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cripplecharacters · 9 months ago

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Does Your Scarred Character Have to Hate Themself?

[large text: Does Your Scarred Character Have to Hate Themself?]

(TLDR: No.)

A frequent topic that shows up around facial differences is the self-hatred, self-disgust, self-insert-negative-emotion that we must surely experience. I want to ask* writers without FDs - why? Why do you feel about us in such a way that that's the most common way of depicting us?

*- rhetorical question. I promise I know the answer, but I'm not sure if writers do.

It's frankly worrying to me. Is it really that common to assume that disabled people have this internal, never-ending hatred for themselves? The overwhelming majority of us don't. We hate inaccessibility, when people stare, or some symptoms when they get in the way, or how expensive being disabled is, but I find the concept of us being so completely disturbed by our own disabilities extremely strange. It’s “tragedy porn” intersecting “most basic ableism”.

“But trauma!”

[large text: “But trauma!”]

Trauma of what! People with facial differences don't have some sort of default trauma that we come with like it’s a factory setting. We are a group of people with tens of thousands of stories and experiences.

“Trauma of experiencing ableism/disfiguremisia” - that's better, at least this means something. If you're writing a story about this, please get a sensitivity reader with a facial difference. You can assume how we feel all you want, but in my experience these assumptions are often bizarre and unrealistic. Or just end up writing the same “disability so sad” sob story that everyone has seen a billion times. If you want to write about disfiguremisia, you need to understand the nuance and have more than just the basic level knowledge (which 99% of people don’t have either). If you can’t do that, don’t write about it. Simple as that.

“Trauma of the accident” - thankfully, the accident is an event and a facial difference is a disability. If you want to connect these two like they're one and the same, you're almost surely going to demonize disability. People with traumatic spinal cord injuries, acquired amputees, people with TBI, people with acquired facial differences - we participate in our communities, we have hobbies, we date, we play with our dogs. Disability isn't a death sentence. Media who make it feel like it is certainly don't help people who do suddenly become disabled, don't you think?

Here's a post by @blindbeta about blind characters becoming blind through trauma that’s better made than anything I could hope to write here. I heavily recommend giving it a read.

And, I can't stress this enough - most of us didn't have “the accident”, most of us are born like this. "Traumatic scars" isn't the only facial difference that exists, far from it, it's only one of thousands. It's 99% of our representation and "representation". If you want to make a character with FD - please consider that we aren't a monolith. Just like not all physical disabilities are "wheelchair user with paralysis and somehow no other symptoms", not all facial differences are "traumatic scar with somehow no nerve damage".

The overrepresentation of it is incredibly telling, and sometimes - or very frequently - feels like the writer doesn’t actually even want to deal with us. They want to use our disability as a way to cheap drama, moral metaphors, tragic backstories. Not to represent us as living people who are much more similar to you than you apparently think.

Now, I do have enough awareness to know that that's a big part of the appeal. “Horrific Thing #2456 happens” and boom, instant drama. Of course, it's a reasonable response that they would hide their disability for years, avoid talking about it in any way, and magically change their personality to be mean and reclusive, or at least be constantly soooo sad about how much it sucks to be disabled, right?

Do I really need to say that having your character becoming disabled be the worst thing ever is ableism 101? We have been talking about this for so long at this point. Writing about the process of adapting to a specific disability is better left to people who have actual experience in it.

To give an example that will hopefully resonate more with Tumblr users, I will use the fact that I'm also gay. It's not perfect by any means but probably much more familiar territory.

Imagine, let's say, a character. He's gay. The story he's in is supposedly progressive, certainly not trying to be homophobic. The character has experienced an incident, maybe an act of aggression or a hate crime, that happened because he’s gay, which was traumatic. Happens IRL, sure. So of course the character starts hating being gay. He talks about how gross and disgusting it is, he never lets anyone know that he could be “one of them”, certainly not take a stance against homophobia. You can't mention him without mentioning the accident, they're seemingly fused together. No gay love, joy, even basic happiness, he would actually choose to be straight in a heartbeat if given the option to and complains that he can't. This is shown as a neutral, obvious thing that a gay man would do, no one comments on it. He stays like this the whole time, unless there’s a plot twist in the last 10 pages where the world is now magically perfect ("we fixed discrimination, yay!"). This is the only LGBT character in the story.

Keep in mind that there are people similar to this in real life, living with extreme internalized homophobia.

Reading comprehension quiz time: Is this, in your opinion, realistic and thoughtful representation? How does it feel when written by a cishet writer, versus a gay writer who is recalling his experiences? Do you think that it's reasonable for the majority of media representation to be like this, or very close to it? How would it affect younger gay people who might already be uncomfortable with being queer? Are gay men the target audience, or are they not even considered as a group of people who read books? Is this helping or damaging the general public's idea of how it is to be gay? Why or why not?

The Masterpiece

[large text: The Masterpiece]

From 13 to 19 of May, we are celebrating Face Equality week (what a coincidence!). It’s important to me in general - and I wish it was more important to abled people, but I digress - especially its theme for this year.

“My Face is a Masterpiece”

Great statement, it represents the community well, I do enjoy how bold it is. Very cool stuff, I love the work our advocates are doing.

But why do I bring this up?

Well, to very non-subtly show that we aren’t a self-hating group of people. We are a community, a community saying “our faces are beautiful, look!”, we are saying “treat us equally, and do it now!”. Our activism isn’t about self-disgust. It’s about fighting your-disgust.

Why can’t writers keep up? Why are you still stuck decades behind?

Is this the only reason I bring it up?

The Call to Celebration

[large text: The Call to Celebration]

FEI, the org behind organizing it, asks a very simple question (emphasis mine):

“Why do we so often see stories about facial difference as a ‘tragedy’, when they should be about triumph?” “Calling all artists, allies, creatives, galleries. You can rewrite the story to bring about #FaceEquality and celebrate the unique artistry found in every face. Your participation this #FaceEqualityWeek will help to tell the real story, that there is a masterpiece in every face.”

Here. We are calling for you to stop. Directly from the biggest international advocacy alliance group that's out there. If you create, this is for you.

The last argument to not have your character with a facial difference hate themselves? Because we don’t want this. We are tired and frustrated. For me personally, I’m also offended by this kind of assumption. We aren’t tragedies or cheap entertainment for abled people to pity or be horrified by. We are people, and if you can’t internalize that, you have no reason to write about us.

For once, celebrate us. Happy Face Equality Week!

mod Sasza

#mod sasza #face difference #ableism #disfiguremisia #face equality week #my face is a masterpiece #writing guide #writing help #writeblr #writing resources #writing advice #writing tips #writing characters #how to write #writing disabled characters #writing disability

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orphiclovers · 5 months ago

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The first scenario of ORV has always fascinated me. "Kill another person to survive." It might be the most common plot point in apocalyptic stories.. Pretty much all of them feature some discussion of morality and how to define it, good and evil, played out by deeply morally grey characters who have to make a choice to kill.

But ORV is a story about stories.

The Star Stream is trying to tell 'the story of an apocalypse' and it does! But in the most crude and unpolished way.

It's almost cynical. 'We are telling an apocalypse story, what's a common plot beat in apocalypse stories? 'No one is innocent and everyone has killed to survive'. Okay, let's make it a literal requirement for everyone to have killed someone to proceed.'

It's robotic, taking a story beat and stripping it down to it's bare essentials, then forcing the incarnations to adapt to it or die.

But the thing is. That's what all writing is. ORV just pulls back the curtain, exposing the internal circutry that makes a story work. Orv doesn't lie to you about the inherent artifice of it all.

The scenarios are perfect little plot arcs, designed to test the limits and reveal the strenghs and weaknesses of incarnations - 'the characters' of the story. It's not some cruel torture, it's literally just the act of storytelling. Writing 101 is put characters through hardship to reveal certain qualities in them or to make them go through character development.

Only difference is that writers usually camouflage the 'scenarios' they give their characters until the circumstances seem 'realistic' and like they happened on their own, like the author isn't forcing their reality to bend this way at all.

Oh, one character didn't lock the door in time due and got bitten by a zombie. And so inevitably this other character has to make the choice to kill them or not. There's as many explanaitions as the author can cook up as to what lead the characters to this moment. How the zombies got there, why these two were in the same vicinity, etc etc.

But, it's all set dressing the author has added to make the audience forget that this is too a 'scenario' given to the characters to test them. There's a time limit and a description and a reward and a penalty for failure, but all of these are cleverly hidden. The time limit can be until the last helicopter leaves in 10 minutes. The unspoken penalty is death. The author arranged how the characters find out some or all of this information in convienient ways.

Star Stream just lays it all out in front you you, straight up. States 'Kill another incarnation or have them kill you' and doesn't attempt to justify the circumstances, because of course, the real reason all this is happening is because the story demands it.

It's a universe that does not hide the author's hand in every tiny little event that happens.

So this too is the question "What if the characters knew they were in a story?" asked yet again. Every single being in the ORV universe knows they are in a story. The system itself makes it obvious - you can look at your own character sheet, you obtain 'stories' when you do something impressive but are constrained by 'probability' and what the audience finds interesting. You're body is literally made up of words written about you're life!

That's why the worldbuilding is so cohesive and so so good. All of it is telling you 'the world is a novel.'

#orv #omniscient reader's viewpoint #my posts #just thinking about how much i love orv

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sillylotrpolls · 10 months ago

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Bonus internet points will be awarded to anyone who actually tries this exercise before voting.

Assume you need to get the spelling at least somewhat close, and if a character has multiple names, only one counts. Also, if a character doesn't have a canonical name, I'm sorry, but "that guy's wife" doesn't count.

For reference, if you can name the 9 members of the Fellowship, the eponymous Hobbit and his 13 dwarf buddies, 3 prominent women, and the guy who runs the Rivendell B&B, that's 27 characters right there. And you probably also know the name of a dragon.

For further reference, Tolkien Gateway has 637 (!!) pages dedicated to Third Age characters. (Don't click that link until you've voted, of course)

Edit: Your humble pollmaker gave this a try, and got as far as 73 before deciding she was too tired to keep trying to remember dwarf and Silm names. If you also want to share (and don't mind people being incredulous at your having forgot ____), pastebin allows you to paste text and share it for free. :)

#lotr #lord of the rings #poll #polls #tolkien #unfortunately I could not award myself points for “ugh that guy who betrayed Gondolin I guess?”#nor can I ever be bothered to remember how to spell the names of you-know-who's seven sons #oh wait #just remembered two more names #it's gonna be like this all day for me isn't it #sudden pollmaker regret

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maryasmorevna · 3 months ago

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and yet we're supposed to believe that losing her powers and living as mal's housewife in la casetta in canadà is a happy ending for her?

it's... fascinating how the grisha are both reviled and venerated as saints in the same country. they're extremely powerful in many ways, and yet objects of superstition and even outright discrimination and fear by ravkans, their own countrymen. it's contradictory tbh. i would like to call it "complex portrayal" but... heh.

#again. idt d.arklina is a HEALTHIER pairing (obviously!) but 1. it is *objectively* more interesting than whatever m.alina got #and 2. the latter is very regressive in a way that feels familiar to irl het relationships too and it kinda makes me uneasy #the darkling is so exaggerated in his villainy (immortal; super powerful; ruthless bastard with little to none morals at all etc.)#that he doesn't feel quite real. he plays the fantasy villain and he plays it well #it's all very threatening but also dangerously alluring in the way all fantasy dark romances are supposed to be #mal on the other hand is the average asshole who neglects the girl who loves him and lives for him #that he's jealous and suspicious of her achievements. that wants to curb her power down for... Reasons i guess #he's the Nice Guy who's actually a toxic asshole in the way your sister/bff/etc.'s toxic asshole bf may be #it's not more ~problematic or anything of course. it's just more annoying #because bardugo tries VERY painfully to make us see the m.alina romance as the Healthy Alternative to the darkling's dangerous charm #but it just isn't lmao. like... aleksander needed to die? because he's Bad? i understand it. i love tragic stuff #but alina losing her powers and living a Simple Country Life with mal of all people... this is not even remotely close #to the katniss/peeta ending. nope. i'm not everdeen biggest fan (i found it a bit boring lmao ik. it's a Me problem)#but in thg that finale makes sense. it is coherent with the series' overall themes and their execution in the narrative #i'm not overjoyed at the idea of peeta insisting that katniss should have his babies (it makes me very uncomfortable ngl)#but i Understand okay?#this tho. this feels such a setback for alina. because alina loves power!! she's ambitious!! she's not that peasant orphan girl anymore #and can't get back to when she was! after all she's been through you can't expect to want the same things she wanted #before the plot even started. actually that's how you make a young adult character (or character in general) grow:#it's change baby. Development™. writing 101 lmao #end of the rant shdhdh #val reads the greg trilogy #val speaks #txt

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nouearth · 2 years ago

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lessons in kissing.

dick grayson x male reader x peter parker.

summary: dick and peter become your professors in kissing 101 (& more).

wc: 6.2k. genre: smut. warnings: top!peter, top!dick, bottom!reader, handjobs, blowjobs, kissing, cum-swapping, mouth-fucking, threesome, unprotected rough!sex, reader's first time, characters are aged up!

notes: yeah, so um... this might be my dirtiest smut yet. this was also my first time writing a threesome soooo, i hope i did okay? thank you, anon!

request by: anonymous.

“you’re lying! you’ve really never kissed anyone before?”

“dude, like, ever?!” peter gasped, and you turned towards him, slowly nodding while you grew cautious of everyone’s confusion.

“not even when you were in kindergarten?” you twisted your neck for the nth time at the sound of dick’s voice again, and shame unexpectedly crept onto you the more the two men collected their bafflement together.

your cheeks and neck flamed as they both stared at you, bewildered as if your confession was akin to an unmasking of a superhero—like a family of lemurs, a small one, you’d reckon.

“geez,” your hand clutched onto the can of sparkling water harder before downing it, ridding your insecurity in several hard and fizzy gulps. “if i knew i was going to be interrogated, i wouldn’t have told you guys in confidence.”

“no, it’s just…” a careful exchange was puzzled together by the two men. dick shrugged and peter stammered, following you into the kitchen of his apartment. “i mean, not to make you feel weird or anything, but you’re not ugly.”

“i- pete, was that supposed to be a compliment?” your eyes narrowed at him jokingly, maintaining the coldness of your gaze to break peter into nervous stammers.

“w-what, no!“ he shook his head and approached you closer, a mixture of awkward laugher filling the feigned tension between the both of you. “wait- no, i mean, yes! it’s a compliment.”

you’ve always found it cute.

“i think what peter means is…” bouncy steps followed you two into the kitchen, more-so to sate his appetite for pizza after losing his tenth consecutive match on a game, but consider his curiosity piqued. a mouthful of pepperoni and cheese didn’t stop him from joining. “you’re handsome, he talks about it all the time.”

“dude...” peter grumbled and instinctively turned his body away out of your sight, sipping at nothing in his cup. the only fizz left was the glare he sent dick; like a sparkler on holiday festivities.

“oops, my bad,” another bite, and dick took his cup of soda to gulp the grease down. “we find you handsome—though, i’m pretty sure (m/n) knew that since i hit on him when we first met.”

“god,” you laughed it off, picking the pizza box of gloopy cheese to take it in your mouth. “can you imagine? my first kiss being with you? or even peter?”

yes, you can imagine. those thoughts had run rampant since you met them in freshman year of university, expanded upon it even. what would it be like to date dick? how soft were his lips? and the same for peter. sometimes, you’d even think about making out while he was in his spider-man costume, but that fantasy was shamefully bookmarked into a deep abyss of thoughts, only sprouting when you would touch yourself at night.

“why?” peter turned back, almost offended, while dick’s laughter joined you, and you swear you can feel a draft from how quickly he twisted around. “is that weird?”

“kinda?” the conversation made you shift on your feet. it was more intimate than what you were used to, and they knew it too, judging by the way they both stared at you again—hyenas. “i mean, i guess it’s because we’re so close now, so…”

“pft, that never stopped me,“ it was like a magic spell drew that confession out of dick. your fingers would have to be cut to coerce that out of you, but you weren’t dick—shameless and confident, you admired it on good days.

nonetheless, you and peter both gave dick a questioning look. offended would be a regular person’s first reaction, but from the brief exchange you and peter shared, it was unanimous that curiosity took the lead.

dick’s gaze shifted from you and peter, and when the silence drew out for longer than he would’ve thought, a welcoming draft in the room awaited his rebuttal. “come on- you seriously think i stopped thinking about you guys just because we’re best friends now?

“dude, you think about me?” peter’s eyes widened. it would’ve been hilarious if you weren’t involved. you would’ve passed this off as a banter, no more than that.

you hated to admit it, but you felt yourself throb at this revelation. blood rushed downwards in light speed and you were barely conscious to the drone of peter and dick’s chatter, but you shook it off, laughing at their banters like you aways did.

the day went on like usual. peter’s collection of video games kept you guys entertained for a few hours. when you felt fatigued from mashing your thumb onto the buttons for the ninth match, a walk downtown sufficed. laughing and bantering were the core of your friendship with dick and peter—like every friendship you’d imagine.

but at its finest, it was their vulnerabilities to you, and yours to them, that kept the foundation strong. they trusted you with every secret of theirs, aided them in a few missions of their own, and your friendship thrived.

the next few days haven’t been exactly the smoothest. you were quieter than usual, and they both took notice because you’d pick at your food while their voices—questions and comments—were ignored, passersby to the street of hearville.

was it that weird to have never kissed at your age? to never have had sex? to not even have had held hands with another guy? they never made fun of you, but you couldn’t help but let these thoughts run rampant.

no. no, it wasn’t. people have their own pace. mine... just somehow happens slower.

you weren’t insecure, but you still felt weird. you suddenly became moody when you saw dick and peter, like you want to be left alone, push them out of your apartment when they drop a visit, drop their pants and suck them off-

oh.

ohhhhh.

dick and peter.

“teach me.” you suddenly spoke out and the two men looked up from their plate of food, exchanging a look with each other before questioning you, humored because you barely spoke all day. the tv played in the background and you were all sitting on the ground, eating off of peter’s very… very small coffee table.

“ah, i almost forgot what your voice sounded like, (m/n)!” dick laughed, twirling his fork into his pasta before shoving the food into his mouth.

you made a slight pout, only because they weren’t taking you seriously. though, to be fair, you have been acting weird all week.

“with what?” peter noticed, a little more serious in his inquiry. but food was more of a priority for him, you can see him practically sweating at the thought of leaving his spaghetti cold.

“pete, you can still eat-“ you laughed, taking a bite of your food.

“oh, thank god.” and peter does the same, chowing down on his spaghetti after a hard day of saving lives.

dick cleaned his palette with a cold gulp of soda, a refreshing hiss when the bubbles trickled down his throat. “so, teach you what exactly?” he continued on. “fighting? oh, dude, are you going to be a vigilante-“

“no, no! does it look like i have the strength to be like batman or something?”

“well, i’m guessing that’s why you came to us for training?” dick amused himself, and peter chuckled, much to your annoyance.

“guys, i don’t want to be a vigilante.” you grumbled, beginning to bury your confession deep in the pit of your stomach somewhere. “or a superhero, or a guy in a spider-suit with weird web things.”

“hey, they’re not weird-“

“i want to…” it was calming to watch the way your fork swirled itself into the pasta, metal tongs pierced and capturing a wave of sauce and spaghetti all in one swirl. “learn what it’s like to kiss.”

peter choked on his glass of water.

you continued, hot in the cheeks because you can see peter’s widened eyes even when you look away. “handjobs, blowjobs, everything…”

and a piece of dick’s meatball was caught in his throat.

a low drone accompanied the silence once the tv was muted and while a huge weight lifted off your shoulders and chest, you felt small knowing how vulnerable and weird your request sounded.

“so, you want us to teach you how to…” dick cleared his throat and you feel like you could hear a smile, but you weren’t sure if that was your mind trying to convince you that everything was fine. “kiss and… other things?”

“yeah,” you continued to avoid your gaze, opting for the wooden floor instead. “i know, it’s weird. you don’t have to say yes or anything, it’s just-“

“is that why you’ve been acting stand-offish lately? peter was worried. he was the type to always blame himself of someone else’s behavior, no matter how much you tried to reassure him. though, you guess, he technically was the reason why you became so moody—part of it, anyway.

“mhm.” the silence was defeating, you can hear their necks turn to look at each other—of judgement, most likely.

and it was all but confirmed when you can see them hopping back onto their feet and running—running as far from you as possible. “guys, wait, i’m sorry-“

you looked up and watched them dash to peter’s bathroom, immediately chasing after the trail of their steps in bewilderment. “what are you-“

“first step, make sure you have good breath.” dick handed you your toothbrush, his spare one at peter’s already brushing into the foaming spearmint in his mouth.

“atleastluntilhelikeyousenough” peter gargled thick and incoherent, brushing into his jumbled sentence.

“uh-huh, okay… seems a little obvious, but…” you spread the toothpaste on the bristles of your brush and began brushing, a smile forming because you have to brush the front teeth too—but also because of your best friends.

you can always count on them.

“you ready?” dick naturally became the leader of this impromptu training program. he was the most experienced considering how many women and men you caught him with, and as much as you hated that when you were roommates with him, his expertise was needed in this moment.

“yes.” you sat in the middle of peter and dick, rubbing your sweaty palms against your shorts. a mere flash of regret ignited inside of your beating heart, but peter rested his hand on top of one of yours, squeezing ever so gently to warm and soothe you—to pacify you.

and your worries were quelled when dick does the same, his smile softer, countering his usual playful attitude. “just stop me whenever you feel uncomfortable.” he made you feel safe.

you looked at peter, and he nodded in agreement, his fingers now intertwined with yours. he had always kept you safe, feeling safe, this was a normal feeling towards him. “same with me.” “i will.” your voice was quiet in the bedroom, a mere soft whisper, but they recognized your will to be more vulnerable with one another, to blossom. and dick appeased it with a kiss.

light and feathery at first to test the water, but once dick heard your breath hitch, he applied more pressure in between your lips, capturing them in a slow waltz that kept you on your toes, yet flat on your feet to contain your excitement—your relief.

it was awkward at first, to find your footing. your nose would bump into his, teeth as well, but dick chuckled, assuring you this will always happen.

unbeknownst to you, dick’s been wanting to do this since he met you, and he savored every second. “remember what i told you… build it up.” he reminded you because you were getting eager, following his lead but returning his kiss in hard sucks. “nice and slow.”

peter’s palm on your thigh pressed gently onto your bare skin, mistakenly under the lift of your shorts because he was too in awe of the kiss, but they grounded you from your brief flight to the heavenly clouds nonetheless.

“nice and slow…” dick repeated, and you succumbed to his reminder like a prodigy. “that’s it.” it lasted for a few seconds longer until you pulled away to capture your breath again. your lips tingled still, remembering the taste of spearmint when dick’s breath ghosted on your skin.

“was that okay?” an innocent question, but you swore you stole that exact same tone from a porn you watched the other day.

“a natural,” dick laughed, stroking your hair back and you’ve never see him so affectionate—loving, as he doted on you. “try it on peter. more touching though, if you’re okay with that.”

you nodded and turned your head, meeting peter’s gaze with a flushed smile, your lips slightly swollen from your previous endeavor. “I’m okay with that.”

“me too.” peter smiled, only softening when you leaned in, and it completed hid against you when you captured his smile with a kiss.

his hand gently placed on the back of your head when you did and he pulled you closer into him, returning the kiss, and spilling his breath into yours, while at the same time, drawing yours out. “rub my chest, i like it when people do that.” peter whispered in between each kiss.

you do as you were told, a gentle hand to peter’s broad chest, and you feel yourself tightening, satisfied with how intimate this all is as you felt the muscles on his chest through the fabric.

in the meantime, dick’s been squeezing at the bulge in his pants, containing his will to completely ravish you simply by watching the way you and peter made out. he’s always been observant, noticing the strong twitching of peter’s own erection, and soon yours when peter slid his tongue into your mouth.

it was tantalizing—breath-taking— watching intimacy build up and vulnerabilities become unimaginably pliant before him. the pink muscles looped and swirled with one another, spreading and sharing sticky saliva until your mouth and peter’s were practically coated in it, glossed in sheen.

when peter pulled away, your lips were immediately stolen by dick again, kissing you with more strength than before, stubbornly refusing the chance for you to restock on oxygen as he wanted a taste of you too. the air became thicker, harder to breathe, but you basked in the taste, the wetness of dick’s tongue, and allowed yourself to become weak in his arms when he took you in, embraced you closely. “mmf...” you moaned out, breathing harder.

but just like dick, peter wasn’t finished with you, directing his tongue and lips to the back of your neck when you turned away. his ticklish and fleeting kisses pulled you back into peter’s arms, but dick noticed and pulled you forward: a stubborn game of gentle tug of war.

they wanted you, every piece of you. it was telling as peter sucked into your neck, venomous and poisoning, and when dick began directing your hand under his shirt, allowing you to feel his toned stomach and chest, and eventually his clothed erection, making you squeeze around it with an open palm.

lessons have completely escaped to the back of minds, and all that remained was pure lust.

“it’s okay if you don’t want to.” dick reassured. though, ironically, his hand atop of yours, relieving the ache in his pants continued.

through swollen lips, you managed to mutter, distracted by peter’s bruising sucks to other areas of your neck and skin, whimpering when he bit a little too hard. “i did say teach me everything…” his hands were under your shirt now, warming your bare skin with his palms, excited, but fleeting as they immediately tied to the buttons of your shorts when you gave the okay.

“hey, hey,” dick laughed, watching the way peter has grown grandly impatient. “you’re going to scare him, horn dog.” he left a kiss on your lips, a quick one before leaning past you to kiss peter.

you watched in awe at what a kiss was supposed to be like: burning with ease and passion with every stroke of their lips, no hesitation at all—just a moment of time that they’ll remember. you backed into the bed and leaned against the headboard as they kissed at the foot. you don’t remember having your hand down your shorts, but you do, palming yourself to your own private show.

the kiss ran sloppy, drool dripping down either chins, stained with intimacy, and clothes were quickly tossed to the side, with no care in the world.

you followed.

even though you were similar height to peter, he was stronger—they both were. and now, you felt smaller as they climbed onto the bed, towards you, bare and hardened. you watched breathlessly, as their cocks swung heavy with heat. peter’s pre-cum dripped thickly in yearn for something to fuck, while dick’s throbbed for something to fill—a porn scene come to life—and you were left agape, jaw and legs.

“kinda surprised we’ve never done this sooner,” peter said, you weren’t used to his voice so low. kneeling on the bed, by your left hip, he took your hand and kissed the palm, the wrist of it, skimmed his lips over your forearm before guiding It toward his cock, aching for your touch. “though, was hoping i’d have you to myself, but…” gently, your hand was cradled to wrap around his shaft, warm and running with veins, it pulsed. “this works too.”

your chest rose with every spoken word, and peter has never looked hotter. taking control of you like that made your skin crawl, a spell that commanded you to move your hand back and forth, conjuring you to pump him in slow strokes.

contrary to his overall demeanor, his actions were of warmth. caresses to your head, doting on you with honey dripping from his gaze and cotton in touch while you sinned.

you didn’t know where to look—to fall in love with the way peter gazed at you like a painting in a museum, or to salivate over the way his pre-cum leaked thickly over your hand when you squeeze it out of him, like a bottle of maple syrup.

that became more a problem—a dilemma—when you felt a wetness over your right nipple, then a sting when dick bites to get your attention—selfish and stubborn, like always. “are you sure this wasn’t a tactic to get all three of us in the same room? you seem comfortable.”

he tongued your nub, flicking back and forth to make you squirm, to hear the sound of your moans, to be the reason you have trouble sleeping at night. alongside, his palm ran over your body—chest first, down your stomach, and finally, your erect cock and balls.

you watched, breathless, continuing to stroke peter’s cock and he’d lean over to give you a few kisses here and there. for the most part, he was content like this, watching you squirm while maintaining to do the best to pleasure him.

“no, i swear- it’s just-“ dick played with your balls, squeezing and tugging on the tight sack to loosen them. every man was sensitive down there, you were no exception. “you guys made me feel safe, so…”

“well,” you looked up when peter spoke, his eyes fluttered shut, and you only got them to open when you thumbed the slit of his head, rubbing slick all over his glans, then the length of his cock when you continued stroking. “we are superheroes.”

you all laughed, switching gazes between the both of them, but it was dick’s mouth suddenly wrapping around you that made you concentrate only on him.

“oh, fuck…” warmth surrounded you, inhaled you in one shallow breath, before dick pulled you out of his wet mouth, taunting you with the loss of heat.

“it’s just like kissing,” he said, licking a stripe over the underside of your cock, tonguing his favorite spot: the neck of the glans and the frenulum. dick followed the lines of flesh with precision, leading the very tip of his tongue into the duct of your urethra—once again, tonguing it while his eyes focused on you, devious. “but let curiosity take you further and explore every part of their body.”

“m-mm…” you were sure there was meaning to his words, but they fell on deaf ears. instead, you focused on the ample heat that engulfed you again, moaning.

“every.” dick took you in and pulled you out with a pop.

“fuck-“ you breathed out, curling your toes into the sheets.

“part.” holding your cock up and stroking sloppily, he inhaled your ballsack. sweaty and musty, they must’ve been, but dick devoured the scent, the taste of sins with hungry sucks and licks—ardent and full of fervor.

and at the moment where you most expected to let out a moan, it was shoved down your throat when peter suddenly situated you in between his legs and filled your mouth with his thick cock, smelling of sweat and sex when you inhaled near his trimmed hairs.

“come on,” peter briefly pulled out, tapping the plump tip over your lips. “you learn best when you demonstrate what you’ve been taught.”

peter covered your view of dick, but you weren’t sure if you needed to see him because you felt every maneuver of dick’s tongue, now drowning your cock with his mouth while he continued assaulting your sensitive balls, tugging and squeezing.

you looked up and peter never looked bigger, more intimidating, but it’s become your new addiction, and you take his cock, holding it thick and take in what you can. it was barely past the tip before you could feel yourself gagging, but with peter’s reassurance, you swallow more of him every time you went down, slicking him up with your spit.

“how’s he doing, pete?” your cock was left cold when dick pulled away to speak, but he made up for it with his hand, stroking his spit with your cock.

“he really is a natural.” peter chuckled, watching you with a scrunched face of pleasure whenever you pulled him deeper into your mouth. almost down your throat now, but he pulled his cock back completely before you can fully take him. “you try.”

“fuck, yes.” dick leaped over and used the spit from your length earlier to lube his own cock, spitting in his palm and stroking when it wasn’t slicked to his likening while peter scooted back to kneeling at your side, stroking himself now.

as your head was positioned in between both their cocks, dick’s was bigger, thicker—a mouth stretcher you’d imagine. but peter’s was longer, veinier, and the only thing they had in common was that their balls hung loose. in porn terms, hung like a horse.

and on this very day, you considered yourself a lucky man because you have no objection to either, no will to pick and choose.

“look at you,” dick’s voice was rugged, deep, and he pushed his cock past your swollen lips. there was a clear difference in girth. your mouth was stretched wide, and you could only hum a sound of satisfaction, even with the slight sting from the stretch of skin. “who knew you’d be such a cock lover, hm?”

“he can’t get enough of it, god…” peter was in awe, salivating and stroking quicker at the sight.

two hands kept dick’s cock still in your mouth while you sucked on the bulbous tip like a lollipop. the rest of your hands stroked whatever you couldn’t mange to fit in your mouth. you were apologetic at first, but dick’s smirk told a simple story of his ego, clearly aroused by the size of his own cock as it only grew wider when you struggled downing him, gagging with a whimper.

“come on… (m/n), you can do better than that. you were so good at sucking peter off, kissing us too. what happened?” dick pulled away to stroke himself with your spit, but he quickly buried any excuses into your throat when he pushed himself into your mouth.

“you’re too comfortable now, (m/n). you’re slacking…” peter joined the banter, and when dick pulled out of your mouth, peter’s cock replaced the loss of warmth to your surprise.

holy shit, this is happening.

like a see-saw, the two men alternated in filling your mouth, stuffing saliva further and further down your throat, without allowing a single excuse from you to escape. it’s buried now, deep in the pit of your stomach, and all you can do was be the prodigy that they wished for you to be.

when it was dick’s turn to stretch your mouth, you made sure that peter’s cock wasn’t left abandoned, stroking him with distracted strokes, and vice versa when it was his turn at your throat. you overworked yourself in pleasuring your two best friends, making sure they were satisfied with you, with your mouth as you took more of them without a single plea for a break.

“fuck, there we go…” occasionally, dick would take control by holding the back of your head and fucking inside of your tight mouth. drool leaked down either corners of your mouth while you let him, tears brimming in your eyes when your throat tightened again, a familiar feeling that dick encouraged to hold back. “there’s my star. taking cock like a good student.”

if there was one thing that these very brief lessons have taught you, you were exactly what they named you: a cock lover. you slurped at whatever—whoever—entered your mouth absentmindedly, spat on cocks that have begun to look more or less the same, because it was dizzying now. your cock was left alone, but it stood tall and proud, throbbing as the two men harassed your face and mouth with their erections. one would gag you while the other had his balls shoved to your face and nose, sliding its wet, dirty slick all over your skin, staining you with lust.

it alternated like this for a while, and you were content, so was dick and peter. but you needed more—something to fill you elsewhere that wasn’t your dirty mouth. and you pleaded with your eyes, looking up at your best friends with delighted tears, a mouthful of cock, and a gaze only a cock loving whore could have—and they recognized it.

peter was reluctant to pull away, he was so close. but he’s always been selfless. he released his hold on you and it was a struggle to pull you away, but he did with your lips suctioning off with a quiet pop. a thick string of spit that once connected between your lips and peter’s cock laid like webs on your chin, cooling as you watched the two men reposition themselves.

“i’m going to assume we don’t need a lesson in how to finger yourself, hm?” dick whispered against your swollen lips and kissed you again. you were entranced under his tongue, swirling all over yours like ocean waves while you touched yourself to his licks. you twisted and pinched your nipples, tugged on them with the occasional help from dick, then stroked your cock while dick continued from peter’s original trail of bruising kisses to mark his own territory on your body. you were as horny as they were, if not hornier, and you needed them inside of you, in any way possible.

“fuck, i need you guys so bad.” breathless in your moans, your legs squirmed when you felt something wet between your thighs when they were raised, peter’s nice girth sliding in between the plump skin.

he thrusted himself slow and steady while he worked on your hole, reaching down to prepare you with his lubed digits, one by one. you’ve done this before, they were surely aware, so it wasn’t a unit that was particularly focused.

in between preparation, your mouth remained on dick’s cock again, delivering him your fullest attention with several lathers of your tongue, sucking hard and hollow, deep into your throat. you remember what he taught you and occasionally stuffed your mouth with his balls, sucking on the weight and letting go with a pull because you got off on seeing how they tensed and jiggled when you did.

“i’ll go slow.” peter leaned in with your legs hooked over his shoulders, bending you back, and kissing the tip of your nose when he was close enough to your face. “tell me if you want to stop.”

once you nodded, allowing him the will to deliver on his promise, peter made sure to lube himself up once more before pushing inside of you, slow and steady. he was careful, watching your face as it scrunched when the head slid in—burned when the rest of him filled you to the brim.

it was almost like you couldn’t breathe. it was too much, to be bearing all of this pain alone, but at the same time, you held peter close, wrapped your arms around him to prevent him from leaving you while you buried tiny whimpers into his neck, because you don’t want to stop feeling it, so full and devoured. it was written all over their faces when you glanced at them—they didn’t want to stop either.

peter and dick decorated your skin in wet kisses, distracting you from the pain while peter began to find a rhythm. although slow, you were beginning to familiarize yourself with this pain. soon after, pleasure, when he struck something inside of you, a certain spot.

“oh- peter, right there, fuck.” your legged tightened around him and the sweat from your thighs rolled back onto your stomach when peter re-adjusted himself to fuck you at a higher angle, folding you onto your back.

“yeah? right here?” peter thrusted into that spot dead-on, like a dart to a bullseye, and you groaned, your throat aching in pleasure, but dick pacified it with his cock again, filling you up once more. “oh fuck, look at you. all of your holes are filled up, fuck… so fucking tight”

“baby, you’re doing a great job, god…” your heart beat when dick called you that. it was always something he said as a joke when he arrived to your place. honey, darling, you name it, but the fact that it came out so genuine, it made your skin flush red and you could only respond in moans while you sucked him off. “i think he likes it when you fuck him like that, pete.”

for the first time, you felt wanted.

peter’s thrusts were hard and strong, his balls swung into with every rhythm. you can see the muscles in his thighs flexing whenever he pounded down into your tight hole, your bodies colliding like waves to a rock. it stung whenever his skin slapped into yours, sweaty and musky, but the sinful sounds were well-worth the prize as you basked in them, in the taste of dick’s cock, the sound of peter’s grunts, the flutter of dick’s eyes when you gargled his cock again, deeper, the sweat dripping from peter’s forehead and body—the bedroom hailed of sex. it rocked of brutal creaks and slams as both of your holes were violated and filled to the very brim, all driven by pure lust.

after some time, they switched spots, tag-teaming so dick can have his turn at your hole. unlike peter, he was rougher, immediately pounding into you because he was sex-crazed about you, couldn’t stop thinking about you since day one of meeting you.

“fuck, better than i’ve ever imagined,” he laughed into your mouth, kissing you sloppily, and pulling away when peter’s cock impatiently wedged himself in between the kiss, and you were back to sucking and jerking off cock again—no complaints. “still so tight, even after peter fucked you so hard…”

“it’s like he was made to be a whore, right?” such vulgar language from your best friends broke the original portrayal you had of them. now, all you could think about was how they wanted to absolutely make a wreck out of you, de-blossom your naive thoughts of what your first time should’ve been like.

it wasn’t what you had imagined. it was supposed to be with one person. a full-time commitment to your relationship. a loving pair holding each other close when they both climax. it was going to be special.

but this… you thought to yourself as you were fucked into the bedsheets with absolutely no mercy, your ass pained and bruised from dick’s muscular hips driving into you every time he came down, harassing you in that familiar spot again.

this was… peter pushed on your bottom lip with two fingers to open your mouth, then spitting in the void, some catching onto your tongue, before shoving his swollen cock inside of you again, aching to touch—to fuck.

dick palmed your cock as you writhed, bent under him, moaned around peter’s long cock. he gathered all of his strength left to tickle you deep, to reach inside of you with his cock, breathless and panting with every thrust that rocked the two of you together—three, when peter fucked into your mouth.

this was so much fucking better.

“holy shit-“ under dick’s touch, you came hard in several thick ropes, all over his fist, and then the sweat of your body when he opened his palm. you were a natural shooter, accidentally spraying your face with your own thick semen, and you heard peter and dick moan in unison, in awe.

seeing you dressed in cum like this had them race each other to their climax. dick fucked you harder, his grasp on your hips bruising and white, while peter held onto your head and met your throat with his cock, repeatedly forceful in strength. you gagged around him, and they only benefitted from every sound you made.

“fuck, i’m going to-“ you watched peter’s abs flexed, tightened as his stomach pooled with pleasure, and you can hear the holy bells ring when he pulled out of your mouth, jerking his wet and slimy cock off until he came undone in thick spurts, all over your pretty face. not a single shot was missed, painting you in white like a canvas with every last drop.

you were still high off of your own orgasm, and you turned your head to watch dick fuck himself into you, clearly wonder-strucked by the scene before him. you were covered in cum all over. they beckoned him to join, the many loads on your body. they were begging now, a mantra of pleas pulled him closer to you, and he can smell the sex off of you, inhaled peter’s musk as well, and again—those holy bells rang.

with the speed of lightning, dick pulled himself out of your abused hole and climbed over to kneel over your chest, fucking into his fist while simultaneously jerking his cock off over your face. to your cum-covered body, to peter kissing his spunk off your cheek and chin then your lips, to the taste of your own cum when you swiped a load off your chest and fed it into dick’s mouth. he suckled, bittersweet salt spread over his tongue, and he was ravished by the taste of you.

dick then pushed his hips out and aimed his cock over your lips, still connected to peter’s for a messy kiss, stroking until the only reason he tore his gaze away was because his lids fell heavy, ceased his sight to roll his eyes back, and came with a shudder. thick ropes of cum inked on your face and peter’s, but most of it fell to your connected lips.

“fuck, that’s hot…” dick muttered, rolling his shoulders back while he milked himself to you and peter making out, cum-stained and all. you moaned at the taste, saltier than yours and peter’s, and peter does the same while scraping a load of warm cum from the corner of your cheek and into his mouth before kissing you again, swapping the gloopy residue with a sloppy exchange of tongues.

he was envious, watching how the sticky load caught onto your lips then peter’s when he squeezed himself dry. before you and peter could take all of his cum for yourself, he leaned down to join peter for a kiss, stealing the mound of cum that peter has expertly hidden on his tongue. dick didn’t know who he was tasting anymore. but whether it was you, peter, or himself, it was delectable, and he wanted to share the delightful taste with you. he spat the mixture of cum and spit inside of your mouth before webbing his lips to yours, sealing it with one final breathless kiss.

“so, are lessons still on for next week or?” peter lay by your side, and dick joined the other, still dizzied from his high as telling by his shut eyes and drawn out pants.

“i mean… i’m still up for it if you guys are?” you said, leaning over to press a kiss to peter’s cheek. you took his smile as an answer and looked to dick for his.

“mm... yeah.” dick sleepily opened his eyes, his locks stuck to his sweaty forehead while he buried himself under the blanket. you felt his arms wrap around your waist once he got comfortable, muttering a kiss to your shoulder before dozing off.

“we’re good teachers, pete.

nouearth. please do not repost, plagiarize, or translate my works. andif you like this story, please reblog and leave a like!

#dick grayson x reader #peter parker x reader #dick grayson x male reader #peter parker x male reader #dick grayson smut #peter parker smut #nou.fics

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empyrealoasis · 26 days ago

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Shifting 101: A Complete Beginner’s Guide🐚🫧

This guide will break down everything you need to know about shifting: what it is, how it works, the methods, the science behind it, and practical tips for success.

Scripts to use for beginners: World Building Guide Character Design Guide

What Is Shifting?

Shifting is the process of moving your consciousness to a different reality, whether it’s fictional, parallel, or entirely of your creation. It’s not your imagination—it’s about fully experiencing another reality.

Here's a summary of what it might feel like:

Physical Sensations

Vibrations or Tingling: Many report feeling their body vibrating or tingling, especially during the transition phase.

Weightlessness: A sensation of floating or being disconnected from the physical body.

Pressure Changes: Some describe feeling a "sinking" sensation, or a light pressure on their chest or body.

Warmth or Coolness: A shift in body temperature, often feeling either unusually warm or cool.

Mental and Emotional States

Calmness or Euphoria: A deep sense of peace, happiness, or excitement as they approach the desired reality.

Heightened Awareness: A sharper or more vivid sense of surroundings, even if they are imagined.

Detachment from the Current Reality: A feeling of being "pulled away" from where they currently are, mentally and emotionally.

Clarity: A sudden understanding or awareness of the desired reality, as if it's "right there."

During the Shift

Hypnagogic Imagery: Seeing flashes of light, shapes, or scenes from the desired reality as if in a vivid dream.

Auditory Changes: Hearing voices, sounds, or music associated with the desired reality.

Rapid Heartbeat: Some report their heart racing, which may be a mix of excitement and physiological response.

After the Shift

Being grounded in the Desired Reality: Feeling completely present and immersed in the new environment, often indistinguishable from waking life.

Memories: Retaining memories of the current reality but experiencing them as distant or unimportant compared to the new reality.

Familiarity: Even if the shifted reality is new, it may feel intuitively familiar, like returning to a place you've always known.

Why Do People Shift?

To live out their dream life or be in a fictional world.

Escape stress or explore alternate possibilities.

To experience new perspectives and adventures.

For self growth (mentally, physically, emotionally, spiritually)

How Does Shifting Work?

Shifting focuses on aligning your consciousness with another reality. It may sound mystical, but scientific concepts can explain how it might work:

1. The Role of the Subconscious

Your subconscious mind doesn’t differentiate between imagination and reality—it processes everything you believe as truth. By visualizing and affirming your DR, you’re "rewriting" your mind to accept it as your "true" reality.

2. Brainwaves and Conscious States

Shifting works best when your brain is in certain states:

Alpha: Relaxed but awake, like when you daydream.

Theta: The in-between state of sleep and wakefulness—perfect for accessing your subconscious.

Delta: Deep sleep. Some people shift directly through their dreams.

3. The Quantum Perspective

The Many-Worlds Theory in quantum physics suggests infinite versions of reality exist. Shifting aligns your awareness with a different version of yourself, allowing you to live in that reality.

How to Shift: The Basics

1. Preparation

Create Your DR Script:

Where you’ll be.

Who you’ll meet.

Rules (e.g., “Time stops in my OR while I’m in my DR”).

Safe words (to return to your OR).

Set the Scene: Find a quiet, comfortable place where you won’t be disturbed.

2. Choose a Method

There are many methods to help guide your mind into the void or DR. Here are some popular ones:

The Raven Method: Lie in a starfish position, count to 100, and affirm things like, "I am in my DR." Visualize your DR as vividly as possible.

The Pillow Method: Write your script and place it under your pillow. Visualize your DR as you fall asleep.

The Void Method: Enter a deeply relaxed state, focus on the darkness behind your eyelids, and affirm that you’re in the void (a blank state of pure awareness where you can shift instantly).

3. Let Go and Trust the Process

The most important part of shifting is letting go of resistance. Don’t force the experience—relax and allow it to happen naturally.

Signs You’re Close to Shifting

You might experience these signs as you approach your DR:

Tingling sensations or vibrations.

Feeling weightless or heavy.

Hearing sounds from your DR.

Seeing flashes of light or imagery.

Common Challenges and Solutions

1. I Can’t Relax

Try meditating before starting or doing a body scan (mentally relaxing each part of your body).

2. I Overthink Too Much

Focus on affirmations or play calming music to distract your logical mind.

3. Nothing Happens

This is untrue as this is an assumption. However, it may take a few tries before you get the hang of it

The Science Behind Shifting

While shifting isn’t officially recognized by science, many related phenomena align with psychological and neurological concepts:

Hypnagogia and Hypnopompia: These are the states between wakefulness and sleep, where vivid imagery and sensations occur. They’re key moments for accessing your subconscious.

Lucid Dreaming: Like shifting, lucid dreaming involves awareness and control within a dream. Many people shift through lucid dreaming techniques.

Visualization and Neuroplasticity: Studies show that imagining something activates the same brain areas as doing it. With repetition, you "train" your brain to accept your DR as real.

The Placebo Effect: Your beliefs shape your experience. If you fully believe you’ve shifted, your brain will accept it as true. Can be achieved with the Law of Assumption.

Myths About Shifting

You Can Get Stuck: This is impossible. Your subconscious will always bring you back to your OR when needed.

It’s Dangerous: Shifting is as safe as sleeping or meditating. Unless you decide to shift to a Zombie Apocalypse then duhh.

You Need a Perfect Script/Concept: Having scripts and a good self-concept helps, but they’re not required. Your intention is enough.

Tips for Success

Stay consistent: Shifting gets easier with practice.

Believe in yourself: Doubts can create mental blocks.

Use reminders: Read your script daily to reinforce your DR.

Be patient: Everyone’s journey is different.

P.S. At the end of the day, all you need is yourself. Only you can make you shift. It is not necessary to have a script/method because it's you who's going to make it work. So, do what feels comfortable for you and what works for you. Don't let others tell you otherwise.

#empyrealoasis #shifting community #shiftblr #reality shifting #shifting #shifting consciousness #shifting blog #anti shifters dni #desired reality #4d reality #voidblr #void state #permashifting #respawning #pure consciousness #void

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coline7373 · 2 months ago

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How to comment 101

A fandom is the subculture inherent to a group of fans. It touches anything related to the field of predilection of such a group of people and is organized or created by these same people. And, like everything that comes from people, it is alive and requires exchanges to continue to exists.

People who receive no comments have often and at length express how lonely it can feel to be shouting alone in the void and how discouraging such silence can be.

I have found after asking around that readers aren’t unwilling to comment, but mainly don’t have the energy or know what to say.

Some readers have also expressed a fear of annoying the author, as they are clumsy with words, or feeling intimidated in front of an author who has such a talent with words that the reader's own words feel too embarrassing. Or not feeling that their own five word sentence is worth the bother.

Every word matters.

Every comment is worth its writing to the author.

I refer you to this post if you doubt the importance and impact of comments on fanfics.

To help those willing to comment, I have done a very modest survey of roughly 20 persons, writers and readers alike, and here is what I have come up with.

For writers:

Write in your notes, at the end of the fic, clearly what type of comment you do not want.

Clearly stating your limits and preferences helps readers who are uncertain or not very verbose to write in a relaxed way.

If they do not have the anxiety of offending, vexing or annoying the author, they will be more comfortable and therefore more inclined to write.

If you have repeated commenters, try to reply to their comments, even with just a few words. Some people who do not receive replies to any of their comments take the lack of response to mean the author is not reading comments at all, feel discouraged and stop commenting in turn.

If you do read the comments, but don’t want to reply for whatever reason, do say so at the end of the fic, in the notes, so that readers know what to expect and not be disappointed.

For readers:

Do:

About the story:

You can write about a particular line that you liked, the themes, parallels with canon or within the story, the characterisation, a character’s exploration, a/several character’s motivation, a/several character’s mindset/thinking/emotional reaction, a/several characters’ interaction, the plot, the action happening, the worldbuilding, emotions within the fic, subtext, pacing...

If you liked everything and are overwhelmed on how to narrow it down, you can just say exactly that. “I loved everything!”

You can also focus on pointing out just one moment, one line, one specific thing and why you liked them, specifically. What matters is not that you wrote a novel but that you communicated to the author what made you happy, what you enjoyed.

About you:

What emotions the fic made you feel, what you think is going on in a wip or what you (think you have) figure(d) out, what you are doing in real life while reading the story, afterward, because of it, and/or how the fic impacted your life (yay! motivation to make art!), how the fic is meaningful on a personal level because x, y, z, what it made you think of, like another fic, a book, a song, a movie, what subject/fact it prompted you to discover more of…

How:

You can write an essay, a prose, or some serious, meaningful, impactful words but you can also joke with the author as long as you stay mindful or polite. A lot of authors have said they love when people make jokes or break the fourth wall.

Unsure about your sense of humor? Here is an example: do not write "I hate you! How could you do this to me!” Write "How could you do this? The betrayal! die offscreen.”

Making a parody of what is going on with the characters with a few lines can be funny! Keep it positive. Not everyone has the same degree of sarcasm. But levity and good humor are always welcomed.

Small fics vs longer fics:

Emojis, keysmashing and incoherent yelling are very often correct comments for small fics or drabbles. (Unless otherwise specified.)

They are also loved in longer fics, (unless otherwise specified,) but people who have been writing a story for literal years appreciate you taking at least five minutes to say a bit more than that.

Try to go through all the “about the fic” and “about you” points above, methodically, and choose just two or three of them. Then write just one sentence per point.

If you really don't know what to say, look at other people's comments. Sometimes, you will recognise something you liked too or that you thought was really good. It can help and be the starting point of your own comment.

Long WIPs:

For long fics that you follow while they are being written, people have said they have at first a lot of enthusiasm for commenting, but find it harder and harder to know what to say as the number of chapters accumulate, and so does the number of comments they feel obligated to give in turn.

Please, keep commenting! Love keeps the writers motivated and helps creativity. It’s like shouting in the void and getting a high five back.

Even one line about something specific (a dialogue bit, a reaction, a plot maneuver) can make an author happy.

Writers are not really looking for length or details. They are looking for care. If you read something you liked, just point out what you enjoyed. That's engagement enough.

Comments aren't really about the act of a compliment. They are about the shared joy of a fandom or a ship or a character.

Example: “'X character diving headfirst into the sea like that is so like him!”

It’s good. It’s fun. It’s nice.

Some people have said to “save” a chapter, give a kudo and say “looking forward to reading this when I have time!” and wait until they do have time and energy to comment more at length, sometimes two or three chapters at the same time.

It let the writers know their fic is still being read. You just have to be mindful to not let months go by, otherwise, it goes back to leaving the author the impression they invested hours, weeks, months, into something no one interacts with. You can alternate strategies, lengthy comments, short comments, and commenting on several chapters saved.

If all else fails, go back to the tried and true. Choose one of the points above, choose just two or three of them and then write just one sentence per point.

If you are not a native speaker:

Google can help with the bare minimum. It's not great, but it lays the foundations. Write what you think in google translate and the translation will help guide your answer. You can always ask for help from someone else or warn the author that the fic’s language is not your native language, if you are unsure if your words come off in a tone not intended.

At the start of your comment, say “I am not a native speaker”.

Do not apologize. It’s not necessary. Just provide context. Use your words. Be clear.

Remember:

The writer isn't what they write. They do not necessarily headcanon what they write, nor do they necessarily approve of it in real life. Be mindful to not approve or disprove of x, y, z going on in the fic as if they do. You do not know that.

It’s not about the length or the wording or the quality of your comments. Of course authors love that. But what they love most of all is to hold hands, jump up and down with you and squee and gush about the fandom, ship or character.

It’s about the sharing of the joy.

Don’t:

Do not ask for another chapter and for the author to finish a fic.

Do not threaten the author to put their fics in an AI if they do not finish the fic.

Do not say "I didn't like it" or "I liked but not that" or "It would have been better if x, y, z." If you want to talk about what you didn’t like, whether it’s part or all of the story, discuss it with willing friends. The author is not responsible for you reading something you didn’t enjoy (how it made you feel) and persevering.

Do not “offer” to correct typos, grammar, vocabulary, facts, canon facts, characterisation, ect. unless you know the author and know they are fine with it or they say so explicitly in the notes.

Do not make demands. Do not.

Like that tumblr op said, “this is not the bespoke zone.” This is off-the rack. If the free suit is not to your liking, look for another free suit rather than demand to speak to the manager for "adjustments."

Tags are not owed to you. Ao3 is not a safe zone. Not everyone agrees on what degree of content merits each tag. Or what qualifies for a tag. So, if you found a fic that was more angsty than you expected and it broke your heart, comment on a part that was good and didn't make you sad, without saying you want a happy ending to the angst fic that was written for angst purpose. Off-the rack, remember?

Exemple:

"I found x,y,z to be upsetting. Would you consider tagging it?"

Vs "Your work is totally x,y,z triggery. You ought to tag it."

Vs "Hey, you do know some people find x,y,z, triggery, right?!? Because they do! So tag it!"

One of those answers is correct. The others aren't. No demands in the comments.

Your emotional well being while reading fic is your responsibility. If your expectations have been disappointed, do not say so. Talk about a point that was positive for you. If your expectations have been exceeded, do share!

Also, if you're mad, I have found that it helps to write your comment, leave it to decant, and wait a week or so to see what it looks like when you're in a different emotional mindset.

Some elements of fics can be very upsetting unexpectedly. It is not the responsibility of the writer to answer that. Nor comments are the place for it.

Once some time has passed, if you still want to talk about it, try to communicate in a way that is neither demanding nor negative. If you can't, talk about it with someone who is not the author.

My own personal opinion:

It can be so easy to focus on the fic and your own inner imaginary garden/cinema, that we sometimes forget to switch from "inner life" to "outer life" and exchange actively with people on both sides of the fence.

But it can also add so much more to the experience <3

Clear communication is always good. Even if you disagree. At least you know where you stand.

Say thank you. Fanfics are a gift. You have been given one. Say thank you.

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cepheusgalaxy · 9 months ago

Text

"So, you wanna make them ace?"

Asexuality 101: Making your characters asexual

Indroduction: Ok, so, from what I've seen in fandom and in general, most people don't really know how to write an asexual character. Many just quit it and make them allosexual, others just struggle their way without having much of a guide. Prime example is Alastor from Hazbin Hotel, whom many people want to involve in sexual scenarios so they go with the "asexuality is a spectrum" route. Problem is, they don't understand how asexuality is a spectrum exactly and then they just end up writing their characters as allo. Now, how to avoid this? Teaching them!

If you're looking for a good way to get started with your own asexual oc, an ace headcanon or a media charater, I've got you! (i mention sex briefly here in some parts)

My credentials: I'm ace.

The basics

What is asexuality?

Asexuality is a sexual orientation that is generally defined by the lack of sexual attraction, or a very little amount of it. Sexual attraction is many times confused with libido, which is the sexual desire. Sexual attraction is more accurately, "the desire of having sex with this specific person." Therefore, some ace people do have a libido, and do want to have sex, but mostly are just not attracted to a person.

Myths and misconceptions

Asexuals can't have sex - as many shippers say, "asexuality is a spectrum", and while some aces don't have sex indeed, they can want it and have it as well. Person to person scenario

Asexuals don't know nothing about sex - unless the ace in question is a child, they probably may know, in fact, a lot. Many ace people like reading, watching or consuming smut, and by this and other means, even if they don't have sex themselves, they pretty much know how it is and how it works. Sex is everywhere, after all. Hard to miss

Asexuality is caused by trauma - it can be! Just not always, and most aces are simply born this way

Asexuality is a medical condition - much like homosexuality, asexuality is frequently treated as an illnes and many ace people are forced into conversion therapy. Some people also hold the belief that asexuality is caused by an anormality in a person's hormones, a mental illness, etc. But it is not true! Asexual people can obviously also be mentally ill in some way, but these are different things. It is just a sexual orientation like any other!

Asexuality is caused by HRT - hormone replacement therapy, ie. taking testosterone or estrogen, is one of the most common type of medical transition for trans people. Some hold the belief that taking hormones like those can "break" your sexuality (estrogen does sometimes decrease a person's libido, but it depends on the person's organism and it doesn't take your sexual attraction away from you), and turn you asexual

Asexuality is caused by autism - this myth may be originated from the fact that many autistic people are in fact asexual, or by the fact that both asexuals and autistic people tend to be infantilized a lot. However, as much as autistic people are very commonly also ace, asexuality is not, in fact, a symptom of autism

Basic terminology

Ace - short for "asexual".

Aro - short for "aromantic"; someone who experiences little to no romantic attraction, aka typically "doesn't fall in love".

Allo - somebody who does experience attraction. "Allosexual" is someone who is not asexual, and "alloromantic" is someone who is not aromantic.

Aspec - short for "a-spectrum". The a-spectrum is an umbrella term for anyone who is in any way ace, aro, aplatonic, afamilial, or other identities that fit here.

Acespec - short for "asexual spectrum/ace spectrum". It's a part of the a-spectrum and contemplates all asexuality.

Aesthetic attraction - finding someone pretty or beatiful, without necessarily wanting to have sex with them. Many ace people who didn't know they were ace report to having used to mistake it with sexual attraction.

Sensual attraction - similar to sexual attraction; the desire to touch someone, but without wanting to actuall have sex with them. Many ace people also confused this with sexual attraction.

Aphobia - discrimination against aspec people.

Amatonormativity- the belief that everybody is happier in a relationship, wether they want it or not, and should want and seek to be in one, and the general root of aphobia.

The Split Attraction Model

If you are looking on the ace community for a while, you might have heard of the split attraction model--if you haven't, here it is:

Image description: The Split Attraction Model, a cross chart inside a square, with four ends. The first end of the cross is labelled "ace", its opposite is labelled as "alloce", the third end is labelled as "alloro" and it's opposite is labelled as "aro". The section on the "alloro" and "ace" square is labelled "alloromantic asexual", the section in the "ace" and "aro" part is labelled "aromantic asexual", the section on the "alloro" and "alloce" square is labelled as "alloromantic allosexual" and the section on the "aro" and "alloce" section is labelled "aromantic allosexual". /end ID.

The split attraction model divides all orientations in four groups: The aroaces, the aroallos, the alloaces and the alloallos. It is usually shortened to "SAM".

Many people find this model useful, because it sorts your attraction into two groups: allo- and a-, and yes and no. It's simple and easy.

Many aces do not use this model to explain their attraction/lack thereof though! Hence the first distinction of aces we have here: SAM-aces and non-SAM-aces. Basically aces who use the Split Attraction Model and aces who prefer not to!

A non-SAM ace may define their asexuality as their romantic orientation as well, or label themselves differently altogether. While a SAM ace could call themselves an "asexual aromantic" or an "asexual alloromantic", a non-SAM ace could call themselves just "an asexual". In this case, they can be neither "alloro" nor "aro".

If your character is aware of their sexuality and identifies as ace, it's good to know wether they use the Split Attraction Model for themselves or not.

The spectrum

You may have heard that "asexuality is a spectrum" a thousand times, but what does it mean?

Just like "non-binary", "asexual" can be an identity on its own, but it is actually an umbrella term for a bunch of orientations. When we say that it is a spectrum, we are saying that there is Nuance. "Ace who doesn't date", "ace who dates", "ace who experiences just a little bit of sexual attraction", "aces who like sex" and so on. 'But Angel', you ask me, 'didn't you say that asexuality is when people don't have sexual attraction?' It can be! But there IS nuance, and that's what I am here to tell you.

There are two more factors beyond the SAM that you can consider:

"Are they sex repulsed, sex favorable, or sex neutral?"

Here is the "aces can still have sex" thing. A sex repulsed ace is probably what the majority of people think when they hear "asexual". It is an ace person who doesn't like sex. Doesn't want to have it, is disgusted by it, despises sexual intimacy, etc. They are the aces who tipically just don't want to have sex, and are very happy without it.

A sex favorable asexual is someone who likes it. Sure, they don't feel sexual attraction, but who's letting it stop them, right? They like sexual acts, they are fine and happy with having sex in general, and that's what the "aces can still have sex" point means. Yes, they can, if they want to! Maybe your character themself doesn't define themselves as neither repulsed nor favorable, but it's good to know what their instance on sex is.

Sex neutral asexuals are aces who are not repulsed by it, but are not really into it either. They may have sex, they may be fine with it, they may like it even, but they generally don't have a desire or strong feelings regarding it. It's just sex, after all.

Sex ambivalent asexuals are another thing I want to touch on. They are tipically aces whose instance on sex changes! Sometimes they may feel repulsed by it, sometimes they may want it, sometimes they may not care. They are neither strictly one, nor another. Their feelings change!

It's good to see where in this categorization your character or blorbo would be.

Inside the asexual spectrum, where do they stand?

If I were to represent the ace spectrum as a linear thing, I'd do it like this:

Image description: A linear representation of the asexual spectrum, in the shape of an arch. In one end, it is written "asexual", on the other, it is written "allosexual" and on the very middle, at the top of the arch, it is written "gray-asexual". /end ID.

or like this:

Image description: Another linear representation of the asexual spectrum. One of the ends is a black circle and the other is a white circle. Between them, a gradient goes from one circle to another, passing through different shades of gray. The black end is labelled as "asexual", the white end is labelled as "allosexual", and the gradient with shades of gray is labelled "different kinds of Gray-As". /end ID.

What is graysexual, you ask me? We all know that the world is not black-and-white, and as so, sexuality is also not. Grayace is a term for a person that is also asexual, but not strictly: that is, they are the "feels a little of sexual attraction" part of the spectrum. It is called like that because when we put asexual and allosexual in two ends of a spectrum, graysexuality stands in this gray area.

Gray sexuals may:

Experience sexual attraction only sometimes

Experience light sexual attraction

Experience sexual attraction under certain conditions in certain scenarios, for example, when they are already very intimate with a certain person

And many more! Graysexuality is on itself a spectrum, but having an idea of allosexual -> graysexual -> strictly asexual is already a good guide. Graysexuality can also be described as "having partial sexual attraction".

Fun fact about gray-aces: The asexual flag has four stripes; purple, white, gray and black. The purple stripe is meant to be a color signifier of the community, the white means allosexual, the gray means the gray aces and the black stripe represents people with strictly no sexual attraction. Hence the term "black stripe asexual" (which is not very popular but I personally like).

Micro-labels

You already have a basic understanding of the asexual spectrum and how it works, so you can think on where exactly in the spectrum your character/blorbo is. To help you out further, I present you the microlabels! Much like non binary is an umbrella term with many microlabels like genderqueer, xenogender and demigender, that help one explain their identity with more and more specific explanations, asexuals also have a lot of microlabels! Here are some:

Cupiosexual - asexual person that wishes to have a sexual relationship (example: i am cupioromantic person and i am basically a hopeless romantic and a yearner. cupiosexuality is similar, but with sex)

Gray sexual - asexual person with partial sexual attraction

Demisexual - asexual person who can only be attracted to people they already have a bond with

Abrosexual - person whose sexuality is fluid, and may be asexual at one time, bisexual at another, gay at another, etc.

Aceflux - asexual person whose sexuality changes, like abrosexual, but only between asexual identities

Aegosexual - asexual person who likes the idea of sex or fantasises about it, as long as it doesn't envolve them

Lythosexual - asexual person who is only sexually attracted to people they are not close with, and their sexual attraction fades out once the become closer

Myrsexual - asexual person that uses multiple asexual identities to describe their sexuality

Aroace - aromantic asexual person

Alloace - alloromantic asexual person

Apothisexual - sex-repulsed asexual person

These are not all micro labels in the asexual spectrum, but they are quite a lot. Maybe even if your charater is not sure if they are in a certain label or not, you may find them in some of these descriptions.

Links to resources with more microlabels: Tumblr post by @aroacesafeplaceforall (no images) /

/ A slightly longer list on asexuals.net (undescribed flags) /

/ Another guide for microlabels on lgbtqia.fandom.com (undescribed flags)

Bonus questions

Is it okay if I make my asexual character autistic? Is it not stereotyping? Yes, it's okay. There are actual asexual autistic people, and I'm sure they'd love to get represented as well!

Is it okay if I make my asexual character have sex? Is it not erasure? Yes, you can do that too! As long as it is where they stand in the spectrum (as explained in the topics above), you are doing a good thing by representing sex-favorable asexuals.

Do I have to make a romantic orientation for them too? No. Your character may be a non-sam ace, and identify as ace alone!

I heard that it is erasure if I make smut fanfic of ace character X. I don't get it how! While it is true many ace people have sex, many people when writing that just ignore their sexuality when writing/drawing smut of them! The spectrum is wide, so when you are doing that, remember where they stand on it.

Why can't I headcanon this ace character as allosexual? I headcanon straight characters as gay/bi/pan all the time and nobody says it's wrong! If people don't like my headcanon why can't they just look away? Because asexual people are a marginalized group, unlike straight people, so it is as okay to make them allo as it is to take an asian or black or jewish character and make them white. Because it is not just an individual headcanon; it's a part of a much bigger problem, and by avoiding headcanoning ace characters as allo, you are confronting your own internalized aphobia, which is a good thing! If you still want to make them have sex, well, that's what I made this guide for! So you can make them have sex as you wish without erasing their identity.

I am ace and am basing myself or my own experiences here. Is it okay if I...? The answer is generally yes. If you wanna write about a different ace experience than your own, a little bit of research won't hurt, though!

Is this enough for me to write my ace character? It is a start. This is a general guide, and there are some things I haven't touched on this guide (like aphobia) so I'd advice you to do more in-depth research on topics you want to focus more on, but this should get you pretty far.

Extra

"Is Alastor from Hazbin Hotel canonically ace or aroace?" (slightly related, because some people looking for this guide to write this guy might want to know this too)

Answer: link to a post clearing this up this with some sources. Short answer though, is that he is confirmed to be ace, not aroace.

"If I didn't understand something here, or I have more questions, can I ask you?"

Answer: Yes! You can reblog this post with questions, and my inbox is also open, and I make sure to always let anon on. I will be happy to help if I can.

"One of the image descriptions on this post was off or confusing, can you change it to X so it is better to understand it?"

Answer: Of course! I will need you to signal me in either the notes or in the inbox what I need to change, though.

"Are asexual people queer?"

Answer: Yes! Because the queer community, as the name suggests, is for people who are different, odd, and are not considered "normal" because of that. Asexual people are not a part of "the norm", because we don't feel sexual attraction, and therefore, we, and by extension your ace characters too, are queer.

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