#this is all for fun!! i genuinely like both characters and mean no harm!

[trippygalaxy]

@ootlink-is-love

MY SMALL SUBMISSION OF PROPAGANDA FOR THE WAR AGAINST TEAM LEGEND 🫡🫡

LONG LIVE TEAM TIME!

[theallyandhisbeast]

About bucktommy and 911 in general

You know, in the end, this just feels extremely cheap and cruel.

Showing bucktommy be incandescently happy in all the episodes but 8.6? Even in this ep you can feel how much they care and genuinely love each other. Audience was largely optimistic and excited about them, in a way we have never seen for other buck's LI.

Only to what? Throw it all away because you can't be bothered to write a satisfactory arc for them? Because Buck is the epitome of the guy who dates a lot but always gets broken up with? That to be able to decide if you want to be in a committed relationship if you are bi you have to explore first or else your decision is null and void?

What a way to waste potential and your characters arc.

The special thing about Tommy was that he was beloved by not only bucktommy fans, but GA, and most importantly he was a sort of representation we don't see all that much in media. People loved him because they saw themselves in him, they could connect to his journey and they were genuinely rooting for him to find love and family with Buck. To waste it all away, and to do so by basically throw at us all that we loved about them is unnecessarily cruel.

What hurts the most is that even buck and tommy themselves didn't want to break up. but instead they "must" because bowing down to harmful stereotypes about bi people who are "confused and so they must experiment before settling" is more important than telling a compelling story.

Even without bt break up, I feel like this season took a sharp dive for the worst about well thought storylines in a way that baffles him. Gerrard was reduced to a joke, as was Ortiz, both pgs that could have been used to create compelling arcs that intertwined the 118 even more but instead we got this cheap throwaway joke of a Gerrard, Ortiz was basically throw out of office in a single ep. Hotshot sl could have been fun but instead it's just.... there. And coming back too just for funsies, cause apparently that sl was more important to develop instead of a interesting queer relationship.

Athena once again doing copaganda. Bobby coming back to the 118 without any particular struggle or even guilt about dropping the bag. Things said in interviews that we expect to happen and never even made it to the screen (Eddie's loneliness? Chim and Hen having conflict over Mara? Buck feeling guilty about injuring Gerrard?).

The way Maddie cannot have any sl that is not either tied to a man or about motherhood. Madney having another surprise baby instead of them choosing on purpose to expand their family. Hen & Karen gaining trauma after trauma about their children and not having any other sl that is not tied to that. Josh just existing in the periphery and only becoming important as the "insightful token gay" but not having any type of meaningful screen time since Carson.

The other side characters like Sue, Ravi, Linda, Carla completely disappearing without anyone mentioning them. Ravi has not been given any important sl ever since he talked about having cancer and ever since reduced as a comic relief without anything to add to his character but he's a "landlord".

Chris is out of the picture for who knows how long, and is basically kept around to be traumatized over and over again. Eddie hasn't gotten any character development until first s5 and seemingly now, but i'd argue that the whole thing just felt rushed because what do you mean it takes one chat with a priest for him to do a 180° while he still isn't talking to Chris? And Eddie was the one who got the best treatment of all of them this season.

It's the way this show is slowly chipping itself away. It's the way they start a queer story line promising it would be impactful and handled with care and then half-assing it a best. It's the way the other queer characters are never explored and able to breath and revel in their queerness in the first place. Because, really, when was the last time Hen and Karen kissed on screen? When was the last time they went on a date? When was the last time their arcs were not about children or getting hurt, but just about them as individuals? And on this thread what about Maddie? Or Josh? Or Chim? Or Eddie?

Everything feels reused again and again and again without no real development than then starting the circle all over in half a season.

What a waste.

[actiniumwrites]

kiss me (not)

synopsis: how they’d react when you dodge/ wipe off their kisses for a day as a prank

characters: gaming, kujou sara, heizou, tighnari, cyno, kaveh, and lyney x gn!reader

warnings: fluff, angst, hurt/comfort, some humor, established relationships, etc

notes: i love this prompt so much omg. i’ve read a lot of fics other people have written for different fandoms and i’m actually shocked i haven’t written it before considering i eat it up every time (especially when there’s some angst 🫠)

gaming:

the first time he sees you wipe off his kiss, something in him dies a little, especially when you don’t say anything after he asks if you’re okay

so he starts doubting himself and compensating for where he may went wrong

maybe he had bad breath? or you weren’t having a good day today?

he hates that he doesn’t know what he did wrong, and even worse, why you keep doing it throughout the day

you only stop when you see the way he genuinely starts beating himself up over it, deciding it wasn’t funny anymore and honestly never was

“it was a prank,” you nudge him softly, regret overflowing from your voice, “i’m sorry, i didn’t mean to hurt your feelings. i shouldn’t have kept it going for so long.”

a relieved breathe and a small smile from him follow right after. you can tell he’s still a bit stuck on the whole thing, but deep down, he’s just grateful he didn’t screw up somewhere because there’s no way in hell gaming would ever let himself lose you

“it’s okay,” he breathes out, clutching your hand a little tighter than usual, “just please, don’t do it again, okay?”

kujou sara:

to say she’s confused is an understatement

she’ll immediately backtrack to make sure she actually just saw that correctly. did you really just wipe off her kiss?

so she goes in for another one, and sure enough, you dodge her this time and send her a quick goodbye before slipping out of the house and running off to work

it legitimately ruins her whole day. she can’t even function at work because it’s all she can think about

and by the time she’s home at night, she’s already tired and just wants you but she’s also too afraid that maybe she did something to upset you

fortunately for her, you spare her of the prank knowing your girlfriend well enough to know that the second she walks through the door she had a shitty day

so you apologize and tell her it was just a prank and you didn’t mean any harm

and she wants to be so mad at you for it, but literally can’t no matter how hard she tries so instead she just gives in and gets the kiss she’s been thinking about all day

heizou:

he realizes right away what you’re doing and finds it rather amusing

so he’ll play along too, not trying to kiss you at all and even going a step further and not showing you any sort of physical attention

try to hold his hand? not happening. hugging him? not a chance

and it ends up becoming a competition, because what can you say? you’re both competitive people

goes on until the end of the day and only ends when you’re both too tired to keep it up

“you’re no fun, you know?” you poke his chest as you tiredly lean against him

he smiles down at you, “how so? i let you play your little pranks, didn’t i? i even played along.”

you just scoff and scoot away, tucking yourself into the warm blankets and ignoring his teasing

but then he’ll grab you and pull you into his chest, giving into you, “fine. next time i’ll give you the reaction you want. happy now?”

tighnari:

the opposite of heizou: he’s very unamused, and is very aware of what’s going on.

as soon as you back away from him after he tries to kiss you, his face falls into a deadpan and he crosses his arms menacingly

“i’ll have you know i don’t find pranks like these very funny,” he’ll immediately tell you off, not wanting to act so childishly when it comes to affection

tighnari cares a lot about people, whether he shows it or not, so to have you pretend to dodge it upsets him — even if it is meant to be a mere lighthearted prank

so you apologize instantly, feeling a little bad over the whole ordeal, “it’s just a prank, you know? i thought it would be funny to see how you’d react.”

definitely the kind of person to feel a little bashful and guilty for overreacting over something so silly, but also doesn’t want to admit it

so he’ll just silently kiss you and act like nothing happened, secretly hoping you’ll never try to pull something like that again

cyno:

at first, he thinks it’s kinda funny since he always plays jokes. however, i think he’s similar to tighnari in the sense that he also takes a little offense to it

like, he knows it’s a joke, but he just can’t help feeling a little hurt over it

“is something the matter?” he’ll ask while you’re both on the way to meet with friends. you shake your head no, fighting a smile

defeatedly, he leaves it at that, knowing you won’t budge. he’ll feel miserable the entire time and won’t stop thinking about how you won’t give the prank up, even in front of your friends

and when you both leave for the night, he crosses his arms and confronts you as you both walk home, “it isn’t funny.”

“what isn’t funny?”

“your prank. it isn’t funny. i don’t like the way you’re avoiding kissing me,” he says bluntly. it makes your heart sink into your stomach a bit, admittedly starting to feel a bit bad

so you apologize and work everything out, telling him you got the idea from alhaitham who was curious to see how he’d react in a situation like that — that, and he felt like pissing cyno off for a day, but you didn’t need to know that part

he’ll get frustrated, but is glad it’s all settled. he’ll also be extra affectionate throughout the next week, feeling as if he somehow lost time with you

kaveh:

gets so offended omg he will literally hate you

the first time you do it, his jaw drops to the floor and he calls you out on it immediately

“what was that?” he points an accusatory finger at you

you bite back a smile and feign innocence, “huh? what are you talking about?”

will not let you leave for the day until you drop the act and properly return his kiss

when you continue to go on with the prank, however, he’ll start to get all pouty and just ask you to kiss him

and he just looks so cute that you cup his face and give him a big fat kiss and walk out the door immediately after without a word and a big smile on your face, satisfied with his reaction

lyney:

he gets so dramatic about it it’s not even funny

will literally clutch his chest and fall to the ground in public so that you stop him

when you don’t and you let him face public humiliation (because you find it funny too), he stops himself and gets back up

follows you around like a lost puppy all day and will constantly try to sneak in a kiss while you’re caught of guard, but you never fall for it and he gets so much more frustrated each and every time

then he begs lynette and freminet to help him, except they think it’s funny too seeing how whipped he is for you

and he knows it’s a prank too, but the fact that you won’t break makes him so lovingly annoyed with you

you don’t stop until lynette genuinely intervenes, complaining about how annoying lyney had gotten throughout the day, “please end his suffering already. you know my brother is an idiot who doesn’t shut up and i’ve had enough of him today.”

you laugh it off, but ultimately agree

so you go and find him, which wasn’t that hard, and tap him on the shoulder before planting a gentle kiss to his lips, “sorry for pranking you. it was just too funny of an opportunity to pass up.”

“you’re so mean to me,” he’ll complain, but will then continue to kiss you so often that you’re now the annoyed one instead

[cardentist]

I'm like, 70% sure this is only an issue with the gravity falls fandom on twitter, but if I don't say something I think I'm gonna explode

there Doesn't Need to be a bad guy between fiddleford, emma-may, and ford ! we can recognize one character causing harm to another, both directly and indirectly, Without framing it like it's intentional or that it makes any of them inherently bad.

in particular, I think there's been pushback against people vilifying ford (both in general and as angst material for other characters) by just. shifting that blame over to another character instead and running with it.

so to get this out of my system:

Yes I agree that fiddleford and ford have a lot of queercoding between each other. I think it's always been there to an extent, but it's absolutely been reinforced with the book of bill and "thisisnotawebsite."

and even if you choose to read their relationship as platonic (which is fine ! a lot of people like to read ford as aroace, for instance), it's very clear that fiddleford's relationship with ford heavily put a strain on his relationship with his family and ultimately lead to his and emma-may's divorce.

and there's nothing wrong with exploring that! exploring how it hurt emma-may and tate, exploring how it's another facet of fiddleford ruining his own life without even thinking about it, exploring the complicated feelings that were happening in that cabin. and I don't even think there's anything wrong with joking about fiddleford being a cheater or ford and emma-may being rivals.

but it Really grinds my gears when people frame fiddleford as being inherently in the wrong for taking the job with ford, as if he was intentionally hurting his family or that he Genuinely went there to cheat.

1: one of the first things we're told about fiddleford in journal 3 is that he was raised dirt poor and wanted to climb the latter in the scientific community to give his family a better life than HE had.

and that's Exactly why he took the job in gravity falls ! it was someone he trusted as his good friend AND someone he trusted academically. the whole idea is that this was supposed to be a temporary job that would Both help a dear friend of his And open up opportunities for his future.

and like, this aspect of his character isn't insignificant. he is Very Much So an archetype of a poor person, and has been since his inception. it's part of what Makes him a match for ford, he's an intellectual match yes but he's also an Outcast that wants more out of life than what he has. this aspect isn't Malicious by any means, but it equally lead them to hurt people they cared about.

Yes he left emma-may and his young son, but it was Never supposed to be forever. he left FOR them, which is half of what makes what happened so tragic in the first place. in many ways, he hurt them Because he cared about them.

and Yes, I do love a queer reading of these characters (and I'll get to that), but it's Very clear in the source material that fiddleford Does care about his family. a big part of his falling out with ford in the first place was because Fiddleford thought they both needed to leave gravity falls to raise their own families, and it's something that fiddleford brings up earlier on in their stay together as well.

that doesn't excuse how he'd mistreat emma-may at all. she was absolutely in her right to divorce him (which I thought even before the book of bill dropped). but I feel like we're letting the subtext overtake the TEXT while examining these characters and their dynamic.

2: lets assume that fiddleford IS a closeted gay man (or bisexual, or that he and emma may are in a lavender relationship, or-), as I so often like to do.

while exploring the pain that could cause emma-may and tate is Very Interesting and fun, I think we're ignoring the systemic homophobia in the room.

fiddleford was born in the 1960s to a religious poor rural southern family, and emma-may and fiddleford's relationship happened in the 1980s.

I Do think fiddleford is definitely progressive for his time (and just overall a very chill dude), but his upbringing Also very clearly had an affect on him. if it's possible for a man who believes the world is a simulation to also believe in jesus then fiddleford's the one to have done it.

and this is implied directly in the text mind, whether fiddleford is still actively religious or not he gets on ford for doing things like taking the lord's name in vein. not something that someone who Wasn't affected by a religious upbringing would do.

there's also the textual (rather extreme) anxiety, and the Implied ocd (the hair pulling, the cubix cube, the moral fixation, etc).

with all that said !

YES it would be extremely painful for emma-may to be in love with a gay man who had a crush on someone else, whether fiddleford was aware of or even acted on those feelings or not.

but I do hope we can all understand why it's Not Great to frame fiddleford as being inherently in the wrong for this right? for either not realizing his feelings at all or deliberately repressing them in the wake of Probable religious trauma and Definite safety issues in the society he lived in? Yeah?

no we should not treat emma-may like she's "getting in the way" of our beautiful yaoi, but ignoring systemic homophobia to vilify a queer man being afraid of appearing as anything but straight in the 1980s is. um. Bad.

the thing that's Most interesting about this whole situation is that it's a tragedy through and through. you can't inherently blame Any of them for what happened, and trying to do so loses what actually makes the situation so complex and painful.

because fiddleford clearly DID care about them, ALL of them, very dearly. and he obviously wanted to do the right thing. and yet he hurt them all, and yet his entire life and mind fell apart to ash in his fingers.

it's Crazy, and it absolutely does a disservice to the situation to frame it as fiddleford just being a slutty lying cheater (or ford Ruining a perfectly good man by being abusive, or emma-may getting in the way of our old man yaoi).

except bill, we can vilify bill. I think he'd like that

[utilitycaster]

Do you think the god debate and narrative around it in C3 would be more compelling if Ludinus only focused on killing the Betrayer Gods a la Cassida? As many pointed out, the impact that Primes have on mortals is largely positive. Aside from cool abilities, they give healing, meaning and comfort to their followers. Up until very recently (Braius) we haven't seen Betrayers do much of that and their followers are, more often than not, people who would cause great harm to others.

I actually do not. There's multiple questions in here, and honestly I could probably write 5000 words on any of them, which I'm not going to do, but I will split this up into components.

First: I don't think Ludinus is the problem at all. He is unambiguously the villain, but he is always narratively compelling. It is fun to make fun of him because he is genuinely a fantastically crafted villain. When I dunk on villains who are boring, it's nowhere near as fun because all you can say is "wow what do you even do. boring-ass" whereas Ludinus is full of interesting possibilities and hooks to be like how can you be so smart and have lived for so long and seen so much and come to the fucking worst conclusions. There's a reason why people have been side-eyeing him consistently since at least his first speaking appearance in Campaign 2, if not his first appearance ever, in Felderwin, and it's because he's a great character who I hope dies horribly. So his motivations are fine. I'm not saying the possibility you suggest wouldn't be a very interesting different story, but my complaints about narrative and the gods debate do not require anything different from Ludinus, who has been a consistent bright spot within the muddied narrative by being a consistent blot on Exandria and also sometimes the moon.

The narrative and the god debate are intertwined - the issue is a dull indecision that plagues both of them - so I'm splitting this one up a little differently.

What do I as a viewer think is the most reasonable stance regarding the gods based on my understanding of the worldbuilding of Exandria?

What is interesting to watch?

And therein lies the problem. I, as a viewer, think that killing the gods is a bad idea, and I've articulated this in various spaces and am not going to write another 5000 words about it right now, but between the events of past campaigns; the events of this campaign including Downfall; who within the narrative supports the choice to not kill the gods; and the complete uncertainty regarding the fate of existence let alone mortaldom should they be killed or chased away I have come to this position. Any counter-argument tends to rely either on entirely false statements, or a nebulous "a better world is possible" without any assurances that the allegedly better world is, in fact, probable. Ironically enough, I am not willing to take a leap of faith.

But as for what's interesting to watch? That's an entirely different story. My issue with the the gods debates is that they are endless, circular, indecisive, and between the least informed group of PCs we've had by a large margin. They say the same 5 sentences in different words over and over. It's like watching a bunch of high people while you're sober. It only hits hard if you're stupid. For more on this see here and here. If Bells Hells had decided 30 or 40 episodes ago to side with Ludinus, or to try to only kill the Betrayers, or to oppose Ludinus but kill the gods? Great. Fantastic. I'm not saying I wouldn't have had my critiques of it given the worldbuilding setup as described above, but I think it would have held up infinitely better as a standalone story, at least, than it does now. My problem is that instead they had endless circular indecisive conversations during a bunch of (comparatively much more interesting) fetch quests, finally came to some kind of conclusion that gave the end game some structure and direction like 4 episodes ago, and then had yet another wrench thrown at them. And convention panels and Cooldown have consistently confirmed my suspicions about the lack of planning in the places where this campaign really needed it. In my conversations after the latest episode, multiple people independently used the term "sludge" to describe their feelings about the plot.

In actual play, I want characters who have clear conviction and make bold and decisive moves because handwringing forever in such a slow-moving medium is excruciatingly boring. Like, do I think Percy in the Briarwoods arc is making good, informed decisions that make him a moral person? Absolutely the fuck not. Do I think the story where he's shooting first and asking questions later is infinitely superior to one where Vox Machina can't decide what to do for 50 episodes? Yeah.

The god debates are ultimately a symptom of this narrative aimlessness. The lack of an answer is the problem, not what the answer is.

[animentality]

How do I write good morally grey characters? (Genuine question)

you give a character a morality that makes sense, and could be understood by most rational human beings on this earth, but then have it also be harmful to others, whether that's intensely or mildly.

most people in this world are morally gray, you know?

selfish and self centered, and likely to do bad things in their own self interest, if they think they won't get caught...but you know. most people are not raging psychopaths who will go out of their way to harm others....nor will they make much of an effort to help others who are not their friends or family.

gray morality is sort of hard to pin down, but it always comes back to...

black morality is This Bitch enjoys killing, and does it for funsies. they cause suffering to others just because they want to, and can, and this is morally wrong, because...uh, well. the basics of human interactions suggest hurting other people without any cause at all is the lowest of the low.

white morality is This Guy is a hero, who saves kittens and little old ladies and refuses to harm others (intentionally or unintentionally). most people can agree, someone who saves other people from death or injury is good.

gray morality, though, is that guy is a selfish piece of shit, but sometimes, occasionally, he does good things. only for his own self interests, of course, but it's a net positive for the world.

he threw a bunch of people down river, when it suited him, but was there when it counted, or maybe, accidentally does help the good guys with his selfish actions.

let me give you an example... Jack Sparrow.

Pirate. Thief. Murderer.

Not a hero. Will sell out other people to save his own skin. Kills wantonly, drinks too much, steals anything that isn't nailed down.

Doesn't really go out of his way to save people...except occasionally, he does.

Except in the end, he does save his friend, and he does save his fellow pirates...who are.

you know. pirates.

bad people.

he's an agent of chaos. he's whimsical, lawless, lives as he likes, and causes all kinds of trouble.

and that's a good morally gray character.

someone who both helps and harms.

and that's something to keep in mind, when you write your morally gray character, btw, whether you want them to be more helpful to your heroes, or more of a hindrance.

either one works for the morally gray.

and then we have a character like say, Dexter.

A serial killer who kills serial killers, right?

Yeah, killing is bad, especially serial killing, but if it's other serial killers...fun, right?

Weird.

Interesting to think of.

So.

To come back to it.

My advice for morally gray characters is to sit down and think of a character who has good traits and bad traits.

Mix them together, according to how you want this character to affect, say, our villains or our heroes.

Then decide, well, are they more inclined towards helping the evil side, the good side, or is it more pure chaos they exude?

I myself tend to write a lot of morally gray characters.

But that's only because I love writing murderous MCs, and most people do see murder as amoral, for some reason.

Anyway.

That's my advice on the morally gray.

Give them rules. Give them motives. Let them have good traits and bad traits.

Let them be rude to old women, but have a soft spot for kids...and also do awful things that affect both negatively.

the most important thing to avoid, as that post indicates, is just making a grumpy hero who just seems kinda mean sometimes.

that's not morally gray.

morally gray, to me at least, implies that that character does actual harm.

if they're only mean to bad people, only negatively affect the bad people, then newsflash, they're just heroes. they're white morality, just not disneyfied into sterility.

make sure your morally gray characters do harm!!!

[tadbitsketch]

accidentally took a 4 hour nap and now i can't sleep so mcsm theory time!

ok so this is kind of something that i never really see be debated in the community, but i do see it be represented in different ways. i'm talking about ✨the parallels between the new and old orders✨

for the most part, we can all agree that

magnus: axel (griefer)

ellegaard: olivia (redstonist)

gabriel: petra (warrior)

which just leaves two characters in each order: ivor and soren, and jesse and lukas.

i keep seeing people represent jesse in soren's place, because they're both the leaders of their respective groups or something like that. but i disagree.

lukas parallels soren much better because they're both architects. they're also both writers who live(d) away from civilization. they also both have a habit of being a little* bit dramatic in their storytelling of their adventures.

so if everyone else parallels each other in their roles... how does jesse parallel ivor?

the funny thing about these parallels is how it's not just in job that they match... kinda.

and i have some fun lil theories/analyzations on this, of which i will share!

theory 1: similar arcs

something really cool about these two (and some other notable characters i'll discuss another time) is that they both have character arcs where they grow and change as people.

ivor's plans of revenge backfire horrendously, and after that problem is solved, he makes new friends. ones who aren't liars, people who genuinely help. they're brave, and they forgive. they're willing to learn and change.

and so is he does too.

meanwhile jesse is a noob who knows barely anything about minecrafting who eventually saves the world. they learn a lot from the mistakes of their predecessors.

both ivor and jesse grow as people because of mistakes from the past. they both are characters who have decided to change things from how they were, whether it be how they were themselves or how someone before them was.

theory 2: creation/destruction

so i came up with this awhile ago, but you can split the members of the order into two groups (based on their "classes," so to speak): creators and destroyers.

olivia and ellegaard make redstone contraptions, lukas and soren build. they are creators.

axel and magnus blow things up, petra and gabriel slay monsters. they are destroyers.

what is ivor, then? his role as an alchemist means that he can create potions to help AND potions to harm. he is both a creator and a destroyer.

and jesse, our main character with quite the skillset (except for alchemy), also fits both the roles of a creator and a destroyer. jesse does whatever the heck jesse wants.

boom. parallels.

and one other funky thing i've noticed

ivor's stone in the amulet is the lapis blue one. jesse's favorite color is canonically lapis blue.

[mdhwrites]

Villains are not Characters

I have seen multiple lists at this point that try to tell you all the traits you need for a great villain. Make sure to include a sympathetic backstory, make them scary, make them charismatic, make them smart, make them whacky, etc. etc. None of them understand what a villain is though. What an antagonist is.

An antagonist is a narrative device.

Yes, we could argue all things in literature are narrative devices... And they are. What I'm about to say also goes for a protagonist after all. We have the term anti-hero to describe a protagonist who acts villainously or isn't meant to be likable or sympathetic for a reason after all. You make what fits the story best though. What fits the goal and theme of your work best.

And so the way to make a good villain is to first understand what the concept of your work even is and how they challenge it. If your story preaches the power of friendship, your villain is probably going to be someone who is mostly alone and thinks friendship is stupid. Maybe not that childishly but that's still going to be the core thrust of him because he opposes the heroes and the theme of the story. Beating him means the theme wins out. Does he need to be deep in this example or relatable or anything like that? Absolutely not! You can do it that way, have him come to the good side when he realizes the good of friendship (hi Unikitty of all things) but you'll do plenty fine just having an asshole who sneers and mocks the very notion and then has his plans undone because the whole is greater than the sum of its parts.

And some of you might be saying this is obvious... While a lot of others might go "Okay but that's hard." People like a one size fits all solution. The hero's journey essentially exists for that reason. We like simple things that can be pointed at to make our work be praised because creation is scary and major elements like antagonist and protagonist are the first to be mocked and the first to be praised in a work usually, especially in writing where spectacle isn't really a thing. As such, people want a list of criteria that will just make it work.

But that's also how you get really boring or tonally clashing villains. There are genuinely stories out there where the reason people end up going "Wait, he had a point. We're the villains here," despite the framing is because in an attempt to make the villain seem to have a proper motivation and depth, they actually ended up justifying him. Ended up proving him correct and that maybe his methods were the right ones, even in works where they are NOT supposed to be. On paper they might be the best thing ever... Until they make actual contact with the story you've written.

One of the best examples for a villain that should not work on paper, AT ALL, but is genuinely genius is Doofenshmirtz from Phineas and Ferb. Yeah, the guy who wants to take over the Tri-State Area. The guy who barely interacts with the main protagonists except for sometimes his inventions being that which helps the boys not get caught. The guy who is a complete joke.

Here's the thing though: The point of the show is the unbridled power and joy of creativity. The bliss that is eyes wide open and prepared to accept the wonder of the world. After all, what is really the difference between Phineas/Ferb and Doof? Both create miraculous things in very short spans of time. They are both endlessly creative, never making quite what you expect but they view things different and thus Perry reacts to them differently. There's nothing wrong with a kid tinkering with his toys for fun and for the fun of others after all. Their heart is pure and their intention good. Perry only steps in when the boys end up somehow putting themselves in danger because someone needs to make sure the kids don't end up running with scissors.

Doof though is missing that wonder and joy. He takes great pride in his creations but the creation is not the goal, unlike the boys. He shows the harm that all of this creativity bent towards selfishness and anger can cause. He contrasts the boys and reminds the audience that there is something special that makes the protagonist who they are just by existing. And as such, because he opposes the themes, Perry is always there to stop him because he's running with scissors, hoping to find someone to stab. Not that dark admittedly but you get the point.

He is so deeply in conversation with the themes of the show that despite very rarely coming into active conflict with the protagonists, or even seeing them on a given episode, he still does his job as a villain through his B plots in the episodes. You get the push and pull of a great villain just through a shift in perspective.

But none of these listicles for how to write a great villain is going to tell you to write Doofenshmirtz. He's an incompetent, pathetic fool after all who is beat by a platypus. Of course, that's because they don't know what a villain actually is, thus making them far more of a joke than Doof ever was. See you next tale.

======+++++======

Just a fun personal element: A lot of my non-serialized works don't have explicit villains in them because they're often so focused on characters and their burgeoning relationships that the biggest villain is the self. Just your reminder that sometimes the best villain for a story is none.

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[fleshengine]

I want to talk about representation a bit, because I see the "trans women have more rep, so they are privileged/can't be oppressed/are more societally accepted" thing thrown around a decent amount. Let's take a game I'm playing right now, Cyberpunk 2077.

I love how for trans characters in Cyberpunk 2077 we have Claire, a tough looking bartender who's into cars, and the random girl in Lizzie's who drops a line about how she's a woman and that demands sacrifice, a sex worker who immediately gets played for laughs as her (floating) co-oworker makes fun of her.

Claire is fine representation in my eyes. Sure, she has "guy" hobbies but like genuinely so do most of the girls I know. We get interested in things as kids and that stuff stays. She's a little tough looking, but it's 100% in a definitely masc woman way. She's great, I love her, best girl. The mox is representation, but like... harmful rep at that. She's literally just a side character in this one scene who says "yeah being a woman is rough but it's worth the effort huh?" and gets made fun of for being trans. Her entire point is people pointing at transwomen and saying "haha you're all sex workers and ugly and everyone can tell you used to be a man lol." and frankly it's infuriating. She even uses the male character model! I don't know if cyberpunk 2077 has any definite transmasc characters, and so the case could be made that trans women "have more rep" in it. But when half the rep is this random mox who exists to be made fun of, I don't see the point.

And this is what I mean when I say recognition is not representation. Claire and the mox are both recognizably a trans women, but only Claire is a character who has depth and is a person and actually represents anyone. Being a trans woman is a tiny part of her, but it's there, she has a flag on her truck and mentions it in dialogue exactly once! You don't even really learn she's trans until later, so she's barely recognizable in the text.

So much of what people refer to as "transfem representation" boils down to characters like the mox who are just stereotypes of transwomen who exist to be made fun of. They do not represent anyone, no lived experience, no depth of character. They exist entirely to be recognizable as transwomen and nothing more. They are jokes and to say they represent trans women in any way is deeply revealing to how tme people think of us.

When you clock me in the street, what kind of trans woman will you recognize me as?

This is an idea I've had kicking around in my head for a bit. I'd love feedback/ideas on it so I might uhhhhhh @plaidos hopefully that's okay. You don't have to respond, I just want my thoughts out there.

[itsabouttimex2]

AAAAAAAAAAAAAA I LOVE YOUR AU!!!!! IT'S SO GOOD!!! op, your ideas are fantastic, you're really creative and an awesome writer!! 💫🌟

The monkiefam dynamic is so fun to read about — and pretty sad in MK's case, the poor guy.

Hopefully it's not too dark of a question, but how brutal does MK get during the primal moon? If he gets too violent with reader, does Wukong or Mac try stopping him or would they just let the natural pecking order happen?

I feel so bad for him, he's is gonna have a hell of a time acknowleding all the stuff he did during the primal moon week :/

Thank you so much, that means a lot to me! I’m glad people like my silly little things! (UPDATED to add a few extra characters!)

Thankfully for Y/N, MK isn’t too brutal- I don’t think they’ll come out with anything worse than a sprained wrist or ankle. The trauma will persist far beyond their injuries, however. When the last green moon of the week fades, he’s positively distraught.

Lining his hand curiously up to a slap mark on Y/N’s cheek to check it, tears brimming in his eyes when it lines up too perfectly to be a coincidence.

I don’t know whether he heartbrokenly distances himself or tries to make up for it with extreme smothering. The poor kid just wanted to spend what was supposed to “just another green moon” with one of his best friends.

And as for Macaque, though he’d really like to help Y/N… he just doesn’t have the ranking. MK is above him in the hierarchy, so he genuinely can’t do anything to upset or piss him off. This only that accomplishes is him getting smacked around right beside Y/N. All he can really do for them is apply herbal balm and bandages after the fact. If he hasn’t had a seal applied to his powers yet, Macaque might think about trying his shadow portals, but… it’s probably better not to risk having two angry monkeys on his tail, demanding to know where he’s hidden their beloved cub/rookie.

Sun Wukong is crazy delusional under the moon’s influence- to him, Y/N getting thrown and tosses all around is just “playfighting”, so he won’t interfere until after things get genuinely harmful. The moment he hears his little “cub” scream and start to cry, Old Sun is there in a second, bringing them into his arms and cooing softly. If they come to him begging for protection and use a “Bàba” to sweeten the deal, they’ll have his shelter for a number of hours, so it’s not impossible to get away from MK… just very hard.

And even after learning that something as severe as a broken wrist has occurred, Wukong coddles MK and forgives him on your behalf, writing the whole thing off as an accident. Not that you get any less smothering then him- you’re now stuck in bed with stiff bandages and surrounded by young mountain monkeys and sweet fruit. In a way, it saves you from any further rough play.

All three of them are dangerous in their own ways, of course. None are outright above “disciplining” you, with slaps or bites or shoves. There’s no (intentional) bone-shattering or flesh-tearing, but they make you afraid that there will be.

———————————————————————

After the Primal Moon ends, there’s a lot of patching-up to do afterwards. For example…

Pigsy has to come down from the constant self-drugging, taking more than a few hours to compose himself and make the rounds with his friends, calling them all up in short order. Once he’s gotten through everyone- Tang, Sandy, Mei, even her parents… then he spends a few minutes making sure he hasn’t gored any holes into his restaurant. Unlocks the windows and doors, but doesn’t flip the open sign.

He’s not up to deal with customers right now. All he wants is to check on his kids.

He’ll take MK and you out to eat today, he thinks. You’ve both earned it, after a week of isolation up in your shared room, under strict instructions to stay inside and come down for no one and nothing.

Red Son is always horribly humiliated when everything is said and done, a groaning and red-faced mess of shame. Another week of essentially devolving into a child, desperate for love and attention. Another, slow, grudging week of constant begging for skinship and words of praise. Needless to say, he’s pissed off and looking for an outlet, and beating on the numerous Bull Clones just doesn’t seem all too enticing… when he’s got a much squishier target who’ll actually squirm and yelp?

Sure, he’s not going to outright mangle you. No permanent burns. No shattered spine. And he’ll take pity on you eventually and stop with the torment. After a few months, he might even start to like you.

Let’s hope you get there mostly unscathed.

[ueidesign]

CAN WE PLEASE TALK ABOUT THIS ?

Because i saw someone on X putting these two pic next to each other, and i couldn't stop thinking about it all day and had to write a loooonnngg paragraph to explain how beautiful and well considered these covers are

i see hidden meaning all over it, and im screaming!

In the first one (Mimir Yamato), all the other members are awake, some are chatting , some are just staring at the camera WHILE two members are looking else where, which is the sleeping Yama, and as u can see in the pic up there, These two are Riku and Mitsu

And this is insane cuz u know well my fellow i7 lovers how important Mitsu was in Yamato's character development, so it makes a lot of sense that he is genuinely worried about him (BESTIES FR)

As for Riku , im not so sure about it, so feel free to correct me if it's wrong

Riku has always received some kind of different treatment from Yamato , and we see that a lot if u rewatch the series like me for 1000 times

So naturally, Riku would also feel the same way as Yamato does toward him !

Another thing to add about Riku is that both he and Yamato are VERY important members to the group

Riku being the center - Yama being the leader

Hence, they both burden a lot of pressure in keeping the group together

As for the second pic, the memebers are all asleep while Yamato is wide awake (being silly and bad boy)

Refrencing how serious he is in keeping his friend protected, away from harm even in their weakness (sleeping)

Not to forget

That Yamato indeeed was ready to leave the group behind just to keep them safe from all the bad gossip and reputation they would gain if his "secret" was to get exposed

Last point I would like to add,and it is more like a simple comparison

In the first pic the colors are soft and pastely

Showing i7 idol image of being a lively fun and innocent group

However, in the second one (Yamato's center song album pic), it has Yama own characteristic in it only, which is a dark gloomy adult like theme

I don't want to go into too much depth into the colours cuz i won't shutup then

But to keep it short , dark colors tend to have some heavy meanings to them

And from the way i analyse this , isn't this how Yamato views celebrities, unpure fake, and complete liers...

Btw im very normal about Yamato

Don't mind me , just a humble designer passing by

[the-s1lly-corner]

can u do tadc cast (or probably just a few bc this prompt isn’t very creative) x a reader who looks like the player from animal crossing? ball hands,,, maybe weirdly good at crafting things,, gets stung by bees sometimes mayhaps. Maybe they speak animalese and nobody ever knows what they’re saying LMAO

TADC cast x reader whos like an animal crossing player!

depending on what time it is when i finish writing this, i think imma take a short break to stretch my legs and make something YAHOO!! hope you enjoy this anon!! this reminds me, i cleared out my island by making it totally flat... but i never actually... got to decorating it... huh.... commitment is scary, guys

CAINE:

i think as a funny haha gag thing, how funny would it be if he could actually understand you. like you cant talk, and the noise youre limited to is to your "emotes", but somehow someway for some reason, caine can understand you... genuinely impressed by your crafting and even sometimes asks you to make random things just to see if you can make it! expect some really odd and random requests! not at all phased that you can pick things up with your weird orb hands, hes used to the digital world and its weirdness... thinks...

POMNI:

hey at least theres someone the same height as her in this place...!/hj

tries hard to understand your funky emotes and body language but shes at a loss... i mean at least you can still pick stuff up and try to write, so at theres some method of commutating asides from simply trying to learn how to read you! though, she is a bit unnerved by your silence and how your face is mostly stagnant when you arent.... emoting.. a static smile can get a little unnerving when youre standing next to the person and understand thats its a real person.. you know?

a little confused on how you can just pull things out from thin air, but does admit that it can be useful... has probably tried to ask you to make an exit out of desperation because hey if anyone can make one it would be you so whats the harm in trying (my girl is losing it)

RAGATHA:

i think you guys bond over the crafting; since ragatha makes stuff too, like pillows and clothing and plushies and the like! sure you guys may not be making the exact same things, but you both create and thats enough to bring you two together! doesnt mind that you cant talk, in fact i think after the chaos of a day in the digital circus she embraces the calmness around you... scolds you for constantly being stung by bees, though... though she tries not to be too mean or harsh since its not like youre trying to get stung on purpose... but please just be careful... she worries about you, afterall!

honestly ragatha doesnt have individual fingers, so the fact you can function with balls hands doesnt phase her

JAX:

really touching on the fact you have an inventory that you can hide stuff in i think he would slide you things to hide for him; especially its hes going a "imma do something to someone as a prank then run and use you to hide the evidence" ... you know usual jax antics where he tries to get the reader to help him with his trickery. whether or not you actually aid him is totally up to you. probably makes fun of your short height and the fact youre always getting stung. probably points and laughs when he watches you run around while literally being chased by a swarm. promptly screams when you make a run towards him, thus bringing the bees to him. you have probably bopped him with your net after he says something particularly not-nice, me thinks... or maybe you just dont like him and youre constantly bopping him, i mean i do enjoy it when the reader doesnt like a character but you can easily ignore this little aside if you want this to be a friendship or romance!

KINGER:

OOOOO imagine you come with the basic ring/inventory of tools (net, shovel, watering can, fishing rod, ect) and you can just pull it out of no where.... oooooouuugh imagine taking your net out around him and (wordlessly) offering to go look for bugs with him,.. kind of panics when you get stung by the digital bees; probably helps you patch up... honestly i think given that kinger is all about bugs, i think its a safe bet he would know how to treat bites and stings... so hes your man if youre really bad about avoiding bees and the like! can see tropes that trope where like "whats that? little timmys stuck in the well?? (but thats not what you said/meant)" because youre like emoting and trying to direct his attention somewhere but he gets it. so totally wrong and commits to it before you can stop him. i just think thats funny

ZOOBLE:

thinks youre... odd. though... imagine you can change up your style and appearance by simple interacting with a mirror and wardrobe. i think they would think thats cool, that you can just... do that... zooble has to rip their body parts off (sounds way worse than it actually is, LMAO). probably gives you this look when you walk into the tent to show that once again, youve been attacked by a swarm of bees.... how do they always only sting your left eye...? is that just how your digital body shows the injury, or do they just... no nevermind, theyre just going to give out a sigh before taking you to caine or kinger for medicine. definitely gets onto you for constantly messing with the digital bees, though...

GANGLE:

honestly between all the characters i can easily see her being an animal crossing fan... and while she may not remember all of her old life, i like to think that subconsciously she would recognize you for what your digital body is intimidating... bonus if in the real world animal crossing was her comfort, so naturally, she instinctively finds comfort in you even if she cant totally pin point it... though, she has trouble understanding you outside of your emotes... but even then when you do an angry stamp or shed tears she cant quite pinpoint why youre upset... oooo please make her an art easel! i think that would be a great gift for her and she will be absolutely over the moon!

[cookinguptales]

Y'know, I post a lot on tumblr about what a shit Guillermo is, and I stand by that. He is a marvelous little shit. But honestly I only talk about it so much because people on tumblr and AO3 send me so many messages about how he's never done anything wrong in his life. When I'm presented with the opposite, that Guillermo is uniquely awful and selfish and he victimizes the poor uwu vampires (thinkpieces that you saw a lot more often during s3) I am fully like "I STAND BY EVERY DECISION THAT FOOLISH MAN HAS EVER MADE."

Being real with you, I feel like talking about Guillermo like he's totally blameless and put-upon or like he's totally selfish and wholly evil flattens a really complex and interesting character. He's selfish and self-involved and cruel and sweet and insecure and giving. He's all those things, and I love that about him.

I love Guillermo as a character because he has these carefully constructed categories in his head, these rules and boundaries that he sticks to like glue. He contains multitudes, and it's because he carefully follows the rules he has in his own head, even when they don't make a lot of sense to others.

I think the best way to think about Guillermo's actions is to think about him having two very different sets of rules for in-groups and out-groups. He will bend over backward for people in his in-group, will be the kindest, most patient, sweetest man in the world -- but he can be downright vicious to people in the out-group.

This is a pretty common occurrence IRL, though not always to the degree that Guillermo does it... I mean, you're going to treat your best friend's birthday differently than you're gonna treat a stranger's, right? When you start seeing it happen the way Guillermo does it, though, it's often to create and preserve power. You see it in politics, high school cliques, religion, etc.

For example, let's take new religious movements (or NRMs, i.e. "cults".) They are famous for this behavior. When you create distinct in-groups and out-groups and can behave very differently towards both, you give your followers a strong incentive to stay in the in-group. It makes them feel like they're the "good" ones, the superior ones, the ones with power. The ones that belong. And when they see out-groups being mistreated, well. No one wants to be in the group with no power who's mistreated, y'know? It simultaneously gives people in the in-group a sense of community, belonging, and social superiority and makes them afraid to leave.

But really, you see it all the time. If you have a "good" group that you can never harm and a "bad" group that you can do anything to, that really helps prop up power structures in a lot of ways. Look, I'm not going to get into this too much more because you don't want a freaking academic lecture on your dash, but suffice it to say that I think Guillermo is largely using his in-groups and out-groups in this way, mentally speaking.

He has in-groups (his friends, his family, his boyfriend, the vampires he lives with) and out-groups (literally everyone else, including other vampires) and he badly mistreats the out-groups because he does not want to be one of them. I've noticed he's particularly awful to human prey that reminds him of himself (nerdy, socially awkward, powerless, virginal) and I think that's because he wants to distance himself from them. He wants to make sure no one mistakes him as being part of that group, so he very strongly pushes them into his out-group by not only killing them, but making fun of them and often making sure they suffer before they die.

And then he's even more slavishly devoted to his in-groups, partially because he does truly love them, but partially because he desperately wants to stay in those groups. Or because he's trying to protect his own hide.

I don't mean to say that every kind thing he does is calculated -- I do think he very genuinely wants to make the people he loves happy -- but there's a sort of desperation to it sometimes. When he does these kind things, sometimes it's this desperate bid to be valued and accepted by others in his in-group, which makes him feel like he's earned his place there.

I've noticed that Guillermo has a tendency to do things for people to stay in their good graces (buying his mom a fridge, doing chores for Nandor, giving Derek money) when what they actually want is his time and attention. There often is a vibe that he's trying to earn his way into a group he doesn't quite feel entitled to when actually he's already very much a part of the group and he just needs to maintain those relationships. It's insecurity, frankly, and a nervous sort of self-preservation.

In fact... I'd say that Guillermo's greatest emotional struggles often come when trying to reconcile (and protect) different members of his in-group because he's trying to reconcile (and protect!!!) the different parts of himself.

Like... when he protected Jeremy, he was protecting a friend, but also the idea that some weak, virginal nerds are not prey. He had to protect this member of his in-group, partially because he loved him, but partially because he had to protect himself by extension. If Jeremy could be an exception to the predator-prey dynamics, so could he. Some humans could be valuable.

When he protected his fellow familiars during the familiar fights, he was protecting fellow humans whom he thought had "earned" a better life (and death) than prey humans, but he was also protecting the idea that a familiar could be loved and valued. He was protecting himself and the hope that Nandor would love him.

When he protected his family, he was protecting his beloved family members, but also the idea that vampires and slayers could coexist. Of course he doesn't want his family to die, but he's also doesn't want his hopes that he can have it all to die with them.

Let's all be real with each other here. Guillermo kills humans, and he does so without compunction. He is able to utterly dehumanize prey humans because he has a vested interest in emotionally distancing himself from them. But he gets kind of freaked out when the humans that he has mentally removed from that prey group (his friends, his family, people "like him") are not placed into that same exempt group by others. And this is definitely because he wants to protect those he loves!

But it's also because it means that he isn't special, either.

Let's talk about Freddie, who I think is probably the most complicated example of all this in the entire show. (Save perhaps Derek, who could probably get an entire post to himself because he went from out-group to in-group without Guillermo's consent.) When Freddie first arrived at the house, Nandor mistook him for prey. This understandably freaked Guillermo out, partially because he wanted to protect his boyfriend and partially because it was violating Guillermo's group dynamics.

(Insert meta here about Freddie representing Guillermo's ability to have a happy life outside of the weird, insular one he'd created for himself prior to s4.)

Freddie ended up being kind of special, though, because Guillermo considered him to be part of his in-group and Nandor considered him an out-group until he realized that Guillermo valued him. And then Nandor wanted him to not just be part of his in-group, but a portion of it separate from (but simultaneously representing) Guillermo. It's complicated!!

So we had Freddie 1 who was Guillermo's and Freddie 2 who was Nandor's, but... in the end, Freddie really belonged to no one but himself, right? In the end, he very literally chose himself. He left the -group dynamic altogether.

So Freddie is moving in and out of these groups like a fuckin' oiled-up eel that Guillermo cannot keep a hold of, and that really challenges his control issues as well as his ability to feel like he belongs in the in-groups he's created. It challenges his ability to feel worthy and loved and like he belongs anywhere. It challenges his ability to have faith that he'll ever become a vampire. Suddenly he does not control these groups anymore. If anything, they're controlling him.

While a lot of Guillermo's angst at the end of s4 was about, y'know, normal heartbreak... I think a lot of that was happening, too. He was really seeing the abrupt overturning of the carefully established rules and groups and boundaries and power differentials in his head, and that made him just want to be free of the whole thing.

So he took a step out of all of his preconceptions about what he did and did not have to do to belong in these groups, and took hold of his own destiny.

...unfortunately.

Guillermo's decisions in s4, both regarding his family and his turning, really did permanently shake up a lot of the group dynamics in the show. For better? For worse? (FOR GOOD...? lmao) It's hard to say, honestly. But I'm eager to see how he irons it all out in his head!

Our able-to-self-justify-literally-anything bitch. 💜

[mysadcorner]

Maybe Jason Todd x reader who has Spider-Mans abilities? Ik Spider-Man is marvel but I think it would be pretty interesting/cool little crossover thing :) bc like SPIDER-MAN POWERS>>

Jason Todd x SpiderManPowers!Reader Headcanons

-Credit to the gifs owner - Please be specific about characters wanted in headcanons -

Masterlist Navigation

Jason's first reaction to your Spider powers would be pretty loud and enthusiastic. He meets heroes, villains and other vigilantes all the time but you're abilities are something he's never seen before, and since he wants to get to know you this means he wants to know all about your abilities too.

If you use them to fight crime then he's going to be pretty distracted by the things you can do when he sees them for the first time. You seem so agile and capable with the abilities you have that he wonder's what kind of training you may have had. Also, he does get slightly jealous as to wanting abilities like that of his own similar to how a child would until he realises that your ability to swing using webs would be too much like something Dick would enjoy doing.

He'd be more than willing to accompany you, or at least watch out for you on the side lines if you're used to dealing with crime by yourself. He knows that not everyone grew up in a vigilante family like he did, so he wants you to know that he'll give you all the space you need until you want to do this together with him and use both your skills to an advantage.

Jason is very curious how he may have not heard about someone with spider-like powers roaming around Gotham before, and it's because of this that he assumes you must be pretty young and haven't yet established a well known persona for yourself. If this is the case then he'll go out of his way to drop hints and make people aware that you're around to help when he's helping people in need so that civilians and kids have a natural trust towards you.

The one and only thing that annoys Jason about you having spider-like abilities is the connection to animals. Not that he's found you and he constantly surrounded by reminders of Bruce he's sick of having to hear animal related vigilantes around him, but at least yours are genuine and not just used as inspiration for a frightening costume.

He likes to watch as you use your skills and abilities for mundane and everyday things, such as using your webs to drag things towards you or being able to climb pretty much anything with ease. He usually watches while you do this, but it also makes quiet rooftop meeting with you pretty interesting.

Your senses definitely come in handy during a fight, and he's very much grateful for them. Because of your senses you're able to defend and protect people who may be in danger or other vigilantes when facing a criminal and villain better than his reflexes could ever manage, whilst this also furthers your reputation as someone there to help others once word spreads around.

Swinging through Gotham would be a fun new thing for him to experience, even though he does make his way through Gotham using grappling hooks sometimes. However, really taking the time to go through Gotham without looking out for danger gives Jason a new found way to experience the freedom that you've been experiencing for a while.

Having spider-like abilities also comes with a lot of danger, as certain villains and criminals will be on the look out for you, both to cause you serious harm and to potentially use you for their own personal gain. Jason will be on the look out for things like this and will be the first to jump into action if anyone tries to target you.

[bobbinalong]

I’m really confused.

You posted that Damijons make Damian out to be mean, abrasive and ‘feral’ but you tweeted today or a couple days ago that Damian is genuinely horrible to Jon, so much so that Clark should keep Damian, a child, he understands is very traumatized, away from Jon.

You also preferenced it by saying that you love Damian so you know that your statement was inherently anti-Damian…? So you dislike Damian? You don’t have to like Damian but you can’t say one thing and then the other. Is it bad to say that Damian is mean and abrasive? Or is Damian so mean and abrasive that he should be kept away from Jon? Which is it?

Also, your mutuals were agreeing with you. People who also often kind of allude to the idea that Damian feels nothing for Jon and they lack chemistry. Why insinuate Damian is emotionless when Super Sons literally has multiple Damian focused plot points where Jon gets harmed and Damian freaks out; proving he cares for him.

So do you really think Damian should be seperated from Jon, like they shouldn’t be friends?

The important part of the tweet you're referencing is the "IN SUPER SONS" one. It's also important to note that I made this complaint five issues into my re-read, so it was more of a flippant observation, not yet a proper critique of the run or Tomasi's writing.

As far a actual critique goes, at no point has that been about Damian as a character or Jon and Damian's friendship as a whole, because I love both of those when they're written well, it has always, ALWAYS been about how Tomasi writes them in these books.

This is how Damian acts towards Jon (again, in Super Sons) before Clark says he wants them to spend more time together, not including moments where Jon gave as good as he got, but even in those, Damian is pretty consistently portrayed as the instigator and Jon as the one retaliating.

He is acting horribly and even after this occasionally like he doesn't care for or respect Jon as a person and Clark knowing where this behaviour comes from doesn't mean he should want his kid exposed to someone who regularly insults and disrespects him.

Again, though, none of this is because of who Damian is as a character but because of how Tomasi perceives and writes him. His Damian's smart and he likes to banter and Tomasi sucks at writing smart kids and friendly banter, at least in the Super Sons books, so Damian being a little catty or mean, which is in line with is character in my opinion and would be fine, turns into him throwing Jon off of buildings. That's not frenemy behaviour, that's just a general disregard for Jon's well-being.

I've also at no point denied there were sweet moments in these books; there are and plenty of them, but that just means it bugs me even more when Tomasi goes back to having Damian slap Jon around. Again, it's inconsistent and I don't like it. Which I also said on Twitter but that may have been after you sent this ask:

Both Jon and Damian are characterized very inconsistently throughout Super Sons and Adventures of the Super Sons (I haven't reached Challenge on my re-read yet, so for now it's excluded from this criticism). Damian deeply cares for Jon in one issue, says he'll protect him, has fun with him, gets mad when anyone else hurts him but he keeps going back to slapping him around, verbally and physically, and this is never portrayed as any kind of internal struggle, there's no "I care for this kid I don't want to care for so I'm lashing out at him" (which frankly, at this point in his development, isn't even a conflict he should have but at least it would be something), it's just. He's good friends with Jon in one issue and thinks it's funny to have a statue of his dad beat him up in the next and I don't particularly enjoy that.

Super Sons is just not all that, man, I'm sorry.

Tomasi writes Damian well in the parts of Batman and Robin (2011) I've read (had to stop because I was getting too emotional lol), but that might be because that one's co-written by Patrick Gleason, who wrote the Damian book (Robin: Son of Batman), as far as I'm concerned. Robin (2021) I liked, too, and I hear the current Batman and Robin is delivering some good Damian, too, as is his new Black Label book. So yeah, I like Damian. I just don't like how Tomasi writes him in Super Sons specifically.

As for the Jon and Damian friendship, it's very well written in Superman: Son of Kal-El, they're fun in Batman and Superman: Battle of the Super Sons, the Dynomutt - Super Sons issue in the DC Meets Hanna-Barbera book is neat, as are Trick or Treat and Back to School, they're adorable in that one Holiday Special and I like Tomasi's Superman & Robin Special, once again weirdly pointing toward this being a Super Sons specific issue. So yeah, I like their friendship. I just don't like how Tomasi writes it in Super Sons specifically.

And going all the way back to your first point, yeah, certain DMJNs/Super Sons fans DO portray Damian as a horrible feral demon. Probably because all they've read are the Super Sons books, which, I think I've made that clear, are not the best books to get a solid grasp on Damian. That critique was about how fandom (and not just the Super Sons fandom, either, the Batfandom, too) perceives and portrays him and I think I've done a decent job at not falling into that same trap with my fanart, so I'm not sure why you bring that up.

I don't think Damian is some horrible irredeemable character from hell. Never have. I adore him. Here's some proof.

Which I know is entirely unnecessary, I just felt like sharing some fanart at the end of this.

As for my mutuals, I don't speak for them, but both of the people agreeing with that particular tweet have previously talked about liking Damian and his dynamic with Jon, their critique, just as mine, seems to be usually aimed at the way Tomasi depicts him and them in Super Sons, where, again Damian does often seem like he doesn't care for Jon. Except for when he cares a lot. Which, again, isn't his fault, since he's lines on paper and Tomasi's the one making him act this way. Which brings me back to the inconsistency being what bugs me most, so I'm just talking in circles now.

Anyway, I don't know what you were trying to accomplish with this message, anon. If it was to rob me of half an hour to explain myself unnecessarily, congrats, I guess.

[merakiui]

Yummy gamer brain rot! I love the idea of cockwarming Idia while he games. Do you have any more pathetic gamer boy ideas to share?

I always have concepts for Idia hehe!!! :D but which type of Idia would you like to hear about? The one who conditions you to rely on him for everything and anything, who is so gross and disturbed, who has too much power when you combine the degenerate hentai fantasies with big brain science....... or the one who is very bad at interacting with you in social situations, so he stalks from afar and only ever watches you through screens. He keeps putting off kidnapping you because he's anxious (not because he'll be kidnapping you, but because you'll be so close to him and there won't be a screen and anonymity to separate the two of you)......

Although maybe these Idias can be the same. (˘ ˘ ˘) aaaa but I think Idia hits differently when he's in Man of STEM Mode!!!!!! >0< either when he is rambling about the scientific process or about his own hobbies, the passion is always enjoyable!! I think arranged marriage is a fun trope to explore with him because his mother is so sweet and bubbly, and it's more so a case of her shipping you and Idia (lol) and wanting the two of you to be happy together. You visit the Shroud residence for dinner on the occasion when both Mama and Papa Shroud's schedules have opened up and she cannot stop eagerly rambling about how cute you and her precious Idia are, much to Idia's embarrassment!!!! She is his number one supporter; she wants Idia to have his happy end no matter what. :D

She'll always want what's best for her boys, so maybe she turns a slight blind eye if Idia's behaviors are...a little concerning. I think she'd be such a soothing presence if Idia knocks you up (whether you were willing or not in this endeavor). If anyone's going to sympathize, it'll be her, surely! And she does. Kind of. ;;;; she just sits beside you and has you rest your head in her lap if you're feeling up to it, and she shares all kinds of stories from when she was pregnant with her boys all while patting your head and assuring you you'll be a lovely mother. THE CONDITIONING ON THAT LEVEL....... and it would be so unintentional and unconscious on her part because she's just so happy for you and Idia, even if she only knows a small sliver of the story (or perhaps she suspects it), and she doesn't want you to stress yourself out with your own worries. From one mother to another, you'll do great (and it kills you inside because she genuinely means no harm with her cheerful support).

aaaaa the conditioning......... >_< and then of course it's impossible to escape. When everything's so high-tech and there are cameras and robots everywhere and the Island of Woe is so remote and difficult to leave??? That's basically pitting a level one character against a level 100 boss and expecting to come out victorious. You're so trapped but also so loved by the Shrouds. It's overwhelming.