#this is all still able to change

[pigeonstab]

got a question about your college au !! Idk if you said it yet (and I'm sry if it's dumb) but does cross knows killers a vampire ?? Or does killer knows cross is a werewolf ?

Or does no one knows anything about each other and they just discover it later ?

^^^ I did answer this partly! They are in a world of normal people and they do keep their lycanthropy/vampirism hidden. I think Killer would realize that Cross is a werewolf before Cross ever told him. Cross does not realize at all. And will not until Killer spells it out for him

[poorly-drawn-mdzs]

None of our hands are clean

[First] Prev <–-> Next

[lilybug-02]

Eimmet High...temmiE high. OMG!

Part 28 || First || Previous || Next

--Full Series--

Next update may take...much longer! I have finals and an internship and not to mention I have to draw- A LOT :')

[xxplastic-cubexx]

graph

bonus:

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are not gentle, and contain meaning that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[merverelli]

"you just feel yourself let go."

still thinking about this episode. man. 💪💥

[peace-hunter]

tfone au where OP is created as the last of the primes but way after them, a sparkling born at what were thought to be the last days of the war against the quintessons, the beginning of a new generation of peace after eons of war. a child meant to be loved and raised knowing nothing of war nor sacrifice.

he's kept mostly out of the spotlight by his siblings, who don't wish to expose him to everyone's optics so young, and want to wait until the war is done and over to properly introduce him to their people.

except of course the primes are betrayed and murdered by sentinel, the war is lost and everyone who knows and cared for the truth is either banished or outright killed in order to suppress it.

and the high guard, the ones the primes trusted the most, the ones that were supposed to protect them, the ones who failed in their most important duty, have to make a choice. to take the last prime, their last hope, with them to the surface, a hostile environment where there's little to no supplies and where they'll be hunted down by both sentinel and the quintessons as the biggest threat to their regimen.

or hide him in plain sight. place him where sentinel won't think to look for him. one more sparkling among many. and hope it will be enough to keep him alive. pray to primus that he'll protect his last child long enough for them to come back for him when it's safer (even if most of them have already lost their faith on him when he allowed the rest of his children to be massacred like that)

they almost lose their resolve when they realize they will have to take the little one's cog away in order to make him blend in with the rest of the newborns (and oh do they burn with murderous intent when they see what sentinel has done to their people but it's not the time yet-) but in the end they decide an impaired little prime is better than a dead one.

and so in the chaos of thirteen dead primes and a sudden energon crisis, a little sparkling who very few mechs really knew about and even fewer had seen completely vanishes. and in the depths of iacon a mech in charge of a new batch of newborns scratches their helm in confusion as they realize they must have miscounted the first time.

optimus prime is quietly erased from any official records by sentinel, written off as dead when they find a sparkling's frame mangled beyond recognition after an attack on the base of those rebels that insist on being a thorn on his side. killing the sparkling hadn't been precisely in his plans, he probably could've found some use for it after all, but he's not particularly upset about it either.

and orion pax grows up with an ache on his spark that tells him he's missing something far more important than a t-cog and dreams of gentle and loving hands, cradling him against the frames of mechs he cannot recall the faces of.

[novantinuum]

somewhere up above the stars the wreckage of a Universe floats past

an AU ancient lonely god Steven I have. his moniker is Astra and I am obsessed with him right now.

[chrisbangs]

231003 ♡ Happy Birthday Bang Chan!

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[canonkiller]

do you consider your self made?

[polychromatiica]

kinda rushed and also a little bit of a wip, au concept, very half baked, cuz tryna figure out how ray would fit into it is my hugest issue but lil outfit/role swap of emma and norman, mostly just wanted to draw tpn fanart again as its been a lil bit since i have

[artemistorm]

Not gonna lie, my LU/LoZ special interest is fading.

I've been into LoZ for the last 4 years which is a pretty good run for a special interest. I've had a blast, met a bunch of awesome people, gained a huge appreciation for the LoZ franchise, but I think I need to stop trying to artificially force my special interest to continue like I have been. I still like LoZ/LU and I'll still post about them sometimes, but I'm more of a casual fan now.

The fandom has continually evolved as time went on--I'm from an earlier era, an earlier generation of LU fandom and now I feel out of place, out of step from where the fandom is going--there have been some fandom climate changes that I just don't vibe with.

That being said, I'm not leaving, I'll still be around, I'll still like and reblog LoZ/LU posts, I may even make the occasional original LU/LoZ post, but I won't force it to be the focus of this blog anymore.

Don't worry, I'm sure this special interest will return as all of my past hyperfixations/special interests do. And my fics are my babies and I love them and they make me happy so I will continue writing them, especially my Teba-adopts-Link story, my Hyrule-and-Wild-Lost-in-the-Woods story, and my LU Backrooms au.

So yeah. There's that.

[jamietwat]

Jamie and Roy spending ridiculous amounts of time together and Phoebe knowing about it definitely means that Jamie’s around Phoebe a lot more in the off-season when she’s off school and Roy’s off work but still being Jamie’s personal trainer for free (and she definitely likes bossing Jamie around just as much as Roy does and finds the ridiculous shit Roy makes him do hilarious)

And you know that thing where kids love to randomly go watch this, I can do a somersault or want to see me do a cartwheel? and then you just have to awkwardly stand there and be like wow whether they actually can do them or not (and sometimes several times in a row have to try to think of something new to say the fifth time they do the exact same thing and then look to you for a reaction)

I’m just saying at some point they’re in some park and Phoebe definitely pulls a look how good I’m getting at cart wheels, Uncle Roy! around Jamie at some point and while Roy just stands there like 🧍‍♂️ and gives compliments that gradually get more and more deadpan and debates turning it into saying how much more impressive that is than anything Jamie’s done all morning but he doesn’t because he’s 90% sure that would just lead to Jamie getting all indignant and competitive and proving he can cartwheel too as if Roy isn’t already annoyingly aware of that from when he was dying trying to keep up with Jamie in Amsterdam while he was cartwheeling and practically skipping

But obviously Roy not saying anything doesn’t matter anyway and Jamie turns it into being like watch this to Phoebe and cartwheeling too and turning to Roy after like well go on, tell me how good I am at that too

Roy deadpans somehow it’s far less impressive watching a grown man cartwheel for attention. It’s just sad, really

But Jamie isn’t offended at all and just shoots Roy an obnoxious smirk and insists you’re just saying that because you know you couldn’t do one. Even trying would probably end with you needing a hip replacement or something

But before Roy can even properly argue or say something bitchy back, Jamie’s turning back to Phoebe with a how about this then? But even though it’s her he asks, it’s Roy he looks to the moment he finishes running a few steps and doing a one-handed cartwheel

And Jamie’s like well now are you impressed??? And god, Roy resents that he is and he could make a dig about how useless of a skill it was as an adult and how that wouldn’t accomplish anything on the pitch and he’d just look like one of the kids that picks flowers on the pitch instead of playing or even paying attention to where the ball is, but instead he rolls his eyes and says yeah okay

And Jamie beams but he doesn’t have time to properly gloat and give Roy shit because Phoebe’s already bossing him around telling him that he has to teach her how to do that too

[iwoulddieforienzo]

Something really great about the persona 2 cast is that they all individually fucking SUCK to talk to casually. Every single one of them. They are all infuriating. We have:

Tatsuya, who will stare at you blankly if you try to initiate conversation (IS) and will dip without saying a word afterward (EP)

Batsuya, who will scoff and brush you off/otherwise act dismissive

Eikichi, who might honestly be the best to talk to in the IS crew and that is not saying much, who WILL talk extremely loudly over you (probably not on purpose?) and will not be paying particularly close attention to the conversation beyond whatever he wants to say (gets points for talking about his gf. gets points taken away for constantly talking about his gf)

Lisa, who will automatically assume bad faith and will be rude to you the entire conversation unless you manage to defuse her temper (good luck)

Jun, who is uncommunicative at BEST and requires an encyclopedic knowledge of flowers, metaphor and body language just to get a HINT on what he’s thinking, and who will be extremely polite but completely unhelpful. If you tried asking him what he wants for dinner I guarantee it will be the longest 30 minutes of your life as he goes “oh I have no opinion :) whatever you want. :))” EXCEPT HE DOES HAVE OPINIONS. He has SO MANY OPINIONS. He is Expecting you to be able to pick up on his “obvious” clues. He will be passive aggressive if you don’t. (Jun babygirl you suck so bad I love u)

Maya, who is a delight but will very quickly become grating if you try to talk to her about anything serious as she hits you with the white suburban mom's "how to live a happy, healthy life" lifecoach slogans. You can’t even mention, like, stepping in a puddle or something without her hitting you with the positivity beam.

Yukino is great actually. 10/10. She’s fabulous we love her. Incredible conversationalist, chill and fun and easy to get along with. But she’s from Persona One, she doesn’t Count.

Ulala, who WILL bring up her relationship problems in every conversation within 10 minutes at least once. Any longer and she will start talking about Maya.

Do I even need to explain Baofu. Have you seen him.

And finally, Katsuya, who is a cop and a kiss ass and Very Obvious about these things. Also he can't talk to women. He can barely talk to men. Help Him.

And yet they all work wonderfully as a group. They are so annoying I love them

[kaythefloppa]

If Season 7 is going to have it be a recurring theme of character-focused/emotionally driven stories then uhm, when is an episode centering around a certain redeemed villain as well as covering the Rex-shaped hole in said villain's redemption arc going to happen?

I'm waiting.