#this is not even proof-read

[sincerelybubbles]

could you write something where the reader is listening to reid going off on his tangents and when he gets insecure, just straight up saying. "no, go on. i like the sound of your voice." ? ty! 🤍

Don't shut up // no warnings as far as i can tell? lmk if not <3 pure fluff!! ty for the request <333

"They usually called her the Limping Lady but there's really no way to tell how many pseudonyms she used," Spencer is saying, dragging his hand through your hair where you lay on his lap, His other hand is busy grasping at the air while he talks.

"Because of the prosthetic leg?" You ask, urging him to continue talking. You're nearly asleep, eyes heavy and chest loose with the comfort of his proximity.

"Yeah. She actually nicknamed it 'Cuthbert' when she got the wooden prosthetic. It's actually pretty interesting - people have been using prosthetics for a really long time. We don't know exactly when people started using them in modern medicine, but the first evidence we can find of them dates all the way back to ancient Egypt where they found a prosthetic toe."

The documentary Spencer put on over an hour ago about World War II has long since been paused, Netflix's blinking "Are you still watching?" hovering uselessly on his laptop screen. He paused it ages ago to discuss the inaccuracies about Hitler's past, then Italy's involvement in France and the parallels between the almost French famine and the Irish famine, leading him to Virginia Hall.

All in all, you're in heaven. He's been stroking your hair, blunt nails scratching every so often, voice rumbling through his chest and stomach where your ear presses against. He's talking calmly, even, if not slightly rushed, like he can't wait for even a breath to keep telling you about everything he knows.

"I just want you to know all of the things I know, too, you know?" He told you once when you urged him to slow down. He's learned to take his time with you, eventually, realizing that you're not waiting for your opportunity to jump in. You don't spend your time with Spencer figuring out when it'll be your turn to talk next; instead, you lull in the comfortable space of listening while knowing he'll return the favor the moment you have something to say.

"Sorry, are you trying to sleep? I can shut up and turn the movie back on," Spencer says suddenly, hand stilling in your hair.

You open your eyes slightly to find him looking down at you, lip caught between his teeth, a hesitant look in his eyes.

Spencer doesn't often get insecure like this around you - you've spent plenty of time convincing him that there's no need - but moments like this still happen. You suppose it's a natural product of constant teasing and bullying through childhood.

"I don't mean to ramble," he mutters when he catches your eye.

"No," you say, interrupting him and reaching up to brush your fingers across his cheekbone and up to his eyebrows. "No, Spence, I literally love the sound of your voice. Please, keep going."

You watch him melt, afraid for a moment that his liquid brown eyes will start to water. You make a concerned noise, about to sit up and comfort him further, when his hand moves to press down on your collarbones. He holds you in place as he looks at you for a second, heated gaze causing you to feel warm. Slowly, he bends to press a kiss on each of your eyelids, right below your eyebrows. He rests his lips on the bones there for a few moments before moving to the next.

"I love you," he murmurs, the truth of the statement oozing out too sincerely to ignore.

He doesn't give you a moment to breathe before diving right back into his explanation of how ancient prosthetics were integrated into modern medicine, hand resuming its path in your hair and voice slowly bringing you to a calm half-nap.

[scatterbrainedbot]

cass, a professional: order of badass donbot, extra dramatic entrance!

me, nodding, banned from most kitchens: leo drama and angst, heard chef!

(shoutout to @somerandomdudelmao for yet again making feel emotions i cannot fully explain)

[evercelle]

2024 art summary! it sure has been a year

[starry-bi-sky]

yall ever think Shen Yuan went through like, internet withdrawal after being transmigrated into Shen Qingqiu? Like, he's canonically a NEET shut-in who did nothing but spend his time online, you can't tell me that for the first week or first few weeks of being SQQ he wasn't twitchy.

Like, reaching instinctively to his pockets for a phone that wasn't there, having an obsessive itch in the back of his mind that he should check and see if X or Y novel or webcomic has updated -- only to realize he can't anymore and being irritated by it. Wanting to go and see if there's new posts about this or that, but again realizing that he can't.

When he's bored or uncomfortable or just feels like wanting to escape he tries to go for his phone to distract himself, but oops! Not there anymore, and now he has to find a new and different way to distract himself from his feelings. And going through system notifications, quests, etc only does so much.

And there's that Tetris Effect too. SQQ makes a mistake while writing and instinctively goes to backspace on it except hey-ho that's not a keyboard and now he just dipped his pinkie into a bottle of ink or on a still-drying letter.

With him scrambling to fix his reputation and learn how to be a peak lord, I think his abrupt cold-turkey from all things internet would just be another straw on the camel's back that he promptly Ignores until it goes away on its own after he acclimates to his new surroundings.

[smhalltheurlsaretaken]

y'all need to get a grip. you blab all day about how much you hate bigots and hateful people and how evil it is to dehumanize anyone and then you turn around and say "kys" and "i think [x] should all just kill themselves" and other disgusting, violent and childish trash

so many people on here are just full of hatred and vitriol and turn into frenzied sharks anytime the target 'deserves it' and they think they can get away with it and not be called bad people. then they whine about how sad it is that we can't all just get along and if only all the evil people in the world would stop doing evil things wouldn't that be nicer

you're just as vicious, hypocritical and fanatically puritanical as the caricature you have made in your minds of the people you think you have nothing in common with. if you've ever told someone, ANYONE to kill themselves you're not advocates of justice, you're not artisans of peace, and you certainly don't have any moral high ground that would allow you to pass judgment on others

[skrunksthatwunk]

EXTREMELY REAL MOMENT FROM HIRANO HERE

[hotluncheddie]

For the @steddie-spooktober day 14 prompt : bats

rated: T | cw: reference to canon trauma | tags: pre relationship, Steve Harrington look after Eddie Munson

🦇🦇🦇🦇

‘Shit fucking!’ Steve hears Eddie shout. He whips around just in time to see the gas station bell jingle as the door slams shut.

‘Eddie?’ He calls, shoving the chips he was holding back and tossing his wallet at a startled Robin, calling to her and the old guy at the counter that he’ll ’be back!’ Before barrelling out into the foggy morning light after Eddie.

Steve finds him crouched and cowered under a nearby tree, dirt caked on his knees as if he skidded to a stop here in a heap.

He approaches slowly, Eddie’s hands trembling as they wipe at his eyes. His mouth twisted in an angry, upset sort of frown.

‘Ed’s? What happened?’ Steve says, heart breaking a little as Eddie flinches, like they’re back in the boathouse. Steve kneels before him, trying to hunch up small, show he’s not a threat.

Eddie groans. Smacks his forehead with the heel of his hand. ‘The fucking stupid fucking paper bat on the widow!’ He sniffs. ‘The Halloween decoration. I like, it was. It was like I was back there Stevie.’ Eddie looks up at him with wide wet eyes.

‘Eddie.’ Steve breaths, wrapping him up in a hug, squeezing tighter as Eddie shudders out a sob into his shoulder.

Eddie boasted sometimes that he was over it all, on good days when he was as loud and brash as those lunch table rants. So sure that nothing could touch him.

But Steve knows how quickly a day can turn bad. What’s it’s like to fall, to be back in every nightmare you’ve ever know. And feel like you’ll never crawl your way back again.

Once Eddie’s breathing evens out, and he sniffs out a quiet little ‘thank you’, Steve shifts to sit beside him in the mud.

He stares out across the parking lot, into the forest that sits beyond. ‘I met a guy at work the other week. Just started chatting to him because I’d never seen him before. He uh, said he was a sailor, like, in the Navy. And I, and I had to leave.’ Steve swallows thickly. ‘I just left him at the counter. Robin had to finish up with him. I felt so sick. It was so dumb, I scoped fucking icecream, but, I just couldn’t look at him after he said that.’ Steve says with a little humourless laugh. He runs a hand through his hair.

Eddie bumps shoulder with him. ‘Not dumb, never dumb.’ He says, a little smile on his face now.

Steve relaxes, bumps him back, hides his smile in his shoulder.

‘Also, I think you might’ve been being hit on big guy.’ Eddie whispers, pulling at a loose thread on his jeans.

‘Yeah, well, I thought that but, guess I just can’t get with a sailor. Sad.’ Steve shrugs, doesn’t think, just says.

When he looks over at Eddie, his face showing every bit of his stunned silence.

Well. He guesses it was better said sooner rather than later.

‘Yeah, I. Yeah. Both ways, either. Both.’ Steve stammers, feeling hot all over.

‘Yeah?’ Eddie smiles.

‘Yeah.’ Steve smiles back.

They walk across to the Beamer, still parked by the gas pump. Robin can be seen through the window talking to the old guy about something or other, her arms moving as she talks.

Steve laughs. His hand brushes Eddie’s as they walk. Neither of them move away.

🦇🦇🦇🦇

Tag list : @scoops-aboy86 @xxfiction-is-my-realityxx @pearynice @marvel-ous-m @thecatkingsthrone

@cheesedoctor @chickensinrainboots

[thatstoomanysausages]

My favourite activity to indulge in recently in non-stop binging The Crane Wives' songs, especially the new album, and tallying how many times I can somehow link the lyrics to Desert Duo.

At this point it might be a talent of delusion, and I am winning.

Here is a list of lyrics in the newest album that I am particularly delusional about (it's long. It's 2am)

(btw it's every single new song. I am tired as fuck)

Scars:

"All the love, all the kindness, all your best-laid plans/Couldn't stop me from becoming the way that I am" (3rd Life reference referring to Scar inevitable turning red despite all of Grian's plans to keep him alive and safe)

"A fatal fault at the start/Tell me it's inevitable that I'd end up with scars" (3rd Life, when Scar is quickly killed in the beginning by Grian)

"Nothing could have been done/Is that right?" (3rd Life. Conversation between Grian and Scar after the creeper prank)

"Nothing could have been done" (3rd Life. After Scars falls to red)

"Nothing could have been done/Is that right?" (3rd Life. After Grian kills Scar with his own bare hands)

"End up with scars from falling/Down, down" (3rd Life, Grian's final death via suicide)

"We were always meant to fall apart" (Not even one specific series. Every single one of them actually.)

Bitter Medicine:

"Are you ashamed of me, or did you buy what I'm selling?" (3rd Life reference about Scar's scamming nature and Grian's disappointment that hides the fact that he's charmed by Scar. Every. Single. Time.)

"Made my bed but I'll sleep anywhere, anywhere" (Wild Life reference. I think we all know. Pillows smelling like waffles? Yeah.)

Higher Ground:

"I gave up the truth and now I can't take it back" (3rd Life. Grian telling Scar that he was the one that brought the creeper over. Or. Double Life Grian if he ever told Scar about his Secret Soulmate. OR. Wild Life, Grian telling Scar literally anything about the wildcard)

"I didn't wanna hurt anyone" (Oh.)

"The corvids are calling/Warning the forest a predator is approaching/Am I in danger, or am I the threat" (Grian is often characterised as a corvid if not a parrot. Basically any scenario in Wild Life where Grian is warning Scar about the wildcards despite the fact that he is at fault of making them happen)

Predator:

"What were you thinking?/Shouldn't you know better?/You opened a door for an apex predator" (Any scenario in which Scar welcomes Grian into his home and doesn't think twice about the danger the other could be harbouring. His trust for Grian is unimaginable)

"I keep forgetting the lessons I've learned/So I keep getting hurt" (Before Scar won, he never remembered what had happened with Grian, so he went back to him for safety multiple times, teamed with him, didn't mind his company, not knowing the dangers that Grian represents just by existing)

"Your heart is a nasty place/I'm afraid to say no to you" (...Yeah)

"Keep your lies and your denial/I am fighting for survival/My heart is a changing shape/What if I said no to you?" (DOUBLE LIFE DESERT DUO TAKE ME HOME. The 'changing shape' line implying that their soulmates could change their soulbound partners if they really wanted to, and could adapt to being with another if they desired it)

"You took advantage of another anxious people-pleaser" (I can't keep doing this. Honestly, depending on your point of view, this could go either way for them in varying seasons, they're doomed in every universe)

"I keep forgetting that you wont learn/So I keep getting hurt" (And now it switches to Grian on this paralleling line. He forgets about Scar's undying loyalty and falls into the trap of his safety every time, only to come out hurting him or not protecting him like he swore to in 3rd Life. This line goes so hard)

Say It:

"Say it/If it's over, say it/So I can move forward/Please don't leave me in the dark/Praying for a wayward spark" (This whole chorus screams them. They won't communicate. They never officially separate from one another, always somehow intertwined, but neither will finalise their allyship. I need therapy)

"I'm haunted by your tenderness" (3rd Life Grian traumatised by the half-hearted hits Scar was giving because he was letting Grian win, he never wanted to fight, he felt Grian deserved to win because he had done so so much for him. He was completely smitten)

"And if we meet as strangers again/Would you refuse to meet my eyes?" (Grian internally questioning Scar after he killed him in the 3rd Life finale, harbouring more guilt than he can comprehend, literally)

"You know I'm loyal to a fault" (Scar and Grian interchangeably in 3rd Life...)

"I will sit here waiting/Waiting for the axe to fall" (Scar submitting his life to Grian after they are left the last two alive. And also, if you're insane for Treebark, there is a glaringly obvious implication of Martyn feeling incredible guilt after axing Ren down to red, even if he asked him to.)

Mad Dog:

"Keep looking for the end of the tunnel/Never seems to get any closer" (The two waiting as winners for the games to end and alongside it, their suffering as well. They will never be free from circling around each other, over and over and over again)

"We both know the ship is gonna sink/But I keep reaching for the shore/Never seems to get any closer" (They both keep reaching towards each other, knowing that they will never truly be able to be together, especially after the first time where they did, and it ended horribly for them)

Arcturus Beaming:

"My sanctuary to worship the pain" (References the panda sanctuary that Scar built to help the soulmates heal their bonds, only to never complete its purpose with the two that needed it the most, ironically including the one that built it)

"And I am tired of forming a cliff face/Inside of my chest now" (Grian remembering jumping off of Monopoly Mountain and the weight that it now burdens his heart with. This line is diabolical with the right context)

"I'm grieving all that I gave" (Both of them grieving the sacrifices they made for one another, their sacrifices only making their relationship more strained overtime)

"A mirror image of us here, but they're pointing up at our sun and/Asking themselves/What exists beyond, beyond, beyond, beyond?" (Other versions of themselves in different life series looking at their 3rd Life selves and wondering what it was like to be so tightly allied)

"But there's still time, it's not too late/Nothing will change until I change" (Grian's attempt at teaming with Scar in Limited Life, savouring the time he had with him before killing him. He will never change their bond, he is always destined to kill him one way or another)

Time Will Change You:

"Planting hearts in a grave/Pray they grow after it rains" (Grian burying all his allies, hoping that as he digs their graves, he can heal their broken bonds, the cracks only caused by himself. This can unfortunately apply to a lot of Grian's allies, but Grian and Scar's relationship tries to heal itself each season)

"Someday/Time will change you/You'll leave behind what doesn't move" (Someday Scar will remember and he'll leave Grian behind once he realises that Grian was never able to move on, and that his heart is still stuck neck deep in the sand where both their bodies laid at the end of 3rd Life)

"Give me a chance to get this right/I'm learning how to let go" (They're learning, but they'll always fail, no matter how many chances)

Black Hole Fantasy:

"There's a black hole in the living room floor/I keep trying to ignore, but it's growing" (Their need to team and interact is overwhelming, and the longer they ignore one another, the larger their need will get)

"If love is just a chemical reaction/Is there a pill to take? Something to quell this ache?/ Is this the real thing or a distraction/Is it worth the risk?/My life would detonate" (Mmmmmm I'm losing it here)

"I'm on my way to your house, I can't wait anymore" (Yeah.)

"My knuckles hesitate an inch away from the door/What happens when it opens?" (They've spent so much time apart and away from one another that they feel fear that the moment they reconnect, it won't be the same as it was in the desert)

"And on the other side is another life/A version of me with a spark in her eyes that I don't have" (Looking back to 3rd Life when everything was simpler and happier)

"You pull me in your arms and I feel your heart pounding/I take a step back to catch my breath/And we look at each other and double over/And laugh, and laugh, and laugh" (Yeah. Just yeah. This whole verse makes me sob)

Red Clay:

(Already I want to make a link to 'red' and Scar's existence in 3rd Life being very red)

"Blistering sun, my sweat soaking my clothing" (THE DESERT???)

"We don't have to do this the hard way" (We don't have to battle to the death bare handed. We don't have to.)

River Rushing:

"I know I can't grow with a hand around my throat/Hold yourself steady/Whenever you're ready" (Reference to their fight to the death in 3rd Life)

This entire song is just a narration of their fight honestly and it makes me violent.

[nonbinary-potatoes]

Prompt: Amortentia 08/11/12 @rosekillermicrofic

Word count: 666

Potions class was a drag. It was too early on a Monday morning to be labouring around the potions lab and following complex instructions to make a ridiculous potion and its antidote.

Evan was working with Barty, like usual - they always worked together in any pair activity. They'd just become even more insufferable since staring N.E.W.T.S, and since getting together but that was besides the point. Slughorn lumbered into the room and charmed his chalk to begin scribbling on the blackboard while he babbled nonsense about spare copies of the textbook being on the shelf at the back.

"Today we are working on potion antidotes, the first half of the lesson is theory and then you'll get the chance to brew the antidote for amortentia and test it on mice" Slughorn droned on, opening his own copy of the text book and writing notes for the class to copy and simply going on and on about ingredients and measurements.

Barty, who was sat on the stool beside Evan, had also seemed to have had enough of the monotone drone that was escaping Slughorn - he'd written over a foot of parchment on antidotes already and slid it over for Evan to copy while he attempted to initiate a game of footsies. Evan was shorthanding the notes, making bullet points and the occasional badly scrawled diagram while Barty tapped his foot against his ankle. Evan kicked him in the shin.

After an eternity of theory, Slughorn pottered off into his personal storeroom and returned with a large silver cauldron filled with a pearlescent white liquid. Barty leaned over and whispered, "It kinda looks like spunk," giggling away to himself, Evan suppressed his laughter badly before muttering back.

"Its his proof that he isn't getting down with Minnie"

Evan snickered a bit more while Slughorn directed the class to gather around the potion, groaning about being forced to walk to the front of the class Evan reluctantly walked the few paces there with Barty at his heels. The closer he got the potion, the more he noticed the way the steam spiralled away from it and left a potent smell in the air.

"Can anyone here tell me what this potion is?" Slughorn droned, and of course, Barty rose his hand. "Mr Crouch" Slughorn visibly deflated slightly - not many teachers appreciated that Barty didn't even seem to need their guidance to get all Os in his classes.

"Its amortentia, characters by its pearly white colour, spiralling steam and multi faceted scent which changes based on the individuals preferences" Barty answered, a small grin on his lips as Slughorn awarded him house points for his knowledge. It only took Slughorn looking away for a few moments to check his class notes for Barty to slip some of the potion into a vial he had in his pocket - Evan didn't question the presence of the empty vial in his robes, he was used to Barty being weird.

Barty leaned close. "Smells like you," he whispered, winking and jabbing his tongue out playfully. Evan rolled his eyes and took a deeper breath of the air around him, taking in how it smelt. A few things he could pick up were distinctly Barty: green apple sweets, that dusty smell of books from the restricted section, and burnt sugar. But there was also the scent of his sisters tangerine handcream that she nevwr went without, and Regulus when he'd just been swimming in the sea because he couldn't stop smiling when they were at the beach, apple crumble from the great hall because that was his favourite. Evan could've sworn he could even smell his dorm room - a place that always felt more like home than anywhere else.

The potion really did smell like love. Romantic, platonic, familiar, and even objective. It was almost beckoning Evan to stick his head in the cauldron and drink the lot, just to feel that warmth and joy fill his lungs and seep into his veins.

[gothteddiesdotcom]

and if you’re sitting there reading that and asking yourself “what can I do to make doms more comfortable and safe?” all I am asking, begging really, is for you to be fucking normal and stop letting your biases guide everything you do and fucking say. You can reblog all the support and awareness and education posts you want but if you are not modifying your behavior and correcting your own assumptions constantly then all your talk is meaningless. Stop assigning morality to specific demographics (yes, even that one). Stop making assumptions that every dom is horny and wants to play with you. Stop making assumptions that a dom flirting with you wants to play with you. Stop using titles for doms without asking them how they feel about it first. Stop assuming doms are always in the mood and using them as a quick stop to get off with. Act normal about being fucking rejected. You want people to feel safe telling you no? Then you have to be a grown up about being told no. And that means not crying about it, not throwing a fit about it, not gossiping about it, not vague posting to tumblr about it, not ending friendships over it, not trying to convince someone to change their mind over it? Like do you guys even hear yourselves sometimes? It’s scary how normalized it is to have almost no empathy for other groups if it’s a group like doms. Look at your internal biases. And I mean LOOK at them. When you post about doms who do you mean? When you make general assumptions about doms who are you thinking of? Is it truly a dom you’re thinking of or is it another group of people that you’re picturing that you associate with being doms? We notice. Ask yourself, are you just reinterpreting traditional gender roles to fit dom/sub social dynamics OUTSIDE of play and are too scared to examine that and why it’s happening??? I’m not saying you’re a bad person for wanting to be a stay at home free use fuck toy for your monog partner, I’m asking if you’re reinterpreting the hidden rules of social interactions for different genders and just saying that it’s a dom/sub thing. Communication and responsibility are fucking important in kink. And if you’re doing all this because you don’t want any responsibility for your actions at ALL and are instead attempting to place responsibility on doms for every single action in your relationship, SPECIFICALLY relating to your own agency in the relationship, YOU are a problem. I don’t care if you want to be a puppy doggy and want zero responsibilities in life and want your partner to control you. What I’m saying is YOU have to be responsible enough to say I WANT THIS and I DON’T WANT THIS and LET’S TRY THIS and I DIDN’T LIKE THIS. And even that’s not enough. Also try DO YOU WANT THIS and DID YOU ENJOY THIS and WOULD YOU LIKE TO TRY THIS and IS THIS OKAY. Are you a safe person to interact with??? When you sexually engage a dom are you thinking about them??? Are you mindful of their comfort and their enjoyment??? Or do you just see them as an animate toy where their perverted nature is inherently innate and happens to be getting you off right now but will be the exact reason you cancel them three months from now when they say the wrong thing and you take it to the internet before you even try opening a line of communication and working together to figure out what happened and what they meant. If you want doms to be safe and feel safe you have to actually view them as people. And I don’t think a lot of people do that.

[dykedvonte]

wanted to say I appreciate your nuanced takes on MW and especially Curly. i don't get the claim that the fandom is full of Curly apologists when majority (esp yt and tiktok) say he's worse than Jimmy. Yes there's commentary about bro culture defending people, he def messed up in trying to placate Jimmy (tbh "we'll fix this" sounded more like trying to keep someone prone to outbursts like Jim calm and not hurt Anya/himself) but I don't think he did nothing to help Anya, since she continued to confide in him and he had less than a week to resolve it before the crash (I also don't get everyone saying he knew for ages when it seems like Anya told him that same week). I get Jimmy's a pos but saying stuff like Curly should've known he'd crash the ship or that Jim had a criminal record he ignored, reducing them to obviously horrible villain and willfully ignorant sidekick feels like a disservice to the game. If your best friend turned out to be horrible, what would you do in a confined space in the span of a few days to respond? I'd say some of the horror comes from trying to do good but ultimately failing, Curly's state after the crash is meant to be tragic horror not revenge/punishment

Thank you and this is what I want to get across.

A lot of information we have to supplement when it comes to how long things have been happening on this current ship. I think people try to add on to the horror and negligence by making things more obvious so it can feel like it was easier to avoid when, true to life, its not. Jimmy clearly didn't deserve or appreciate what Curly did for him in getting him the job, but do you think if Jimmy was that big of a menace on Earth he would've given him a position where he could have that level of power over people's lives? There's something in the fact he specifically chose to pick a position so close to himself where he could watch Jimmy.

I hate the bro code argument because that is a whole can of worms people really don't get. That sort of mentality is born from the general respect and preference of male matter over female ones. Curly is clearly not that guy, he is absent minded about the issue and inadvertently dismissive but he clearly believes Anya, he just can't understand what she's going through. It's an onslaught of information that no one really reacts right to. Additonally, the entire discussion of her assualt plays to heavy into the idea that there is fault outside of the perpertratior when it comes to SA. It's too close if she only did this or if Curly had protected her better but the fact of the matter is Jimmy did what he did. He did it before any of the conversations with Anya about it and it's why her behavior seemed to change so drastically in those last two days.

He has other conflicting thought and while his role as a Captain should've taken over, people act like it's not a very human thing to have such a toxic presence cloud your judgement. It is never easy to separate friend from coworker once that connection is formed, you want to help them, especially if they were friend first and for a long while like in this case. It's not right, but people act like it would be easy when the game clearly points out that no choice is easy to make, especially when you have to make it for more than one person. You have the weigh the consequences, look at all the options and make a plan. People can headcanon and decide how long things where happening, but if we look at what we were presented through the characters eyes, the only person given time to do that was Jimmy.

He waited two months after the crash to appoint himself Captain. Every time a problem was brought up he immediately took action and refused to sit on it and find a better solution. I think it's important to look at the warped way Jimmy takes initiative where Curly didn't as it works as a good contrast of why you don't just run in to "fix" things. The quickest and easiest option may not be the safest or most beneficial. I think some thoughts on the game suffer from the black and white thinking the game doesn't operate on along with us being voyeurs. We see what exactly led to what but the characters don't. They don't have the hindsight and foresight we do and even ours is scrambled by the non-linear story telling.

Like it's hard to talk abuou those grey zones without sounding like an apologist because you're explaining why taking responsibility isn't easy. It's not and it's weird to act like it would be in a scenerio that led up to the events of the game knowing what we know. We see all these characters in such isolated moments with various things before, in between, after and even during we aren't privy too. The idea that Jimmy is worse than Curly heavily banks on the words Jimmy was saying to Jimmy before he crashed the ship. That whatever happened on the ship was his responsibility to bare, which is true due to his position. But, are they not still not responsible for taking the actions Curly then must bare?

Like i feel like people think that these are situation that become easier with age or when you are in a postion of authority and they aren't. You don't lose your biases or gain some sudden knowledge that makes it easier. It just becomes more tiring as you keep dealing with it. I would be first in line to say Curly fucked up and should've done more but the idea he knew how bad it could get or he really saw the worst in the people around him and ignored it pretty much ignores a huge aspect of his character and the game.

[tenderpreyy]

​I’m thinking again about Astarions sexuality and how I've seen some people (to be fair, just a few) talk about it. Mainly, people pointing out his flamboyant behavior, and that us as players are learning more about his past male lovers than female ones and basically all these things for some people pointing to him being gay or at least not interested in women in the same way he is in men. And him only being a romance option regardless of gender, because, well, all companions are and he is therefore just "playersexual", only showing interest in female player characters because he has to, because of the game mechanics.

I think what really rubs me the wrong way about this topic is that it echoes the kind of things bi/pan people (speaking as a bisexual woman myself) find themselves dealing with irl. Whether through some form of internalized biphobia or from the outside through other people's comments. Of course this is about a fictional character so it’s not like he has any feelings that could be hurt. But when i see people tallying up how often he mentions men vs. how often he mentions women it really reminds me of a way of thinking I sometimes fall into in regards to my own sexuality. This is definitely just an internalized response and not something I actually believe when I truly think about it for a second, but I know these patterns of thought very well. Of observing my own behavior. How often do I find which gender attractive? Am I attracted "enough" to women? Do I talk about men's attractiveness too often? Is it the other way around? Am I only saying this woman is attractive to prove something to myself? I literally have a girlfriend and my attitude towards mine or other's sexual orientation is generally a huge big "whatever, I don't care". And I still have a passing thought like that from time to time.

So seeing people talk about a fictional character in this way really sends home how many people (whether consciously or unconsciously) see attraction as some sort of equation, you can solve, where in the end you get a result of either gay or straight.

[pilotduty]

reread @lastmidtownshow24 's fic for the 900th time and cannot get them out of my brain so heres a little awtto based on That One Interview that is so insanely homosexual

[starry-bi-sky]

miscellaneous danyal al ghul things

specifically about the danyal al ghul from my post/prompt here and i wanna get my misc. headcanons/thoughts on him (especially in his early stay with the fentons) out here before i make any other danyal al ghul aus

list under the cut because whoops this got longer than i expected. which really i should have expected

the Fentons are unaffiliated with the League, which was perfect for Danny faking his death.

he struggles with empathy. Empathy was not taught nor encouraged while he was with the League, so it's a skill that's been pretty stunted. At 15 he's better at empathizing with people, but he still struggles with it. He's pretty bad at reassuring/comforting people and usually acts as an emotional rubber duck for Sam and Tucker to vent to if need be. He sometimes offers blunt and sometimes mean opinions, especially if its about another person.

Sam and Tucker do not know he's an ex-assassin, they are however, pretty positive that he used to be part of an eco-fascist cult with a focus on martial arts?? They've been helping him tone down some of his more,,, extreme views on humanity ever since they caught wind of his more extreme ideologies.

He and Sam are still avid environmentalists and feed into each other quite a bit. They spend plenty of time at protests and pestering the school into more eco-friendly options.

Dash is not dead on the sole fact that Danny knew he had to lay low in Amity Park and killing someone was not, in fact, 'laying low'.

he did, however, traumatize him when Dash first tried to bully him. Safe to say, Danny is not bullied at school and neither are Sam and Tucker.

Danny didn't make any friends in his first year at Amity Park. He was surly, grumpy, standoffish, more stubborn than Sam, and pretty self-important about himself. Jazz was trying to teach him against these things, but she is a 12 year old unaffiliated with the League. Danny did not respect her nor listen to a word she said. It wasn't until like, year two that he finally started paying to mind what she was saying and slowly started to improve on himself

Sam approached him first, he rebuffed her quite harshly, and then Danny approached her sometime afterward when he overheard her talking about environmental rights. Sam completely ignored him though when he agreed with her, and Danny had to later learn that he needed to apologize for being rude to her when they first met. He did so eventually, and they started to talk more with Tucker and Sam.

Danny's a bit more reserved than he is in canon, although he steadily learns how to act as a regular teenager when he's out in public. He's a bit more friendlier at least, although when he's around Sam and Tucker he drops the act. He still has a somewhat formal way of talking, it's just become more casual after a lot of ribbing from Sam and Tucker. When he's angry or annoyed he starts talking poshly though.

His humor is relatively the same as in canon, if somehow dryer and more insulting at some points

Those rare moments where he gets really pissed usually ends up with him insulting someone in arabic or any of the other languages he picked up from the league. He is the go-to for Tucker's Spanish homework. (Tucker makes that mistake and learns that Danny is a very strict teacher)

while Danny doesn't view the Fentons as his parents, even five years after living with them, he does respect them to some amount. He respects them enough at least that when Vlad Masters comes sniffing around, he is suitably offended on both Maddie and Jack's behalf. And when he finds out Vlad was the one who tried to kill Jack and tried to tell him to renounce him as his father/parental guardian, danny threw a suitably sharp object at him and insulted him quite horrendously

Vlad still wants him as his kid. In fact perhaps even moreso after this.

Danny trains with Maddie to keep up with his training. It's not quite the same but it prevents him from getting completely rusty

Sam and Tucker know that Danny has a little brother, but nothing else beyond that other than Danny cares about him quite a lot and that he got his facial scar from keeping him safe.

Danny cares about Sam, Tucker, and Jazz quite a bit, but he struggles to convey it. Especially early on when he realized he cared about them and like instinct started being harsher to them and more critical of their actions. This resulted in quite a few arguments with Sam and Tucker and Jazz until he got sat down and told outright that the way he was treating them wasn't okay. It's a process he's still trying to unlearn even at 15. He has become kinder towards them as a result, and has begun looking for what they did right rather than what they did wrong.

He harbors a lot of guilt over how he treated Damian in the League, and its a pretty big conflict he has with himself since he's torn between telling himself it was for the best to make sure Damian survived the League, and feeling like crap over how harsh/critical of Damian he was and realizing that he probably could have come up with a better way of training him despite being a child himself at the time. Danny comes to the realization that more than anything, that he just wants to apologize.

His ghost form, specifically is outfit, is a combination of his hazmat suit and his uniform from the league, and he carries a sword with him. He also doesn't know how to react to Dani, honestly. Although it is fair to say that he figures out she's a clone instantly because of her whole 'I'm your third cousin once removed' thing and he freaks out. She spills the beans pretty quickly after that. And Danny is pretty skittish around her - or the equivalent of skittish. Her being younger than him kinda reminds him of Damian, so he's uncomfortable by her presence but learns to warm up to her.

[wavesoutbeingtossed]

Randomly thinking about “tolerate it” (narrator voice: it was not random) and how under the cloak of fiction it is ostensibly inspired by works like “Rebecca” (which Taylor said she read during the 2020 lockdowns I believe?), with the line of “you’re so much older and wiser” indicating that the speaker is significantly younger and inexperienced compared to the person she’s speaking to and a pretty direct reference to the plot of the book.

But I saw something somewhere once that stuck with me about how it might not be referring to relative age between the characters but chronological age as in the passage of time in a relationship. And that made me think about how in a contemporary context, it might not necessarily be referencing an actual age gap between the two characters, but rather a sarcastic or cynical response to the man’s claims that he has matured (“you’re so much older and wiser [than you were before/than you were when we met/etc.]”), which then made me think about that line in relation to the woman. And that it could be taken like, “you act like you’ve matured so much in our time together and like you know everything, while I’m supposedly still stuck as the girl I was when we first met.”

Which then made me think of the “right where you left me” of it all and did you ever hear about the girl who got frozen time went on for everyone else she won’t know it and the bit in Miss Americana where she talks about how celebrities get frozen at the age at which they got famous, and how she’s had to play catch up in a lot of ways not just in her emotional growth but kind of in general. (Which also made me wonder if she’s ever been called out for immaturity/lack of curiosity/lack of education about things in her life…)

Which then made me think about the rest of the song, and @taylortruther’s posts yesterday about “seven” and “Daylight” and the way Taylor idealizes her youth yet contrasts it with an almost sinister reality in its wake, and the line, “I sit by the door like I’m just a kid,” because the discussion raised that her relationship let her recapture some of the childlike joy and wonder she’d lost. So this line is a double-edged sword: the speaker sits by the door with childlike hope that the person will come home and cherish her, but on the darker side, feels like the child dealing with the monsters she doesn’t have names for yet and the feelings of isolation she felt as she aged.

I’m not saying the song is necessarily autobiographical; like most of the songs on folkmore, it’s clearly a fictionalized story based on media she’d consumed and created, but we know a lot of the fictional songs were infused with her own feelings and experiences and… This idea swirling in my head picked up steam and now I kind of can’t stop thinking about it. Sorry but I’m a little obsessed now.

Like maybe it might start to shed light on why she identified so strongly with the novel in the first place…

[littlerockscorner]

When did Astarion catch feelings?

This is a question I've been mulling over for a while and I have some thoughts. (Disclaimer: These are my own musings and are in no way a definitive answer. People can choose the answer that best fits them.) I was mulling over the scene with Astarion in Act 2 where he explains his initial intentions in seducing Tav/Durge and how his "nice simple plan" fell apart when he fell for the main character. Then I thought "Well... when exactly did things change for him?" It's not so obvious to differentiate his manipulations from his genuine feelings by that point. Then, I remembered his second proposition. The one that cuts to black. I started ruminating over why he asked for a second time and what his motivations might have been. After all, I'm not sure that he needed to sleep with Tav/Durge again for his purposes. He could have held out and dangled sex over them like piece of string to tease a cat with. He didn't have to put out. Baring in mind this is a man who hasn't slept with a lover more than once in over 200 years. I think he did it instinctively, but it was during this second experience that he realised it felt different both times. He even says during the conversation in Act 2 that yes, it felt different with Tav/Durge and that was part of the issue. The issue being that he'd done what he'd always done before... manipulated the player into having sex with him. He'd betrayed them and he'd done it because it was easy. I can just imagine the little seedlings of doubt sprouting after the first time, only to fully blossom after the second. I can imagine Astarion laying on his back after the encounter, staring up at the sky and thinking "Shit." It did feel different this time because this time he feels guilt. Guilt was probably a feeling he compartmentalized and gave up on a long time ago. Probably right after the time he was tortured and locked away for a year after letting a victim escape. And then him finally coming to the conclusion he feels guilty because he genuinely cares for Tav/Durge. The act of sex with them wasn't triggering because of the sex, but because he'd manipulated them into it. He'd not propositioned them with good intentions and that hits him like a stake to the heart because if anyone deserved sincerity, it was them. All this to say, I like to think Astarion realised his true feelings for the player during their second sexual encounter, but it takes him a while to come to terms with he fact that his first instinct was the manipulate this wonderful person he adores so much.