#this is an ongoing thing with Michael as a character

[chloesimaginationthings]

Gregory knows he looks LIKE HIM in FNAF..

[popponn]

here and there, about him.

summary: is he perfect? no, just like anyone else. but there will always be something about him. (aka a snippets of one of many, many things he will do for you.)

notes: missing lovesick bllk boys trope for a hot minute while doing other stuffs. short and light stuffs to scratch the itch. was about to isagi and nagi, but turns out self control is still a thing for me. warning: none, just minor swearing + fluffs capital f of smitten boys, chigiri is ready to fight for you. reader's gender unspecified.

characters: rin, chigiri, kaiser.

itoshi rin is very, very much very obvious in his favoritism to you. so obvious that both his teammates and his brother told him to tone it down a little bit. of course, rin only scoffs and tells them to mind their own business (actually he said it more as ’fuck off, cretins’, but details). but, really, no one could exactly blame them. this guy could be in an ongoing tirade about how person a is an utterly pathetic soggy wet trash, then you greet him with a smile and he turns into a cold, suave, rich boyfriend on a snowy winter day. drape his jacket on you, hold your hand, and ’let you hug him from behind while discreetly intertwining your finger with his’ type of stuff. it’s a bit disgusting, honestly. and no one wants to start commenting on how he immediately looks in your direction after scoring a goal. also if he buys something, the only one who has the slightest bit of hope of ever receiving anything is his brother here—and that chance is very miniscule on its own since none of them are you. put simply, it’s a bit infuriating, yet undeniably infuriatingly cute in its own way to watch. especially when there is a very high chance you will be the one and only romance this anti-social guy will ever have. everyone in the team supports the two of you, but by gods maybe please do something about him a little bit?

chigiri hyoma will never let anyone hurt you. it’s common knowledge already that he takes no shit from anyone and ever since he has seen you as ‘the one’, he pretty much already thinks of you as an inseparable part of his life already. so, in other words, that means you have gotten yourself a boyfriend who is ready to become a biting guard dog at a moment's notice. someone insults you? tries to physically harm you? oh, baby, hold your boyfriend back because he is also known to get angry real quick. save his reputation and hold himself back from spouting words that would make someone’s ancestors cry or, worse, from beating someone up. this is a speedster athlete trained by ego jinpachi himself—no one could escape unscathed from something like that. but hey, this is someone who naturally turns into a shoujo manga male lead with soft gazes and flowery smiles the moment you put a hand on his cheek. this is, in a way, just another way for him to protect and make sure of your comfort. also, he needs to have an outlet for the less soft part somewhere other than soccer.

michael kaiser is very reliable and observant, despite whatever persona or deflection he will give you even in the ‘official already’ part of your relationship. this guy has a high ego and puts on an air of someone high and mighty, beyond your league. but everyone all knows if you get to the part where he proudly lets you wear his clothes or makes sure you stay pressed to his side during walks, he is down bad. still, for his sake and maybe everyone else’s, let him take care of you and act casually about it. don’t point it out when he suddenly crouches down and ties your untied shoelaces, keep talking as if nothing happened when he puts a hand in the small of your back, and just act as if nothing happened when he gives someone a ferocious glare while making sure you cling unto his arm. don’t praise or, god forbid, swoon at those. it will only make him get flustered and lose his composure or, worse, get real annoying. he is indeed good at the whole act of service thing, surprisingly, but please do remember his attitude is indeed also in the ‘piece of shit’ category most of the time. just let the yellow and blue betta fish swim at his own pace and let what means to happen in the future, happen at its own time, including giving praises to him without him reacting like a lovesick brat.

[whencartoonsruletheworld]

never have I played any nights at Freddy fazbears

pls explain the whole plot and all lore to me as if I were small and slightly stupid

oh great timing i literally JUST explained this to my asoue discord

this is a VERY simple summary, but things to keep in mind while reading:

very very VERY little of this is directly spelled out for us. the creator, scott cawthon, LOVES to confuse people on purpose and the vast majority of the lore is gleaned from hidden minigames, secret cutscenes, and easter eggs. this makes things very confusing and controversial within the fanbase, so im gonna try to explain where there are differing opinions

really, there's two main stories: the first main story was completed with FNAF6 and Ultimate Custom Night, the story going on rn is the second and it is still ongoing. as such, a lot of the lore is still a mystery to all of us.

For clarity's sake, I will divide this between: THE AFTON STORY, the one the movie's gonna tell a part of, and THE GLITCH STORY, which the games are going through

dont worry i will make it fun to go through so it doesnt feel like school

ok lets go

THE AFTON STORY

First, let's get a visual chart in here. don't worry it's just for show

These are the important families we will be talking about; the Emily family, with father Henry and daughter Charlie, and the Afton Family, with father William, two sons (Michael and a boy who is still unnamed, he might get named on friday? We call him Crying Child "CC") and a daughter, Elizabeth. Don't worry about the mothers they're not important

Okay so here's the thing: of these four children, all but Michael die VERY early on in the timeline

The problem is we do NOT know THE ORDER each of them died. There's a lot of arguments on all sides but I personally think the order is sad boi->charlie->baby so imma present it in that order. But keep in mind that we don't actually know because of the confusing way the lore is dropped.

okay so for starters.

Backstory/FNAF4

purple guy is william afton and he and this guy vcalled henry start opening a restaurant chain starring freddy fazbear

in the original location they've got two animatronic suits, fredbear and spring bonnie. the other location has freddy, bonnie, foxy, chica

the og location suits are ~special~ tho, bc henry and william are crazy inventor dudes. these suits are called "springlock suits". they function as full animatronics but you can wind all the wires and gears and endoskeleton and shit back and step into the costume yourself. only problem is the safety is jackshit and if you like. cry or sweat or breathe wrong the springlocks will fail and the metal will come crashing back and crush u to death. u should have enough time to get to the back room so u dont bleed out in front of the customers tho. springlock suits are important remember those

michael is in his early teens and has just learned how to be a shit to his siblings and is trying out this hot new bullying thing. he's picking a lot on CC because CC is terrified of the freddy animatronics. it is said that he "saw something" that scared him, it could be anything as benign as "saw someone go into the suit and got freaked out" to something as serious as "saw one of those aforementioned springlock failures and person bleeding out." could also be charlie or elizabeth's death if those happen earlier in the timeline. again we dont know bc cawthon likes to confuse us

CC is not scared of the freddy characters tho, he has all the plushies and calls them his friends. he's just scared of the animtronics. unfortunately his dad works there so he has to be there like 90% of the time so he's having a wonderful time. hence the moniker "crying child". bc he cries all the time

anyway at his birthday party, michael decides it would be really funny to shove CC up into the animatronic's mouth for kicks. this goes about as well as you'd expect cause the mouth closes and fuckin. crushes his head

kid goes into a coma for a while but eventually flatlines. while he's in the coma we hear michael tearfully apologizing, and his fredbear plush talks to him (presumed to be william) saying he will "put him back together"

anyway that was fun. so next up charlie emily gets FUCKING MURDERED

Backstory/FNAF1-2

for some reason charlie gets locked outside the pizzeria. william's driving by and decides to stab her bc why not

honestly most of us believe that this occured after CC just bc it gives william motivation to be pissy at his business partner and kill his kid abt it, but also a book that released a month ago implies that william might have been nightmare gassing his kids for shits and giggles so. who knows. dont worry about that btw its not relevant rn

anyway the thing is willie and henry had an animatronic designed to protect the children called the puppet. the puppet sees charlie outside and goes out to help her but it's raining so it fries up the puppet's circuits and it crashes on top of her dead body. cheery!

except this is where it gets wild bc charlie proceeds to like. possess the puppet

possession is really complicated in this universe but basically there's no real way to communicate openly with people and the possesser might not even be aware of who or where they are or anything really but. yeah the lil girl def possesses the puppet

its after this that william starts killing kids for funsies. a lot of us presume that he saw the puppet getting possessed and was like "holy shit a way to bring crying kid back" but again he might've just decided this was fun

anyway he lures five kids into the Secret Freddy's Backroom That Is Not On The Maps by wearing the spring bonnie costume. after killing them he shoves them into the other animatronic suits (freddy, bonnie, chica, foxy, fredbear "golden freddy") and yeah they start gettin possessed

the fifth missing kid was stuffed in fredbear and here's where it gets veeery theoretical cause we dont have straight confirmation of this but just some theories. it's VERY likely that crying child was also haunting fredbear at this point, and shoving another kid in there got two kids haunting the same bitch and it causes fredbear (golden freddy) to be really fucking weird and glitchy and eldritch or w/e. anyway you dont have to worry about that rn cause golden freddy doesnt show up much they're too busy ascending or smth

now this is where the lore gets confusing-- the first game claims that after the last two were lured, someone was caught on camera, arrested and charged. however we know for a fact willie-boi wasnt caught so either 1) this got retconned when cawthon decided to actually make lore, 2) he wasnt convicted and somehow still kept a hold on the fazbear empire during this, or 3) a lot of us theorize that henry was framed for the crimes and thats why he disappears from the timeline until the sixth game. cause yeah he disappears from the timeline until the sixth game. personally i believe the third it makes a lot of sense but yeah willie-boi stops killing at about five kids

anyway will is going full scientist with all these animatronics and he's like. ripping parts off them and putting them on other animatronics to see what happens. we THINK. again this is really vague but this is just kinda the most logical explanation here.

anyway this is what happens in fnaf2 and what it does is like. split the souls and shit. and he's like "oh this is sick" except this makes all the suits act erratic as hell and very angry towards adults (theyre cool with kids tho) and eventually one of them causes the infamous Bite of 87. we're not entirely sure what it was but one of the animatronics bit off the frontal lobe of someone in 1987. this caused this location to get shut down and willie boi just puts the pieces back on the og animatronics and is like "well shit what do we do now boys"

FNAF5: Sister Location

anyway so this is where we think elizabeth dies in the timeline. william makes these things called the "funtime animatronics"-- we know they are made after a fnaf location shuts down, though it's not specified which. these animatronics are built SPECIFICALLY to kidnap children. ballora is built as a distraction for parents, the other two are built to only move when not seen, and then Circus Baby™ has an arm that can grab kids and drag thtem into her until willie lets em out. she is programmed to only do this when a child is alone in the room so william tells elizabeth "do not go see baby when you are alone in the room"

so elizabeth is like 6 and she goes to see baby when she is alone in the room and baby grabs her but the arm is fucked up and the kid dies p badly

funtime's location is then immediately closed due to "gas leaks" and william rents out the funtimes for parties. at the same time he starts shoving some haunted parts into the funtime animatronics to see what happens. we THINK.

important location here btw is the "scooping room." it's actually very good horror but basically it's a bitch that is supposed to rip the endoskeletons out of the suit whenever theyre malfunctioning. super smart idea that will cause no nightmares going forwards.

anyway the animatronics all kinda know that william killed them so after a while (a few years??? who knows) they start trying to kill him and he's like "hmm. i cannot go into this bunker anymore. let me send michael, my last surviving kid who i hate." this is where michael, now an adult, re-enters the timeline.

mikey boy is told by his dad that he can bring his baby sis back to life if he goes down into this bunker and does some shit. michael is like "oh sweet" bc honestly he probably still feels guilty about literally killing his bro and so he goes down to the bunker.

the animatronics eventually tell him "go into the scooping room it'll be totes mcgotes" and when he gets there he finds out that the animatronics have killed all the other employees, scooped themselves, and fused their endoskeletons into one conglomerate called ennard

ennard is like "yeah we cant escape here cause they just bring us back so we're gonna use you as a skinsuit k thnx" and they scoop him and use him as a skinsuit

it's really good horror i promise

BUT this turned out to be a bad plan because Humans Decay so after like a week ennard gets puked up by the MikeSuit and escapes into the sewers.

here, meanwhile, is where mike pulls a reverse uno card and possesses his own decaying corpse

LIKE A FUCKING BADASS

he then calls up his dad and is like "hey dad :) elizabeth's fine now :) BUT :) they fucking killed me :) because they thought i was you :) you sure sent me down here to die huh :) anyway :) im gonna come find you :) you have a ten minute head start start running :)"

actor really fucking sold that monologue too ngl

so he's like. PISSSSSSED and rightfully so he is walking around in his own corpse. so he goes to find his dad

Backstory/FNAF3

this is about when peepaw willie goes back to the original fnaf location (we THINK) and is like "ok im just gonna take apart all the animatronics and do something with these"

only when he destroys the suits the missing kids' ghosts show up and spook him. so this guy who's been studying ghosts is like "oh fuckshit there's ghosts here" and tries to hide in the spring bonnie suit. only he laughs and this causes the springlocks to malfunction and FUCKING VIOLENTLY KILL HIM. get springlocked idiot

except then HE possesses the spring bonnie suit and this is springtrap. but also he's in a super secret back room while this happens so he is trapped there for a while

FNAF6

so ennard, michael and william are fuckin around for a couple years. at some point ennard decides that elizabeth is kinda a freak actually and kicks her out of the hivemind so she just rebuilds herself a circus baby suit and keeps wanderin around so now we got four bitches doing who knows what

eventually it's been 30 years since the last freddy's closed and someone opens up a haunted house parody of it. mike goes to work there as a security guard* and guess what they found springtrap and bring him to the attraction thinking he's just an animatronic. after five nights of fucking with him mike sets the place on fire to try and finally kill his dad fr. it does not work

*note that this isnt confirmed to be michael but we kinda. all know it's probably him. it really seems to be him

anyway then michael finds out that an actual fazbear's is opening and needs an owner so he goes and becomes owner of the restaraunt. while some guy on a cassette tape is giving him tutorial instructions he sets up the place and also collects several animatronics. these are:

scraptrap (peepaw post-fire and really pissed)

scrapbaby (elizabeth now thinking that maybe if she kills things her dad will pay attention to her)

molten freddy (remains of ennard still not entirely sure what's going on)

lefty (a bear solely built to capture the puppet, who was still fuckin around the fnaf2 location i guess. anyway now the puppet is here thats important)

so after our five nights scrapbaby comes on the speaker system and is like "omg dad if we kill people will you love me. we're gonna kill soooo many people it's my passion actually" and that's when the cassette tutorial guy interrupts her

and he just goes "yeah. you're not doing that"

anyway he's like "hi guys. you remember me??? henry??? from 30 years ago?? i owned half this business? you killed my daughter and stuffed her soul in a puppet? lmao yeah i literally lured you all here and you came like the fucking idiots you are. im setting the place on fire, we're all gonna die and go to heaven. except for YOU, WILL. you are not going there. lmao bye" and he sets the place on fire and they all burn. it's more epic when he says it tbh

now henry mentions that he had an escape route ready for the building owner but he figured out the owner was michael and was like "i feel like you wanna stay and burn with us" and michael's like "fuck yeah"

you might think that wraps up the story nicely but OH NO THERE'S MORE

Ultimate Custom Night

see, the next game is ultimate custom night where you can choose which animatronics hunt you and their level of difficulty. it is through hidden messages and shit that we find out that ucn is, canonically, william being tortured in hell. which is sick af

anyway the tormentor is a spirit labelled "the vengeful spirit" in the files, and "the one you should not have killed" by the animatronics. we sometimes hear either a light voice behind the other animatronic lines (could be either a woman with a light voice, a little girl, or a little boy), and the pic that sometimes shows up as a hallucination is a distorted photo of scott cawthon's son. we know for a FACT this spirit is someone from the fnaf6 fire cause they reference the fire more than once while poking willie with a stick. it's probably not elizabeth cause she was just tryin to get her dad's attention. it's not charlie/puppet bc one of her lines is like "ffs just stay out of my way for ONCE." we also know for a fact it's not henry cause they were like "henry sure tried to release us huh. not happening im not letting you go that easily bitch haha" so that narrows it down to michael and the missing kids

now here's the thing.

the vaaaaast majority of the fandom is convinced that the vengeful spirit is cassidy, the missing child that was stuffed inside golden freddy with cc. this is because golden freddy is in a looot of ultimate custom night and if you beat the hardest mode you just get a quick cutscene of him glitching and then everything fades to black

however. i have seen legiterally no convincing evidence that this is the case. all we know about cassidy is she is the golden freddy missing kid and was talking to cc through the logbook. and we BARELY know this. in the alternate universe book she first showed up in (the silver eyes) she wasn't even the golden freddy kid. people point out a similar situation to her and cc in fazbear frights where one of the kids was tormenting william (stitchwraith) but that's literally a whole separate universe and completely separate characters with separate backstories and personalities

there's a sprite in security breach who fights glitchtrap (explained below) who was named in the files as "cassidy" so ppl point to that but 1) they changed that name after people made a deal out of it, 2) that could mean literally anything, 3) the protag of the next game was named "cassie" and her story kinda paralleled the sprite's first game so uuhhhh anyway

honestly i think it's WAY more likely the vengeful spirit is mr michael "i'm going to come find you and set you on fire twice" afton, using his childhood likeness to fuck with his dad. this is strengthened by one of the easter egg cutscenes in ucn, where the vengeful spirit talks to a benevolent spirit who tells them to "leave the demon to his demons. there is nothing for you here." the audio in the background is someone distortedly screaming "HENRY" and "MICHAEL"

one of the animatronic lines also says "is this a prison for you or for me? perhaps both" implying that the vengeful spirit feels like they belong in hell, which would fit with mike's "i killed my brother" self-loathing. the golden freddy glitch could very easily be his mental anguish as well as william's, with the optional cutscene telling us that while michael is self-harming by torturing his dad in hell, he has the ability to move on and find peace if he can forgive himself. honestly i really like that open ending there

another point towards "vengeful mike" theory is that we play as him for most of the games (definitely 5 and 6, most likely 1 and 3, some theorize 4) and so him being the vengeful spirit is way more emotionally impactful than "random kid #5"

however every time i bring this up to the fnaf fandom they get really really pissy at me because y'all love ur angry lil girl cassidy headcanons and honestly that is completely fair i also love angry lil girls. im just saying this bc we're going over whats canon rn and i firmly believe in vengeful mike (thank @birdsareblooming for that) but yknow. cassidy is also fun as hell

i wrote a whole essay on this btw these are just the cliffnotes. do you guys wanna see the essay

anyway that's where the afton story ends but OHHH NO MR CAWTHON CANNOT STOP

if you just want a quick catchup before the movie you can stop here but anyway. let's talk mimicry

THE GLITCH STORY

the games coming out recently are kinda a sequel-story and bc theyre still coming out we are still very confused about what the fuck is canon and what is not so this one will be a lot more guessing. i digress let's talk about

Help Wanted

so back on earth, it's the 2020s-2030s. turns out the fazbear company is still functional and they're like "well shit guys what the FUCK do we do about all of That"

so they decide they need a brand cleansing and what they do is they secretly hire an "indie game developer" to make the fnaf games in-universe, to make light of the tragedies and make people take them less seriously. they pretend to have beef with this indie dev but eventually put all of his games into a VR game as a show of "good faith." somehow this actually does work in revitalizing the brand image

also sidenote but the books imply that the indie dev was kidnapped and gaslit into making the games but thats not important

now see there's a glitch in the game and the beta-tester jeremy mentions it and then gets increasingly withdrawn and obsessive. because it turns out there is a Bitch in here

now. the identity of the Bitch is uh. controversial in the fandom rn. i will say for clarity that i am in Party Two and will probably be biased towards that but here's the thing. the Bitch is either:

a digital upload of william afton's soul (somehow escaping hell)

THE MIMIC

Help Wanted Interlude: The Mimic

see, the other books (silver eyes, fazbear frights) are set in a parallel universe-ish to the books, similar rules and worldbuilding but cawthon can fuck around all he wants with no consequences. there were charliebots and springtrap mpreg at one point it was nuts. but the thing is right now they're kinda trying to tell us that the current series, tales from the pizzaplex, is game-canon. god only knows if they'll stick to that so some people think the books are in the game's universe, others think they're parallels to the games and not 1-1 exact much like the others

but anyway they give us crucial lore on The Mimic so here we go

some guy named edwin (some think he's a parallel to henry or william, but rn we're just gonna assume he's canon) is a single dad to a toddler. however he's working for fazbear making all these animatronics and he's sooo busy and needs something to distract the toddler so he creates a fucked up nightmare animatronic called The Mimic, whose programming is extremely basic: "copy whatever you see being done"

the toddler actually loves the fucked up nightmare animatronic and teaches him to play patty-cake and carry around stuffed animals or w/e. anyway then the toddler runs out into the street and gets hit by a car

edwin is still grieving and the mimic comes up carrying the toddler's stuffed animal and still copying him and when the mimic that edwin programmed to copy things is still copying things edwin snaps and just beats the fuck out of it bc he needs a grief outlet. he then abandons the thing but however the mimic has just learned Violence

some employees come by to see where edwin's animatronics are and the mimic just starts killing all of them bc. well. it's supposed to copy things. it will copy things

there's a BIG GAP here in what happens to it next but it disappears for the next 30 years. however it is heavily, HEAVILY implied that it witnessed at least one of the missing children incidents

fazbear actually has a Lot of mimic endoskeletons but bc they start copying violent shit they shut them all down. however they all run on the same program, "mimic1" and fazbear keeps that tech around cause you know it could be helpful

Back to Help Wanted

now here is where the "we only THINK this is canon we dont knkow yet" comes in

back to the vr game, they are just shoving random old pieces of code in there to speefd up the process of making the game cause capitalism doesnt like long development times. this puts the mimic1 program into the program and it immediately sees All Of Afton's Crimes In 4K. it decides "oh yeah i can mimic this but i should probably get a physical body in order to do that"

so beta tester jeremy sees the mimic program, which takes the form of Spring Bonnie Suit. this is Glitchtrap

now keep in mind that some people do still believe that all this aint happenin and the spring bonnie glitch is just william. again i personally believe the mimic cause it makes more sense than "william escaped hell somehow" but w/e

anyway, glitchtrap is fuckin around. it tries to possess beta tester jeremy and in order to stop it, jeremy does the sensible thing and cuts his own face off

so glitchtrap is like "hmm. that didn't work out" and decides to go for the more subtle approach. the next beta tester, currently unnamed, starts recording tapes inside the game to send to the next beta tester so they dont fuck with glitchtrap. glitchtrap however seals itself inside the tapes so that when the beta testers try to delete it, it'll instead be inside the tapes and cant be removed lmao. it then "mimics" tape girl's voice and adds a last tape saying "let him possess you its ok i promise"

it also mimics her intro of "hello can you hear me" in the one time it speaks so. mimic

anyway the next beta tester is this gal named vanessa and she gets possessed like suuuper quickly and glitchtrap is like "oh fucking FINALLY"

Security Breach Therapy Tapes

vanessa's acting weird at work so company requires her to go to therapy, however she has the same therapist as Another Patient. this patient will be named later however right now we're calling them Patient 46. they do not talk but have the same therapist as Vanessa and is creepy about it. anyway whenever a therapist prods too much into either Vanessa or P46's life, or discovers them fucking with fazbear tech, the therapist mysteriously goes missing and shows up later dead and mangled by machinery

they go through like five of these bitches at least, but it's clear P46 is another bitch possessed by glitchtrap but they're like more possessed than vanessa is so glitchtrap likes them better

BUT THAT'S ALL BORING, WE'VE GOT A PIZZAPLEX NOW!!!

Security Breach

fazbear opens a giant 80s-style mall with a ton of attractions like disneyland or w/e and call it the Mega Pizzaplex. There's state-of-the-art animatronics in here that are basically sentient ai. they might be possessed but we're not actually sure rn they might just be advanced robots

they start with "glamrock" freddy, bonnie and chica, along with roxy wolf instead of foxy. we're not sure why rn. anyway at some point something suspicious happens and bonnie is found mangled and he's replaced with montgomery gator, a c-list animatronic they had to run the golf course. he doesnt seem to take the spotlight well and has started breaking things but its probably fine

anyway they eventually realize they can automate the staff and stop paying human beings and they jump on that cause they love cutting costs. they've got staffbots everywhere except for ONE person- vanessa, who is hired as the security guard. we find a note saying that her interviewer found her too inexperienced for the position, but someone "very" high up in the company pushed her into the role. this is implied to be glitchtrap taking over the systems

so vanessa and P46 are shoving glitchtrap into the systems because, well, guess what? the pizzaplex is built on top of the fnaf6 location. the one where henry set them all on fire, and they're trying to do some sort of shit with the burnt remains of springtrap. if you believe in william!glitchtrap he's trying to get his body back; if you believe in mimic!glitchtrap he's trying to fuse himself to afton's corpse in order to gain a corporeal form. it also helps that there is The OG Mimic Endoskeleton in this area (its explained in the books im not going into it) but it's pretty fuckin damaged so they gotta spend some time fixing it before fusing it with peepaw's corpse

but the night they're supposed to do that, something goes wrong: a child is loose in the pizzaplex

glamrock freddy had a malfunction onstage, and when he wakes up in his room, there is a child hiding in his stomach compartment (used for oversized piñatas and cakes). this child is named gregory and he looks suspiciously like the crying child and we dont have an explanation for that but no, matpat, he's not a robot, it's probably just symbolism

anyway gregory actually has like very little memory of what's going on and barely remembers his own name but he says that vanessa the security guard is trying to fuckin kill him so he needs to get tf out of the pizzaplex. freddy's like "well you're shit out of luck cause the doors close and seal until 6am but that's fine we can make it til then" and gregory's like "fucking JOY"

long story short gregory has to run around the pizzaplex while every animatronic but freddy is trying to kill him. freddy is not trying to kill him bc his malfunction caused him to enter Safe Mode and it turns out that Safe Mode is safe from the glitchtrap virus. everyone else, however, gets glitchtrapped and is trying to kill this kid

you dont find out why until like laaaate in the game and even THEN you're confused until one of the goosebumps-knockoff short stories confirms a thing, and that thing is:

gregory is patient 46

oh shit

turns out gregory was possessed by glitchtrap for FUCK knows how long and was used as its body for like the entire time. and when he eventually wakes up un-possessed (no idea how that happened) he has no memory of whats going on at ALL and is understandably fucking terrified. doesnt remember being possessed or killing ppl or anything he just wakes up and runs. glam freddy likely malfunctioned cause glitchtrap was like "oh my god go GET that stupid kid" and glam freddy was like "but???? protecc????" and entered safe mode

so gregory eventually fuckin DEMOLISHES all the other animatronics and uses their parts to upgrade freddy. freddy is like "hey where'd you get these parts" and gregory's like "uhhhhhhhhh dont worry about it" "hey where are my friends" "DONT WORRY ABOUT IT"

while this is happening, a possessed vanessa is in a bunny suit calling herself vanny and also trying to kill him. this is just as confusing to us as it is to you

anyway there are six endings to security breach. according to the most recent game, there is a chance that two of them are canon. WE DO NOT KNOW which of the two is canon. these are the endings:

Princess Quest Ending: greg and freddy try to confront vanny and she gets freddy ripped apart by staffbots. gregory then finds an arcade game in her room and plays and beats it which sets her soul free (presumably he knew how to do this cause he's remembering bits and pieces of being possessed??? idk). anyway once the game is beat she is unpossessed and takes gregory and freddy's decapitated head out of the pizzaplex

Burntrap Ending: gregory and freddy avoid vanny and go to the fnaf6 basement where freddy starts acting all fucked up and then thtey find the Springtrap corpse, now Burntrap (fused with the mimic? glitchtrap? yknow). it tries to kill them so you have to Boss Fight everything and then set him on fire again. THEN a tangled mess of animatronic wires with a funtime freddy head (remains of ennard???) shows up and drags him off. again, just as confusing for us as it is for you. freddy and gregory escape. no idea where vanessa is

ONE of these is canon. we do not know which. this is making the fanbase super chill and normal /lying

Evidence for Princess Quest: in ruin, we see a headless glamrock freddy in the exact same area he is in pq. we also have no sign of vanny trying to help glitchtrap. you can collect gregory's fanart of his own game and pq is the only one he didn't draw. princess quest arcade game has sword sticking out of it

Evidence against Princess Quest: aforementioned headless freddy is labelled a prototype on his foot and we know for a fact that our freddy does not have that stamp. he also has a gift inside his stomach when freddy gave his stomach gift to gregory already (and it was a diff color). the pq arcade game has sword sticking out of it BUT that could symbolize the princess being skewered, and surrounding the game is art of the escaped glitchbunny

Evidence for Burntrap: labelled as "true ending" in the files, only ending to be FULLY animated instead of switching to comic form and also only one with boss fight, the tangled animatronic mess is definitely canon (we see it, gregory draws it so he saw it too which means he went in the basement where it was), while vanny isn't seen her grafitti is everywhere and appears to be recent

Evidence against Burntrap: the "true ending" label, like cassidy, could mean literally fucking anything. also if vanessa is still under his control why the fuck doesnt she help him where is she

so yeah we're having fun figuring THAT out

Ruin (the end so far thank god)

the most recent game we got, then, was the dlc for the above game, this dlc is called ruin. a few months after this, a lil girl named cassie wanders into the ruins of the pizzaplex cause her best friend gregory told her to meet him there. when she gets there she finds a walkie-talkie and he's like "girl im trapped under the pizzaplex you need to shut down the security and come get me" and she's like "sounds great"

she finds vanny's mask and puts it on and enters an AR world where a glitched bunny is trying to kill her (this one isnt glitchtrap actually) and a friendly little AR bear is telling her to keep going she's doing a great job (this one IS glitchtrap probably)

anyway it turns out her backstory is her dad worked for the pizzaplex and she had a birthday party there with her Favorite Character Roxy and literally none of her friends showed up. she was sad about it until gregory showed up and became her friend. then gregory went missing and she was sad

anyway the last security node is favorite character Roxy and roxy recognizes her and is nice to her and its very sad

cassie eventually goes down to the fnaf6 basement and is like "ok gregory i opened the door are you okay" and PSYCH, IT'S NOT GREGORY

IT'S

THE

MIMIC

the mimic immediately tries to kill her bc it likes violence but roxy shows up to save her. the real gregory calls her on the walkie-talkie and is like "bITCH GET OUT OF THERE" and she's like "IM TRYING" and gregory's "friend" (whose pronouns are very specifically blurred out, so it could be either freddy or vanessa) uses the building maps to help her to an elevator. however when she gets in the elevator gregory's like "yeahhhhh sorry we cant let you be followed :(" and drops the elevator, trapping her there

it's like a 99% chance this last bit was not gregory but it was the mimic, seeing as gregory is not even in the pizzaplex and the mimic lost cassie right next to the elevator fuse box that it could easily rip out. so you know

anyway we end with either roxy finding cassie or the mimic using roxy's voice finding her so this kid's fucked lmao

also other questions about if mimic is burntrap is that we see the mimic p naked in this game and not in a fun corpse skinsuit so where did bunny go??? however i will also mention that there is a secret ending that shows us that the FUCKING SCOOPER is here so. personally i think that answers that question. get scooped idiot

oh also if you noticed "hey 'cassie' sounds a lot like 'cassidy,' the golden freddy kid who was sharing a body with the crying child, who has a similar design to gregory," congrats! we've noticed that too! we have no fucking idea what it means! :D

and thaaaaat's five nights at freddy's

that didnt take too long did it

[sflow-er]

Assorted Heartstopper season 3 thoughts (spoilers!)

Charlie's mental health issues were handled really, really well and Joe Locke acted his heart out. Perhaps the recovery could've been shown in a little more detail, but the ep4 structure was a great solution for a show of this length. I also liked how they portrayed the impact on his loved ones (especially the toll on Nick and Tori).

As much as I missed Nick's mum throughout the season, making his aunt a psychiatrist and letting her advise him about Charlie was an excellent choice! It actually felt more realistic than if it had been Sarah.

So pleased to see more Tori this season, and the rewrite of her and Michael's first meeting was cute! I do wish they had broken away from the comics timeline though, because the fast-forward to him casually hanging at their house felt very abrupt. I would've preferred a closer portrayal of her depression and them gradually getting closer this season, with their actual relationship saved for later.

Hence, I am actually glad they saved the ace reveal for S4. We saw too little of Tori and Michael's relationship or her confusion around it to relate to her aceness yet. If she had randomly come out to Charlie on the Ferris wheel, it would have just felt like lip service and a nod to the fans who knew her story from Solitaire (which is not canon in the show). I get why people feel like she was straightwashed, but there is zero chance of Alice Oseman of all people eradicating ace rep, and I genuinely feel that this was the better choice.

That being said, Michael was perfect and the casting was spot on!

As for the aspec rep we already got, Isaac's arc this season was amazingly well done! Even if his experience doesn't resonate with me on a personal level, it was relatable as hell in the show. It's also a great reminder that we are watching an ongoing show. S2 was Isaac figuring out his own identity, S3 was him living it and communicating it to others - and based on the camerawork in the scene where people wondered about Tori and Michael, S4 may be Isaac helping someone else figure out their own identity.

Another memorable thing for me was Elle's radio interview - the sheer absurdity of a trans teen being asked to respond to bad faith talking points from some adult TERF. The host both-sidesing it and unwittingly exposing her to vitriol if the interview had aired. Holy shit how appalled I was on her behalf - and how sadly realistic it felt... I hope the parents and random adults who watch this highly popular show take note.

Is it horribly middle-aged of me to say the teachers are still my favourite couple? I loved the glimpses we got of them together and the flashback to little Youssef made me tear up. More of them in the final season please and thank you!

My main criticism is that the season felt too heavily packed. There are so many characters now, and Alice and the writers want to give them all at least some kind of arc in each season. The result is that many of those arcs feel a bit rushed, and even as someone who usually fixates on side characters, I'm struggling to invest in all of them at once. Especially while the main characters and the more prominent side characters are going through very heavy stuff. So yeah, I would have preferred a tighter focus and more narrative breathing space.

All in all though, I really enjoyed this season and am looking forward to the next (presumably last) one!

[voidcanarys]

Blue Lock Fic Recs

I’ve been meaning to make one of these for a while now. I truly cannot state how much I enjoyed these fics so if a few, or even just one, stands out to you, please give it a shot. I’ve split the list into three sections, kaisagi, bachisagi and miscellaneous but I have wayyyy more fics so I’ll probs make at least a part 2, maybe a part 3.

KAISAGI

I Pay the Price, You’re the Answer to the Pain by yasuna

Teen | Completed | 42.8k words | 8/8

Romantic Hate-Flirting | Homophobia In Football | Angst | Character Study | Developing Romance

It's been one kiss. One kiss that didn't mean shit. But captured by the cameras and broadcasted for the entire world to see, it has the potential to end both of their careers right then and there.

Kaiser and Isagi navigating the world of football whilst staring on a reality tv show. The banter between Isagi and Kaiser is so fun and I love the incorporation of real life events and controversies.

Oat Milk (and Other Irredeemable Vices) by @caluette

Teen | Completed | 26.5k words | 3/3

AU - Coffee Shops & Cafés | AU - No Blue Lock | Enemies to Lovers | Getting Together

Yoichi Isagi works at a coffee shop on campus, and likes to believe he has the virtue of being patient with the people he encounters. He does not, however, file Michael Kaiser under "people." Or, the coffee shop au where they hate each other. Until they don't.

So cute. Dramatic musical theatre major Kaiser and fed up minimum wage worker Isagi. Brilliant characterisation. Love the dialogue between Kaiser and Isagi and their snarky-ness.

Kintsukuroi by laylayli

Mature | Completed | 54.3k words | 3/3

Processing Grief | Kaiser-Centric | Mending Relationships | It starts Bad But Gets Better

'“Kaiser,” he starts to say, “I’m sorry if I’m overstepping, but are you really okay?” And he’s not sure, even afterwards, what it is that makes this his breaking point. Whether it’s the fact that he’s so far away from home, feeling like he’s unmoored himself from reality in this surreal, unfamiliar place, or whether he’s just so tired, so defenceless without the fire burning through him and its fumes obscuring the things he does not want to handle. He’s not sure, if it’s because Isagi is the farthest thing from a friend or the closest thing he has to familiarity right now, but he hears himself say, “My father died,” out loud, for the first time since he got the news.' * sometimes being offered tenderness feels like the very proof that you have been ruined - ocean vuong

Kaiser meeting the Isagi family and learning how to accept help and kindness. Love Kaiser internal dialogue throughout the fic and the constant push and pull between enjoying his time with Isagi and his parents but hating how it reminds him of his own familial relationships, or lack there-of. (Ness and his relationship with Kaiser is also a highlight)

BACHISAGI

Like glass from Sandy Ground by Ethereally & @putsch

Teen | Completed | 7.2k words | 1/1

Aromatic Asexual Isagi Yoichi | Pre-Relationship | Getting Together | Post-Canon

Isagi and Bachira have been best friends for eight years, and pro footballers for six. Isagi knows how Bachira takes his coffee and how many charms are on his phone, is reminded of Bachira when he sees sunflowers or nutmeg in the spice shelf. Bachira can trace every freckle on Isagi’s cheeks and count the moles on his back like constellations in the sky. Isagi and Bachira are not together.

I truly cannot emphasise more how much this fic means to me. I have read it at least 6 times and have cried every. single. time. There’s a specific quote that sends me into tears anytime I think about it (I’m tearing up as I write this). It’s such heartwarming, comforting and beautifully written fic.

Orange Juice by totallyrottentomatoes

Mature | Ongoing | 63.6k words | 5/10

Post-Canon | AU - Olympics | Slow Burn | Unreliable Narrator | Angst with a Happy Ending | Implied/Referenced Homophobia

Isagi Yoichi returns to Japan in preparation for the summer Olympics for the first time in three years, and Meguru finds him again.

The pining is so strong aughhh. Love the incorporation of the original characters. My favouite type of post-canon fic where life gets in the way but the love never leaves.

Sideline Love Story by bogreport

Explicit | Ongoing | 55.6k words | 8/29

AU - No Blue Lock | Most Characters Are Professional Soccer Players | Slow Burn | Feelings Realization | Parenting | Light Angst |

While visiting his family in Japan during the off-season, 25-year-old Bastard München player Isagi "volunteers" to coach his nephew's U-6 team. Enter: the most high-maintenance crew of soccer dads ever to make a scene on the sidelines. Although one of the kids has an older brother who Isagi wouldn't mind getting to know better... Meanwhile Bachira, his arm and his heart both freshly broken, tries to convince himself that while love is fleeting, his monster is forever.

Eeek the kids are so cute in this fic. Isagi being head over heels and not realising it. Bachira developing a crush but hesitating to persue it having just gotten out of a relationship. The author mentions that the “fic's original brainrot form, it was more like a sitcom with an ensemble cast and short silly ‘episodes’ rather than a coherent story” which makes for really fun chapter and a real long slow burn feel.

MISC

Whipper!! by bigdamnher0

Bachira Meguru/Isagi Yoichi/Itoshi Rin

Teen | Ongoing | 15.5k words | 3/6

Bachisagi Are Childhood Friends | Angst and Hurt/Comfort | Climbing As A Metaphor for Self-Actualization or Self-Destruction (Take Your Pick) | Injury | Mild PTSD

Isagi was getting used to the shape of Rin's attention: How he jammed his fingers into Bachira’s back whenever his spine sagged without tension. Barked, “WRONG,” every time they made a move that wasn’t his exact flavor of climbing. Called Isagi’s latest boulder, “fucking lukewarm,” like he was some kind of underpaid undersecretary, delivering him coffee for the day. Still, Rin never failed to hold up his end of the bargain in this tenuous belaytionship: to show them some damn good climbing. The little flame in Isagi’s chest was back. It licked him black and blue. After a near-fatal climbing accident, Rin resolved to never fail again. Isagi swore he'd take the wind out of this pretty boy's sails. And Bachira? All he wanted was a soft landing, just this once. Going up and growing up; cord of threes and all.

Rinbachisagi and bouldering/rock climbing, what more could you want. The way the author writes is so captivating and such an easy read despite all the technical terms used.

I’ll Find my Own Bravado by cygnusknights

Bachira Meguru/Isagi Yoichi/Itoshi Rin

Teen | Completed | 9.6k words | 1/1

Post-Canon | Existential Crisis on a Christmas Cruise | Isagi Yoichi & Itoshi Sae | Isagi-Centric

Meguru and Rin are hooking up. And Isagi… doesn’t hate it, but he’ll certainly have an existential crisis about it on the trio’s Mediterranean Christmas cruise, where he runs into Sae and has a weird holiday not-hookup.

The platonic saesagi is definitely the star of the show. The small Oikawa cameo was also very funny.

Despite the Overwhelming Odds, Tomorrow Came by @icarianiscariot

Itoshi Rin & Shidou Ryuusei

Teen | Completed | 19.7k words | 5/5

AU - No Blue Lock | Suicidal Thoughts | Depression | Platonic Relationships | Absent/Neglectful Parents | Angst with a Happy Ending

"Rin," Shidou repeats. "Where are you?" "I'm—" and fuck, it's so embarrassing, isn't it? The Sae in his head sneers at how lukewarm and pathetic this all is. Begging for someone to ask him to live. "Um, I'm at the bay, up on the bridge. "Silence for a few beats, and then he can hear the clink of Shidou's ridiculously oversized keychain, followed by the slam of the door and his car coming to life on the other end of the line. Rin isn't okay, and the only person he can think to turn to is his shitty brother's annoying boyfriend. A fic on platonic bonds, little things that make big differences, learning compassion toward both others and the self, and coming to terms with being alive. More or less.

A certified Blue Lock classic in my opinion. A must-read even!

On a Wire by merulus

Karasu Tabito/Otoya Eita

Teen | Completed | 128.3k words | 22/22

AU - College/University | Getting Together | Panic Attacks | Fluff & Humour | Trans Karasu Tabito

As a junior in college pursuing his passion for soccer while also putting just as much focus into having a solid post-graduation career path, Tabito Karasu honestly thought he wouldn't have enough time for romance. And especially given how his last relationship had ended, he wasn't even sure he would be able to deal with that kind of stress; he wasn't exactly a fan of letting someone in just to get hurt by them. He would rather stay on track to graduating with honors even if it meant being alone. But somehow that goddamned Eita Otoya was able to sneak his way through all of his defenses, painfully securing a place in his heart. They had been both roommates and teammates since the beginning of freshman year, and by now they also had easily solidified themselves as each other's best friend. They recently moved into an on-campus apartment with their other friend Kenyuu Yukimiya, and life was good. Karasu happened to have feelings for Otoya, but he had had this affliction for the better half of two years so it was something he was unfortunately just trying to get used to. He tried to ignore it most of the time since Otoya didn't feel the same; he was straight. Sometimes it really didn't feel that way, though.

Part 2 of a series but it can be read alone (definitely read part 1 if you enjoyed this tho)

[ponett]

hello i am considering getting into transformers. however, aside from maybe a few episodes of the 2000s show i caught halfway through, a handful of toys i tried to rip the heads off of and i guess maybe the michael bay movies, i know Fuck All about those funny robots in disguise. what are your recommendations for entry points for someone who does not know an autorobot from a deceiptfulcon? i know you talk up the IDW comic series, is that a good place to start? what about cartoons/movies?

(yes i know i could google this but who am i gonna trust more, the transformers lorekeeper or some random screenrant article)

So I love a lot of the IDW comics, especially More Than Meets the Eye/Lost Light, but that continuity is massive and very dense. It's aimed more at adult readers, and in particular adult readers who are already familiar with Transformers. If you wanna just jump right into the deep end, it's a good option. I know a ton of people fell in love with Transformers through MTMTE and its gay robot melodrama with no prior experience. But it can still be daunting, especially if you try to read ALL of the IDW comics.

Right now, the main thing I would recommend is the currently ongoing Image comic series by Daniel Warren Johnson, just titled Transformers. It's the centerpiece of a new shared universe with an original sci-fi series called Void Rivals (which has a lot of Transformers cameos) and some GI Joe comics, but honestly you can just ignore all that stuff and read Transformers on its own. There are 11 issues out right now and they're all bangers. I think they convey the basics of Transformers really well, with incredibly fun action and great character writing to back it up. I'm not sure we've gotten such a succinct encapsulation of why Optimus Prime is such a great character in years.

In terms of cartoons, the main fan favorites are Transformers Animated and Transformers Prime. If you want a 2D animated version by a lot of the same people who worked on Teen Titans and Ben 10, go for Animated. If you want a 3D animated version that's a little more serious and a more conventional take on the story, go for Prime.

There's also, of course, the option to just go watch the original G1 cartoon, if you're a fan of that '80s toy commercial cartoon cheesiness. It's still a lot of campy fun, even if it's not going to be the most dramatically compelling version of the series or the easiest on the eyes. The 1986 animated movie in particular gets referenced, like, all the fucking time in everything else that's come since, so that's at least worth checking out on its own.

The Bumblebee movie is also cute as a little standalone story. That's the only one of the live action movies I would recommend as an entry point lmao

[enbyzutara]

Aang x Luke Skywalker Parallels: How Aang’s Hero’s Journey Wasn't Properly Finished

I read this post by @lovegrowsart and I couldn't get it out of my mind how Aang and Luke Skywalker's journeys have so much in common, yet only one of these arcs feels like it has come to a properly finished conclusion. Meanwhile, the other one feels like the character didn't learn what he was supposed to in order to fulfill his Hero's Journey arc. So, in this post, I want to expand more on why “Aang was supposed to be the Luke Skywalker of Avatar: The Last Airbender”, but the creators of A:TLA failed to properly finish his story.

Firstly, it’s important to point out that the Star Wars saga and universe are widely famous in pop and nerd culture, including Luke Skywalker, the Jedi protagonist, who himself is one of the most famous and beloved characters from the saga. So, it’s not really a reach to assume that the creators and writers of Avatar: The Last Airbender were - at some level - inspired by this famous universe and character. By doing a quick research, we can confirm this assumption, because Bryan Konietzko, one of the co-creators of A:TLA, said in a podcast that Dave Filoni helped to shape A:TLA and its story. Also, both creators said that Joseph Campbell’s writing about mythology helped them to create the Hero’s Journey and the other storylines for their show, and George Lucas was also heavily inspired by Campbell when he was writing Star Wars.

(I will refer to the Star Wars episodes of the original trilogy as one, two and three - even though, nowadays, they are the numbers four, five and six).

Bryke (Bryan Konietzko and Michael Dante DiMartino, the co-creators of Avatar: The Last Airbender) and George Lucas share a lot of tropes and narratives in the stories that each one of them created. Both protagonists of the sagas are the '"chosen one" of their universe: both are the last of their kind (even though in the Star Wars universe, initially there were two more older Jedi) who have the weight of the world’s future on their shoulders. Aang needs to fight against the Fire Lord and Luke, initially, against Darth Vader. By doing this, they would bring balance to the world/galaxy.

It’s also important to emphasize how Luke Skywalker and Aang are not only the saviors of the story, they are also the last of their kind. In A:TLA and in Star Wars, we have populations that suffered genocide: the Airbenders were brutally exterminated by the Fire Nation during Sozin’s Comet, and initially, it was revealed in the original Star Wars trilogy that the Jedi were wiped out of the galaxy when Order 66 happened. So, Luke and Aang not only have the destiny of the world/galaxy on their shoulders, they also are the only ones who can continue the legacy, the culture, and the survival of their own kind.

Another parallel between Luke Skywalker and Aang is that both have a Mentor From Beyond. Luke Skywalker was able to seek knowledge from the Jedis who had passed away in the original trilogy. Firstly, it was Obi-Wan Kenobi, who was his first mentor; Luke was able to communicate with him, and Obi-Wan would give him advice and directions to follow. Later, Yoda also appeared to him. For Aang, due to the fact that he’s the Avatar (and to be the Avatar means that you are the reincarnation of someone who already died), he was able to contact the Avatars from his past incarnations. In the show, Roku is the past Avatar with whom Aang most often connects, but he also seeks knowledge from Kyoshi, Kuruk, and Yangchen.

In Book One: Water and A New Hope, both characters are presented as more naive, and the narrative is not as tense as in the later seasons/episodes. However, the sequel presents a "darker" version of its universe as both characters grow and face emotional dilemmas and more hardships. The Empire Strikes Back and Book Two: Earth explore, even more, the ongoing war in their respective universes, and by the end of these sequels, things go wrong for the heroes. And what I really want to discuss is the similarity between the second episode of Star Wars and the second season of Avatar: The Last Airbender.

At some point in the second episode/season, Luke and Aang had to separate from their group of friends in order to learn more and to train. They had to seek knowledge of what they are and what they represent, because by doing this, they would be a step closer to fulfilling their duties and saving the galaxy/world. At this moment in the narrative, Luke and Aang have an older and wiser mentor who will try to help them achieve this: Yoda and Guru Pathik.

But neither Luke nor Aang finish these training sessions that they started, because during their training, they have a vision of people who are special to them currently in danger. So, even though Yoda and Guru Pathik advise them not to leave and to finish what they started, they leave. Luke goes to Cloud City to save his friends (Leia, Han Solo, Chewbacca, and C3PO) and Aang goes to Ba Sing Se to save Katara. And as stated before, in this episode/season finale, things go wrong for the heroes, including to the protagonists who are supposed to be the saviors of both universes. Luke and Aang left their training even though they were advised otherwise, they went to fight without properly learning what they needed to learn. So when they faced the enemy, they lost. Both at the end were defeated: Aang quite literally dies and Luke has a metaphorical death when he learns about his parentage and loses one of his arms. He also "commits suicide" when he decides to jump instead of aligning himself with the Dark Side.

Now, something really important here is to talk about how Luke and Aang's attachments to people who are dear to them made them run away from what they should have been doing, instead of bringing them closer to their duties and destiny. It was understandable the reasons why they left their training, but it still was wrong in the sense that things went wrong and it ended tragically for both characters. And, it’s never portrayed in both sagas that loving someone is wrong, but being attached to someone is. Both of their Hero’s Journeys required them to learn the difference between what is love and what is attachment, because both concepts are different and one of them (attachment) is portrayed in both sagas as wrong, especially for the protagonists.

Although I’m not Buddhist, nor was I raised as one, it’s clear that Star Wars (1) (2) and Avatar: The Last Airbender (1) (2) both were inspired, to some extent, by this religion and its philosophy. (I tried searching for articles and videos made by Buddhist people, but, unfortunately, I couldn't really find many, so if anyone wants to link more content, please, feel free). And one thing that appears to be inspired by this religion and philosophy in both sagas was the concept of attachment in contrast to love (1) (2). Before delving into the topic of attachment in the show and movie, it’s ideal to understand what attachment means from a Buddhist perspective:

In Buddhism, attachment is called upādāna, which means grasping or clinging. It refers to the human tendency to cling to people, things, or ideas in the mistaken belief that they will bring us lasting happiness and fulfillment. Attachment arises from our desire to feel secure, comfortable, and control of our lives. (...) Attachment to people: Attachment to people can become a source of suffering, as we can become overly dependent on them for our happiness, identity, and sense of security. This attachment can take many forms, from romantic relationships to friendships and family bonds.

While searching for what would be the difference between love vs attachment in Buddhism, this quote also brought my attention (I'll definitely come back to this later): 

Any kind of relationship which imagines that we can fulfill ourselves through another is bound to be very tricky. Ideally people would come together already feeling fulfilled within themselves and just therefore appreciating that in the other, rather than expecting the other to supply that sense of well-being.

George Lucas seemed to understand this concept better than Bryke. In Return of the Jedi, Luke Skywalker a) trusts his group of friends way more than he did in The Empire Strikes Back, b) he was also able to let go of his anger for Darth Vader because he genuinely loved Anakin, his father. George Lucas was very vocal about how he wanted to portray attachment as a bad thing, and when it comes to this topic, he never intended to make the Jedi philosophy something wrong. Strict? Maybe, but not wrong. And in the end, as the episode’s title suggests, Luke "returns", as he also returns to Dagobah to contact his master, Yoda, one last time. (The title of this episode can also refer to Anakin returning to the Light Side, but art can be interpreted in different and many ways).

In contrast, Avatar: The Last Airbender presented Aang’s attachment to Katara in a bad light. The Guru episode shows that Aang's attachment to Katara, not his feelings, is what is making him fail to open his chakra and not being able to enter into the Avatar State. 

Pathik: The Thought Chakra is located at the crown of the head. It deals with pure cosmic energy, and is blocked by earthly attachment. Meditate on what attaches you to this world. [Images of Katara appear before Aang.] Now, let all of those attachments go. Let them flow down the river, forgotten.

It’s even more important to understand that what Aang feels for Katara is not genuine love, at least in this episode, it’s pretty much stated that he is attached to her in a way that he needs to learn to let go. To expand a little bit on this, it’s necessary to analyze two Avatar: The Last Airbender episodes and how they portray what Aang feels for Katara:

Firstly, 'The Fortuneteller' episode portrays Aang’s feelings for Katara as just a childish crush. There's nothing wrong with a childish crush in general, especially because Aang is, in fact, a child, so he's bound to be childish. But in this episode, what he feels for Katara is paralleled with what Meng feels for him: something that was one-sided and lacked "emotional maturity and self-awareness". Both Aang and Meng viewed their crushes in an overestimated and hyper-idealized way, which again was portrayed as silly and in a bad light.

Secondly, in 'The Guru' episode, it shows that yes, Aang does love Katara, but is it in the right way? The Air Nomads' genocide deeply affects Aang, and he still loves the people that he lost, obviously. But in the show, Guru Pathik states that the love that Aang felt for the Air Nomads was 'reborn' in a new love - his love for Katara. So, Aang is projecting his feelings of love for the people who were brutally exterminated onto the girl who, at this moment in the narrative, was only his dear friend who shows him support and fights alongside him. Aang needed to get closure and heal from this traumatic event; it’s a huge trauma that he should work through. But instead, he was coping by projecting his feelings onto something, or better, someone.

I personally think that Aang loves Katara to some extent, but he needed to work through his trauma first. This goes along with something already shown before, quoting: "people would come together [in a relationship] already feeling fulfilled within themselves and just therefore appreciating that in the other".

The chakra/Guru plotline in Avatar: The Last Airbender is not about Aang needing to stop loving Katara; that's a huge misunderstanding. It was about how Aang was attached to something (or someone, in his case) that he needed to learn to let go of, so he could progress, grow, and heal. After he fulfilled this arc about what's love vs attachment, two things could happen: a) maybe Aang would realize that his love for Katara was more platonic and that he was projecting a lot onto her because he sees her in an idealized way, or b) that he indeed loves her but he needs to realize that he's too much attached to the comfort that she gives and brings to him, so his feelings for her need to have more emotional maturity.

And in the end of season two, Aang actually let go of his attachment to Katara, and he was able to achieve the Avatar State. But unfortunately, after this, he was brutally attacked by Azula and had his chakra blocked.

But in Book Three: Fire, not only does he not return to see or contact Guru again, as Luke did (returned to see his older and wiser mentor, Yoda, in the third and final episode), but Aang also appears to still be attached to Katara in the same way that he already was, if not worse. In the Ember Island Players episode, he: 1) gets so mad and frustrated with the Players portraying his relationship with Katara in a non-romantic light that he says that he could go into the Avatar State over this, and 2) rushes things with Katara and kisses her without her consent, disrespecting her boundaries, after she just avoided his romantic questions and advances.

Point 1:

Aang: [Angered.] No, I'm not! I hate this play! [Yanks his hat off and throws it on the ground.]  Katara: I know it's upsetting, but it sounds like you're overreacting.  Aang: Overreacting? If I hadn't blocked my chakra, I'd probably be in the Avatar State right now!

Point 2: 

Aang: But it's true, isn't it? We kissed at the Invasion, and I thought we were gonna be together. But we're not. 

Katara: Aang, I don't know. 

Aang: Why don't you know?  Katara: Because, we're in the middle of a war, and, we have other things to worry about. This isn't the right time.

Aang: Well, when is the right time? 

Katara: Aang, I'm sorry, but right now I'm just a little confused.  [Aang tries to kiss Katara.]

Katara: I just said I was confused! I'm going inside. [Exits the balcony.]

All of this shows how he still lacked emotional maturity, and how he still was attached to Katara, in a way not much different from what was shown in Book Two: Earth. Overall, this shows how his feelings for her weren't properly developed and didn't grow from where they previously were – because it was still bound by an attachment that he needed to let go of in order to grow, heal, and learn.

Unfortunately, the Guru/Chakra plotline was completely brushed aside in Book Three: Fire; Aang doesn't even seek to see Guru again or continue his unfinished training. And in the end, when he was fighting the Fire Lord, what he was always meant to do, he managed to go into the Avatar State. Not because he trained or learned how to achieve this goal; actually, it was because a rock saved him by triggering the Avatar State. So, in the end, an entire plotline was ignored and forgotten. Aang didn't learn what he needed to learn with Guru, nor did he finish the training that he was meant to do, and he still was rewarded by the narrative with achieving the Avatar State and saving the world (and also, "getting the girl").

[(...) and Aang protects himself with an airbending shield but is pushed back by the force of the attack, crashing into a rock pillar. The scar on his back is hit with a point of the rock, causing him to flashback to when he was shot by lightning. (...) Aang jumps out, now in the Avatar State, and grabs Ozai by his goatee.]

And that's why Aang is the Luke Skywalker that we could’ve had. Luke finished his Hero's Journey; he learned what he needed to learn and because of it, he saved the galaxy and his father. Meanwhile, Aang didn't learn about love vs attachment, yet he still achieved what he needed to achieve from the beginning: the Avatar State and winning against the Fire Lord. And he only achieved that because the narrative chose to give him a final new solution to resolve all his problems instead of him directly dealing with and facing the problems, difficulties, and dilemmas that the narrative initially proposed to him.

(I don’t actually mean quite literally that Aang needs or should have been the Luke Skywalker from Avatar: The Last Airbender, because Aang is his own character who has his own story. What I mean is that: Luke Skywalker is a character who is similar in some ways to Aang, and he had his Hero’s Journey properly fulfilled. I believe that Aang also deserved the same treatment by the creators of ATLA).

[moonlightkitties]

REQUESTS ARE OPEN

Fandoms

GTA V

RDR 2

Characters

Arthur Morgan

Dutch Van der Linde

Micah Bell

John Marston

Bill Williamson

Sean MacGuire

19 yr. old Jack Marston

Trevor Philips

Michael De Santa/Townley

Wade Hebert

Dave Norton

Steven Haines

Things I will write

Fluff

Angst

Literally anything (except smut 😔)

Red Dead Redemption

Micah Bell

Late Night Swim (You and Micah go in the lake for a swim)

Arthur Morgan

Arthur Morgan x Reader - (You get separated from the gang during the Blackwater massacre and do whatever it takes to find them again) - ON HOLD

Part One

Part Two

Part Three

Dutch Van der Linde

Dutch Van der Linde x O'Driscoll! Reader - (You're Colm O'Driscoll's daughter who got kidnapped by the Van der Linde gang) - ON HOLD

Part One

You are your fathers daughter - (You're Dutch Van der Linde's 18 year old daughter who is struggling to keep up with your father's plans for your future) - ONGOING

Part One

Part Two

Part Three

Part Four

Part Five

Part Six (SMUT)

Part Seven

Kieran Duffy

Full Moons are Ruff (Halloween Fic) - You're a werewolf and after going missing during guard duty, Bill makes Kieran go look for you. When he finds you, he stays with you all night.

Grand Theft Auto Five

Trevor Philips

Jealous and Needy Trevor Headcanons

Trevor with a partner who is "out of his league"

[fuckyeahgoodomens]

David and Michael interview with Vanessa Armstrong and Valerie Ettenhofer for SlashFilm, 10.7.2023

Film's Vanessa Armstrong got the answers in an interview with Sheen and Tennant, which it should be noted took place before the ongoing SAG-AFTRA strike began. When asked about how and when Gaiman, who created and showruns the series, pitched the second season, Tennant revealed that "it gradually came into focus over a couple of years, probably." The actor notes that "the initial idea that there might be more story to tell" might have actually "had its genesis way, way back as a sort of fantasy idea, really, where we were shooting [season] 1." Like many a TV show these days, the show was initially marketed as a limited series, but that didn't last; it was officially renewed in 2021, two years after it aired.

While it sounds like Gaiman and the cast perhaps daydreamed about keeping the fun going with another season during production on the first, Tennant says the pieces still didn't come together until after it aired. "Then [season] 1 came out, and I think from that point, there was a slow realization that actually there might be more to come," he told /Film. "Neil was clearly excited at the idea, and I think Amazon were keen to do it." Some limited series clearly have aspirations for a sophomore season, but Tennant insists that he and Sheen "always thought it was a one-off," having signed contracts for one season and only been pitched on one season. When they got the go-ahead for another, though, he explained, "Michael and I were thrilled that we would get to return to [these] characters."

"When we started off on that journey, there was never a sense to go further, but what a treat that it was going to," Tennant explained. It took a long time for the full season 2 picture to come into focus: "I think Neil would drop us little nuggets down the months and years, really," he told /Film. Sheen, meanwhile, says he has "no memory whatsoever' of how Gaiman told him about the plans for Aziraphale in season 2. He did, however, have an inkling based on conversations Gaiman had described having with Pratchett about a continuation of the story before the author's death in 2015. "I know what we wanted to explore," Sheen said, "and I always remember what he was aiming to get to by the end of the second series, because of ideas that he and Terry had talked about with where the story might go."

Sheen says he thinks the first thing Gaiman told him about season 2 involved "the idea of Gabriel coming into their lives again in a very unexpected way, and then that eventually building to the point that they get to at the end of this series." Tennant, meanwhile, remembers being in Romania on a shoot for "Around The World in 80 Days" when Gaiman shared the first scene of season 2 with him and Sheen over Zoom. "Neil read us the first scene, the opening scene, which is, if you've seen it, you'll know we meet a very youthful Crowley and Aziraphale, very much way back at the beginning of time." (fygo: NGK FUCKING NGK!!!) Tennant says Gaiman "then gave us a quick sketch of what the rest of the series was going to be." Though both actors are understandably trying to keep mum about the ending of season 2, they note that Gaiman told them what it would be early on.

"That was all worked out, and it just felt delicious, really," Tennant says after recalling the Zoom meeting. "I mean from that moment on, it just felt like it was always meant to be. It felt like it was such a perfectly formed idea. I think it's fair to say that Michael and I didn't need much persuading." That's great to hear, because we certainly didn't need persuading to sign up for a season 2, either. The new "Good Omens" adventure begins on Prime Video on July 28, 2023.

[meanbossart]

A long over-due ask compilation (Art & Music)

It's vaguely based on a short story from the book "The Consumer" by Michael Gira, specifically "The Boss". I think it came up in conversation with a friend or something when I was picking a new username, so that's how we arrived at it - this was almost a decade ago so, my memory on it is a little hazy!

{MORE UNDER THE CUT]

HAHA thank you so much!!! Glad you enjoy what I do 😎🍻

I BELIEVE this little guide I put together over here might be helpful to you, also! I touched on pretty much everything you brought up.

As for reference material when it comes to facial expressions, I have a mirror next to my desk which I glance at often and make weird faces at LOL and for consistency, it's really a matter of learning to dissect and remember facial structure. It's just something you end up developing an eye for when you've done it for long enough! Naturally, if we're talking about drawing existing characters, it's always helpful to just look at some pictures of their mugs and take a minute to define what features about them make their faces recognizable - I touch on this at the link above as well!

I do plan on making a "drowstarion" (love that, by the way LOL) playlist eventually, life's just been kicking my ass and I hardly have the time 😭and when I do, I just wanna draw.

Otherwise I don't have any other playlists floating around at the moment, BUT the one my boyfriend made for his Vellioth comic can be found here, and it might scratch a similar itch!

Thank you! I believe this was in reference to this post. Something like that takes me about... An hour??? If we're talking just the colors, at least. Though that's a really rough estimate because I take a lot of breaks, so my sense of time when I work ends up pretty skewed. Even if the application of the colors themselves took less than 20 minutes I probably spent 2 hours just staring at it LOL.

My friend, I have no idea. I'm in a constant battle between "I want to draw more realistically" and "I want to simplify my art so I can draw more/faster". What you see is the result of that ongoing brain-tug-of-war.

Also, just the way I assume everyone else develops theirs - they see stuff they like and emulate it until their art is Frankensteinish enough to be it's own unique thing!

I'm far from a Type O Negative buff, BUT I'm happy to share some of my favorites with you! They're quite scattered across a couple of their albums so I'm not sure I have a favorite, but I would say October Rust is a good starting point.

In no particular order, these are my most listened tracks of theirs: -Love You to Death -Black N.01 -Haunted -She Burned Me Down -Can't Lose You -I Don't Wanna Be Me -Be My Druidess -September Sun -Tripping A Blind Man

Alas, I was one of those people who was already drawing in kindergarten 😅 though I would say I only started taking it seriously when I was around 15-16 years old. As someone who has tried their hand at several other hobbies since reaching adulthood, I get what you're saying that it can kinda feel like... You missed the wagon? I've felt that way about all kind of things lol

That said, I've seen adults managing to develop their art skills extremely fast and effectively before. Understanding where and how you need to improve, and how to follow lessons/guides best is something that is vastly improved by maturity and knowing how to best hone your time, attention, and resources - and those are skills we completely lack as children. So, I sincerely believe that as long as you commit yourself, you can definitely get to a point that you're happy with in a couple of years if not less.

JUST DO IT BUDDY we are all just people looking through a screen and you won't ever see, talk, or meet 99% of the folks who ever clap eyes on what you post. Whenever you start getting nervous about sharing something, take a minute to ask yourself why you're nervous, and if none of the reasons have any genuine substance besides being afraid of what people "might think", just go ahead and post it. You're no mind-reader after all, and if you are, I doubt you can hear what a guy from Argentina or wherever is thinking about the art you made.

Point is, nobody online can touch you 🤷and if someone doesn't like what you do, they can simply choose to not interact with it, and if they do you can block and move on. There are zero reasons for you to feel "bad" about putting up a doodle when our experiences on the web are so easily curated nowadays.

[d34dlysinner]

Prettybusy Updates/promises for the future. Year 2024

I literally took this from their website so. This was posted today: 10/01/2024.

Hello, this is Prettybusy.

Since the release of <What in Hell is Bad?>, many people have found Hell to support us and tell us what could be improved.

We are most apologetic that we cannot reply to all the voices.

But even when we weren't able to respond to everything, we still read every email, made sure we didn't miss anything,

and kept the production crew together for ongoing discussions.

We would like to apply many new things to Hell, but here's our first response to your voices,

summarizing what we can realistically expect to see in 2024.

More info about content, pricing and improvement of environment under the cut.

[Addition of contents]

Life goes on forever.

To those of you who come to find <What in Hell is Bad?>, we hope to be with you for new stories and new events.

So, here are some new content that we promise to add.

First

The addition of a new main story - Chapter 5 - (within January)

Hell's next story will be added.

What will be added in the new main story are main story episodes including battles, Minhyeok's story, and Hell's chatrooms.

We aim to add new chapters once every 3 months.

Second

The release of the minigame <Catch Minhyeok's Boxers> (within January)

Minhyeok's boxers have flown away in the wind! It is a game where you catch boxers floating in the sky with Ppyong who is armed with shibari.

To satisfy your desire to earn paid currency, we will add a minigame that allows you to randomly farm items alongside light gaming.

You can obtain not only Lesser Keys and Greater Keys, but also Solomon's Seals if you're lucky(!)

Third

The addition of new daily chats (within February)

The interest of all devils which you can see once a day. Daily chats will be added.

We are aiming to add daily chats steadily once every 2 months.

Fourth

The addition of the Friends system(within March)

You are not alone now...!

Adding friends gives you the ability to earn additional items, see what characters your friends have that you don't, and show your profile to other friends.

Fifth

The addition of Realm of the Seraphim(within March)

The closed <Realm of the Seraphim> of the Dark Sanctuary will be opened.

You can now enter Gabriel, Raphael, and Michael's realms to fight them.Similar to the Nightmare Dungeon, you can only face them if you fulfill the conditions, and while it will be a scarier battle, you will be rewarded with better items.

What's unusual about this is that you won't exchange items through an exchange, but rather you get the

items you loot from their realms immediately after the battle.

Sixth

The addition of a birthday system(within April)

The devils understood the human world's <celebration of birthdays>.

Now, the devils will congratulate the day you were born, the most unusual being in Hell.

Devils who are on good terms with you will contact you, and also prepare presents with their hearts.

Seventh

The addition of decorating the lobby icon(within May)

The production crew also enjoy decorating everything with the devils we love.

Like on Halloween, the function to decorate the lobby icon with a single devil's theme will be added.

The icon packages for all devils won't be there from the start, but the icons of all devils will definitely be added.

Eighth

The addition of line stickers(once registration is complete)

We are preparing line stickers of each devil version.

First off, Ppyong's stickers are ready and we are getting ready to register. It is not up to us to decide whether it will be able to register so we can't give you an exact timeline, but barring any major issues, you should be able to see them in the first half of the year. We will also be creating a number of opportunities for you to join the devils outside of the game this year.

[Pricing system reform]

Once again, we sincerely thank you for finding Hell despite its many shortcomings.

We will continue to improve the parts that inconvenience you in Hell's environments you experience.

So, here is our promise of 2024 to make your experience more comfortable.

First

The function to 'select' when summoning an L grade character (within February)

We confirmed that you have been working hard to get your hands on L grade devils, and we have seen how

frustrating it can be when you have reached your number of guaranteed acquisition but can't get the devil you want more.

Therefore, the production crew discussed this to be the improvement that should be made first.

Now when L grade characters are newly released, you can select the character you want once you

reach the number of guaranteed acquisition.

Moreover, we sincerely understand and apologize for the frustration of those who didn't get their limited characters.

In the interest of equity, we can't directly give you the angels you didn't get, but we have added a system to make it

easier to get Solomon's Seals with the promise of a definitive reprint of the angel characters.

Second

Monthly acquisition of Solomon's Seals (within February)

We have confirmed that people who play the game 100% for free don't have the opportunity to get an L grade character, and that makes them feel a great sense of loss.

We have made all of our stories available for free for those who want to play for free, but we empathize that the devils, especially the touchable ones, tempt you so strongly that it is difficult to resist.

Therefore, players who play for free can also obtain 500 Seals per month through various activities such as quests and attendance.

Third

Pancake Shop renewal (within March)

We have received a lot of feedback about the efficiency of the Pancake Shop and how getting S grade characters and artifacts with pancakes just isn't that much fun.

Also for 100% free-to-players, one of the largest opinions was to to give them the opportunity to

earn L grade characters when they obtain duplicate L grade and S grade characters, even if it costs much currency.

While it is impossible for us to listen to 100% of the feedback we receive, we have been working hard to make sure we are listening to you as much as possible, which is why we are announcing a complete renewal of the

Pancake system and prepare the opportunity to obtain L grade characters.

(1) The Pancake Shop will now be upgraded to the Nightmare Pancake Shop, and free-to-play players will now be able to obtain L grade characters through the Nightmare Pancake Shop.

With the addition of the Nightmare Dungeon and the Realm of the Seraphim, you will need to develop a variety of characters. Gold and Tomes will be much more important, and you will need to be more efficient with limited action power.

As a result, duplicate acquisition of B/A/A+ grade characters will now grant Gold and Tomes, and duplicate acquisition of S grade and L grade characters will grant <Nightmare Pancakes>.

(2) <Nightmare Pancakes> will be used in purchasing goods in the newly opening <Nightmare Pancake Shop>.

In the Nightmare Pancake Shop, you can purchase a monthly rotation of <L grade characters> and <L grade character artifacts>, <exclusive stickers to decorate your chat room profile>, <in-game icon design packages>, and

<Solomon's Tears>.

(Through fun planning, we will continue to add novel and adorable goods.)

(3) The <Pancakes> you already own can be used to purchase items from the existing Pancake Shop, or exchanged for <Nightmare Pancakes> - currency that can be used in the Nightmare Pancake Shop. (*Not at a 1 to 1 ratio.)

This is an upgraded version of the Pancake Shop that we have been working hard to continuously bring you as many opportunities as we can.

Not all functions are immortal, and we are planning to listen to many opinions again after implementing the shop.

Through the renewal of the Pancake Shop, we hope you obtain more efficiency and opportunities.

Fourth

Adjustment of the price of the Nightmare Pass (within March)

The Nightmare Pass was designed to give players a chance to get a guaranteed L grade character and a lot of paid items for a fraction of the cost.

However, there were various opinions ranging from the Pass being cheap to too expensive due to exchange rate

differences between countries (in some cases due to the dual conditions of exchange rate and app store).

One thing we know for sure is that most players had a blast.

We want you to enjoy your visit to Hell, so we have decided to price the Nightmare Pass a little lower than it is now, taking into account currency differences between countries.

We will announce the exact price again.

However, we respectfully ask for your kind understanding that it takes a lot of time and effort to bring

L grade characters to you, including the artwork, Live2D, stories, comics, and voice acting, so we can't just make them too cheap.

[Improvement of environment]

First

Adjustment of staging time of Ultimates (within February)

While we wanted to maximize the spectacle of combat through fancy staging, we found that the pacing of

combat can be a bit sluggish for those who are already used to staging.

The scenes in which the characters' faces appear will be reduced to 1/2.

Second

Enjoying event story illustrations (within March)

We accept wholeheartedly the feedback that after watching an event story, it is very sad not to be able to see the illustrations after the event story period.

You can now rewatch the illustrations you enjoy in the future event stories you meet in the existing album.

Third

Addition of a Boss skill window (within March)

We hear your feedback that when a boss angel appears, it is hard to respond because you don't know what skill they use.

Boss angels will now have skill icons next to the angels, and you can tap on it to see the skill they use.

However, there are bosses that intentionally do not expose their skill icons in some places for the sake of difficulty.

Fourth

Faster announcements

We recognize that announcements about new character additions and release schedules do not give you enough time to prepare, or even make you feel anxious.

To explain the situation so far, the <evaluation> takes a very long time unlike other games, and it is very difficult to confirm the release date.

This is because even if we announce our release date well in advance by the standards of other games, 2-3 weeks can easily pass if we get rejected only a few times.

But this is not a situation that our players should have to deal with, and it is something we must solve.

For a safe announcement, we are planning to update only the main story and minigame in January without releasing new sub stories, new S grade characters or L grade characters.

We will be pulling about two months' worth of evaluation for new characters that are tied to evaluation, so we'll be able to give you a stable schedule ahead of time once we have the results of the evaluation.

We realize that not releasing new characters can be boring for our users. But if you could understand that this was a very difficult decision for us to make, we'll be working harder in the month of January to ensure that we're able to give you stable announcements.

We would like to take this opportunity to thank you from the bottom of our hearts for finding Hell once again.

We would like to say that although we do have many shortcomings, but we never made decisions to give you bad experiences.

And that we'll never stop, and that we'll continue to think and listen every day to keep things moving in the right direction.

We wish we could use large staff to make faster improvements and respond to more voices in real time, but we are deeply sorry and saddened that we can't.

We will repay your love with a production crew that will answer your questions as quickly as we can.

You are the most valuable and appreciated part of the production crew's experience.

Though it may be slow, Hell will not stop. It will become more experienced and faster.

Thank you always.

Link of the website:

http://whb.prettybusy.kr/

[emblazons]

Still thinking about how understanding what happened in the S3-S4 relational narratives requires you suspend the belief that the last two (soon to be 3) seasons of Stranger Things are designed to stand alone.

With S1 and S2, the seasons existed as standalone entities—S2 was a sequel yes, but it wasn't a direct narrative extension of the action that occurred in the season before. You could watch Season 2 with only a bit of context from the first season (one boy got kidnapped and taken by the monster into another dimension, the girl from the lab with the superpowers showed up and they worked together to save said boy, but then she disappeared and was presumed dead) and watch the second season with little issue.

Its not the same with Seasons 3-5. If anything...it helps when analyzing to imagine Seasons 3-5 as one "season" in the same way S1 and S2 exist as single entities; the Duffers have already confirmed its true for Seasons 4-5, but it gets a lot easier to follow arcs and action, particularly for the youngest characters, if you stop trying to find coherence in single-season stories and look at each season as three parts of a whole.

This is true across the board, but it's particularly true in the case of understanding Byler, both as individuals and a pairing (though the full buildup of their romantic arc will take us across all 5 seasons). Understanding why S3 feels like you just got dropped into nonsense with them specifically (after two seasons of Michael "I'm the only one who cares about Will" Wheeler and Will "I am central to the story even when I'm off screen" Byers) is because The Duffers took the risk of introducing a brand new set of conflicts to the youngest characters: namely, ongoing romantic relationships, personal identity crises and sexuality...only without resolving the conflict and action in the 8-9 episodes they usually do, which is why you feel frustrated by it.

Basically: Season Three was the season where we set up the relational problems that need to be fixed—we just have three entire seasons to work through them, which means its gonna look bad at the start and good as we work through the problem (over the course of a few seasons) to get to the solution.

forewarning: ferociously long post ahead (with headers for clarity)

Will’s Arc: A (Queer) Coming of Age

With Will, the problem re-introduced in S3 is that he feels different from his peers, and not just because he's gay; its because 1) he is in love with Mike in a way that is more genuine than we are being presented in the third season (that "sandbox" "puppy love" "break up and makeup" summer fling energy that S3 has) and 2) he is unwilling to step into the lie of "maturity" as its being presented in the story, aka giving up things like hanging out with his friends over focusing on relationships or giving up games (DnD in particular).

(sidebar: I wrote another analysis touching on the above here).

A lot of people I've met who watch the show casually say things like "it just seems like he's not able to grow up like his friends" and even "he's falling behind," but I think that's on the right track while missing the point: the reason Will is written as "refusing to grow up" is because he is the character that represents the rebellion of The Duffer's heart and interests, and both of the things that seem like they would be a bad because they make his character different in the narrative are actually surprisingly positive for his "three season" arc...if you understand what the ongoing themes of Stranger Things are.

With Will, the “problem” in the story exists because he is the one who represents being weird/the outcast/queer and not giving into the social pressure to “let go” of that—he loves another boy, is more emotional than his peers and loves nerdy things like his tabletop board game and refuses to deny that to himself, no matter how brutalizing that is for him and his feelings. In that way, he is the character who “represents” the sentiment of The Duffers themselves—he is a nerd, a child at heart, and he has no problem taking DnD and anything else into “adulthood,” (looking at you “yeah, yeah I really did” during the rain fight) the same way The Duffers have.

That said: as we move into season 4, Will is presented with an evolution of this conflict—he wants to continue to be honest with and about himself, his feelings, and his interests…but it comes in direct conflict with his understanding of his peers & Mike, whom he loves.

We see this conflict show up repeatedly in Will’s actions in S4, especially in regards to the painting, which is the physical representation of both his love of Mike and his embracing of his nerdiness. Will shows up to the airport with his painting in spite of not speaking to Mike because his heart is to be honest and true-to-self regardless of anyone else—you even see this as he takes the painting on the road when they plan on going back to Hawkins, after he makes up with Mike. The problem is though (and this plays into the whole “we want you to feel like you lost” sentiment The Duffers spoke about, as S4 is the “down” before the “up”resolution of the whole narrative) that Will he realizes that his desire to be honest is getting in the way of (his perception of) the happiness of the people he loves, so he decides to betray his character and break the first cardinal rule of The Party…to tell his first lie.

There are plenty of phenomenal analyses on other aspects of Will’s connection to Vecna/the UD and the love triangle dynamic at play across this app so I’ll leave that alone here (I do have many thoughts on why the above makes Henry Creel the perfect villain foil to Will specifically), but: for the sake of understanding Will’s relational narrative arc, it’s critical to understand that our “low” for him is the betrayal of his ongoing S3 character—and that him undermining his self-honesty, nerdiness and love for Mike are the things that The Duffers have set themselves up to resolve in S5.

The resolution for Will is to re-embrace his differences —to realize that lying to yourself and other people about who you are and what you love (both in terms of “nerdy” interests and his queerness) is not who he wants to be, no matter how hard it is to stand up for in the wake of adversity—along with embracing the power of real love, which is also an ongoing theme the Duffers have set up in their relationships beginning in Season 3.

Now…on to Michael.

Mike’s Arc: Finding Yourself & Embracing What Makes You Different

—anyone with a single toe in this fandom knows that Mike Wheeler is one of the most divisive characters in this story when it comes to deciding 1) what his motivations are and 2) what his desires will be, but (and bare with me on this)…I think that’s kind of the point of his story. Mike’s “three season” arc is about him moving through a confusion of identity into someone who can embrace himself while addressing the things he is most insecure about—namely; being seen, being useful, and (very, very likely) the fact that the person who makes him feel most secure, seen, useful and loved is another boy.

There are several context clues that give credence to the fact that the reason Mike feels so wishy-washy / lacking in depth is because his struggle is not knowing how to find his place in the world, though you have to go further back than S3 to find them. Let me explain.

From the literal pitch of the show, there has always been an undercurrent of self-doubt and insecurity in Mike; his desire to escape the weight of feeling insecure has been a driving factor in his actions since before he was even on the screen, and it is impossible to understand what motivates him without first understanding that.

With Mike, his actions across all seasons have been weighed down by his desire to escape his insecurities through action—and as he’s gotten older, what he’s used to escape those insecurities (to be someone like the paladin he plays in DnD) has evolved and shifted, ranging through everything from turning the world (no pun intended) upside down to find Will; being willing to sacrifice his life to save Dustin from bullies; using any weapon he could find to fight a baby demogorgon; and wanting to be a heroic knight who protects the perceived vulnerable girl once he starts dating Eleven.

The point is: Mike’s deepest core need is to assuage his insecurities by doing whatever he can to be a good person—and when he feels like can’t do anything or protect the people he loves…he spirals. That’s been true since the start of his character…and everyone from The Duffers to Finn Wolfhard himself has mentioned it.

Now. With that baseline established, let’s talk Season 3.

Ironically enough, a lot of people feel like Mike’s character has “fallen off” because he, by the sake of all appearances, has achieved all the things he is supposed to want—namely a girlfriend, which (at least in his mind) is the physical embodiment of successfully “addressing” his core fears.

Because Mike has all the external markings of a well-adjusted kid—he comes from a wealthy family, has a solid group of friends (who are also mostly now striving for social normalcy) and even a girlfriend—he seems to have addressed what many people even in real life believe is the end of most arcs & the fulfillment of the fantasy. For Mike, the appearance of his S3 life seems to have assuaged the fears at the root of several of his insecurities, including the desire to be needed, the desire to protect, the desire to be useful, and the desire for acceptance…all because now he’s saved El and has her at his side, and having a girlfriend means he has everything a good, well-adjusted guy is supposed to want.

Or…does it?

With how The Duffers set up the story (with S3 as the introduction of a new conflict for every major character), the answer they’re giving you based on how Mike interacts with other characters is no—having a girlfriend and acting “mature” doesn’t solve anything, especially if the core problem of you having an insecure identity while being dishonest with yourself isn’t addressed…and it’s the arc of Mike learning that “lesson” that we find ourselves dropped into moving into Season 3.

Beginning in S3, the war on Mike’s insecure self-concept comes at him on two fronts: on the one side, El, who started her journey needing Mike because of her background but now has no real need for any of the things he so desperately wants to provide as a means to validate himself, and on the other Will, whose deep familiarity and history with Mike combined with his confidence in his own identity presents Mike with a challenge of self-reflection that he doesn’t exactly feel ready for yet.

(sidebar: my post on how Mike's arc is intrinsically tied to a subversion of the "Born Sexy Yesterday" trope is a helpful expansion on things I talk about here).

We see this in how Mike gets frustrated with Max for giving El the space and language to not need him (undermining his role in her life as someone who she needs to protect/guide her); we see it in how he says cruel things when Will behaves in a way that challenges the actions Mike has taken to be “mature” (how he insults Will for not also wanting a girlfriend / still wanting to play the games that set them apart as nerds/different); and we see it in how Mike still goes out of his way to fix those relationships in the best way he can—because he knows on some level that what he’s doing in several moments isn’t in alignment with who he wants to be, even though they are both presenting him with radical internal challenges.

Ironically enough, Dustin does a great job of summarizing the two sides of Mike's internal conundrum in what he says to Steve about Robin—Mike, somewhat like Steve, is struggling between what is socially acceptable in a partner (or "cool") and what he actually wants and enjoys in one—and as El and Will evolve, so does Mike's internal conflict about how he perceives their places in his world.

Between El’s supernatural abilities and rapidly growing autonomy making him obsolete to her in all the areas that matter to Mike (see: the ability to protect, be useful, and be seen) and Will’s reminding him that at his core he is just as much of a nerd as Will is, Mike finds himself feeling more confused and insecure than ever…and that is the internal conflict we see him end S3 battling.

The evolution of Mike’s narrative arc past the introduction of this internal conflict doesn’t happen until is the Byers/Hopper move to Lenora though…when he is literally left alone to process what that intense summer brought to light for him—which is the note we're left on as we move into the next phase of Mike's evolution in S4.

In S4, the development of Mike figuring out what he wants and needs from his relationships + the kind of person he wants to be becomes a lot more external—we see him going through a series of code switches as he tries to manage the ever changing landscape of his self-perception, where has started journey toward self-acceptance but is still insecure about following through with it.

We see this in the way he has now joined The Hellfire Club and shows sincere signs of accepting his interests and "outcast" status, but still looks forlorn when Lucas says “I’m tired of being bullied / I thought you wanted things to be different too” (Lucas’ struggles with some aspects of performing normalcy the way Mike does S4).

We see it in the way he shows up to Lenora dressed in what he thinks he’s should be wearing rather than as himself / the way he continues performing his relationship with El throughout that first day (and how he says it was Will who "sabotaged" things by being that same kind of radical honest about his feelings we talked about before)...only for the events of the day to spur him into meaningful honesty with both El and Will (to varying degrees of success) mere hours later.

We even see it in the way Mike seemed to have been “turning over a new leaf” once he and El fought, to the point he was okay with them ending the “normalcy” performance of their romance…right up until Argyle’s paranoia while burying Unknown Hero Agent Man struck the fear of god back into him (aka making him worry he was letting El down by not protecting her—aka tapping into one of his core fears).

Basically: Mike is leaning into accepting the things that make him different in little ways, but is still struggling to step into that identity fully—aka he is still using perceived social acceptability as a shield, even though he no longer holds as tightly to being perceived as normal. (Even Finn himself often jokes about Mike “just trying to be normal,” which I think is a good, simple explanation of what’s happening—that said, if we take that reading and combine it with those “narrative goals” I mentioned The Duffers have earlier…Mike trying to be normal is an issue to be resolved, not an identity to be embraced. But…let’s move on).

By the time we get to the infamous van scene, we’ve watched Mike struggle through the two sides of his inner conflict for the entire season now, and felt him very gently succeed at switching into a more honest version of himself (who doesn’t need a girlfriend as a shield / can embrace his “otherness” in the same way Will does) right up until his inherent desires to be needed and useful come rearing up the second El is in danger.

It’s why we see him look pleased (but also marred with conflict) when Will looks confident, happy and radiant talking about “playing dnd and Nintendo for the rest of their lives…” and why him being honest in that scene is actually a huge moment for him, because rather than being vague about what has been plaguing him for two seasons now (trying to be “normal” just because he feels insecure) Mike is finally verbalizing the internal conundrum of his now two seasons of looking critically at his insecurities.

Now—I could spend all day digging into just that bit of narrative alone—the way Mike finally externalizing his insecurities to be processed with Will rather than acting on them and hurting people unintentionally is a giant leap for him, and how when Will says “you’re sacred of losing her” Mike’s nod is an acknowledgement that Will is right…but his face is saying there’s more to that fear than he’s acknowledging—

—but for the sake of this analysis of the narrative arcs, the van scene is most important because it’s when the S4 “it feels like you lost” moment begins for Mike…and that’s because it matches up directly with the “you feel like you lost” moment for Will: him lying about the painting.

When Will lies about the painting—saying that his feelings and the art that (as I said before) represents 1) his love of Mike, 2) his embracing of his nerdiness and 3) that radial self-honestly Mike so admires Will for—it throws a wrench into Mike’s internal revelations because Will is essentially saying that the relationship that Mike was slowly realizing he used to assuage his insecurities (his relationship with Eleven) is actually what lines up best with "who he wants to be," which throws Mike’s slow growth toward Will + honesty about what (and who) he wants to be into a tail spin.

From Will’s lie onward, Mike is thrown into moment after moment of conflicting emotions and dire circumstances as well—and given that Mike's deep terror of losing people comes up strongest when the people he loves are in danger, it’s only downhill for Mike’s growth toward self actualization from here. In that sense, (much Jonathan's S4 omissions of his truths/fears to Nancy leading to Nancy's regression into complacency / social conformity with Steve), its Will's lie that leads us directly into the “you feel like you lost” moment for Mike: him moving back into "conforming" territory and confessing his love to El in the SBP.

The monologue (at least in terms of the narrative arc The Duffers are writing) is Mike’s “losing” moment because it’s when he has enough self-revelation to realize that being with a girl as a shield for his insecurities is no longer what he wants...but the drive he has to be useful, protect and love any way he can (on top of Will’s urging + lie) leave him feeling like his only option is stepping into the person he was at the start of S3.

In this moment, we see Mike say exactly what someone who is "acting normal” about loving his girlfriend and wanting to save her would….even though romantic love with El (and the socially-acceptable romantic relationship he has with her) are not what he really wants, and what we will watch crumble moving into S5.

Essentially: Mike having a moment of dissonance of that magnitude after an entire season of looking toward Will was what set us up to see all those "external markings of normalcy" Mike has held onto and had started grating against for two seasons now fall apart, given what we know about those core messages/themes/child-at-heart values the Duffers hold and keep at the heart of their show.

As of the end of S4, we can already see how this "regression" into his old self is not going to hold—the fact that everything Mike did to save El is rooted 1) in a lie and 2) not in alignment with Mike evolving understanding of his core desires makes sure of that.

We even see the beginnings of this "low" being resolved in Mike's arc in how Mike & El are not speaking (even with the 'resolution' of their surface-level S4 conflict with Mike's love confession) and how Mike is glued to Will's side even before Vecna is mentioned–which is how we've been set up to see the resolution of Mike's arc in S5.

With all this in mind, it becomes a bit clearer that the resolution of Mike's arc is him moving through the confusion of identity we've watched him go through from S3 forward and into someone who can embrace who he is what he truly loves without fear of going against what is expected—aka finding the courage not to conform.

Mike as a character is a lesson in how doing what you think you're supposed to (aka what is "normal") is often at odds with who you are and what makes you the happiest—and the only way to self-actualize is to move past your insecurities and into someone who can be confident embracing what (and who) they really want...even when it means stepping out of line from what you’ve grown up believing would do the self-actualizing for you.

Final Thoughts

Both Mike and Will's relational arcs revolve around an embracing of what makes them different—in terms of their (highly likely) mutual queerness, yes, but also in terms of them making self-actualized peace with being nerdy "children at heart" in much the same way The Duffer Brothers themselves are.

If Will represents a person who struggles because they refuse to deny themselves their identity, Mike represents a person who struggles because they don’t understand their identity, and are walking around just trying to do whatever they can to get along (because they haven’t been presented with the inciting conflict that will move them into self-revelation & growth).

Both of these internal conflicts are narrative arcs that have been built into the coming of age stories of both halves of Byler—and though we are currently sitting at the "low" of both of their arcs as of the end of Season 4, the setup and though-line for them finding themselves (and real, honest love with each other) has been clearly set up for exploration in Season 5.

—if you managed to get through all of this, I commend you. And yes, there are a million other things to be explored between these two, but...I enjoy sorting through the thematic / "moral of the story" through-lines in all my media, so of course I was gonna do it for for Byler!

[anjelicawrites]

Cringefail Throuple 💡:

🍍 for the cringies?

🍍 Does your character like to roleplay? If so, what? Or suggest a role play and my muse will weight in on if they would participate. For the Cringefail Throuple.

NSFW and 18+ only please. Warning: various roleplay situations (teacher/student, master/submissive, rude customers/server), a dash of spanking, facesitting, masturbation, toys usage.

Michael and reader have this ongoing roleplay situation where he pretends to be a failing student and reader is a super strict teacher who has to punish him. There's loads of spanking involved and face sitting. Billy and reader act out this fantasy when he is very stressed and needs to be grounded and needs to be told what to do: reader dishes out orders that Billy has to carry out. It's orders of a sexual nature, things that Billy has to do to, like masturbate, or use certain toys on himself, until he feels like himself again. As Billy explores becoming less submissive and Michael explores his private love for Billy's brutish strength, Billy pretends to be a worker who has come to Michael's house (it's actually Billy's small flat) to carry out some manual work, and starts hitting heavily on Michael, who doesn't put up that much of a fight, before letting Billy fucking him on whichever surface he prefers. As a throuple, they start roleplaying this once Billy owns the pub, so that they have more freedom to act it out. Michael and reader pretend to be not so nice customers who act handsy with poor, soft Billy, who ends up fucked on the floor.

[mydemimonde]

icon: thepatadonia ♡ banner: made by me

welcome to my silly little blog!

some things about me and this blog

i'm mavi, an argentinian bi nerd woman who studies translation. i'm a big marvel, harry potter and got/hotd enthusiast. i also love stranger things, succession, star wars, shameless.

i'm not a professional fanfic writer, i try to write whenever i'm inspired (which happens once in a blue moon, unfortunately) and if i have time (i work and study so yikes), which is why i'm not taking any requests, at least for the time being :(

i write mostly for the characters i have an obsession with, and lucky for you aemondwives and ewanation — it's been a whole year and a few months that i've been obsessed with ewan mitchell!

as i said before, i write for the characters i have an obsession with, so here's my work. to access my writing, you can click here

aemond targaryen

'my tears ricochet' — one shot

summary: after breaking your heart, aemond is haunted by you. pure angst

'baby said' — one shot

summary: after a couple of drinks and stolen glances, you decide to walk up to the blonde man in the bar. smut, modern!aemond part 1 — part 2

michael gavey

'cherry bomb' — series (ongoing)

summary: you wake up with a pounding headache and find a note next to you signed by none other than michael gavey. smut part 1 — part 2

eddie munson

'right were you left me' — one shot

summary: two years later, you can't move on from eddie's death. angst

[lol-jackles]

I'm rewatching spn and Jared 's portrayal of Sam when possessed by demon Meg in season 2 I think is sooo good! He really appears unhinged when he comes out as the demon, and even the scenes where Sam (possessed by Meg) is acting like Sam, are so wicked. I think this is the first episode where Jared sort of portrays a character who is not Sam (in mind, body and spirit) and he really does a wonderful job.

With Dean's character I've noticed that whenever he is in mortal danger, like making the year long deal to save sam's life, or the mark of cain arc, or being possessed by Michael arc, and many many more arcs in the later season, Dean just completely gives up on himself and on life. I HATE this attitude with every cell of my being! MORE than Dean being codependent on Sam and not letting him live his life without Dean. I hate this defeatist attitude so much. And then everyone else around him has to worry for him and take care of him and find resolutions for his issues. While with Sam, he doesn't give up till his last fighting breath. I love that!

 Meg!Sam was probably the first time when casual watchers sat up and go, "whoa, the kid can act!". When Meg and Castiel became a canon couple, I thought it was a huge missed opportunity that Meg didn't possess Sam again and gift us scenes of Castiel swooning after a flirty Meg!Sam.

Yeah, Dean's defeatist attitude was a plot device that can get tiresome, starting in season 5. Still, it was a plot device that usually works as part of Sam's hero journy arc.

From Sam’s point of view, Dean’s endless self-inflicted apathy is part of the long list of crappy-things-to-do-to-Sam.  Like in episode 13x05, Dean temporarily killing himself so he can go into the dead zone to find the bodies and free the souls, while a good idea (I guess???), was still a very crappy thing to do to Sam as there was no discussion, just “here’s a needle give me five minutes being dead okay see you later.”  It’s been ongoing since season 2, so I don’t blame Sam in season 14 for thinking the Mal'ex magic box business is just the latest in a long string of events of Dean causing himself harm and then giving up at the first inconvenience.  Sam’s angry speech in episode 14x11 “Damaged Goods” was not only about Dean cutting Sam out of his plan with no discussion but also for giving up by using blind faith in fate as an excuse (“since when do we believe in fate?”).  Sam’s speech in episode 14x12 “Prophet and Loss” recounts their long history of defying fate and surviving literal and figurative hell because they had faith in themselves. Dean is forgiven for forgetting this lesson every season because the plot device kicks in just in time to give us some of Jared's finest acting of Sam’s decade-long frustrations with Dean’s obstinance, causing him to breakdown and ask, “why don’t you believe in us?”, like a child asking why adults do stupid things when the adults should know better. 

Dean's defeatist attitude is part of the determinism (Dean) vs free will (Sam) philosophy that ran through the series by Sam confronting and challenging the authority figures in his life: John Winchester, Dean Winchester, Lucifer, and then God. They all wanted Sam to be something he didn’t want to be - John’s solider, Dean’s companion, Lucifer’s vessel, and Chuck's story.  Eventually, Sam acquiesced to their demands but on his own terms, he became a hunter to leave a legacy, became Dean’s partner to save him, became Lucifer’s vessel to save the world, became Chuck's story to defeat him and bring free will into the world through Jack, a nephilim he essentially raised and influenced.

Dean: "Finally free"

[somerandomjewelleryonthefloor]

Random headcanons I made for HSS characters because they seem like they fit + I feel silly (these are very long and might go into essay length territory)(also ongoing as HSS is my obsession):

✧˚ Michael Harrison is a passenger princess. At least with my MC Solrin. I mean c'mon, he may have a car- but he's born to be on a motorcycle, he doesn't know how to drive a car for shit, he's the biggest passenger princess ever and my MC has a cute little pink tiara taped to the top of 'his' headrest, as a tease since he barely drives and always calls shotgun.

✧˚ Caleb likes to match clothes with his SO. Even if his SO is wearing the prettiest princess like dress or are wearing plaid with stripes with loafers on- he's matching them. Always. Even accessories, he just likes matching.

✧˚ Scott, the man, the legend, the dad himself- he is fucking loaded with cash. He is RICH. His train models are so good they bring in FARRR too much money to deal with. Hence why his daughter Solrin casually has a vintage 1963 dodge dart with customisation in 2018. HOWEVER, he likes to keep his daughter humble so they own a basic suburban house and he made his daughter get a job for her own money.

✧˚ Maria wakes up to cats on her every morning. Since she owns 2 cats now after adoption, they're heavily attached to her and sleep on her when it's bed time. Sometimes they do biscuits on her stomach and lay all their weight on her chest in the middle of the night which wakes her up because she can't breathe and also it's a weird sensation. She also definitely has cat hair on her socks sometimes.

✧˚ Aiden definitely sorts his clothing in his closet or clothes drawer via random things such as colour, texture, if it has print, and also what type of clothing it is. I just feel like he does, however he'll just throw his shoes in the fucking abyss when he gets home and will just know where it is. Which is why he hates it when his room gets cleaned because his shoes, despite being wherever, are usually always put in the same messy spot so he knows where it is- so when his room is cleaned he doesn't know where his bunny slippers are. #me

✧˚ Emma has a large pain tolerance but her tolerance with foods of weird textures and strong flavours are very low. She could break her leg and be fine, but if she has spicy octopus on her plate she's going to either cry or refuse to eat that shit at all. Which is a pain for Julia, but I mean Emma can't help it- some food is weird and she doesn't vibe with it. #me

✧˚ Michael is fucking terrified of thunder and lightning, to the point he quivers at seeing dark grey clouds. The loud sounds get to him, and he hates it. He has to cuddle his doggie Rollie in his bed and blast music through his headphones to get through them.

✧˚ Caleb takes it personally when he doesn't get to hug anybody. He's a cuddle bug, he loves his friends and his LI, so being denied a hug from anyone when they do something good like ace a test makes him sad.

✧˚ Sydney once stared at a kaleidoscope for an hour straight when she was in the nurses office because she hurt herself during cheer practice, and the school nurse didn't even need to do anything like talk to her or anything, other than patching her up, Sydney remained silent and staring at the glorious colourful light.

✧˚ Morgan was 'obsessed' with Joan Of Arc, Gretchen from Mean Girls, and most of the main girls in most kids shows in middle school, and this was before she knew what the term "Lesbian" meant.

✧˚ during freshmen year, Maria was obsessed with the business casual aesthetic so much, she wore full on blazers and button ups and looked super duper professional. Until everyone in her year had to remind her that this was freshmen year and she could dress up like a cat girl and no one would care.