#this is actually devastating to me

[she-atti-on-my-lyus]

i just saw a tiktok talking about the idea of the whole time james was openly pining after lily she thought it was a joke and that he was making fun of her im unwell

[lotus-pear]

charm stat at debonair ‼️‼️

[ozumii-fucking-wizard]

Stay hopeful, stay kind, dear Halsin.

[mercurymoths]

The colours as little paper chain guys was an idea I couldn’t get out of my head, so I drew not one but two versions! (Cuz I’m a sucker for shadow >:))

[craacked-splatters]

Just a father and his sons :))

Hee hee I'm evil >:))

But seriously tho I still can't believe the creators orphaned them like that😭

I have always been curious about the turtles childhood and what their upbringing must've been like growing up. Especially since this version they never stepped foot out of the sewers until they were 15.

Lone rat and cubs is one of my top favorite eps out of the whole show. It's so bittersweet to watch and it genuinely brings me to tears knowing the futures they're all gonna have to endure and how much they grow into as ppl.

Wish we could've seen more of Splints being a dad. I wanna see the moment Mikey started calling him Papa, see him play more with his 2 eldest and feeding Don's curiosity for the world around him. I want to know more about this family cmon gimme gimme

Fun fact! this was all triggered by that one EP where splinter drunk fights his kids💀 ( it's the way he fought his sons, especially when he blew a raspberry on leo, that made me think)

I'ma call it 2012 Papa!Splinter doodles & this is gonna be pt 1✨

[usergirlfailure]

i have to work tonight so i can’t watch tlou live but as always feel free to tag me in your stuff bc i will be watching as soon as i get home 🫶

[clownowo]

yeah so it turns out "aibou" is. not. really used for romantic partners.

[qimir-the-stranger]

We get it, Disney. We get it.

Star Wars is not for women.

Star Wars is not for Black people.

Star Wars is not for Asian people.

Star Wars is not for Queer people.

Star Wars is not for anyone who is marginalized and has different lived experiences.

Nope. Star Wars is ONLY for cishet white men. We hear you loud and clear. We know you don’t care about us at all.

[philyuri]

not to demon post but like. sometimes i think about the "friends" label and the fact that it's a little bit of a haha in-joke but also... i mean. when dan said he didnt have a best friend for the first 18 years of his life he meant it yknow. like i do think that out of all the possible labels he's used, soulmates husbands arch enemies furniture who the fuck knows, best friends is amongst the most meaningful... if you never had a best friend and then met him and he stayed in that spot for fifteen years the fact that he's also the love of your life can maybe be just a bit of a bonus.

[demigod-shenanigans]

Thinking about ambrosia not working for Jason Grace in Blood of Olympus because he hasn’t figured out where he belongs and who he wants to be yet. Thinking about him figuring it out, and, before anything else he decides to be, him stating that his home is wherever Piper and Leo are.

Thinking about him taking ambrosia after the Gaia fight, not sure if it will even work. Thinking maybe it’ll be a mix of his favorite foods from CHB and Camp Jupiter, or maybe that it’ll switch.

Thinking about Jason, utterly devastated about what happened to Leo, taking ambrosia for the first time in ages, and it does work, but instead of tasting like any of the foods from either camp it tastes like the tacos Leo made for them on that first mission in the sewer.

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[ahalliance]

crowley perhaps did the bravest thing in his 6000 years of existence and was greeted with his worst nightmare in return. i’m sooo incredibly normal

[tsub1t]

suddenly got fixated on a loud banana looking head ass. I haven't watched a single episode of bnha. I'm going insane

my first drawing of mic is him doing the hand thing™ for some reason

[hyperfocusthusly]

Rage, I have learnt to wear.

My mother’s grief, however,

folds my spine and lives beneath my ribs.

it gets heavier and heavier

|| Line art ||

[jinikaris]

[ favourite hyunlix moments ✩₊˚. 1 // ∞ ✧ 2022 music bank 1st place encore ]

[raviollies]

I love Theta as a character so much, I have to use her very sparingly so she doesn't lose the impact with her every appearance since the terror she strikes into the party the moment she's even referenced is so delicious