#this is all still able to change

[pigeonstab]

got a question about your college au !! Idk if you said it yet (and I'm sry if it's dumb) but does cross knows killers a vampire ?? Or does killer knows cross is a werewolf ?

Or does no one knows anything about each other and they just discover it later ?

^^^ I did answer this partly! They are in a world of normal people and they do keep their lycanthropy/vampirism hidden. I think Killer would realize that Cross is a werewolf before Cross ever told him. Cross does not realize at all. And will not until Killer spells it out for him

[poorly-drawn-mdzs]

None of our hands are clean

[First] Prev <–-> Next

[xxplastic-cubexx]

graph

bonus:

[lilybug-02]

Eimmet High...temmiE high. OMG!

Part 28 || First || Previous || Next

--Full Series--

Next update may take...much longer! I have finals and an internship and not to mention I have to draw- A LOT :')

[merverelli]

"you just feel yourself let go."

still thinking about this episode. man. 💪💥

[clickety-clacker]

Been seeing so many cool Clickies on my dashboard since getting into GGG, I just had to take the time to draw a few of them- plus, it was a bit of a challenge to try new styles. A lot of these guys were also super influential to how I draw and even think about Click Clack on my own time, so you should definitely check them out! Names below the cut cus it got long heehoo

Top left: @malartsorte

Top middle (holding papers): @scribblelimbo

Top right: @wishgraanted

Leftmost middle: @beastwhimsy

Middle (peace sign!): @sootnuki

Rightmost middle: @molabuddy

Bottom left: @pespillo

Bottom middle: @artuurle

Bottom right: @modmad

I know I said it already, but all of yall are super cool and I had a lot of fun challenging myself to make this! Keep on being awesome 👍

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are somehow infinitely gentle still; Style's kisses contain a purpose that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[elbdot]

Ooooo. Alola disliking Mega evolutions but Haru and Guzma being okay with Dyna-/Gigantamaxing is so fun take

My understanding of pokemon lore and gimmick mechanisms are vague at the best, but honestly... If we remove the increase of size, what is the difference between mega evolutions and gigantamaxing?

Is Alolans issues with megas based on how it "forces" a physical change and therefore potentially painful for the pokemon? Gigantamaxing does the exact same thing or even "worse" changes (in my personal opinion: mega vs dynamax gengar)

Is their issue about mega evolution making the pokemon more violent? Dynamax raids and a huge part of the Galar story line proofs that dynamaxing does the exact same thing. One could even say it is even more dangerous since it can not be predicted/controlled without modern science.

Is it because Megas are based on "mystery energy"? Again... Dynamaxing...

So either there is history between Galos and Alola that has lead to huge bias or Alolans just like Galar's culture more due the similarities it shares with their own (the Galar Legue being quite similar to Alola's Island Challenge but with a big stadium fight at the end)

As said... I probably forgetting some lore that explains this all (outside the multiverse and Alola being older region than Galar, ergo could not comment about Dynamaxing in their pokedex) but I am really interested to see how the boys will justify their stand on dyna-/gigantamaxing IF you decide to take the story there.

I postponed answering this ask to THIS WEEK since my reply would've been quite spoilery for todays update

PERSONALLY I like to think that Guzma and Hau *ahem, excuse my strong language* are talking out of their asses and don't actually know much about Dynamaxing/Gigantamaxing and especially not the problems Galar is facing due to the unstable energies causing Pokemon to randomly turn gigantic in the wild.

If they were more informed about it, I think they'd be far more critical of it, since you are correct: Dynamaxing causes FAR more damage and is an active threat in the region, unlike mega evolution, which is a state that doesn't randomly happen and CAN be controlled.

But Hau and Guzma literally only know Dynamaxing from watching the League matches on TV - and with Galar hosting one of the biggest and most reputable Leagues in the world, how could there POSSIBLY be anything wrong with Gigantamaxing, riiiight?

It's the typical scenario we're all too familiar with of knowing a little bit but thinking we know everything about something without actually having done much research on the topic.

[peace-hunter]

tfone au where OP is created as the last of the primes but way after them, a sparkling born at what were thought to be the last days of the war against the quintessons, the beginning of a new generation of peace after eons of war. a child meant to be loved and raised knowing nothing of war nor sacrifice.

he's kept mostly out of the spotlight by his siblings, who don't wish to expose him to everyone's optics so young, and want to wait until the war is done and over to properly introduce him to their people.

except of course the primes are betrayed and murdered by sentinel, the war is lost and everyone who knows and cared for the truth is either banished or outright killed in order to suppress it.

and the high guard, the ones the primes trusted the most, the ones that were supposed to protect them, the ones who failed in their most important duty, have to make a choice. to take the last prime, their last hope, with them to the surface, a hostile environment where there's little to no supplies and where they'll be hunted down by both sentinel and the quintessons as the biggest threat to their regimen.

or hide him in plain sight. place him where sentinel won't think to look for him. one more sparkling among many. and hope it will be enough to keep him alive. pray to primus that he'll protect his last child long enough for them to come back for him when it's safer (even if most of them have already lost their faith on him when he allowed the rest of his children to be massacred like that)

they almost lose their resolve when they realize they will have to take the little one's cog away in order to make him blend in with the rest of the newborns (and oh do they burn with murderous intent when they see what sentinel has done to their people but it's not the time yet-) but in the end they decide an impaired little prime is better than a dead one.

and so in the chaos of thirteen dead primes and a sudden energon crisis, a little sparkling who very few mechs really knew about and even fewer had seen completely vanishes. and in the depths of iacon a mech in charge of a new batch of newborns scratches their helm in confusion as they realize they must have miscounted the first time.

optimus prime is quietly erased from any official records by sentinel, written off as dead when they find a sparkling's frame mangled beyond recognition after an attack on the base of those rebels that insist on being a thorn on his side. killing the sparkling hadn't been precisely in his plans, he probably could've found some use for it after all, but he's not particularly upset about it either.

and orion pax grows up with an ache on his spark that tells him he's missing something far more important than a t-cog and dreams of gentle and loving hands, cradling him against the frames of mechs he cannot recall the faces of.

[novantinuum]

somewhere up above the stars the wreckage of a Universe floats past

an AU ancient lonely god Steven I have. his moniker is Astra and I am obsessed with him right now.

[buttercupshands]

*looking at isat ss discord* my power of being silly got out of control

or how I tried understanding rpg maker basics by literally trying to do one (1) thing I really wanted to see ever since seeing Loop unused sprites lying on wiki months ago

the reason I mentioned isat ss discord was simply bc guys were the first people who saw me trying to draw close to pixel sprite face sprite for Loop to,,, do something at some point just to see how it works

and nope I'm not making this into anything, but I really like the fact that I managed to do this

(now with video post edited into this sentence!)

[the-cassandriad]

i've not written poetry in years (i'm more of a novelist) but i allowed myself some cassandra thoughts (as a treat). i actually had a lot of fun with this and i'm desperate to do more with the idea in the future so we will see.

inspired obviously by my own muses, @two-bees-poetry for the brilliant contrapuntal poems about greek myth, and anne carson, specifically when she talks about cassandra's speech being split in two and her bridging of past and future!

more of my logic in the tags because i'm annoying!

[polychromatiica]

kinda rushed and also a little bit of a wip, au concept, very half baked, cuz tryna figure out how ray would fit into it is my hugest issue but lil outfit/role swap of emma and norman, mostly just wanted to draw tpn fanart again as its been a lil bit since i have

[chrisbangs]

231003 ♡ Happy Birthday Bang Chan!

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[artemistorm]

Not gonna lie, my LU/LoZ special interest is fading.

I've been into LoZ for the last 4 years which is a pretty good run for a special interest. I've had a blast, met a bunch of awesome people, gained a huge appreciation for the LoZ franchise, but I think I need to stop trying to artificially force my special interest to continue like I have been. I still like LoZ/LU and I'll still post about them sometimes, but I'm more of a casual fan now.

The fandom has continually evolved as time went on--I'm from an earlier era, an earlier generation of LU fandom and now I feel out of place, out of step from where the fandom is going--there have been some fandom climate changes that I just don't vibe with.

That being said, I'm not leaving, I'll still be around, I'll still like and reblog LoZ/LU posts, I may even make the occasional original LU/LoZ post, but I won't force it to be the focus of this blog anymore.

Don't worry, I'm sure this special interest will return as all of my past hyperfixations/special interests do. And my fics are my babies and I love them and they make me happy so I will continue writing them, especially my Teba-adopts-Link story, my Hyrule-and-Wild-Lost-in-the-Woods story, and my LU Backrooms au.

So yeah. There's that.