @butch--dean

About the event:

A fan zine to celebrate Destiel's 4th wedding anniversary and the importance of fandom and community!

We do not intend to make any money through this, and will be offering as low-cost options as possible for the final project (a free e-zine, a low-cost option for printing it yourself, and/or a higher-quality physical copy). Should there be any leftover funds after production & shipping costs, we plan to donate any money to a charity (TBD - if you have a suggestion please let us know!).

We will be posting more info about how to order the zine at a later date!

The goal of this event is to create a place to come together as a community during this particularly difficult time. Such an important part of survival is community, and we wanted to create a way to foster connections, offer support, and celebrate the joy in life that feeds resilience & our day-to-day survival.

About the discord server:

Join us on the Destiel V-Day Zine 2025 discord "rehearsal dinner"! Our goal for the discord is to create chances to form connections with others in the fandom (through regular ice breaker convo topics), to share your creative projects, and as a community resource.

You do not need to join the discord to participate in the event, and you do not need to be contributing to the zine to join in! Everyone is welcome!

Submission Ideas:

prose & poetry (2-3 page limit)

art

graphics, collages, and edits

valentines

playlists

gift registries or other wedding planning materials

fandom histories

and anything else you can think of (that can be printed in a physical zine)

Please note that the e-zine will be available in both full color & black and white, but the physical copy is currently planned to be in black and white in order to keep costs down.

We will post more details about submission guidelines at a later date. Templates may be provided for some submission types, like gift registries or playlists.

Submissions

Please send all submissions to 2025destielweddingzine@gmail.com with whatever contact info you'd like your submission listed under (ex: preferred name and tumblr username).

Submissions will be accepted until end of day February 14th 2025.

Contributors are welcome to submit more than one piece, but depending on interest, we may need to limit contributions to one per person. In the event that this is necessary, we will reach out to you after submissions close to confirm which you'd like included in the official printed zine.

You are encouraged to post your submissions on February 14th & to tag us/send them to us to share!

Links:

Discord server

[petermorwood]

Recently I got roped (ha) into an Age of Sail roleplay, and decided I wanted to play the ship's cook. I then realized I don't know too much about provisioning a ship in the Age of Sail! I figured you'd be the sort of fellow to know where I could find resources on that kind of information though?

Well, for a start I recommend sending a similar Ask to @ltwilliammowett (Beat To Quarters) who knows far more about The Age of Sail / Wooden Ships & Iron Men subject than I do.

*****

In the meanwhile here are a couple of books, both of which you may well be able to get through your library, or buy pretty cheaply for your research library. They're also an entertaining read.

The first was recommended to me by Terry Pratchett - "'If you haven't read it, you should!" - when we were at a con together and he was researching "Nation".

It's "Feeding Nelson's Navy" by Janet MacDonald, available here as an ebook and from Amazon as a Kindle Unlimited free read.

The second is "Lobscouse & Spotted Dog" by Anne Chotzinoff Grossman & Lisa Grossman Thomas.

Funny how both books use the same period image - "Shipmates Carousing Below Decks" by William Pyne - as cover art.

"Lobscouse" deals with the same period as "Navy", while also being the author-approved official cookbook of Patrick O'Brian's "Aubrey / Maturin" novels.

Here's a Reddit about making dishes from it, and here's a blog page about making Spotted Dog and why Suet Makes a Difference.

I've already posted about the role correct cooking fats play in making traditional dishes "taste right", and since Atora brand makes both carnivore and vegetarian suets, it's worth tracking down.

Here's a blog page which summarises the Age of Sail diet - think of it as an exam crib to tide you over until you get the books and learn more.

*****

Here's Max Miller of "Tasting History" making lobscouse:

And here are Dylan Hollis and Max making that ubiquitous on-board delicacy and culinary ingredient, ship's biscuit (hardtack / hard-tack / hard tack).

Something very similar was still issued as a ration item at the beginning of the 20th century and into World War One. J.R.R. Tolkien would certainly have encountered Biscuits, Ration, H&P, Army No.4...

...and may well have used them as a basis for the waybread "cram" as mentioned in "The Hobbit" and "The Lord of the Rings". This description has the ring (hah!) of familiarity about it.

"If you want to know what cram is, I can only say that I don’t know the recipe; but it is biscuitish, keeps good indefinitely, is supposed to be sustaining, and is certainly not entertaining, being in fact very uninteresting except as a chewing exercise." "The Hobbit" ch.13, "Not at Home"

No.4 biscuits were so hard that soldiers could use them as substitutes for wood...

...and Nelson's sailors probably did the same with theirs.

*****

Terry Pratchett took this wooden quality and - with the dial turned up to eleven - transformed it into the rocky quality of Dwarf bread.

Here's a health nut's real-life version of a healthy nut loaf...

...while this is an example of sedimentary conglomerate rock.

With a bit of judicious cropping, the captions could be swapped and a casual glance would never notice.

Of course this post wouldn't be complete without a certain GIF.

So...

*****

To finish, a few links to more video.

One (12 years ago).

Two - 1 year, including some of the ship's biscuit made in that first one (!)

Three - also 1 year, featuring other dishes - pease pudding ("dog's body"), lobscouse and plum duff. Oh, and ship's biscuit ...

Those are from Townsends, another great source for 18th century food and cooking.

This last example is by Dan Snow, in an extract from a longer History Hits documentary, and is a short general overview of period Navy rations - and of course, ship's biscuit... :->

HTH !

[lowedeus]

10th LoscheDay is here!

Hello, my followers and inspired dawnloaders! I know it’s been a while. The real life kinda got in the way. Thanks for staying with me!

10 years ago I created this blog to share worldwide my projects. My purposes are to integrate elements of european culture into The Sims 2, to enchance the neighborhood decoraing with recognizable city environment, and to explore and improve the game itself. This hobby has now allowed me to start practicing as a 3D artist, and I believe I found my true passion in it.

So, today I want to tell you about life changes I’m going through, share the gifts with you, and also ask you for help - all about it under the cut:

The Life Changes

You know I’m not very active last years, and this simblr stays without any updated for a long time. There were reasons for this. In 2022 I had to leave my home and moved to another country. Don’t worry, I’m fine and well. I starts my new life, at least, in a quiet place.

Here is a photo of me and my friend @ivanautumnfield​​ in Astana, Kazakhstan:

And now it’s time to move forward! 

The Request for help

As someone who has always valued creativity and the arts, I’m reaching out to you with a sincere request. Over the years, I have been dedicated to creating and sharing TS2 content, providing advice, and fostering a supportive community. I have never sought donations or payment for my work; it has always been driven by a genuine desire to help others.

Now, as I face new challenges, I am seeking your assistance. If you meet all of the following criterias, I kindly ask for your support:

Residing in France (or any other state of the European Union): If you live in these regions, your recommendation would be appropriate.

An Active Artist: Whether you specialize in 3D graphics, animation, game development, or any other artistic field, your endorsement would mean a great deal. It doesn’t matter if you are affiliated with an official art institution; I think having a public portfolio/site/artist’s page is matters.

Writing a Letter of Support: If you are willing and able to write a Letter of Support (recommendation letter) for me  — that would be invaluable. The letter can be written in a pretty free form, should expressing that you know me and my creations, and you look forward to future cooperation. Rest assured that this won’t burden you or compromise confidentiality in any way. These letters are essential for my relocation preparations.

Please feel free to reach out to me via private messages here. If I haven’t responded to your message, it might have been caught in a filter — simply tag me in a broader context. If you know anyone who can help me or have connection to the proper art organization and\or institutions, I would be immensely grateful for networking.

Your assistance, as well as any reposts or shares, would greatly help me.

If you want to help me the other way, you can support me at Patreon or Ko-fi ☕ 

The LoscheDay Gifts

I want to thank everyone for the help and attention to my work, it really spurs me on to keep going. As a gift, I want to share with you some content that are ready to be used in the game, but haven't been published yet for one reason or another. All of the links and info avalible in my new Patreon page.

Not all of my (un)published projects are described at that page at this moment, new posts will be publishing time to time in Patreon’s feed, also a brand new cc files will be appearing in SFS folder. Please, subscribe and stay tuned!

I emphasize that everything I create for The Sims 2 will still be available for free, I am not planning on hiding behind a paywall, this is just if you would like to support me through this challenging time.

Thank you!

Enjoy!

[lu-zijing]

L i t e r a l l y S c r e a m e d -this parallel-

And the fact that both have actually very likely canonly happened...! Chuuya did say something along the lines of "Lend me your shoulder" to Akutagawa before the video cut off in Dead Apple -which is literally happening in this picture- so the fact we actually got a picture off it..!!!!

And the first one between Dazai and Atsushi is 100% possible to have happened as well if you ask me.

CHUUYA MAY NOT PLAY A BIG PART IN THE NEW DOUBLE BLACK Yet we hopeeee-!!! BUT ALL FOUR SURE IS DEPICTED OFTEN TOGETHER IN OFFICIAL ART.

And often, with either the pairs: Akutagawa and Atsushi - Chuuya and Dazai or Akutagawa and Chuuya - Atsushi and Dazai

#LetChuuyabeAMentorishFigureforAkutagawaLikeDazaiIsForAtsushi

THESE PARALLELS WHERE CHUUYA AND AKUTAGAWA ARE TOGETHER AND DAZAI AND ATSUSHI ARE TOGETHER I SWEAR I LOVE THEM—

#LetChuuyabeAMentorishFigureforAkutagawaLikeDazaiIsForAtsushi

These three alone are together quite a lot as well -! Love that second one specifically...!✨ 

Which makes sense! It is more or less only Dazai from the old Double Black who has been a part of the new one so far. No point denying that.

So of course there's art with only the three of them. But there is ALSO art with all four, so perhaps at a later time...?

What I mean is that I'm personally hoping Chuuya will be a part of it somehow too in the future ...! Because it hasn't yet. As far as we know- But it could.

Maybe the Production team at BONES would like to see Chuuya in on it as well in the future considering there's a lot of official art from them with all four..

At the very least they must like the parallels between them.. orrr they simply know the fans like them.

Yeahhhh, maybe it's just to feed the fans. But hey, at least they serve us really well. ✨ ✨ ✨ ✨ 

Or mayyyybe if we are super, SUPER lucky it's hinting at it-?? am I delusional? I am- aren't I- They aren't the author after all- Do Asagiri or Harukawa approve of all official art now we are at the topic? Or maybe comment on it? hmmmm...

Okay, I just reaaalllyyyy wanna see more Akutagawa and Chuuya interaction...!!!! I love that possible parallel between Atsushi and Dazai having a mentor-student relationship and Akutagawa and Chuuya getting something similar as well.

Like Chuuya giving him advice and stuff. Show concern for him?

I also wanna see Atsushi and Chuuya interact........at lot.......

Is it unrealistic?

Yes it is ALL official art. ✨ 

Annnd this was the second post of a list of posts with official art I would make, heheh, if anyone remembers that, it's a long time ago I posted the first one, but here you go! Thanks for reading-！

[duckiemimi]

every time i remember the amount of times gojo’s official art pictures show him eating, there’s this little sadness that i get because i know geto would’ve loved to feed him and he would’ve loved to share his sweets with geto, like that one line in a citro poem, “i love you. i want us both to eat well.”

[stemclann]

Hi! i’m going around asking different clangens for different clangen reccs bc I’ve been interested in reading more! Do you have any reccs?

Oh I DO !!!

A lot of the blogs I follow feature heavily stylised characters and colorful pages, wich I love. For some of them I'm not even quite caught-up but I just love seing their art coming across my dash because I love making my tumblr feed an inspiring place (don't we all) Also, I'm fairly new to the Clangen side of the WC community tbh, so some blogs featured here might be already pretty well known in the community.. But who doesn't love a nice shoutout <3 🥰 For some of these blogs I don't know wich pronouns their user might want to be used, so I'll refer to them as they/them.

☁️ First off, the blog that litteraly inspired me to start my own : https://www.tumblr.com/vaporclan @vaporclan // I just LOVE their character designs and expressions. plus the intrigue is REALLY GOOD. They also have a side-blog wich is very promising : 🐅 https://www.tumblr.com/tigeroftheskies

💧 Second one that I came across : https://www.tumblr.com/moons-of-dewclan @moons-of-dewclan // BEAUTIFUL artstyle. The composition of each page is gorgeous and the ambiance is always on point. Can't wait to read more about their traumatized cats.

🪴 @gray-thistleclan // I realize from the amount of notes that their art is already pretty well received in the community, but I LOVE the character designs featured on this blog, plus the intrigue is really unique and fairly new in the WC community (depending on if you were here when we all thought Bramblestar was gonna get rabies lol) But yeah, gorgeous art with very intense moments of drama!! Can't wait to read more!!!

🪩 splinterclan.tumblr.com @splinterclan // Artstyle is *chef kiss*, immaculate, very modern, I love the way they portray their character interactions it's always very believable.

🍄 https://www.tumblr.com/sporeclan @sporeclan // First of all how great is this Clan name --- Second, I found this blog throught the official Clangen blog, and fell in love with the way the artist composes her pages, it's beautifully done. Her colour palettes are also very pretty, and tho I'm not perfectly caught up with the intrigue I admit that I followed her when I saw the family tree she composed for her allegiances. Very efficient, beautiful, and the expressions are very cute.

🪷 @lotusclans-luck // This blog is kinda on hold right now but their artstyle is just a joy to watch, very delicious, I would eat it for breakfast everyday. Very 2D animation style, I can't wait to see more of their art in the future if they update it !

🐌 @snailstep-and-her-clan // The story here is really interesting, I love the main character, Snailstep, and her developement. Also, the character designs (I feel like I'm saying it about every blog ahahah) and colour palettes of this blog are so cute, unique, and original. I love when artists have fun with their palettes,, ugh...

🌿 @juniper-clan // This artist has been posting about his clan for almost a year now, and I LOVE how it evolved. It's very refined, the setting is unique and their characters have a beautiful depth that's a joy to explore. I can't wait to read more about Heronstar, she might be one of the characters I like the most out of all these blog listed. (With Snailstep)

🔊 loudclan-clangen.tumblr.com @loudclan-clangen // Very unique and interesting artstyle, designs are handeled with a lot of care and efficiency, you just can feel that the artist knows her characters on the tip of their fingers. Alos, character interactions / jokes are GOLD omg the writting is so good. I wanna be able to write such good dialogue that naturally (but the neurodivergence is holding me BACK fljgdjgs).

𓀒 fallenclan.tumblr.com @fallenclan // The story is immaculate and I can't wait to read more even tho there's so much lore that I know I won't be able to keep up entirely 🥹 But the artstyle is very efficient here as well and the character designs are very memorable. Once again, character interactions are on point and very natural, it's a pleasure for the eyes.

🦋 @the-blight-of-mothclan // Who doesn't love a good lineless artstyle ?! It's so pretty, and the soft colour palettes pleases my eyes a lot. Beautiful backgrounds also ! It must take so much time to paint those, couldn't be me 😭

And finally :

🎍 @black-buttercup-clangen // HUGE inspiration when it comes to palettes. I don't know how they manage to make their art so textured with such effective and "simple" (NOT derogatory, quite the opposite) details. The artstyle is SO effective and the colour palettes are just beautiful. Go check them all out they all deserve support and love <3 I hope I helped you discover some gem that you will like :D 🤌🏼 🎨 Also, for more discoveries, you should DEFINITELY check out @officialclangen - They often reblog some very interesting and cool blogs, that's how I came across a lot of these.

[imitationgame77]

ART (aka Asshole Research Transport)

In Artificial Condition (AC), the name Perihelion is never, not once, mentioned. Murderbot was not interested in its official designation, except that it's a teaching and research vessel owned by a univerisity. So, it never bothers to say its name or the university's name. (Probably more to do with the fact that MW had not planned on bringing it back as a significant character later on.

In AC, they start interacting in Chapter 2, but it was in Chapter 3 (after MB had shut down to avoid discussing personal issues with it, only to find ART just sat waiting for it to come back online) that the name ART is coined. Before that it was referred to as the transport.

I don’t know what I expected. I knew ART (aka Asshole Research Transport) had a deeper attachment to its crew than SecUnits had for clients.

But MB does not describe a situation where it called the transport ART directly until after it has taken on a job as a security consultant, and nearly got killed along with its clients on the shuttle.

Oh, shit. ART! I used ShuttleSecSys to grab the controls. We needed the course correction in seven point two seconds. The crew member, jolted out of her feed by the alarms, stared at the board in horror, then hit the emergency beacon.

That's after the twenty-one cycles of their journey (Chapter 5).

ART seems to respond to that name, so presumably, MB had started using that earlier. I wonder if it had explained what it stood for.

MB could have been calling ART by its feed address (or some such equivalent), just like ART had been calling it by its local feed address. But since MB was often talking to it aloud (MB reserves feed-conversation right to its clients, and friends), it's likely that MB started calling the research transport ART relatively early on, probably after bonding over media.

My suspicion is that whether MB explicitly explained what ART stood for, ART kind of understood it, and may even have been chuffed. After such extensive viewing of human media with MB, it must have come to understand that a bit of insult is sign of intimacy :)

Having said all that, I would have loved to seen how ART reacted on receiving such name the first time!

[hopefull-mindset]

Design Analysis: Kouyou Ozaki

Have you ever wondered why everyone has assumed Kouyou to be a courtesan or brothel owner when there has been no specification in the main series?

First, there is the fact she refers to herself using “wacchi” (わっち), a pronoun that had been used by Geisha and Oiran alike in the Edo Period. Second is that, while she doesn’t have as many layers or hair ornaments, her large Obi is still tied at the front, and wears a Uchikake over her kimono. An Uchikake by itself is not an indicator, but I would think she has it to accentuate what she’s meant to resemble.

An Oiran is a general term for a high-ranking courtesan who has taken up some traditional arts and refined in their entertainment skills, putting them above the common prostitute. The term “Oiran” (花魁) means “flower leader”. It was said to be used by Kamuro and Shinzo to refer to the older courtesans and eventually became their title. It is theorized to come from the phrase "oira no tokoro no nēsan" (おいらの所の姉さん), but there is no exact and official origin of why they’re referred to as such.

They are exclusive because of their price ranges and the highest ranking had a degree of choice in who they had in their company. They get confused with Geisha often because of their similar skill sets and when you don’t know what you’re looking for visually, but in addition, this is mostly the fault of the Occupation of Japan with many coupling both of them into what they’d call “Geesha Girls” and mistaking Geishas for prostitutes. Many even called themselves a Geisha to bring in business, but Geisha’s legally couldn’t promote sex (that didn’t stop them though sometimes if they needed the cash). They are not distinctive only because one of them can practice sex work and the other cannot. Besides my previous comments on accessories, layering, and their distinctive Obi, Oirans have more extravagant coloring and designs on their clothing.

Not to be confused with the Tayū, whom Oiran had taken after in their clothing. Tayū are not as relevant in pop culture, so do not worry about trying to tell the difference in fictional media because they’re 100% going to be an Oiran unless specified. If you would like to learn more about Tayū and not look at confusing wiki pages, I recommend reading these: Karyukai Workers and Roles, The Look of Oiran Versus Tayuu, and this nice video about a modern day Tayū.

While Shinzo are the new debuting girls late into their training, a stage before that is the Kamuro. Kamuro are young girls sold by their parents to either pay off debts or have fewer mouths to feed, and some were even born into it. On the surface, the deal of their daughter becoming someone so luxurious was desirable and made it easier for them to give her away, but not all of them got that life and had to fight for that position. Kamuro were put under the care of senior courtesans who would teach them the skills they’d need while Kamuro did their chores for them. Kamuro were also considered a social marker of how rich the courtesan was to be able to provide for these girls, but they were limited to only caring for two. It was an exploitative and abusive industry that groomed them into this life. These girls can’t leave because they’re stuck to a never-ending contract that they need to pay off in their work because of the costs of their living, so competition for the top spot wasn’t only for the idealized life promised, but to get a higher paying customer to pay off their contract to escape.

Kouyou’s backstory is heart-wrenching in this context. We don’t have details of how she ended up there or the rest of what happened, but you can’t deny the resemblance between the life of a young girl in the red light district trying to escape her conditions with a man who has promised her freedom and Kouyou wanting to live in the light outside of the Port Mafia’s unlivable darkness with someone who wanted to show her that. Along the same lines, Kyouka can be seen as a Kamuro that Kouyou has taken under her wing and wanted to leave herself. Granted, using sexual favors is manipulation 101 and she could’ve learned this anywhere, but it would make sense if she had learned this from Kouyou as a courtesan. Kamuro weren’t ignorant of what their “Older Sisters” did.

There are many differences between the life of these girls and the bloody one Kouyou had lived in the Port Mafia, and it’s not as if I’m implying she had lived the life they did as we don’t know much, but the similarities can’t be just coincidence. As for “brothel owner”, the Yakuza unsurprisingly stick their nose into the sex work business, so it wouldn’t be too hard to assume Kouyou was looking over these things.

Side comment: “Ane-san” is old-fashioned, so the only time you’ll see it be used instead of just “Ane” or “Onee-san” is in a historical context, or with the Yakuza to refer to the upper echelon female members.

(I refuse to use something not from mayoi, bones art… is ugly)

Kouyou’s crimson hair comes from her name “紅葉”, which can be translated to “Red (Autumn) Leaf”, or roughly “Crimson Blade”. It’s referred to as crimson in the light novels, but we all want to call it deep pink. Either way, both colors are deep-seated in love and she wears it all over. Her uchikake starts light at the top and deepens the lush cherry blossom pink into a bloody red where it drags at the floor with trailing bellflowers (or some type of thin petaled bellflower). Her inner kimono is pure black, except at her shoulder where only a piece of pink is left, and at the bottom are prominent red spider lilies. Their color is emphasized with a transitioning dark shade of purple.

Red spider lilies are infamous because of their connotation with death, but there’s more to it. They’re considered “hell flowers” and could lead the dead to reincarnation. Used in funerals, legends say that seeing someone you will never meet again will have these flowers bloom in your path. They’re flowers that bloom in autumn and the meanings they have are: painful memories, abandonment, passion, independence, giving up, longing, and “never to meet again”.

Kouyou is a mournful soul whose past has never left her, especially in the face of confronting Kyouka’s choice. For these flowers to appear in the inner darkness of her design is significant to how deeply his death had affected her, but also the abandonment of what she regards as her “born nature”. That man had wanted to show her light but had only contributed to the growing darkness that she wasn’t allowed to escape. She had died that day with him, and could only keep walking in the flower field of death she had created. It’s only the piece of light on her shoulder that is left of her past self.

Now, the bellflowers on her uchikake can mean: Loyalty, gratitude, faithful, unchanging, honesty, and discipline.

If the Port Mafia had once been a place of terror and misery, then Mori had changed that for her and made the Port Mafia her home. She is forever grateful for what he has done to make this life livable again and dawns this flower gracefully with light colors. She chooses to wear these light colors over her kimono because even if she resents the hypocrisy of the people who can live in the light without criticism, she still wants some semblance of that dream after her soul has been blackened to that gain. Harukawa, when designing these characters, keeps in mind what organization and type of person they are when color coding them. It’s also with the understanding of what shades will appear darker and lighter in the manga style. Harukawa says that she made sure to give Kouyou light colors and kept her eye from being dark to signify that she’s a good person.

In the manga, her outfit is slightly different from the anime’s design. Her uchikake is paler and does not have any flowers on it, and the flowers on her kimono are much more... vague, so if there are better candidates than my guesses, then be my guest and throw me a bone. From the silhouettes, I will assume that the largest visible flower is a water lily and/or lotus and the flowers growing on the branches are sakura blossoms and/or plum blossoms. It’s fitting considering she is introduced with sakura blossoms falling around her, but they could be plum blossoms too as “花魁” can refer to them in some cases.

Water lilies and Lotus flowers are very recognizable, and I’m sure most of you have seen them around. Their meaning of “purity of heart” comes from how wild water lilies will usually be white. Similarly, lotus flowers are seen as pure because they can bloom in mud without staining themselves. Other meanings water lilies are given are: Rebirth, trust, faith, and kindness. With lotus flowers, they are: Rebirth (again), “to change someone’s mind”, “eases suffering (of the heart)”, and resilience.

Ignoring the meaning of faith and trust since we had already gone over it with the bellflowers, both possible flowers emphasize her good nature and the renewal of life that Mori had blessed her with. Mori had eased the mindless suffering caused by the old boss and changed her mind about what the Port Mafia was to her. She pushed through the muddy waters of the old boss’s darkness and stood her place well in her strength.

Sakura blossoms and plum blossoms introduce two different meanings in their symbolic usage. Plum blossoms bloom in the winter cold in the signal of spring coming, showing the prosperity of life in the hardest of conditions, while sakura blossoms remind us of life’s impermanence and that its beauty can only last for so long. Plum blossoms also can mean: elegance, nobleness, patience, loyalty, hope, and renewal. If these are Sakura blossoms, then they can mean: renewal (again), violence, and hope (again).

In the context of these flowers appearing on her kimono, they mean something different than the renewal of a new era Mori had brought. The remark at the beginning of chapter 17 gives us a personal meaning for Kouyou to what sakura flowers are to her. They are the blooming hope of a girl’s wishes, but they eventually have to drop not long after growing up and facing their reality. Remaining a bud is impossible, so Kouyou, in defiance of this eventual fate of this girl, sees slashing the girl’s heart to be more merciful than the long, doomed drop they all have to face. Kouyou is a bloomed Sakura flower who has already dropped, and her change had started there, not when she bloomed. Even if a part of her had died, she still clings with no real hope.

This is the only image we have of her kimono without anything covering it. This is right at the end of the Guild Arc where they are celebrating their accomplishment. Kouyou sheds her outer bright colors because there is no room for that in this setting and trusts Chuuya and Mori enough to shed any pretenses. They’ve all dressed casually, so she would too. The leaves are meant to be red maple leaves that also show up in the flashback of Kouyou of you look carefully. As I’ve said before, these have to do with her name. The vague firework-like design that shows up are either enlarged spider lilies or chrysanthemum flowers. Assuming these are the white kind, they mean: truth, loyal love, admiration, and sincere heart. However, the yellow kind can mean “slighted love”.

She is sincere inside and out, even if some of that sincerity isn't as pretty as what it looks like from a distance. “A flower that blooms in the dark can only survive within the dark” is a sentiment she lives by after all. If it is a yellow chrysanthemum, then its meaning is what you’d expect from her lonely heart.

Bonus round

Welcome if you have read this far, this is where I stray from her main outfit and talk about outfits that only appear once. This first kimono is what she wore when staying put in the Armed Detective Agency’s capture so that Kyouka would be able to live out a dream she can’t bring herself to live out. The white kimono is covered with columbine flowers. They can mean: risk-taking, good fortune, faith, folly, hope, and specifically for white columbines, “I’m concerned for this person”. Negative/inverse meanings include: The emblem of deceived lovers, ingratitude, and faithlessness.

What this means in Kouyou’s overall situation shouldn’t be too mind-boggling. She is in this room for Kyouka’s sake and is fairly concerned about how this plan of many risks will play out, but has faith in Dazai’s abilities. She is her most stripped version of herself and works with good intentions with Dazai under this idea, so she only wears light. Kouyou though is only left to her thoughts, her own past in that room. She is glad for Kyouka, but it only leaves fear that Atsushi won't be able to live up to something he promised so she ensures that he is committed to helping her into the light and strong in a way that man wasn't able to be. 

The second one is from the chapter art with Kouyou and Mori leading Soukoku away from each other. It’s an outfit that reflects her mindset during her time with the old boss, an inverted palette from what she’s currently wearing. She hasn’t fully embraced her environment yet. Unfortunately, almost all of the flowers and plants are a bit too vague for me to point out. There is only one flower I think I recognize on her right sleeve that looks like a bird, and it is called an Egret Orchid. The only meaning of significance here is: “I think of you even in my dreams.” Some sources will say, “My thoughts will follow you into your dreams”, but I think this made more sense in this context.

This sentiment is regarding that man who had told her such an innocent lie. She not only hid her sorrowful, pure yet broken heart inside the guise of flowering darkness but weaponized this sorrow in her violence and climbed the ranks of the Port Mafia. He is a source of regret, hate, and sadness. He is her only semblance of what hope and love could resemble, and it has become a corrupted and negative thing to her in his death. Pure darkness is the only thing can trust for people like her… but she still ponders what that life will be. His influence had never left her, whether it was for better or worse. 

—

Alright um

I don’t typically do analysis like this as I don’t find clothing all that interesting to look into, but there is merit to thinking about what a character is wearing even on a surface level. It can be a show of their social rank, their job, their interests, their personalties, their culture, etc. but there isn’t always a deeper meaning to their clothing on a theming sense and I can’t find it in me to usually be interested in doing it myself. In most media, the clothing only indicates the era the characters are from and how marketable they can be.

Luckily, BSD is one of those stories that do put heavy consideration on what the characters are wearing and how their clothing changes overtime for some. Obvious examples include Harukawa’s color pallet consideration to indicate what type of person they are and what organization they are from, Dazai’s clothing swap when he leaves the Port Mafia, Chuuya’s many outfits as show of his growth in belonging to the Port Mafia, the coat passed down from Mori to Dazai to Akutagawa, and the Yin-Yang coloring of Atsushi and Akutagawa that stays consistent even in Beast where they swap.

When doing clothing analysis you’re almost expected to overanalyze and stray into your own interpretations of what certain things mean, when sometimes there isn’t any intended meaning. None of that is a bad thing though! You don’t have to rely on an author or artistic word to analyze a thing, but I tend to have a hard time with just making claims like that. So I picked this concept for Kouyou because I have my own ideas for the thought process behind her design that felt right and find it intriguing enough to share. I had actually asked a friend if I could take her from their hands since they had been planning to do their own clothing analysis, but got stuck. So thank you for letting me steal it!

I’m not a historian or whatever, but I do like sharing what I do know about certain topics! Unexpectedly, this took more out of me than I thought. I’ve written more in a shorter time, but I got stuck with having to write about one certain topic than the character entirely. I will probably never do something like this again, at least not with flower meanings. Who knew how much work it was to actually explain what they mean in context in such a big bunch?

The day I finish that Odasaku analysis is when I’ll read The Golden Demon.

[es-draws]

~IN THIS HOUSE WE BELIEVE IN CHUBBY GIRL SUPREMACY~

Hi friends! I'm ES, aka Elliott, and welcome to my Silly Little Blog for tummy posting and chubby admiration! My content list is getting a bit long, so you can use this master post to help navigate!

About me: Late 20s | He/Him (any pronouns okay) | Straight but Belly Sexual | Taken

I am in a devoted relationship to my amazing (non-feedist) partner. She however knows and indulges in my kink, and has unintentionally gained since we've been together. Though I will keep most details private, I do share text posts about our story and experiences from time to time.

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[angstics]

on my chemical romance's history of racism:

(edit: i wont rewrite anything since that will create discrepancies in reblogs. however, i will include these important additions: post 1 and post 2)

cultural appropriation is a neutral term that turns negative when people co-opt a culture without consideration to its people and history, or their prejudices and privileges. the rising sun japanese flag is an imperialist symbol used during japan's occupation of other countries from 1870 to 1945 (the guardian 2019). unlike other symbols of terror, the rising sun is normalized because of the japanese government's refusal to acknowledge its history. the symbol's meaning was popularized a few years ago when people from south korea protested its legality in the 2020 tokyo olympics (bbc 2020). aware or unaware of its history, americans have long appropriated the rising sun. in part because of their fascination with japanese art, in part because of orientalism -- a fixation on asian cultures that centers "exoticism".

my chemical romance has been associated with the rising sun symbol a couple of times. frank iero used to have a tattoo of it. gerard way designed frank's killjoys outfit to include it (seen in concept art and music videos). it is often used in mcr fanart.

tokenism is when something contains limited diversity to divert criticisms for the lack of it. my chemical romance has had a very white cast of characters in their music videos and stories. in the "i dont love you" music video, a main character is in black body paint. in the casting call, they specifically asked for a white man (there is 100% an online source -- please let me know if you have it). even casting a black person for this role would place him in a video that appropriated his skin color to mark his "difference" from the light-skin female character.

the female character points to the band's main problem with tokenism. if they arent casting a white woman, theyre casting a light-skin asian woman. the woman in the "i dont love you" mv is fetishized for physical traits stereotypically attributed to east asian women: big eyes, daintiness. east asian women feature most prominently aside from the band and main characters in the "welcome to the black parade" music video and photo shoot. the photoshoot is the only place where an ashy-faced black man and ambiguously tribal? brown man are seen (brought in by photographer chris anthony per the "making of the black parade" book). the director antagonist of the danger days music videos (shown in "sing") is a japanese woman. she is the only main character of color in the music videos and the killjoys: california comics. the focus of this post is on my chemical romance, but the comics are important to showcase that the reality is never "color-blind casting" or "limited roles". it's mostly white creatives (band members and directors and artists) who ignore non-white people when they cant use them, reflected as much by gerard way years later (nyt 2019).

"japan takes over the world" is a media trope that is built on the late 20th century fear of the return of imperial japan. this trope frames japanese people as unique aggressors, feeding into "yellow peril" fears of asian people "taking over" the white race. this trope is suggested all over the danger days universe, where the corporation BL/ind overthrows the US government. the appropriation of the japanese modern flag and lettering on the killjoys outfits, the primary BL/ind villain being a japanese person who only speaks japanese in videos, the official BL/ind website having a ".jp" domain and english-japanese translations. japanese people and culture only exist in this universe to decorate and threaten.

the point of this post is not to punish my chemical romance. in the decade+ since, they have made meaningful changes -- the sing it for japan project to aid japan during the 2011 earthquake-tsunami, developing diversity in gerard's comics / tv show, a mexican-american main character in the 2020 summoning video. people of color treated as real goddamn people.

however. all these faults exist in frozen time. there is no discussion attached to the work. so anyone, fan or casual, may come across it and not notice or care for these important issues. i know all this shit and i still fail to see instances of what i highlighted. it's difficult locating not only your own prejudices but those of others. those you look up to.

"my chemical romance" is the product of many people from 2001 to 2013. many of these people were male, white, american, and/or, most radically, liberal. clearly laying out what they did wrong is important. being careful with history and culture and personhood is important. prioritizing growth is important. constantly. forever.

[yukidragon]

Sunshine in Hell Height Headcanons

It's June 15, which as many of you know from this official profile, that it's Sunny Day Jack's birthday today!

You might also know that it's [Redacted]'s birthday thanks to this ominous picture Sauce shared last year on this day. Funny how these two totally distinct characters share a birthday isn't it? 🤔

Anyway, I was hoping to have written something for this year to celebrate, but like last year my spoons are way too few and far between. I was also hoping to do something self-indulgent for my own birthday, but same lack of spoons halted me there too.

So, until I can stock up on more metaphorical utensils to help me do the stuff I feel like doing, I'm going to celebrate by rambling a little bit about some headcanon details.

Sunshine in Hell differs from the game demos in a number of ways, and one of them is Jack's height. As you might've seen from the profile link, Jack is canonically 6'2", but in my personal headcanon continuity, I decided to make the gentle giant quite a bit taller than that. Because it amuses me, and I struggle with imagining Jack as shorter than Cove Holden.

When deciding how tall to make Jack in my stories, I also decided to do a height chart for him and a few other characters as well. It helps to better imagine characters interacting when you can see how tall they are compared to others.

Yes, I threw in a few extra love interests to the mix, as well as a couple other MCs. I was curious to see how tall Alice would be compared to her sisters, and I had to throw in their love interests as well.

As an aside, it tickles me that even after I made Jack significantly taller, he's shorter than Bo's horny "Feed Me" form.

For those of you that need the conversion from centimeters to feet and inches, or have trouble reading the image, I'll write them down for easy reference.

Alice: 162 cm / 5'4"

Jack: 198 cm / 6'6"

Shaun: 178 cm / 5'10"

Nick: 173 cm / 5'8"

Ian: 170 cm / 5'7"

Bo: 180 cm / 5'11"

Barbie: 184 cm / 6'0"

Bo "Feed Me" form: 216 cm / 7'1"

Elias: 185 cm / 6'1"

Coraline: 172 cm / 5'8"

As you can see, Shaun, Nick, and Ian stuck with the canon heights in their profiles. It's just Jack who got a height increase because it's what I imagined his height to be from the start, and Sunshine in Hell is basically my headcanons that diverge from the game's canon, so I do what I want. It's also fun to imagine scary yandere Jack towering over every single one of the love interests. It adds to the intimidation factor too despite his gentle giant persona.

Bo and Elias don't have canon heights like the SDJ love interests, so I mostly just did whatever felt right to me for them. Bo's regular height was influenced by the mafia AU picture Sauce drew. It served as a very good height comparison chart all on its own. As you can see, Bo is just tall enough to reach Jack's smile if you don't count the ears and poofy hair.

All credit to the awesome Sauce for their lovely art of course and for feeding my headcanons. As always, I want to link to the SnaccPop Patreon as gratitude for being cool with me using their art in my posts. If you're a a free or paying member, consider checking out an important survey that went up to help guide the team in their future endeavors.

Bo looks so short compared to Jack, doesn't he? In my headcanon land, it's just a matter of perspective, and next to other people Bo is pretty darn tall. Though he's just one teeny tiny inch shorter than his puppy.

You bet your sweet bippy Barbie takes smug satisfaction in that one inch height superiority. Bo talks so big as a big bad alpha dog, but the puppy he's trying to dominate is just a bit bigger and badder than he ever expected.

Of course, Bo gets to turn it right back around on Barbie with his monster sized "Feed Me" form. Like werewolves that become huge compared to their human selves, when Bo's inner beast comes out to play, he adds on quite a lot of height and muscle. He towers over even Jack! Still, even when super sized, he's no match for Barbie.

As you can see, despite being the eldest child, Alice is shorter than her two younger sisters, especially Barbie! They got more of their dad's height genes, while Alice took more after their mom in that department. Barbie and Coraline are quite a bit taller than average, a fact that Barbie revels in, and Coraline can find a little awkward sometimes, especially during moments of weakness. It can be hard to help someone stand back up and walk when they're much taller than you are after all. It leads to some embarrassing moments for poor Coraline.

On that same note of surprisingly tall people with chronic illnesses, I thought it would be interesting if Elias would have been a very tall man if not for his illness. There's no canon height for him and he's floating with Jack and Bo in the Christmas picture, so it's hard to go with a comparative height. So, I went with what felt narratively interesting to me. With his legs being twisted, and him being hunched over with a cane, he probably appeared shorter than he actually was. It's hard to see his exact height with his lower half ghostly and indistinct as well. It's only when he actually bothers to give himself legs and stand with both feet planted firmly on the ground that he can show off just how tall he really is.

While I'm on the topic of height, I wonder if one of Ian's insecurities was his height. Some men have issues if they're shorter than their peers, and Ian is the shortest of the love interests. I can imagine it certainly didn't help if he was bullied for being short along with his general "nerdy" appearance back in school.

Still, Ian has nothing to complain about at the height he's at as a fully grown adult. Even if the other love interests are taller than he is, Ian is still above average for men in the US. He's just got the misfortune of being the shortest guy in a group of very tall people. At least he doesn't have to worry about taking the bottom spot in the height chart like Alice.

Yes, Alice is a bit self-conscious about being so short compared to her peers, even if technically she's also above average height for a woman in the US. She feels especially tiny when standing next to Jack.

Though, admittedly, Alice does find it very nice to feel tiny and delicate when Jack sweeps her up into his arms. It makes her feel less self-conscious about how chubby she is when her big strong giant of a boyfriend can carry her around so easily. Once she gets over the initial fear that he might drop her, she'll soon look forward to being whisked away by her silly clown.

Oh, and if you're wondering about Mary's height... I'm still debating if I want her to be around Alice's height or a little taller. She had the same eye color in both lives due to the eyes being windows to the soul, but there were other physical differences due to different parents introducing different genetics. I need to ruminate on that fine of detail more and see what feels more interesting to me narratively.

Though even if Mary was as tall as Barbie, she'll still be short enough for Joseph to sweep into her arms since he's just as much of a giant now as he was then. Not that it would stop him from trying even if his sunshine was bigger than him. Nothing will stop Joseph/Jack from showing his love for his sunshine!

I think I'll wrap things up on that fluffy note. I hope y'all enjoyed me going off on a headcanon ramble after such a long time. With any luck, I'll be able to get to answering some asks soon. Thanks for reading!

@channydraws @earthgirlaesthetic @sai-of-the-7-stars @cheriihoney @illary-kore @okamiliqueur @kurokrisps