#this is a really interesting analysis!

[tangents-within-tangents]

Hot take:

Crosshair does not have the Imperial disillusionment and redemption arc of The Bad Batch

Emerie does.

Crosshair has an arc for sure yes but it's not that.

I was thinking about this scene:

and how it got right what this scene kinda didn't:

(It was so close but then bad writing decided to undercut the moment with a joke rip)

And I think it's really interesting that these characters who were more or less raised into the Empire/First Order and chose to leave it are all directly asked why.

But take a look at Crosshair's answers in comparison:

Different context for the asking, yes, but still, compare that to clones like Howzer, Cody, Slip and Cade who left or turned against the Empire because they knew what the Empire is doing is wrong and they weren't just going to blindly follow orders:

Crosshair - Loyalty, Purpose, and Survival

Crosshair didn't choose to join the Empire (though the show isn't very clear or consistent about how much control the inhibitor chips have) but he did, for whatever reason, choose to stay. By the end of S1 we know his chip has been removed and as he definitively says "This is who I am." There were likely still other influences on his decision, but listen to how he talks about the Empire in the S1 finale:

Hunter: Crosshair, I've seen what the Empire is doing. Occupying planets and silencing anyone who stands against them. You know it's not right. Crosshair: You still don’t see the bigger picture, but you will. Hunter: Can't you see they're using you?

Crosshair: We’re not like the regs, we never have been. We’re superior. The Empire can’t protect the galaxy without strength, this is what we were made for. Think of all we could do, together!

Crosshair: You all are meant for more than drifting through the galaxy. It’s time to stop running. Join the Empire, and you will have purpose again.

Hunter: They destroyed an entire city! Crosshair: They did what needed to be done. Kamino, regs, the Republic, that time is over. The Empire will control the entire galaxy, and I am going to be a part of it. Hunter: Don't fool yourself. All you'll ever be to them is a number.

He undeniably knows what the Empire is doing, but he does not care. In fact it sure sounds like he actually supports it and finds self-meaning in it. Hunter spends those episodes trying to convince him it's wrong, he doesn't change his mind. In the end they offer him an out and he doesn't take it.

Wrecker: You coming with us? Crosshair: None of this changes anything. Hunter: You offered us a chance, Crosshair. This is yours. Crosshair: I made my decision.

The next we see Crosshair in "The Solitary Clone" (S2:E3) he follows orders and shoots the Desix governor, right after Cody heartbreakingly tries to do what's right and find a peaceful solution.

Cody: Tell me something, Crosshair. This new Empire, are we making the galaxy better? Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

After this (glorious!) conversation, Crosshair stays. Maybe this began to seed some doubts, but he actually smiles a few scenes later when Rampart assigns him another mission. It seems like for him it truly is as he said in S1:E1 (chip not enhanced yet but still influencing him enough for his brothers to notice he's acting strange):

Crosshair: Republic, Empire... what's the difference.

Crosshair: Orders are orders.

This unethical mission that finally pushed Cody over the edge does not change Crosshair's mind about the Empire, at least not enough for him to take action.

But what does?

Mayday: And here we are, the survivors. Combat troopers stuck babysitting cargo shipments. Crosshair: Mission’s a mission. Mayday: Yeah, I used to say the same thing.

Mayday: After all the clones have done, all we’ve sacrificed. We’re good soldiers, we followed orders. And for what?

This mission has nothing to do with how the fascist Empire treats the galaxy, it's about how they treat their soldiers. It's about how Mayday loyally fought and served his whole life and Lieutenant Nolan let him die

Lt Nolan: He served his purpose as a soldier of the Empire. Crosshair: You could have saved him! Lt Nolan: Perhaps you didn’t hear me, he is expendable, as are you.

Crosshair thought he could find purpose within the Empire, and Nolan shows him exactly what that will be.

His turning point is accompanied with this powerful visual of the ice vulture, a symbol (and threat) of death, and also set up within the episode a symbol of survival:

Mayday: Vicious creatures, but you have to admire ‘em. They find a way to survive.

This critical moment (that gives me chills, oof this episode is a masterpiece!) comes right after Nolan calls him expendable and directly threatens him:

Lt Nolan: And if you speak to me again with such disrespect I'll see to it you meet a similar fate, clone.

then Crosshair sees the vulture's shadow and turns to Mayday's dead body (ahh visual storytelling my beloved) then makes his decision:

Crosshair turns against the Empire not because he believes Hunter was right about this:

Hunter: I've seen what the Empire is doing ... You know it's not right.

but because he was right about this:

Hunter: All you'll ever be to them is a number.

Redemption (both in fiction and irl in my humble opinion) comes with making amends and reparations (which is why death 'redemptions' bother me so much but that's a rant for another time). Unlike Emerie, Crosshair never explicitly denounces the Empire or his own actions within it. He never says anything to specifically show if and how his views have changed from what he said on Kamino. He makes amends with his family (sending the warning message, helping Omega escape, making up with Hunter) but that's about it. The most we get in terms of acknowledgement is this:

Crosshair: I thought I knew what I was getting into with the Empire. I thought I was being a good soldier. Hunter: Nobody really understood what was happening back then. Crosshair: I’ve... done things. I’ve made mistakes. Hunter: I have regrets too, Crosshair. All we can do is keep trying to be better, and who knows there just might be hope for us yet.

Which is nice and all but it's more about them making up as brothers so it's way too excusing tbh ("no one knew what was happening back then" ummm? "The Empire will control the entire galaxy, and I am going to be a part of it" remember? And even if at first Crosshair was being controlled by the chip, the fact that he chose to stay after it was removed* means he condones and is therefore still accountable for those actions).

There's also a bit of self-destructive guilt:

Crosshair: Omega, don't risk anything for me. I belong in here.

Crosshair: Omega needs you both. So I’m doing this alone, it’s what I deserve. Hunter: Don’t even think about plan 99, Crosshair. Omega needs all of us.

(which thank you Hunter for pushing back on the death redemption bs and oh look is that a wrap up for the purpose thing?)

But there's no action taken on his part to make up for what he's done or to stand against the Empire (aside from the bare minimum of help with Tantiss, only after it became personally relevant, which like yeah he had trauma to deal with but still).

While I do think the implications/follow-up of Crosshair's turn should have been handled better in S3 (like rip Howzer! he deserved an apology, but that's a rant for another time), I don't necessarily** think this arc is a bad writing choice. It's just saying different things than we expect:

Maybe Crosshair's story is not about standing up against an unjust system, like we see with many other characters (who deserved more screen time but that's a rant for another timeeee). Maybe his story is about how even those who are loyal to the Empire, who actually believe in it, still suffer under and within it's rule. Not to garner sympathy, but to show that there is no winning.

Crosshair has another 'so what changed' convo in S3:E14 with Rampart, in which they draw parallels to each other:

Rampart: You used to believe good soldiers followed orders. Crosshair: Depends on who's giving them. The Empire betrayed us both. Rampart: And you think you can fight them? That's not you. You're like me, loyal to no one but yourself. Crosshair: I've changed.

(note how he says who's giving the orders, not what the orders are)

"Loyal to no one but yourself" describes Rampart much more than Crosshair, since we often saw Crosshair pride himself as a loyal soldier of the Empire whereas we saw Rampart abuse power to be self-serving within the Empire (like when he killed Wilco to save face). But they were both betrayed either way. Vice Admiral Rampart, snively Imperial opportunist through-and-through, shouts "I was following orders!" as he is arrested for the Empire's purposes. (Edit: and where Crosshair rejected the Empire and found new purpose fighting for his family, Rampart was still self-serving in the finale. He still tries to gain power for himself and he gets his comeuppance).

Even Hemlock, the final boss immoral Imperial scientist, who has to be benefiting the most from this system, echoes the expendability idea:

Hemlock: What I am working on is beyond your understanding. Something so vital to the Empire it makes me indispensable.

Then there's CX-2, also set up as a parallel/foil to Crosshair (fight me), who in the end is discarded as no more than a weapon, a tool that served it's purpose, showing us what would have become of Crosshair if he had stayed.

There is no winning in the Empire. Loyalty is not rewarded, it "doesn't go both ways." Everyone has to fight for their value. Even high ranking individuals** who for a time benefit from the injustice, in the end are just pawns to be used up and cast aside at a whim for the Emperor's gain. Even people who are motivated by self-interest alone cannot survive within this system, the only viable option in this galaxy is to fight the Empire and dismantle that system. (unless you conveniently find a magically safe island to hide away on but that's a rAnT fOr AnOtHeR tImE)

Which brings us back to...

Emerie - Cooperation, Compassion, and Choice

(Okay this post has already gotten away from me but I still want to talk about her to show the contrasts.)

Emerie may not have been given a lot of screen time to really flesh out her development, but there is a lot that is pretty clearly implied with her:

Crosshair: They’ll never turn her [Omega] over. Hemlock: They don’t have a choice. She is a clone, and therefore Imperial property. *Camera cuts to an angle more centered on Emerie’s face*

Crosshair: Give me your access card! Emerie: It won’t get you outside!

Emerie: I tried to warn him what would happen if he did not cooperate with the Doctor.

Emerie: Prisoner? Omega, you are no such thing. It will take time to adjust, but you will acclimate. It is far safer in here than out there.

Emerie: You should go back to your room. Crosshair: You mean her cell?

Emerie: Why children? Hemlock: Children are easier to attain and more agreeable to the subjugations. They are unaware of why they are here and what they possess.

Emerie: They're children. Like I was... Was your plan to discard them too? Nala Se: The Empire will keep them in order to control them.

We don't know a lot about Emerie's background, but it's clear that she had a lot less choice than Crosshair and less opportunity or ability to leave. Unlike Crosshair, we never directly hear Emerie's views of the Empire (and she was most likely 'taken under Hemlock's wing' before the Empire even came to power), but lets look at how she talks about the Tantiss:

"Remain calm. Cooperate and you might survive."

"Don't make this worse, Crosshair! There is no escape!"

"All of us serve a purpose here."

"The Doctor will inform me, if it's necessary."

"It's best not to ask questions."

"Escape is not possible, Omega. This is for your own good."

She honestly does the best she can within the system she is also trapped in. She tries to help Crosshair, Omega, and the vault kids in the only way she knows how (warns Crosshair about the hounds and security, tries to protect Omega from Hemlock, tells Scorch his "actions were extreme" with Jax, insists on overseeing Bayrn's retrieval, double checks his m-count (to give him an out), and tries to find out where he came from). When she gives Omega, and later Eva, the doll, I think it shows just how little she really is able to do here (and it's kinda heartbreaking imo).

The framing of this shot especially (after Jax's escape attempt) visually shows how Emerie herself is trapped/imprisoned:

Despite the fact that very little of this is Emerie's fault, she has very little power and she is doing all she can, the narrative does not excuse her role in the Empire:

Nala Se: What will you do, Emerie? Emerie: There is nothing I can do. I don't have that kind of power. Nala Se: Don't you?

Emerie: I- I was doing my job. Echo: Yeah, I’ve heard that before. You’re a clone. How can you be part of this?

These fighting-the-Bystander-Effect conversations parallel these exchanges:

Hunter: We made a choice, and so did you. Crosshair: Soldiers follow orders. Hunter: Blind allegiance makes you a pawn.

Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

which did not change Crosshair's mind. And honestly, all respect to Echo's disappointed mom glare™ but I think it's clear Emerie had already made her decision, she just needed help to actually be able to do anything about it. When she stopped Echo, with her voice wavering on the verge of tears (ahhh v good voice acting), she clearly had no intention of turning him in. She's on her own in the Empire's most secure facility with very little resources, if she had tried anything on her own she most likely would have failed and been killed

Omega: Emerie, you don't have to do this. Emerie: (sigh) I’m sorry, but I do.

but as soon as she is enabled by an ally, she immediately turns around to help: giving information and getting Echo through security, helping the kids escape, and giving Omega the tablet that allows them to free the other clone prisoners.

Where Crosshair's turn is accompanied by the symbolic imagery of the ice vulture, Emerie's is the removal of her (literally rose-tinted!) glasses:

Symbolizing how she has shed her previous views/indoctrination that altered her perception of the Empire and blinded her to it's wrongs. It's disillusionment.

Emerie's story shows us that even those who are raised and indoctrinated into this system can, should, and will escape (with needed help). Even those who did not choose to be apart of the Empire and are not making the decisions still have the responsibility and ability to act on what they know is right.

Emerie, whose name means 'Home strength' 'Brave' and 'Powerful', and "reflects the importance of leadership and authority in the workplace".***

While Emerie is only in one more scene after her turn, so the wrap up is a bit rushed, she still very simply does what Crosshair does not:

Emerie: Because I was wrong about this place. And I'm trying to do the right thing.

Echo: I’m sure Senator Chuchi would find what you have to say very helpful for our cause. Emerie: I have a lot to make up for. I’d like to help out however I can.

She admits wrong, takes accountability, commits to making amends, and leaves with Echo to go take on the Empire (which hopefully we will get to actually see more of some day).

So, in short, she's showing us how redemption is done right!

---

Notes:

*Whether this writing choice was good/logical/in-character or not is another discussion entirely, but I'm going off of what we were given, what the show is presenting in the canon text and (reasonably inferred/intentional) subtext. Crosshair is pretty multifaceted and I could only touch on so much here. There's a lot of ways to interpret his character/choices, but I tried to avoid the realm of speculation or fanon explanations (even if they sometimes make more sense lol).

**History and political theory are not my area of expertise at all, so I have NO idea how well this aligns with real-world fascism stuff and therefore what implications this storytelling choice could have. I think the message of like 'if you think you could survive or gain power by doing what the Empire/fascist system wants you are wrong' could be good (like how everyone is actually harmed by the patriarchy type of a thing), but I hesitate bc maybe there are those who would benefit, since it's a hierarchal system, right? If anyone more knowledgeable than me has incite to share, by all means

Either way, I do think it works in-story and in-universe though. It's just in the execution. The main problem (even from a strictly theme/character arc stand point) is the lacking follow-up/consequences for Crosshair in S3. Like you gave your character accountability by removing the chip and I think that's great setup for an arc but you gotta follow through with that and actually hold him accountable!

***I'm always curious when clones have 'normal' names, like why did they chose the name Emerie of all things? So I looked it up. Idk how reliable sources are for name meanings so take it with a grain of salt but it's still fun. Fits pretty well, and clones names have definitely had significant meanings in the past (like how Rex and Jesse both mean 'king') so I'm pretty sure it was intentional.

Anyway, thanks for coming to my tedtalk

[ihavetoomanyocsdealwithit]

Ok, Riddle fans, I am starting to understand.

As I go through more of Riddle's Vignette's and the story, seeing him actually interacting with his house and people outside of it, I get it. He's intimidating and intense, absolutely, and he doesn't always understand why things like social media and trends or parties are important to say Cater or Ace.

But he tries. He learned how Cater memorized and learned and changed his studying style in order to help him. Downloaded a whole app, made posts that would make no sense to anyone else and weird tags, just to help him, spending even more additional time and energy after creating a 300 page study guide.

He continually steps in to encourage and guide Deuce and generally doesn't seem to know or care about his past delinquency, only what he does now as an NRC student. Even the conversations with Ace which tend to go sideways or chiding, seem like they are simply almost too much alike, just different values and priorities.

Yes, the other students are intimidated by Riddle. But as I dive in more, especially after his Overblot, it's because he holds others to the same standards as himself for better or for worse. Does he recognize the privilege of receiving so much education on magic and other subjects so early? I'm not sure. But he looks at his students and asks why not. Why can't they pass, why are the struggling, how do I get them there. Like, this fixation of nobody dropping out or flunking tells me that it happens a lot, maybe the most in Heartslabyul? But Riddle is making his legacy at NRC that he's graduating at the top and every one of his house is coming with him. He genuinely believes in his people and that they will be the best, most cohesive and talented dorm because they worked together, he just has a different approach to it after his holier than thou attitude was knocked out of him after his Overblot.

Malleus was right. King of Heartslabyul, absolutely.

[sassydefendorflower]

Something I don't see discussed often is the absolute genius dichotomy between dialogue and background scene during the conversation between Roy and Hughes in Ishval.

No, not that one.

I mean the one where they talk about the letter Hughes got from Garcia - one of the only "comedic" moments in all of episode 30 (and issue 15 of the manga).

Because it's horrendous.

In the anime (which unfortunately cut most of the juiciest and most fucked up stuff out of the chapters about the Ishvalen genocide) the scene begins with an establishing shot of Roy in which we see this:

Blood on the ground, covering an Ishvalen garment (and probably a body just out of frame) with a smiling Roy in front of it, since Hughes just got mail and Roy probably knows what his best friend is about to talk about. The conversation continues, the camera focused on their faces as if to make us forget just where we're at, and then, as their banter comes to a close we get this:

A wide shot of Roy and Hughes next to each other, now from the other side of the camera. Where before, we could only see their faces, alight with a rare smile, talking about the love of Hughes' life and joking around, we now see what scenery this is happening in front of. One of destruction. One of death.

Just as they ignored the dead body on the floor as they started talking about Hughes having to defend his girl back home, neither of them are really looking at Ishval in the end either. Hughes and Roy are still looking at the letter in Hughes hand - not the buildings Roy himself probably burned down only hours earlier.

It's framed a bit differently in the manga, though not by much. If anything the implications are only much darker.

(please excuse the German text, I only have the manga in German and Japanese)

But in the manga, this scene is not framed by a destroyed Ishvalen town, but by literal mountains of dead people. The speech bubbles in the left corner reference Hughes asking Roy when he'll get a girl to write home about.

I think it is very telling that Arakawa focused on the dead bodies in the foreground. I think it is incredibly clever and smart to show us Hughes and Roy only as dark shadows, as we see arms and faces stick out of the dirt.

Because as much as this moment of levity both in the manga and anime is a human one (people adapt to all kind of horrors, and most soldiers are known for a rather dark sense of humor), it is also a reminder that Hughes and Roy get to go home.

They both survive the war (even if Hughes dies later on), unlike the people over whose dead bodies they are sharing jokes.

It is a haunting imagery, but an effective one.

It's not overly aggressive, and it's easy to miss the bloody garment, especially in the anime version, but I do think it is a deliberate part of storytelling.

Because no matter how much Hughes claims he fights to survive (and i believe him, I really do), there is a difference between the Amestrians fighting and the Ishvalens they are killing.

And it's probably the fact that only one side is getting letters from back home, promising them a family and a future once they get back. Because the other side is lying dead on the floor, their blood a backdrop for two people to reminisce about humanity.

[poorly-drawn-mdzs]

you are so whimsical i qant to check out this mdzs (..??) because of your whimsical nature thank you sorry im very high and your art moved me emotionally

This is simultaneously the sweetest and funniest thing someone has sent me, thank you.

[callcorbett]

something about glass onion that makes me go insane is first the movie starts with Bach’s ‘little’ fugue in G minor, then the box miles sends to each of the ‘shitheads’ has it as one of the clues. Don’t exactly remember who says it but someone says that fugues are a complicated layer of music. While they are layered they are not fundamentally complicated, it’s just layers of the same figure played over and over again. The fundamental core melody is all the same. Which is a perfect melody for Miles thinking his plan and puzzles was this complicated system of music, when it’s really just the same story told over and over again, and also a metaphor for the glass onion itself. I dunno I just love when classical music is used in movies that itself tells the story in a deeper way

[millionsghosts]

I think a lot about how Vash and Knives are perceived and how they actually are. Vash is the one who pushes his feelings back and holds himself together constantly in order to keep pushing forwards, despite how open/silly he seems on the surface. Knives comes across as colder and more logical, but his decisions and conclusions are all driven by his rage and fear and emotions.

Knives makes himself out to be the reasonable one who knows more about the world than Vash (at least in Tristamp), but Vash is actually the one out there experiencing things and learning about life and humanity, meaning he's probably much wiser. This specifically is one of my favorite things about Trigun because it's just so hopeful. Vash is the one who sees the world and everything it has to offer (he was running all over the place for 150 years, dude!), and he's also the one who believes so resolutely that humans are good. I think that's absolutely beautiful.

[fluentisonus]

relatedly always thinking about this particular bit of javert's perspective

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[starcurtain]

What do you think Aventurine would be like as a boss?

Aventurine's first character story tells us that people both outside the IPC and internal to the Strategic Investment Department are explicitly racist toward him, so I would say first that I suspect Aventurine's team is much, much smaller than other Stonehearts like Topaz. For example, we constantly see Topaz's dumb "support squad" following her around in most of the events she shows up in, while we've never been introduced to a single "Aventurine support squad" member.

My suspicion is that, between the rampant racism and the undoubtedly common rumors about Aventurine's dangerous behavior, very few people are even willing to be put on his team in the first place. I suspect he's much more likely to be paired up with one or two "strategic partners" (like Ratio) and sent to handle things that way, rather than actually having a large group of underlings he directly supervises.

But just logistically speaking I'm sure he does have a few underlings, and I think... He's probably a very difficult person to work for, for a couple reasons:

He will almost certainly beat assholes to the punch. If a majority of the people who have been assigned to work with him don't want to be there, you can bet he's not going to wait around for new people to prove they are racist garbage. I imagine that, for the most part, he's off-putting and offensive to new people from the get-go. You ask which desk is yours and he just goes "Oh, feel free to set your things anywhere!" then turns around like: "Wowwww. Jim, this rookie is trying to steal the desk you've had for ten years! How inconsiderate our new friend is proving to be~!" New people on his team probably have the worst few weeks of their lives. (Because... If people are going to hate him on principle alone, he might as well give them a reason, right?) However, this has the effect of weeding out most of the people who are incapable of dealing with Aventurine's antics, so I imagine that the few who persevere through the hazing are probably genuinely decent folks. Those that make it past the initial "Let's see how much you hate Sigonians and disrespect me personally" vibe check probably end up on Aventurine's good side, and I think he eventually eases off his newbies after a while. (Not before they've proven their exceedingly high tolerance for shenanigans and even higher ceiling for shock factor, though. If a new employee makes it past the first month of working for Aventurine, literally nothing else will ever phase them. An elephant-sized Warp Trotter could warp them all six galaxies over and they'd just be like "Anyone got a working cell? I need to tell my babysitter I won't be back by 9.")

I think he's just never there. Absentee boss in the extreme. It's not that he ever slacks or doesn't do the work--it's just that he's constantly going off and doing the missions all on his own. It doesn't matter how many times the higher-ups assign him to do a team task, tell him he has to take the full squad... He just scampers off and does the deal entirely on his own, comes back covered in blood, and is like "Hey guys, I took care of the problem; enjoy some comp time on me!" I don't think he drags his average-level underlings into his dangerous gambles; I think he just does all the work with their clients by himself or with a high-caliber partner. You would think this would make him a great boss to work for, but I implore to put yourself in such an employee's shoes: You go into the office every morning only to see your to-do list is empty. Your boss isn't there to give you any new direction. After twiddling your thumbs for four hours, you find out the reason he isn't in the office this morning is that he's recovering from betting he could take an entire pack of Borisin in a fist fight. He's not in the hospital because of the fight (which he won). He's in the hospital because he was then promptly shot in the back by the guy he was betting with. Why is your life like this? Why must you be subjected to the soap opera of your boss's own self-destructive spiral?

Even when he's around, he's probably weirdly awkward. Don't get me wrong, I bet when he's in a good mood he throws all kinds of extravagant parties in the office, and his employees would never lack for bonuses and perks. But I think he has never really bothered to learn--or perhaps simply does not care--about normal managerial behaviors and boundaries. Like, you slip up and tell him your mother-in-law is in the hospital. He comes back five minutes later to tell you he's just bought six bouquets (sent from your address), commissioned a personally embossed card for her with your monogram, and contracted the services of the best-reviewed individualized medical team in Pier Point under your name. He's patting himself on the back for being an incredibly thoughtful boss. You don't know how to tell him that you haven't spoken to your mother-in-law in years, not since her last attempt to poison you. Every six months he buys the whole team new cars. You have no idea what to do with all these cars. It's too many cars. Put some cars back. He calls everyone his "friend," but even after working for him for years, you still have absolutely no idea about his likes, dislikes, or hobbies outside of the IPC. You could not name his favorite food if someone put a gun to your head. Does he exist outside of the workplace? You literally can't imagine him anywhere but on a mission or at a poker table. He's constantly bringing an "I am the party!" vibe to the room, but everyone else is a bored 8-5 worker who doesn't have a drop of enthusiasm left in their veins. It's like when a singer asks the audience to cheer along with a song, but nobody in the audience makes a peep. Absolutely no one in the IPC cubicles can match his particular freak. Aventurine's a smooth-talker and a street-smart cookie for sure, but something about the way his smile looks like it's made out of plastic when anyone tries to engage him in chitchat at the water cooler gives you the vague impression that he's probably never had an actual friend in his life. If "uncanny valley" was a vibe a workplace could have, Aventurine's office would have it.

Long story longer, I think Aventurine has very few people willing to tolerate him as a boss, whether because they are racist or simply because his quirks are just too quirky. However, I like to imagine the few who have hung in there are ride or die. You know they have an "Aventurine Protection Squad" group chat. They probably all wear peacock-teal and gold accessories in solidarity. They have definitely disappeared people for talking shit on their boss before. Aventurine has no idea how much they actually like him.

[jumpscart]

TBOB has actually really interesting insights onto Bill's character and his relationship with Ford/how he sees himself in him

bc now we know that Bill actually DIDNT want to destroy his home dimension, and had a family he cared about... but then after that, he fell in with a crowd (his Henchmaniacs) that were all angry and spiteful towards their worlds, and had no families (they are all either orphans or hate their families), and they hear that Bill destroyed his 'oppressors', and for the first time in his life Bill hears "wow your differences actually make you COOL and HELPFUL"

and over time 'revenge' starts to mean 'blowing up anyone that doesn't like us' and 'accidentally destroyed his dimension' becomes 'liberated his dimension' and 'i have no one' becomes 'i dont need anyone!'- but the nightmare dimension is Unstable and falling apart and Bill has to Keep The Party Going or else he loses all his coolness and all his power

And then he tries and tries to manipulate people into building the portal but it all fails bc he actually sucks until he meets Stanford Pines, who is so easy to manipulate because Bill knows exactly what he wants to hear because its what he himself wanted to hear...and Ford is bitter and vengeful and that makes Bill start to consider him as more than a pawn, possibly even a henchmaniac, he tells him about how DEVASTATED he was to lose his home dimension, even if he went 'no contact' with them and was an outcast and an Other, he still misses home...

...and so when ford finds out the portal will destroy his home, of COURSE he turns around and thinks about his family, even though he 'doesnt have anyone'. Bill expects Ford to enable him, as all the other henchmaniacs did, but Ford stands up to him and it triggers Bill so badly because he sees this man as basically who he was at the beginning and it challenges the image of himself he's built in his mind, because he KNOWS back then that he wouldnt have destroyed his own dimension on purpose! And the only thing he knows how to do anymore is to crush anything that hurts him, because unlike anyone else Ford is able to hurt him.

and thats why he needs to be in therapy for basically forever

[luna-spacedoodles]

monty and esther’s relationship is sooo interesting to me even if it doesn’t have lots of time to be explored. a kind of mother-son dynamic

like monty’s been esther’s crow for some time before we meet them only as her familiar but for a less than a week he’s human teen. he still works as her little helper but now there’s a boy in her house that she got at least a few clothes for from somewhere somehow. she doesn’t expect this to last long. he sleeps in his own room now and has a library card and talks back when she talks to him and has a genuine love for astrology. he still perches on chairs instead of sitting in them when he’s in the house and has black hair.

esther brought him into a human body and he blames her for all these human emotions he has to deal with. she takes him out of the world she gave him and it’s back to being a crow in a cage. he wants to be in love with edwin and for edwin to be in love with him back and he doesn’t want to follow esther’s plan to really kill him. he also has no one else to look up to, to follow, to learn from. he doesn’t want to make her mad because he knows the exact extent of what she can do to him and what she will do to him. he wants to make her proud, that he can capture edwin and charles.

esther wastes no time turning him back onto a crow if he fails her. she still has him come back home. he always does.

[iamamythologicalcreature]

Carry On Through the Ages (all the way back to Ancient Egypt)

"A Prophesied Rivalry:

This painting, remarkably well-preserved, was recovered from the tomb of a previously unknown and as-yet unidentified woman of significant power, whose rediscovery has fascinated Egyptologists. Historical analysis suggests she was believed to possess a gift for prophecy, and this artwork is very likely an attempt to illustrate one of her visions.

Here, she and her husband are depicted championing their son, who faces an outsider in combat. The outsider is also supported by an enigmatic figure of seemingly great power, foretelling a great struggle between two mighty forces, though whether these forces were meant to be supernatural or more mundane is not clear.

The dog shown, intriguingly, held a place of honor within the family and was found interred in a nearby chamber. The cat's presence, however, remains enigmatic, as the "Cats vs Dogs" reputation cultivated by these domesticated animals today is not something observed elsewhere in Ancient Egyptian artwork. Noted Egyptologists Miriam Blackwood and Theodore Langston have half-jokingly speculated that its inclusion was a mere artistic preference, hinting at the painter’s fondness for cats."

I've always loved Ancient Egyptian art, ever since childhood. I've wanted to do something like this ever since I first read of Baz's ancestry, so @carryonthroughtheages seemed the best excuse to dabble in this ancient art style.

I talked to @monbons about it and apparently the stars and planets were in alignment that day, because she agreed to collaborate with me. She’s created some absolutely gorgeous fiber art to go along with Natasha’s prophecies. And then she surprised me with a Baz doll, because she is amazing. (I love him so much and we are going to look at fashion books together. It’s going to be awesome.)

This is definitely fanart of both Ancient Egyptian art and Snowbaz. Both are worth diving into if you find yourself curious to know more!

[keymintt]

i’m sure this has been at least mentioned before but one of the things that’s so fucking funny to me abt kim is that, for all the shit he gives you (harry) when you try to get him to dance or wear the piss jacket, he actually wants to do those things to some extent

over the course of the game you can’t get him (or other characters for that matter) to do things he doesn’t want to do. disco elysium isn’t a power fantasy game like that. don’t get me wrong some things he needs to be convinced/challenged for, but he can and does outright Refuse things at times like when you suggest getting on the kineema and cutting the body down from there, not going into the tent with the ravers, or not climbing up the shitty feld building ladder, etc. and there are also definitely moments when he reluctantly puts up with harry/the player’s antics bc harry’s persistent and it’ll just put a quicker end to things to be like, “yeah sure fine i’ll eat the sandwich“ or, “i'll spare you another *20 hour mind-project*— yes, i am”

when you really badger him into dancing in the church and pass the authority check, he of course puts up some resistance but then goes, “now check *this* shit out!“ and starts busting it down! if he was reluctant to dance, he’d totally just do some stupid lil shimmy to appease harry with the same enthusiasm of, “oh god more cryptids” but no! he starts “heel kick[ing] the church floor with such intensity, it’s reasonable to fear he’ll kick a hole right through it“ he had those moves Locked And Loaded, but it’s not like he was gonna bust them out oh god no, then harry pulls his rank on him and he thinks “well everyone else here can see that the guy making a bigger fool of himself is ordering me to do it so i guess it’s okay for me to“

(thinking abt that, there’s prolly something to also say there abt music being a sort of outlet for kim. in my brain the anodic dance music and the shit speedfreaks fm plays have more in common than not, but kim also strikes me as somewhat of a music snob about that sort of stuff so. i dunno)

and then the pissfaggot jacket! when you’re trying to convince him to put it on he essentially says “you’re gonna keep bothering me about this no matter what“ but at the end of the interaction he still puts the jacket on and keeps it on! “the first chance i get, this thing’s coming off“ yeah right, the first chance he had was immediately after putting it on, harry clearly doesn’t give a shit if kim leaves him hanging fashion-wise, he’s the one who puts on the fuck the world jacket first! and once harry takes off the fuck jacket, the piss jacket is gone too, so it basically boils down to “as long as i’m following around this guy who’s making a bigger fool of himself, i can do this thing that i wanted to do got coerced into going along with“ 

kim’s also like “it really *does* look cool to have both of these jackets on right now“ once he puts it on like who are you kidding bro. your lame ass wanted this. sure he wanted to be a jackass and take the jackets but he also confiscated those hubcaps because they were cool and he was gonna eventually install them, was he not gonna steal the jacket to wear it?

he has his pristine little Image to uphold so he’ll only do things he wants to do if it looks like he’s being forced to and/or he won’t be the biggest fool in the room because god forbid he expresses himself. there’s plenty of deeper analysis here in conjunction with how he relishes in having control over his desires and how harry’s someone who can get him to break his rigid self-control and let loose a bit, but for me it just boils down to:

he’s so fucking lame and it’s so fucking funny

[she-posts-nerdy-stuff]

Okay maybe this is a known thing and I’m just spouting nonsense or both Idek it’s half one in the morning and I was meant to be getting an early night but YOU GUYS I was just listening to my Soc audiobook and in chapter 18 when Kaz is remembering the coffee shop and the Hertzoon scam we learn that the first trade major trade Jordie and Kaz were privy to and I’m pretty sure Jordie put a little money into was A CHANGE IN THE SUGAR MARKET.

And of all the things Kaz might have been able to manipulate the market for to try and profit off Van Eck’s destruction at the start of crooked kingdom HE CHOSE SUGAR.

The failure of the Sweet Reef job doesn’t only represent, to Kaz, the foolishness at being hoodwinked by Rollins again that he describes as causing such anger within himself whilst at the Van Eck house but also LITERALLY REFLECTS AND PROBABLY SERVES AS A CLEAR CUT REMINDER OF THE HERTZOON SCAM. We know Kaz is a pretty big on poetic justice (see Fillip and the wind up dogs torture/murder, stealing from the bank that was involved in the scam, the use of Alby against Rollins, etc) and I can’t help but wonder if that’s what this was intended to be in his mind, but there’s also the possibility that this wasn’t an active decision he made and only occurred to him afterwards when he saw Rollins and had that strange “sense of doubling” and saw both situations and both failures so clearly reflected and

okay I may have lost my point here I’m very tired idk how to end this um ta-dah and goodnight

[chilfucked]

I'm thinkin abt when chilchuck does that cat thing where he looks up at you, like in your header, how he bares his neck by doin that, and how awesome it is that he feels safe enough with the touden party to do that so casually- rghhrgrhhr

dude i think about this all the fucking time. he’s such an expressive character it’s awesome. you can always tell what’s going on with him just by observing his body language

beginning of the series? before everything goes down? he’s open, relaxed. he’s really started to trust the people around again after years of not letting himself

you have him closing himself off after The Incident™️, his anger and frustration, and generally not feeling safe being on full display without needing to say anything

he closes off when he’s worried, scared, or being protective of the people around him

and he opens back up again once he starts getting comfortable with everyone again

i just. i love him so much, i love how no matter how hard he tries to keep people at bay. keep things to himself. he just. can’t. he’s an open book and boy howdy am i reading it

[royalarchivist]

Jaiden: Cucurucho, you have a lot of power, right?

Cucurucho: ...I don't know. Maybe.

Roier: Ah... Yes, you know, don't act like a dumbass, you have it. You have it, man. Eh?

Jaiden: Is there a way for us to protect all the Eggs? Do you know? I don't want anything to happen to the Eggs that happened to Bobby.

Cucurucho: Ha ha ha

Roier: WHAT? [Smacks Cucurucho]

Jaiden: [Bops him] Headpats.

Cucurucho: Maybe.

Jaiden: [Continues to bop him] Headpats. C'mon, I can get it out of you! Headpats! Chin scratches! Belly rubs!

Roier: [Joins Jaiden in bopping Cucurucho, chuckling and laughs]

Jaiden: Yeah? He's comin' around!

[Jaiden and Roier both laugh]