#this is lore that none of you know

[49seraphim]

Hello tumblr this is my contribution to your website (incomprehensible)

Why is it so desaturated i do not know

[runawaymarbles]

Modern fandom brain this, modern fandom brain that. My grandfather's first and middle name were the first and last name of the love interest from his mother's favorite romance novel. And she died before my dad was born, so her favorite book is the only thing I know about her. People have always been like this about stories they love. So like, get on my great grandma's level or sit down

[silusvesuius]

testing out drawing maormer 🪸🐚🪸 and a nelvas 🧣📜🩷 i'll ramble about maormer a bit in the tags

[genericpuff]

say sike right now, she's actually going back to The Doctor Pepper Show-

Like, this is just "What if The Doctor Pepper Show and LO had a baby?" Because at this point it's very clear Rachel only knows how to write from inside her own head, which is full of unresolved salt towards her childhood and medical fetish shit. The imagery in the first panel is very LO, and the imagery in the second is literally The Doctor Foxglove Show-

Evidently she's been reskinning the same shit for years-

Listen, I've been, for the most part, keeping my lips sealed on a lot of Rachel's old projects and what I've dug up on her previous works, for a few reasons:

1.) We were all cringe on the Internet at some point in time and a lot of these older works, such as Freak Scene Surgery and The Doctor Pepper Show, would have been from when she was in her late teens / early 20's. I'm not here to judge Rachel's personal preferences or whatever kind of fetishes she's into. It's totally normal, expected even, for a lot of creators to have older works they're trying to bury or disconnect themselves from because it's simply not them anymore.

2.) Ultimately I've been focused on discussion around Lore Olympus and Rachel as she currently operates as a creator, so I don't want to go digging up her old skeletons as any sort of "gotcha" towards LO today. Ultimately a lot of these works don't have anything to really 'do' with LO as it exists today.

That said, the reason I'm bringing it up now is because these new series... are bridging that gap that I've been avoiding for ages now. The gap that's filled with skeletons of Rachel's past that she's trying to both disconnect herself from but now fall back on with LO come and gone. It almost goes to show that her being a one-note pony goes back since far before LO - these are literally the only ideas she's able to come up with at this point, and it's painfully obvious in how both these new "graphic novel pitches" are pretty much the exact same and could apply to the same character, and that character may as well just be Persephone, i.e. Rachel, all over again.

Like, I'm calling it now, Patients in the Dark is just gonna be more "moms are bad" rhetoric, and Eleanor's Deathbed is gonna be Hades and Persephone, but replace Hades with some death god and Persephone with a training mortician, which is basically also still just Foxglove training to be a doctor, and Icy Shaw bragging about fondling corpses.

If anything, now that Webtoons is no longer carrying her around on their shoulders, this is gonna be Rachel's moment of "put up or shut up". She can either actually put in an active effort to write something that's decent, or she can flounder under the weight of her own tired mediocrity that's been knocking at her door for years now. As much as she's using her labels that were bought for her to sell these books which aren't even in real development yet-

-Webtoons isn't gonna be there to buy her Eisners forever. This is entirely on her and the imprint that Webtoons shoved her into. Her process is still the same, she's learned nothing from the experience of making LO, she's just got the money and awards now and is trying to run with it, but all she has are the same tired pitch lines that she's been using for decades now and just so happened to work with LO because LO had both Webtoons and the appeal of it being a Greek myth "retelling" to carry it into fame.

I'm gonna go into a bit of a tangent here, but it's been weighing on my mind since I found out this news and have been discussing it with pals within the ULO circle. Rachel once said in an interview that she wanted to use her platform to raise awareness of issues regarding sexual assault, mental health, and "the patriarchy":

"Who do you know that hasn’t been sexually assaulted? The number is depressingly low, right? Why is that? There is no short answer or an easy fix. I have a platform. I can tell a story that will hopefully educate and help others feel acknowledged and vindicated." - Rachel Smythe, Interview with Gossamer Rainbow

"...obviously I'm very feminist, and that sort of stuff really matters to me, um, the best way to approach this question is… I began, the pilot was written in sort of mid-2017, and I think what I wanted, what I wanted to achieve, and I don't even know… probably in 5 years time I don't know how I'm going to feel about this but I'm taking the risk, I really wanted to write a story where, uh…this female character goes through these things and I think what I wanted to do, what I wanted to achieve, was like a really common, I can't speak for like, men, but I can definitely speak for like, you know, if you're sitting in a group of your female friends and you're like "Hey! Who's been sexually assaulted?" … The response is going to be really depressing… Most female people that you know have probably experienced sexual assault to, on one level or another, and I'm like, for me I'm like "Why is that? Why?" And is it because there is a lack of information, lack of education, like what is it? And I'm lucky enough to have a platform and I'm like, if I could just provide some information in story format, would that help? Is this what I can contribute? So I feel like, especially, when writing sexual assault in media often it's… it's a way for the main male character to be, like, uplifted to hero-ness by, usually like, violence is the way to fix the problem, and that's not the approach that I want to take… um, I think [sighs], oh god, sorry I've lost my train of thought, [sighs], yeah, I think a lot of the time in movies when they, like, show rapists or something it's generally someone who's jumped out from behind the tree at a lady in a park and it's not really how it is like 90% of the time [laughs], so I just wanted to make something realistic where people could at it and be, like, "hey, nagging someone into sex isn't cool" or like removing all of their opportunities to say no isn't cool, or for someone to look at it, and just like feel validation, this is me trying, trying my best to make a difference with the platform that I have, and yeah, this is my roundabout answer for it" - Rachel Smythe, Interview with The Comic Source

And yet not once has Rachel actually used her platform for good outside of herself. She just asks the question, "Sexual assault?" and then writes off the answer "yes, it's bad!" and it especially shows in LO where the resolution to the one plotline she kept around to draw in readers was "assaulters are sent to the timeout corner!" Sure, it works for the readers who are simply seeking validation that their experiences aren't unique to themselves, but is it actually doing any real work to talk about the systems in place that leads to people like Apollo being created? Is it doing anything to address purity culture as it exists and the double standards that exist for women who are navigating sexual relationships? Is it doing anything to take the discussion outside of the narrative and put it into action through support of women's shelters, charities, mental health support for men, etc.? Not really. Like many of Rachel's ideas throughout LO, she simply goes, "Men, amirite?" and the answer is "yeah men suck!" and nothing more. The answer to the entire SA plotline is "rape is bad, don't do it" when anyone who could even relate to that conclusion in the first place already knows that.

Ultimately the activism she claims she's trying to do doesn't actually service the issue at hand - it just services herself and her own insecurities, her own unresolved trauma, her own need for validation through Eisners and merch sales. She asks the question, "Who hasn't been assaulted?" so that when she responds to the women who come forward and relate to Persephone, it's with the intent of getting them to read LO and buy her merchandise. She winds up making herself the center of other people's experiences, even ones that she cannot relate to. At BEST her attempts to "use her platform" as a means of starting discussion around ongoing societal issues like the patriarchy and sexual assault towards women is about as effective as Bell #LetsTalk, it's purely performative, self-profiting, and offers nothing of real tangibility.

If she just wants to write her own self-empowering personal works, that would be fine. Plenty of creators do it. Art is, at its core, self-expression. But it's extremely telling that she's built a platform off her self-expression, and twisted it into what she believes to be "activism" and "feminism", so that she can continue to profit off it in her future works such as this, which, again, are just reskins of her previous projects which were largely centered around the fetishizing of abuse towards women.

I don't want to claim that this is what it is, but... how much of the "feminism" in LO is done purely through the lens of victimizing women? Why is there more effort put into torturing female characters like Hera, and Demeter, and Minthe, and even Persephone to a certain degree, than there is into actually addressing the larger issue that she's claiming she wants to shed light on and resolving her questions with actionable answers?

That is the only question I will leave you all with. I am absolutely 100% not planning on touching these works with a ten foot pole, even if they should come to fruition. With the recent realization that she was into artists like Trevor Brown, alongside the fact that we've known for a long time she's into Lolita and there are very clear parallels to draw between it and LO, I think it's safe to say at this point that Rachel's work is not something I want to continue to support even when it's "hate reading". Again, I'm not going to outright accuse her of anything, but I feel like the writing is clearly on the wall here and I'm taking that writing as my warning to steer clear.

I didn't want to discuss the elephant in the room - her older works as they exist in the distant past of the early 2000's - but she's now riding the elephant.

[aprofessionalwithoutstandards]

People drawing like, sexy gay fanart of the "original tf2 team" as shown in the catch-up comic is unfathomably funny to me. Guys you know that Abraham Lincoln is Pyro, right. You know that "1800s heavymedic" is American folk hero John Henry and real life wacko doctor man Sigmund Freud? If people get the joke and continue with it that's hilarious and also iconic but also idk it feels like sometimes people aren't aware of the Sigmund Freud yaoi they're putting out into the world

[introspectivememories]

best ending: they talk it out after lewis wins his 8th wdc and we end up with brocedes in each other's lives again. lewis shows up on nico's yt channel. nico is on lewis' insta. vivian dogwalks both of them for letting the divorce last that long. i join the convent because this is clearly a miracle from god and reblog gifsets of brocedes interacting from the chapel. rinse, repeat.

ending we're most likely gonna get: whatever the hell we have now. nico talks about lewis. lewis will say karting is the best time of his career. for two seconds out of the year, lewis will say nico's name. i will sob, rinse, repeat.

worst ending: they shut the fuck up about each other forever. they process the divorce and move on with their lives without each other. i will go on tumblr and reblog angsty web weaves about their relationship and what could've been. i take psychic damage. rinse. repeat.

[minthological]

i think they should be even more insane. as a treat

[necrotic-nephilim]

there is not enough femslash in batcest circles. the girls deserve to be just as weird about each other as the boys are. if BruDick gets to be weird father/son/brothers/lovers/friends/rivals/soulmates then it is only fair that Babs/Cass get to be mother/daughter/sisters/lovers too. Something about that deep intrinsic but undefinable love that is born out of trauma, especially if you consider Cass not knowing what healthy love looks like in the first place. i think it's fun and deserves just as much fandom content.

besides that, you can get even more niche with rarepairs like Helena/Steph. Huntress/Spoiler: Blunt Trauma is already a fantastic comic and even though it's their only real canon interaction it has so much potential. very comparable to TimJay in how Helena tries to get Steph to understand her morals and the corruption you could play with it.

batman: huntress/spoiler: blunt trauma (1998)

that comic also highlights on how both Steph and Helena are outcasts of the Batfamily and don't have the approval of Bruce to be doing what they do in "his city". I think there's so much Potential in Helena taking Steph under her wing because Bruce won't let her in and it becomes a weird codependent toxic sapphic mess. I think the protectiveness Helena feels over Steph from the get-go is so clear and the way she wants to look out for Steph, wants to make sure Steph understands the real world? I love them. Helena should be allowed to steal Steph, actually. I think it'd be fun.

there are a lot of other possibilities too like Babs/Steph or even getting weird with Helena Bertinelli/Helena Wayne and the existential question of "is it selfcest or not." But these two specifically live in my head rent-free, especially Helena/Steph and one day I'll convince everyone else to ship it too.

[ganondoodle]

even if i didnt love botw as much as i do, totk drives me nuts bc, similarly to pokemon, this series is so SO SO full of potential, they have so many games they can pull from, theres so many themes, characters and worldbuilding thats just left to rot, you dont need to connect anything with a chain to old titles, you dont need to bring back any things that already had their ending, but PLEASE harness at least a fraction of all this!!!! and they just refuse to do it beyond shallow references

totk jsut drives it all home to me, bc this isnt just the next game in the franchise, but a DIRECT SEQUEL no 10 years apart from botw, yet they cant even, they REFUSE to even keep the continuity with its OWN lore it established in botw together, and that, i think, is what truly makes me so insane (derogatory) about totk

it PROVES they do not care, they dont care to build on anything of the lore of old titles beyond references in form of amiibos or whatever, they dont even care to make a sequel to their most successful game in the franchise coherent with its own lore

botw established a captivating detailed world full of potential, while lacking in active storytelling, it had environmental storytelling, characters and ideas that were the perfect ground to build on-

and then they do away with it bc idk .. they want you to build mechs and make videos of it that go viral and thats all they care about or something

shiekah tech? forget that existed character being the character you know? act as if you are seeing them for the first time just like they are lame story? dont think about that just be distracted by the epic presentation of it lore the previous title established? forget that, all that matters is what is here and now beloved character from old games beign brought back? hes a new guy and has no background and no lore and just sits waiting for you at the end to have a flashy fight with references from old titles and their lore? just here for nostalgie bait, dont you remember? you LOVE this series, now give me 70 bucks for a glorified DLC that ruins what you loved about the series and makes you realize that nothign matters and nothing is interesting anymore

you are supposed to take it all at face value, to not think about anything, to see a character say something and just go with it, and forget it the second its over, be distracted by good music and pretty visuals, but dont think about, dont think about anything but what is directly said to you like you have no critical thinking skills, forget there was a game before this one, only the one you play matters, empty your skull and dont let yourself feel anything but what the game tells you to feel

if they dont even care to make the sequel to their most successful game actually build on the previous title, dont even care to keep their continuity of two games supposedly directly happening one after the other in tact- maybe they never cared, and all the meaning we thought we saw them build into their games was all accidental and meaningless

and that is absolutely soul crushing for fans like me to discover

its a game. its not a story, its not a world, its not themes, its not characters, its not lore. its a product made to make you pay money, not to make you think about anything.

[pinacoladamatata]

"Change, change will preserve us. It will move mountains...it will mount movements"

I don't know about y'all, everything uncle sheo said made perfect sense to me. Oblivion was a love story.

[computerram]

finally started BG3 👍

[bellara-lutare]

also kinda random but where the fuck are solas' agents?? trespasser (the game and ending slides) said he had a crap ton of agents flocking to his side but now there's not even a whisper of them?

[pfctipper]

i'm sicker than he was in the pow camp

[can-of-slorgs]

caw 🦅

[h-didanart]

Have any of you guys ever been doodling when suddenly you’re hit by the angstiest idea ever and so you start workshopping that idea into an au as an alternate timeline to see if it would fit with the au only to create an absolutely heartbreaking and depression inducing scenario, only for your brain to decide that’s not enough and end up creating that same scenario in your two other main aus so that you end up with three deeply traumatized versions of the same character?

Anyone?

No?

That’s fair

I call them the heartbroken trio.

We have a post-Everything Goes To Shit arc Scythe, around January ‘24 Bloody, and a post-Second Takeover Harvest. You may notice I called them by their actual names and not by their usual [insert trait here]!BM names, and that’s on purpose.

See, due to various circumstances in each of their respective timelines, their twins died.

They’ve all taken it very harshly, but express it in different ways, Scythe is more reserved yet more ruthless in her anger, Bloody has become extremely disconnected from everything, and Harvest is an anxious wreck. All their reactions are directly correlated to their twins’ death and how they perceived it.

Anyways, yeah.

New au//timeline thing. Yay?

Oh, and for your troubles

The guy who in his canon lost his twin being extremely conflicted about the newcomers. Cuz in one hand they are versions of versions of himself that he knows that he can relate even more to! But on the other hand they are versions of versions of himself that he knows that he can relate even more to.

Yeah :P

Might elaborate on these guys later

[cybertron-smash-or-pass]

i knew it would happen but oh my god. oh my. fucking god. i couldn't imagine it would be so bad when requesting. i was thinking about the lola propaganda and emo boy lovers and the gross freak haters. i couldn't possibly imagine that he would get such a GIANT pass percentage. yes there's six more hours to go but i know it's going to get worse over the night. As the blog curator is he really now the most passed on character I'm curious

Currently Masterson is still at a higher percentage than Beast Machines Rattrap, who I believe is our current Least Fuckable character. Masterson clears the bar by a whole percent.

And with your help we can set the bar even lower. It's not too late to Get His Ass

I don't know beachcomber too well but any humanfucker bots are welcome here.

Admittedly I was thinking at least a little bit about the rescue bots when I wrote the post because I swear to Primus every one of the main cast of bots is trying to fuck humans. Not even necessarily their human partners specifically (boulder and heatwave absolutely are tho), but at some point, every one of the bots has Said or Done Some Shit in the show that reads like they're interested in getting with humans. Prowl "I've fantasized about being human before" TFA walked so the rescue bots could sprint.

(I've also just kinda had Boulder/Graham Brainrot lately, so that might be contributing lmao)