#this is a lie i was never with it

[meneatyoghurt]

Gen Z/alpha loving Drama at Till Four because they're trying their best to portray the universal experience of being a teenager and they're still going through it/have recently gone through it

🤝

Millennials loving Drama at Till Four because they're trying their best to portray the universal experience of being a teenager and we remember it as they do, but also we used to be with it and now we don't know what "it" is anymore

[prlssprfctn]

I actually need some fanfic, where Bruce and Jason are in the middle of some argument, and a casual (and a well-practiced with Dick before) sentence leaves his mouth, something along the lines "How old do you think you are?!", meaning that he is acting childishly. And because Jason is irritated, and his tongue runs loose in his anger, he screams back that he is nineteen, and Bruce just freezes, because... Oh. Jason is nineteen. He is a fucking kid - his kid - that lost years of his teenhood, and was forced back without anyone giving him a space to catch up, with everyone else already treating him like an adult... When he isn't.

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[biggest-gaudiest-patronuses]

*hip checks u*

[wormspoodle]

more journal 3 shenanigans

[mythicalcoolkid]

You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side

[nosnexus]

NEVER STOP BLOWING UP!

[turtletoria]

i wanted to try drawing older Mabel and Dipper !

[tigerjpg]

warden mahariel ⚔️

[feral-peacock]

Abc: welcome to the abc family how do you feel about Buck being queer?

Oliver:

[shepscapades]

Contrary to popular belief etho and bdubs are not divorced and in this essay I will

[plutonicbees]

"it's really me. is it really really really you?"

some yj19 konbart for @superfamilyweek day 2: across space or time/friends & teammates (kind of ended up fulfilling both??)

[bigfatbreak]

Birds of a Feather previous / next

[zorangezest]

thanks for listening

[morganmnemonic]

I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!

Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.

And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.

Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.

So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.

And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.

And, Jon, in turn, holds out hope that she might make better choices until the very end.

This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.

When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.

[bluewolfangel01]

Mc: *approaches Beel, looking dejected*

Mc: "Beel... Can I ask you for a favor?"

Beel: "Of course."

Lucifer: "Why is Beel holding Mc like that?"

Beel: *holding Mc super tight, with slight crazed eyes*

Belphie: "Mc asked Beel to hold them tight as if he just found them almost dead."

Lucifer: "I see.... Are they're alright?"

Belphie: "Yeah, especially now because of Beel."

Lucifer: "Very well then, as long as they're fine."

Mc: "thanks Beel."

Mc: *hugs Beel tighter and buries their head more into his chest*

Beel: *buries his face into Mc's hair*

Beel: "anytime Mc"