#this hurt my eyes but here we are-

[phantomuheist]

OLYMPIAN AESTHETICS.

BOLD for always, italics for sometimes/in some AUs only.

APHRODITE. laughter-loving. sweet smiles. dressed in silk and satin. flower in their hair. sees the world as a runway. unapologetically sexual. the sea washing their ankles. in love with love. stirrer of passion. cunning concealed by painted lips. secret daggers. doves. revolution in their kiss. delighting in the waves. flirtatious winks. strolling along the beach. staring wistfully from a balcony. this is how to be a heartbreaker. wants to be adored.

APOLLO. glitz and glamour. art galleries. turning the volume up. being made of gold. neatly organized music sheets. notebooks filled with poetry. bathing in the sunlight. the powerful urge to create. collecting vinyl records. beautiful cover of wonderwall. playing multiple instruments. tasting like sunshine. healing touch. speaking in prophecies. smile mingled with wrath. shunning lies. sporting shades. hanging out at music festivals with their friends. sleeps naked. arrow to the heart. paintbrushes. probably has a tinder account.

ARES. armed for battle. wants to raise a dog with their significant other. soft spot for children. gives piggyback rides. scarred body. blood on their hands and face. willing to fight the world for the ones they love. fights against injustice. warm hugs. well worn combat boots. boxing gloves. bandages wrapped around bruised knuckles. fist raised in protest. ignites revolutions. fear is a prison. more sensitive than what their tough shell would have you think. exhausted. damaged goods. force to be reckoned with. red roses. curses under their breath.

ARTEMIS. keen sense of a hunter. freckles like constellations on their skin. piercing eyes. disheveled braid. moonlight peeking through the shadows. the calm of the forest at night. lying on the grass and staring at the stars. mother doe and her fawn. protecting their kin. the moon shimmering on a still lake. quiver full of arrows resting against the bark of a tree. running with wolves. bonding while circled around a campfire. not being much of a people person. arrow hitting a target. popping egos. patience on 3%. touches heaven and returns howling.

ATHENA. discerning gaze. unreadable face. quiet museums. owl perched on their finger. armor that intimidates. eye for architecture. plays the sims for the sole purpose of building houses. studied the blade while everyone else was busy getting laid. big fan of logic. loves brain teasers. ancient buildings. sweaters in neutrals and cool colors. hair done up. can kill you with their brain. heads to the library often to research. sharpened pencils. abs that can cut steel. stoic statues. pottery classes.

DEMETER. soil covered hands. smile that can bloom flowers. skin loved by the sun. being the mom friend. can lift you and your friends. flowers kept in the pockets of overalls. takes pride in their beautiful garden. speaks to their plants. leaves rustling in the wind. stalks of wheat. picking fruit. greenhouses. heart as strong as a mountain. values simplicity. daisies dotted across a collarbone. curls crowned with flowers. folded pile of sweaters in warm hues. pulling out fresh baked bread out of the oven and the smell wafting through the air.

DIONYSUS. drunk shitposter. on their sixth glass of wine before you’ve even finished your second. seductive smirks. untamed curls. rich fabrics on dark skin. sleek furred panthers. theatre masks. stage productions. receiving a standing ovation. rose caught between their teeth. being the baby of the bunch. wild parties that last from sundown to sunup. creeping vines. inspiring loyalty. grand opera houses. masquerade balls. rolls of film. shattered chandeliers with broken glass scattered across the wine spilled floor. pouring champagne into flutes. lives for the applause.

HEPHAESTUS. the calloused hands of someone who knows labor. sweaty brow. flame burning in their eyes. inventive mind. broad shoulders. steampunk goggles. nuts and bolts stored away in little boxes. ashes. striking a match. blueprints for future projects. fixing up a busted up car and giving it cool upgrades. wrestles with bitterness. work boots have seen better years. wrinkled plaid shirts. iron melted in blazing fire. huge jackets. crafting masterpieces. greased stained overalls. fascination with robotics. pain is fuel. stack of weaponry. even their muscles have muscles.

HERA. resting bitch face. dressed to the nines. cows grazing on a pasture. cool rain. loving and hating fiercely. hand clutching a string of pearls. large chandelier with glittering crystals. plays the sims for the sole purpose of killing off their sims. romance to realism. pictures of the sky while flying on a plane. files that under fuck it. downs glasses of wine as they relax with a scented bubble bath and netflix. like their selfie or you’re grounded. knows 57 convenient ways to murder a man. dark eyes that penetrate your soul. marble and gold.

HERMES. devil - may - care smile. always up - to - date on the latest technology. will steal your french fries. does it for the vine. shitposter. puts googly eyes on everything. meme hoarder. long drives on the highway. ma and pop diners. spontaneous road trips. folded maps. fingers dancing across the keyboard of a laptop. shooting hoops on the basketball court. chatting up strangers as you all journey to your own destinations. goes jogging in the morning. mixes redbull with coffee. menace on april fool’s. hoodies and sneakers.

POSEIDON. storm with skin. colorful coral reefs. waves crashing against the shore. stroking the soft fur of a cat. their heart pounding as their horse’s gentle trot speeds into a gallop. tousled locks. clothes smeared with paint. owns several sketchbooks yet always yearns to own more. leather jackets. fondness for diy projects. handwriting that flows across the page. nimble fingers playing the strings of a violin. velvety singing voice that haunts your dreams. mood as ever - changing as the sea. the roar of a motorcycle. compass with a spinning arrow.

HADES. walking home alone in the early morning. back alleys. drinking alone in a graveyard. crippling loneliness hidden by sarcasm and cynicism. crows picking a carcass. untended dead flowers. the black sheep of the family. black coffee. money can’t buy you happiness. murder mystery dinner parties. blood on your shirt collar. dust illuminated by sunlight. classical music. dogs are better than people. a quiet wrath. shady business deals. taking what you are owed. paint it black. seasonal affective disorder. popping the suit collar. grey rain on a cityscape.

ZEUS. thunder in their heart. running on coffee. flash of lightning. unnatural charisma. eloquence. badass in a nice suit. an aficionado of history. force of nature. lennyface. nightmare-filled nights. proud arm around their lover’s waist. high-rise buildings. planes soaring through a cloudless sky. technician on the piano. maintains order. strong handshake. juggling multiple events on their busy schedule with ease. expensive watch.

Tagged by: @chibitantei

Tagging: just steal it, i'm tired

[platoapproved]

Well, you don't talk about your mother very much.

insp (x)

[xxplastic-cubexx]

chat i think im gonna be sick

(Powers of X #6)

[asalesbian]

Dutch + dancing

for @killjoysmonth: 5 years since S5E10 Last Dance (September 20th, 2019)

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[papa-evershed]

Rob James-Collier as Daniel Watson THE INHERITANCE

[yellowocaballero]

Been a fan of your fics for YEARS. I was just telling my friend how despite how much I read fics I never actually love them, with some of your fics (especially TMA) as the exception. Felt the need to reread some of them and saw you reblogged some ISAT fanart. So. Any thoughts on ISAT you'd like to share?

Hope you have a wonderful day!! So happy I found your fics again!!

I avoided answering this for a while because I was trying to think of a way to cohesively and coherently vocalize my thoughts on In Stars and Time. I have given up because I don't want to hold everybody here all day and I have accepted that my thoughts are just pterodactyl screeching.

I love it so much. I have so much to say on it. It drove me bonkers for like a week straight. I have AUs. It's absolute Megbait. They're just a little Snufkin and they're having the worst experience of anybody's life. Ludonarratives my fucking beloved.

I am going to talk about the prologue.

The prologue is such a fascinating experience. You crack open the game and immediately begin checking off all of the little genre boxes: mage, warrior, researcher, you're the rogue...some little kid who's there for some reason...alright, you know the score. You're in yet another indie Earthbound RPG, these are your generic characters, let's get the ball rolling.

Except then you realize that these characters are people. You feel instantly how you've entered the game at its last dungeon, at the end of the adventure. They have their own in-jokes, histories, backgrounds, adventures. They get along well and they're obviously close, but not in a twee or unrealistic way. They have so much chemistry and spirit and life. I fell in love with them so quickly.

But Sif doesn't. Sif kind of hates them, because they will not stop saying the same damn thing. They walk the same paths, do the same things, make the same jokes, expect Sif to say the same lines. They keep referencing a Sif we do not see, with jokes we never see him make and heroic personality he never shows - they reference a Sif who is dead - and Sif can't handle that, so he kills them too.

They become only an exercise in tedious frustration. Sif button mashes through their dialogue, Sif mindlessly clicks the same dialogue options, Sif skips through the tutorial, Sif blows through the puzzles. Sif turns their world into a video game. Sif is playing a generic RPG. Sif forgets their names. They are no longer people with in-jokes, histories, backgrounds, adventures. They're the mage, the warrior, the researcher, and...some random kid.

I did not understand the Kid's presence at first. I had no idea what they contributed to the game. They didn't do anything. As a party member in a video game, they're a bit useless. Why is the Kid there?

Because Sif's life isn't a video game. Because the kid isn't 'the kid'. They're Bonnie. Bonnie, who the party loves. Why is Bonnie there? Because they love them. There is no room for Bonnie in the boring RPG that Sif is playing. And then you realize that Sif is wrong, and that they've lost something extremely important, and that they'll never escape without it.

Watching the prologue before watching ISAT gave ISAT the most unique air of dread and horror, because you crack open ISAT and you see the person Sif used to be. You realize that Sif used to be a person. Sif used to be the person who made jokes, who gave real smiles, who interacted with the world as if they are a part of it. And you know you are sitting down to watch Sif lose everything that made them a person, to lose everything that made them a member of this world, and turn them into a character in a video game who doesn't understand the point of Bonnie at all.

At the climax of the game, when the others realize that something is deeply wrong and that Sif physically cannot tell them, they realize that there is nothing they can do. So Bonnie declares snacktime. And for the first time they have snacktime.

What is snacktime? Classic JRPGs don't have snacktime. There's literally no point to a snacktime - not in a video game, and not in Sif's terrible life. It's not fixing this, because nothing can fix this. But Bonnie gives Sif a cookie and Sif eats it.

It's meaningless. It's a cutscene. It didn't save Sif and it didn't change a thing. It will make no difference in the end.

But it did make the difference. It made all of the difference in the world. Bonnie is a character who you really don't understand the point of before you realize that Bonnie was the entire point.

ISAT is about comfort media. Why do we play the same video games over and over again? Why do we avoid watching the finale of our favorite shows? What is truly comforting: a story with no conflict, or a story where you always know what is about to happen? Do you want to live in a scary, uncontrollable world, or do you want to play Stardew Valley? Do you want a person or a character?

When I beat Earthbound for the first time (and if you don't know, the prologue/ISAT battle system is just Mother) and watched the ending cutscene where the characters part ways and say goodbye...I felt a little bit sad. I wanted them to be together forever. But that's something only characters could ever be.

[zoennes]

30 NOVEMBER, 2019 • ZATERDAG, 09:41

[copia]

love this man can't believe he's real

[preparedchalk]

This is about Poseidon

You know, I was listening to the songs, listening to the low sounds, because I usually only focus on the vocals and skip the drums, and it was new to me how many drums there are in Ruthlessness, and I also heard this thing that sounds like a heartbeat there and in Get in the water, and I thought I should write about it, but recently it was written about?? So what now?

I will not generate correct thoughts, or smart ones. There are people who have already written this or who will write it better than me

So Right now only stupid and wrong thoughts!!

"I've got a reputation", Poseidon said. And that's why I will not believe everything he says

"I mean you totally could have avoided all this Had you just killed my son" This is someone who does not care about his son, you say. I say it's someone who want you to think so. How can he seem ruthless if he shows that he cares?

'I'll take your son and gouge his eyes" Is it an eye for an eye thing or does it really hurt him?

"I've gotta make you bleed I need to see you drown" I'm not sure about "gotta", but "need to see"? If it was just about reputation, it would have been enough to drown Odysseus for others to know. But he needs to see. It's a satisfaction about something more personal than reputation. Maybe he's a sadist, but that's not what I'm getting at /looks at Polyphemus/

"Mercy has a price" "Unlike you I've got no mercy left to give" I'll say it here. Mercy has a price is just not something I think people come to on their own. They learn it the hard way or someone else tells them So yeah, who told you this? How did you pay? #✨trauma✨

"Today, you die Unless, of course, you apologize" Odysseus doesn't apologize, but that's not the point, we know he's doomed anyway. Poseidon doesn't really demand an apology, he wants Odysseus to regret his actions, to show the attitude a mortal should show toward a god. Instead, Odysseus explains his position to him, adult to adult, almost as if they were equals

"Forty three left under your command" Did… did he count??

"I am your darkest moment The monster that always draws near" Poseidon quotes, like he thinks he understands Odysseus Never mind, just look, here Poseidon calls himself a monster

"Ruthlessness is mercy upon ourselves Die" There's a voice distortion at the end of Get in the water, the same line, but lower and growling. Does Scylla do something like that? Well… No. But it would be really cool if yes. Because then I could explain these lines: "so find a place he’d never go" "where he’s scared to roam" by the fact (that's not a fact… ) that she is his daughter and he failed her. And he can’t face the consequences (#✨trauma✨)

"Told me to close my heart (You) You said the world was dark (Monster) Didn't you say that ruthlessness is mercy upon our-" Remember that Poseidon called himself a monster earlier. For me, he now recognizes Odysseus as an equal, especially considering how the concepts of man (mortal) and monster are divided. And again, they quote each other, but these are the main motives. They are both monsters, they both use ruthlessness. Not counting the fact that Poseidon uses it when he can, and Odysseus when he can't do otherwise. Odysseus understands Poseidon's point and rejects it, Poseidon thinks he understands Odysseus, but he doesn't understand shit

Also, because I need to get this out into public space

"Alright, please" He may be screaming in extreme outrage at how Odysseus dares to turn his own words against him. But I can hear that he's on the verge of tears. And the next sentence is rather muffled "After everything you've done How will you sleep at night?"

Like He's taken a lot of physical blows, a blow to his reputation, a blow to his worldview (I think it will get to him very soon, but he will be in denial for a long time), all at once and from the mortal he was hunting. Who wouldn't cry?

And you can't argue with me because I already lost

[dropthedemiurge]

And isn't it amazing and incredible in its existence when a self-destructive boy, left alone by everyone and turned into a burden, hiding the scorching fire of his pain behind the mask and a glass of whiskey, demands and pleads of help so earnestly, so openly, so needy, knowing he will be cared for?

Ray x Sand (Only Friends The Series, 2023)

[jovenshires]

dancing on my own & you're losing me by taylor swift

Spencer feels strange, after that - it’s almost like his whole body is humming. He feels it from the top of his head to the tips of his fingers. His heart plays the beat of a song that he’s all too familiar with. It’s a hymn, a desperate need for reassurance - please, don’t be fucking with me. It feels like an electrical current running beneath his skin. It feels an awful lot like hope. Fuck. That’s the last thing he needs.

[thermodynamic-comedian]

listen. i do not ever want anything bad to happen to lena kelley. however i do want her to, at some point, be in so much distress that someone has to comfort her. do you understand.

[cozystars]

The one who carries the Mushroom Kingdom on her shoulders.

[keeps-ache]

i have my glasses now!! here are some things:

saw my mother clearly and almost cried

saw the parking lot and the sky and a tree and forgot to breath for a second

was so enamored with the Sky i tripped over a curb

the stars. oh my god the stars

[flamboyant-king]

He was full of light and life. Outgoing, athletic, kind of a smug show-off, but still kind, caring, and loyal. Sure, things have changed immensely, but some things stay the same, like his tattoo.

And yes, you are allowed to kiss me on the mouth for drawing a background WITH perspective.