#this is not okay i dont care.

[saraa-lancee]

ngl it's funny that you're willing to demonise all autistic people just to make sure a label is only applied to hyperspecific situations. being autistic is not an excuse to be weird towards women or cross boundaries - can it help explain it? yes. but autistic incels exist and implying they don't and normalising that sort of behaviour as an autistic trait 1) is ableist, and implies that autistic people have no control over their own behaviour, and 2) invalidates victims and survivors of sexual violence at the hands of men who happen to be autistic. its also dangerous.

just saying. mentality like that meant that, as an autistic teenager, I allowed close friends to take advantage of me because the line was blurred and it was much easier to rationalise and excuse. and it's scary to me to see that culture normalised because it stems from the patriarchal definition and understanding of autism. autistic people know right from wrong and do not hurt people by default.

I'm not attacking you, but rather hoping to just offer an alternative perspective. I hope you are having a nice day.

Lmao hello Anon.

I'm going to provide an "alternate" for you-- I didn't demonize autistic people. I am an autistic person who has struggled with understanding boundaries in the past. I am defending autistic people by pointing out that Weird and Incel are Aboslutely Not The Same, which, if you y'know, read, is the entire point of the whole fucking post! But please, tell me you enjoy conflating Wierd Characters with violent rapists. I'm here all day-- I can't wait to read this.

I also, literally in that post, pretty much said exactly what you said. No where did I say all autistic people intentionally hurt people. In fact, I believe I even stated that when Autistic people *do cross* boundaries, it's not always intentionally. But let's also not pretend that autistic people never hurt others. I'm sorry that happened to you anon, I really am. Lots of autistic people also have stories like that, and it's disgusting people are so ready to take advantage of us. I'm also sorry that you think I don't know this perspective already as an autistic Afab person-- nice assumption about me and my life. But I think you're the one who might need the new perspective here if you don't seem to realize that yeah, autistic people absolutely can be the perpetrators in a blurred line situation. Unfortunately, lots and lots of people also have stories were the were hurt *by* an autistic person. "Hurt" as in physically or psychologically (not just sexually), because as a 5 foot nothing woman having a tall man (autistic or not) forcefully grab you in public or start screaming at you can be fucking terrifying.

Autistic people aren't just victims, anon. Acting like we can only be victims is kinda like... infantilizing or something. Sorry, but in an uncertain consent situation, an autistic person can also Assault someone because they didn't understand enthusiastic consent (ie, don't understand the nuances of YES! Vs Well, okay... or how consent can become questionable in situations where substances are involved). This all assumes innocence as well-- believe it or not, some autistic people are like, bad people (they also still deserve to be viewed like full adults but also viewed fairly rather than ostracizated unfairly).

My bad, im just rambling. Once again, reading comprehension. You're just intentionally ignoring my origional point, which is that you absolutely cannot just call a character who you deem weird an Incel. Which is the entire fucking point of the post but once again, fantastic selective reading Choice. When I said we shouldn't view Weird Character as a violent proponent of Rape and violence against women, I was 100% definitely demonizing Autistic people. (I remember literally saying "this doesn't apply just to autistic people" with the specific stipulation that he is autistic coded to me, but being autistic isn't the only factor here, proving that you literally chose not to read/to assign language I didn't use and a viewpoint I don't have to me. As an autistic person, this is black and white, and that's *not what I fucking said*. Try again anon).

Again. The entire point was defending "weirdos". Since, y'know. Most Weirdos (affectionately, as a weirdo myself) are demonized (being labeled as an Incel is definitely a demonization, btw. Which again. Was the POINT OF THE FUCKIN POST).

Idk why I'm writing this, you people will read whatever you want from it and not what I'm actually saying, so whatever. Autistic people are unfairly victimized by society-- including this whole Incel business. You were victimized, and I am sincerely sorry for that. But if we view autistic people as, y'know, dynamic people, we have to accept it goes both ways and come to the understanding that all this isn't even about all that. It's about refusing to assign extreme malcontent to someone based on Wierd.

Anyway, long live the weirdos demonized in popular culture. Long live everyone who's been shunned and judged for "acting wierd" and long live everyone who's exclusion erased their chance for a "normal" "adjusted" life.

Have a good day, *anon*.

[gentil-minou]

oh my god so wait is the barbie movie about growing up and having to become and adult because you've outgrown the space you've been a part of for so long but the "real world" doesnt feel right either and you dont want to be forced to change no matter what everyone says but also you cant go back to before and oh man oh man is it gonna be about learning how to have both and that it will be okay and and and and

[papanowo]

vampire danbert au but make it whimsigoth

[orcateef]

fascinating phenomena from the mouthwashers

[wri0thesley]

let me see - arlecchino x fem!reader (3.8k)

you work as a tutor at the house of the hearth; but the father of the children you teach seems to haunt your thoughts.

cw: not sfw, fem reader. employer-employed dynamics, reader calls arlecchino 'sir', chubby reader, reader is inexperienced. arlecchino calls reader 'good girl' and 'darling'. guided masturbation.

You see your employer only rarely, but that does not mean that you do not think about her often. 

It’s in the way that the children - your students, the ones you have been engaged to teach basic arithmetic and reading and as much history as you can squeeze in - speak of their ‘Father’. The look of wonder and devotion and just a touch of intimidation that comes over them, even as they chatter to you about the next time she is coming home and what they plan to do to welcome her. It’s in your salaries; perfectly paid, on time, with extra money left in an envelope and a note in beautiful, sharp handwriting mentioning your students by name and how well they’re progressing.

And, of course, it is in the times you see her - for you do not think anybody could see Arlecchino and not think about her regularly for the rest of their life. 

She makes you nervous. There is something about her commanding presence; her lovely marble face, the strangely striking appearance of her eyes, the self-assured way that she stands. You think her beautiful, of course - but you have always had trouble around beautiful people, and so you find yourself stumbling over your words, your cheeks burning hot, coming far too close to making a fool out of yourself whilst she keeps a small, polite smile on her face as she watches you falter. 

You worry, sometimes, she knows that you find her at once intimidating and irresistible - that something about the way you hold yourself will give away that you have wondered what her nails would feel like, digging into the soft skin of your throat as she tipped your chin upwards - or that you have wondered what it would feel like to have her corner you like a trapped rabbit and have her way with you--

But they are just daydreams. The truth is that you are as green as they come; you had gone to Sumeru’s Akademiya, a child who could not stop devouring books, who was obsessed with learning - and you had returned back to your native Fontaine to teach, and had no time in between that to pursue romantic relationships. The sum total of your romantic experience is a hurried kiss with another student, another beautiful older woman, who had pulled back and laughed at you, touching your cheek gently. 

“Aren’t you adorable?” She’d asked you, in a low, sleepy voice with her eyes half-lidded. “Maybe a bit too adorable for just right now. Come find me again if you’re ever in Mondstadt.”

So . . . your fantasies about Arlecchino are just that. Simple fantasies. You have other things to attend to, after all! You care about the children whose education has been entrusted to you - even those who have now grown too old to need your guidance, who you watch flower and blossom and strike out from the House of the Hearth. Even if they stray beyond the nation you live in, though . . . they always seem to come back, to pay their respects to Father. 

But it doesn’t stop the fact that sometimes she looks at you, when your paths crossed, with her head tilted just slightly to one side, and you feel like she knows exactly what you’re thinking. She always makes you feel strangely exposed; you keep up with fashion, because you enjoy it, but something about the fripperies of your gowns and skirts and blouses and the ribbons and the carefully chosen accessories in front of Arlecchino make you feel as though she is stripping you down in her mind, so perfectly poised and tailored. So you drop books in front of her. Your sentences get tangled together. You go hot all over and look at the floor--

But still she employs you, and still you hurry home at night and try to ignore the pounding in your chest and the way your breath goes short at the sight of her. Your paths cross only occasionally, you tell yourself. Next time you will be prepared. 

But you are not prepared, the day that Arlecchino meets you in the hallway (your arms full of books and the work of the children that you intend to look over that night), running late with your hair ribbons askew and your dress crooked and she looks at you and says, in a voice that brokers no argument;

“Won’t you stay a little longer and have afternoon tea with me?” 

“Do I make you nervous?” The red crosses in her eyes bore into you as she pours you a steaming cup of tea into a delicate teacup. You sit primly, your hands folded in your lap, your feet together, feeling entirely too exposed alone in this room with her. “You shake like a leaf whenever I speak to you.” 

You wet your lips awkwardly, your throat dry, as you reach out for the teacup. You notice your hands are shaking and try to stop them, but she leans forward herself and places one of her hands over yours, steadying you. You stare up at her, eyes wide, whilst she looks down at you with something calculating and predatory in her gaze. 

“I’m sorry,” you whisper, your voice very soft. You can feel your cheeks going hot against your will, and you wonder what you must look like to her - because you feel like a rabbit who is about to be pounced on by a wolf. Arlecchino slowly and purposely guides your hand back down, to put the teacup back on the saucer, and you begin to get the strangest impression that her invitation for ‘afternoon tea’ was actually an invitation for something entirely different. Her hand comes back up, and one of your idle questions is given an answer as you feel her sharp nails dig into the soft skin under your chin, tipping it up as she leans in closer. Close enough that she could kiss you, if she wanted - close enough you can smell the scent of Rainbow Roses and smoke that lingers on her clothes. 

“Oh,” says Arlecchino, and she smiles at you and something about the smile makes you go hot and cold all over all at once. “Don’t be. It’s terribly cute.”

You don’t know how you end up sprawled out over her lap, your thighs hooked over the arms of her chair, as she takes control of you - but before you know it, that is the position you have found yourself in. Her hands roam slowly all over you, savouring the feel of your skin - soft and warm, generously curved - beneath her long, elegant fingers. 

“These ribbons drove me to distraction today,” she murmurs against your ear, as you melt helplessly against her and she tugs at a brightly coloured red ribbon that trims your blouse. “I kept thinking about tying it around your pretty wrists instead.” 

“M-Miss Arlecchino--”

She clicks her tongue at you in admonishment, running her thumb over the seam of your lips. 

“Call me ‘Sir’, darling.” You practically fall over yourself to rectify your mistake, your tongue messy and heavy in your mouth, and you win a little chuckle from the woman who has you at her mercy. “You’re just so eager to please, aren’t you? What a good, obedient little thing.” 

“Please--” You whisper breathlessly, as she tugs at the ribbon completely and the throat of your blouse falls open. Her nails scratch a slow line over your neck, almost like a threat, and you shiver again helplessly under the touch. 

“Please what?” She murmurs against the shell of your ear. “You know, I did employ you as a tutor . . . for an academic, you’re rather inarticulate.” One button of your blouse, torturously slowly. The next, and she smiles against your bare skin to see the way your chest is rabbiting. “One would think you’d never been touched like this before.”

She knows.

There’s an edge to the way she says that, a note that’s teasing and suggestive, and it tears from your throat a little whimper of embarrassment that, in turn, makes her let out a sigh of satisfaction. 

“My, my,” Arlecchino says to you - two more buttons, and your blouse is barely fastened. You’re inordinately glad you wore pretty underwear today, though you suppose it must look rather fussy to Arlecchino. “Have you not, sweetheart?”

“Sir,” you whine out, feeling tears spring to your eyes at the humiliation of the whole thing. Despite the humiliation, though, heat spirals out from between your thighs - your matching fancy underwear, you know, is soaked through. “Please-- it’s embarrassing--”

The final button, and Arlecchino’s fingers are running over bare skin now. The pudge of your stomach, the curve of your chest through the ruched cups of your brassiere. 

“Say it,” she says to you, her voice sharp in the command. She circles a finger over your nipple through the lace and chiffon and you squirm in her lap at the sensation of the bud puckering and hardening. “If you want me to touch you, you understand, you have to at least have the confidence to tell me the truth. Or I’ll just send you home without your blouse and with your poor little aching cunt untouched, hmm?”

“Sir--!”

She grabs your cheeks between thumb and forefinger, squeezing the roundness of them roughly. The Father of the House of the Hearth, after all, is not one to be intimidated by whining or begging. She has plenty of experience dealing with brats. Her fingers still as she waits for you to do as she asks, and you squeeze your eyes shut and hiccup out a sob of longing. 

“I--I’ve never . . . had anyone else touch me . . . l-like this--”

She lets out a pleased purr in the back of her throat.

“There,” she soothes. “That wasn’t so hard, was it? Good girl.” She drops a kiss on the side of your forehead like a reward, her hands sliding over your body to find the catch of your brassiere. There’s a brief tussle of movement as she ensures you are shed of both your blouse and your underwear, and then you’re once more on her lap, your entire top half bared, only your skirts and stockings and underwear still on. “And if I’m honest . . .” She moves back to your ear, pressing a kiss on your jawline beneath the earlobe. “I rather like getting my claws in someone before they can learn any bad habits. I, too, am an excellent teacher.”

She takes a firm hold of you, pulling you even closer to her so that her hands can each take a palmful of your breasts. You feel exposed before her; the rolls of your stomach, the way that your chest sags into her grip, but Arlecchino does not seem to care about these things - instead she just sighs like you’re a fine wine she’s sampling, palming and squeezing the heavy weight of them. 

“You’re such a pretty thing beneath the flounces,” she says to you, plucking idly at your nipples between thumb and forefinger - the movement sends hot lightning flashes of pleasure right down to the space between your legs. “If I were in charge, I think I’d leave you naked in my bed. Much more practical like that, don’t you agree?” 

“I--” 

“What about kisses?” She asks you, not letting you say anything. Your head is spinning pleasantly, and you cannot say that you are annoyed she’s stopping you from making a fool of yourself. “Are you as unversed in those, too?”

“I--I’ve kissed . . . someone--”

“Just one?” She laughs, a not unkind noise. “Oh, just the one kiss, I see. Poor thing, your cheeks are like Pyro slimes. Come here. Let me show you how to kiss someone properly, hmm?” 

Arlecchino pulls you into a kiss that is so unlike the one you once had that to call them both by the same name seems a great disservice. There is no other way to describe it; she claims you, her mouth like a conquering king, your own the battlefield. Her teeth tug at your lower lip and you are helpless to do anything but open your mouth, let her tongue sweep over yours. She tastes like fire and tea, some of the little cakes she had offered to you - and you whine helplessly, clutching at her slacks because there’s nothing else you can reach in the position she has you in. 

She lets go of your face with a satisfied sigh, and your head lolls back against her shoulder as she delicately wipes a smudge of her lipstick from the corner of your mouth. 

“Let’s get this off you,” she says, tugging at the frills of your skirt. “Let me see you, darling.” 

You’re only too eager to assist, embarrassed but needy, wanting but nervous. The fastenings at your waistband are unhooked, and then she is carelessly sliding it off of you until you are back before her in nothing but your underwear and your stockings, digging into the fullness of your thighs. For a moment, you are embarrassed again of your softness - but Arlecchino grabs your hips, pulling you back bodily onto her, and you realise from the possessiveness of her movements that she does not see it for a moment as something to be ashamed of. 

Arlecchino’s hands are hungry as she squeezes at the softness of your thighs, as her palms sear hot across your stomach, as her fingers drift towards the gusset of your underwear. Her touch is feather-light, there, but you keen even so - terribly aware of every movement, even the smallest brush of her fingers. Arlecchino clicks her tongue against your ear again. 

“So sensitive,” she whispers. “I’m afraid I might hurt you, and I’m afraid I’d very much like it. Why don’t you show me how you touch yourself?”

Your breath gets caught in your chest. Her suggestions so far have been, perhaps, embarrassing - have put you at a disadvantage due to your lack of experience. But nothing so far has been quite so brazen. You burn with the unease of it, but Arlecchino is already grabbing your hand, placing it over your soaked underwear. 

“Don’t worry about making a mess,” she murmurs into your ear. “I’m afraid it’s too late for that. My pants are soaking.”

She seems to enjoy watching you squirm as you whimper again, face hot. But her hand does not move, keeping your own anchored against your underwear until you do as she asks and shyly, nervously, rub at yourself through the sodden fabric just a little. 

“Oh, darling,” she breathes, condescension dripping off every syllable. “You’ll never get anywhere like that.” You are inarticulate with your touches, still trembling and shaking at the strangeness of all of this - and you have done this, of course, but never with an audience! Never spread out over someone’s lap as they critique your technique!

“Sir, please--”

“You’re supposed to be a teacher,” she admonishes you. “You’re supposed to know everything, are you not? Have I really got to help you with something so simple as touching yourself?” She’s enjoying it; the sight of you, normally so prim and shy, utterly undone by her every word and action. Her hand moves over yours, holding it, guiding you to press two of your fingers together and circle over your swollen clit through the underwear. 

It’s different, with her guiding you. You turn your head to try and bury it against her collar as she continues to mercilessly guide you into circles, sniffling pathetically - but she just coos, just nudges you back so you watch the visual of her hand over yours between your thighs. 

“Shall we get your underwear off too?” She phrases it as a question, but it’s not one - she is already peeling off the frilly cotton, inching it down your generous thighs. She laughs a little meanly when she sees just how large the damp, darker patch is, and you think you will cry. Every feeling you have ever had is magnified a thousand fold here, in this incredibly vulnerable position spread over the lap of your employer. 

(There are whispers that Arlecchino is even more than that; that there is a secret purpose behind the orphanage you have been employed by. But you do not put much stock in rumours, even when the children look at each other strangely and whisper when they think you cannot hear them. The thought of who you might really be letting touch you . . . You wish it did not stoke a fire in you even hotter and brighter than before). 

“There we are,” she murmurs. “Good girl. Look at you. Look how pretty you are.” She deals your sex a short, soft slap - her palm comes away sticky, the noise indecent in the little room she had brought you to for afternoon tea. “I wonder how much prettier you’ll look with three of your fingers stuffed inside of you?”

Another strangled noise from your throat at the easy way she says the filthy things, and Arlecchino merely makes a soft huff of laughter. 

“Carry on touching yourself for me,” she says to you. “Let me see.”

It’s an order, and you know that orders from Arlecchino are to be obeyed. Shyly and hesitantly again, you bring your fingers back to your sex. She rests her head against your shoulder, and moves her own hand; uses two of her fingers to make a ‘v’ shape and places them on your sex, using them to spread the plump outer lips aside so that you have better access to your clit and your entrance, still soaking and leaking slick out onto Arlecchino’s lap. 

You’re hot and awkward as you touch your clit; as you try and mimic the circles that she had drawn on you earlier - but you are not brave enough to keep at it, and before long you have returned to your own faithful back-and-forth motion on your clit, your hips moving in little thrusts to try and prolong the sensation. You can hear yourself in the charged air; the hot little pants, the whimpers of frustration that none of it feels as good as it did when she was in charge. Arlecchino, though, merely watches you struggle. 

You cannot see her face, but you can imagine the look upon it; the barest quirk of the lip, the single raised eyebrow. You carry on as best you can, trying to think of all the things you would usually think of - but it all spirals back to where you are, what is happening, and the fact no fantasy can truly compare. 

Her voice is a little thick when she speaks next, and you realise with a strange jolt of pleasure that your inarticulate touching is still having an effect on her. It’s almost unnoticeable - but Arlecchino’s normal tone is so very poised, even the smallest change feels like a blaring siren to you. 

“Put two of your fingers inside of you,” she says. And then, as you inexpertly slide two of your fingers inside your channel, she lets out a shuddering breath. You’re wet and tight around yourself, aware that you must look a mess - but Arlecchino’s fingers are sliding between your sex, moving to touch the space on your clit you just vacated, and your entire mind goes blank. “Don’t stop. Let me see you move them.”

You do your best, but Arlecchino’s own movements are just too much. The sensation of her dragging the pads of her fingers over your swollen clit; the way she circles and flourishes and swirls . . . you try, desperately, to keep your fingers in some kind of rhythm as they slide in and out of you, but before you know it you’re using your other hand to clutch at her arm and whimpering as you hump upwards into her touch. 

“I ought to stop you,” she tells you, but she doesn’t for a moment stop her ceaseless assault on your clit; the wet, sticky clicking noise of your slick between her fingers. “You’re being a brat.”

“Please, Sir,” you whisper, babbling, “I’m . . . it feels so good--”

“Flatterer,” she murmurs, in that low, hungry voice. “You’re lucky that you look so very pretty like this, and that I am perhaps more soft-hearted than I appear . . .” Tears are running down your cheeks, sniffling, whimpering, helplessly moving your hips in time with her touches. Nothing seems to exist but the feel of Arlecchino’s fingers on your clit and the firm, certain way she touches you. “Be a good girl and come for me.” 

The order tips you over the edge. The knot of heat in your belly comes undone and you whine helplessly as you buck into her touch, and you feel a gush of your own slick wet the fingers that are still stuffed inside of you. Your thighs try to clamp shut around the sensation, but the position that Arlecchino has you in with your thighs over the arms of her chair stop you from doing it - and so does she, still working her fingers over your clit through every trembling moment of your orgasm. 

You come back down, panting, aware of the wetness between your legs and your nakedness, the stiff points of your nipples and Arlecchino’s fingers on you and the fact that Arlecchino is still dressed exactly as she was when she caught you in the hallway. 

She moves her hand, and to your surprise she presses her fingers against your lips, forcing your mouth open. 

“Taste yourself,” she tells you, and you are still so in awe of her that you can do nothing but obey - the slightly tangy taste of you lingering on your lips. You’re even more surprised when she uses her other hand to pluck your hand from between your thighs and guides the two fingers that had been inside of you to her own mouth, her tongue hungrily drinking in the wet webs of your slick. “Well. Aren’t you sweet?”

The unprofessionalism of what you’ve just done begins to creep up on you, shame drenching your back. All of those talks about ethics that you’d had at the Akademiya - but Arlecchino takes your head and turns it and gives you another firm kiss, another bite to your lower lip, another conquering that makes you feel weak at the knees. Your own taste lingers in your mouth, but, too, it lingers on her lips, and she seems supremely satisfied as she pulls back. 

“I’ll be away on business for the next week,” she tells you. “In Snezhnaya. I’ll bring you something back.”

“Sir--”

“I’ve been meaning to ask you,” she continues. “That little apartment you live in - well, it seems a shame, when we have so many empty rooms, and a live-in tutor would be far more beneficial - don’t you think? The children do adore you, and it seems so very practical.”

It’s a bizarre time to be having a business meeting, with your slick staining her clothes, with your own clothes a crumpled pile, with your position so terribly open and exposed - but all you can do is blink at her, and she smiles at you like a cat who has gotten the cream. She pats your cheek. 

“Besides,” she says. “It will give us far more time together. And I do have so much more I’d like to teach you.”

[dervampireprince]

taking care of astarion after cazador's death no smut, just comfort /// gender-neutral reader/tav

after cazador's deminse, after the spawn leave, once it's just you and your companions again, astarion doesn't speak. it's as if he's in a daze. you're torn between giving him space and leaving him on his own, and wondering if he really needs to not be alone right now.

he's still covered in blood, you'd given him a shirt he pulled on over his head, the grime on his skin soaked through and left it sticking to his skin, it was over his face, in his hair. he didn't make any move to wipe any of it away.

the trek out of the castle, out of the dark, seemed so long. you wondered how he was still standing, how he was dragging his legs. you stay by his side, but did not touch him, you make no move to grab his hand, to sooth him. you hoped walking at his side, matching his pace, conveyed enough. you were here. and you weren't going to touch him until he said it was alright.

you only had one plan you cared about when you finally reached the inn. the others talked amongst themselves, one by one their eyes lingering on astarion, apologising, telling him he did the right thing, that they were proud of him. you watched them start to retreat up to their rooms as you spoke with innkeeper.

once done with your conversation, key in hand, astarion still stood at the foot of the stairs.

"were you waiting for me?" you asked. he opened his mouth to speak, his eyes drifted down, he paused. "i want to take you somewhere. and i know you're tired, i promise it's to help you rest."

he nodded, still mute, you reached out to take his hand, stopped yourself, and instead beckon him to follow you.

you wound through the inn, existing out into a small garden, and entering the building on the other side, guiding astarion through the main door and down the corridors until you found the door that fits the key the innkeeper gave you.

inside was a small, private bath, sunken into the ground like a hot spring. it's nothing that fancy, but it's quiet, and fits it's purpose. you press the key into his hand, carefully.

"i can leave, if you'd like. and you can take all the time you need... or, if you'd rather, i can stay and help you wash. and that's all we'll be doing. i'd be touching you, but it wouldn't be sexual. and if you're not comfortable with that, it's okay," you twisted your head to try and catch his gaze. "would you like me to stay or go? i won't be offended or upset, the choice is yours, and if you'd rather i go i'll be waiting for you upstairs."

he still didn't speak, you wondered if his screams and cries earlier have made his voice hoarse, or if he just can't bring himself too. your hand hovered by his cheek, not touching, but trying to guide his head to turn towards yours, and when he finally does there's wetness in his eyes, the blood high on his cheekbones becoming smudged.

"would you like me to stay?"

his teeth sank into his lip, if they drew blood you'd be unable to tell. he nodded his head.

"would you like to undress yourself, or do you want me to help?"

you saw him shudder, and he stepped back and as he started to remove his clothes you did the same with yours. you wade into the bath, sinking down and sigh as the water washes over your tired muscles.

you turned, and reached out a hand towards him. he took it.

he's silent as you reached into the small basket at the side of the bath, lathering soap in your hands and getting to work, starting with his hands, kneading around his nails, up his arms, his torso, his face.

he's silent as you nudged him to move, knelt up behind him, asked him to tilt his head back, poured water over his head, felt him start to relax as he closed his eyes, running your hands through his hair, feeling as though it's the most intimate action you've ever done with him, despite the multiple nights of passion.

he's still silent when you exited the baths, annoyed that you can't just roll under clean sheets but have to redress yourselves, as you hesitated to follow him into your room, ready to bunk with one of the others, but he took your hand, and then you're both silent as you undress again, crawl under the sheets, letting him reach for you this time, now that he's ready, taking him in your arms, cradling his head to your chest, fingers playing with his hair.

you don't imagine the soft "thank you" that fell from his lips as you both drifted off to sleep.

[tubbytarchia]

AND THE UNDERDOG YURI TAKES THE WIN WOOOOO ok but that was fun lol, all the ships are super neat and I really didn't expect GemPearl to win but good job guys!?

[pmpwbrrs]

Gourmand why are you like this. How can you make living things out of the blue fruit you ate 3 minutes ago. How do you make a living breathing fucking snail? You can't even eat it, and yet you can spit it out, how the hell does that work? Put that thing back!!! Why is it alive??

And how can you make a goddamn neuron from an overseer and. What was this.... Hold on

AND KARMA FLOWER. And how can you make an overseer from neuron+ANYTHING!!!!! FROM ANYTHING!!!!!!! WHAT IS WRONG WITH YOU!!!!

[nonranghaes]

the last thing you expect to see this late in the evening is chris with a bouquet of flowers in his arms. he's dressed casually, sweats and baseball hat and all, but the bouquet was clearly carefully put together by whatever florist he found. knowing chris, he probably "knows someone" he could convince to put this together for you at the last second. you haven't been dating long (six months in a week and a half), but you know that chris seems to know everyone.

"... what are you doing here?"

"you told me no one's ever bought you flowers before," he says, rocking on his heels. "and... you said you like big gestures, so..." he holds them out toward you, his cheeks and the tips of his ears turning redder by the second. "... i really, really like you. a lot." but you know what he means: i won't say love until you say love, because that's what we talked about. it means the world to you, really.

but the sappy look on his face is enough to make you laugh, so entirely endeared at how bashful this silly, sweet dork is, and you accept the flowers. "why don't you just... come in?" you nod toward your living room. "i don't think you can stay the night this time, but i wouldn't mind some company while i game." your face is growing warmer as you take a tiny step back. "if you want to stay, i mean--"

he does. and he doesn't complain when he ends up sleeping on your couch that night, smiling like an idiot to himself. i love you, too, is what he wants to say when you insist he stays the night anyway, when you kiss him goodnight and tell him you'll make breakfast for both of you in the morning, when you tell him to sleep well.

you don't have to say it until you're ready... but chris knows where you stand. and until you are ready to say those three words to him, he'll keep saying it in gestures that scream it to anyone listening. just so you know where he stands, too.

[mueritos]

prince sidon makes a discovery about height differences....

(my link is trans here but feel free to imagine him as cis!)

patreon | itch.io

[dykedvonte]

Curly's little blurb on his steam trading card just keeps reminding me he is a much more miserable person than people realize.

We don't get a lot of his thoughts, inner confliction that aren't bogged down by what Jimmy says or does. Even in the The Last One and Then Another, his dialogue is reflective, not the Curly before the crash but the result of everything. Parts of the him he was are there of course, but also disfigured and warped beyond recognition just like he is physically.

Curly really doesn't think much of himself and desires. He clearly chases fleeting moments of happiness. He doesn't really have prospects for himself, assumes in a similar way to Swansea, that if it should make it happy then he is happy. Though, he hasn't reached the point Swansea did to admit it doesn't. He neither sees the glass half full or empty, it's just water, something he needs and he'll take it from any perspective.

He wasn't running from anything but he's never really been going towards something either. He's listless. I've been using the term complacent to describe how he feels about his life and the closest people (really just Jimmy) in it, but now that word feels too neutral, too nice. Happier than Curly really was. There isn't just one word for it, he's unfulfilled, uncertain, uninspired. There are no active problems he faces and that's the issue, why should he be upset?

I believe he really is a person who doesn't know who he is or wants to be. He follows a structure. I don't think he's suicidal, but he clearly doesn't think about what makes him happy. He's numb. I suppose that is a better word than complacent, used to the feeling even if he hates it. It doesn't hurt so why stop it?

[bigfatbreak]

Birds of a Feather previous / next

[mushtoons]

Would you perhaps… draw ROTTMNT Raph and Donnie hugging? 🥺

they're just babies 🥺

[iheartsteve0704]

Agathario | Modern Day - Separation AU

Nicholas is still alive but due to work, high stress, and misunderstanding Agatha and Rio feel like they’ve been drifting apart and somehow land on a separation

None of them want this but their communication has been so poor lately and in the midst of a heated fight, they gaslight themselves into thinking each other wants this

They don’t know if this is heading towards divorce, they hope not, but they give each other the space

They still live in the same house, for Nicholas’s sake, and act normal around him but tension is high and it feels like they are walking on egg shells

Rio sleeps in their bedroom and Agatha sleeps down the hall (the older woman doesn’t slip into that room until she’s certain Nicky has gone to sleep, but he knows because sometimes he sneaks into bed with Rio and cuddles up with her)

They also somehow land upon that it’s okay to see other people during this time (both don’t even explore this fact because it’s insane but one night Agatha has her friend JEN over during wine night and she tries to convince her to download Tinder and if Rio runs into her room and cries well she’d never admit that)

Around 2 months later, they have to attend a party they greed to go to months ago and get ready in the same house but separate rooms while Nicky goes to their neighbor Lila’s (shoutout Lilia!!!)

Agatha passes by their room and notices Rio struggling to zip up the back and Rio is able to sense Agatha watching her through the crack in the door so she asks her to come in and zip it (and maybe Agatha stares too long at her smooth skin and relishes in the way Rio shiver at the graze of her knuckles down her spin)

Agatha also relishes in the fact that Rio’s eyes cast over her body in their vanity mirror because she knows this is Rio’s favorite dress on her and maybe she wore it on purpose

They leave in separate cars, even though after the dress indecent Agatha offers her a ride and tries not to throw up at the fact that Rio is getting picked up by a friend who Agatha knew had a big crush on her wife

At the party, they keep their distance from each other but their eyes can’t help but land on one another

Agatha stares too hard when Rio’s friend clings to her side as the younger woman works the room (Agatha was never one to smooze but was happy to admire her wife while she does so, now she watches this other woman (younger and Agatha thinks prettier) fill her spot for her)

Rio has to take a cigarette break when she sneaks a peak at Agatha at the bar area, where she sees a guy trying to talk her up and even moves to tuck a piece of her tousled hair behind her ear (what Rio doesn’t see because she leaves is the way Agatha steps back in disgust and holds up her left hand up revealing her wedding band)

After this, Agatha ends up going outside too and bumps right into Rio making her cig fall onto the floor and burn out. Rio has a curse word for the offender on the tip of her tongue until she turns around and sees her wife

They stare at each other, tension so thick you can cut it with a knife after all that jealousy inside.

Then it’s Rio who puts her hand on the curve of Agatha’s waist and Agatha moves in closer to cup Rio’s soft cheek. They’re like magnets, pulling closer to each other, until a car pulls into the parking lot and the moment is gone and Agatha quickly is moving back inside

The rest of the party consists of the two longingly gazing at each other across the room and no one really exists around them

At the end of the night, Agatha is drunker than she should be (considering she has to drive) and is being borderline harassed by the man at the bar who insists he drive her home

Rio wanted to step in from the moment he looked at her wife earlier but doesn’t until she hears her wife say “Don’t touch me” and she springs into action and decks him in the jaw while saying some words in Spanish that aren’t very kind

The words “TOCUH MY FUCKING WIFE AGAIN AND YOULL BE SORRY BUDDY. ILL END YOU, I PROMISE” fall out of her mouth loudly and Rio means every word, eyes blazing with anger

The gross man laughs at her and makes a comment about Rio not being by Agatha’s side all night and Rio lunges at him to hit him again

It’s Agatha who pulls Rio back after they draw a crowd and walks them to Agatha’s car

When they arrive to the vehicle, away from prying eyes, Rio takes the key from the older woman and looks at her with concerned eyes. She scans the woman with worry. She asks “did he touch you? Hurt you? I swear to god I’ll go back there and k*ll him. If he even tried anything with you I will-“ but she can’t finish that sentence because Agatha kisses her with so much longing and passion tears slip from both their eyes

Rio drives them home, one hand on the steering steaming wheel and the old holding her wife’s hand (they are both absolutely beaming)

When they get home they silently agree to go into their shared bedroom, strip down and just hold each other in bed while they fall asleep in each others arms

In the morning, they have hard conversations but it’s real and they need it and they finally understand their problems and how to fix it and laugh at the fact that neither wanted a separation and maybe have incredible makeup sex

After they shower, and do unholy things in there, they end up in the kitchen and dance and laugh around the sun filled room while they cook and can’t keep their hands off each other

Nicky comes in through the back door and sees his moms happy again, running into their arms and they embrace him with equal enthusiasm because their family is whole again

[syrupbitee]

free my boy from his own show he did nothing wrong