#this is my entire understanding of their group dynamic.

[unorthodox-soundwave]

Starscream: Ah, Velocitron. Count how many sand is here, Soundwave. That's your first mission. Soundwave: Okay. One, two... [All of the seekers burst into laughter.] Megatron: Why the SLAG would you make him do that? Starscream: It passes the time. Megatron: It's gonna take so long! Starscream, it's gonna be so annoying! Soundwave: Fifteen, sixteen, seventeen... Starscream: I'm curious what the biggest number is... Megatron: No, he's just gonna be counting forever! Starscream: Perhaps, but... Soundwave: Twenty-one, twenty-two, twenty-three... [The seekers are still losing their shit in the background.] Megatron: Starscream, what have you wrought? Soundwave: Twenty-nine, thirty… Megatron: This is your faul– Soundwave: There are only 30 million sand particles on Velocitron. Starscream: See? That was easy! Megatron: By the allspark…

[hotsugarbyglassanimals]

i feel like this site leaning heavily into the "pedophilia and incest and rape kinks are good" angle lately can be attributed to the mass expulsion of sex workers and black ppl on here ngl

[stag-bi]

what a whiplash going to see my 2016 tumblr dash (as linked in that last post) and getting slapped in the face w full blown ace discourse 😭😭😭

[mogai-sunflowers]

Am I the only one who really hated the year where the "nobody asked thing" happened a ton? It was used against me a lot whenever I overshared and as an autistic person I have trouble regulating that so I just stopped talking at all.

YEAH IT'S SO RUDE AND FOR NO FUCKING REASON??????????????? one time someone said that exact thing to me and i had a panic attack and felt so horrible but now looking back on it....... yes! yes you DID ask!!! because you made a public post with an opinion and gave absolutely no instruction as to who you wanted to respond! this is on YOU! /nay anon

[lady-tortilla-chip]

Thinking about how on Twitter there was an incident in the jjk fandom that was actually pretty similar to elaingate. Unfortunately they weren’t as funny about it but they def could’ve been alfnskfnsmfmc

[ahqkas]

BELLA ITALIA ; theodore nott

PAIRING! theodore nott x fem!reader

SYNOPSIS! in the moment of darkness, he was your light (or when theodore nott noticed a pretty girl struggling to communicate in english and decided to step up) (based off this req.!!)

WARNINGS AND TAGS! fluff, reader is from italy, italian theodore, translation of foreign language

WORD COUNT! 1.7k

NOTES! i’m trying to learn italian on my own and when i hear this man speaking italian i am WHIPPED 😿😿

HARRY POTTER MASTERLIST!

© ahqkas — all rights reserved. even when credited, these works are prohibited to be reposted, translated or modified

MOVING FROM ONE COUNTRY TO ANOTHER CAN BE AN INCREDIBLY CHALLENGING EXPERIENCE.

The first problem is often the language barrier. Suddenly finding yourself in a place where you don't speak the native language can be isolating and overwhelming. Simple tasks like ordering food or asking for directions become daunting challenges, and the fear of being misunderstood or ridiculed can make even basic interactions fraught with anxiety.

The weather can also play a big role in the adjustment process. Going from a sunny, warm climate to a cold, rainy one (or vice versa) can have a profound impact on one's mood and well-being. It's not just a matter of dressing appropriately — it's about learning to cope with the changes in daylight, temperature, and overall atmosphere. You left the sunny shores filled with ocean breeze and moved to rainy afternoons that seemed rather sad than anything else.

And then, of course, there's the school. Being the new kid in class is never easy, but when you're in a completely foreign environment, it can feel like you're on an entirely different world. Everything from the way classes were conducted to the social dynamics among students was be vastly different from what you were used to, leaving you feeling like a fish out of water. 

But perhaps the most challenging aspect of moving to a new country was the sense of displacement, of not quite belonging anywhere. You longed for the familiarity of home while simultaneously yearning to embrace your new surroundings. You missed the way the sun kissed your skin and the way the sea felt against your movements as you swam in the water with your friends.

And you wanted someone to understand you.

Navigating the labyrinthine halls of Hogwarts School of Witchcraft and Wizardry, you clutch your time table tightly, eyes darting from one corridor to another in search of the potion dungeons. The castle's vastness is overwhelming, its endless staircases and hidden passages a far cry from the sunny, open streets of your hometown in Italy. You knew your first day here would be hell.

The weather outside matched your mood: overcast and drizzly, the persistent rain casting a melancholic atmosphere over the stone walls. You miss the warmth of the Italian sun, the vibrant colors of your old school. Here, everything feels cold and foreign, a constant reminder of how far you are from home. Everything was gray and dark, the opposite of the vibrant colors you were used to.

You spot a group of students huddled together, chatting animatedly as they stood by a stone wall. Gathering your courage, you approached them, hoping they can point you in the right direction. "Scusa," you begin, your Italian accent heavy, each word carefully pronounced. "Where . . . potion class . . . dungeons?" (Excuse me.)

The students exchange puzzled glances, clearly struggling to understand your accented English because despite your try, it still came out quite wobbly. One of them, a tall boy with a shock of red hair, furrowed his brow and shakes his head slowly. "What?" he says, not unkindly, but with a hint of frustration at this situation.

You felt your cheeks flush with embarrassment. You try again, your voice wavering slightly. "Potion dungeons," you repeat, gesturing with your hands as if that might bridge the gap between your language and theirs. "Next class . . . I need find."

The red-haired boy shrugs, casting a sideways glance of help at his two friends who stood next to him. They all look at you with the same guilty expression, as if they would really like to help but there was no way. The girl with bushy hair smiled at you with an expression of 'Sorry', and you felt a knot of anxiety tighten in your chest. They don't understand, and you're too flustered to find the right words.

"Sorry," the ginger boy said finally, shaking his head again. "I don't know what you're saying."

Disheartened, you nodded and mumbled a quick "grazie" before retreating. You wandered through the corridors, frustration mounting with each wrong turn. The stone walls seemed to close in around you, the ancient tapestries and suits of armor blurring together in your anxious haze. You felt lost, not just in the physical sense but emotionally, adrift in this unfamiliar place where even asking for directions was like a challenge for you.

Your mind was still reeling from the embarrassing encounter as you hurried down the corridor, your thoughts tangled in a web of frustration and self-doubt. How could something as simple as asking for directions feel so impossible? The sting of the students' puzzled looks and guilty smiles lingers, making your cheeks burn with residual embarrassment. Lost in your thoughts, you rounded a corner too quickly and collided with a solid figure. Your bag slipped from your shoulder, and your books spilled across the floor. You gasped at the sight, your heart leaping into your throat. Could you embarrass yourself any more today?

"Scusa, scusa!" you blurted out in Italian, crouching down to gather your scattered belongings. The words tumbled from your lips in a rapid, nervous stream. You didn't even think the person wouldn't understand your sentences. "Non stavo guardando dove andavo. Mi dispiace tanto!" (Excuse me, excuse me! I wasn't watching where I was going. I'm so sorry!)

As you frantically picked up your books, you glanced up to see who you've bumped into. Your eyes widened in surprise and relief when you recognized Theodore Nott, the quiet Slytherin who always seemed to glide through the halls with an air of calm detachment and mysterious aura. You braced yourself for confusion, expecting him to look as puzzled as the others had.

But instead, Theodore's lips curved into a slight smile and a warm glint appeared in his usually cool eyes. "Non ti preoccupare," he replied in perfect Italian, his voice soothing and accent deafening. "È tutto a posto. Lascia che ti aiuti." (Don't worry. It's all right. Let me help you.)

The shock of hearing your native language from his lips momentarily left you speechless. You watched in amazement as he got down on his knees, helping you gather your books with nothing but ease. The knot of anxiety in your chest began to loosen, replaced by a flutter of gratitude and something else — an unexpected connection.

"Grazie," you managed to say, your voice trembling slightly. "Non sapevo che parlassi italiano." (Thank you. I didn't know you spoke Italian.)

Theodore's smile widened just a fraction, a hint of amusement danced in his eyes. "Mia madre è italiana," he explained, handing you the last of your textbooks from the floor. "L'ho imparato da lei." (My mother is Italian. I learned it from her.)

You stand up, clutching your books to your chest, and for the first time since arriving at Hogwarts, you felt a sense of relief wash over you. Here is someone who understands — not just your words, but the feeling of being caught between two worlds.

"Grazie mille," you repeated, your smile genuine this time. "Mi sentivo così persa." (Thank you very much. I felt so lost.)

Theodore nodded, his expression softening. "Capisco. Hogwarts può essere un posto molto grande e confuso. Vieni, ti mostro io dov'è la classe di pozioni." (I understand. Hogwarts can be a very big and confusing place. Come, I'll show you where the potions class is.)

As you walked beside Theodore through the corridors of Hogwarts, the oppressive weight of the castle's vastness seemed to lift slightly. His calm demeanor and fluent Italian became a comforting anchor in this world full of unfamiliarity.

"Da quanto tempo sei qui?" you asked the boy next to you, trying to make conversation. (How long have you been here?)

"Questa è la mia sesta anno," he replied. "Conosco il castello come le mie tasche ormai." (This is my sixth year. I know the castle like the back of my hand by now.)

"Sei fortunato," you sighed, your hold on your bag tightening. "Mi sento come se fossi in un labirinto." (You're lucky. I feel like I'm in a maze.)

Theo chuckled and the sound was low and warm. He was nice. "Capisco. Anch'io mi sentivo così i primi giorni. Ma vedrai, presto ti abituerai." (I understand. I felt the same way in my first days. But you'll see, you'll get used to it soon.)

As you continued to walk, the conversation flowed more naturally, easing your nerves. "Cosa ti piace di più di Hogwarts?" you asked him, genuinely curious. (What do you like most about Hogwarts?)

"Direi la biblioteca," Theo said after a moment of thought. "È enorme, con così tanti libri rari. E i corridoi segreti. Sono divertenti da esplorare." (I would say the library. It's enormous, with so many rare books. And the secret corridors. They're fun to explore.)

"Sembra affascinante. Mi piacerebbe esplorare di più, ma ho paura di perdermi." (It sounds fascinating. I'd love to explore more, but I'm afraid of getting lost.)

He gave you a reassuring look. "Se vuoi, posso mostrarti alcuni dei posti migliori. Così non ti perderai." (If you want, I can show you some of the best places. That way you won't get lost.)

Theo was the kindest person you've met here in the entire time since the beginning of the school term and your heart warmed at his kindness. "Mi piacerebbe molto, grazie." (I'd love that, thank you.)

Finally, you reached the entrance to the dungeons. "Eccoci," Theo exclaimed, stopping before the heavy wooden door. "La classe di Pozioni è proprio qui dentro." (Here we are. The Potions class is right inside here.)

You took a deep breath, feeling a mix of anticipation and nerves. "Grazie, Theo. Sei stato davvero gentile." (Thank you, Theo. You've been really kind.)

He offered you a nod, his smile reassuring. "Prego. Se hai bisogno di altro aiuto, basta chiedere. Buona fortuna con la tua lezione." (You're welcome. If you need any more help, just ask. Good luck with your class.)

With one last grateful look, you pushed open the door and stepped into the dimly lit classroom. As you took your seat, you couldn't help but feel a flicker of hope. Perhaps, with friends like Theo, Hogwarts might start to feel a little more like home.

[salemoleander]

Even if you don't watch every episode (which, unless you have to - my condolences to the HC Recap team - I assume most people won't) one way of narrowing things down that I HIGHLY suggest is picking at least one person from each of the mining teams to watch, because the vibes are wildly different and equally hilarious.

Team Blue Bin Bags - Spend the entire mining session roasting each other. Climactic moment involving a faux ad for project management software. Would sell each other to Satan for one cornchip.

Hypno

Iskall

Mumbo

Ren

Stress

Team Red Rashers - At one point Etho says, "I don't understand some things about social dynamics, I tell you," and that's this group's motto! Simultaneously the most competent and the most nervous team, like a bunch of racing greyhounds.

Bdubs

Etho

False

Jevin

Team Mustard Milk Tots - They get a lot done, which I think is mostly because 90% of their dunking is targeted at Doc. Very 'parents out for drinks' vibes, despite constantly descending into childish bickering.

Beef

Cleo

Doc

Skizz

Tango

Team Purple Pickles - Lowest intra-group antagonism, made up for by their choice to run straight towards environmental dangers. The cave diving and sculk could make it a horror movie, but everyone is so unruffleable (excepting X, who is perpetually ruffled) that it wraps back to comedy.

Joe Hills

Keralis

xB

Xisuma

[zerosuitsammi3]

If I can take a moment to share my experience as a trans woman on the internet

My experience is by no means unique, it's just one experience in the plethora of trans feminine experiences and not unique to only tumblr. Though, I'll mostly talk about what I've experienced here. In the light of recent events, the reaction of "the ceo," and the comments he contributed regarding dog pile harassment; I simply wish to share my experiences that I have had to juxtapose the dynamic of his statements against a lived experience.

This account started as a way to document my social transition and eventually my journey with HRT. Tumblr had always had a large lgbtqia+ community. The queer people here inspired me and gave me hope. What I didn't know, but soon learned, is that there were people here who hated me for being trans. Being early in my transition I was a prime target. TERF groups would plan raids on my account. What this entailed was: rebloging my selfies into circles that would say the most vile things about me, threaten to kill, tell me I was ugly, tell me that everyone I knew thought I was a joke, I was a monster, my family hated me, that I should kill myself, they'd download and edit my photos into caricatures or depictions of violence. They would fill my ask box with hundreds of asks detailing how they'd kill me, call me slurs, describe the ways that I should kill myself, and pretty much everything else I mentioned above with the reblogs. Their words were carefully curated to try and break me, break my spirit, break my will to live. I tried reporting it. But it was impossible to keep up with, and like many others I saw no real response. Eventually I learned that I had to block all of them. 100's of blogs, eventually 1000's of blogs. My block list these days is incredibly extensive. I had to wade through their blogs, traverse sickening hate speech and imagery to eliminate entire circles of people harassing me. I became jaded to the hate speech, hardened to it. But mind you, I shouldn't have had to expose myself to all of this just to be at peace here amongst my community. I received no help, I was left to my own devices to protect myself. The people who hurt me never saw consequences. It was painful, it was unfair, and no one else should have to put the hours upon hours of effort and exposure to hate in to protect themselves like I did. But again my experience is not unique.

I have had to repeat this process of preemptive blocking periodically once a new circle discovers me. Blocking them all before they can start the process of hate all over again. A process of hate that seems to be hitting my community with rapidly increasing fervor as of late.

I've seen others experience far worse than me. The TERF circles will hunt down their personal information and doxx them. Expose their home address, telephone numbers, names of their family members. I can't begin to imagine the terror my queer siblings must feel when someone tells then that they want to murder them all while showing them that they know where you live. This is not a new thing, not a rare tactic, it happens. And we've all seen the news stories of trans people being murdered by people who planned it and were vocal about it.

I know this is depressing. And it doesn't reflect all of my experiences. I've had wonderful experiences here, met amazing people, made close friends, found inspiration, found hope. I found a community.

And it's my community, and I never want to let it go.

I do have fear that making this statement will get me banned. But, I wanted to say it. I wanted it to exist in the world so that everyone who doesn't know our experiences has a chance to understand and with luck empathize.

I'll part on these words and hope for the best both for myself and for every member of the community.

[theminecraftbee]

so a thing this fandom does that remains FASCINATING to me, as a function of the fact a lot of this fandom is people's first fandom or only current fandom, is just... assume a lot of things it does is a scourge that this fandom has invented or doesn't exist outside of it? or like, is uniquely bad here? and i won't deny that sometimes mcyt fandom is a bit more intense by virtue of numbers, but like...

duo names: confusing fandom-injokes to describe duos and groups tend to be an anime fandom thing specifically for many historical reasons, but they're not uncommon. hey quick--if you haven't been in KHR fandom, can you guess what 1827 is? no? i'll give you a hint: that's actually a ship name. or, ygo fans, tell me the difference between puppyshipping, prideshipping, violetshipping, and rivalshipping. my hint is that they're all kaiba ships and two of them are actually the same ship. good luck!

reducing characters to a specific trait: have you read fic in another fandom before? i would recommend you go do so and come back to me. my example here is "sasuke likes tomatoes", for the record.

common au fanon that's confusing to outsiders: my deep cut here is "when i got into certain tv fandoms i was baffled by the existence of sentinel/guide fics", which is a slightly older tv fandom thing so many of you probably don't know what i'm on about. but trust me: in certain fandoms it's ubiquitous and unless you've watched a completely different tv show you're gonna have to entirely pick it up from reading fic. oh hey, hybrid aus and watcher!grian, nice to see your relative here,

fanon being treated as canon: did you know there's this whole bnha character, naomasa, who is treated as canonically having a lie detector quirk? did you know that, best i can tell, that's not in canon anywhere, it just got echoed through fanon enough that everyone treated it as canon? 'fanon trait becomes so ubiquitous everyone assumes it has to be there' is not a new thing. also, batfamily fans, i have been lead to understand the tim and coffee thing is also this.

characters being treated badly to make a different dynamic look better: the fact we have the term 'character bashing' tells you all you need to know, here. if anything my one complaint on this front isn't even that it's happening--it's that i wish bashing and/or "not [character] friendly" was tagged a little more frequently, haha.

characters being reduced to their family dynamics: tale as old as time. "even the family dynamic thing" yes even that. just because this fandom tended to be particularly ship-adverse in the past didn't mean it didn't do basically the same behaviors as any fandom with shipping did with those dynamics, just gen. and other gen fandoms also do that. yes, down to the "and shipping reduces them to a ship, unlike my gen dynamic, which is very in-character; why can't people just be friends?" thing. some of you have to have been marvel fans right.

characters being reduced to their ships: some of you have to have been marvel fans right.

The Discourse: yeah this is an "actively running show" fandom thing, but also a hiatus fandom thing. ask a homestuck about vriskourse sometime. as much as i hate to say it, it probably made doomsday discourse look cute.

and those are just like... some things i've seen people complain about on my dash recently. idk it just hit me there are probably fans in mcyt fandoms who are assuming that some things (like hybrid aus or duo names) are the kind of things that only happen here, so i thought i'd offer some examples of other places they happen! i also have even more examples if you'd like.

to be clear: this isn't shaming anyone for complaining about any of these things. lord knows i go complain to my friends about it all the time, just the other day i was complaining in the category of 'they keep bashing my guy'. it's more of just... a gentle reminder that maybe we're big, maybe we're loud, maybe we have problems... but these problems aren't always unique.

so uh. we're all suffering together i guess...?

[akookminsupporter]

I finally got to watch MiniMoni’s listening dinner, and here are my thoughts:

1. In Spanish, there is a phrase "polo a tierra," which I find difficult to translate directly into English. Essentially, it means that someone is a grounding force or anchor for another person, providing stability and balance. So, Jimin is the person who keeps Namjoon grounded and balanced within the group, and probably plays a similar role in his life in general.

2. I gained a deeper understanding of the dynamics of Jimin and Namjoon's relationship. I think they balance each other very well, not only artistically but also intellectually. Jimin understands Namjoon even when what he says isn't entirely clear. I feel that for Namjoon, Jimin is also someone who truly listens and comprehends what he says. And he really treasure that. The fact that Jimin can finish Namjoon's sentences and ideas confirmed to me that they operate on the same wavelength.

3. Am I the only one who wasn't surprised when Namjoon said he intended to enlist at the same time as Hobi? Now, I wonder how much and how often their enlistment plans changed after Jin’s enlistment at least.

4. I would really love for them to be completely honest in the future about everything they’ve gone through. I wish they would talk about the expectations placed on them by the industry, their country, and their fans. I would love to hear them speak candidly about how they felt at certain moments, when they read specific rumours or when they were told certain things.

5. Namjoon mentioned that they went through a long and difficult time due to the issue of their military service. I would love for them to talk more about that in the future.

6. It’s curious, amusing, and endearing how BTS - as a group- is always present in everything they say as solo artists. I know it might sound obvious, but what I mean is that, for them, the group and what it represents it isn’t exactly separate from their solo careers or productions, even though technically it is. I don’t mean this just musically. 

7. It’s lovely how they repeatedly affirm that they are always together, even or especially when they are not physically together. It’s heartwarming to confirm that they genuinely know and support each other.

8. It’s incredible to see Namjoon’s level of introspection. It’s refreshing to see how he has reached perhaps uncomfortable conclusions about his personality or behaviour as the group’s leader. Although I think this has also happened in his life in general. Considering he is a famous person, adored by millions, a Korean (noting that Korean society, especially for men, tends to be very macho and often struggles to admit flaws), and a man, it’s remarkable.

[duchezss]

I recently finished reading all the Lockwood & Co books, and my god they were good, but it got me thinking. If the show continued, like it deserved too, would Holly and Kipps have gotten a signature color the same way the trio did? If so what would they be? Well I was looking at twitter and I saw that most people agree that Holly's color would be yellow, and Kipps' would be white, and I'll be honest I disagree so badly I'm about to write an essay. It's funny because I distinctly remember finishing the books and thinking, "ah watch everyone put their colors as yellow and white cause it's easy". LOUD INCORRECT BUZZER. Y'all just don't get color theory OR the characters the way I do so listen up.

Holly is many things. She's positive, and compassionate, and kind, but she is so much more than that. She's not just a "yellow", yes maybe she is the sunshine of the group, but honestly? Not really, and that's ok. She's fierce and sometimes she has a short temper, she pretends to let everything slide off her shoulder, when really she's just keeping it inside. That's why her and Lucy are constantly budding heads in the beginning of their friendship, they are so similar. I think her color should be red. She's constantly described as wearing it, and I think it really fits her. Red represents passion, energy, confidence, and excitement to name a few. Holly is always described as having a presence, and her energy and enthusiasm comes off her in waves. Red is usually described as the color of love, and I still think that fits. She has such love for the entire crew, and it's so clear she would go to the ends of the earth for them. I also think this would blend in with the others very well. Despite it not actually being blue's real opposite, blue and red are often seen as polar opposites, which really fits for Lucy and Holly's dynamic. It also works because red and orange are both warm colors and George and Holly have always gotten along. They are similar in their methodical and sometimes odd ways of life. I also think it's fun cause Skully's color is green, and green are red are direct color wheel opposites. I'm pretty sure he hates her the most, but Kipps is also competing hard for that title. And lastly black is kinda the color in between, now more on that in a second.

I see what twitter was going for, Lucy and George are blue and orange, direct color wheel opposites, because they are quite literally direct opposites. So it makes sense for Kipps to be white since he's the direct opposite of Lockwood? LOUD INCORRECT BUZZER AGAIN. Tell me y'all didn't understand their dynamic without telling me. Lockwood and Kipps didn't get along cause they were so different, they butted heads so hard because of how similar they are. It's exactly what happened with Lucy and Holly. Plus white represents a lot of things that are definitely not Kipps. My proposed color for him is purple, I know that's a little odd, but walk with me. Although it's never explicitly stated, one can assume that Kipps was an absolute prodigy when he had his talents. I only bring this up, because purple often represents royalty and luxury, and he practically became a fallen king when he lost the only thing he was ever good at it. But purple is much more than that, it also represents bravery, uniqueness. ambition, and justice. I think Kipps' original color is grey, and not just because of the uniform. Grey represents seriousness, sadness, and boredom. That's how Kipps was before, but when he remeets the crew during book 3 and 4, we begin to see the shift. The group helps him gain his ambition back, and with all of their love and support we even begin to see how brave he really is. He has a unique way of going through life, and even when all the odds are stacked against them, he still seeks justice. Purple fits with the general color scheme as well. It's very close to black, which represents how similar him and Lockwood are, and it's also a cooler color like blue. Kipps and Lucy certainly got along the easiest out of the crew.

Overall it just makes sense. George and Holly are the warmer colors, Lucy and Kipps the cooler, and Lockwood as the mediator between them. I feel like red might be a little hard to incorporate without being overpowering, and I know that purple isn't a super masculine color, but hell if those costume designer made full orange outfits look good they can literally do anything. Anyways I know this isn't that important, but ugh I love color theory so much, and I love how much thought the costume designers put in the first time. I feel like having Holly and Kipps color being yellow and white is just a cheap easy shot, and doesn't take into account the characters and their growth enough. I rest my case.

[bonebabbles]

Ivypool's Heart: Finished

Just completed reading the new super edition! I'm pleasantly surprised by this one. Overall, this was a very good book, MUCH better than the past 3 which were some of the most boring and unnecessary entries to the entire franchise.

If you were on the fence about this one, I'd recommend it. Just take this warning; it does the Warrior Cats thing where it harps pretty strong on parenthood and nuclear families being a borderline essential part of life, including a ton of bashing on how uniquely horrible this makes the Sisters.

If you can get past that, it's a pretty solid story about grief that makes some really fun additions to the WC lore, including the wildcats, StormClan, and a broad expansion to the afterlife system.

Meandering thoughts below the cut;

One of IPH's biggest flaws is pacing, but it's not nearly as bad as the past 3 SEs.

Not to mention, this is a pretty small SE. If you're ever bored, it won't last long.

Before the book introduces the Wildcats, it REALLY meanders. It'll pick up, but you will have to wade through relatively uninteresting scenes of the cats traveling and talking about their feelings unprompted.

A lot of "quicktime events" happen out of nowhere to fill pages with cats running away from random bullshit.

There's a horse carriage, an apple picker, dogs, weasels, foxes, a storm, traffic, humans, boats, sandwhiches. It's endless. My eyes glazed over during most of these scenes.

I know a lot of people were dreading Ivypool being nasty and unreasonable during this book, but honestly? I was hoping for it and didn't really receive it.

I find her most compelling when she's holding a grudge, acting on her anger, and generally working through messy issues. But aside from her just thinking about being annoyed or angry, she's really not snappy at all.

I feel like there could have been a lot more interesting and organic conflict between Icewing, Dovewing, and Ivypool's personalities instead of boring Quicktime Events. In fact, I felt like Icewing and Dovewing were kind of underutilized.

The conversations often feel quite stiff, especially in the first half. Everyone is very understanding of each other, respect boundaries and knows not to push too far, resolve their personal issues very easily, etc. It's kinda... unnatural.

Personally, I found that disappointing because I WANTED to see the cats actually process their grief over the course of the book. Watch them act out, maybe get in an fight or two and resolve it for the sake of the mission, have them come to a greater understanding of each other, etc.

Because Icewing and Dovewing are both so motherly and gentle and we're in Ivypool's POV, we don't really get to see them process their grief because of that.

They're not TOTALLY neglected though! I just... wanted more from this group.

However. I wanted LESS Rootspring.

I understand he's there to process the loss of Bristlefrost with Ivypool but god, every time he was on screen I wanted to push him aside and talk to Icewing lmao.

Stop trying to sell me "cool, mellowed from grief" Rootspring. He's a silly little hyperactive man and you will never be able to convince me otherwise.

As a silly little hyperactive semi-manthing myself, it would have been a lot more cathartic to see a clown like me going through grief. Not to mention just generally make for better chemistry with the group.

Between Ice and Dove who are already quite chill as characters, Whistle could have used someone more goofy to bounce off of.

I REALLY didn't like the whole implication that Rootspring is going to move on from Bristlefrost and "find a mother" for the kittens he wants so badly, though.

Erins PLEASE remember that adoption exists. He does not need a wife to be a dad. I'm beaming myself directly into your brains and telepathy-ing directions to the nearest cat adoption agency

aaaaaand on that note.... yeah. I did not like the way that this book leaned so hard on the whole "nuclear family" dynamic. Ivypool has had like two major interactions with her husband and one JUST happened in this book.

It especially bugged me that they leaned into Ivypool having been a very active mother, when we saw very little of that in the ACTUAL book. It wasn't even mentioned that Fernsong was allegedly the primary parent of the kittens when they were young.

But... I was able to look past it and just accept the book in a vacuum. There's a lot of good here.

Like the wildcats.

While I'm still wary of these being Scottish Wildcats and reserve my misgivings about the misuse of species that are very unlike domestic cats... I LOOOOVEEE the culture they've set up for them

I LOVEE the way that individual spirits reach out to the kits, guiding them through life

I LOVE the connection to StormClan

I LOVE their idea of the elements and general spirituality

And I LOVED the fact that a big part of Ivypool coming to terms with her grief was the expansion of her worldview. The way that she realized the religion she was raised with is quite small, and that there is an immense beauty in coming to understand other cultures, accept their advice, and see the world as they do.

I just wish the book had been able to tie that to a flaw that Ivypool has expressed since her very introduction back in OotS-- that she's smallminded.

It would have been a FANTASTIC way to really tackle and address that flaw, and pay off literal decades of set up. I really wish she had been messier in this book because of that!

But, digressing.

I'm over the moon that the team's actually playing with the series' spirituality! After such a long time of them outright avoiding some of the weirder elements in the series, like Rock and Midnight, it's exciting that they're finding some freedom in making new magic lore for themselves.

Hopefully, in the next few super editions, we'll be able to get some more insight to StormClan and the Wildcats.

The book really hits its stride in the second half because of this, and the ending chapters are actually fantastic. Some of the best stuff that's come out of the series (on purpose) in a loooong time.

[justrustandstardust]

in the face of all the homophobic anons flooding my inbox, there’s one thing i want to make abundantly clear:

gojo and geto are queer-coded regardless of whether or not you understand their relationship to be romantic. all it takes is one (1) critical thought to understand that romance is a dimension of queerness; it does not constitute it. yes, people understand their connection in a romantic context because that is a facet of their queerness. even if you don’t recognize the romantic dimension of their relationship, that does not negate the fact that gojo and geto’s characters & connection are indisputably and intentionally queered already.

i’m not saying they’re not romantically involved— on the contrary, anyone with half a fucking braincell and the ability to conduct surface-level textual analysis would clock that facet of their dynamic. what i’m saying is that the romantic dimension of their relationship does not singlehandedly make them queer simply because it happens to align with popular understandings and depictions of queerness. romance is there, yes, but romance alone does not constitute their queerness: they are queer alongside and independently of the axis of romance.

you can think of romance as a conduit— it’s one expression of their queerness, like a branch extending from a tree. when we say they are queered, we are beseeching you to stop pointing to the branch and insisting it is the entire tree. to be queer is to be insurgent, vibrant, subversive, effervescent— the branches extend endlessly from the infinitely faceted treetrunk. romance is merely one amongst many; it alone does not bear the insignia of queerity.

queerness is not an imposition upon them, it constitutes every aspect of their characters. it’s in geto’s monstrous femininity, it’s in gojo’s mournfully joyous disposition, it’s in both of their roles as guardians of children and protectors of chosen groups. it’s in the intimacy of their connection, it’s in their joy and their grief, it’s in their devotion and their tragedy. it quite literally is who they are, with or without the dimension of romance.

when these pseudo-intellectuals defend them from being deemed queer, they’re defending them from THEIR limited conception of what it means to be queer. in accusing everyone of Turning Them Gay, they don’t realize the call is coming from inside the house and that everything they love about gojo and geto was queer to begin with— just not in the one-dimensional way they understand queerness to operate.

if they stopped guzzling the heteropatriarchal kool-aid, it would become apparent to anyone with basic critical thinking skills that the ones who are ruining their characters are not the people who recognize gojo and geto for who they are, but those who break off the branch to beat the tree.

[leoserblog]

Ok this might be an unpopular opinion but someones gotta say it...

Cassandra is a better Casey Jones than Casey Jr

Ive gotta be honest... i think casey jr is a kinda mid and i dont particularly think all the fanfare about him is warranted LOL

I want to note real quick that i dont DISLIKE him! He is a good character who only got as much development that a 2 hour movie could give him, and he filled and satisfied the role he needed to play in the movie, but the way the fandom latched onto him over the og casey... kinda makes me raise a brow

(Essay/rant about the prioritization of casey jr vs og casey under the cut :P)

Fandom spaces love a traumatized boy from the future, and believe me i do too! But the amount of attention given to casey jr after being revealed as casey is a wild amount compared to the amount of attention the original casey gets. Maybe its just me getting into rottmnt after the movie aired, but this seems a little baised?

Not only that, but the amount of... idk the best way i can think to describe it is infantilization of casey jrs character isnt helping my opinion of him. It feels like most content surrounding him babify him and reduce him only to his trauma post movie. I understand that it can be interesting to explore his trauma now that he no longer lives in the literal apocalypse, but it feels strange to see him reduced to someone who cant get around on his own and lives with the turtles when the original pitch for the movies ending has him leave to explore the world, which i feel is very appropriate for him and wish they had kept it in

In the movie when april shows us where the og casey has been and what shes been doing throughout the film, it tells us that casey is friends april which in theory, shouldve also shown us that she and the turtles are friends to some degree as well and should already have her place established within the group as this generations casey jones

However the final shot of the movie is a group shot of the family+casey jr, which subtlety implies that he's the new casey instead, and that this is the main cast moving forward (should it move forward *sob*). While both caseys being considered in the main cast could be true, it does strike me as a little odd that this was the final direction the rot team decided on for the official ending versus the scrapped ending, especially because it complicates the pre-established canon. It wouldve been one thing if our og casey was a different character, but that isnt the case.. y... (<_<)

Casey jr is an interesting character though! And i can understand why he appeals to fans, especially as his character post movie is fun to expand on aswell as developing his past involved with future versions of the main5, but one (me lol) could argue that the og casey is just as interesting of a character to delve into as she was involved, when you boil it down, a cult most of her life, and that concept, as well as the guilt she could hold for working with the foot and releasing the shredder, ontop of trying to befriend and gain the turtles and aprils trust are also intriguing concepts that could be explored, yet finding content that mentions her at all beyond her relation to casey jr is scarce

It feels as though shes been reduced to a background character within the fandom despite being a reoccuring character for the entire show.

For the two seasons of rottmnt that we did get, we are shown just what kind of character casey is and her possible dynamics with the turtles+april. Shes passionate and powerful and beyond determined to prove her worth and reach her goals. Shes also playful and reckless, a side that fits well with the main cast and their humor and, if the show was given more time, couldve developed naturally as the newest addition to the family as most caseys are. I could also argue that her characterization fits that of previous caseys more than casey jrs does (though i will admit that considering the plot of the movie, i cant positively say what hed be like outside of life or death scenarios, but i also cant imagine hes going to make a 180 in personality without it feeling jarring and ooc)

Now, i wont ignore the fact that her arc was cut horribly short and her involvement in the movie was quite literally a brief mention, both of which definitely play into how under appreciated she is. But at the same time it almost feels like everyone, including the show runners, have willingly pushed her aside for this new boy version to fill the role of casey jones. Hell, even when you look up rottmnt casey jones, cassandra barely shows up. Its casey jr which further proves my point

Idk, TLDR im pretty disappointed that despite being a consistent character for the entire show, no one seems to write or acknowledge her and if she is mentioned, its only relevant to push forward casey jrs character development or a brief cameo. As much as i do love casey jr (i can feel like hes mid and i can like him!) it seems like most people forget about the original casey, or favor casey jr in her place and she deserves more love and credit than shes given!

[justthoughts1310]

If you have not watched Netflix's live action ATLA yet, let me stop you right now. It is not good and it's score on rotten tomatoes is honestly too high.

However, it's far better than the 2010 Live Action movie.

I'm on episode 6 now, and as I watch, I've been trying to find the words that best describe the series.

I've struggled, but the first thing I've noticed is how all of the actors seem to walk their parts and miss the meaning and motivations of their characters all together. The only one who comes close to embodying their character is Iroh, and the only one who looks like they came from straight out of the avatar universe is the Bounty Hunter.

However, now that I'm in episode 6, I've found the word.

The series is Rushed. It's rushed. It feels that they are trying to pack as much avatar lore into the storyline as possible and they don't care what storylines or arcs they have to mangle in order to do it. It's like a really badly written fanficition or a bad spark notes recap of the OG show. I feel comfortable saying that because I've read the Kiyoshi novels (which are like fanfics) and they are EXCELLENT.

You notice this when the show starts. Aang can fly unassisted. Let me repeat. He can fly unassisted. Only two Airbenders in all of Avatar history can fly unassisted, and one hasn't even been born yet during the time Aang was trying to stop the 100 year war. This boy can fly, but we're 6 episodes in and he has not water bent once. If he hadn't turned into Kiyoshi, I wouldn't believe that he's actually the avatar.

As to not provide any spoilers, they've taken multiple storylines and mashed them together. For example, the spirt of wisdom that we meet in the library in the arc where Appa goes missing. Yeah, we meet the guy in the forest with the Panda Bear Forest spirit and then we meet Kah shortly after. As if that's not all terrible, then we are introduced to the Mother of Faces.

The mother of freaking faces! If you don't know who she is, she is not in the show. She is introduced in the graphic novel trilogy "The Search" when Zuko and Azula try to find their long lost mother.

It is my feeling that if you want to revisit a beloved show that you should work to make it better. Deepen it. Add color to it and help the audience better understand the characters insights. Take your time with it.

Netflix tries to do a little of this by providing some additional backstories, but it does this by running rough shot through literally everything else.

It even changes the characters relational dynamics with one another. For example you know how even though Sokka is the oldest, Katara very much has adopted the place of their mother? Yeah... throw that notion right out the window. Now, instead of Katara being the practical one who keeps everything on track, she's painted as the rash kid who needs to grow up and Sokka is the father figure.

Now, Zuko is kind of the beloved child even though he's been banished and Azula is seen as a nuisance to her father. Like what??????

It's actually ironic that the show removes Sokka's misogynistic nature because the show is kind of misogynistic in and of itself.

It's 6 episodes in and has already stripped three female characters of their core tenants.

1. Azula is a prodigy. She's the pride of the fire nation. Not anymore.

2. Katara is a motherly figure who is the mother of the group. She cares for everybody and keeps them on track. Not anymore.

3. Suki is a fierce and independent warrior who is not impressed by Sokka's misogyny. Now, she's a creepy woman who follows him around the entire time he's on the island until he asks to be trained by her.

When we heard that the OG creators and Netflix went different ways because of creative differences, we should have known right then and there that the live action was going to be trash.

Also, I'm going to put it out there. Considering the fact that this should be a block buster series, Netflix did not spend anywhere enough money on it, because the graphics are so cheesy and Appa looks terrible.

[verynearherequeer]

Why I love the Good Omens 2 ending

Alright, this is going to be a very unpopular opinion at the moment (or maybe it won’t, I don’t know), but I thought the ending to GO2 was perfect and I loved it.

My favourite part being, Crowley finally putting his foot down and telling Aziraphale no.

We’ve seen him disagree with Aziraphale a million times: holy water fight, bandstand, soho street quarrel, you get it. But without fail, every single time, Crowley has been the one to chase his angel and apologise. When they fight they dont talk and without Aziraphale there is no point to anything: see post bookshop fire pub breakdown.

Does this mean Crowley was always in the wrong? No. Not even close.

But they exist together, one intrinsically good, the other supposedly bad. That is their dynamic, has been for 6000 years. Aziraphale is always right (he isn't) and therefore Crowley must always be wrong. 

So, what do I love about this scene? Yes, its gut wrenching, I was an absolute wreck while watching it. But I love it.

Crowley is right, Aziraphale doesn’t seem to understand exactly what he is offering, but Aziraphale has good intentions and is clearly devastated that Crowley doesn’t seem to get it. That isn’t enough though.

Aziraphale has taken Crowley’s loyalty for granted (not on purpose, obviously), but again that dynamic is highlighted: ‘I am an angel, you are a demon.’ In this scene even, it becomes clear that to some degree Aziraphale still associates Crowley with Hell: ‘You’re the bad guys.’

On top of that, Aziraphale is asking Crowley to change a fundamental part of himself. Crowley is a demon, the being that has come to know and love Aziraphale, he is a demon. From Crowley’s point of view, Aziraphale is asking him to turn a blind eye to everything he’s had to learn after being cast out, become again, part of what they both (as a group of the two of them) fought so hard to be free of.  

Crowley has always loved Aziraphale because Aziraphale saw through Heaven, knew deep down that drowning the entire population and justifying it by calling it ineffable was really fucking weird. He loves Aziraphale because his angel loves books and food, has his own thoughts, is funny and a bastard.

Aziraphale wants them to leave Earth together, but Earth is what made Aziraphale and Crowley who they are, defined how they exist and interact together.

To Crowley, Aziraphale going back to Heaven is like going back to square one.

So, he tells him no, and means it, punctuating his answer with an emotional (and very rough) kiss that really seemed to be saying ‘this is what you’re choosing to leave behind.’

If Aziraphale chose Heaven over him again, Crowley was not going to make it easy.