#this is easier though

[notbecauseofvictories]

I don't know how strictly accurate this is, but one of the things I find shocking about watching historical dramas is how many people there are around all the time---according to Madame de... (1953) a well-off French household in the Belle Epoque maintains a workforce of at least 3, and the glittering opera has staff just to open doors. According to Shogun (2024) you can expect a deep bench just to mind your household, and again, people who exist to open doors.

Could people....not open doors in the past? Were doors tricky, before the standardization of hinges? Because otherwise, the wealthy used to pay a whole bunch of people to do it for them in multiple contexts, and I find myself baffled.

[suja-janee]

I’ve been losing my mind over these guys recently

[tizeline]

TSAU!Donnie's Ninpō Explained!

The first ability Donnie unlocks is the ability to see mystic energy! Objects or people with with mystic energy has this colourful glowing aura you could call it, the more mystic energy the more brightly is glows. For example - Mikey already has a very bright aura naturally, which becomes even brighter when he is actively using magic! ..... All of this is to say, Donnie found that out the hard way when he used his mystic sight on Mikey when he was using magic and Donnie as a result got a little bit fucking blinded!

All yōkai and mutants are naturally mystic in nature, they always have a visable aura because of that. Humans are not mystic, so they don't have that aura. HOWEVER! Humans can learn how to use magic through certain means like, y'know, Ninpō for example! When a human uses magic, they do have mystic aura, but only while actively using mystic powers.

(Also Donnie totally accidentally discovered that the "teapot" had bad vibes because his mystic sight lol)

After a while Donnie is able to start making constructs out of his Ninpō. Initially however, he can't really form complex designs, it's mostly just blocks and walls, very simplistic shapes. But it turns out he can use these simpler constructs as effective shields! Which is good considering his soft shell as well as the fact that his battle shell in the AU wasn't built to be used as armour. Both he and April gets a lot of use out of the extra defense.

With quite a bit of practice Donnie is able to actually generate specific and more complex designs! Which means that yes, to the horror of friend and foe alike, Donnie can and will summon an entire arsenal of firepower, yikes. He's not limited to firearms though, he's able to generate all kinds of technology and machinery (drill!!!!)

To create these mystic contructs, it does require Donnie to have a good understanding of what it looks like, how it functions, etc. His imagination and his knowledge of technology are what sets a lot of the limits on what he is able to create, if he can build it in his lab then he can build it with his Ninpō. This particular ability requires a lot complex thought, if Donnie wasn't so smart he wouldn't be able to pull it off as well as he does.

Another limitation is that maintaining the contsructs is very energy-consuming, he'll quickly exhaust himself if he keeps them around. He'll usually only summon constructs very briefly for an attack and then immedietly dismiss them.

The way that Donnnie's Ninpō manifests itself is already very technology-oriented, because of that he can interact with ordinary technology through his Ninpō. Personally I haven't figured out the details of what exactly that can look like, but there's definitely a lot of possibilities to explore here.

One thing though, as Donnie's Ninpō grows more and more powerful overtime, a side-effect of that is that if he gets really pissed off or otherwise very emotional, he'll accidentally make the technology in his near viscinity go haywire lmao. (This has the risk of making him even more angry, which just worsens the problem, and so on haha)

I really like the idea of Donnie being the second most powerful mystic user out of his brothers, after Mikey of course. And because he's mostly self-trained, he doesn't have the best understanding of how to properly control his powers, which evidently can become a bit of a problem. Donnie eventually agrees to let Draxum help him get a better grasp on his mystic abilities after the Hamatos and the Draxums become more friendly with each other.

So uh. About how Donnie kinda accidentally infused Shelldon with mystic energy while creating him which caused the robot to develop a kind of soul? Yeah so because of that Shelldon's mystic energy if linked to Donnie's, which means that Shelldon more or less gains access to the same abilities as Donnie does! He's not quite as powerful as Donnie, and he still needs to practice to fully get a grasp on these powers as well. But point is, that's how Shelldon gains acess to Ninpō in the AU! (He also notices their fucked up "teapot")

----------

Anyway that basically summarizes it! A lot of these ideas are headcanons I have for canon!Donnie as well honestly, the AU is just an excuse to explore these concepts. Donnie's ability to summon fucking firearms and military equipment is also something I've thought about, I wanted to try to think how it would work for him while also putting some limitations on it. ANOTHER THING I like the idea of Donnie's tech constructs basically being the same ability as when Raph creates constructs of himself. The difference lies with that Donnie is a massive nerd so his first instinct is to recreate his own tech with the Ninpō. While Raph being someone who is already so physically strong would naturally use his Ninpō to recreate his own greatest weapon, which is himself. (Donnie uses his brain, Raph uses his brawn, who would've guessed)

[thankchaosforspellcheck]

DP X DC Prompt

Danny gets summoned by a cult.

again.

Unfortunately, this time they tried to give him a sacrifice in the form of a small child.

Fortunately, the kid is still alive at that point in the summoning since the cult was operating under the assumption that he wanted to eat them alive or something (which. gross! but useful for him at least).

They make it out of the area that the summoning took place in pretty easily, but now they have to do a cross country trip in order to get the kid back to their family while trying not to draw the cults attention (which they already did once after attempting to contact the kid's guardian in a nearby town)

in the meantime though, this kid is acting pretty sketchy...

aka the cult accidentally (or even purposefully) used a kid that's related to a cape in one fashion or another and now said child is on a cross-country trip with a being of unknown ethics and abilities.

who are they and what do they do?

[willowcrowned]

it’s so important to me I show you my birthday cake this year

the bakery forgot the s on shrimps so we added it on with a bit of apple

[geomimetry]

woe be upon ye

[teaboot]

Sometimes at work it's not my place to tell people the things I want to say, and I find I often go home at the end of the rougher days to stand blankly in my shower and tell myself over and over what I wish I could pass on.

This accomplishes very little, and mostly just gives me a tension headache, but through it all I think I've narrowed myself down to a few solid things I'd like to tell people the most.

You can't change people. Not permanently, not for anythig. You can support them, encourage them, love them, give them tools and opportunities and resources, but you can't make them change. They can change themselves if they want to, but they have to want to, and they have to want it for themselves, because they're the only one that's certain to be with them forever.

For better or worse, you make your own choices, and blaming bad choices on others doesn't only work to absolve you of responsibility- it also robs you of control. Because if you say you only did something because I did something, then you arent only shifting blame- you're admitting that you cannot control yourself, that you cannot truly make choices for yourself, that other people can control you- and as long as you truly beleive that, you'll keep facing the same problems over and over. You'll keep letting others dictate your choices, because you'll beleive that they can, and you'll never be free.

White knights on horseback are from fairytales. Nobody can help you if ou're not willing to help yourself. To try, to put the dirty work in, to belive you're worth that effort- Act as though nobody is coming to save you. From a struggle, from pain, from bad relationships, from yourself. And when you do save yourself, because you will, because failure here isn't an option if you want to survive, you'll never find another dragon that can keep you prisoner.

Don't say anything to anyone that you wouldn't want them remembering forever.

Doing the right thing in bad circumstances is hard. It's the hardest thing. But if you make the choice to do that hard thing anyways, despite your fear, you'll go on the rest of your like knowing that you're the sort of person who did something.

The present only seems the hardest because the past I over and the future hasn't happened.

There's so much joy ahead of you, the kind you can't possibly understand until you see it yourself.

The responsibility of consequences is often disguised as the power of permission. "I won't do this if you help me", "I'll work on my anger if you do this for me", "I promised you I'd quit, but can I have just one?". The unspoken question is, "Can it be your fault if this goes badly?"

You cant make someone love you the way you need to be loved. Someone can love you very much and still be bad for you, even if you love them very much in return. Two people can love each other very, very much, and try their very best, and still be wrong for each other.

Sometimes being near to someone changes you, even in good ways, and the people you become don't fit together as well as the people you were.

Caring takes work. Even if it's real. Especially if it's real. And the most important gestures aren't the grand, poetic, songs-and-flowers-and-tears moments; they're getting out of bed even though you don't want to. Paying attention to things you don't enjoy. Scrubbing pans, or opening a window, saying "thank-you", or helping carry groceries into the house. The small things fill the big things- without the small, boring, mediocre things, big things feel hollow.

Thrre is honour and dignity in humble work.

If you are a cruel and spiteful person, then you will find every place you visit to be full of the same cruel, spiteful people. This is not because the world is as cruel as you, but because everywhere you are, you will be disliked. This is the curse that comes with being persistently cruel and spiteful.

If you are a kind and ppsitive person, you will repeatedly encounter kind and positive people, because as they grow familiar with you, they will be happier to have you near. This is the reward of being a kind and positive person.

When splitting paths with loved ones, briefly or forever, aim for your last words to always be "I love you".

[ethosiab]

the day i learn how i want to draw redstone i will become at least 13% more powerful

[lilybug-02]

Doomed by the Narrative.

Bug Fact: Each species of Firefly have their own pattern of light flashing.

First || Prev // Next

Masterpost

[chloesimaginationthings]

Why is your springtrap design face blocky?

It’s easier to draw + IT’S FUN,,,

[ruporas]

in a mood (ID in alt)

[slfcare]

the most difficult thing about growing as a person socially, as in getting out of your shell and noticing that you are, is that there will still be times when it doesn’t feel like you’ve grown at all! times when you can’t really connect with anyone around you, times when you fail to enter into an existing conversation, times when you say the wrong thing (or nothing at all when in hindsight you probably should’ve). but that’s also kind of the best thing, because that’s the thing that helps you realize that sometimes, it’s not you or your lack of skills or any shortcoming. sometimes certain environments just aren’t for you and certain people aren’t your people, and that’s okay. that’s human. it’s okay to not feel the progress you have made all the time.

[yo-yo-yoshiko]

Couldn't stop laughing this week! Gavv has set up such potential for Miraculous Ladybug level of shenanigans...

[dreamsy990]

just made a post about kh making like half the cast clones so heres some clones for you

[compaculaaa]

Wait what do you mean the helm of D-16 was the easiest to emergence, does that mean Alpha Trion had difficult time with the helm of Orion, Elita and B during emergence

I mean their helms are a lot more uniquely shaped compared to D, here’s how his experience was with each of their helms lol

[bixels]

I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.

Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.

So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.

I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.

Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.

You can really see how desaturated and "white fluorescent lighting" the original color palettes are.

[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]