#this is a rant that makes no sense probably?

[ombiblombi]

P.AI.nter is SUCH an interesting character to me... he's probably become one of my all time favorites, as I haven't fixated on a character this hard since since...TMC. It physically hurts to think about it in the best way possible-

That being said, I have SO MANY THOUGHTS to say about 'em... so I'm going to dump them here.

First and formost, it's so interesting that P.AI.nter has such a wide array of emotions when it comes to attacking and interacting with the Expendables. At first it's strange, like "WTF?? You're trying to kill me and you just yelled how I was boring, wdym you're sorry??" But... knowing his lore and backstory, it makes so much sense.

P.AI.nters creator was gunned down on accident by Urbanshade, which upon the discovery of P.AI.nter, then decided to trap him in a harddrive and make it mine whats essenically crypto at the Hadal Site- For years, it's stuck mining for the company unwillingly, unable to draw the lanscapes it loved. For fucks sake, P.AI.nter tried to FRY HIS CIRCUTS just to get out. He's desprate, miserable and lonely, and just wants to escape- Any way possible.

And so when Sebastian comes reeks his havoc on the site and finds it, P.AI.nter is incredibly trusting of him to get them both out. Maybe alittle too trusting, but whats he got left to loose? They've both been used by the company and want nothing more to leave, leave and never return. So when Sebastian connects it to the servers- to the Navi-Path & Turrets and tells him to stop the Expendables, P.AI.nter does.

However.

This is self preservation down here. P.AI.nter of course, is rightfully angry at times. I mean- The same company that killed it's creator before his very (nonexistant) eyes, trapped it down here, and even sucked the joy he has from creating art away is now actively getting in the way of the freedom he yearns for. But at the same time... this isn't something done that it entirely wants to be doing. Like I said. This is self preservation. And his actions, and even your deaths weigh heavy. Theres a voiceline, and its delievered so well- Of P.AI.nter pleading for the player to wake up and apologizing profusely if it kills you.

That line sparked this whole theory in the first place.

Your death, reminds it of his creator.

Isn't it ironic how it's now manning the very same weapon that killed the one who brought him sentience in the first place? That he's now the one at fault? Thats gotta be on the back of his mind each and every time it leads an expendable to their demise.

This isn't personal.

He doesn't know who you are.

But it still hurts.

It really annoys me when people in the community call P.AI.nter two faced, or god forbid, do the shitty thing of saying in a derogatory manner that he's bipolar or such as a "joke". Thats just disrespectful to both the character and folks who do have it. It's just plain rude. People do something similar for Sebastian, saying that oh, they're ruining his character by making him mean and snarky and whatnot. I know this happens in every fandom out there, and that this rant is fruitless, but... people need to understand that characters like P.AI.nter and Sebastian have reasons behind their actions and have existing trauma that if you take a moment to look at, you can go "Wowie! Thats a complex character! Everything makes so much sense now, like a puzzle peice I can see traces of in their character in almost every aspect!" Rather than doing awful things like I brought up at the start. But... I digress. I know this rant wont change much so. I hope y'all enjoyed my mini character analysis

Anyway this video has all of P.AI.nters voicelines if 'ya wanna go have a listen after this :] also I got plenty more thoughts about P.AI.nter and Sebastian if anyone wants to know!

[skeleton-with-a-bow]

I always get icky when I see people judge players for romancing Shane.

Maybe it’s just a me problem but seeing others say that people who marry Shane only enjoy "fixing him". Which sure, there’s probably players that do that, but it doesn’t mean ALL Shane likers do it.

Not to mention the Farmer barely helps Shane that much except for giving him support, almost none of the dialogue choices you make for Shane’s events even affects the friendship points.

Shane just needed more support, someone to cheer him on and drown out the thoughts in his head.

So no, people who marry Shane aren’t just some white knights, hell, some of them even understand and empathize with him and his issues.

And before anyone says, "Well you’re probably a Shane romancer, so your opinion is biased" I am not, sure I enjoy his character, but I don’t romance him.

My stardew spouse is Haley, and yes, I know that she’s unpopular with players, but all I can say is that I’m a masochist. ┐(´∇｀)┌

[20dollarlolita]

I've just got to vent for a quick second, because this has been driving me insane. I work at a place that sells sewing machines and does sewing machine repair, and sometimes people will come in and aggressively complain that their machine is a lemon.

Sorry, to properly convey it, their machine is, "A LEMON!!!"

And I can't respond to that the way I want to when I'm at work, but that's what this rant is for. People seem to think they've found some amazing, special secret word that gets them whatever they want.

But, in the state that I'm in, "lemon" isn't just a concept. When something is a lemon, there's laws governing what people have to do to make things right. In terms of products (not to be confused with terms of produce), there is a legal definition of what a lemon is, and it actually doesn't cover most "this is a lemon!!" situations that I run into.

So, what needs to happen to qualify a sewing machine as a lemon? Disclaimer, I'm not a lawyer, but I've been sued before, and told I look good in a suit, and also I use Duckduckgo to verify things before I write these things. I'm going to go a bit out of order here, because it's an order that makes the most sense to me, so please read all this before writing back to me to tell me I'm stupid.

What problems make something qualify as a lemon?

Is has to be a problem that compromises the use, value, or safety of the machine. If you can't make an argument that your problem interferes with one of those three things, it's not a lemon.

It has to be a problem that is covered under the manufacturer's warranty, and the problem has to show up during the time that the warranty covers the machine. If your warranty was 1 year on this part and the problem showed up at 1.75 years, it's broken and needs fixing, but it's not a lemon.

It cannot be caused by unreasonable or unauthorized use. Sorry, your manufacturer does not consider you sewing sliced ham to a piece of 20 gauge vinyl to be a reasonable use. Putting 2 million stitches on a machine in 6 months is not a reasonable use. Letting your cat use your machine in lieu of a litter box is not reasonable use. Storing trail mix in your bobbin area is not reasonable use.

In addition to these three things, it needs to have repeat attempts to repair it. That's four repairs of the same problem, or two repairs of a problem if it's a problem that can cause death or serious injury. I challenge most people to find a problem that can cause death or serious injury in a modern sewing machine used in a reasonable, authorized way. Anyway, moving on. The item in question also needs to be in for repair for 30 days, though those do not need to be continuous days.

It also doesn't matter how many different problems the machine has. It's got to be the same problem, unable to be fixed, repeatedly, to qualify as a lemon. If you have thirty problems that all have been failed to be fixed 3 times, legally, not a lemon. If you have over 900 problems that have all happened one time, sadly, not a lemon. This is probably one of the things people get wrong most of the time.

If your device fills all of these categories (serious problem, under warranty, no unreasonable use of the machine, repeated attemtps to repair the same problem), then the manufacturer needs to replace it or offer you a refund. Your dealer and your repair shop have no responsibility, except to put you in contact with the manufacturer. Your dealer does not replace your machine. Your dealer does not refund you. Your repair shop does not refund you. The manufacturer is responsible. This doesn't mean that a good dealer won't help you with talking with the manufacturer or even speak to the manufacturer on your behalf. It's just that the dealer is not legally responsible for it. "Legally responsible" and "being helpful because that's good customer service and we want to help you," are distinct concepts.

If your machine is replaced, and you have new problems with the new one, you have to fulfill the lemon requirements again. Four more repair attempts, problem under warranty, no unreasonable use, etc. The fact that the previous item was a lemon doesn't actually matter anymore, legally. That's annoying as hell and massively painful and I'm sorry about that, but it's the fact. If you got a new machine and it immediately had the same problem, I'm sorry, but it has to be failed to be fixed four times on your new machine before you get to proceed with the lemon shit again.

Oh, and the number one reason why sewing machines bought into my work, labeled "lemon!!" by their owners, are not actually legally lemons: in the State of California, lemon laws only apply to cars. I've been carefully saying "machine" instead of "sewing machine," because literally nothing that we've talked about applies to sewing machines at all.

So if you come in and say it's a lemon, because you want to communicate that you're very frustrated by a lot of problems out of the box, we know what you mean. But if you're doing what a lot of these people are doing, which is coming in brandishing the word "lemon," because you're thinly veiling a threat to pursue legal action, sorry, you just don't have a legally-defined lemon.

And also, again, if the lemon laws DID apply to sewing machines, lemon issues are done with the manufacturer, not your dealer or your repair shop. We're going to do everything we can to help you, because we're above all in the customer service business, but you don't need to try to threaten us with laws that don't apply.

[ieatratsforbreakfast]

oh my god this whole fucking thread is images, get ready for it

[ID:

First image: a tweet from @/autismlor that says "Sorry for being so inactive on this account, the Taylor hyperfixation kinda died a little once I started getting laid Imao" underneath in the replies they say "People bookmarking this are you gonna come back after you get laid and report if it happens to you too or"

Second image: a tweet from @/meanlore that says "honestly ever since i got on the right meds it's been really hard for me to care about taylor swift being gay" then in the replies they say "(lamotrigine for anyone wondering !!)"

Third image: an instagram post from @/btsarmy222777 the photo is a pink and purple gradient with the text "SORRY I HAVEN'T BEEN POSTING ON HERE A LOT GUYS I STARTED TAKING A MOOD STABILIZER AND NOW I'M NOT OBSESSED WITH BTS ANYMORE" in white. The caption reads "Still love them though 💜" (purple heart emoji.)

Fourth image: a tweet from @/larryslittlefrk that says "sorry for being so inactive lately, just wanted to give you all total transparency 💕" (double pink heart emoji) with a screenshot of a notes app entry attached. The note is titled 🚨 (siren emoji) life update 🚨 (siren emoji). The text below it reads "hey guys! Life update!!! So they found a bunch of mold in my dorm vent and since l've been home and on antibiotics I noticed how much better I am really feeling and also feel like I can think more clearly now, and with a heavy heart I have to admit I think being a no stunt Larry was probably the mold talking. Not really sure why any part of that makes sense, especially Louis's fake kid and them both hiring beards for 10 years when they pick their own managers now... guess black mold can really affect your brain hahaha! anyways i'm so grateful for the friends i've made through this community and i hope all of you reach the same clarity as i have ❤️ (red heart emoji) get your vents checked everyone!"

Fifth image: an instagram post from @/jamesmcavoyupdates. The image is a photo of James Mcavoy standing on what looks to be a gate. The caption reads "im done with this account. Thank you for all the laughs but i have no motivation to keep updating on James. this account was initially to help me let my feelings out and sometimes rant but my antidepressants have started working and they helped me realize i actually do not like James mcavoy as much as i thought i did. If you were looking forward to my updates i apologize you will have to find another account to follow as i am no longer suffering from mental illness. Xx ❤️ (red heart emoji)"

/end ID]

[mythalism]

I love everything that you write and I wanted to bring this up with you. I feel like if we had seen the actual moment (at least in one of the regrets) of Mythal’s death, it would have been so impactful. It’s something that Solas talks about constantly and that he feels responsible for and I feel like it would have been a huge moment for the player to see in the story. I dunno. Just ranting. Thoughts?

thank you anon 🥺 i would love to yap about this with you… i think you are totally right that seeing mythal’s death would have been really powerful. i COULD be amenable to an argument that keeping it off screen adds to the drama and tension and the way mythal haunts the narrative…. IF that was their intention… but i don’t think it was lol i think it was probably another victim of the messy development.

mythal so thoroughly haunts the narrative and the lighthouse itself… i think if they leaned into that and we ONLY saw her through solas’s pov in murals, keeping the mystery of her murder off-screen would make sense. but considering we literally get to talk to her, she has enough of an on-screen presence that maintaining that sense of separation is already a lost cause. we also know mythal on some level through flemeth, who has literally ranted about mythal’s death!!! ���she was betrayed as i was betrayed”!!!! i think it would have been a nice climax of flemethyal’s arc to see that betrayal or at least hear about it.

i totally agree that it would have humanized solas further and i think that would’ve been nice to see, especially how his complicated grief for her was the catalyst/final straw against the evanuris of the veil going up. he also does actually talk about her murder several times, and we know it happens with THE DAGGER so it feels like it would’ve made sense to elaborate on how it happened more, and the fact that it’s his dagger, that she told him to make, that he used to tranquilize the titans, that he carries with him still, that he is so attached to and obsessed with, THAT DAGGER that did it!? it would have served as a really nice metaphor for his attachment to his grief and regret and the precious world, manifested physically in this dagger that also KILLED MYTHAL (and Varric now too!!)

he actually brings up what im assuming is her death when you ask him about blood magic (lol a lot to unpack here but that’s for another time) and honestly idk what to make of his convo because the way he speaks about it is very detached which i find interesting. obviously this might not be about Mythal but the implication that the dagger used was made via blood magic and sacrifice and “I suppose it depends upon the dagger" is suspicious to me….

anyway, i think who would’ve really benefitted most from us seeing mythal’s murder is ELGAR’NAN!!!!!! HELLO!?!?!? HE MURDERED HIS WIFE AND ITS ONLY MENTIONED ONCE WHEN HE AND SOLAS ARGUE!?!?!?!? WHAT THE FUCK????? the fact that mythal and elgar’nans relationship is nearly nonexistent is one of veilguard’s biggest sins to me. it should have been a huge part of the main story. they are literally THE SUN AND THE MOON. THEY ARE THE ALL MOTHER AND ALL FATHER OF ALL ELVES?????????? and he betrays and murders her and stabs her in the stomach. and literally no one talks about it ever it just doesn’t come up except for like 2 lines. elgarnan was such a one dimensional villain with no motivations (being a naturally evil spirit of tyranny doesn’t count and it’s boring) and no attachments and he feels completely inhuman as a result. like literally he’s just evil and that’s it and it’s so boring. we could have had such an interesting exploration of love and betrayal and how power corrupts and what it must’ve been like to be basically Elven Adam and Eve and a jealous man’s resentment culminating in violence and how mythal’s closeness to solas impacted her relationship with elgarnan like it could have been SO INTERESTING. and yeah. seeing her murder would’ve been a logical conclusion to a lot of build up. put it on the list of things we lost i guess 😔

[azaharinflames]

Maybe no one posted any goodbye posts about Lou after the breakup because they know the plan is to bring Tommy back in 8b? (trying to be positive/probably delusional)

I feel like the first 8 episodes had so much potential for good plots, but none of it happened in a way that made sense for the main characters.

Don't know if they've just given up because they know it's the last season or if they've already know they're getting s9, so they're just doing the bare minimum to finish this season.

Hi, Nonnie! Thanks for the ask

I will say, in my mind, there are two creatures: one that lives with you in Delulu land, one that tries to be more cynical to not be disappointed in the long run - I'd rather be pleasantly surprised, you know? I went into 704 with that mindset and came out pleasantly surprised, so. Want a repeat of that lol.

The thing for me is that, if this were to be the last season and they knew about it beforehand... wouldn't that be a reason to make everything feel rounded up? And in a way it does feel like some of the characters are headed that way, but to have Buck back at the start? That doesn't make full sense to me. The frustrating part about this season for me is all the constant missed potential - and not only with BuckTommy.

Lastly - I do agree with you, which is why I say I sometimes love to live in Delulu land. I'm renting a property there, it's nice. Almost entirely furnished.

But yeah, lol. Making a post with Lou in the way they're doing with Calum would signify a close end, which the break up was not. And I definitely think 911 doesn't want to close on that door yet. Even from a business point of view, it would be such a bad idea to close on it, you know? So I think that argument holds a lot of weight.

We're at a point of - we'll see what happens, because there is still half a season left, and lots of things up in the air. It's just hard to trust 911 to do well because of how bad they've been dealing with... well, everything, since the start of the season.

My inbox is always open to rant, vent, or to discuss!

Take care <3

[shadamyheadcanons]

I'm not sure if they ever gave an official explanation as to why Shadow joined GUN, but I've seen plenty of people say that it's strange he joined the organization that basically ruined his life, and yeah it is weird.

I have come up with a headcanon that explains it though. He joined them to make sure they never do something like they did on the ARK ever again. Keep your friends close and your enemies closer as they say. Not to mention the whole reason that all happened was because GUN wanted him as a weapon. I think he'd be concerned that they might go after his new friends if he doesn't give them the impression that he's under their command.

So he joined, hoping to gain their trust and keep an eye on their activities. Rouge is also in on it, and definitely has hacked into their database to view top secret documents. If they ever find out that GUN is planning another senseless massacre, then Team Dark plans to sabotage it from the inside out.

Not a ShadAmy headcanon specifically, but you could imagine that Shadow would be reluctant to share this information out of fear of being jeopardized. Perhaps it could be used for drama. Have fun writers~!

I really, really like this. It’s my new favorite explanation for something that’s always bothered me about this franchise. Thank you!

It doesn’t just make sense objectively, it matches Shadow’s experiences perfectly. I often say Shadow would cling to Amy because he knows how easy it is to lose someone, but I love the idea of him taking it in a darker direction, too, picking up on the possibility of another tragedy happening and preemptively taking steps to stop it. I think people see Shadow as rash because he’s so extreme in his actions, but that is careful for him. Those aren’t mutually exclusive:

[IDW issues 5 & 6]

Team Dark standing with him is always great, too.

Another thing I like is that it gives Shadow agency. Based on Commander Tower’s behavior at the end of ShTH and his actions in Shadow: Dark Beginnings, Sega seems to want us to believe the Commander is a nice guy who’s good buddies with Shadow:

“Shadow, do you read me? First, I...I want to...apologize, for the other day...actually, I just became a grandfather last week, and I was thinking of maybe having you over.”

Commander Tower, probably: “Sowwy I twied to shoot you, uwu. It’ll never happen again! 🥺”

And, uh...I don’t buy that, frankly...but it doesn’t seem to me that G.U.N.’s keeping him under their thumb, either. As interesting as that concept would have been, I don’t think it’s what Sega’s going for. It lines up better with canon if Shadow’s choosing to stick around for his own ulterior motives. I think having him actively decide to keep G.U.N. close for that reason strengthens his character.

Your headcanon is even stronger now in the wake of Takashi Iizuka’s pre-Shadow Generations interview (which happened after this ask was sent, btw), specifically the question at 3:20:

(Side note: I have so, so many issues with what he says here–no other motivation? None at all?! You’ve got to be kidding me! But that’s a rant for another day.)

This all but confirms that working with them is a choice for Shadow.

It also perfectly demonstrates something that really irks me about Sega: their lack of communication about basic aspects of the characters’ lives. Most fans speculated for what, almost two decades, about whether a main character is employed or not, and Sega just drops it in a random interview? Not even in a game? It’s such basic information, yet they didn’t tell us for 19 years. And gee, why would we get that impression?

[Archie Sonic Universe issue 1]

It’s like even the official writers at Archie thought he was a G.U.N. agent. Sega couldn’t be bothered to tell them, let alone us. We don’t even know where some of these characters live. It’s kind of silly once you think about it.

Yeah. “Silly.” Let’s call it that. 🤨

Thanks for the ask!

[ebenelephant]

Look, I think you're misconstruing some of my points and since this is reaching way farther than I wanted I would like to clarify for a second. This was kind of a bit of a rant post which I didn't expect people other than like 4 mutuals to... see? So as you can imagine I wasn't exactly my best articulated. Some of my points have definitely come across wrong, so to try and explain what I mean a little better:

I'm not saying we should see more flashbacks to Tom's life. This is a criticism I have of this plot point not being thought through, more than anything. It tells us something other that what was probably intended because you get the impression that Rowling didn't really consider the wider implications of what she was saying in the time period it was set. I'm not suggesting this should be delved deeper into, I'm just suggesting that it wasnt the best thought through.

With the Weasleys I just messed up the timeline on this one. I do genuinely have issues with some of the portrayal of the Weasleys which I won't get into, but this one is my mistake.

The Snape one is more of a personal gripe. My tongue in cheek remark about being "surprised you caught onto that" is in reference to the fact that I have heard/seen multiple people just glossing over that context to his life entirely - either because they missed it of because it was too minor for them to care.

My issue with the Hermione thing isn't actually that she obliviated her parents – as you say, this makes sense with her character – but rather how underutilised they are. We meet the parents and guardians of other, less important characters when they're thematically and narratively relevant, and given how important Hermione's status as a muggleborn is in the books you would think they would be both. It always seemed a weird choice to me that her parents are practically non-entities, spoken of occasionally but never seen. It's the show-don't-tell thing: we are told that Hermione loves her parent a lot, and of course we know this to be true, but the biggest time they are really relevant is when she obliviates them. Even if Harry had just seen them once, maybe sending Hermione to platform 9¾, and had seen them in contrast to the Dursleys this would have given them more weight. Hermione is distraught, but we as the reader are much less emotionally involved because we have no idea who these people are.

The Lily point honestly feels like a bad faith arguement, because she was never just 'the main character's long dead mum', she was the person who saved him, who made him the chosen one, who is referenced throughout the series, and who is directly related to the actions of multiple characters. I would literally just like consistent characterisation for her, because the way she is spoken about doesn't align with the ways we see her acting in the few scenes she has, and even in those scenes she is somewhat contradictory. This is never addressed by Harry the way it's addressed when he learns the negative qualities of his father – though in a book targeted at a 9-12 audience you would certainly expect it to be. This makes me think, again: oversight. Kids books have to guide the reader somewhat, and this aspect doesn't really do that. Could've been a great addition to that "nobody's perfect" theme JKR had going, but wasn't executed in a way properly accessible to a nine year old as opposed to other points in the series.

thinking again about jk rowling being a bad writer. like, we all know about the massive flaws in her worldbuilding and i hope by now it's clear she's a bigot on basically every front. (hello, regular reminder that she doesn't even actually like women.) but like. she's especially good at dropping bits of lore and then those not being relevant in the fucking slightest. riddle was told to go home to his orphanage in london during what would have very much been the blitz? whatever. the weasley's are so strapped for cash that they're sending their son to school with a potentially dangerous broken wand? of course they're spending their lottery winnings on visiting their adult son in egypt, what else would they do. snape grew up in what was likely a dying northern industrial town with abusive/neglectful parents, largely cut off from the magical world? almost impressed you caught on to that, with how little it's expanded on. yes hermione has a supposedly good relationship with both her parents, no we're not going to show you it at all, yes she's going to wipe they're memories like it's nothing. lily evans is the moral compass of james and basically the most important person in the series but fuck you if you want to actually know anything about her lmao. even what little we see is wildly inconsistent.

[reco-obsessed]

anybody else feel like the scene where reko dies in the Alice Lives route felt weirdly rushed and logically inconsistent compared to Alice's death? more under the cut

The biggest inconsistency is how the real Reko dies in her given route; the fake reko has a knife for whatever reason- ive heard whispers of it being kais so im going to hand wave and assume how it gets in her grasp is discussed at some point (im hoping)- and despite Alice somehow being able to lay there with about 40-60% of his major bodily organs exploded out of his body and still give Reko his dying words, Reko just. instantly dies. flops to floor. from one stab wound. with what i can only assume is a sharpened butter knife because its so damn tiny. she doesnt even fight back? or say anything? these details seem small but feel distracting for such a pivotal moment in the game and seem strangely out of character. i get that the real reko is probably shocked out of her mind about what the fuck is happening, but there shouldve been at least like, 1 line of diaogue making that more explicitly clear. on top of it being kinda bull that they only get to reconcile in the Reko Lives route. It feels like a very purposeful choice to remove Reko's ability to properly forgive her brother in her last moments, so perhaps this is supposed to reflect something about her/the nature of their dynamic, but its execution is just kind of sloppy. Im assuming her strangely instant death was an attempt to make it so she couldnt have last words towards her brother in order to reinforce some aspect of his character arc (in which case it doesnt get covered nearly enough to feel like thats the case, but the yabusame's character arcs being cut short is an entirely different rant) but of all the weird ways to die in this game, why choose stabbing? even choking wouldve made more sense; cant exactly talk while youre being choked. it takes about 4-5 minutes to die from asphyxiation, add a short scene where nao is arguing with the fake reko as the real reko dies and boom. still probably a little too quick to be realistic but i would argue it makes more sense than Instant Death Induced By Butter Knife Impalement. but how the real reko dies is kind of besides the point, because the fact that she passes without dying words is far more bothersome to me. because throughout the entirety of the things that happen between the yabusames in chapter 2, we never get to see what the real reko's view of even a little of it was. all of it is from alice's perspective. part of this makes sense- her relationship with her brother and how she used to be in the past in general* is something shes clearly closed off about. and i could excuse her rushed death if we got a stronger understanding of her view of it in the route where she lives, but we barely even get that either. we dont even get any hint of her feelings on nao dying. why did you give up on the yabusames like that Nankidai. huh. and shes probably holding back discussing any of this because shes not about to trauma dump on a highschool girl, but at least a scene like the one we got in the monitor room where shes obviously sad even if she isnt saying anything. give me reko yabusame shinji ikari posing in that room with all the paintings. anything. *reko AI does give us details about her past, but i think its safe assume this has to do with it being the pre-personality version of reko.

[ashthewaterghoul]

As someone with dissociative issues, I cannot shut up about how much I love Copia’s dissociation in RHRN.

Just that flat-out refusal to accept the horrible facts of life (in this case Sister dying). His mind trying to manifest the reality he wishes for, and the confusion as he slowly sees what’s actually happening again.

The way how confused he is when he’s suddenly changed into his black robes.

The hazy way he sees reality and his own imagination blending (Sister being tended to by a doctor while he tries to ignore it).

The. Fucking. Balloon. Sequence.

Copia wants away from his problems, so his mind flies him away until he literally crashes back into reality.

The balloon was great way to show it bc I know when my issues start, it does feel like I’m floating, like I’m in a different realm to the rest of the world.

I love it all and how it was done. Tobias Forge, you are a GENIUS.

[fromsaudades]

listening to jean’s little rants and rambles brought alex a comforting sense of normalcy in a world where it was otherwise scarce. it reminded them of the rhythm of regular life: like a mail carrier delivering packages on the same route, a barista exchanging small talk with familiar customers, or a barber slipping into the same easy conversation with a regular client. those simple, repetitive routines probably didn’t even exist outside anymore. a smile played on alex’s lips as jean carried on about vicks and stuffy noses. "mine would too," they chimed in, their chuckle warm and nostalgic: the memory of their own mother’s ministrations surfaced—vicks rubbed onto the soles of their feet, sealed under socks, or slathered on their chest before they were snugly tucked in under blankets that creased just below their small chin.

alex waved a hand lightly, reassuring jean. "nothing like that, actually—just business. routine lights check. i’ve got to make sure the wiring’s good and that you’re not at risk for a fire here." yet, the longer they stood there... the more the thought of lingering felt appealing. procrastination crept in like an old friend. alex leaned a little closer, feigning a sheepish grin. "but, now that you mention it... my throat does feel a little itchy..."

"harsh is when there's a flu outbreak and no one can get medicine because we waisted it on stuffy noses that happen every day," jean says, maybe a little too harshly. the roll of her eyes that she throws alex only punctuates the point. could you really blame her though? they were working with limited supply and the four people working the clinic could only do so much. it's not like an ambulance or something was going to magically drive into town with exactly what they need. "trust me, if we had some vicks, i'd give it but we don't even have that around here. my mother would be ashamed." sending the other person on their way, she turns to alex fully and looks them up and down. making sure there was no blood or broken bones that she could see. "what can i do for you? hopefully you don't also have a stuffy nose because i'll tell you the same thing."

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[spaghetticat3899]

When you absolutely despise something a lot of people like, and no matter what way you look at it you cannot see the appeal, but you know you can’t talk about it in public or else you’ll get dogpiled to hell and back, so you just kinda sit there frothing at the mouth like this

[numberonepartyboy]

'kai raised nya alone' is such bs. oh yeah those other village people wouldn't fucking help two babies who's parents are missing. they totally wouldn't provide them food and help them to get enrolled in school or help with their home.

(( i do hc that kai and nya grew up very fast, being too mature for their age and having no close friends with others bc of their more adult behavior. both of them are school dropouts (kai dropped out in middle school and nya in highschool.) ))

[harunefrog]

I drew a thing!!! You know this one!!!

[coralpaperthoughts]

I will never understand ppl who hate/anti ANY of the members of the Gaang, or even any of the other kids. coz they are just kids. in the middle of a fucking war. of course they're gonna fuck up and make mistakes and be little shits, THEY ARE 12-16 !! ALL OF THE GAANG (including Zuko but excluding Suki) HAVEN'T HAD PROPER SOCIALISATION WITH OTHER KIDS THEIR AGE UNTIL THEY MET EACH OTHER !!

and yes, you could argue that Katara and Sokka had each other, but that's siblings and siblings are not the same as friends, and also Sokka was the only teen boy left in the tribe and I think Katara was the only teen girl too (might be wrong there tho)

you could also argue that Aang had friends before he got stuck in the iceberg so he did actually have that socialisation, but bro is fucking 12 and he was stuck in an iceberg for a hundred fucking years and had the whole avatar thing weighing down on his shoulders, cut the boy some slack ???

Toph and Zuko were both Rich Noble Kids™ so they automatically did not get proper socialisation with other kids their age. Toph was sheltered from the outside world because she's blind and a young girl, but yes she did go to that underground boxing ring but that was mainly adults, I highly doubt she was hanging about with kids there and definitely not in normal circumstances.

And although Mai and Ty Lee were there, they were Azula's "companions" (not originally meant to be friends but may have ended up as so after the war) and they weren't there for Zuko, they were there for Azula only. I'm pretty sure Zuko spent most of his time with tutors or with his mother before she left, he didn't get any socialisation with normal kids and he definitely did not get a normal childhood.

None of them got a normal childhood, so can you really blame any of them for being manipulative or assholes or doing dumb shit, whilst still being a kid/teen !!! and then being bad parents too, when they literally have no good role model to go off of (love Hakoda but bro was not there for his kids for a good couple of years and that does a lot to a kid)

edit: also Azula deserved a redemption/healing arc because she was a victim of abuse as much as Zuko was. she was in fact just a child, as much as the rest of them were, and deserved better. Thank you for coming to my Ted Talk 🙏

edit 2: Jet also deserved a chance at healing. like bro watched his village burn and was the sole survivor, he probably has mega survivor's guilt that isn't touched upon in the show, like his hate for the fire nation is pretty rational and his actions (to an extent) are justified. all I'm saying is that if he had anybody else in his corner, that wasn't more angsty, out-for-revenge teens or kids, he could have had a much nicer life. one that didn't lead him to his downfall.