#this is easier though

[notbecauseofvictories]

I don't know how strictly accurate this is, but one of the things I find shocking about watching historical dramas is how many people there are around all the time---according to Madame de... (1953) a well-off French household in the Belle Epoque maintains a workforce of at least 3, and the glittering opera has staff just to open doors. According to Shogun (2024) you can expect a deep bench just to mind your household, and again, people who exist to open doors.

Could people....not open doors in the past? Were doors tricky, before the standardization of hinges? Because otherwise, the wealthy used to pay a whole bunch of people to do it for them in multiple contexts, and I find myself baffled.

[geomimetry]

woe be upon ye

[thankchaosforspellcheck]

DP X DC Prompt

Danny gets summoned by a cult.

again.

Unfortunately, this time they tried to give him a sacrifice in the form of a small child.

Fortunately, the kid is still alive at that point in the summoning since the cult was operating under the assumption that he wanted to eat them alive or something (which. gross! but useful for him at least).

They make it out of the area that the summoning took place in pretty easily, but now they have to do a cross country trip in order to get the kid back to their family while trying not to draw the cults attention (which they already did once after attempting to contact the kid's guardian in a nearby town)

in the meantime though, this kid is acting pretty sketchy...

aka the cult accidentally (or even purposefully) used a kid that's related to a cape in one fashion or another and now said child is on a cross-country trip with a being of unknown ethics and abilities.

who are they and what do they do?

[teaboot]

Sometimes at work it's not my place to tell people the things I want to say, and I find I often go home at the end of the rougher days to stand blankly in my shower and tell myself over and over what I wish I could pass on.

This accomplishes very little, and mostly just gives me a tension headache, but through it all I think I've narrowed myself down to a few solid things I'd like to tell people the most.

You can't change people. Not permanently, not for anythig. You can support them, encourage them, love them, give them tools and opportunities and resources, but you can't make them change. They can change themselves if they want to, but they have to want to, and they have to want it for themselves, because they're the only one that's certain to be with them forever.

For better or worse, you make your own choices, and blaming bad choices on others doesn't only work to absolve you of responsibility- it also robs you of control. Because if you say you only did something because I did something, then you arent only shifting blame- you're admitting that you cannot control yourself, that you cannot truly make choices for yourself, that other people can control you- and as long as you truly beleive that, you'll keep facing the same problems over and over. You'll keep letting others dictate your choices, because you'll beleive that they can, and you'll never be free.

White knights on horseback are from fairytales. Nobody can help you if ou're not willing to help yourself. To try, to put the dirty work in, to belive you're worth that effort- Act as though nobody is coming to save you. From a struggle, from pain, from bad relationships, from yourself. And when you do save yourself, because you will, because failure here isn't an option if you want to survive, you'll never find another dragon that can keep you prisoner.

Don't say anything to anyone that you wouldn't want them remembering forever.

Doing the right thing in bad circumstances is hard. It's the hardest thing. But if you make the choice to do that hard thing anyways, despite your fear, you'll go on the rest of your like knowing that you're the sort of person who did something.

The present only seems the hardest because the past I over and the future hasn't happened.

There's so much joy ahead of you, the kind you can't possibly understand until you see it yourself.

The responsibility of consequences is often disguised as the power of permission. "I won't do this if you help me", "I'll work on my anger if you do this for me", "I promised you I'd quit, but can I have just one?". The unspoken question is, "Can it be your fault if this goes badly?"

You cant make someone love you the way you need to be loved. Someone can love you very much and still be bad for you, even if you love them very much in return. Two people can love each other very, very much, and try their very best, and still be wrong for each other.

Sometimes being near to someone changes you, even in good ways, and the people you become don't fit together as well as the people you were.

Caring takes work. Even if it's real. Especially if it's real. And the most important gestures aren't the grand, poetic, songs-and-flowers-and-tears moments; they're getting out of bed even though you don't want to. Paying attention to things you don't enjoy. Scrubbing pans, or opening a window, saying "thank-you", or helping carry groceries into the house. The small things fill the big things- without the small, boring, mediocre things, big things feel hollow.

Thrre is honour and dignity in humble work.

If you are a cruel and spiteful person, then you will find every place you visit to be full of the same cruel, spiteful people. This is not because the world is as cruel as you, but because everywhere you are, you will be disliked. This is the curse that comes with being persistently cruel and spiteful.

If you are a kind and ppsitive person, you will repeatedly encounter kind and positive people, because as they grow familiar with you, they will be happier to have you near. This is the reward of being a kind and positive person.

When splitting paths with loved ones, briefly or forever, aim for your last words to always be "I love you".

[technically-human]

Hey, don't cry. Ghost yuri, okay?

(Now that you know the girls, they need to meet the boys!)

[lilybug-02]

Doomed by the Narrative.

Bug Fact: Each species of Firefly have their own pattern of light flashing.

First || Prev // Next

Masterpost

[chloesimaginationthings]

Why is your springtrap design face blocky?

It’s easier to draw + IT’S FUN,,,

[slfcare]

the most difficult thing about growing as a person socially, as in getting out of your shell and noticing that you are, is that there will still be times when it doesn’t feel like you’ve grown at all! times when you can’t really connect with anyone around you, times when you fail to enter into an existing conversation, times when you say the wrong thing (or nothing at all when in hindsight you probably should’ve). but that’s also kind of the best thing, because that’s the thing that helps you realize that sometimes, it’s not you or your lack of skills or any shortcoming. sometimes certain environments just aren’t for you and certain people aren’t your people, and that’s okay. that’s human. it’s okay to not feel the progress you have made all the time.

[yo-yo-yoshiko]

Couldn't stop laughing this week! Gavv has set up such potential for Miraculous Ladybug level of shenanigans...

[itsapmseymour]

Excuse me? THIS EXISTS?

[bixels]

I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.

Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.

So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.

I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.

Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.

You can really see how desaturated and "white fluorescent lighting" the original color palettes are.

[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]

[kevindavidday]

sometimes my favorite thing to read and write is neil and aaron dynamic. literally the most begrudging care exists between these two. they would do so much for each other but be so fucking annoyed that they have to. bring the other person soup when they're sick with a grimace. solve math problems together while smacking each others head. never a conversation without an insult in it. they will be walking and make sure to shove the other for no fucking reason. amazing.

[willowcrowned]

it’s so important to me I show you my birthday cake this year

the bakery forgot the s on shrimps so we added it on with a bit of apple

[wis-art]

you should read fire punch and dorohedoro

[ruporas]

in a mood (ID in alt)

[technically-human]

okay now please doodle Charles and Edwin’s wedding. Also love your art it’s so cute and loveable in a way

Sherwani for Charles and morning dress for Edwin, yay

ko-fi

And you get a little headcanon/concept

At some point during their friendship, way before Port Townsend, Charles mentioned the tradition of wearing gold at weddings. He did so in a sad sort of way, as he had seen the pictures from his parents wedding, and knew her mum had not been allowed to wear a lehenga nor many gold accessories.

Maybe, as these things are meant to bring happiness to the couple, he mentions that as a child he believed his parents marriage would have been happier if she wore those things.

Edwin starts to collect gold items. He doesn't analyze the reason, but if a case offers gold as payment? Edwin is taking it. Charles thinks nothing of it, it's just one of Edwin's quirks.

After his revelations in Port Townsend, Edwin will eventually realize a few things regarding his gold rush.

And they will have a lot of gold jewlery for their wedding day!